Contributors. Ron Arnold, Pamela A. Conners, Mary S. Culpin, Stanley Dempsey, Peter Gillis, Donn E. Headley, Robert L. Hendricks, Stephen Larrabee, Patricia Nelson Limerick, Dennis L. Lynch, Michael McCarthy, Char Miller, Joseph A. Miller, James Muhn, Kevin Palmer, Donald Pisani, John F. Reiger, William Rowley, Michael Ryan, William E. Shands, Harold K. Steen, Richard White, Gerald W. Williams
Beginning in October 1883 at the time of Treaty of Ancón terminating four years of warfare with Chile, Peru’s workers started a thirty-year effort to become an active and influential sector of society. They formed organizations, actively participated in the nation’s political life, engaged in industrial agitation—all revealing a growing class consciousness and an ability to compel both employers and governments to respond to their demands. Blanchard’s analysis and insights into the economic factors underlying Peru’s labor unrest also extends to labor developments and the modernization process throughout Latin America.
When originally published in German in 1924, this volume was hailed as the first modern, comprehensive archaeological overview of an emerging area of the world. Yes, the Caribbean islands had long been known and owned, occupied, or traded among by the economically advanced nations of the world. However, the original inhabitants—as well as their artifacts, languages, and culture—had been treated by explorers and entrepreneurs alike as either slaves or hindrances to progress, and were used or eliminated. There was no publication that treated seriously the region and the peoples until this work. In the following ten years, additional pertinent publications emerged, along with a request to translate the original into Spanish. Based on those recent publications, Loven decided to update and reissue the work in English, which he thought to be the future international language of scholarship. This work is a classic, with enduring interpretations, broad geographic range, and an eager audience.
In the spring of 1846 James K. Polk announced that the Mexican Army had invaded United States territory and had “shed American blood upon the American soil.” This political rhetoric, as Glenn W. Price establishes in Origins of the War with Mexico: The Polk-Stockton Intrigue, is part of the myth of American innocence. It represents the “internal contradiction between professed values and patterns of action,” perpetuated by American historical writing that emphasizes national consequences of the acquisition of foreign territory and minimizes both its international significance and the importance of the diplomatic and military methods used.
A conflict with Mexico, leading to territorial expansion of the United States, was not unwanted. California was Polk’s prime objective from the beginning of his administration, and this Mexican province was to be acquired by conquest in a war initiated on the Texas-Mexican border. To this end Polk sent several agents to Texas, but the man at the center of the war intrigue was Commodore Robert F. Stockton, independently wealthy, prominent in politics, and the head of great business enterprises.
Sufficient evidence exists to substantiate in every important particular the steps in Polk’s path of intrigue: his attempts to bribe Mexican officials; his efforts to encourage revolutionary forces in the Mexican provinces; his use of the threat of force to frighten Mexico into selling California; his attempt to initiate a war by proxy through the government of Texas and Anson Jones.
If Polk was unwilling to assume responsibility for aggressive war, Stockton was not; he arrived in Galveston with a squadron of naval vessels in May of 1845, prepared to finance an army of three thousand men from his personal funds to avoid the overt involvement of the government of the United States. But, says Price, for all the internationally dangerous implications of such a maneuver, the two men who played the chief roles in the war intrigue of 1845 are representative in their written and spoken expression of faith in American righteousness of action and in the American tradition of the divine mission.
Based on extensive research into the written and spoken words of the people who were involved, directly and indirectly, in the events, this analysis (which will be considered revisionist) of the origins of the War with Mexico is the result of the kind of objective approach to national history for which the author makes a plea in his preface and conclusion and in his interpretive comments throughout the work. The historian, Price believes, “has the extraordinary advantage of being able to examine mankind from that distance and elevation and detachment which so often reveals, as it is designed to reveal, the gulf between pretension and performance.”
Women workers and the revolutionary origins of the modern welfare state
In May 1790, the French National Assembly created spinning workshops (ateliers de filature) for thousands of unemployed women in Paris. These ateliers disclose new aspects of the process which transformed Old Regime charity into revolutionary welfare initiatives characterized by secularization, centralization, and entitlements based on citizenship. This study is the first to examine women and the welfare state in its formative period at a time when modern concepts of human rights were elaborated.
In The Origins of the Welfare State, Lisa DiCaprio reveals how the women working in the ateliers, municipal welfare officials, and the national government vied to define the meaning of revolutionary welfare throughout the Revolution. Presenting demands for improved wages and working conditions to a wide array of revolutionary officials, the women workers exercised their rights as "passive citizens" capaciously and shaped the meanings of work, welfare, and citizenship. Looking backward to the Old Regime and forward to the nineteenth century, this study explores the interventionist spirit that characterized liberalism in the eighteenth century and serves as a bridge to the history of entitlements in the nineteenth and twentieth centuries.
The ñuu - the kingdoms of the famous Mixtec codices - are traced back through the Postclassic and Classic periods to their beginnings in the first states of the Terminal Formative, revealing their origin, evolution, and persistence through two cycles of growth and collapse. Challenging assumptions that the Mixtec were peripheral to better-known peoples such as the Aztecs or Maya, the book asserts that the ñuu were a major demographic and economic power in their own right.
Older explanations of multiregional or macroregional systems often portrayed civilizations as rising in a cradle or hearth and spreading outward. New macroregional studies show that civilizations are products of more complex interactions between regions, in which peripheries are not simply shaped by cores but by their interactions with multiple societies at varying distances from major centers. Origins of the Ñuu is a significant contribution to this emerging area of archaeological research.
Genocide is commonly understood to be a terrible aberration in human behaviour, performed by evil, murderous regimes such as the Nazis and dictators like Suharto and Pinochet. John Docker argues that the roots of genocide go far deeper into human nature than most people realise.
Genocide features widely in the Bible, the literature of ancient Greece and Rome, and debates about the Enlightenment. These texts are studied in depth to trace the origins of violence through time and across civilisations. Developing the groundbreaking work of Raphaël Lemkin, who invented the term 'genocide', Docker guides us from the dawn of agricultural society, through classical civilisation to the present, showing that violence between groups has been integral to all periods of history.
This revealing book will be of great interest to those wishing to understand the roots of genocide and why it persists in the modern age.
Debate rages within the Catholic Church about the ethics of war and peace, but the simple question of why wars begin is too often neglected. Catholics’ assumptions about the causes of conflict are almost always drawn uncritically from international relations theory—a field dominated by liberalism, realism, and Marxism—which is not always consistent with Catholic theology.
In The Origins of War, Matthew A. Shadle examines several sources to better understand why war happens. His retrieval of biblical literature and the teachings of figures from church tradition sets the course for the book. Shadle then explores the growing awareness of historical consciousness within the Catholic tradition—the way beliefs and actions are shaped by time, place, and culture. He examines the work of contemporary Catholic thinkers like Pope John Paul II, Jacques Maritain, John Courtney Murray, Dorothy Day, Brian Hehir, and George Weigel. In the constructive part of the book, Shadle analyzes the movement within international relations theory known as constructivism—which proposes that war is largely governed by a set of socially constructed and cultural influences. Constructivism, Shadle claims, presents a way of interpreting international politics that is highly amenable to a Catholic worldview and can provide a new direction for the Christian vocation of peacemaking.
A Marginal Revolution Book of the Year
After tracking the lives of thousands of people from birth to midlife, four of the world’s preeminent psychologists reveal what they have learned about how humans develop.
Does temperament in childhood predict adult personality? What role do parents play in shaping how a child matures? Is day care bad—or good—for children? Does adolescent delinquency forecast a life of crime? Do genes influence success in life? Is health in adulthood shaped by childhood experiences? In search of answers to these and similar questions, four leading psychologists have spent their careers studying thousands of people, observing them as they’ve grown up and grown older. The result is unprecedented insight into what makes each of us who we are.
In The Origins of You, Jay Belsky, Avshalom Caspi, Terrie Moffitt, and Richie Poulton share what they have learned about childhood, adolescence, and adulthood, about genes and parenting, and about vulnerability, resilience, and success. The evidence shows that human development is not subject to ironclad laws but instead is a matter of possibilities and probabilities—multiple forces that together determine the direction a life will take. A child’s early years do predict who they will become later in life, but they do so imperfectly. For example, genes and troubled families both play a role in violent male behavior, and, though health and heredity sometimes go hand in hand, childhood adversity and severe bullying in adolescence can affect even physical well-being in midlife.
Painstaking and revelatory, the discoveries in The Origins of You promise to help schools, parents, and all people foster well-being and ameliorate or prevent developmental problems.
A Marginal Revolution Book of the Year
“Brings the groundbreaking research of the top developmental psychologists of the past quarter-century to a wider audience…A masterpiece!”—Dante Cicchetti, Institute for Child Development at the University of Minnesota
“Deliver[s] a flood of insights around the book’s central question: To what degree do our childhood personalities and behaviors predict our adult selves?”—Wall Street Journal
“One of the best and most important works of the last few years…Fascinating.”—Tyler Cowen, Marginal Revolution
Does childhood temperament predict adult personality? What role do parents play in shaping how a child matures? Is day care bad—or good—for children? Does adolescent delinquency forecast a life of crime? Do genes influence success in life? Is one’s health shaped by childhood experiences? In search of answers to these questions, four leading psychologists dedicated their careers to studying thousands of people, observing them as they grew and emerging with unprecedented insight into what makes us who we are.
They found that human development is not subject to ironclad laws so much as a matter of possibilities and probabilities—multiple forces that together determine the direction of one’s life. The early years do predict who we become, but they do so imperfectly. At once actionable and revelatory, The Origins of You is an invaluable guide for parents, teachers, and anyone working with or caring for children.
The glowing cloud in Orion's sword, the Orion Nebula is a thing of beauty in the night sky; it is also the closest center of massive star formation--a stellar nursery that reproduces the conditions in which our own Sun formed some 4.5 billion years ago. The study of the Orion Nebula, focused upon by ever more powerful telescopes from Galileo's time to our own, clarifies how stars are formed, and how we have come to understand the process. C. Robert O'Dell has spent a lifetime studying Orion, and in this book he explains what the Nebula is, how it shines, its role in giving birth to stars, and the insights it affords into how common (or rare) planet formation might be.
An account of astronomy's extended engagement with one remarkable celestial object, this book also tells the story of astronomy over the last four centuries. To help readers appreciate the Nebula and its secrets, O'Dell unfolds his tale chronologically, as astrophysical knowledge developed, and our knowledge of the Nebula and the night sky improved.
Because he served as chief scientist for the Hubble Space Telescope, O'Dell conveys a sense of continuity with his professional ancestors as he describes the construction of the world's most powerful observatory. The result is a rare insider's view of this observatory--and, from that unique perspective, an intimate observer's understanding of one of the sky's most instructive and magnificent objects.
Ornament as Crisis explores the ways in which the novels of Hermann Broch’s Sleepwalkers (Schlafwandler) trilogy participate in and employ the history of architecture and architectural theory.
Beginning with the visual and architectural experiences of the figures in each novel, Sarah McGaughey analyzes the role of architecture in the trilogy as a whole, while discussing work by Broch’s contemporaries on architecture. She argues that The Sleepwalkers allows us to better understand how literature responds and contributes to social, theoretical, and spatial concepts of architecture. Ornament as Crisis guides readers through the spaces of Broch’s mdernist masterpiece and the architectural debates of his time.
A reverent jag of irreverence, tilting forward to arresting moments of beauty, astonishment, confusion, and grief, the poems in David Daniel’s Ornaments find their myths in history and pop culture; they take their truths, but just as much their doubts, from the fallibility of what we remember and the desperation with which we struggle to reassemble it. Surreal, lyrical, madcap, they bring a faith, above all, in poetry. Which means in people and their bewildered hearts.
As an "orphan train" crossed the country, it left part of its cargo at each stop, a few children in one small town and a few in another. Even though farmers needed many hands for labor, most of the small farm communities could not or would not take all of the children on the train. As the train moved to its next stop, those children not taken feared no one would ever want them.
Early immigration laws encouraged the poor of Europe to find new hope with new lives in the United States. But sometimes the immigrants exchanged a bad situation in their native country for an even worse one on the streets of New York and other industrial cities. As a result, the streets were filled with crowds of abandoned children that the police called "street arabs." Many New York citizens blamed the street arabs for crime and violence in the city and wanted them placed in orphan homes or prisons.
In 1853 a man by the name of Charles Loring Brace, along with other well-to-do men in New York City, founded the Children's Aid Society. The society planned to give food, lodging, and clothing to homeless children and provide educational and trade opportunities for them. But the number of children needing help was so large that the Children's Aid Society was unable to care for them, and Brace developed a plan to send many of the children to the rural Midwest by train. He was convinced that the children of the streets would find many benefits in rural America. In 1854 he persuaded the board of the society to send the first trainload of orphans west. With this, the orphan trains were born.
Cheap fares, the central location of the state, and numerous small farming towns along the railroad tracks made Missouri the perfect hub for the orphan trains, even though many areas of the state were still largely unsettled. Researchers have estimated that from 150,000 to 400,000 children were sent out on orphan trains, with perhaps as many as 100,000 being placed in Missouri.
Orphan Trains to Missouri documents the history of the children on those Orphan Trains--their struggles, their successes, and their failures. Touching stories of volunteers who oversaw the placement of the orphans as well as stories of the orphans themselves make this a rich record of American and midwestern history.
On July 10, 1940, by a 570 to 80 margin, the representatives in the French parliament voted full powers to Philippe Pétain, ending the Third Republic and paving the way for the collaborationist Vichy regime. Olivier Wieviorka offers a nuanced portrait of the individuals who determined the fate of France at this critical moment.
Pétain claimed to be saving France from ruin. The day of the vote has been described as a journée des dupes, the legislators so ignorant or fearful that they voted without a thought to the consequences. But Wieviorka shows that most of the deputies made a considered decision to vote for Pétain. He analyzes the factors, such as political culture and regional origins, that motivated the voting on both sides, and traces the men’s fates through the war.
Recreating the tense atmosphere of summer 1940, Wieviorka shows how pressures brought on by defeat could affect even the most hardened republicans. He illuminates the complex moral issues inherent in accommodation and collaboration in a time of crisis.
Robert Finn's translation of Turkish author Nazli Eray's Orphée makes available to the English-language reader a rewriting of the myth from the perspective of Eurydice, the wife of Orpheus. Eray's surrealistic version takes place in a hot resort town in contemporary Turkey. The setting of an archaeological dig gives a connection to the past and literally to the underworld. Found in the dig is a statue of the Roman emperor Hadrian, who proceeds to offer an unusual perspective on modern life and values through mysterious letters carried by a messenger pigeon. Eray also comments on modernity, as the city of Ankara emerges as a character in the novel's fantasy. Set in junta-ruled Turkey of the 1980s, the novel takes its place as a crucial slice of Turkish literary history.
Resonating with haunting references to the film Last Tango in Paris, the novel evolves as a mystery story with a humorous bent. Thus Eray illuminates her insatiable curiosity about other cultures, particularly those of the West. Finally, the style of the translation is simple and clear, with crisp dialogue. Sibel Erol, professor of Turkish literature at New York University, has written an introduction that places this fantastic plot in a literary context, as well as in understandable terms that relate to the reality of today's Turkey.
"Orpheus in the Bronx not only extols the freedom language affords us; it embodies that freedom, enacting poetry's greatest gift---the power to recognize ourselves as something other than what we are. These bracing arguments were written by a poet who sings."
---James Longenbach
A highly acute writer, scholar, editor, and critic, Reginald Shepherd brings to his work the sensibilities of a classicist and a contemporary theorist, an inheritor of the American high modernist canon, and a poet drawing and playing on popular culture, while simultaneously venturing into formal experimentation.
In the essays collected here, Shepherd offers probing meditations unified by a "resolute defense of poetry's autonomy, and a celebration of the liberatory and utopian possibilities such autonomy offers." Among the pieces included are an eloquent autobiographical essay setting out in the frankest terms the vicissitudes of a Bronx ghetto childhood; the escape offered by books and "gifted" status preserved by maternal determination; early loss and the equivalent of exile; and the formation of the writer's vocation. With the same frankness that he brings to autobiography, Shepherd also sets out his reasons for rejecting "identity politics" in poetry as an unnecessary trammeling of literary imagination. His study of the "urban pastoral," from Baudelaire through Eliot, Crane, and Gwendolyn Brooks, to Shepherd's own work, provides a fresh view of the place of urban landscape in American poetry.
Throughout his essays---as in his poetry---Shepherd juxtaposes unabashed lyricism, historical awareness, and in-your-face contemporaneity, bristling with intelligence.
The Florentine musician Jacopo Peri (1561-1633) is known as the composer of the first operas--they include the earliest to survive complete, Euridice (1600), in which Peri sang the role of Orpheus. A large collection of recently discovered account books belonging to him and his family allows for a greater exploration of Peri's professional and personal life. Richard Goldthwaite, an economic historian, and Tim Carter, a musicologist, have done much more, however, than write a biography: their investigation exposes the remarkable value of such financial documents as a primary source for an entire period.
This record of Peri's wide-ranging investments and activities in the marketplace enables the first detailed account of the Florentine economy in the late sixteenth and early seventeenth centuries, and also opens a completely new perspective on one of Europe's principal centers of capitalism. His economic circumstances reflect continuities and transformations in Florentine society, and the strategies for negotiating them, under the Medici grand dukes. At the same time they allow a reevaluation of Peri the singer and composer that elucidates the cultural life of a major artistic center even in changing times, providing a quite different view of what it meant to be a musician in late Renaissance Italy.
The legend of the Destroying Angel of Mormondom was well established by the time of his death, of natural causes, in 1878. Travelers sang ballads about him as they gathered around their campfires at night. Mothers used his name to frighten children into obedience. He was accused of literally hundreds of murders, all in the name of the Mormon Church.
Yet behind all the myth was a man, a human being. Orrin Porter Rockwell believed in his prophet, Joseph Smith. He spent most of a year chained in an Independence dungeon for his belief, then walked across Missouri to Nauvoo, stumbling into Joseph’s house on Christmas Day. Joseph said to him then, “Cut not thy hair and no bullet or blade can harm thee,” and the legend was born.
Rockwell continued to serve the leaders of his church—as hunter, guide, messenger, scout, guerilla, emissary to the Indians, and lawman. He traveled thousands of miles, raised three families, accumulated land and wealth—and favorably impressed almost everyone who met him. But although he walked with presidents and generals, scholars and scoundrels, in a life lived at the center of many of the great events of the American frontier, he has remained an enigma, a source of continuing controversy.
Harold Schindler’s remarkable investigative skills led him into literally thousands of unlikely places in his search for the truth about Rockwell. Dale L. Morgan, one of the west’s foremost historians, called the first edition “…an impressive job of research, one of the most impressive in recent memory, in the Mormon field. Mr. Schindler has shown great energy and sagacity in dealing with a difficult, highly controversial subject; and he has also made maximum use of the latest scholarship and newly available archival resources.”
But the author was not satisfied until he had probed even more deeply, and this revised and enlarged second edition contains greatly expanded documentation as well as textual additions that flesh out the characters and events of this classic drama of early America.
Orson Welles and the Unfinished RKO Projects: A Postmodern Perspective traces the impact of legendary director Orson Welles on contemporary mass media entertainment and suggests that, ironically, we can see Welles’s performance genealogy most clearly in his unfinished RKO projects.
Author Marguerite H. Rippy provides the first in-depth examination of early film and radio projects shelved by RKO or by Welles himself. While previous studies of Welles largely fall into the categories of biography or modernist film studies, this book extends the understanding of Welles via postmodern narrative theory and performance analysis, weaving his work into the cultural and commercial background of its production. By identifying the RKO years as a critical moment in performance history, Rippy synthesizes scholarship that until now has been scattered among film studies, narrative theory, feminist critique, American studies, and biography.
Building a bridge between auteur and postmodern theories, Orson Welles and the Unfinished RKO Projects offers a fresh look at Welles in his full complexity. Rippy trains a postmodern lens on Welles’s early projects and reveals four emerging narrative modes that came to define his work: deconstructions of the first-person singular; adaptations of classic texts for mass media; explorations of the self via primitivism; and examinations of the line between reality and fiction. These four narrative styles would greatly influence the development of modern mass media entertainment.
Rippy finds Welles’s legacy alive and well in today’s mockumentaries and reality television. It was in early, unfinished projects where Welles first toyed with fact and fiction, and the pleasure of this interplay still resonates with contemporary culture. As Rippy suggests, the logical conclusion of Welles’s career-long exploration of “truthiness” lies in the laughs of fake news shows. Offering an exciting glimpse of a master early in his career, Orson Welles and the Unfinished RKO Projects documents Welles’s development as a storyteller who would shape culture for decades to come.
In this groundbreaking interdisciplinary study, Maram Epstein identifies filial piety as the dominant expression of love in Qing dynasty texts. At a time when Manchu regulations made chastity the primary metaphor for obedience and social duty, filial discourse increasingly embraced the dramatic and passionate excesses associated with late-Ming chastity narratives.
Qing texts, especially those from the Jiangnan region, celebrate modes of filial piety that conflicted with the interests of the patriarchal family and the state. Analyzing filial narratives from a wide range of primary texts, including local gazetteers, autobiographical and biographical nianpu records, and fiction, Epstein shows the diversity of acts constituting exemplary filial piety. This context, Orthodox Passions argues, enables a radical rereading of the great novel of manners The Story of the Stone (ca. 1760), whose absence of filial affections and themes make it an outlier in the eighteenth-century sentimental landscape. By decentering romantic feeling as the dominant expression of love during the High Qing, Orthodox Passions calls for a new understanding of the affective landscape of late imperial China.
Reexamining religious culture in seventeenth-century New England, Janice Knight discovers a contest of rival factions within the Puritan orthodoxy. Arguing that two distinctive strains of Puritan piety emerged in England prior to the migration to America, Knight describes a split between rationalism and mysticism, between theologies based on God’s command and on God’s love. A strong countervoice, expressed by such American divines as John Cotton, John Davenport, and John Norton and the Englishmen Richard Sibbes and John Preston, articulated a theology rooted in Divine Benevolence rather than Almighty Power, substituting free testament for conditional covenant to describe God’s relationship to human beings.
Knight argues that the terms and content of orthodoxy itself were hotly contested in New England and that the dominance of rationalist preachers like Thomas Hooker and Peter Bulkeley has been overestimated by scholars. Establishing the English origins of the differences, Knight rereads the controversies of New England’s first decades as proof of a continuing conflict between the two religious ideologies. The Antinomian Controversy provides the focus for a new understanding of the volatile processes whereby orthodoxies are produced and contested. This book gives voice to this alternative piety within what is usually read as the univocal orthodoxy of New England, and shows the political, social, and literary implications of those differences.
By mid-nineteenth century the movement for cultural and political self-determination of the Rumanians of Transylvania had attained a high degree of maturity and, at the same time, was entering a period of internal crisis. The Orthodox Church still stood at the center of national life, as it had for centuries, but now the paramount role of the clergy was effectively challenged by a dynamic class of lay intellectuals who were eager to set their people on a new, essentially secular, course to bring them abreast of the advanced nations of Europe.
The dominant figure of the period was Andreiu Şaguna, bishop and later metropolitan of the Rumanian Orthodox Church. Although he equaled the intellectuals in devotion to the national cause, he carried forward the venerable practices of ecclesiastical leadership and upheld the primacy of religion in the life of the nation. The tension he and the intellectuals created motivated Rumanian national development for nearly a quarter century.
The Rumanian experience has significance beyond the boundaries of Transylvania. Hitchins elucidates its connection to the complex process of national development that all the peoples of the Habsburg monarchy were undergoing, and suggests its relevance to contemporary Austrian policy toward national aspirations in general.
The Osage Indians were a powerful group of Native Americans who lived along the prairies and plains of present-day Kansas, Missouri, Oklahoma, and Arkansas. The Osage: An Ethnohistorical Study of Hegemony on the Prairie-Plains, now available in paper, shows how the Osage formed and maintained political, economic, and social control over a large portion of the central United States for more than 150 years.
On November 10, 1808, the American militia and the chiefs from the Little Osage and Big Osage nations celebrated. Fort Osage, built on a Missouri River bluff 250 miles west of St. Louis, was officially opened on that date, and the Osage Indians signed a treaty with the Americans written by Governor Meriwether Lewis.
Fort Osage, intended as a citadel for the opening of the great American West, was also to function as a trading post for the Osage Nation. It was President Jefferson's hope that Fort Osage and other fort-trading posts would not only keep peace on the frontier but would also begin a new era in relations between Native Americans and the United States. For a short time, the fort did provide the Osage with a place to trade their furs. It also offered them limited protection from the many other tribes who were their enemies. However, the Osage chiefs discovered very quickly that the fort was small consolation for the lands they had given up by signing the treaty.
In this well-written and very readable work, Kristie C. Wolferman traces the history of the Osage Nation from its origins to its forced departure from Missouri. She demonstrates the ways in which the Osage culture changed with each new encounter of the Osage with Europeans. The Osage had already experienced many contacts with the white man before Fort Osage came to be. They had encountered French trader-trappers, explorers, missionaries, Spanish administrators, and early settlers. Their lives had been changed by the influx of white disease, by the use of European trade goods and weapons, and by the political control of Spanish, French, and American governments. As a result, the Fort Osage experiment came too late to establish lasting good relations between the white men and the Indians.
The Osage in Missouri suggests that the white men could never understand the Osage way of life, nor the Osage the white men's way. But Osage culture, greatly altered by Europeans and Americans, would never be the same again. The Osage would be forced to sacrifice most of their traditions and beliefs, as well as their homeland, on the way to becoming "civilized."
Siouan peoples who migrated from the Atlantic coastal region and settled in the central portion of the North American continent long before the arrival of Europeans are now known as Osage. Because the Osage did not possess a written language, their myths and cultural traditions were handed down orally through many generations. With time, only those elements deemed vital were preserved in the stories, and many of these became highly stylized. The resulting verbal recitations of the proper life of an Osage—from genesis myths to body decoration, from star songs to child-naming rituals, from war party strategies to medicinal herbs—constitute this comprehensive volume.
Osage myths differ greatly from the myths of Western Civilization, most obviously in the absence of individual names. Instead, “younger brother,” “the messenger,” “Little Old Men,” or a clan name may serve as the allegorical embodiment of the central player. Individual heroic feats are also missing because group life took precedence over individual experience in Osage culture.
Supplementing the work of noted ethnographer Francis La Flesche who devoted most of his professional life to recording detailed descriptions of Osage rituals, Louis Burns’s unique position as a modern Osage—aware of the white culture’s expectations but steeped in the traditions himself is able to write from an insider’s perspective.
Images of the city in literature and film help constitute the experience of modern life. Studies of the Japanese city have focused on Tokyo, but a fuller understanding of urban space and life requires analysis of other cities, beginning with Osaka. Japan’s “merchant capital” in the late sixteenth century, Osaka remained an industrial center—the “Manchester of the East”—into the 1930s, developing a distinct urban culture to rival Tokyo’s. It therefore represents a critical site of East Asian modernity. Osaka Modern maps the city as imagined in Japanese popular culture from the 1920s to the 1950s, a city that betrayed the workings of imperialism and asserted an urban identity alternative to—even subversive of—national identity.
Osaka Modern brings an appreciation of this imagined city’s emphatic locality to: popular novels by Tanizaki Jun’ichirō, favorite son Oda Sakunosuke, and best-seller Yamasaki Toyoko; films by Toyoda Shirō and Kawashima Yūzō; and contemporary radio, television, music, and comedy. Its interdisciplinary approach creates intersections between Osaka and various theoretical concerns—everyday life, coloniality, masculinity, translation—to produce not only a fresh appreciation of key works of literature and cinema, but also a new focus for these widely-used critical approaches.
Although Oscar W. Underwood was considered a titan of his age, few American political figures have suffered such neglect as he. Except for his candidacy for the Democratic nomination in 1924, his political career is largely forgotten even in Alabama. The one place in which Underwood is well remembered is in the folklore of Congress, where he is widely regarded as a great party leader who had mastered the rules perhaps as thoroughly as any member of Congress. This mastery, together with steady work, personal magnetism, and a willingness to compromise, made him effective as chairman of the Ways and Means Committee in formulating a majority program after the Democrats seized control of the House in 1910. Pat Harrison, Underwood's lieutenant as minority leader, referred to Underwood as the "greatest natural parliamentarian, the greatest leader of a law-making body that I ever saw."
--from the Preface to Oscar W. Underwood: A Political Biography
Oscar Wilde and Modern Culture: The Making of a Legend explores the meteoric rise, sudden fall, and legendary resurgence of an immensely influential writer’s reputation from his hectic 1881 American lecture tour to recent Hollywood adaptations of his dramas. Always renowned—if not notorious—for his fashionable persona, Wilde courted celebrity at an early age. Later, he came to prominence as one of the most talented essayists and fiction writers of his time.
In the years leading up to his two-year imprisonment, Wilde stood among the foremost dramatists in London. But after he was sent down for committing acts of “gross indecency” it seemed likely that social embarrassment would inflict irreparable damage to his legacy. As this volume shows, Wilde died in comparative obscurity. Little could he have realized that in five years his name would come back into popular circulation thanks to the success of Richard Strauss’s opera Salome and Robert Ross’s edition of De Profundi. With each succeeding decade, the twentieth century continued to honor Wilde’s name by keeping his plays in repertory, producing dramas about his life, adapting his works for film, and devising countless biographical and critical studies of his writings.
This volume reveals why, more than a hundred years after his demise, Wilde’s value in the academic world, the auction house, and the entertainment industry stands higher than that of any modern writer.
Nicholas Frankel presents a new and revisionary account of Wilde’s final years, spent in poverty and exile on the European continent following his release from an English prison for the crime of “gross indecency” between men. Oscar Wilde: The Unrepentant Years challenges the prevailing, traditional view of Wilde as a broken, tragic figure, a martyr to Victorian sexual morality, and shows instead that he pursued his post-prison life with passion, enjoying new liberties while trying to resurrect his literary career.
After two bitter years of solitary confinement, Frankel shows, Wilde emerged from prison in 1897 determined to rebuild his life along lines that were continuous with the path he had followed before his conviction, unapologetic and even defiant about the crime for which he had been convicted. England had already done its worst. In Europe’s more tolerant atmosphere, he could begin to live openly and without hypocrisy.
Frankel overturns previous misunderstandings of Wilde’s relationship with Lord Alfred Douglas, the great love of his life, with whom he hoped to live permanently in Naples, following their secret and ill-fated elopement there. He describes how and why the two men were forced apart, as well as Wilde’s subsequent relations with a series of young men. Oscar Wilde pays close attention to Wilde’s final two important works, De Profundis and The Ballad of Reading Gaol, while detailing his nearly three-year residence in Paris. There, despite repeated setbacks and open hostility, Wilde attempted to rebuild himself as a man—and a man of letters.
A bestselling, up-to-date evaluation of a legendary Indian leader. Named Outstanding Book by the Gustavus Myers Center for the Study of Human Rights. "Osceola's Legacy is significant for its geneology and archaeological study of this Native American and his interaction with the federal government during the 1800s. The catalog of photographs of Osceola portraits and his personal possessions makes this a worthwhile reference book as well." --Georgia Historical Quarterly
Osip Mandelstam, who died anonymously in a Siberian transit-camp in 1938, is now generally considered to be among the four or five greatest Russian poets of the twentieth century. The essays in this volume, presented in an exceptionally scrupulous and true translation, were selected because they represent Mandelstam's major poetic themes and his thought on literature, language and culture, and the work and place of the poet. Mandelstam's views on literature are profound and original, and they are expressed in striking and dramatic, if sometimes difficult, prose. These essays deal with such topics as the poetic process and the relationship of poetry to politics, culture, the traditions of the past, and the demands of the present.
Sidney Monas's lively introduction to the work and life of Mandelstam combines the virtues of both the critical essay and detached scholarship. Keeping biographical detail to a minimum, Monas concentrates on the pattern that runs through the essays and lends them that coherence often noted in Mandelstam's poetry.
Osiris annually examines a particular topic in the history of science, bringing together experts in the field to consider multiple aspects of the time period, episode, or theme. Volume 22 explores the ways that twentieth-century political institutions and the human sciences in the western world attempted to understand and shape the attitudes and behaviors of individuals.
This newest annual edition of Osiris brings together a variety of scholars to consider a topic of increasing interest in the history of science: expertise. Focusing specifically on the role expertise has played in the support, legitimation, and growth of the state since early modern times, Expertise and the Early Modern State reveals how scientific expertise and practical knowledge were crucial to the construction of early modern empires and economies. The state, on the other hand, performed a similar function for scientists, giving them much of the status and resources they needed to further their work. A penetrating, multifaceted investigation, Osiris 25 will be required reading for historians of science and early modern political development.
“Climate is a rather elusive entity,” wrote Helmut Landsberg in 1950 as he sorted out some twenty or so competing definitions. This volume of Osiris explores the complexities in understanding what climate means from a historical perspective. The title of this volume, Klima, evokes its Greek origins, κλίμα, meaning an extended period encompassing vast layers of different kinds of meteorological information. The volume thus seeks not only to decouple Klima from its current exclusive association with atmospheric sciences, but also to re-visit the implications of an ancient vocabulary for medical, geographical, agricultural, economic, racial, and other “endemic” concerns. If climate is not just about the weather, what is it? The essays in this volume treat climate discourse as a framing device that makes explicit all social concerns arising from the anxiety over the sensible and latent experiences of living in an atmosphere of hunger and satiation, disease and health, poverty and wealth, isolation and community, angst and hope.
James Fleming is a historian of science and technology and Professor of Science, Technology and Society at Colby College, Maine. Vladimir Jankovic is a faculty member, at the Centre for the History of Science, Technology and Medicine, University of Manchester. He is a historian of atmospheric sciences, and has published in the history of meteorology, geography of environmental knowledge, and medical climatology.Perceptively explores the shifting intersections between algorithmic systems and human practices in the modern era.
How have algorithmic systems and human practices developed in tandem since 1800? This volume of Osiris deftly addresses the question, dispelling along the way the traditional notion of algorithmic “code” and human “craft” as natural opposites. Instead, algorithms and humans have always acted in concert, depending on each other to advance new knowledge and produce social consequences. By shining light on alternative computational imaginaries, Beyond Craft and Code opens fresh space in which to understand algorithmic diversity, its governance, and even its conservation.
The volume contains essays by experts in fields extending from early modern arithmetic to contemporary robotics. Traversing a range of cases and arguments that connect politics, historical epistemology, aesthetics, and artificial intelligence, the contributors collectively propose a novel vocabulary of concepts with which to think about how the history of science can contribute to understanding today’s world. Ultimately, Beyond Craft and Code reconfigures the historiography of science and technology to suggest a new way to approach the questions posed by an algorithmic culture—not only improving our understanding of algorithmic pasts and futures but also unlocking our ability to better govern our present.
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