A SCHOLARLY BOOK REPOSITORY
While working with both traditional and contemporary form, McGlennen’s unique use of space and rhythm creates poetry that is both captivating and accessible. Our Bearings does not attempt to speak for a population; rather it offers vibrant stories and moments that give voice to pieces of a large and complex tapestry of experiences. Through keen observation and a deep understanding of Native life in Minneapolis, McGlennen has created a timely collection that contributes beautifully to the important conversation about contemporary urban Native life in North America and globally.
Open exchanges enable complex and nuanced conversations about intersectionality and how racism, sexism, classism, and ableism (among other “isms”) create systems of power. Contributors examine how these conversations are framed around work, practices, policies, and research and identify ways to create inclusive, embodied practices in writing programs and classrooms. The collection is organized to maximize representation in the areas of race, gender, identity, ability, and class by featuring scholarly chapters followed by narratively focused interchapters that respond to and engage with the scholarly work.
The honest and emotionally powerful stories in Our Body of Work expose problematic and normalizing policies, practices, and procedures and offer diverse theories and methodologies that provide multiple paths for individuals to follow to make the academy more inclusive and welcoming for all bodies. It will be an important resource for researchers, as well a valuable addition to graduate and undergraduate syllabi on embodiment, writing instruction/pedagogy, and WPA work.
Contributors: Dena Arendall, Janel Atlas, Hayat Bedaiwi, Elizabeth Boquet, Lauren Brentnell, Triauna Carey, Denise Comer, Joshua Daniel, Michael Faris, Rebecca Gerdes-McClain, Morgan Gross, Nabila Hijazi, Jacquelyn Hoermann-Elliott, Maureen Johnson, Jasmine Kar Tang, Elitza Kotzeva, Michelle LaFrance, Jasmine Lee, Lynn C. Lewis, Mary Lourdes Silva, Rita Malenczyk, Anna Rita Napoleone, Julie Prebel, Rebecca Rodriguez Carey, Ryan Skinnell, Trixie Smith, Stacey Waite, Kelsey Walker, Shannon Walters, Isaac Wang, Jennie Young
On the fourteenth anniversary of 9/11—an event that caused their downtown apartment to become “suffused with the World Trade Center’s carcinogenic dust”—Dan O’Brien’s wife discovers a lump in her breast. Surgery and chemotherapy soon follow, and on the day of his wife’s final infusion, O’Brien learns of his own diagnosis. He has colon cancer and will need to undergo his own intensive treatment over the next nine months.
Our Cancers is a compelling account of illness and commitment, of parenthood and partnership. This spare and powerful sequence creates an intimate mythology that seeks meaning in illness while also celebrating the resilience of sufferers, caregivers, and survivors.
As O’Brien explains in an introduction, “The consecutiveness of our personal disasters, with a daughter not yet two years old at the start of it, was shattering and nearly silencing. At hospital bedsides, in hospital beds myself, and at home through the cyclical assaults of our therapies, these poems came to me in fragments, as if my unconscious were attempting to reassemble our lives, our identities and memories . . . as if I were in some sense learning how to speak again.”
Our Cannibals, Ourselves is an interdisciplinary study of cannibalism in contemporary culture. It demonstrates how what we take for today's ordinary culture is imaginatively and historically rooted in very powerful processes of the encounter between our own and different, often "threatening," cultures from around the world. Walton shows that the taboo on cannibalism is heavily reinforced only partly out of fear of cannibals themselves; instead, cannibalism is evoked in order to use fear for other purposes, including the sale of fear entertainment.
Ranging from literature to popular journalism, film, television, and discourses on disease, Our Cannibals, Ourselves provides an all-encompassing, insightful meditation on what happens to popular culture when it goes global.
The thirty-seven authors hail from the Bahamas, Barbados, Cuba, the Dominican Republic, Grenada, Guyana, Haiti, Jamaica, Panama, Puerto Rico, St. Vincent, St. Kitts, Suriname, and Trinidad. Many have lived outside the Caribbean, and their writing depicts histories of voluntary migration as well as exile from repressive governments, communities, and families. Many pieces have a political urgency that reflects their authors’ work as activists, teachers, community organizers, and performers. Desire commingles with ostracism and alienation throughout: in the evocative portrayals of same-sex love and longing, and in the selections addressing religion, family, race, and class. From the poem “Saturday Night in San Juan with the Right Sailors” to the poignant narrative “We Came All the Way from Cuba So You Could Dress Like This?” to an eloquent call for the embrace of difference that appeared in the Nassau Daily Tribune on the eve of an anti-gay protest, Our Caribbean is a brave and necessary book.
Contributors: José Alcántara Almánzar, Aldo Alvarez, Reinaldo Arenas, Rane Arroyo, Jesús J. Barquet, Marilyn Bobes, Dionne Brand, Timothy S. Chin, Michelle Cliff, Wesley E. A. Crichlow,
Mabel Rodríguez Cuesta, Ochy Curiel, Faizal Deen, Pedro de Jesús, R. Erica Doyle, Thomas Glave,
Rosamond S. King, Helen Klonaris, Lawrence La Fountain-Stokes, Audre Lorde, Shani Mootoo,
Anton Nimblett, Achy Obejas, Leonardo Padura Fuentes, Virgilio Piñera, Patricia Powell, Kevin Everod Quashie, Juanita Ramos, Colin Robinson, Assotto Saint, Andrew Salkey, Lawrence Scott,
Makeda Silvera, H. Nigel Thomas, Rinaldo Walcott, Gloria Wekker, Lawson Williams
Our Caribbean Kin considers three key moments in the region’s history: the nineteenth century, when the antillanismo movement sought to throw off the yoke of colonial occupation; the 1930s, at the height of the region’s struggles with US imperialism; and the past thirty years, as neoliberal economic and social policies have encroached upon the islands. At each moment, the book demonstrates, specific tropes of brotherhood, marriage, and lineage have been mobilized to construct political kinship among Antilleans, while racist and xenophobic discourses have made it difficult for them to imagine themselves as part of one big family.
Our Children, Their Children provides a state-of-the-science examination of racial and ethnic disparities in the American juvenile justice system. Here, contributors document the precise magnitude of these disparities, seek to determine their causes, and propose potential solutions. In addition to race and ethnicity, contributors also look at the effects on juvenile justice of suburban sprawl, the impact of family and neighborhood, bias in postarrest decisions, and mental health issues. Assessing the implications of these differences for public policy initiatives and legal reforms, this volume is the first critical summary of what is known and unknown in this important area of social research.
One of the defining features of twenty-first-century American politics is the rise of affective polarization: Americans increasingly not only disagree with those from the other party but distrust and dislike them as well. This has toxic downstream consequences for both politics and social relationships. Is there any solution?
Our Common Bonds shows that—although there is no silver bullet that will eradicate partisan animosity—there are concrete interventions that can reduce it. Matthew Levendusky argues that partisan animosity stems in part from partisans’ misperceptions of one another. Democrats and Republicans think they have nothing in common, but this is not true. Drawing on survey and experimental evidence, the book shows that it is possible to help partisans reframe the lens through which they evaluate the out-party by priming commonalities—specifically, shared identities outside of politics, cross-party friendships, and common issue positions and values identified through civil cross-party dialogue. Doing so lessons partisan animosity, and it can even reduce ideological polarization. The book discusses what these findings mean for real-world efforts to bridge the partisan divide.
This accessible book explains the complexities of key environmental laws and how they can be used to protect our national parks. It includes discussions of successful and unsuccessful attempts to use the laws and how the courts have interpreted them.
Our Country, The Planet is a wide-ranging discussion of the global environmental crisis that accounts for the positions and perceptions of both developed and developing nations. As president of the World Conservation Union and the only person to have served on all five independent international commissions on global issues, Shridath Ramphal brings to his study a unique perspective and deep understanding of both development and the environment.
As we broaden our views, embrace our differences, foster advancements in science and technology, and collaboratively strengthen the political, social, and educational underpinnings from which we build informed and productive lives, we have much to be proud of as a nation and as a people.
But we are tempted—particularly during times of political unrest and unbridled patriotism—to ignore the far-reaching repercussions of a society that caters to money and power. In Our Culture of Pandering, former U.S. Senator Paul Simon interrogates the arenas of politics, media, religion, and education to decry the disturbing practices that confuse public service with profit-making ventures or popularity contests, that compromise the best interests of the broader population to appease a powerful few. Boldly and eloquently contributing to a cumulative understanding of how we can build a sturdier, more ethical foundation for the future, Simon suggests proactive, long-term solutions to the problems that threaten our country’s moral, financial, and intellectual well-being—problems that are increasingly exacerbated by our culture of pandering.
Lest we grow complacent and our nation static, Simon urges us to demand more from the political candidates who chase dollar signs and cater to polls, to raise our expectations of local and national media outlets that recycle gossip and peddle scandals while foreign policy and international news receive back-page treatment or no treatment at all. He asks us to consider the implications of churches that spend more money remodeling their buildings than helping those in need within their own communities and throughout the world, and he presses us to acknowledge the staggering, long-term consequences of schools that drop their academic standards to sustain their reputations and maintain funding.
Our Culture of Pandering is a stalwart and earnest call to action from a steadfast and trusted advocate of progressive public policy. Leavened with altruism and rich with compassion for citizens of America and beyond, present and future, this important and cautioning treatise advocates genuine leadership in the realms of politics, media, religion, and education. In his trademark lucid and synoptic style, Simon supplements up-to-date examples of pandering in our society from a breadth of sources with commentary and interpretive wisdom garnered from a lifetime of public service.
How early American Catholics justified secularism and overcame suspicions of disloyalty, transforming ideas of religious liberty in the process.
In colonial America, Catholics were presumed dangerous until proven loyal. Yet Catholics went on to sign the Declaration of Independence and helped to finalize the First Amendment to the Constitution. What explains this remarkable transformation? Michael Breidenbach shows how Catholic leaders emphasized their church’s own traditions—rather than Enlightenment liberalism—to secure the religious liberty that enabled their incorporation in American life.
Catholics responded to charges of disloyalty by denying papal infallibility and the pope’s authority to intervene in civil affairs. Rome staunchly rejected such dissent, but reform-minded Catholics justified their stance by looking to conciliarism, an intellectual tradition rooted in medieval Catholic thought yet compatible with a republican view of temporal independence and church–state separation. Drawing on new archival material, Breidenbach finds that early American Catholic leaders, including Maryland founder Cecil Calvert and members of the prominent Carroll family, relied on the conciliarist tradition to help institute religious toleration, including the Maryland Toleration Act of 1649.
The critical role of Catholics in establishing American church–state separation enjoins us to revise not only our sense of who the American founders were, but also our understanding of the sources of secularism. Church–state separation in America, generally understood as the product of a Protestant-driven Enlightenment, was in key respects derived from Catholic thinking. Our Dear-Bought Liberty therefore offers a dramatic departure from received wisdom, suggesting that religious liberty in America was not bestowed by liberal consensus but partly defined through the ingenuity of a persecuted minority.
What if you were to discover that you were not entirely you, but rather one half of a whole, that you had, in other words, a divine double? In the second and third centuries CE, this idea gripped the religious imagination of the Eastern Mediterranean, providing a distinctive understanding of the self that has survived in various forms throughout the centuries, down to the present. Our Divine Double traces the rise of this ancient idea that each person has a divine counterpart, twin, or alter-ego, and the eventual eclipse of this idea with the rise of Christian conciliar orthodoxy.
Charles Stang marshals an array of ancient sources: from early Christianity, especially texts associated with the apostle Thomas “the twin”; from Manichaeism, a missionary religion based on the teachings of the “apostle of light” that had spread from Mesopotamia to the Mediterranean; and from Neoplatonism, a name given to the renaissance of Platonism associated with the third-century philosopher Plotinus. Each of these traditions offers an understanding of the self as an irreducible unity-in-duality. To encounter one’s divine double is to embark on a path of deification that closes the gap between image and archetype, human and divine.
While the figure of the divine double receded from the history of Christianity with the rise of conciliar orthodoxy, it survives in two important discourses from late antiquity: theodicy, or the problem of evil; and Christology, the exploration of how the Incarnate Christ is both human and divine.
Because of the intense connection we feel with music, we can remember song lyrics even when we have forgotten the details of our personal lives—even when all else fails, a song can transport us back. In this sense, a song is capable of suspending time. Drawing on this perspective, Peter Twal’s playful, inventive, and wickedly sentimental debut collection takes a set of song lyrics (LCD Soundsystem’s “All My Friends”) and treats them as an artifact of memory itself, blurring the line between self and other, between past and present.
Each poem in Our Earliest Tattoos acts as a passageway from one lyric in the song to the next—the author pries these lyrics open like doors and builds whole rooms between them. As readers progress through the house he builds, they hear the song as the soundtrack to their discoveries: in one room, of party leftovers, and in another, an exploding museum of natural history.
Like memory, the characters in these poems are both present and absent. Sustained by smart phones, they are in constant communication despite always seeming to have just left the room. In one poem, the lonely Mars rover thumbs constantly through pictures on its phone; in another, Death trades in his scythe for a cell phone he uses throughout the book to send disquieting text messages. God, too, is text-happy—when the speaker asks, “Does the universe even care?” God texts back to say, “Don’t forget the twelve / bucks you owe me this year.”
Wise, funny, and wholly original, the long-lined sonnets that make up Our Earliest Tattoos celebrate the surreal, embracing the nature of memory as fragmented—as is visible in the fractured nature of the lines—and inherently bizarre.
In this rich and dynamic work, David Carey Jr. provides a new perspective on contemporary Guatemalan history by allowing the indigenous peoples to speak for themselves.
Combining the methodologies of anthropology and history, Carey uses both oral interviews and meticulous archival research to construct a history of the last 130 years in Guatemala from the perspective of present-day Mayan people. His research took place over five years, including intensive language study, four summers of fieldwork, and a year-long residence in Comalapa, during which he conducted most of the 414 interviews. By casting a wide net for his interviews—from tiny hamlets to bustling Guatemala City—Carey gained insight into more than a single community or a single group of Maya.
The Maya-Kaqchikel record their history through oral tradition; thus, few written accounts exist. Comparing the Kaqchikel point of view to that of the western scholars and Ladinos who have written most of the history texts, Carey reveals the people and events important to the Maya, which have been virtually written out of the national history.
A motto of the Guatemalan organization Maya Decinio para el Pueblo Indigena (Maya Decade for the Indigenous People) is that people who do not know their past cannot build a future. By elucidating what the Kaqchikel think of their own past, Carey also illuminates the value of non-Western theoretical and methodological approaches that can be applied to the history of other peoples. Valuable to historians, anthropologists, archaeologists, or anyone interested in Mayan and Latin American studies, this book will inform as well as enchant.
Illuminating largely untold stories of hate crimes committed against Native Americans in the Four Corners region of the United States, this work places these stories within a larger history, connecting historical violence in the United States to present-day hate crimes. Bennett contends that hate crimes committed against Native Americans have persisted as an extension of an “Indian hating” ideology that has existed since colonization, exposing how the justice system has failed Native American victims and families.
While this book looks deeply at multiple generations of unnecessary and ongoing pain and violence, it also recognizes that this is a time of uncertainty and hope. The movement to abolish racial injustice and racially motivated violence has gained fierce momentum. Our Fight Has Just Begun shows that racism, hate speech, and hate crimes are ever present and offers recommendations for racial justice.
Through cycles of war and peace, resistance and assimilation, trauma and regeneration, Cherokees have long debated what it means to be Cherokee through protest writings, memoirs, fiction, and retellings of traditional stories. Justice employs the Chickamauga consciousness of resistance and Beloved Path of engagement—theoretical approaches that have emerged out of Cherokee social history—to interpret diverse texts composed in English, a language embraced by many as a tool of both access and defiance.
Justice’s analysis ultimately locates the Cherokees as a people of many perspectives, many bloods, mingled into a collective sense of nationhood. Just as the oral traditions of the Cherokee people reflect the living realities and concerns of those who share them, Justice concludes, so too is their literary tradition a textual testament to Cherokee endurance and vitality.
Daniel Heath Justice is assistant professor of aboriginal literatures at the University of Toronto.
This richly illustrated volume tells the story of thehome that has served as Ohio’s executive residence since 1957, and of the nine governors and their families who have lived in the house. Our First Family’s Home offers the first complete history of the residence and garden that represent Ohio to visiting dignitaries and the citizens of the state alike. Once in a state of decline, the house has been lovingly restored and improved by itsresidents. Development of the Ohio Heritage Garden has increased the educational potential of the house and has sparked an interest in the preservation of native plant species. Looking toward the future, the Residence is also taking the lead in promoting environmental issues such as solar powerand green energy.
Photographs by award-winning environmental photographer Ian Adams and botanical art by Dianne McElwain showcase the beauty of the home’s architecture and the myriad of native plants that grace the three acres on which the Residence stands. Dianne McElwain is a member of the American Society of Botanical Artists in New York. Her botanical paintings have won numerous awards and are found in prestigious collections throughout the United States.
Essays highlight the Jacobethan Revival architecture and the history of the home. The remaining pieces cover the garden and include an intimate tour of the Heritage Garden, which was inspired by Ohio’s diverse landscape. Finally, former Governor Ted Strickland and First Lady Frances Strickland discuss the increasing focus on green energy at the Governor’s Residence and First Lady Emerita Hope Taft explains how native plants can help sustain the environment.
The Napoleonic wars did not end with Waterloo. That famous battle was just the beginning of a long, complex transition to peace. After a massive invasion of France by more than a million soldiers from across Europe, the Allied powers insisted on a long-term occupation of the country to guarantee that the defeated nation rebuild itself and pay substantial reparations to its conquerors. Our Friends the Enemies provides the first comprehensive history of the post-Napoleonic occupation of France and its innovative approach to peacemaking.
From 1815 to 1818, a multinational force of 150,000 men under the command of the Duke of Wellington occupied northeastern France. From military, political, and cultural perspectives, Christine Haynes reconstructs the experience of the occupiers and the occupied in Paris and across the French countryside. The occupation involved some violence, but it also promoted considerable exchange and reconciliation between the French and their former enemies.
By forcing the restored monarchy to undertake reforms to meet its financial obligations, this early peacekeeping operation played a pivotal role in the economic and political reconstruction of France after twenty-five years of revolution and war. Transforming former European enemies into allies, the mission established Paris as a cosmopolitan capital and foreshadowed efforts at postwar reconstruction in the twentieth century.
On June 15, 1888, a mere ninety-nine days after ascending the throne to become king of Prussia and German emperor, Frederick III succumbed to throat cancer. Europeans were spellbound by the cruel fate nobly borne by the voiceless Fritz, who for more than two decades had been celebrated as a military hero and loved as a kindly gentleman. A number of grief-stricken individuals reportedly offered to sacrifice their own healthy larynxes to save the ailing emperor.
Frank Lorenz Müller, in the first comprehensive life of Frederick III ever written, reconstructs how the hugely popular persona of “Our Fritz” was created and used for various political purposes before and after the emperor’s tragic death. Sandwiched between the reign of his ninety-year-old father and the calamitous rule of his own son, the future emperor William II, Frederick III served as a canvas onto which different political forces projected their hopes and fears for Germany's future. The book moves beyond the myth that Frederick’s humane liberalism would have built a lasting Anglo-German partnership, perhaps even preventing World War I, and beyond the castigations and exaggerations of parties with a different agenda. Surrounded by an unforgettable cast of characters that includes the emperor’s widely hated English wife, Vicky—daughter of Queen Victoria—and the scheming Otto von Bismarck, Frederick III offers in death as well as in life a revealing, poignant glimpse of Prussia, Germany, and the European world that his son would help to shatter.
It was the age of Jim Crow, riddled with racial violence and unrest. But in the world of Our Gang, black and white children happily played and made mischief together. They even had their own black and white version of the KKK, the Cluck Cluck Klams—and the public loved it.
The story of race and Our Gang, or The Little Rascals, is rife with the contradictions and aspirations of the sharply conflicted, changing American society that was its theater. Exposing these connections for the first time, Julia Lee shows us how much this series, from the first silent shorts in 1922 to its television revival in the 1950s, reveals about black and white American culture—on either side of the silver screen. Behind the scenes, we find unconventional men like Hal Roach and his gag writers, whose Rascals tapped into powerful American myths about race and childhood. We meet the four black stars of the series—Ernie “Sunshine Sammy” Morrison, Allen “Farina” Hoskins, Matthew “Stymie” Beard, and Billie “Buckwheat” Thomas—the gang within the Gang, whose personal histories Lee pursues through the passing years and shifting political landscape.
In their checkered lives, and in the tumultuous life of the series, we discover an unexplored story of America, the messy, multiracial nation that found in Our Gang a comic avatar, a slapstick version of democracy itself.
An award-winning exploration of the presence of the dead in the lives of the living
A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead.
Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss.
Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.
This volume introduces readers to eastern North America’s Indigenous ceremonial stone landscapes (CSLs)—sacred sites whose principal identifying characteristics are built stone structures that cluster within specific physical landscapes. Our Hidden Landscapes presents these often unrecognized sites as significant cultural landscapes in need of protection and preservation.
In this book, Native American authors provide perspectives on the cultural meaning and significance of CSLs and their characteristics, while professional archaeologists and anthropologists provide a variety of approaches for better understanding, protecting, and preserving them. The chapters present overwhelming evidence in the form of oral tradition, historic documentation, ethnographies, and archaeological research that these important sites created and used by Indigenous peoples are deserving of protection.
This work enables archaeologists, historians, conservationists, foresters, and members of the general public to recognize these important ritual sites.
Contributors
Nohham Rolf Cachat-Schilling
Robert DeFosses
James Gage
Mary Gage
Doug Harris
Julia A. King
Lucianne Lavin
Johannes (Jannie) H. N. Loubser
Frederick W. Martin
Norman Muller
Charity Moore Norton
Paul A. Robinson
Laurie W. Rush
Scott M. Strickland
Elaine Thomas
Kathleen Patricia Thrane
Matthew Victor Weiss
In this timely book, historian Romila Thapar delves into the complex world of nationalism and its impact on the interpretations of the past and on the discipline of history itself. History, she expounds, is no mere collection of information and chronology, and its purpose extends well beyond storytelling.
Recognizing nationalism as a powerful force that gives rise to various narratives that provide ancestry to communities and shape the direction of societies, Thapar explores how, in India, two conflicting notions of nationalism have evolved and shaped the idea of the nation. Today, one such nationalistic theory claims the victimization of one religious community by another through centuries of “misrule.” Such a claim willfully ignores ample evidence to the contrary to suit a particular political and ideological purpose. Thapar counters such attempts at misrepresentation by citing several historical instances of the nuanced interface and intermingling of cultures, as well as by showing how today’s conflicts have their roots in the British colonial construction of India’s history. She also addresses the recent controversy surrounding the deletions of sections of Indian history textbooks published by NCERT, the Indian educational council, and suggests that the intention is more likely to be the promotion of a particular reading of history that conforms to the ideology of those in power.
Engaging and thought-provoking, Our History, Their History, Whose History? invites readers to question the authenticity of historical narratives touted by one group of nationalists, and it explores the clash between professional historians who study the past to understand our inherited present and fabricators who wield history for political gain.
While many baby boomers are downsizing to a simpler retirement lifestyle, photographer and writer Judy Blankenship and her husband Michael Jenkins took a more challenging leap in deciding to build a house on the side of a mountain in southern Ecuador. They now live half the year in Cañar, an indigenous community they came to know in the early nineties when Blankenship taught photography there. They are the only extranjeros (outsiders) in this homely, chilly town at 10,100 feet, where every afternoon a spectacular mass of clouds rolls up from the river valley below and envelopes the town.
In this absorbing memoir, Blankenship tells the interwoven stories of building their house in the clouds and strengthening their ties to the community. Although she and Michael had spent considerable time in Cañar before deciding to move there, they still had much to learn about local customs as they navigated the process of building a house with traditional materials using a local architect and craftspeople. Likewise, fulfilling their obligations as neighbors in a community based on reciprocity presented its own challenges and rewards. Blankenship writes vividly of the rituals of births, baptisms, marriages, festival days, and deaths that counterpoint her and Michael’s solitary pursuits of reading, writing, listening to opera, playing chess, and cooking. Their story will appeal to anyone contemplating a second life, as well as those seeking a deeper understanding of daily life in the developing world.
In Our Intelligent Bodies, physiology professor Gary F. Merrill takes you on a guided tour through the human body. You’ll learn how our eyes are designed to detect unimaginably small bursts of light and how our ears contain bundles of tiny hairs, each one attuned to different sound frequencies. You’ll also discover how our hearts are smart enough to compensate for skipped beats and irregular rhythms and how our pulmonary system adjusts for low oxygen levels. You’ll even find out why the gut is sometimes called the “second brain,” its reflexes controlled by millions of neurons.
Written in a fun, easy-to-comprehend style and filled with illuminating analogies, Our Intelligent Bodies also brings readers up to date on cutting-edge research into the wonders of human physiology. It will give you a new appreciation for the smart decisions our bodies are making when our brains aren’t paying attention.
James Joyce began his literary career as an Irishman writing to protest the deplorable conditions of his native country. Today, he is an icon in a field known as "Joyce studies." Our Joyce explores this amazing transformation of a literary reputation, offering a frank look into how and for whose benefit literary reputations are constructed.
Joseph Kelly looks at five defining moments in Joyce's reputation. Before 1914, when Joyce was most in control of his own reputation, he considered himself an Irish writer speaking to the Dublin middle classes. When T. S. Eliot and Ezra Pound began promoting Joyce in 1914, however, they initiated a cult of genius that transformed Joyce into a prototype of the "egoist," a writer talking only to other writers.
This view served the purposes of Morris Ernst in the 1930s, when he defended Ulysses against obscenity charges by arguing that geniuses were incapable of obscenity and that they wrote only for elite readers. That view of Joyce solidified in Richard Ellmann's award-winning 1950s biography, which portrayed Joyce as a self-centered genius who cared little for his readers and less for the world at war around him. The biography, in turn, led to Joyce's canonization by the academy, where a "Joyce industry" now flourishes within English departments.
Journalist, activist, popular historian, and public intellectual, Lerone Bennett Jr. left an indelible mark on twentieth-century American history and culture. Rooted in his role as senior editor of Ebony magazine, but stretching far beyond the boundaries of the Johnson Publishing headquarters in Chicago, Bennett’s work and activism positioned him as a prominent advocate for Black America and a scholar whose writing reached an unparalleled number of African American readers.
This critical biography—the first in-depth study of Bennett’s life—travels with him from his childhood experiences in Jim Crow Mississippi and his time at Morehouse College in Atlanta to his later participation in a dizzying range of Black intellectual and activist endeavors. Drawing extensively on Bennett’s previously inaccessible archival collections at Emory University and Chicago State, as well as interviews with close relatives, colleagues, and confidantes, Our Kind of Historian celebrates his enormous influence within and unique connection to African American communities across more than half a century of struggle.
Months before Alma López's digital collage Our Lady was shown at the Museum of International Folk Art in 2001, the museum began receiving angry phone calls from community activists and Catholic leaders who demanded that the image not be displayed. Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition.
Highlighting many of the pivotal questions that have haunted the art world since the NEA debacle of 1988, the contributors to Our Lady of Controversy present diverse perspectives, ranging from definitions of art to the artist's intention, feminism, queer theory, colonialism, and Chicano nationalism. Contributors include the exhibition curator, Tey Marianna Nunn; award-winning novelist and Chicana historian Emma Pérez; and Deena González (recognized as one of the fifty most important living women historians in America).
Accompanied by a bonus DVD of Alma López's I Love Lupe video that looks at the Chicana artistic tradition of reimagining la Virgen de Guadalupe, featuring a historic conversation between Yolanda López, Ester Hernández, and Alma López, Our Lady of Controversy promises to ignite important new dialogues.
Our Lady of Guadalupe is the most important religious symbol of Mexico and one of the most powerful female icons of Mexican culture. In this study, based on research done among second-generation Mexican-American women, Rodriguez examines the role the symbol of Guadalupe has played in the development of these women. She goes beyond the thematic and religious implications of the symbol to delve into its relevance to their daily lives.
Rodriguez's study offers an important reinterpretation of one of the New World's most potent symbols. Her conclusions dispute the common perception that Guadalupe is a model of servility and suffering. Rather, she reinterprets the symbol of Guadalupe as a liberating and empowering catalyst for Mexican-American women.
Our Lady of Victorian Feminism is about three nineteenth-century women, Protestants by background and feminists by conviction, who are curiously and crucially linked by their extensive use of the Madonna in arguments designed to empower women.
In the field of Victorian studies, few scholars have looked beyond the customary identification of the Christian Madonna with the Victorian feminine ideal—the domestic Madonna or the Angel in the House. Kimberly VanEsveld Adams shows, however, that these three Victorian writers made extensive use of the Madonna in feminist arguments. They were able to see this figure in new ways, freely appropriating the images of independent, powerful, and wise Virgin Mothers.
In addition to contributions in the fields of literary criticism, art history, and religious studies, Our Lady of Victorian Feminism places a needed emphasis on the connections between the intellectuals and the activists of the nineteenth-century women's movement. It also draws attention to an often neglected strain of feminist thought, essentialist feminism, which proclaimed sexual equality as well as difference, enabling the three writers to make one of their most radical arguments, that women and men are made in the image of the Virgin Mother and the Son, the two faces of the divine.
Even before the publication of Progress and Poverty in 1879, San Francisco political economist and publisher Henry George (1839-1897) had written extensively about what he considered to be the causes for worldwide economic inequity—land monopolization and speculation by wealthy entrepreneurs and corrupt politicians. But his attacks on these evils were coupled with a plan for a possible brighter future, for a world in which disparities between people of different classes could be adjusted. By the time he died in 1897, his assessments of liberal 19th-century economic theory were critically acclaimed in Europe and the United States.
Michigan State University Press's new edition of Our Land and Land Policy includes the texts of speeches George delivered and essays he published during three decades of political activism. These pieces were chosen originally in 1901 by George's son, Henry George, Jr., to portray the expansiveness and depth of his father's philosophy and the sincerity with which the elder George struggled throughout his life for social justice.
Our Land Is Made of Courage and Glory: Nationalist Performance of Nicaragua and Guatemala adds to a growing and timely body of work on nationalist drama. Examining important twentieth-century plays that few people have written about in English, E. J. Westlake analyzes the phenomenon of nation as performance by focusing on the definition of a people, national metaphors, and the uses of national history.
Westlake discerns the common characteristics that constitute nationalist plays, a genre that seeks to legitimate the nature of a nation by defining its boundaries, race, language, citizens, and history. Particularly relevant in an era influenced by imperialism, migration, and globalization, the volume probes the concepts of nation and nationalism in the context of postcolonial literary and performance theory.
Our Land Is Made of Courage and Glory covers the political and theatrical history of Nicaragua and Guatemala. Westlake examines how the blending of races factors into nationalism with a look at the play El tren amarillo by Manuel Galich and uses Nobel laureate Miguel Ángel Asturias’s Soluna to show how nationalists appropriate Mayan culture to create a sense of the Guatemalan people and culture. She discusses the mapping of history as a linear progression in Alan Bolt’s Banana republic and as a cycle of patricide in Por los caminos van los campesinos by Pablo Cuadra. Westlake also suggests that Rolando Steiner’s La noche de Wiwilí, a play taken from an eyewitness account, acts as a site of official national memory, and she examines as well the canonizing of the folk ballet El Güegüence to further explore the notion of sites of memory versus lived memory.
Raising essential questions about the future of nationalism and nationalist performance, Our Land Is Made of Courage and Glory will be of interest to scholars and students in drama, Latin American theatre studies, political science, and history.
America’s goals in Afghanistan were lofty to begin with: dismantle al Qaeda, remove the Taliban from power, remake the country into a democracy. But not only did the mission come completely unmoored from reality, the United States wasted billions of dollars, and thousands of lives were lost. Our Latest Longest War is a chronicle of how, why, and in what ways the war in Afghanistan failed. Edited by historian and Marine lieutenant colonel Aaron B. O’Connell, the essays collected here represent nine different perspectives on the war—all from veterans of the conflict, both American and Afghan. Together, they paint a picture of a war in which problems of culture and an unbridgeable rural-urban divide derailed nearly every field of endeavor. The authors also draw troubling parallels to the Vietnam War, arguing that deep-running ideological currents in American life explain why the US government has repeatedly used armed nation-building to try to transform failing states into modern, liberal democracies. In Afghanistan, as in Vietnam, this created a dramatic mismatch of means and ends that neither money, technology, nor the force of arms could overcome.
The war in Afghanistan has been the longest in US history, and in many ways, the most confounding. Few who fought in it think it has been worthwhile. These are difficult topics for any American or Afghan to consider, especially those who lost friends or family in it. This sobering history—written by the very people who have been fighting the war—is impossible to ignore.
In his classic Heaven and Hell, Swedenborg takes the reader on a journey through the afterlife, describing the spiritual world in intricate detail. Our Life after Death is a collection of writings from that volume that focus specifically on what happens to us as we cross over and what we experience as new souls in the world of spirits, where we prepare to find our soul’s permanent home.
Swedenborg tells us that it is not God who judges people and send them to either heaven or hell, but rather it is we who judge ourselves. In this book Swedenborg reveals the process by which people confront who they were on earth, discover their true selves, and use that self-knowledge to discover their final home in the afterlife.
An introduction by near-death researcher Dr. Kenneth Ring draws parallels between Swedenborg’s experiences and those of millions of modern people who have had near-death experiences. This book provides a brief but thought-provoking introduction to Swedenborg’s afterlife for those who want to delve deeper into this fascinating subject.
Our Long Heritage was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This collection of readings, selected from the books and documents that were the major sources of American ideas and beliefs during the period of the founding of the democracy from 1750 to 1780, demonstrates that America has a long heritage behind its social and political philosophy. The excerpts are from the works that represent four different cultural or historical heritage, and they are presented in this order: the classical heritage, the English tradition to 1700, the continental stream, and the eighteenth century, both British and American. Mr. Clough, a former professor of English at the University of Wyoming, provides introductory and explanatory comment throughout the volume. The first book of its kind, it should be particularly useful in American studies programs.
But as Ronald T. Merrill reveals in Our Magnetic Earth, geomagnetism really is an enduring, vibrant area of science, one that offers answers to some of the biggest questions about our planet’s past—and maybe even its future. In a clear and careful fashion, he lays out the physics of geomagnetism and magnetic fields, then goes on to explain how Earth’s magnetic field provides crucial evidence for our understanding of continental drift and plate tectonics; how and why animals, ranging from bacteria to mammals, sense and use the magnetic field; how changes in climate over eons can be studied through variations in the magnetic field in rocks; and much more. Throughout, Merrill peppers his scientific account with bizarre anecdotes and fascinating details, from levitating pizzas to Moon missions to blackmailing KGB agents—a reminder that real science can at times be stranger, and more amusing, than fiction.
A winning primer for anyone who has ever struggled with a compass or admired a ragged V of migrating geese, Our Magnetic Earth demonstrates that education and entertainment need not be polar opposites.
Our Marvelous Bodies offers a unique perspective on the structure, function, and care of the major systems of the human body. Unlike other texts that use a strictly scientific approach, physiologist Gary F. Merrill relays medical facts alongside personal stories that help students relate to and apply the information.
Readers learn the basics of feedback control systems, homeostasis, and physiological gradients. These principles apply to an understanding of the body’s functioning under optimal, healthy conditions, and they provide insight into states of acute and chronic illness. Separate chapters are devoted to each of the body’s systems in detail: nervous, endocrine, cardiovascular, respiratory, renal, gastrointestinal, musculoskeletal, reproductive, and immune. Through a series of real-life examples, the book also shows the importance of maintaining careful medical records for health care professionals, scientists, and patients alike.
Many ingenious theatrical worlds have been created for the fairy world of A Midsummer Night's Dream, from the baroque to the postmodern. This is the quintessential play for understanding the ways in which scenery, costumes, music, lighting, and playing spaces affect our experience of Shakespeare. A Midsummer Night's Dream also proves to be extraordinarily responsive to the cultural winds of each era, easily circulating a variety of sometimes competing social interests.
In his richly detailed, beautifully illustrated history of Shakespeare's most popular play—the first comprehensive study of A Midsummer Night's Dream in the theatre—Gary Jay Williams covers four hundred years of landmark productions in Europe, the United States, and Canada as well as important opera, dance, and film adaptations. Williams shows how the visual and musical vocabularies of production can be read as cultural texts and how these meditative texts determine this play's available meanings from generation to generation. His account, then, is the story of our imaginative and astonishing uses of Shakespeare's play.
Many famous theatre artists have been drawn to this play, and many of their productions have been turning points in theatre history. Williams offers detailed theatrical and cultural analyses of the productions of David Garrick, Ludwig Tieck, Elizabeth Vestris, Charles Kean, Harley Granville-Barker, Sir Herbert Beerbohm Tree, Max Reinhardt, Peter Brook, Liviu Ciulei, and other artists. His engaging, intelligent study will be invaluable to scholars and teachers of Shakespeare and theatre history and to professional directors, designers, critics, and actors.
•The Wedding-play Myth and the Dream in Full Play•Shakespeare Absolute: Fairies, Gods, and Oranges in Purcell's Fairy Queen
•“Signor Shakespearelli”
•The Scenic Language of Empire
•These Antique Fables . . . These Fairy Toys”
•The National and Natural Dream
•The Dream of Modernism: The “New Hieroglyphic Language of Scenery” and the Theology of the Text
•The Dream of Modernism: The Sacred and the Secular
•Postmodernism: “The Fierce Vexation of a Dream”
Our Movie Heritage should be read by anyone interested in motion picture history. Without film preservation, there can be no valid film history. Documents, autobiographies, oral histories, and secondary sources are of importance, but viewing the actual films preserved or restored to a state comparable to the way they were originally viewed is of inestimable importance.Rudy Behlmer, film historian and author of Memo from David O. Selznick
Our Movie Heritage is an enticing, up to the minute account of the complex National Film preservation effort, and should be read by anyone interested in our rich cinematic heritage.Mary Lea Bandy, chief curator, The Museum of Modern Art
Imagine an America without any images of itself no Judy Garland in the Wizard of Oz, no Orson Welles in Citizen Kane, and no Bogart and Bergman in Casablanca. Movies are an extraordinary personal and collective history of the American people. Unfortunately, over 90 percent of America's silent films are already lost to us, and more than half of the American feature films made before 1950 no longer exist. Whether it is a piece of cellulose nitrate exposed in 1910 or a strip of Eastman Color acetate stock produced in the 1970s all film self-destructs. Rapidly.
Our Movie Heritage is a highly readable and informative view of the world of film preservation, showing the work being done to save our national treasure trove of film history. Full of tales of discovery and rescue, the book is an urgent plea for preservation. Our Movie Heritage describes the race against time currently under way both in the public and private sectors in order to salvage what is left in vaults, theaters, and private collections. The book explains the basics of film preservation, covering the who, what, when, where, and how of the field, with top archivists and film restoration experts expressing their concerns and hopes for the future of movies. This beautifully produced book, with over one hundred pictures of top stars, directors, and film people, is itself a treasure that showcases the importance of this legacy.
Rettie agrees, as many critics have claimed, that the system is in disarray; he proposes in detail stronger management operations, clearer and more stringent measures of personnel performance, and training of park rangers to help them become professionals knowledgeable about the scientific management and protection of resources.
For a concerned public as well as for policy-makers and students of government, this comprehensive analysis and outline may provide hope--and a future--for the invaluable legacy that is our national park system.
The book, long out of print, was originally published in 1901, its ten essays having previously appeared as articles in the Atlantic Monthly. Muir wrote them with a single purpose—to entice people, by his descriptions, to come to the parks, to see and enjoy them. If enough people did so, reasoned Muir, they would surely love the wilderness as he did, and the parks would be preserved.
Muir carried out his public relations mission with remarkable success. Every page of this book carries his unbridled and irresistible enthusiasm. Our National Parks is part reminiscence, part philosophy, and mostly enticing description. It is all vintage Muir.
Although the book treats Yellowstone, Sequoia, General Grant, and other national parks of the Western U.S., Muir devotes the bulk of the work to his first love—Yosemite, settled into the heart of the Sierra Nevada. Indeed, six of the book’s chapters are devoted to Yosemite, treating the forests, wild gardens, fountains and streams, animals, and birds of the park. The concluding essay is an impassioned plea to save American forests.
All visitors to the great western national parks—and all who will one day visit them—will be captivated by Muir’s descriptions. The grandeur of this wilderness is reflected in the very spirit of John Muir. Both shine through every page of this remarkable book.
"Yosemite Valley in July of 1967 would have had to be seen to be believed. There was never an empty campsite in the valley; you had to create a space for yourself in a sea of cars, tents, and humanity.... The camp next to ours had fifty people in it, with rugs hung between the trees, incense burning, and a stereo set going full volume."
Scenes such as this will probably never be repeated in Yosemite or any other national park, yet the urgent problem remains of balancing the public's desire to visit the parks with the parks' need to be protected from too many people and cars and too much development. In this book, longtime park visitor and professional geographer Bob O'Brien explores the National Park Service's attempt to achieve "sustainability"—a balance that allows as many people as possible to visit a park that is kept in as natural a state as possible.
O'Brien details methods the NPS has used to walk the line between those who would preserve vast tracts of land for "no use" and those who would tap the Yellowstone geysers to generate electricity. His case studies of six western "crown jewel" parks show how rangers and other NPS employees are coping with issues that impact these cherished public landscapes, including visitation, development, and recreational use.
Reinhold Kulle seemed like the perfect school employee. But in 1982, as his retirement neared, his long-concealed secret came to light. The chief custodian at Oak Park and River Forest High School outside Chicago had been a Nazi, a member of the SS, and a guard at a brutal slave labor camp during World War II.
Similar revelations stunned communities across the country. Hundreds of Reinhold Kulles were gradually discovered: men who had patrolled concentration camps, selected Jews for execution, and participated in mass shootings—and who were now living ordinary suburban lives. As the Office of Special Investigations raced to uncover Hitler’s men in the United States, neighbors had to reconcile horrific accusations with the helpful, kind, and soft-spoken neighbors they thought they knew. Though Nazis loomed in the American consciousness as evil epitomized, in Oak Park—a Chicago suburb renowned for its liberalism—people rose to defend Reinhold Kulle, a war criminal.
Drawing on archival research and insider interviews, Oak Park and River Forest High School teacher Michael Soffer digs into his community’s tumultuous response to the Kulle affair. He explores the uncomfortable truths of how and why onetime Nazis found allies in American communities after their gruesome pasts were uncovered.
What are the odds of finding Minnesota's tiniest orchid? Why take a Breathalyzer test to study frogs? How does ice fishing warm the heart? Who would live in such a cold, lean region? Our Neck of the Woods takes on these and other urgent (and sometimes quirky) questions, showcasing writers' own experiences in the best-loved places in Minnesota, including the North Shore, Lake Bemidji, the western prairies and grasslands, the Boundary Waters, and the Mesabi Iron Range.
The outdoor experiences described here range from sweeping natural history observations to adventurous tales of coming-of-age camping and hunting trips. We follow notable writers and conservationists Sigurd F. Olson, Paul Gruchow, Bill Holm, Jan Zita Grover, Greg Breining, Laurie Allmann, and many others as they descend a frozen river toward Lake Superior, explore a crystalline palace at minus 20 degrees, and trace a family's history along the Mississippi River. Writing on such themes as embracing winter, making camp, and finding wildness even amid development, these authors tell of hunting, fishing, birding, canoeing, and other great outdoor activities that help define what it means to be Minnesotan.
Drawn from the pages of Minnesota Conservation Volunteer magazine-published by the Department of Natural Resources since 1940-these writings evoke a strong sense of place and suggest that the outdoor experiences we share with others come to mean the most to us. With rich observations and spirited tales, Our Neck of the Woods beckons Minnesotans to work, play, and explore in the natural places close to their homes and hearts.
In Our New Husbands Are Here, Emily Lynn Osborn investigates a central puzzle of power and politics in West African history: Why do women figure frequently in the political narratives of the precolonial period, and then vanish altogether with colonization? Osborn addresses this question by exploring the relationship of the household to the state. By analyzing the history of statecraft in the interior savannas of West Africa (in present-day Guinea-Conakry), Osborn shows that the household, and women within it, played a critical role in the pacifist Islamic state of Kankan-Baté, enabling it to endure the predations of the transatlantic slave trade and become a major trading center in the nineteenth century. But French colonization introduced a radical new method of statecraft to the region, one that separated the household from the state and depoliticized women’s domestic roles. This book will be of interest to scholars of politics, gender, the household, slavery, and Islam in African history.
How did the dog become man’s best friend? A celebrated anthropologist unearths the mysterious origins of the unique partnership that rewrote the history of both species.
Dogs and humans have been inseparable for more than 40,000 years. The relationship has proved to be a pivotal development in our evolutionary history. The same is also true for our canine friends; our connection with them has had much to do with their essential nature and survival. How and why did humans and dogs find their futures together, and how have these close companions (literally) shaped each other? Award-winning anthropologist Pat Shipman finds answers in prehistory and the present day.
In Our Oldest Companions, Shipman untangles the genetic and archaeological evidence of the first dogs. She follows the trail of the wolf-dog, neither prehistoric wolf nor modern dog, whose bones offer tantalizing clues about the earliest stages of domestication. She considers the enigma of the dingo, not quite domesticated yet not entirely wild, who has lived intimately with humans for thousands of years while actively resisting control or training. Shipman tells how scientists are shedding new light on the origins of the unique relationship between our two species, revealing how deep bonds formed between humans and canines as our guardians, playmates, shepherds, and hunters.
Along the journey together, dogs have changed physically, behaviorally, and emotionally, as humans too have been transformed. Dogs’ labor dramatically expanded the range of human capability, altering our diets and habitats and contributing to our very survival. Shipman proves that we cannot understand our own history as a species without recognizing the central role that dogs have played in it.
“A lively tale of dog domestication and migration.”—Nature
“When, where, and how did the partnership between dogs and humans begin? Was it an accident? Was it inevitable?…A tour de force drawing together under one proverbial roof what science can tell us to date.”—Wendy Williams, author of The Horse
“Makes a remarkable story out of the long partnership between humans and dogs.”—Foreword Reviews
How did the dog become man’s best friend? A celebrated anthropologist unearths the mysterious origins of the unique partnership that rewrote the history of both species.
Dogs and humans have been inseparable for more than 40,000 years. So what have they taught one another? Determined to untangle the genetic and archaeological evidence of the first dogs, Pat Shipman follows the trail of the wolf-dog, neither prehistoric wolf nor modern dog, whose bones offer tantalizing clues about the earliest stages of domestication. She considers the enigma of the dingo, not quite domesticated yet not entirely wild, and reveals how scientists are shedding new light on the origins of the unique relationship between man and dog, explaining how dogs became our guardians, playmates, shepherds, hunters, and providers. Along the way, dogs have changed physically, behaviorally, and emotionally—but we have been transformed, too. A brilliant work of historical reconstruction, Our Oldest Companions shows that we can’t hope to understand our own species without recognizing the central role dogs have played in making us who we are.
Passionate and pragmatic, extraordinarily well read and eloquent, Freyfogle details a host of forces that have produced our self-defeating ethos of human exceptionalism. It is this outlook, he argues, not a lack of scientific knowledge or inadequate technology, that is the primary cause of our ecological predicament. Seeking to comprehend both the multifaceted complexity of contemporary environmental problems and the zeitgeist as it unfolds, Freyfogle explores such diverse topics as morality, the nature of reality (and the reality of nature), animal welfare, social justice movements, and market politics. The result is a learned and inspiring rallying cry to achieve balance, a call to use our knowledge to more accurately identify the dividing line between living in and on the world and destruction. “To use nature,” Freyfogle writes, “but not to abuse it.”
But that paints an unbalanced—and overly disheartening—picture of what’s going on with environmental stewardship today. There are success stories, and Our Once and Future Planet delivers a fascinating account of one of the most impressive areas of current environmental experimentation and innovation: ecological restoration. Veteran investigative reporter Paddy Woodworth has spent years traveling the globe and talking with people—scientists, politicians, and ordinary citizens—who are working on the front lines of the battle against environmental degradation. At sites ranging from Mexico to New Zealand and Chicago to Cape Town, Woodworth shows us the striking successes (and a few humbling failures) of groups that are attempting to use cutting-edge science to restore blighted, polluted, and otherwise troubled landscapes to states of ecological health—and, in some of the most controversial cases, to particular moments in historical time, before widespread human intervention. His firsthand field reports and interviews with participants reveal the promise, power, and limitations of restoration.
Ecological restoration alone won’t solve the myriad problems facing our environment. But Our Once and Future Planet demonstrates the role it can play, and the hope, inspiration, and new knowledge that can come from saving even one small patch of earth.
This spirited book is a study of the adjustments of three nineteenth-century missionaries to life in northeast China. Its subject is international relations of the person-to-person kind, based on the daily experiences of living in a foreign land.
The missionaries all worked in the same place in China, but had remarkably different personalities and careers. Tarleton Perry Crawford of the Southern Baptist Convention was an unfeeling, not always trustworthy missionary, whose depressing story contrasts sharply with those of the other two subjects. The famous Lottie Moon, also of the Southern Baptist Convention, has become a culture heroine as the founder of women's work in China (in her name the SBC has collected 250 million dollars). Calvin Wilson Mateer, a Presbyterian, is well known to students of modern Chinese history as a great educator.
In this account of how three individuals responded to the same problems and opportunities, Irwin Hyatt seeks to discover why only some Americans placed among Chinese will find friends and a new appreciation of life. It is a fascinating investigation into the crucial cultural problem of understanding other people. As Andre Malraux has written, “Europeans never understand anything of China that does not resemble themselves.”
From its establishment as a frontier village, Pittsburgh evolved on a cultural path divergent from that of both the Northeast and the towns developing farther west. The city entered the war with close economic ties to the East, West, and South, yet also stood apart from them—too small to assume the political positions of cities like New York or Philadelphia that represented greater ethnic and class conflict and much greater tension over secession—yet large enough to manifest the complex institutions and systems of an urban center.
This book represents a significant contribution to the scholarship of both the Civil War and the city of Pittsburgh, adding to the growing historiography of regional and community studies of the war. With abundant illustrations of local people and places, research on Pittsburgh’s geographic importance and extensive industrial output, this book also provides compelling details on Black citizens’ efforts to oppose slavery, ultimately through their service in the Union Army. Civil War Pittsburgh was unique: its distinctive geography, politics, and economy set the conditions for ordinary citizens to directly participate in the war in myriad ways that connected the experiences of the battlefield and the home front.
Our People, Our Journey is a landmark history of the Little River Band of Ottawa Indians, a Michigan tribe that has survived to the present day despite the expansionist and assimilationist policies that nearly robbed it of an identity in the late nineteenth century.
In his thoroughly researched chronicle, McClurken documents in words and images every major lineage and family of the Little River Ottawas. He describes the Band's struggles to find land to call its own over several centuries, including the hardships that began with European exploration of what is now the upper Midwest. Although the Little River Ottawas were successful at integrating their economic and cultural practices with those of Europeans, they were forced to cede land in the face of American settlements.
McClurken explains how the Little River Band was forced, in 1858, onto a reservation on the Pere Marquette and Manistee Rivers where they settled with a number of other Ottawa bands. However, the very treaty intended to provide the Grand River Ottawas with a permanent reservation "homeland" eventually allowed non-Indians to acquire title to nearly two-thirds of the land within the reservation by 1880.
This book tells their story, a tale of dedication and tireless labor in the face of suspicion, resistance, and even violence. At a time when Alaska’s natural bounty remains under threat, Our Perfect Wild shows us an example of the commitment—and love—that will be required to preserve it.
In Our Politics Kane reflects on his nearly fifty years of active engagement in state and local politics. In a series of essays, he seeks to understand the forces, motivations, incentives and technologies that shape our politics and produce the consequences that we live with every day. He describes how candidates and officeholders deal with the fundamental contradictions inherent in the democratic process, and how and why the political power structure has changed. He also explores the personal experience of being a legislator, from deciding how to vote to building relationships with party leaders, fellow legislators, the governor, and the voters in the district. Kane concludes by considering the possibility of change, how it might happen, and the steps that candidates, political parties, activists and others might take to better our politics with results more to our liking.
While many journalists record politics from the outside, and numerous political memoirs focus on personalities and what happened to whom and when, this book gives an insider’s view of politics at the level of state government. This book is not about those politicians but about our politics, which together we have created and together we must deal with.
The next few decades will see a profound energy transformation throughout the world. By the end of the century (and perhaps sooner), we will shift from fossil fuel dependence to rely primarily on renewable sources like solar, wind, biomass, and geothermal power. Driven by the need to avert catastrophic climate change and by the depletion of easily accessible oil, coal, and natural gas, this transformation will entail a major shift in how we live. What might a 100% renewable future look like? Which technologies will play a crucial role in our energy future? What challenges will we face in this transition? And how can we make sure our new system is just and equitable?
In Our Renewable Future, energy expert Richard Heinberg and scientist David Fridley explore the challenges and opportunities presented by the shift to renewable energy. Beginning with a comprehensive overview of our current energy system, the authors survey issues of energy supply and demand in key sectors of the economy, including electricity generation, transportation, buildings, and manufacturing. In their detailed review of each sector, the authors examine the most crucial challenges we face, from intermittency in fuel sources to energy storage and grid redesign. The book concludes with a discussion of energy and equity and a summary of key lessons and steps forward at the individual, community, and national level.
The transition to clean energy will not be a simple matter of replacing coal with wind power or oil with solar; it will require us to adapt our energy usage as dramatically as we adapt our energy sources. Our Renewable Future is a clear-eyed and urgent guide to this transformation that will be a crucial resource for policymakers and energy activists.
Motivated by a deeply rooted sense of place and community, Appalachian women have long fought against the damaging effects of industrialization. In this collection of interviews, sociologist Shannon Elizabeth Bell presents the voices of twelve Central Appalachian women, environmental justice activists fighting against mountaintop removal mining and its devastating effects on public health, regional ecology, and community well-being.
Each woman narrates her own personal story of injustice and tells how that experience led her to activism. The interviews--many of them illustrated by the women's "photostories"--describe obstacles, losses, and tragedies. But they also tell of new communities and personal transformations catalyzed through activism. Bell supplements each narrative with careful notes that aid the reader while amplifying the power and flow of the activists' stories. Bell's analysis outlines the relationship between Appalachian women's activism and the gendered responsibilities they feel within their families and communities. Ultimately, Bell argues that these women draw upon a broader "protector identity" that both encompasses and extends the identity of motherhood that has often been associated with grassroots women's activism. As protectors, the women challenge dominant Appalachian gender expectations and guard not only their families but also their homeplaces, their communities, their heritage, and the endangered mountains that surround them.
30% of the proceeds from the sale of this book will be donated to organizations fighting for environmental justice in Central Appalachia.
Follow it he did, and his book Our Sacred Maíz Is Our Mother changes the way we look at Mexican Americans. Not so much peoples created as a result of war or invasion, they are people of the corn, connected through a seven-thousand-year old maíz culture to other Indigenous inhabitants of the continent. Using corn as the framework for discussing broader issues of knowledge production and history of belonging, the author looks at how corn was included in codices and Mayan texts, how it was discussed by elders, and how it is represented in theater and stories as a way of illustrating that Mexicans and Mexican Americans share a common culture.
Rodriguez brings together scholarly and traditional (elder) knowledge about the long history of maíz/corn cultivation and culture, its roots in Mesoamerica, and its living relationship to Indigenous peoples throughout the continent, including Mexicans and Central Americans now living in the United States. The author argues that, given the restrictive immigration policies and popular resentment toward migrants, a continued connection to maíz culture challenges the social exclusion and discrimination that frames migrants as outsiders and gives them a sense of belonging not encapsulated in the idea of citizenship. The “hidden transcripts” of corn in everyday culture—art, song, stories, dance, and cuisine (maíz-based foods like the tortilla)—have nurtured, even across centuries of colonialism, the living maíz culture of ancient knowledge.
“Like a dazzling feather that has fluttered down from some unknown place. . . . How long will the feather keep its colours, waiting? The ‘feather’ stands for memories of childhood. Memories don’t wait.”
In Our Sanitikentan, the late Mahasweta Devi, one of India’s most celebrated writers, vividly narrates her days as a schoolgirl in the 1930s. As the aging author struggles to recapture vignettes of her childhood, these reminiscences bring to the written page not only her individual sensibility but an entire ethos.
Santiniketan is home to the school and university founded by the foremost literary and cultural icon of India, Rabindranath Tagore. In these pages, a forgotten Santiniketan, seen through the innocent eyes of a young girl, comes to life—the place, its people, flora and fauna, along with its educational environment, culture of free creative expression, vision of harmonious coexistence between natural and human worlds, and the towering presence of Tagore himself. Alongside, we get a glimpse of the private Mahasweta—her inner life, family and associates, and the early experiences that shaped her personality.
A nostalgic journey to a bygone era, harking back to its simple yet profound values—so distant today and so urgent yet again—Our Santiniketan is an invaluable addition to Devi’s rich oeuvre available in English translation.
When Christa Kuljian arrived on the Harvard College campus as a first-year student in the fall of 1980 with copies of Our Bodies, Ourselves and Ms. magazine, she was concerned that the women’s movement had peaked in the previous decade. She soon learned, however, that there was a long way to go in terms of achieving equality for women and that social movements would continue to be a critical force in society. She began researching the history of science and gender biases in science, and how they intersect with race, class, and sexuality.
In Our Science, Ourselves, Kuljian tells the origin story of feminist science studies by focusing on the life histories of six key figures—Ruth Hubbard, Rita Arditti, Evelyn Fox Keller, Evelynn Hammonds, Anne Fausto-Sterling, and Banu Subramaniam. These women were part of a trailblazing network of female scientists in the 1970s, 80s, and 90s who were drawn to the Boston area—to Harvard, MIT, and other universities—to study science, to network with other scientists, or to take a job. Inspired by the social and political activism of the women’s movement and organizations such as Science for the People, the Genes and Gender Collective, and the Combahee River Collective, they began to write and teach about women in science, gender and science, and sexist and racist bias and exclusion. They would lead the critiques of E. O. Wilson’s sociobiology in 1975 and Larry Summers’ comments about women in science thirty years later.
Drawing on a rich array of sources that combines published journal articles and books with archival materials and interviews with major luminaries of feminist science studies, Kuljian chronicles and celebrates the contributions that these women have made to our collective scientific knowledge and view of the world.
The fundamental difference between rhetoric and poetry, according to Yeats, is that rhetoric is the expression of one’s quarrels with others while poetry is the expression (and sometimes the resolution) of one’s quarrel with oneself. This is where Helen Vendler’s Our Secret Discipline begins. Through exquisite attention to outer and inner forms, Vendler explores the most inventive reaches of the poet’s mind. This book is a space-clearing gesture, an attempt to write about lyric forms in Yeats in unprecedented and comprehensive ways. The secret discipline of the poet is his vigilant attention to forms—whether generic, structural, or metrical. Yeats explores the potential of such forms to give shape and local habitation to volatile thoughts and feelings.
Helen Vendler remains focused on questions of singular importance: Why did Yeats cast his poems into the widely differing forms they ultimately took? Can we understand Yeats’s poetry better if we pay attention to inner and outer lyric form? Chapters of the book take up many Yeatsian ventures, such as the sonnet, the lyric sequence, paired poems, blank verse, and others. With elegance and precision, Vendler offers brilliant insights into the creative process and speculates on Yeats’s aims as he writes and rewrites some of the most famous poems in modern literature.
American culture has long had a conflicted relationship with assistance to the poor. Cotton Mather and John Winthrop were staunch proponents of Christian charity as fundamental to colonial American society, while transcendentalists harbored deep skepticism towards benevolence in favor of Emersonian self-reliance and Thoreau’s insistence on an ascetic life. Women in the 19th century, as these essays show, approached issues of benevolence far differently than their male counterparts, consistently promoting assistance to the impoverished, in both their acts and their writings.
Emmett investigates the successes and failures of women in the Israeli political landscape, particularly the harassment experienced during the leadership of Right and ultra-Right groups before the ascension to office of the late Prime Minister Yitzhak Rabin. Her account of women's activism in Israel provides a rich backdrop for viewing the compelling events that have taken place in the Middle East throughout the 1990s and offer insights into the future of women's political activism, both in the ever-changing Israeli political climate and in the broader world of women in politics.
"Brilliant in conception and theory, based on superb fieldwork, and clearly written for both specialist and non-specialist reader." --Maurie Sacks, Montclair State University
"A groundbreaking study. . . .Ayala Emmett brings an unusual voice of clarity into the muddled politics of the Middle East. Where most studies ignore or marginalize women's role in the peace process, Emmett highlights women as political actors and shows their capacity to bridge the chasm between two hostile peoples." --Cynthia Saltzman, Rutgers University, Camden
Ayala Emmett is Associate Professor of Anthropology, University of Rochester.
Since the birth of the nation, we have turned to stories about the American South to narrate the rapid ascendency of the United States on the world stage. The idea of a cohesive South, different from yet integral to the United States, arose with the very formation of the nation itself. Its semitropical climate, plantation production, and heterogeneous population once defined the New World from the perspective of Europe. By founding U.S. literature through opposition to the South, writers boldly asserted their nation to stand apart from the imperial world order.
Our South tracks the nation/South juxtaposition in U.S. literature from the founding to the turn of the twentieth century, through genres including travel writing, gothic and romance novels, geography textbooks, transcendentalist prose, and abolitionist address. Even as the southern states became peripheral to U.S. politics and economy, Jennifer Rae Greeson demonstrates that in literature the South remained central to the expanding and evolving idea of the nation.
Claiming the South as our deviant and recalcitrant “other,” Americans have projected an anti-imperial imperative of domesticating and civilizing, administering and integrating underdeveloped regions both within our borders and beyond. Our South has been a primal site for thinking about geography and power in the United States.
No other book on the Southern Appalachians is more widely known or cited.
"Awonderful book. I like it especially for its color and anecdotes. It is a classic, not only for its accuracy and breadth of insights into the people of the region, but because these people themselves are so interesting and strong."
—Annie Dillard, author of Pilgrim at Tinker Creek
An exploration of the ways a particular religious tradition and a distinct social context have interacted over a 300-year period, including the unique story of the oldest and largest African American Calvinist community in America
The South Carolina low country has long been regarded—not only in popular imagination and paperback novels but also by respected scholars—as a region dominated by what earlier historians called “a cavalier spirit” and by what later historians have simply described as “a wholehearted devotion to amusement and the neglect of religion and intellectual pursuits.” Such images of the low country have been powerful interpreters of the region because they have had some foundation in social and cultural realities. It is a thesis of this study, however, that there has been a strong Calvinist community in the Carolina low country since its establishment as a British colony and that this community (including in its membership both whites and after the 1740s significant numbers of African Americans) contradicts many of the images of the "received version" of the region. Rather than a devotion to amusement and a neglect of religion and intellectual interests, this community has been marked throughout most of its history by its disciplined religious life, its intellectual pursuits, and its work ethic.
Drawing on newspaper accounts, prisoner narratives, and government records, David J. Dzurec III explores how stories of American captivity in North America, Europe, and Africa played a critical role in the development of American political culture, adding a new layer to our understanding of foreign relations and domestic politics in the early American republic.
A BBC Sky at Night Best Astronomy and Space Book of the Year
“[A] luminous guide to the cosmos…Jo Dunkley swoops from Earth to the observable limits, then explores stellar life cycles, dark matter, cosmic evolution and the soup-to-nuts history of the Universe.”
—Nature
“A grand tour of space and time, from our nearest planetary neighbors to the edge of the observable Universe…If you feel like refreshing your background knowledge…this little gem certainly won’t disappoint.”
—Govert Schilling, BBC Sky at Night
Most of us have heard of black holes and supernovas, galaxies and the Big Bang. But few understand more than the bare facts about the universe we call home. What is really out there? How did it all begin? Where are we going?
Jo Dunkley begins in Earth’s neighborhood, explaining the nature of the Solar System, the stars in our night sky, and the Milky Way. She traces the evolution of the universe from the Big Bang fourteen billion years ago, past the birth of the Sun and our planets, to today and beyond. She then explains cutting-edge debates about such perplexing phenomena as the accelerating expansion of the universe and the possibility that our universe is only one of many. Our Universe conveys with authority and grace the thrill of scientific discovery and a contagious enthusiasm for the endless wonders of space-time.
"[Auerbach] has seen more Hammer movies than I (or the monsters) have had steaming hot diners, encountered more bloodsuckers than you could shake a stick at, even a pair of crossed sticks, such as might deter a very sophisticated ogre, a hick from the Moldavian boonies....Auerbach has dissected and deconstructed them with the tender ruthlessness of a hungry chef, with cogency and wit."—Eric Korn, Times Literary Supplement
"This seductive work offers profound insights into many of the urgent concerns of our time and forces us to confront the serious meanings that we invest, and seek, in even the shadiest manifestations of the eroticism of death."—Wendy Doniger, The Nation
"A vigorous, witty look at the undead as cultural icons."—Kirkus Review
"In case anyone should think this book is merely a boring lit-crit exposition...Auerbach sets matters straight in her very first paragraph. 'What vampires are in any given generation,' she writes, 'is a part of what I am and what my times have become. This book is a history of Anglo-American culture through its mutating vampires.'...Her book really takes off."—Maureen Duffy, New York Times Book Review
Michael Riordon takes us to thousand year-old olive groves, besieged villages, refugee camps, checkpoints and barracks. In the face of deepening conflict, Our Way to Fight offers courageous grassroots action on both sides of the wall, and points the way to a liveable future.
Yet despite their obvious religious differences with nearby communities, when asked what makes the Kalasha unique, both men and women often reply, "Our women are free" (homa istrizia azat asan). The concept that Kalasha women are "free" (azat), that they have "choice" (chit), is a topic of spirited conversation among the Kalasha. It touches at the heart of both individual women's identities and the collective identity of the community.
Our Women are Free introduces the historical and cultural landscape of the Kalasha and describes the role that "women's freedom" plays as an ethnic marker for the entire community. Throughout the narrative, Wynne Maggi stays close to conversations and events that illustrate the daily life of the community, focusing particularly on the Kalasha people's sense of humor; on the pleasure they take in work, children, ritual, and relationships; as well as on the complexity and seriousness of their social lives.
Accessible and thought-provoking, Our Women are Free will be of interest to professional anthropologists, area scholars, and other social scientists.
Wynne Maggi teaches anthropology and women's studies at the University of Colorado.
Those decades of strife, however, also gave the Lower East Side something unusual: a radical movement that blended urban homesteading and European-style squatting in a way never before seen in the United States. Ours to Lose tells the oral history of that movement through a close look at a diverse group of Lower East Side squatters who occupied abandoned city-owned buildings in the 1980s, fought to keep them for decades, and eventually began a long, complicated process to turn their illegal occupancy into legal cooperative ownership. Amy Starecheski here not only tells a little-known New York story, she also shows how property shapes our sense of ourselves as social beings and explores the ethics of homeownership and debt in post-recession America.
When reporters asked about the Bush administration’s timing in making their case for the Iraq war, then Chief of Staff Andrew Card responded that “from an marketing point of view, you don’t introduce new products in August.” While surprising only in its candor, this statement signified the extent to which consumer culture has pervaded every aspect of life. For those troubled by the long reach of the marketplace, resistance can seem futile. However, a new generation of progressive activists has begun to combat the media supremacy of multinational corporations by using the very tools and techniques employed by their adversaries.
In OurSpace, Christine Harold examines the deployment and limitations of “culture jamming” by activists. These techniques defy repressive corporate culture through parodies, hoaxes, and pranks. Among the examples of sabotage she analyzes are the magazine Adbusters’ spoofs of familiar ads and the Yes Men’s impersonations of company spokespersons.
While these strategies are appealing, Harold argues that they are severely limited in their ability to challenge capitalism. Indeed, many of these tactics have already been appropriated by corporate marketers to create an aura of authenticity and to sell even more products. For Harold, it is a different type of opposition that offers a genuine alternative to corporate consumerism. Exploring the revolutionary Creative Commons movement, copyleft, and open source technology, she advocates a more inclusive approach to intellectual property that invites innovation and wider participation in the creative process.
From switching the digital voice boxes of Barbie dolls and G.I. Joe action figures to inserting the silhouetted image of Abu Ghraib’s iconic hooded and wired victim into Apple’s iPod ads, high-profile instances of anticorporate activism over the past decade have challenged, but not toppled, corporate media domination. OurSpace makes the case for a provocative new approach by co-opting the logic of capitalism itself.
Christine Harold is assistant professor of speech communication at the University of Georgia.
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