A SCHOLARLY BOOK REPOSITORY
Yalof draws on the papers of seven modern presidents, from Truman to Reagan, and firsthand interviews with key figures, such as Ramsey Clark, Edwin Meese, and President Gerald Ford. He documents and analyzes the selection criteria these presidents used, the pool of candidates from which they chose, their strategies, and the political pressures affecting their decisions, both successes and failures. Yalof also disputes much conventional wisdom about the selection process, including the widely held view that presidents choose nominees primarily to influence future decisions of the high court. In a substantial epilogue, Yalof offers insightful observations about the selections of Presidents George Bush and Bill Clinton.
By focusing on a neglected area of presidential politics, Yalof offers a fascinating and unprecedented glimpse into the intricate world of executive branch decisionmaking and the Supreme Court appointment process as a whole.
Winner of the 2000 Richard E. Neustadt Award for Best Book on the American Presidency
In Pursuit of Truth W. V. Quine gives us his latest word on issues to which he has devoted many years. As he says in the preface: “In these pages I have undertaken to update, sum up, and clarify my variously intersecting views on cognitive meaning, objective reference, and the grounds of knowledge.”
The pursuit of truth is a quest that links observation, theory, and the world. Various faulty efforts to forge such links have led to much intellectual confusion. Quine’s efforts to get beyond the confusion begin by rejecting the very idea of binding together word and thing, rejecting the focus on the isolated word. For him, observation sentences and theoretical sentences are the alpha and omega of the scientific enterprise. Notions like “idea” and ”meaning” are vague, but a sentence—now there’s something you can sink your teeth into. Starting thus with sentences, Quine sketches an epistemological setting for the pursuit of truth. He proceeds to show how reification and reference contribute to the elaborate structure that can indeed relate science to its sensory evidence.
In this book Quine both summarizes and moves ahead. Rich, lively chapters dissect his major concerns: evidence, reference, meaning, intention, and truth. “Some points,” he writes, “have become clearer in my mind in the eight years since Theories and Things. Some that were already clear in my mind have become clearer on paper. And there are some that have meanwhile undergone substantive change for the better.”
This is a key book for understanding the effort that a major philosopher has made a large part of his life’s work: to naturalize epistemology in the twentieth century. The book is concise and elegantly written, as one would expect, and does not assume the reader’s previous acquaintance with Quine’s writings. Throughout, it is marked by Quine’s wit and economy of style.
In Pursuit of Truth W. V. Quine gives us his latest word on issues to which he has devoted many years. As he says in the preface: "In these pages I have undertaken to update, sum up, and clarify my variously intersecting views on cognitive meaning, objective reference, and the grounds of knowledge?'The pursuit of truth is a quest that links observation, theory, and the world. Various faulty efforts to forge such links have led to much intellectual confusion. Quine's efforts to get beyond the confusion begin by rejecting the very idea of binding together word and thing, rejecting the focus on the isolated word. For him, observation sentences and theoretical sentences are the alpha and omega ofthe scientific enterprise. Notions like "idea" and "meaning" are vague, but a sentence-now there's something you can sink your teeth into.
Starting thus with sentences, Quine sketches an epistemological setting for the pursuit of truth. He proceeds to show how reification and reference contribute to the elaborate structure that can indeed relate science to its sensory evidence.In this book Quine both summarizes and moves ahead. Rich, lively chapters dissect his major concerns-evidence, reference, meaning, intension, and truth. "Some points;' he writes, "have become clearer in my mind in the eight years since Theories and Things. Some that were already clear in my mind have become clearer on paper. And there are some that have meanwhile undergone substantive change for the better." This is a key book for understanding the effort that a major philosopher has made a large part of his life's work: to naturalize epistemology in the twentieth century. The book is concise and elegantly written, as one would expect, and does not assume the reader's previous acquaintance with Quine's writings. Throughout, it is marked by Quine's wit and economy of style.
Particular focus in following the thread of unity and perfection in human intellectual and practical ambitions ultimately hones in on the combination of religion and politics. Vondung in these essays unpacks the ways in which this continues to fascinate and disturb us, and in his expertise he uses National Socialism to connect this pursuit of unity and perfection to what he calls one of the signature marks of modernity––namely, secular apocalypticism. This claim stands in opposition to Eric Voegelin’s remark that Gnosticism, rather, is “the nature of modernity.” Vondung, who studied and wrote his dissertation under Voegelin, grapples with the contrast of these positions. Vondung is willing to challenge Voegelin, but ultimately his treatment of the latter bears the quality of tribute to this great scholar.
Vondung also explores the points of contact between apocalypticism and Hermetic speculation. Despite the independence of the religious and philosophical doctrines of Hermeticism, there are parallels to be found. Apocalypticism and Hermeticism originated in antiquity and yet each represents a tradition that still holds footing today. Vondung furthermore leads the reader to see the project of salvation found in both even as each operates with a different scope.
This collection of essays centers itself on a perspective of the human pursuit of unity and perfection, directly or indirectly, as objectives of intellectual endeavors, existential ideals, as social or political outcomes, and in the case of National Socialism even as perverse aberrations that led to the Holocaust. Vondung’s particular treatment of Voegelin’s work likewise establishes what the former identifies as a stand-out question of this study: Does the search for order in history show us the unity of the history of humankind?
During the ’30s and ’40s, Hollywood produced a genre of madcap comedies that emphasized reuniting the central couple after divorce or separation. Their female protagonists were strong, independent, and sophisticated. Here, Stanley Cavell names this new genre of American film—“the comedy of remarriage”—and examines seven classic movies for their cinematic techniques and for such varied themes as feminism, liberty, and interdependence.
Included are Adam’s Rib, The Awful Truth, Bringing Up Baby, His Girl Friday, It Happened One Night, The Lady Eve, and The Philadelphia Story.
Marking the tercentenary of David Hume's birth, Annette Baier has created an engaging guide to the philosophy of one of the greatest thinkers of Enlightenment Britain. Drawing deeply on a lifetime of scholarship and incisive commentary, she deftly weaves Hume’s autobiography together with his writings and correspondence, finding in these personal experiences new ways to illuminate his ideas about religion, human nature, and the social order.
Excerpts from Hume’s autobiography at the beginning of each chapter open a window onto the eighteenth-century context in which Hume’s philosophy developed. Famous in Christian Britain as a polymath and a nonbeliever, Hume recounts how his early encounters with clerical authority laid the foundation for his lifelong skepticism toward religion. In Scotland, where he grew up, he had been forced to study lists of sins in order to spot his own childish flaws, he reports. Later, as a young man, he witnessed the clergy’s punishment of a pregnant unmarried servant, and this led him to question the violent consequences of the Church’s emphasis on the doctrine of original sin. Baier’s clear interpretation of Hume’s Treatise of Human Nature explains the link between Hume’s growing disillusionment and his belief that ethics should be based on investigations of human nature, not on religious dogma.
Four months before he died, Hume concluded his autobiography with a eulogy he wrote for his own funeral. It makes no mention of his flaws, critics, or disappointments. Baier’s more realistic account rivets our attention on connections between the way Hume lived and the way he thought—insights unavailable to Hume himself, perhaps, despite his lifelong introspection.
In this sophisticated debut collection, Ronald F. Smits deftly weaves the comic with the tragic as he vividly recreates days past in rural Pennsylvania. With a boyish charm, the eighty poems in Push lyrically recall baseball games, campouts under the stars, and dusty treks along lonely back roads—bringing to life a vision of mid-century America that is by turns nostalgic and clear-eyed, humorous and heartfelt. A masterly evocation of a place and a time that feel quintessentially American, Push opens our eyes to the twinned power of literature and memory.
The coalition known as the National Council of Women’s Organizations no longer exists today, but the history and the lessons learned from the NCWO’s activism remain as important as ever—perhaps even more so in this age of Trump. Laura Woliver spent fifteen years doing fieldwork and conducting research and interviews to understand how the NCWO coalition group functioned. The result is her impressive study, Push Back, Move Forward.
Woliver explores the foundational work of the NCWO and member groups to promote women’s economic security, citizen status, and political rights. She investigates women’s access to previously “male only” organizations, such as private clubs; the increase in voter participation generated by measures such as early voting; advocacy campaigns for such benefit programs as Social Security and the Affordable Care Act; and global human and women’s rights activism. In addition, she examines the accomplishments of women of color, both alongside and within the NCWO, who orient their politics toward achieving justice and attaining rights.
Push Back, Move Forward artfully documents this important group’s activities while also gleaning larger lessons about coalition organizations.
Certain to appeal to anyone interested in American political science and history, Pushback closes with a detailed examination of the unequivocally countermajoritarian Supreme Court ruling of our lifetimes, Dobbs v. Jackson Women’s Health Organization, which overturned Roe. For the first time in 50 years, conditions are ripe for a party to win votes by campaigning against the will of the Court. Upcoming elections will tell if the Republicans overplayed their hand, or if Democrats will play theirs as skillfully as did the GOP after Roe.
As college and university administrators expand and develop their urban campuses, they have also become developers—and primary drivers—of neighborhood change. But how do institutions contend with urban real estate needs, revitalization opportunities, and community outreach? And how do the residents benefit? Pushing Back the Gates provides a lively discussion of neighborhood-level perspectives of the dynamic changes brought about by institutions' urban planning efforts.
Harley Etienne outlines the rationale for university-driven development and neighborhood revitalization balanced by caution for the limitations of the model. He provides a summary of the University of Pennsylvania's West Philadelphia Initiatives and the challenges and successes of this unique plan. Etienne also examines the implementation of similar efforts at different universities around the country.
Pushing Back the Gates speaks to communities, university leaders, and urban developers who navigate the boundary between neighborhood revitalization through physical development and investments in incumbent populations and human capital.
The first of the volume’s four sections examines the status, history, and prospects of Bears Ears National Monument, the broader regulatory and political boundaries that complicate the nature and integrity of the archaeological record, and the cultural contexts and legal stakes of archaeological inquiry. The second section focuses on chronological “big data” in the context of pre-Columbian history and the potential and limits of what can be empirically derived from chronometric analysis of the past. The chapters in the third section advocate for advancing collections-based research, focusing on the vast and often untapped research potential of archives, previously excavated museum collections, and legacy data. The final section examines the permeable boundaries involved in Plains-Pueblo interactions, obvious in the archaeological record but long in need of analysis, interpretation, and explanation.
Contributors: James R. Allison, Erin Baxter, Benjamin A. Bellorado, Katelyn J. Bishop, Eric Blinman, J. Royce Cox, J. Andrew Darling, Kaitlyn E. Davis, William H. Doelle, B. Sunday Eiselt, Leigh Anne Ellison, Josh Ewing, Samantha G. Fladd, Gary M. Feinman, Jeffrey R. Ferguson, Severin Fowles, Willie Grayeyes, Matthew Guebard, Saul L. Hedquist, Greg Hodgins, Lucas Hoedl, John W. Ives, Nicholas Kessler, Terry Knight, Michael W. Lindeman, Hannah V. Mattson, Myles R. Miller, Lindsay Montgomery, Stephen E. Nash, Sarah Oas, Jill Onken, Scott G. Ortman, Danielle J. Riebe, John Ruple, Will G. Russell, Octavius Seowtewa, Deni J. Seymour, James M. Vint, Adam S. Watson
Police put Eric Garner in a fatal chokehold for selling cigarettes on a New York City street corner. George Floyd was killed by police outside a store in Minneapolis known as “the best place to buy menthols.” Black smokers overwhelmingly prefer menthol brands such as Kool, Salem, and Newport. All of this is no coincidence. The disproportionate Black deaths and cries of “I can’t breathe” that ring out in our era—because of police violence, COVID-19, or menthol smoking—are intimately connected to a post-1960s history of race and exploitation.
In Pushing Cool, Keith Wailoo tells the intricate and poignant story of menthol cigarettes for the first time. He pulls back the curtain to reveal the hidden persuaders who shaped menthol buying habits and racial markets across America: the world of tobacco marketers, consultants, psychologists, and social scientists, as well as Black lawmakers and civic groups including the NAACP. Today most Black smokers buy menthols, and calls to prohibit their circulation hinge on a history of the industry’s targeted racial marketing. In 2009, when Congress banned flavored cigarettes as criminal enticements to encourage youth smoking, menthol cigarettes were also slated to be banned. Through a detailed study of internal tobacco industry documents, Wailoo exposes why they weren’t and how they remain so popular with Black smokers.
With the increasing demand for midwives, activists are lobbying to loosen restrictions that deny legal access to homebirth options. In Pushing for Midwives, Christa Craven presents a nuanced history of women’s reproductive rights activism in the U.S. She also provides an examination of contemporary organizing strategies for reproductive rights in an era increasingly driven by “consumer rights.”
An historical and ethnographic case study of grassroots organizing, Pushing for Midwives is an in-depth look at the strategies, successes, and challenges facing midwifery activists in Virginia. Craven examines how decades-old race and class prejudices against midwives continue to impact opposition to—as well as divisions within—women’s contemporary legislative efforts for midwives. By placing the midwifery struggle within a broader reproductive rights context, Pushing for Midwives encourages activists to reconsider how certain political strategies have the potential to divide women. This reflection is crucial in the wake of neoliberal political-economic shifts that have prioritized the rights of consumers over those of citizens—particularly if activists hope to maintain their commitment to expanding reproductive rights for all women.
As Puerto Rico rapidly industrialized from the late 1940s until the 1970s, the social, political, and economic landscape changed profoundly. In the realm of heath care, the development of medical education, new medical technologies, and a new faith in science radically redefined childbirth and its practice. What had traditionally been a home-based, family-oriented process, assisted by women and midwives and “accomplished” by mothers, became a medicalized, hospital-based procedure, “accomplished” and directed by biomedical, predominantly male, practitioners, and, ultimately reconfigured, after the 1980s, into a technocratic model of childbirth, driven by doctors’ fears of malpractice suits and hospitals’ corporate concerns.
Pushing in Silence charts the medicalization of childbirth in Puerto Rico and demonstrates how biomedicine is culturally constructed within regional and historical contexts. Prior to 1950, registered midwives on the island outnumbered registered doctors by two to one, and they attended well over half of all deliveries. Isabel M. Córdova traces how, over the next quarter-century, midwifery almost completely disappeared as state programs led by scientifically trained experts and organized by bureaucratic institutions restructured and formalized birthing practices. Only after cesarean rates skyrocketed in the 1980s and 1990s did midwifery make a modest return through the practices of five newly trained midwives. This history, which mirrors similar patterns in the United States and elsewhere, adds an important new chapter to the development of medicine and technology in Latin America.
Biosphere 2 helped change public understanding of what our global biosphere is and how it provides for our health and well-being. However, the experiment is often dismissed as a failure, and news outlets at the time focused on interpersonal conflicts and unexpected problems that arose. Delving past the sensationalism, Nelson presents the goals and results of the experiment, addresses the implications of the project for our global situation, and discusses how the project’s challenges and successes can change our thinking about Biosphere 1: the Earth.
Pushing Our Limits offers insights from the project that can help us deal with our global ecological challenges. It also shows the intense and fulfilling connection the biospherians felt with their life support system and how this led to their vigilant attention to its needs.
With current concerns of sustainability and protection of our global biosphere, as well as the challenge of learning how to support life in space and on Mars, the largest, longest, and most important experiment in closed ecosystems is more relevant than ever. The book explores Biosphere 2’s lessons for changing technology to support and not destroy nature and for reconnecting people to a healthy relationship with nature.
In 1833 Alexander Pushkin began to explore the topic of madness, a subject little explored in Russian literature before his time. The works he produced on the theme are three of his greatest masterpieces: the prose novella The Queen of Spades, the narrative poem The Bronze Horseman, and the lyric "God Grant That I Not Lose My Mind." Gary Rosenshield presents a new interpretation of Pushkin’s genius through an examination of his various representations of madness.
Pushkin brilliantly explored both the destructive and creative sides of madness, a strange fusion of violence and insight. In this study, Rosenshield illustrates the surprising valorization of madness in The Queen of Spades and "God Grant That I Not Lose My Mind" and analyzes The Bronze Horseman’s confrontation with the legacy of Peter the Great, a cornerstone figure of Russian history. Drawing on themes of madness in western literature, Rosenshield situates Pushkin in a greater framework with such luminaries as Shakespeare, Sophocles, Cervantes, and Dostoevsky providing an insightful and absorbing study of Russia’s greatest writer.
Through careful readings of the literature of Pushkin and others active in the northern branch of the Decembrist movement, such as Kondraty Ryleev, Wilhelm Küchelbecker, and Fyodor Glinka, Wang traces the development of “emotional communities” among the members and adjacent writers. This book illuminates what Wang terms “civic sentimentalism”: the belief that cultivating noble sentiments on an individual level was the key to liberal progress for Russian society, a core part of Decembrist ideology that constituted a key difference from their thought and Pushkin’s. The emotional program for Decembrist community members was, in other ways, a civic program for Russia as a whole, one that they strove to enact by any means necessary.
"Pushkin's Button will keep all constituencies of reader fastened to their seats, as they watch Petersburg's lofty denizens leave no moment of the hurtling Pushkin scandal unrecorded or not speculated on."—Monika Greenleaf,Los Angeles Times
"[A] deliciously entertaining whydunit, a book in which every page seduces with a riddle. . . . Vivacious, seductive, original."—Michael Dirda, Washington Post
"A delightful combination of retrograde pleasures (court balls, the demise of a doomed genius) and primary sources. . . . Illuminating."—Richard Lamb, New York Times Book Review
"A book almost impossible to put down."—George Steiner, New Yorker
The culmination of four decades of work by J. Thomas Shaw, this fully searchable e-book carefully analyzes, both chronologically and by genre, Alexander Pushkin’s use of rhyme to show how meaning shifts in tandem with formal changes. Comparing Pushkin’s poetry with that of Konstantin Nikolaevich Batiushkov (1787–1855) and Evgeny Abramovich Baratynsky (1800–1844), Shaw considers, among other topics, what is exact and inexact in “exact” rhyme, how the grammatical characteristics of rhymewords affect the reader’s percepetion of the poem and its rhyme, and how the repetition of a rhyming word can also change meaning.
Each of the five chapters analyzes in detail a distinct aspect of rhyme and provides rich resources for future scholars in the accompanying tables of data. The extensive back matter in the book includes a glossary, abbreviations list, bibliography, and indexes of poems cited, names, and rhyme types and analyses.
Comprises two valuable, original, and difficult-to-find pieces on Choctaw history and culture that originally appeared in the 1904 and 1906 volumes of Publications of the Mississippi Historical Society
This important book comprises two articles that appeared in the 1904 and 1906 volumes of Publications of the Mississippi Historical Society. In “Life of Apushimataha,” Gideon Lincecum tells the story of Choctaw chief Pushmataha, who was born in Mississippi in 1764. A fearless warrior, his name literally means “one whose tomahawk is fatal in war or hunting.” As a charismatic leader, his foresight in making an alliance with General Andrew Jackson brought the Choctaws into war with the Creek Nation and into the War of 1812 but served to their benefit for many years with the United States government. In 1824, Pushmataha traveled to Washington, DC, to negotiate the Treaty of Doak’s Stand as pressure grew for Choctaw removal to Oklahoma Territory, but he fell ill and died there. He was buried with full military honors in the Congressional Cemetery at Arlington.
In “Choctaw Traditions about Their Settlement in Mississippi and the Origin of Their Mounds,” Lincecum translates a portion of the Skukhaanumpula—the traditional history of the tribe, which was related to him verbally by Chata Immataha, “the oldest man in the world, a man that knew everything.” It explains how and why the sacred Nanih Waya mound was erected and how the Choctaws formed new towns, and it describes the structure of leadership roles in their society.
For many people on the San Carlos reservation, both the traditional calls of the Mountain Spirits and the hard edge of a country, rock, or reggae song can evoke the feeling of being Apache. Using insights gained from both linguistic and musical practices in the community—as well as from his own experience playing in an Apache country band—David W. Samuels explores the complex expressive lives of these people to offer new ways of thinking about cultural identity.
Samuels analyzes how people on the reservation make productive use of popular culture forms to create and transform contemporary expressions of Apache cultural identity. As Samuels learned, some popular songs—such as those by Bob Marley—are reminiscent of history and bring about an alignment of past and present for the Apache listener. Thinking about Geronimo, for instance, might mean one thing, but “putting a song on top of it” results in a richer meaning. Samuels also proposes that the concept of the pun, as both a cultural practice and a means of analysis, helps us understand the ways in which San Carlos Apaches are able to make cultural symbols point in multiple directions at once. Through these punning, layered expressions, people on the reservation express identities that resonate with the complicated social and political history of the Apache community.
This richly detailed study challenges essentialist notions of Native American tribal and ethnic identity by revealing the turbulent complexity of everyday life on the reservation. Samuels’s work is a multifaceted exploration of the complexities of sound, of language, and of the process of constructing and articulating identity in the twenty-first century.
In this groundbreaking study of a politically controversial topic---the debut offering in Alan Wolfe's Contemporary Political and Social Issues series---author Stephen Monsma avoids overheated rhetoric in favor of a careful, critical analysis of the hard evidence on whether public-private partnerships really work.
The book is based on in-depth studies of social service programs in Los Angeles, Chicago, Philadelphia, and Dallas. By examining public-private partnerships between government offices and nonprofit organizations, Monsma seeks to understand how these partnerships affect the balance between government's efforts to deal with social problems and the rights of individual citizens to control their own lives.
Putting Faith in Partnerships answers many previously unanswered questions in what may be the most controversial public policy debate today: about the feasibility and wisdom of government agencies forming partnerships with private organizations to provide essential public social services.
Stephen V. Monsma is Professor of Political Science at Pepperdine University. He has served as director of the Office of Quality Review in Michigan's Department of Social Services and is a widely recognized expert on the role of faith-based organizations in social service programs.
What does federalism do to welfare states? This question arises in scholarly debates about policy design as well as in discussions about the right political institutions for a country. It has frustrated many, with federalism seeming to matter in all sorts of combinations with all sorts of issues, from nationalism to racism to intergovernmental competition. The diffuse federalism literature has not come to compelling answers for very basic questions.
Scott L. Greer, Daniel Béland, André Lecours, and Kenneth A. Dubin argue for a new approach—one methodologically focused on configurations of variables within cases rather than a fruitless attempt to isolate “the” effect of federalism; and one that is substantively engaged with identifying key elements in configurations as well as with when and how their interactions matter. Born out of their work on a multi-year, eleven-country project (published as Federalism and Social Policy: Patterns of Redistribution in Eleven Countries, University of Michigan Press, 2019), this book comprises a methodological and substantive agenda. Methodologically, the authors shift to studies that embraced and understood the complexity within which federal political institutions operate. Substantively, they make an argument for the importance of plurinationalism, changing economic interests, and institutional legacies.
Christopher Ellis argues citizens’—and legislators’—views of class politics are driven by lived experience in particular communities. While some experience is formally political, on an informal basis citizens learn a great deal about their position in the broader socioeconomic spectrum and the social norms governing how class intersects with day-to-day life. These factors are important for policymakers, since most legislators do not represent “the public” at large, but specific constituencies.
Focusing on U.S. congressional districts as the contextual unit of interest, Ellis argues individuals’ political behavior cannot be separated from their environment, and shows how income’s role in political processes is affected by the contexts in which citizens and legislators interact. Political inequality exists in the aggregate, but it does not exist everywhere. It is, rather, a function of specific arrangements that depress the political influence of the poor. Identifying and understanding these factors is a crucial step in thinking about what reforms might be especially helpful in enhancing equality of political voice.
In this lively critical analysis, Diane Barthel reveals the previously overlooked and underestimated depth of cultural meaning behind contemporary American advertising. Focusing mainly on ads for beauty products directed at women, she demonstrates how stereotypical gender identities are emphasized and how advertising itself creates a gendered relationship with the consumer. She explores psychological, sociological, and cultural messages in advertising to show how Putting on Appearances is anything but a purely personal matter, and how the social realities in which we are forced to live are conditioned by the personal appearances we choose to create.
Most advertisements are not sexually obvious, but rely instead on sexual story-telling in which seduction, deception, and passion are portrayed as acceptable means for achieving selfhood. Advertisements that proclaim, "Now is the time to paint your knees" speak with one form of authority: those that present the voice of the all-knowing scientist or the nurturing mother rely on others. Celebrities figure as professional beauties and wise older sisters, sharing their secrets with the consumer. "The Gentle Treatment Great Model Search Made Me a Star. Now it’s your turn."
Inseparable from the clothes we wear and the products we use are our ideas and fantasies about our bodies. Beauty products present beauty rituals as transcendent occasions, and diet products call up religious imagery of guilt and salvation. The body itself is to be anxiously manipulated and systematically worked over until the consumer "turns her body into...an advertisement for herself, a complicated sign to be read and admired."
In the series Women in the Political Economy, edited by Ronnie J. Steinberg.
Putting Science in Its Place establishes the fundamental importance of geography in both the generation and the consumption of scientific knowledge, using historical examples of the many places where science has been practiced. Livingstone first turns his attention to some of the specific sites where science has been made—the laboratory, museum, and botanical garden, to name some of the more conventional locales, but also places like the coffeehouse and cathedral, ship's deck and asylum, even the human body itself. In each case, he reveals just how the space of inquiry has conditioned the investigations carried out there. He then describes how, on a regional scale, provincial cultures have shaped scientific endeavor and how, in turn, scientific practices have been instrumental in forming local identities. Widening his inquiry, Livingstone points gently to the fundamental instability of scientific meaning, based on case studies of how scientific theories have been received in different locales. Putting Science in Its Place powerfully concludes by examining the remarkable mobility of science and the seemingly effortless way it moves around the globe.
From the reception of Darwin in the land of the Maori to the giraffe that walked from Marseilles to Paris, Livingstone shows that place does matter, even in the world of science.
When philosopher Bernard Rollin was six years old, he visited an animal shelter and was told about unwanted dogs being put to sleep. The event shaped his moral outlook and initiated his concern for how animals were treated. In his irreverent memoir, Putting the Horse before Descartes, Rollin provides an account of how he came to educate himself and others about the ethical treatment of animals and work toward improvements in animal welfare.
Rollin describes, in witty, often disarming detail, how he became an outspoken critic of how animals were being treated in veterinary and medical schools as well as in research labs. Putting the Horse before Descartes showcases the passionate animal advocate at his best. He recalls teaching veterinary students about ethical issues. He also recalls face-offs with ranchers and cowboys about branding methods and roping competitions in rodeos. In addition, he describes his work to legally mandate more humane conditions for agricultural and laboratory animals. As public concern about animal welfare and the safety of the food supply heighten, Rollin carries on this work all over the world—in classrooms, lecture halls and legislatures, meetings of agricultural associations and industrial settings, as well as in print.
Putting the Horse before Descartes, ultimately, is more than a memoir. Rollin offers a wide-ranging discussion of ethical issues in many settings and he testifies to the myriad ways that people of good conscience accept their ethical responsibility in regard to animals.
The two parts of this volume provide a theoretical basis for service learning and offer lessons gleaned from applying it in the classroom. The theoretical chapters outline the learning theory and models of service learning as they can be applied in economics. Service learning is introduced here as a technique that teaches students to "do economics." Also included are specific models of service learning and an overview of assessment issues. The applications chapters detail various examples of using service to enhance learning. These range from using a single service experience in a class to courses that use service experiences as the focus and context for learning economics. Course topics cover environmental and natural resources, statistics, econometrics and research methods, principles and economic issues, labor, the economics of gender, forensic economics, and development economics. Each application provides details regarding the institutional environment in which it was implemented, type of course, enrollment, and process through which student learning was enhanced. Handouts and abbreviated syllabi are included.
Economics educators have a stake in improving their students' long-term economic literacy. Service learning offers significant benefits beyond those offered by pedagogies traditionally found in economics classrooms and should be considered as a teaching strategy by economics professors everywhere.
Kim Marie McGoldrick is Associate Professor of Economics, University of Richmond. Andrea L. Ziegert is Associate Professor of Economics, Denison University.
Putting the Supernatural in Its Place explores zombies, vampires, witches, demented nuns, mediums, and ghosts in their natural (and unnatural) habitats while making sense of the current ubiquity of the supernatural on the Internet, in the movies, in tourism, and in places like New Orleans. This unique study of how we locate the supernatural sheds light on why certain sites and their stories captivate us and shows how pondering the supernatural can bring a better understanding of the places we create and inhabit. Each chapter is authored by a noted folklorist who examines the supernatural as it appears “in place.” Among the locales are Salem, Massachusetts; Lily Dale, New York; and Internet fan sites for the Twilight movies and the TV series Buffy the Vampire Slayer. Supernatural places have the potential to alter perceptions of reality—sometimes enchanting, sometimes terrifying, and sometimes even schooling those who experience them. Ultimately, the authors demonstrate that, culturally speaking, the supernatural’s place is important and not trivial.
Putting Their Hands on Race offers an important labor history of 19th and early 20th century Irish immigrant and US southern Black migrant domestic workers. Drawing on a range of archival sources, this intersectional study explores how these women were significant to the racial labor and citizenship politics of their time. Their migrations to northeastern cities challenged racial hierarchies and formations. Southern Black migrant women resisted the gendered racism of domestic service, and Irish immigrant women strove to expand whiteness to position themselves as deserving of labor rights. On the racially fractious terrain of labor, Black women and Irish immigrant women, including Victoria Earle Matthews, the “Irish Rambler”, Leonora Barry, and Anna Julia Cooper, gathered data, wrote letters and speeches, marched, protested, engaged in private acts of resistance in the workplace, and created women’s institutions and organizations to assert domestic workers’ right to living wages and protection.
The Andean nation of Ecuador derives much of its revenue from petroleum that is extracted from its vast Upper Amazonian rain forest, which is home to ten indigenous nationalities. Norman E. Whitten Jr. and Dorothea Scott Whitten have lived among and studied one such people, the Canelos Quichua, for nearly forty years. In Puyo Runa, they present a trenchant ethnography of history, ecology, imagery, and cosmology to focus on shamans, ceramic artists, myth, ritual, and political engagements. Canelos Quichua are active participants in national politics, including large-scale movements for social justice for Andean and Amazonian people. Puyo Runa offers readers exceptional insight into this cultural world, revealing its intricacies and embedded humanisms.
Given the tensions and demands of medicine, highly successful physicians and surgeons rarely achieve equal success as prose writers. It is truly extraordinary that a major, international pioneer in the controversial field of transplant surgery should have written a spellbinding, and heart-wrenching, autobiography.
Thomas Starzl grew up in LeMars, Iowa, the son of a newspaper publisher and a nurse. His father also wrote science fiction and was acquainted with the writer Ray Bradbury. Starzl left the family business to enter Northwestern University Medical School where he earned both and M.D. and a PhD. While he was a student, and later during his surgical internship at the Johns Hopkins Hospital, he began the series of animal experiments that led eventually to the world’s first transplantation of the human liver in 1963.
Throughout his career, first at the University of Colorado and then at the University of Pittsburgh, he has aroused both worldwide admiration and controversy. His technical innovations and medical genius have revolutionized the field, but Starzl has not hesitated to address the moral and ethical issues raised by transplantation. In this book he clearly states his position on many hotly debated issues including brain death, randomized trials for experimental drugs, the costs of transplant operations, and the system for selecting organ recipients from among scores of desperately ill patients.
There are many heroes in the story of transplantation, and many “puzzle people,” the patients who, as one journalist suggested, might one day be made entirely of various transplanted parts. They are old and young, obscure and world famous. Some have been taken into the hearts of America, like Stormie Jones, the brave and beautiful child from Texas. Every patient who receives someone else’s organ - and Starzl remembers each one - is a puzzle. “It was not just the acquisition of a new part,” he writes. “The rest of the body had to change in many ways before the gift could be accepted. It was necessary for the mind to see the world in a different way.” The surgeons and physicians who pioneered transplantation were also changed: they too became puzzle people. “Some were corroded or destroyed by the experience, some were sublimated, and none remained the same.”
As a logical concept, identity refers to one and the same thing. So why, Vincent Descombes asks, do we routinely use “identity” to describe the feelings associated with membership in a number of different communities, as when we speak of our ethnic identity and religious identity? And how can we ascribe the same “identity” to more than one individual in a group? In Puzzling Identities, one of the leading figures in French philosophy seeks to bridge the abyss between the logical meaning of identity and the psychological sense of “being oneself.”
Bringing together an analytic conception of identity derived from Gottlob Frege with a psychosocial understanding stemming from Erik Erikson, Descombes contrasts a rigorously philosophical notion of identity with ideas of collective identity that have become crucial in contemporary cultural and political discourse. He returns to an argument of ancient Greek philosophy about the impossibility of change for a material individual. Distinguishing between reflexive and expressive views of “being oneself,” he shows the connections between subjective identity and one’s life and achievements. We form profound attachments to the particular communities by which we define ourselves. At the same time, becoming oneself as a modern individual requires a process of disembedding oneself from one’s social milieu. This is how undergoing a crisis of identity while coming of age has become for us a normal stage in human life.
Puzzling Identities demonstrates why a person has more than one answer to the essential question “Who am I?”
Stoichita traces the reverberations of Ovid’s founding myth from ancient times through the advent of cinema. Emphasizing its erotic origins, he locates echoes of this famous fable in everything from legendary incarnations of Helen of Troy to surrealist painting to photographs of both sculpture and people artfully posed to simulate statues. But it was only with the invention of moving pictures, Stoichita argues, that the modern age found a fitting embodiment of the Pygmalion story’s influence. Concluding with an analysis of Alfred Hitchcock films that focuses on Kim Novak’s double persona in Vertigo, The Pygmalion Effect illuminates the fluctuating connections that link aesthetics, magic, and technical skill. In the process, it sheds new light on a mysterious world of living artifacts that, until now, has occupied a dark and little-understood realm in the history of Western image making.
Contributors explore such topics as the relationship of the “California novels” to Pynchon’s more historical and encyclopedic works; the significance of California's beaches, deserts, forests, freeways, and “hieroglyphic” suburban sprawl; the California-inspired noir tradition; and the surprising connections to be uncovered between drug use and realism, melodrama and real estate, private detection and the sacred. The authors bring insights to bear from an array of critical, social, and historical discourses, offering new ways of looking not only at Pynchon’s California novels, but at his entire oeuvre. They explore both how the history, geography, and culture of California have informed Pynchon’s work and how Pynchon’s ever-skeptical critical eye has been turned on the state that has been, in many ways, the flagship for postmodern American culture.
CONTRIBUTORS: Hanjo Berressem, Christopher Coffman, Stephen Hock, Margaret Lynd, Scott MacLeod, Scott McClintock, Bill Millard, John Miller, Henry Veggian
is a provocative, intelligent analysis of V., The Crying of Lot 49, Gravity's
Rainbow, and Vineland. Hanjo Berrssem examines these works in the
light of post-structuralist thought and literary theory, investigating the notion
of subjectivity and the relations between the subject, culture, and language.
Setting aside clichés of Tchaikovsky as a tortured homosexual and naively confessional artist, Philip Ross Bullock paints a new and vivid portrait of the composer that weaves together insights into his music with a sensitive account of his inner emotional life. He looks at Tchaikovsky’s appeal to wealthy and influential patrons such as Nadezhda von Meck and Tsar Alexander III, and he examines Russia’s growing hunger at the time for serious classical music. Following Tchaikovsky through his celebrity up until his 1891 performance at New York’s Carnegie Hall and his honorary doctorate at the University of Cambridge, Bullock offers an accessible but deeply informed window onto Tchaikovsky’s life and works.
The Pyramid under the Cross looks at the epic project of Christianization as well as the limits of the Spanish spiritual colonizers' power to accomplish it. The book focuses on activities of Franciscan missionaries who, as the first religious order to arrive, occupied the most important political and social centers in the Valley of Mexico and set the strategies of evangelization that others would follow. One such activity, the Nahua theater of evangelization, is represented as an exemplary case of the inevitable cultural negotiation involved in the missionary process. The author explores not only the imposition of a Eurocentric worldview upon the Nahua but also the hybridization of this view as the spiritual colonizer attempted to encompass a new non-Western constituency and the latter interpreted Christianity according to its own cultural paradigms.
The book treats a wide range of texts—the Historia eclesiástica indiana, the Confessionario Mayor, the Coloquios de los Doce, and more—both by renowned Franciscan figures such as Gerónimo de Mendieta, Alonso de Molina, Bernardino de Sahagún, and by Nahua grammarians Antonio Valeriano de Azcapotzalco, Andrés Leonardo de Tlatelolco, and others. Díaz Balsera engages the cultural constraints of all the actors in the episodes she relates in order to show how the exchange between them resulted in the appropriation and/or alteration of the Spanish discourses of spiritual domination—sometimes even in their breakdown—and how it brought about the emergence of Nahua Christian subjects that would never fully leave behind their ancient ways of relating to the gods.
The Pyramid under the Cross will be of interest to readers in the areas of Hispanic literatures, history, religion, anthropology, Latin American and cultural studies, and to those working in the field of colonial studies.
2008 — Leeds Honor Book in Urban Anthropology – Society for Urban, National, and Transnational/Global Anthropology
Living in Egypt at the turn of the millennium, cultural anthropologist L. L. Wynn was struck by the juxtapositions of Western, Gulf Arab, and Egyptian viewpoints she encountered. For some, Egypt is the land of mummies and pharaohs. For others, it is a vortex of decadence, where nightlife promises a chance to salivate over belly dancers and maybe even glimpse a movie star. Offering a new approach to ethnography, Pyramids and Nightclubs examines cross-cultural encounters to bring to light the counterintuitive ways in which Egypt is defined.
Guiding readers on an armchair journey that introduces us to Russian and Australian belly dancers on Nile cruise ships, Egyptian rumors about an Arab prince and his royal entourage, Saudi girls looking for a less restrictive dating scene, and other visitors to this "antique" land, Wynn uses the lens of travel and tourism to depict a fascinating and often surprising version of Egypt, while exploring the concept of stereotype itself. Tracing the history of Western and Arab fascination with Egypt through spurious hunts for lost civilizations and the new economic disparities brought about by the oil industry, Pyramids and Nightclubs ultimately describes the ways in which moments of cultural contact, driven by tourism and labor migration, become eye-opening opportunities for defining self and other.
A pyramid in front of the Louvre. Buffalo Bill's Wild West Show and The Rite of Spring. Schoenberg and Shirley Temple. Just as the odd juxtapositions of Modernism produced a new way of seeing, so now collage, in the hands of Glenn Watkins, offers a new perspective on the art of our age. A rich and revealing picture of twentieth-century music and the arts, Watkins' work shows us what our present Postmodern aesthetic owes to our Modernist past.
Behind the many guises of Modernism we find an appetite for opposing impulses: the exotic and the home-grown, high and low, black and white, the passionate and the cool, the cerebral and the instinctive. Watkins shows us these oppositions at play in the music of Stravinsky and Ravel, Debussy and Schoenberg, Ives, Satie, Hindemith, Ellington, and Gershwin, in the art of Picasso and the Cubists, Cocteau, Léger, Brancusi and Noguchi, in the anthologies of Nancy Cunard and Main Locke, in the ballet companies of Sergei Diaghilev and Rolf de Math, and in the performances of josephine Baker. Throughout, collage asserts its power to enlighten through juxtaposition, resist resolution, sponsor pluralism, and promote understanding of an order that eludes all edicts.
The masks of Oskar Schlemmer, of japanese No drama, and of the commedia dell'arte, the mythologies attendant to the retrieval of folk traditions and the emergence of jazz, and the mass relocation of artists in a time of war-all have a place in this depiction and assessment of the legacy of Modernism. A heady exploration of questions surrounding Primitivism, Orientalism, and technology as they surface at either end of our century, this book exposes the millennial preoccupations mutually invested in our search for "first times" and our convictions about "the end of culture"
In the last decade, fire has blasted into public attention. California’s blazes have captured national and global media interest with their drama and urgency. Expand the realm of fire to include the burning of fossil fuels, and the fire story also subsumes climate change. Renowned fire historian Stephen J. Pyne argues that the relationship between fire and humans has become a defining feature of our epoch, and he reveals how Yosemite offers a cameo of how we have replaced an ice age with a fire age: the Pyrocene.
Organized around a backcountry trek to a 50-year experiment in restoring fire, Pyrocene Park describes the 150-year history of fire suppression and management that has led us, in part, to where the park is today. But there is more. Yosemite’s fire story is America’s, and the Earth’s, as it shifts from an ice-informed world to a fire-informed one. Pyrocene Park distills that epic story into a sharp miniature.
Flush with people, ideas, fires, and controversy, Pyrocene Park is a compelling and accessible window into the American fire scene and the future it promises.
2020 Choice Outstanding Academic Title
Winner of the 2020 Turriano Prize from ICOHTEC
Short-listed and highly commended for the Antibiotic Guardian Award from Public Health England
Long-listed for the Michel Déon Prize from the Royal Irish Academy
Pyrrhic Progress analyses over half a century of antibiotic use, regulation, and resistance in US and British food production. Mass-introduced after 1945, antibiotics helped revolutionize post-war agriculture. Food producers used antibiotics to prevent and treat disease, protect plants, preserve food, and promote animals’ growth. Many soon became dependent on routine antibiotic use to sustain and increase production. The resulting growth of antibiotic infrastructures came at a price. Critics blamed antibiotics for leaving dangerous residues in food, enabling bad animal welfare, and selecting for antimicrobial resistance (AMR) in bacteria, which could no longer be treated with antibiotics. Pyrrhic Progress reconstructs the complicated negotiations that accompanied this process of risk prioritization between consumers, farmers, and regulators on both sides of the Atlantic. Unsurprisingly, solutions differed: while Europeans implemented precautionary antibiotic restrictions to curb AMR, consumer concerns and cost-benefit assessments made US regulators focus on curbing drug residues in food. The result was a growing divergence of antibiotic stewardship and a rise of AMR. Kirchhelle’s comprehensive analysis of evolving non-human antibiotic use and the historical complexities of antibiotic stewardship provides important insights for current debates on the global burden of AMR. This Open Access ebook is available under a CC-BY-NC-ND license, and is supported by a generous grant from Wellcome Trust.
As the driving force behind the Allied effort in World War I, France willingly shouldered the heaviest burden. In this masterful book, Robert Doughty explains how and why France assumed this role and offers new insights into French strategy and operational methods.
French leaders, favoring a multi-front strategy, believed the Allies could maintain pressure on several fronts around the periphery of the German, Austrian, and Ottoman empires and eventually break the enemy's defenses. But France did not have sufficient resources to push the Germans back from the Western Front and attack elsewhere. The offensives they launched proved costly, and their tactical and operational methods ranged from remarkably effective to disastrously ineffective.
Using extensive archival research, Doughty explains why France pursued a multi-front strategy and why it launched numerous operations as part of that strategy. He also casts new light on France's efforts to develop successful weapons and methods and the attempts to use them in operations.
An unparalleled work in French or English literature on the war, Pyrrhic Victory is destined to become the standard account of the French army in the Great War.
In twenty absorbing vignettes, The Python Killer renders a vivid portrayal of Nzema life. An unobtrusive observer, Grottanelli gives center stage to the Nzema narrators who tell their own vibrant, delightful, and mystical stories. This exotic world of coconut groves, nza (palm wine), cassava, and poisonous snakes is inhabited by a people who believe in sinister witches, oracles, jealous gods, and angry nwomenle (ghosts) to whom they offer "sheep, some rice, eggs, and drinks, including two bottles of Coca-Cola." Witches are all the more dreaded for their habit of stealing their female kin's wombs and for their faculty of turning instantly into hogs, snakes, or millipedes. Men, even if nominally Christian, may have as many wives as they can afford. Ghosts haunt the ocean beaches by night and may even sneak into villages and homes.
The Python Killer joins a growing number of recent works in anthropology that emphasize the voices of indigenous peoples. To provide a foundation for the stories, Grottanelli discusses the history, family ties, and beliefs of the Nzema in an introduction, and in an appendix he offers a theory of witchcraft as allegory. The only anthropologist to have lived among the Nzema, Grottanelli brings the realities of their lives to anthropologists, Africanists, and curious readers.
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