This book is an introduction to three questions on love according to St. Thomas Aquinas (Summa Theologiae I–II, qq. 26–28). These three questions reflect on the nature of love (q. 26), the causes of love (q. 27), and the effects of love (q. 28). It is thus an introduction to the entire phenomenon of love, both as a bodily passion and an act of the will. The purpose is to present the Thomistic and broadly scholastic account of human and divine love from a philosophical and theological perspective. It aims to be a theological and philosophical study of the topic, useful both for a graduate/professional audience, as part of an undergraduate or graduate course, and perhaps for the educated reader. The thesis of the book is that, contrary to contemporary conceptions, not all loves are created equal. Some loves perfect us and some loves corrupt us. The worth of a love depends on its object and end. St. Thomas thus presents an objective and teleological account of human and divine love that is of philosophical and theological interest. The method is broadly exegetical, presenting a careful reading of the text and supplying the philosophical and theological background which the text of Aquinas assumes. The scope of the work is limited to three questions (ST I–II, qq. 26–28). References to interpretative disputes of Aquinas and references to further resources in the secondary literature will be mostly limited to the footnotes, making the body of the text accessible to more readers.

Based on extensive new research and a bold interpretation of the man and his texts, The Passion of Michel Foucault is a startling look at one of this century's most influential philosophers. It chronicles every stage of Foucault's personal and professional odyssey, from his early interest in dreams to his final preoccupation with sexuality and the nature of personal identity.

A case study of the unusual liberties taken by the fifteenth-century Bohemian scribe Crux of Telcz.​

Passionate Copying in Late Medieval Bohemia addresses a unique case in the culture of manuscript transcription and textual transmission during the late fifteenth century, a transformative period in book history. This period is marked by the widespread intrusion of an unprecedented number of scribal paratexts—tables of contents, indices, explanatory notes, etc.—into transcribed manuscripts. To explore this development, the authors dig deep into a detailed case study of the Bohemian scribe Crux of Telč (1434–1504). Unlike most medieval copyists, who were stringent in their work even when inserting paratexts, Crux of Telč is notable for the extreme liberties he took with manuscript contents. Sometimes diligent, sometimes careless, his copies are notably rife with his own inventions and additions to the text. Crux’s life story is meticulously reconstructed in this book, relying on his colophons—the personal annotations left by medieval copyists to identify themselves and their circumstances—and other personal notes. The singularity of his approach to manuscripts is reinforced by the authors’ inclusion of a study of another late medieval scribe, Johannes Sintram of Würtzburg (d. 1450), whose scrivening is compared with that of Crux of Telč.

This absorbing new study discusses theories of interpretation and construction of the self in six important contemporary novels. In semiotic analyses of John Barth's LETTERS, Vladimir Nabokov's Pale Fire, John Hawkes' Travesty, Thomas Pynchon's Gravity's Rainbow, Stanley Elkin's The Franchiser, and Flannery O'Connor's Wise Blood, Patrick O'Donnell argues that contemporary fiction takes interpretation as its subject and as the very impetus for its making.

In an introductory dialogue and a closing chapter on the reader in contemporary fiction, O'Donnell shows that the formation of the reader's self, like character, plot, or any other element in fiction, is also part of the experience of the text, requiring a distinctive conception of interpretation. Calling upon a wide assemblage of modern theorists including Foucault, Derrida, Serres, Binswanger, Geertz, and Gadamer, O'Donnell elicits a broad range of interpretive possibilities—philosophical, psychological, archaeological, and linguistic—which speak to each novel's central concern with the act of reading as a form of signification.

While Passionate Doubts is broadly a hermeneutic study of contemporary fiction, the heart of this intriguing work resides in the close scrutiny of six modern novels which so richly evoke the very elements from which theories derive: language, form, and impulse. It is this specific application of theory that sets Passionate Doubts apart from other works in the field, yielding a series of important insights on the subject of language, sign, and the self in modern literature.

Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice modern scholars call triangular composition. But is there secret meaning in the triangular arrangements artists used, or just a pleasing symmetry? What do triangles really tell us about the European Renaissance and its most beguiling works of art?

In this book, Rebecca Zorach takes us on a lively hunt for the triangle’s embedded significance. From the leisure pursuits of Egyptian priests to Jacopo Tintoretto’s love triangles, Zorach explores how the visual and mathematical properties of triangles allowed them to express new ideas and to inspire surprisingly intense passions. Examining prints and paintings as well as literary, scientific, and philosophical texts, The Passionate Triangle opens up an array of new ideas, presenting unexpected stories of the irrational, passionate, melancholic, and often erotic potential of mathematical thinking before the Scientific Revolution.

In Passionate Work, Renyi Hong theorizes the notion of being “passionate about your work” as an affective project that encourages people to endure economically trying situations like unemployment, job change, repetitive and menial labor, and freelancing. Not simply a subject of aspiration, passion has been deployed as a means to build resilience and mend disappointments with our experiences of work. Tracking the rise of passion in nineteenth-century management to trends like gamification, coworking, and unemployment insurance, Hong demonstrates how passion can emerge in instances that would not typically be understood as passionate. Gamification numbs crippling boredom by keeping call center workers in an unthinking, suspensive state, pursuing even the most banal tasks in hope of career advancement. Coworking spaces marketed toward freelancers combat loneliness and disconnection at the precise moment when middle-class sureties are profoundly threatened. Ultimately, Hong argues, the ideal of passionate work sustains a condition of cruel optimism in which passion is offered as the solution for the injustices of contemporary capitalism.

This book, the last that noted moral theologian Servais Pinckaers, OP, wrote before his death, was conceived as a follow-up to his previous work Plaidoyer pour la vertu (An Appeal for Virtue) (2007) Pinckaers' aim in Passions and Virtue was to show the positive and essential role that our emotions play in the life of virtue. His purpose is part of a larger project of renewing moral theology, a theology too often experienced as an ethics of obligation rather than as a practical guide to living virtuously. To this end, Pinckaers sketches a positive psychology of the passions as found in the biblical tradition, in the writings of the Fathers of the Church, in pagan authors and, especially, in the writings of Saint Thomas Aquinas.

This book collects, reviews and analyses recent research on passive radars on moving platforms. Due to the nature of the typical radar applications performed by moving platforms and the signals of opportunity typically exploited for passive radar purposes, which are not designed for reception while in motion, the special case of passive radar mounted on moving platforms is highly challenging.

This study analyzes passive sentences in English and Portuguese which result from a post-semantic transformation applied when a nound, which does not play the semantic role of actor, is chosen as syntactic subject. Choice between a passive and its non-passive or active counterpart reflects differences in the distribution of information in the sentence as regards the relative importance of the latter's constituents for communication. Such distribution is analyzed in terms of Praque school theory, especially that involving the notions of communicative dynamism and the distribution of theme and rheme.

The book concludes with a contrastive analysis of English and Portuguese passive sentence patterns which serves as the basis for observations on the teaching of Portuguese passives to native speakers of English.

This classic Haggadah has sold over 1 million copies since its introduction. Illustrated with twenty-three original full-color watercolors by Leonard Baskin and written in contemporary, gender-inclusive language, it contains a complete Passover home service, an extensive song section, and supplemental readings and meditations from which participants can choose during the course of the Seder. All optional selections are printed in color.

This black and white edition follows the same design, format and layout as its English counterpart: Russian passages exactly follow the placement of their English equivalents, including transliterations of all blessings.

These seventeen pieces on travel in Africa by leading African authors take readers to places at once homelike and foreign. Against the tropes of travel writing, this book offers the acuity of vision of particular types of travelers. These are travelers whose mother tongue may find the hint of familiarity across otherwise unintelligible languages and for whom a foreign land isn’t necessarily strange; in it they perceive vestiges of the familiar. For them, the act of traveling extends a canvas on which to depict someone else’s reality—a reality never too distant from their own. What makes these writings coalesce is a reflection about the act of being in motion, about reconfiguring place; a consciousness of how geography redirects the focus of one’s gaze and, in turn, how that altered gaze filters inward. Having absorbed the landscape, inhaled the scents, paid heed to accents, and accepted the condition of being out of place, these travelers reconstitute individual consciousness and join a collective sense of existing beyond borders. Place inhabits this renewed sense of self; literature enables its expression. An inviting introduction to travel writing on Africa, The Passport That Does Not Pass Ports is absorbing reading for travelers and students of literature alike.

Cryptology, the mathematical and technical science of ciphers and codes, and philology, the humanistic study of natural or human languages, are typically understood as separate domains of activity. But Brian Lennon contends that these two domains, both concerned with authentication of text, should be viewed as contiguous. He argues that computing’s humanistic applications are as historically important as its mathematical and technical ones. What is more, these humanistic uses, no less than cryptological ones, are marked and constrained by the priorities of security and military institutions devoted to fighting wars and decoding intelligence.

Lennon’s history encompasses the first documented techniques for the statistical analysis of text, early experiments in mechanized literary analysis, electromechanical and electronic code-breaking and machine translation, early literary data processing, the computational philology of late twentieth-century humanities computing, and early twenty-first-century digital humanities. Throughout, Passwords makes clear the continuity between cryptology and philology, showing how the same practices flourish in literary study and in conditions of war.

Lennon emphasizes the convergence of cryptology and philology in the modern digital password. Like philologists, hackers use computational methods to break open the secrets coded in text. One of their preferred tools is the dictionary, that preeminent product of the philologist’s scholarly labor, which supplies the raw material for computational processing of natural language. Thus does the historic overlap of cryptology and philology persist in an artifact of computing—passwords—that many of us use every day.

The claim, often made, that India--uniquely among civilizations--lacks historical writing distracts us from a more pertinent question, according to Romila Thapar: how to recognize the historical sense of societies whose past is recorded in ways very different from European conventions. In The Past Before Us, a distinguished scholar of ancient India guides us through a panoramic survey of the historical traditions of North India. Thapar reveals a deep and sophisticated consciousness of history embedded in the diverse body of classical Indian literature.

The history recorded in such texts as the Ramayana and the Mahabharata is less concerned with authenticating persons and events than with presenting a picture of traditions striving to retain legitimacy and continuity amid social change. Spanning an epoch of nearly twenty-five hundred years, from 1000 BCE to 1400 CE, Thapar delineates three distinct historical traditions: an Itihasa-Purana tradition of Brahman authors; a tradition composed mainly by Buddhist and Jaina scholars; and a popular bardic tradition. The Vedic corpus, the epics, the Buddhist canon and monastic chronicles, inscriptions, regional accounts, and royal biographies and dramas are all scrutinized afresh--not as sources to be mined for factual data but as genres that disclose how Indians of ancient times represented their own past to themselves.

Leona Marshall Libby was a pioneer in modern climatic research, a field that gained great impetus in the late twentieth century because of the promise it holds for predicting future climatic trends. Libby’s work led to remarkable new procedures for investigating long-term changes in precipitation and temperature and thereby greatly expanding our knowledge of past climates.

As Professor Rainer Berger writes in his foreword:

 “In recent years, tree ring–based temperature data have been collected which go far beyond the records available to historians. These data can be analyzed by Fourier transforms which identify certain periodicities. . . . Climatic changes detected by tree rings have been checked against historic records. . . . The correspondence is astonishing. . . .  

“At present weather forecasting is becoming more accurate for periods on the order of days, weeks, and months. Climatic prognoses have also been attempted for very long times of tens of thousands of years. But the intermediate range in the decades and centuries has so far been an enigma. It is here where tree ring thermometry plays its trump cards.

 “. . . Its potential is enormous in assessing worldwide crop yields, water inventory, heating requirements, stockpiling policies, and construction planning as well as political and military prospects.”

Illustrations remain one of the fundamental tools of archaeology, a means by which we share information and build ideas. Often treated as if they were neutral representations, archaeological illustrations are the convergence of science and the imagination. This volume, a collection of fourteen essays addressing the visual presentation of the Pre-Columbian past from the fifteenth century to the present day, explores and contextualizes the visual culture of archaeological illustration, addressing the intellectual history of the field and the relationship of archaeological illustration to other scientific disciplines and the fine arts. One of the principal questions raised by this volume is how do archaeological illustrations, which organize complex sets of information, shape the construction of knowledge? These visual and conceptual constructions warrant closer scrutiny: they matter, they shape our thinking. Archaeological illustrations are a mediation of vision and ideas, and the chapters in this volume consider how visual languages are created and how they become institutionalized. Past Presented: Archaeological Illustration and the Ancient Americas is about the ways in which representations illuminate the concerns and possibilities of a specific time and place and how these representations, in turn, shaped the field of archaeology.

This is an analysis of the literary art of recapturing the past as the artist perceives it. By clearly distinguishing different ways of creating a past--in fiction, history, and other arts--Toliver enriches our understanding of literary strategies.

The Past that Poets Make examines such questions as how a fictional narrative differs from other ways of seeing a past time; to what extent literature is nontemporal, transcending its time, and to what extent it is tied to the institutions and traditions of its era; how given works conjure up a sense of time; and how fictional narratives function as transmitters of ideas to societies prepared to absorb them.

A classic book about Appalachian life and music, now updated with new material.

Past Titan Rock, a winner of the Appalachian Award for Literature, is available in a new edition as part of the series Sounding Appalachia, with an introduction by series editor Travis D. Stimeling.

In 1977 Ellesa Clay High thought she would spend an afternoon interviewing Lily May Ledford, best known as the lead performer of an all-female string band that began playing on the radio in the 1930s. That meeting began an unexpected journey leading into the mountains of eastern Kentucky and a hundred years into the past. Set in Red River Gorge, an area of steep ridges and box canyons, Past Titan Rock is a multigenre, multivocal re-creation of life in that region. With Ledford’s guidance, High traveled and lived in the gorge, visiting with people who could remember life there before the Works Progress Administration built roads across the ridges and into the valleys during the New Deal. What emerges through a unique combination of personal essay, oral history, and short fiction is a portrait of a mountain culture rich in custom, oral tradition, and song. Past Titan Rock demonstrates the depth of community ties in the Red River Gorge and raises important questions about how to resist destructive forces today.

The history of Italy since the mid-1950s retold through the lens of food television.

In this dynamic interdisciplinary study at the intersection of food studies, media studies, and politics, Francesco Buscemi explores the central role of food in Italian culture through a political history of Italian food on national television. A highly original work of political history, the book tells the story of Italian food television from a political point of view: from the pioneering shows developed under strict Catholic control in the 1950s and 1960s to the left-wing political twists of the 1970s, the conservative riflusso or resurgence of the 1980s, through the disputed Berlusconian era, and into the contemporary rise of the celebrity chef. Through this lively and engaging work, we learn that cooking spaghetti in a TV studio is a political act, and by watching it, we become citizens.

What can one man accomplish, even a great man and brilliant scientist? Although every town in France has a street named for Louis Pasteur, was he alone able to stop people from spitting, persuade them to dig drains, influence them to undergo vaccination? Pasteur’s success depended upon a whole network of forces, including the public hygiene movement, the medical profession (both military physicians and private practitioners), and colonial interests. It is the operation of these forces, in combination with the talent of Pasteur, that Bruno Latour sets before us as a prime example of science in action.

Latour argues that the triumph of the biologist and his methodology must be understood within the particular historical convergence of competing social forces and conflicting interests. Yet Pasteur was not the only scientist working on the relationships of microbes and disease. How was he able to galvanize the other forces to support his own research? Latour shows Pasteur’s efforts to win over the French public—the farmers, industrialists, politicians, and much of the scientific establishment.

Instead of reducing science to a given social environment, Latour tries to show the simultaneous building of a society and its scientific facts. The first section of the book, which retells the story of Pasteur, is a vivid description of an approach to science whose theoretical implications go far beyond a particular case study. In the second part of the book, “Irreductions,” Latour sets out his notion of the dynamics of conflict and interaction, of the “relation of forces.” Latour’s method of analysis cuts across and through the boundaries of the established disciplines of sociology, history, and the philosophy of science, to reveal how it is possible not to make the distinction between reason and force. Instead of leading to sociological reductionism, this method leads to an unexpected irreductionism.

A collection of essays that offers an intimate view of Larry McMurtry, America’s preeminent western novelist, through the eyes of a pantheon of writers he helped shape through his work over the course of his unparalleled literary life.

When he died in 2021, Larry McMurtry was one of America’s most revered writers. The author of treasured novels such as Lonesome Dove and The Last Picture Show, and coauthor of the screenplays for Brokeback Mountain and Streets of Laredo, McMurtry created unforgettable characters and landscapes largely drawn from his life growing up on the family’s hardscrabble ranch outside his hometown of Archer City, Texas. Pastures of the Empty Page brings together fellow writers to honor the man and his impact on American letters.

Paulette Jiles, Stephen Harrigan, Stephanie Elizondo Griest, and Lawrence Wright take up McMurtry’s piercing and poetic vision—an elegiac literature of place that demolished old myths of cowboy culture and created new ones. Screenwriting partner Diana Ossana reflects on their thirty-year book and screenwriting partnership; other contributors explore McMurtry’s reading habits and his passion for bookselling. And brother Charlie McMurtry shares memories of their childhood on the ranch. In contrast to his curmudgeonly persona, Larry McMurtry emerges as a trustworthy friend and supportive mentor. McMurtry was famously self-deprecating, but as his admirers attest, this self-described “minor regional writer” was an artist for the ages.

An in-depth exploration of the style and influence of Pat Metheny, a truly distinctive musical voice of our time.

Guitarist and composer Pat Metheny, among the most acclaimed, visionary musicians of our time, has for five decades toured with his many creative musical projects, most prominently the Pat Metheny Group, while collaborating with celebrated artists, including Charlie Haden, Ron Carter, Herbie Hancock, Ornette Coleman, and Steve Reich.

Bob Gluck, whose perspective as pianist, composer, and educator has illuminated the music of Herbie Hancock and Miles Davis in his two previous books, now focuses his lens on the music of Metheny. Neither a biography nor chronological record of Metheny’s musical output, Pat Metheny: Stories beyond Words instead captures Metheny’s self-conception as a musician and the threads that unite and distinguish his creative process. Drawing upon a wealth of new interviews and close readings of musical examples, Gluck offers a bird’s-eye view of Metheny’s musical ideas. Among these are the metaphor of storytelling, the complementarity of simplicity and complexity, and the integrated roles of composer, performer, and band leader. Much like Metheny’s signature style, this book is accessible to a wide range of readers, presenting new clarity, musical insight, and historical perspective about the legacy of Metheny’s groundbreaking music. 

 

Generally portrayed as a windswept wasteland of marginal use for human habitation, Patagonia is an unmatched testing ground for some of the world’s most important questions about human ecology and cultural change. In this volume, archaeologist Raven Garvey presents a critical synthesis of Patagonian prehistory, bringing an evolutionary perspective and unconventional evidence to bear on enduringly contentious issues in New World archaeology, including initial human colonization of the Americas, widespread depopulation between 8,000 and 4,000 years ago, and the transition from foraging to farming.
 
Garvey’s novel hypotheses question common assumptions regarding Patagonia’s suitability for prehistoric hunter-gatherers. She makes four primary arguments: (1) the surprising lack of clothing in parts of prehistoric Patagonia supports a relatively slow initial colonization of the Americas; (2) the sparse record of human habitation during the middle Holocene may be due to prehistoric behavioral changes and archaeological sampling methods rather than population decline; (3) farming never took root in Patagonia because risks associated with farming likely outweighed potential benefits; and, finally, (4) the broad trajectory of cultural change in Patagonia owes as much to feedback between population size and technology as to conditions in the rugged Patagonian outback itself.

Philippe Jaccottet’s newest work follows in some ways the approach of Seedtime, his recent two-volume collection of notebooks. Similarly comprising on-the-spot jottings, philosophical reflections, literary commentary, dream narratives and sundry “notes,” this book nonetheless differs from the preceding volumes in that the Swiss poet includes more personal material than ever before. Drawing on unpublished notebooks from the years 1952–2005, Jacottet offers here passages about his family, the death of his father-in-law and of his mother, his encounters with other major poets—such as René Char, Francis Ponge, Jean Tardieu, and his friends Yves Bonnefoy and André du Bouchet—and his trips abroad, as well as, characteristically, his walks in the countryside around the village of Grignan, in the south of France, where he has lived since 1953. For a poet who has been notoriously discreet about his life, this book offers unexpected glimpses of the private man. Above all, the entries in this notebook show how one of the greatest European poets grapples with the discouraging elements of existence, counterbalancing them by recording fleeting perceptions in which “something else,” almost like a threshold, seems present.
 

For the first half of the twentieth century, private agreements to impose racial restrictions on who could occupy property decisively shaped the development of American cities and the distribution of people within them. Racial restrictions on the right to buy, sell, or occupy property also effectively truncated the political, social, and economic citizenship of those targeted for exclusion. In Patchwork Apartheid, historian Colin Gordon examines the history of such restrictions and how their consequences reverberate today. Drawing on a unique record of property restrictions excavated from local property records in five Midwestern counties, Gordon documents the prevalence of private property restriction in the era before zoning and building codes were widely employed and before federal redlining sanctioned the segregation of American cities and suburbs. This record of private restriction—documented and mapped to the parcel level in Greater Minneapolis, Greater St. Louis, and two Iowa counties—reveals the racial segregation process both on the ground, in the strategic deployment of restrictions throughout transitional central city neighborhoods and suburbs, and in the broader social and legal construction of racial categories and racial boundaries.
 
Gordon also explores the role of other policies and practices in sustaining segregation. Enforcement of private racial restrictions was held unconstitutional in 1948, and such agreements were prohibited outright in 1968. But their premises and assumptions, and the segregation they had accomplished, were accommodated by local zoning and federal housing policies. Explicit racial restrictions were replaced by the deceptive business practices of real estate agents and developers, who characterized certain neighborhoods as white and desirable and others as black and undesirable, thereby hiding segregation behind the promotion of sound property investments, safe neighborhoods, and good schools. These practices were in turn replaced by local zoning, which systematically protected white neighborhoods while targeting “blighted” black neighborhoods for commercial and industrial redevelopment, and by a tangle of federal policies that reliably deferred to local and private interests with deep investments in local segregation. Private race restriction was thus a key element in the original segregation of American cities and a source of durable inequalities in housing wealth, housing opportunity, and economic mobility.

Patchwork Apartheid exhaustively documents the history of private restriction in urban settings and demonstrates its crucial role in the ideas and assumptions that have sustained racial segregation in the United States into the twenty-first century.

In an era when knowledge can travel with astonishing speed, the need for analysis of intellectual property (IP) law—and its focus on patents, trade secrets, trademarks, and issues of copyright—has never been greater. But as Robert M. Farley and Davida H. Isaacs stress in Patents for Power, we have long overlooked critical ties between IP law and one area of worldwide concern: military technology. This deft blend of case studies, theoretical analyses, and policy advice reveals the fundamental role of IP law in shaping how states create and transmit defense equipment and weaponry.
 
The book probes two major issues: the effect of IP law on innovation itself and the effect of IP law on the international diffusion, or sharing, of technology. Discussing a range of inventions, from the AK-47 rifle to the B-29 Superfortress bomber to the MQ-1 Predator drone, the authors show how IP systems (or their lack) have impacted domestic and international relations across a number of countries, including the United States, Russia, China, and South Korea. The study finds, among other results, that while the open nature of the IP system may encourage industrial espionage like cyberwarfare, increased state uptake of IP law is helping to establish international standards for IP protection. This clear-eyed approach to law and national security is thus essential for anyone interested in history, political science, and legal studies.
 

Lawyers and corporations have a vital interest in the regulation and protection of industrial property—patents, designs, trademarks, trade names, and repression of unfair competition—and in the problems raised by agreements between enterprises, nationally and internationally. Since World War II, there has been increasing ferment for changes in the whole system of industrial property. Pressures have been building up from administrations concerned with the functioning of the patent and trademark system; from private enterprises affected by delays, costs, and insecurities of the system; from developing countries anxious to receive and adapt foreign technology at reasonable cost and without excessive restriction; and from the increasing tendency of antitrust law to curb even legal monopolies in order to ensure free competition.

This major work describes the national and international regime of patents, trademarks, technological know-how, and related rights of industrial property; the conflicting interests and demands for recognition and satisfaction in this field; the international efforts and arrangements achieved for harmonization of law and procedure; the problems involved in the transfer of technology for the technical and economic development of countries pressing for assistance; and the controls established by statutory and decisional law against restriction of competition by the exercise of industrial property rights.

“In this rigorous and beautifully researched volume, Milanich considers the tension between social and biological definitions of fatherhood, and shows how much we still have to learn about what constitutes a father.”
—Andrew Solomon, author of Far from the Tree: Parents, Children, and the Search for Identity

For most of human history, the notion that paternity was uncertain appeared to be an immutable law of nature. The unknown father provided entertaining plotlines from Shakespeare to the Victorian novelists and lay at the heart of inheritance and child support disputes. But in the 1920s new scientific advances promised to solve the mystery of paternity once and for all. The stakes were high: fatherhood has always been a public relationship as well as a private one. It confers not only patrimony and legitimacy but also a name, nationality, and identity.

The new science of paternity, with methods such as blood typing, fingerprinting, and facial analysis, would bring clarity to the conundrum of fatherhood—or so it appeared. Suddenly, it would be possible to establish family relationships, expose adulterous affairs, locate errant fathers, unravel baby mix-ups, and discover one’s true race and ethnicity. Tracing the scientific quest for the father up to the present, with the advent of seemingly foolproof DNA analysis, Nara Milanich shows that the effort to establish biological truth has not ended the quest for the father. Rather, scientific certainty has revealed the fundamentally social, cultural, and political nature of paternity. As Paternity shows, in the age of modern genetics the answer to the question “Who’s your father?” remains as complicated as ever.

The Book of Mormon prophet Nephi describes the journey to eternal life as going through a gate of ordinances and traveling a “straight and narrow path.” Twenty-three authors took that gospel roadmap passage as a prompt to write “a Mormon story.” They responded with a surprisingly wide range of realistic and fantastic tales. Many are human reactions to unexpected steps on the path: a lifetime of faith in a patriarchal blessing’s unfulfilled promise, a survivor of violence calling a divided community to repentance, a baptism gone very wrong, and spiritual gifts that extend far beyond the apostle Paul’s list. The characters stretch from wayward bishops and helpful home teachers to cyber-­Seventies searching for lost sheep in the metaverse, with settings from the slums of Mumbai to a heaven that turns out to be more difficult than expected. Some characters reject the path’s restrictions and expectations, while others can second the reported words of J. Golden Kimball, “I may not always walk the straight and narrow, but I sure in hell try to cross it as often as I can.”

A provocative study of contemporary Tantra as a dynamic living tradition.
 
Tantra, one of the most important religious currents in South Asia, is often misrepresented as little more than ritualized sex. Through a mixture of ethnography and history, Hugh B. Urban reveals a dynamic living tradition behind the sensationalist stories. Urban shows that Tantric desire goes beyond the erotic, encompassing such quotidian experiences as childbearing and healing. He traces these holistic desires through a series of unique practices: institutional Tantra centered on gurus and esoteric rituals; public Tantra marked by performance and festival; folk Tantra focused on magic and personal well-being; and popular Tantra imagined in fiction, film, and digital media. The result is a provocative new description of Hindu Tantra that challenges us to approach religion as something always entwined with politics and culture, thoroughly entangled with ordinary needs and desires.

Breaking new ground in presenting the life of Catherine McAuley (1778?-1841), the Dublin woman who founded the Sisters of Mercy, Mary C. Sullivan has written the first full-length, documented narrative of McAuley in more than fifty years.

The forces that turned Northeast Texas from a poverty-stricken region into a more economically prosperous area.

Winner, Texas State Historical Association Coral H. Tullis Memorial Award for best book on Texas history, 2001

Federal New Deal programs of the 1930s and World War II are often credited for transforming the South, including Texas, from a poverty-stricken region mired in Confederate mythology into a more modern and economically prosperous part of the United States. By contrast, this history of Northeast Texas, one of the most culturally southern areas of the state, offers persuasive evidence that political, economic, and social modernization began long before the 1930s and prepared Texans to take advantage of the opportunities presented by the New Deal and World War II.

Walter L. Buenger draws on extensive primary research to tell the story of change in Northeast Texas from 1887 to 1930. Moving beyond previous, more narrowly focused studies of the South, he traces and interconnects the significant changes that occurred in politics, race relations, business and the economy, and women's roles. He also reveals how altered memories of the past and the emergence of a stronger identification with Texas history affected all facets of life in Northeast Texas.

From the time of Bismarck’s great rival Ludwig Windthorst to that of the first post–World War II Chancellor, Konrad Adenauer, the Catholic community in Germany took a distinctive historical path. Although it was by no means free of authoritarian components, it was at times the most democratic pathway taken by organized political Catholicism anywhere in Europe.

Challenging those who seek continuity in German history primarily in terms of its long march toward Nazism, Noel Cary crosses all the usual historical turning points from mid-nineteenth- to late-twentieth-century German history in search of the indigenous origins of postwar German democracy. Complementing recent studies of German Social Democracy, it links the postwar party system to the partisan traditions this new system transcended by documenting the attempts by reform-minded members of the old Catholic Center party to break out of the constraints of minority-group politics and form a democratic political party. The failure of those efforts before 1933 helped clear the way for Nazism, but their success after 1945 in founding the interdenominational Christian Democratic Union (CDU) helped tame political conservatism and allowed the emergence of the most stable democracy in contemporary Europe. Integrating those who needed to be integrated—the cultural and political conservatives—into a durable liberal order, this conservative yet democratic and interdenominational “catch-all” party broadened democratic sensibilities and softened the effect of religious tensions on the German polity and party system.

By crossing traditional chronological divides and exploring the links between earlier abortive Catholic initiatives and the range of competing postwar visions of the new party system, this book moves Catholic Germany from the periphery to the heart of the issue of continuity in modern German history.

In this memoir, Paul A. Cohen, one of the West’s preeminent historians of China, traces the development of his work from its inception in the early 1960s to the present, offering fresh perspectives that consistently challenge us to think more deeply about China and the historical craft in general. A memoir, of course, is itself a form of history. But for a historian, writing a memoir on one’s career is quite different from the creation of that career in the first place. This is what Cohen alludes to in the title A Path Twice Traveled. The title highlights the important disparity between the past as originally experienced and the past as later reconstructed, by which point both the historian and the world have undergone extensive change. This distinction, which conveys nicely the double meaning of the word history, is very much on Cohen’s mind throughout the book. He returns to it explicitly in the memoir’s final chapter, appropriately titled “Then and Now: The Two Histories.”

In 1831, James Fenimore Cooper told his publisher that he wanted to write a story set on Lake Ontario. The book was accepted, but with no hint that it would feature Natty Bumppo from the well-established Leather-Stocking Tales. The Pathfinder (1840) revisits Natty’s military service, extending a story begun in The Last of the Mohicans, and introduces the complications of love against the backdrop of the French and Indian War. Wayne Franklin’s introduction describes the personal and financial circumstances that led to Cooper’s resurrection of his most popular character, underscoring the author’s aim to offer Natty as a “Pathfinder” for a nation he feared had lost its moral bearings.

The John Harvard Library edition reproduces the text of The Pathfinder from The Writings of James Fenimore Cooper (State University of New York Press).

Since 1959 The John Harvard Library has been instrumental in publishing essential American writings in authoritative editions.

Ron Strickland has spent a good deal of time walking. He hiked the 1200 miles of the Pacific Northwest Trail in 1983. In 2004, he completed the Pacific Crest Trail, with a 1500-mile hike from the Mojave Desert to the Columbia River. In 2009, he hiked the length of the New England Trail.

He has also held a longtime dream of showcasing the best hiking of the Rockies, Purcells, Okanogan, Cascades, Olympics, and Wilderness Coast. He spent years raising funds, recruiting volunteers, cutting brush, digging dirt, and lobbying landowners, officials, and politicians—and in 2009, the Pacific Northwest Trail, which runs from the Continental Divide to the Pacific Ocean, traversing three National Parks and seven National Forests, was finally declared a National Scenic Trail.

In this adventurous and moving memoir, Strickland—known in the backcountry as “Pathfinder”—shares his insider view of the joys and adventures of long-distance hiking. He intersperses colorful portraits of memorable trail characters and lush descriptions of hikes he knows firsthand. He also describes the experience of conceiving and establishing the Pacific Northwest Trail, detailing the setbacks and triumphs along the way.

Pathfinder offers the rich insights and experiences of a longtime hiker, inspiring readers to the wonder of hiking and the outdoors.

One of the first novels to openly explore gay love and eroticism, Pathologies is a lost classic that is now translated into English for the first time.
 
At the start of the twentieth century, Jewish anti-Zionist Jacob Israël de Haan led an eventful life as a poet, journalist, teacher, and lawyer in the Netherlands. His autobiographical novella Pipelines caused a storm of controversy in 1904 with its portrayal of a subject that was considered scandalous at the time—a romantic relationship between two young men. He lost his teaching job, and the entire print run was pulped.
 
In his iconic 1908 novel Pathologies, he once again openly and radically explored the topic of homosexuality. The story centers around adolescent Johan, who lives a secluded life with his father and their elderly housekeeper in a large house. For a while, Johan has been plagued by erotic fantasies about his classmates. When, to make matters worse, he finds himself feeling attracted to his father—first in a dream, and then in real life—he grows desperate. Johan moves out, finding room and board with an older married couple in Haarlem, where he meets René, a young confident artist. Johan falls head-over-heels in love, and the two men enter a sadomasochistic relationship that soon begins to spiral out of control.
 
Johan is one of world literature’s most tragic, troubled young heroes, at par with Goethe’s Werther and Dostoevsky’s Raskolnikov. His struggle to come to terms with his fantasies and desires—rife with taboos that continue to resonate today—forms the beating heart of this daring novel. Written in De Haan’s precise, lyrical prose, Pathologies has lost none of its force more than a century after it was first published.
 

Type “Mikhail Kalashnikov” into Google and the biography of the inventor will come back to you almost at the speed of light. Squeeze the trigger of a Kalashnikov and a bullet is kicked up the barrel by an archaic chemical explosion that would have been quite familiar to Oliver Cromwell or General Custer. The gun—antique, yet contemporary—still dominates the world. Geopolitical events and even consumer culture have been molded by the often-unseen research that firearms evoked. The new science of Galileo Galilei and Isaac Newton owed much to the Renaissance study of ballistics. But research into making guns and aiming them also brought on the more recent invention of mass production and kickstarted the contemporary field of artificial intelligence. This book follows the history of the gun and its often-unsuspected wider linkages, looking from the first cannons to modern gunnery, and to the yet-to-be-realized electrical futures of rays and beams.