A SCHOLARLY BOOK REPOSITORY
In The Red Sofa, we meet Anne, a young woman setting off on the Trans-Siberian Railway in order to find her former lover, Gyl, who left twenty years before. As the train moves across post-Soviet Russia and its devastated landscapes, Anne reflects on her past with Gyl and their patriotic struggles, as well as on the neighbor she has just left behind, Clémence Barrot.
Rocked by the train’s movements Anne is moved by her memory of Clémence, who is old and whose memory is failing, but who has not lost her taste for life and adventure. Ensconced on her red sofa at home, Clémence loves to tell Anne her life story, mourning lost loved ones and celebrating the lives of brave, rebellious women who went before her. Eventually, Anne’s train trip returns her home having not found Gyl, but having found something much more meaningful—herself.
As Japanese forces withdrew from the countryside, the Chinese guerrillas of the communist-led resistance movement, the Malayan People's Anti-Japanese Army (MPAJA), emerged from the jungle and took control of some 70 per cent of the country's smaller towns and villages, seriously alarming the Malay population. When the British Military Administration sought to regain control of these liberated areas, the ensuing conflict set the tone for future political conflicts and marked a crucial stage in the history of Malaya. Based on extensive archival research, Red Star Over Malaya provides a riveting account of the way the Japanese occupation reshaped colonial Malaya, and of the tension-filled months that followed Japan's surrender. This book is fundamental to an understanding of social and political developments in Malaysia during the second half of the 20th century.
From Cuba to Vietnam, China to South Africa, the October Revolution of 1917 inspired millions of people beyond the territory of Russia. It proved that the masses could not only overthrow autocratic governments, but that they could also form an opposing government in their own image.
The new idea that the working class and the peasantry could be allied, combined with the clear strength and necessity of a vanguard party, guided multiple revolutions across the globe. Here is much-needed antidote to all the glum histories written on the demise of the Soviet Union. Vijay Prashad throws a spotlight on the way the Russian Revolution was seen and received in the countries colonized by European empires. With Russia as an inspiration and providing support, suddenly workers and peasants, those left out of capitalist prosperity, organized and attempted to create for themselves real socialist revolution. Prashad’s chapters include:
*Eastern Graves
*Red October
*Follow the Path of the Russians
*The Lungs of Russia
*Soviet Asia
*Enemy of Imperialism
*Eastern Marxism
*Colonial Fascism
*Polycentric Communism
*Memories of Communism
The author writes in this Preface, “It has been a quarter-century since the demise of the USSR. And yet, the marks of the October Revolution remain—not just in the territories of the USSR but more so in what used to be known as the Third World. From Cuba to Vietnam, from China to South Africa, the October Revolution remains as an inspiration. After all, that Revolution proved that the working class and the peasantry could not only overthrow an autocratic government but it could form its own government.”
This book explains the power of the October Revolution in the Global South. From Ho Chí Minh to Fidel Castro, reflections on polycentric communism, and collective memories of communism, it shows how, for a brief moment, another world was possible.
In November 1960, the Democratic party dominated Texas. The newly elected vice president, Lyndon Johnson, was a Texan. Democrats held all thirty statewide elective positions. The state legislature had 181 Democrats and no Republicans or anyone else. Then fast forward fifty years to November 2010. Texas has not voted for a Democratic president since 1976. Every statewide elective office is held by Republicans. Representing Texas in Washington is a congressional delegation of twenty-five Republicans and nine Democrats. Republicans control the Texas Senate by a margin of nineteen to twelve and the Texas House of Representatives by 101 to 49.
Red State explores why this transformation of Texas politics took place and what these changes imply for the future. As both a political scientist and a Republican party insider, Wayne Thorburn is especially qualified to explain how a solidly one-party Democratic state has become a Republican stronghold. He analyzes a wealth of data to show how changes in the state’s demographics—including an influx of new residents, the shift from rural to urban, and the growth of the Mexican American population—have moved Texas through three stages of party competition, from two-tiered politics, to two-party competition between Democrats and Republicans, and then to the return to one-party dominance, this time by Republicans. His findings reveal that the shift from Democratic to Republican governance has been driven not by any change in Texans’ ideological perspective or public policy orientation—even when Texans were voting Democrat, conservatives outnumbered liberals or moderates—but by the Republican party’s increasing identification with conservatism since 1960.
In team sports, the nearly forgotten Salt Lake Seagulls of 1946-47 competed against the best pro football teams in the West, while two baseball teams, the Salt Lake Deserets and their inner-city rival, the Red Stockings, played successfully in 1878-79 against the Cheyenne Reds, the Chicago White Stockings, the Denver Browns, the Nebraska Omahas, and the Rochester Hop Bitters.
Added to these, such pastimes as horse racing at the state fairgrounds, a winter ascent of Mt. Timpanogos in 1916, and angling at Fish Lake National Forest show the diversity and evolution of athletics in Utah. Like replaying the 1998 title game between the Utah Jazz and the Chicago Bulls, these assembled tales of perseverance, skill, exuberance, and heartbreak from long ago are equally thrilling.
“Red Sugar is tantalizing and forbidden, but it is no peepshow. The poems are raw, brash, and full of pluck, yet there is tenderness and honest emotion at the core. Jan Beatty reminds us that there is 'nothing / between us and death but one inch.' She takes us to the edge of being and shows us our own quick mortal souls. Yes, there's rock music and prison sex-but do not think for a moment that this book is merely licentious. Beatty casts a broad canopy over human desire, and within the scope of experience, she finds, too, that we are innocent and sublime beings. A rich, rare treat, this Red Sugar.” —D. A. Powell
"Tthe boldly sexual first person narratives in Red Sugar are absolutely riveting, artfully fleshed-out poems which generate fear for the character's safety." —ForeWord Magazine
"This electric, nerve-jangling collection revels in and sometimes rails against the glorious mess of inhabiting a body. The poems, in this, her third collection, are often raw, and full of sex, drugs and rock n' roll, but they're also shockingly soft and tender." --Pittsburgh Magazine
Red Sun and Merlin Unchained are the most recent original stage works by one of the most accomplished yet neglected dramatists of our time. Red Sun is a two-hander, tightly tethered within the classical unities of theme and space and the span of a single day. Merlin Unchained is an explosive, multitudinous epic, crossing continents and centuries and passing between worlds. Yet though technically so different, both works speak with the same distinctive voice, offering an exhilarating—and sometimes disturbing— challenge to the cultural and political perceptions of the contemporary audience, and exploring alien worlds that, alarmingly, begin to become recognizable as our own.
Gupta conducted ethnographic research among officials charged with coordinating development programs in rural Uttar Pradesh. Drawing on that research, he offers insightful analyses of corruption; the significance of writing and written records; and governmentality, or the expansion of bureaucracies. Those analyses underlie his argument that care is arbitrary in its consequences, and that arbitrariness is systematically produced by the very mechanisms that are meant to ameliorate social suffering. What must be explained is not only why government programs aimed at providing nutrition, employment, housing, healthcare, and education to poor people do not succeed in their objectives, but also why, when they do succeed, they do so unevenly and erratically.
Bucklow takes us from a thirty-four-thousand-year-old shaman burial dress to the iPhone screen, exploring the myriad of purposes we have put red to as well as the materials from which we have looked to harvest it. And we have looked for it everywhere, from insects to tree resin to tar to excitable gasses. Bucklow also details how our pursuit of the color drove medieval alchemy and modern chemistry alike, and he shows us red’s many symbolic uses, its association with earth, blood, and fire, its coloring of caves and the throne rooms of goddesses, as well as national flags, fire trucks, power grids, and stoplights.
The result is a material and cultural history that makes one see this color afresh, beating with vibrancy, a crucial part of the human visual world.
In her probing and engaging book, Red War on the Family, Erica Ryan traces the roots of sexual modernism and the history of antiradicalism and antifeminism. She illuminates how Americans responded to foreign and domestic threats and expressed nationalism by strengthening traditional gender and family roles-especially by imposing them on immigrant groups, workers, women, and young people.
Ryan argues that the environment of political conformity in the 1920s was maintained in part through the quest for cultural and social conformity, exemplified by white, middle-class family life. Red War on the Family charts the ways Americanism both reinforced and was reinforced by these sexual and gender norms in the decades after World War I.
Wilderson provides detailed readings of two films by Black directors, Antwone Fisher (Denzel Washington) and Bush Mama (Haile Gerima); one by an Indian director, Skins (Chris Eyre); and one by a White director, Monster’s Ball (Marc Foster). These films present Red and Black people beleaguered by problems such as homelessness and the repercussions of incarceration. They portray social turmoil in terms of conflict, as problems that can be solved (at least theoretically, if not in the given narratives). Wilderson maintains that at the narrative level, they fail to recognize that the turmoil is based not in conflict, but in fundamentally irreconcilable racial antagonisms. Yet, as he explains, those antagonisms are unintentionally disclosed in the films’ non-narrative strategies, in decisions regarding matters such as lighting, camera angles, and sound.
Red, White, and Blues, a new anthology from the award-winning editors of Like Thunder: Poets Respond to Violence in America and Vespers: Contemporary American Poems of Religion and Spirituality, offers a chorus of contemporary American poets on the idea of liberty, democracy, patriotism, and the American Dream;a twenty-first-century "Song of Myself” for the entire country.
The poems in Red, White, and Blues reflect our collective memory—from icons of pop culture to national disasters and times of unrest. Yet they are not simply reflections of the headline news or political diatribes of the day; instead, they provide roadmaps of American history—roadmaps of where we’ve been, who we are, and where we’re going as a nation.
Poets as diverse as Martín Espada and Paisley Rekdal, J. P. Dancing Bear and Vivian Shipley seek to answer questions that resonate within the heart of our national identity—what does it mean to be an American? What is the American Dream? How does one define patriotism? Regardless of ethnicity, gender, or class, each poet’s answer to such questions proves that our experiences unite us more than they divide us.
Red, White, and Blues is an ambitious collection of the finest contemporary poetry on the subject of America and the indefatigable spirit of its citizens. Its poems don’t pull punches, nor do they celebrate without cause. They show spirit and excitement, outrage and joy, solemnity and ambiguity—all reflections of our wonderfully diverse nation.
Melville so disliked the novel that he submitted it to his publisher without polishing it. This scholarly edition corrects a number of errors that have persisted in subsequent editions. Based on collations of the editions published during his lifetime, it incorporates corrections made in the English edition and emendations made by the present editors.
As with all the books in the Northwestern-Newberry series, this edition of Redburn is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).
Though small among its woodpecker relatives, the Red-cockaded Woodpecker poses a huge dilemma for its human neighbors. Uniquely adapted to live in the old-growth pine forests of the southeastern United States, the Red-cockaded Woodpecker has nearly disappeared as the forests have been cleared for agricultural, commercial, and residential uses over the last two centuries. Today, it waits at a crossroads. Scientific management practices could restore the woodpecker's habitat and population, but the imperative to convert old-growth forests to other uses remains.
In this book, three of the leading experts on the Red-cockaded Woodpecker offer a comprehensive overview of all that is currently known about its biology and natural history and about the ecology of the fire-maintained forests it requires for survival. As the most visible endangered species in the Southeast, and the one whose conservation impacts the largest land area, the Red-cockaded Woodpecker holds a compelling interest not only for ornithologists, but also for wildlife managers, foresters, developers, environmentalists, and government officials. For all of these groups, this book will be the essential resource for learning more about the Red-cockaded Woodpecker and ensuring its survival.
The Arrington Lecture series, established by one of the twentieth-century West's most distinguished historians, Leonard Arrington, has become a leading forum for prominent historians to address topics related to Mormon history. Utah State University hosts the Leonard J. Arrington Mormon History Lecture Series through the Merrill-Cazier Library Special Collections and Archives department.
In these thirteen essays, Shklar explores two themes crucial to discussions of American democracy: first, what she terms the "fundamental social condition" of American life, the tension between expansive political equality and persistent social inequality; and second, "redeeming" American political thought for those who believe it lacks the complexity and depth of the European tradition. She covers issues ranging from the use of history in political discourse to the effect of skepticism on politics and thinkers from Hamilton and Jefferson to Melville. The strength and depth of this collection underscore Shklar's reputation as one of this century's most important liberal scholars.
Judith N. Shklar (1928-1992) was Cowles Professor of Government at Harvard University and the author of nine books in political philosophy.
"Anyone seriously interested in the history of current controversies involving religion and science will find Gilbert's book invaluable."—Peter J. Causton, Boston Book Review
"Redeeming Culture provides some fascinating background for understanding the interactions of science and religion in the United States. . . . Intriguing pictures of some of the highlights in this cultural exchange."—George Marsden, Nature
"A solid and entertaining account of the obstacles to mutual understanding that science and religion are now warily overcoming."—Catholic News Service
"[An] always fascinating look at the conversation between religion and science in America."—Publishers Weekly
Postwar advertising, film, and print culture sought to divest mass-produced goods—such as the Volkswagen and modern interiors—of their fascist legacies. But Scholz demonstrates that postwar representations were saturated with unacknowledged references to the Nazi past. Drawing on a vast array of popular and highbrow publications and films, Redeeming Objects adds a new perspective to debates about postwar reconstruction, memory, and consumerism.
The larger-than-life image Abraham Lincoln projects across the screen of American history owes much to his role as the Great Emancipator during the Civil War. Yet this noble aspect of Lincoln’s identity is precisely the dimension that some historians have cast into doubt. In a vigorous defense of America’s sixteenth president, award-winning historian and Lincoln scholar Allen Guelzo refutes accusations of Lincoln’s racism and political opportunism, while candidly probing the follies of contemporary cynicism and the constraints of today’s unexamined faith in the liberating powers of individual autonomy.
Redeeming the Great Emancipator enumerates Lincoln’s anti-slavery credentials, showing that a deeply held belief in the God-given rights of all people steeled the president in his commitment to emancipation and his hope for racial reconciliation. Emancipation did not achieve complete freedom for American slaves, nor was Lincoln entirely above some of the racial prejudices of his time. Nevertheless, his conscience and moral convictions far outweighed political calculations in ultimately securing freedom for black Americans.
Guelzo clarifies the historical record concerning what the Emancipation Proclamation did and did not accomplish. As a policy it was imperfect, but it was far from ineffectual, as some accounts of African American self-emancipation imply. To achieve liberation required interdependence across barriers of race and status. If we fail to recognize our debt to the sacrifices and ingenuity of all the brave men and women of the past, Guelzo says, then we deny a precious part of the American and, indeed, the human community.
William A. Mirola explores how the city's eight-hour movement intersected with a Protestant religious culture that supported long hours to keep workers from idleness, intemperance, and secular leisure activities. Analyzing how both workers and clergy rewove working-class religious cultures and ideologies into strategic and rhetorical frames, Mirola shows how every faith-based appeal contested whose religious meanings would define labor conditions and conflicts. As he notes, the ongoing worker-employer tension transformed both how clergy spoke about the eight-hour movement and what they were willing to do, until intensified worker protest and employer intransigence spurred Protestant clergy to support the eight-hour movement even as political and economic arguments eclipsed religious framing.
A revealing study of an era and a movement, Redeeming Time illustrates the potential--and the limitations--of religious culture and religious leaders as forces in industrial reform.
The author, Bryan Dik, PhD, is one of the leading psychologists in the world who specializes in vocation. A professor, entrepreneur, and follower of Christ, Dik wrote this book as a labor of love after devoting his career to research and development of practical strategies for helping others find purposeful work. His message: there are abundant opportunities for Christians to forge careers that answer God’s calling for their lives. In Redeeming Work, he shares the tools you need to find these opportunities and pursue them successfully.
Your purchase of Redeeming Work comes with a special bonus: free access to an evidence-based online career assessment system called PathwayU. By taking this assessment, you’ll learn about what makes you unique, including what you enjoy (interests), what matters to you (values), your general tendencies (personality), and what you most need from an organization (workplace preferences). Then, you’ll be able to explore career paths (and current job openings) that fit the pattern of gifts God has given you.
A surprising and deeply researched look at how everyone can develop tech fluency by focusing on five easily developed learning habits.
Picture a typical computer geek. Likely white, male, and someone you’d say has a “natural instinct” for technology. Yet, after six years teaching technology classes to first-generation, low-income middle school students in Oakland, California, Cassidy Puckett has seen firsthand that being good with technology is not something people are born with—it’s something they learn. In Redefining Geek, she overturns the stereotypes around the digitally savvy and identifies the habits that can help everyone cultivate their inner geek.
Drawing on observations and interviews with a diverse group of students around the country, Puckett zeroes in on five technology learning habits that enable tech-savvy teens to learn new technologies: a willingness to try and fail, management of frustration and boredom, use of models, and the abilities to use design logic and identify efficiencies. In Redefining Geek, she shows how to measure and build these habits, and she demonstrates how many teens historically marginalized in STEM are already using these habits and would benefit from recognition for their talent, access to further learning opportunities, and support in career pathways. She argues that if we can develop, recognize, and reward these technological learning habits in all kids—especially girls and historically marginalized racial and ethnic groups—we can address many educational inequities and disparities in STEM.
Revealing how being good with technology is not about natural ability but habit and persistence, Redefining Geek speaks to the ongoing conversation on equity in technology education and argues for a more inclusive technology learning experience for all students.
While P'u did not attain his goal of becoming a statesman, having failed exam after exam for fifty years, he was not impeded in his intellectual and literary pursuits. When he died in 1715, he left a body of work including over 500 essays, 1,295 poems, 119 lyrics, 18 encyclopedias and handbooks, 20 operas, 100 folk songs, and 500 short stories. He went on to become one of the most well-known scholar-writers and the best known short-story author in Chinese history. The 500 stories in Liao-chai chih-i, which P'u composed in his self-styled capacity as historian, had the most lasting influence of any single work on the shaping of popular consciousness in China.
Following the life and literature of one man, this study sets out to detail the history of the Ming-Ch'ing dynastic transition in the East Shantung region. It is based on an exhaustive exploration of contemporary Chinese historical and literary sources, including local histories, clan and family records, autobiographical and biographical materials, folklore, essays, poems, and plays: in short, the entire range of literary sources. Using a comprehensive historical approach, the authors cover a broad array of issues relevant to the topic at hand.
Redefining History is an important source for the study of Chinese history and literature and comparative historical studies. It will also appeal to people interested in the relation between history and literature, issues of gender and class, race relations, biographical studies, and popular culture movements.
Chun-shu Chang is Professor of History, University of Michigan, and Honorary Professor of Chinese History, China. Shelley Hsueh-lun Chang is Visiting Associate Professor of History and Research Associate, Center for Chinese Studies, University of Michigan.
Rape has never had a universally accepted definition, and the uproar over "legitimate rape" during the 2012 U.S. elections confirms that it remains a word in flux. Redefining Rape tells the story of the forces that have shaped the meaning of sexual violence in the United States, through the experiences of accusers, assailants, and advocates for change. In this ambitious new history, Estelle Freedman demonstrates that our definition of rape has depended heavily on dynamics of political power and social privilege.
The long-dominant view of rape in America envisioned a brutal attack on a chaste white woman by a male stranger, usually an African American. From the early nineteenth century, advocates for women's rights and racial justice challenged this narrow definition and the sexual and political power of white men that it sustained. Between the 1870s and the 1930s, at the height of racial segregation and lynching, and amid the campaign for woman suffrage, women's rights supporters and African American activists tried to expand understandings of rape in order to gain legal protection from coercive sexual relations, assaults by white men on black women, street harassment, and the sexual abuse of children. By redefining rape, they sought to redraw the very boundaries of citizenship.
Freedman narrates the victories, defeats, and limitations of these and other reform efforts. The modern civil rights and feminist movements, she points out, continue to grapple with both the insights and the dilemmas of these first campaigns to redefine rape in American law and culture.
Thirty-two authors, consultants, and administrators from diverse centers—from large public four-year institutions to a private, online for-profit university—provide both theoretical frameworks and practical applications in eighteen chapters. Ten chapters focus on graduate consultants and address issues of authority, training, professional development, and mentoring, and eight focus on professional and faculty consultant training as well as specific issues of identity and authority. By sharing these voices, Redefining Roles broadens the very idea of writing centers while opening the door to more dialogue on the important role these practitioners play.
Redefining Roles is designed for writing center practitioners, scholars, and staff. It is also a necessary addition to help campus administrators in the ongoing struggle to validate the intellectually complex work that such staff performs.
Contributors: Fallon N. Allison, Vicki Behrens, Cassie J. Brownell, Matt Burchanoski, Megan Boeshart Burelle, Danielle Clapham, Steffani Dambruch, Elise Dixon, Elizabeth Festa, Will Fitzsimmons, Alex Frissell, Alex Funt, Genie Giaimo, Amanda Gomez, Lisa Lamson, Miriam E. Laufer, Kristin Messuri, Rebecca Nowacek, Kimberly Fahle Peck, Mark Pedretti, Irina Ruppo, Arundhati Sanyal, Anna Scanlon, Matthew Sharkey-Smith, Kelly A. Shea, Anne Shiell, Anna Sicari, Catherine Siemann, Meagan Thompson, Lisa Nicole Tyson, Marcus Weakley, Alex Wulff
Since the start of the massive post-revolutionary exodus, Russian literature has thrived in multiple locations around the globe—but what happens to cultural vocabularies, politics of identity, literary canon, and language when writers transcend the metropolitan and national boundaries? This volume sets a new agenda for the study of Russian diaspora writing, reorienting the field from an excessive emphasis on the homeland to an analysis of transnational circulations that shape extraterritorial cultural practices. Integrating a variety of conceptual perspectives, ranging from diaspora and postcolonial studies to the theories of translation and self-translation, world literature, and evolutionary literary criticism, the contributors argue for a distinct nature of diasporic literary expression predicated on hybridity, ambivalence, and a sense of multiple belonging. As the complementary case studies demonstrate, diaspora narratives consistently recode historical memory, contest the mainstream discourses of Russianness, rewrite received cultural tropes, and explore topics that have remained marginal or taboo in the homeland.
Redefining Science shows that the government achieved its Cold War "consensus" only by active opposition to powerful dissenters and helps explain the current and uneasy relationship between scientists, the public, and government in debates over issues such as security, energy, and climate change.
Returning to the legendary Harvard Student Study of undergraduates from the 1960s and interviewing participants almost fifty years later, Kaufman shows that formative experiences in family, school, and community largely shape a future adult’s worldview and well-being by late adolescence, and that fundamental change in adulthood, when it occurs, is shaped by adult family experiences, not by ever-greater competitive success. Published research on general samples shows that these patterns, and the book’s findings generally, are broadly applicable to demographically varied populations in the United States.
Leveraging biography-length clinical interviews and quantitative evidence unmatched even by earlier landmark studies of human development, Redefining Success in America redefines the conversation about the nature and origins of happiness, and about how adults develop. This longitudinal study pioneers a new paradigm in happiness research, developmental science, and personality psychology that will appeal to scholars and students in the social sciences, psychotherapy professionals, and serious readers navigating the competitive journey.
Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social, and cultural aspects of community-conscious theatre-making. While doing so, the volume reflects on recent transformations in structural, textual, and theatrical conventions and traditions, and explores the changing modes of production and spectatorship in relation to theatre communities. The essays in this collection present an array of emerging perspectives on the politics, ethics, and practices of community representation in the contemporary international theatre landscape. An international, interdisciplinary collection featuring work by theatre scholars, theatre-makers, and artistic directors from across Europe and beyond, Redefining Theatre Communities will appeal to those interested in the diverse forms of socially engaged theatre and performance.
Dostoevsky’s Russian chauvinism and anti-Semitism have long posed problems for his readers and critics. How could the author of The Brothers Karamazov also be the source of the slurs against Jews in Diary of a Writer? And where is the celebrated Christian humanist in the nationalist outbursts of The Idiot? These enigmas—the coexistence of humanism and hatred, faith and doubt—are linked, Susan McReynolds tells us in Redemption and the Merchant God. Her book analyzes Dostoevsky’s novels and Diary to show how the author’s anxieties about Christianity can help solve the riddle of his anti-Semitism as well as that of his Russian messianism.
McReynolds’ reading demonstrates Dostoevsky suffered from a profound discomfort with the crucifixion as a vehicle for redemption. Through his work, she traces this ambivalence to certain beliefs and values that Dostoevsky held consistently throughout his life. And she reveals how this persistent ambivalence about the crucifixion led Dostoevsky to project what he didn’t like about Christianity onto the Jews—and to invest those aspects of the crucifixion that he could approve with the “Russian idea.”
A radical rereading of one of the Western canon’s most revered and perplexing authors, McReynolds’ book is also a major reconfiguring of Dostoevsky’s intellectual biography and a significant contribution to literary and cultural studies.
A collaborative project with a variety of critical essays
This final volume of studies by members of the Society of Biblical Literature’s consultation, and later seminar, on Ancient Myths and Modern Theories of Christian Origins focuses on Mark. As with previous volumes, the provocative proposals on Christian origins offered by Burton L. Mack are tested by applying Jonathan Z. Smith's distinctive social theorizing and comparative method. Essays examine Mark as an author’s writing in a book culture, a writing that responded to situations arising out of the first Roman-Judean war after the destruction of the Jerusalem temple in 70 CE. Contributors William E. Arnal, Barry S. Crawford, Burton L. Mack, Christopher R. Matthews, Merrill P. Miller, Jonathan Z. Smith, and Robyn Faith Walsh explore the southern Levant as a plausible provenance of the Gospel of Mark and provide a detailed analysis of the construction of Mark as a narrative composed without access to prior narrative sources about Jesus. A concluding retrospective follows the work of the seminar, its developing discourse and debates, and the continuing work of successor groups in the field.Features
- A thorough examination of the relation between structure and event in social and anthropological theory that provides conceptual tools for representing the project of the author of Mark
- An exploration of the southern Levant as a plausible provenance of the Gospel, a permanent site of successive imperial regimes and culturally related peoples
- A detailed analysis of the construction of Mark as a narrative composed without access to prior narrative sources about Jesus
In the United States, 1,200 community colleges enroll over ten million students each year—nearly half of the nation’s undergraduates. Yet fewer than 40 percent of entrants complete an undergraduate degree within six years. This fact has put pressure on community colleges to improve academic outcomes for their students. Redesigning America’s Community Colleges is a concise, evidence-based guide for educational leaders whose institutions typically receive short shrift in academic and policy discussions. It makes a compelling case that two-year colleges can substantially increase their rates of student success, if they are willing to rethink the ways in which they organize programs of study, support services, and instruction.
Community colleges were originally designed to expand college enrollments at low cost, not to maximize completion of high-quality programs of study. The result was a cafeteria-style model in which students pick courses from a bewildering array of choices, with little guidance. The authors urge administrators and faculty to reject this traditional model in favor of “guided pathways”—clearer, more educationally coherent programs of study that simplify students’ choices without limiting their options and that enable them to complete credentials and advance to further education and the labor market more quickly and at less cost.
Distilling a wealth of data amassed from the Community College Research Center (Teachers College, Columbia University), Redesigning America’s Community Colleges offers a fundamental redesign of the way two-year colleges operate, stressing the integration of services and instruction into more clearly structured programs of study that support every student’s goals.
Redesigning Social Inquiry provides a substantive critique of the standard approach to social research—namely, assessing the relative importance of causal variables drawn from competing theories. Instead, Ragin proposes the use of set-theoretic methods to find a middle path between quantitative and qualitative research. Through a series of contrasts between fuzzy-set analysis and conventional quantitative research, Ragin demonstrates the capacity for set-theoretic methods to strengthen connections between qualitative researchers’ deep knowledge of their cases and quantitative researchers’ elaboration of cross-case patterns. Packed with useful examples, Redesigning Social Inquiry will be indispensable to experienced professionals and to budding scholars about to embark on their first project.
Challenging conventional ideas, Lawlor suggests that we look at Medicare as a contract between the federal government, the program's beneficiaries, and health care providers. Medicare reform, then, would involve rewriting this contract so that it more successfully serves the interests of both beneficiaries and taxpayers. To do this, Lawlor argues that we must improve the agency of the program—the informational, organizational, and incentive elements that assure Medicare program carries out beneficiary and taxpayer interests in providing the most appropriate, high-quality care possible. The book includes a chapter devoted solely to concepts and applications that give definition to this brand of agency theory. Lawlor's innovative agency approach is matched with lucid explanation of the more comprehensive groundwork in the history and politics of the Medicare program.
Lawlor's important and timely book reframes the Medicare debate in a productive manner and effectively analyzes alternatives for reform. Lawlor argues that effective policy design for Medicare requires greater appreciation of the vulnerability of beneficiaries, the complexity of the program itself, its wide geographical variations in services and financing, and the realistic possibilities for government and private sector roles. Tackling difficult problems like end-of-life and high-tech care—and offering sensible solutions—Redesigning the Medicare Contract will interest political scientists, economists, policy analysts, and health care professionals alike.
Employing a cultural studies framework, Lotz examines whether the multiplicity of female-centric networks and narratives renders certain gender stereotypes uninhabitable, and how new dramatic portrayals of women have redefined narrative conventions. Redesigning Women also reveals how these changes led to narrowcasting, or the targeting of a niche segment of the overall audience, and the ways in which the new, sophisticated portrayals of women inspire sympathetic identification while also commodifying viewers into a marketable demographic for advertisers.
In this engrossing study of religion, urban life, and commercial culture, Diane Winston shows how a (self-styled "red-hot") militant Protestant mission established a beachhead in the modern city. When The Salvation Army, a British evangelical movement, landed in New York in 1880, local citizens called its eye-catching advertisements "vulgar" and dubbed its brass bands, female preachers, and overheated services "sensationalist." Yet a little more than a century later, this ragtag missionary movement had evolved into the nation's largest charitable fund-raiser--the very exemplar of America's most cherished values of social service and religious commitment.
Winston illustrates how the Army borrowed the forms and idioms of popular entertainments, commercial emporiums, and master marketers to deliver its message. In contrast to histories that relegate religion to the sidelines of urban society, her book shows that Salvationists were at the center of debates about social services for the urban poor, the changing position of women, and the evolution of a consumer culture. She also describes Salvationist influence on contemporary life--from the public's post-World War I (and ongoing) love affair with the doughnut to the Salvationist young woman's career as a Hollywood icon to the institutionalization of religious ideals into nonsectarian social programs.
Winston's vivid account of a street savvy religious mission transformed over the decades makes adroit use of performance theory and material culture studies to create an evocative portrait of a beloved yet little understood religious movement. Her book provides striking evidence that, counter to conventional wisdom, religion was among the seminal social forces that shaped modern, urban America--and, in the process, found new expression for its own ideals.
In the Mexican Catholic tradition, retablos are ornamental structures made of carved wood framing an oil painting of a devotional image, usually a patron saint. Acclaimed author and essayist Rigoberto González commemorates the passion and the pain of these carvings in his new volume Red-Inked Retablos, a moving memoir of human experience and thought.
This frank new collection masterfully combines accounts from González’s personal life with reflections on writers who have influenced him. The collection offers an in-depth meditation on the development of gay Chicano literature and the responsibilities of the Chicana/o writer.
Widely acclaimed for giving a voice to the Chicano GLBT community, González’s writing spans a wide range of genres: poetry, fiction, nonfiction, and bilingual books for children and young adults. Introduced by Women’s Studies professor Maythee Rojas, Retablos collects thirteen pieces that together provide a narrative of González’s life from his childhood through his career as a writer, critic, and mentor.
In Red-Inked Retablos, González continues to expand his oeuvre on mariposa (literally, “butterfly”) memory, a genre he pioneered in which Chicano/a writers openly address non-traditional sexuality. For González, mariposa memory is important testimony not only about reconfiguring personal identity in relation to masculinity, culture, and religion. It’s also about highlighting values like education, shaping a sex-positive discourse, and exercising agency through a public voice. It’s about making the queer experience a Chicano experience and the Chicano experience a queer one.
This book recovers journalistic work by an American icon for whom scholarly recognition is long overdue. Amy Mattson Lauters introduces readers to Lane’s life through examples of her journalism and argues that her work and career help establish her not only as an author and political rhetorician but also as a literary journalist. Lauters has assembled a collection of rarely seen nonfiction articles that illustrate Lane’s talent as a writer of literary nonfiction, provide on-the-spot views of key moments in American cultural history, and offer sharp commentary on historical events.
Through this collection of Lane’s journalism, dating from early work for Sunset magazine in 1918 to her final piece for Woman’s Day set in 1965 Saigon, Lauters shows how Lane infused her writing with her particular ideology of Americanism and individualism, self-reliance, and freedom from government interference, thereby offering stark commentary on her times. Lane shares her experiences as an extra in a Douglas Fairbanks movie and interviews D.W. Griffith. She reports on average American women struggling to raise a family in wartime and hikes over the Albanian mountains between the world wars. Her own maturing conservative political views provide a lens through which readers can view debates over the draft, war, and women’s citizenship during World War II, and her capstone piece brings us again into a culture torn by war, this time in Southeast Asia.
These writings have not been available to the reading public since they first appeared. They encapsulate important moments for Lane and her times, revealing the woman behind the text, the development of her signature literary style, and her progression as a writer. Lauters’s introduction reveals the flow of Lane’s life and career, offering key insights into women’s history, the literary journalism genre, and American culture in the first half of the twentieth century.
Through these works, readers will discover a writer whose cultural identity was quintessentially American, middle class, midwestern, and simplistic—and who assumed the mantle of custodian to Americanism through women’s arts. The Rediscovered Writings of Rose Wilder Lane traces the extraordinary relationship between one woman and American society over fifty pivotal years and offers readers a treasury of writings to enjoy and discuss.
“These mirror images with their uncanny resemblances traverse space and time, spotlighting the black lives that have been silenced by the canon of western art, while also inviting us to interrogate the present.” —Times (UK)
Since the beginning of the COVID-19 pandemic, Peter Brathwaite has thoughtfully researched and reimagined more than one hundred artworks featuring portraits of Black sitters—all posted to social media with the caption “Rediscovering #blackportraiture through #gettymuseumchallenge.”
Rediscovering Black Portraiture collects more than fifty of Brathwaite’s most intriguing re-creations. Introduced by the author and framed by contributions from experts in art history and visual culture, this fascinating book offers a nuanced look at the complexities and challenges of building identity within the African diaspora and how such forces have informed Black portraits over time. Artworks featured include The Adoration of the Magi by Georges Trubert, Portrait of an Unknown Man by Jan Mostaert, Rice n Peas by Sonia Boyce, Barack Obama by Kehinde Wiley, and many more. This volume also invites readers behind the scenes, offering a glimpse of the elegant artifice of Brathwaite’s props, setup, and process.
An urgent and compelling exploration of embodiment, representation, and agency, Rediscovering Black Portraiture serves to remind us that Black subjects have been portrayed in art for nearly a millennium and that their stories demand to be told.
An exhibition of Brathwaite’s re-creations is on view at the Bristol Museum & Art Gallery in Bristol, UK from April 14 to September 3, 2023.
Rediscovering Fort Sanders is a unique book that combines a narrative history of pre-Civil War Knoxville, the war years and continuing construction of Fort Sanders, the failed attempts to preserve the postwar fort, and the events which led to its almost total destruction. Research by Terry and Charles Faulkner resulted in two major discoveries: the fort was actually located a block farther to the west then previously recognized, and there are still identifiable remnants of the fortification where none were believed to exist.
More than just a chronicle of a significant chapter in Civil War and postwar history, this book will inspire others to continue the effort to ensure that the site and remains of Fort Sanders are preserved and properly commemorated for future generations.
With Rediscovering Jacob Riis, art historian Bonnie Yochelson and historian Daniel Czitrom place Jacob Riis’s images in historical context even as they expose a clear sightline to the present. In the first half of their book, Czitrom explores Riis’s reporting and activism within the gritty specifics of Gilded Age New York: its new immigrants, its political machines, its fiercely competitive journalism, its evangelical reformers, and its labor movement. In delving into Riis’s intellectual education and the lasting impact of How the Other Half Lives, Czitrom shows that though Riis argued for charity, not sociopolitical justice, the empathy that drove his work continues to inspire urban reformers today.
In the second half of the book, Yochelson describes for the first time Riis’s photographic practice: his initial reliance on amateur photographers to take the photographs he needed, his own use of the camera, and then his collecting of photographs by professionals, who by 1900 were documenting social reform efforts for government agencies and charities. She argues that while Riis is rightly considered a revolutionary in the history of photography, he was not a photographic artist. Instead, Riis was a writer and lecturer who first harnessed the power of photography to affect social change.
As staggering inequality continues to be an urgent political topic, this book, illustrated with nearly seventy of Riis’s photographs, will serve as a stunning reminder of what has changed, and what has not.
This groundbreaking collection of thirty-five essays by a wide range of academic specialists situates current scholarship on Korean cinema within the ongoing theoretical debates in contemporary global film studies. Chapters explore key films of Korean cinema, from Sweet Dream, Madame Freedom, The Housemaid, and The March of Fools to Oldboy, The Host, and Train to Busan, as well as major directors such as Shin Sang-ok, Kim Ki-young, Im Kwon-taek, Bong Joon-ho, Hong Sang-soo, Park Chan-wook, and Lee Chang-dong. While the chapters provide in-depth analyses of particular films, together they cohere into a detailed and multidimensional presentation of Korean cinema’s cumulative history and broader significance.
With its historical and critical scope, abundance of new research, and detailed discussion of important individual films, Rediscovering Korean Cinema is at once an accessible classroom text and a deeply informative compendium for scholars of Korean and East Asian studies, cinema and media studies, and communications. It will also be an essential resource for film industry professionals and anyone interested in international cinema.
Rediscovering Mordecai Gorelik explores the life and work of the pioneering scene designer whose career spanned decades in American theatre. Anne Fletcher’s insightful volume draws intriguing parallels and contrasts between Gorelik’s productions and the theatrical movements of the twentieth century, exposing the indelible mark he left on the stage. Through in-depth analysis of his letters, diaries, designs, and theoretical works, Fletcher examines the ways in which Gorelik’s productions can be used as a mirror to reflect the shifting dramatic landscapes of his times.
Fletcher places Gorelik against the colorful historical backdrops that surrounded him—including the avant-garde movement of the 1920s, World War II, the Cold War, and absurdism—using the designer’s career as a window into the theatre during these eras. Within these cultural contexts, Gorelik sought to blaze his own unconventional path through the realms of theatre and theory. Fletcher traces Gorelik’s tenures with such companies as the Provincetown Players, the Theatre Guild, and the Theatre Union, as well as his relationships with icons such as Bertolt Brecht, revealing how his interactions with others influenced his progressive designs and thus set the stage for major dramatic innovations. In particular, Fletcher explores Gorelik’s use of scenic metaphor: the employment of stage design techniques to subtly enhance the tone or mood of a production. Fletcher also details the designer’s written contributions to criticism and theory, including the influential volume New Theatres for Old, as well as other articles and publications.
In addition to thorough examinations of several of Gorelik’s most famous projects, Rediscovering Mordecai Gorelik contains explications of productions by such legends as John Howard Lawson, Clifford Odets, and Arthur Miller. Also included are numerous full-color and black-and-white illustrations of Gorelik’s work, most of which have never been available to the public until now. More than simply a portrait of one man, this indispensable volume is a cultural history of American theatre as seen through the career of a visionary designer and theoretician.
As a journalist, advocate, and professor, Michael Frome has spent decades engaged with conservation topics and has taken particular interest in America’s national parks. He draws on this experience and knowledge to address what remains to be done in order to truly value and preserve these special places. Part memoir, part history, and part broadside against those who would diminish this heritage, Rediscovering National Parks in the Spirit of John Muir, through thoughtful reflections and ruminations, bears witness to the grandeur of our parks and to the need for a renewed sense of appreciation and individual responsibility for their care.
In recollections of his encounters and conversations with key people in national park history, Frome discusses park politics, conflicts between use and preservation, and impacts of commercialization. He proposes a dedicated return to the true spirit in which the parks were established, in the manner of John Muir. He advocates maintaining these lands as wild sanctuaries, places where we can find inspiration, solitude, silence, balance, and simplicity, reminding us why we must preserve our national treasures and why we need to connect with the deeper values they hold.
Rediscovering Northwest Denver is a chatty, enjoyable read that tells of the tycoons and entrepreneurs whose fine Victorian homes still dot the area, and of the immigrants from various European cultures who clung together for comfort in the face of prejudice. It includes maps, photographs, past and present street names, a bibliography, index, and suggested tours. Northwest Denver today is typified by traditions, beauty, and pride, all of which the author captures in this ever-popular book.
Winner of the 1993 Hubert Humphrey Award for the book's contribution to the historical appreciation and preservation of Northwest Denver.
Inspired partly by this expedition, the accessible and engaging essays here offer valuable new perspectives on conservation, the cultural ties that connect Native communities to the land, and the profound influence the geography of the Maine Woods had on Thoreau and writers and activists who followed in his wake. Together, these essays offer a rich and multifaceted look at this special place and the ways in which Thoreau's Maine experiences continue to shape understandings of the environment a century and a half later.
Contributors include the volume editor, Kathryn Dolan, James S. Finley, James Francis, Richard W. Judd, Dale Potts, Melissa Sexton, Chris Sockalexis, Stan Tag, Robert M. Thorson, and Laura Dassow Walls.
The concept of "American" literature is not the exclusive province of any one nation. Thanks to the historical circumstances that governed the European conquest and settlement of the Americas, we can and should approach the writings of English and French Canada, the United States, Spanish America, and Brazil as a cohesive group of American literature, worthy of study without constant reference to European texts. Now, Rediscovering the New World makes a timely addition to this expanding field on Inter-American scholarship that should help lead tothe formation of a new canon.
This adventurous and ambitious work begins with an examination of Pre-Columbian literature (and shows that his powerful tradition remains alive and well in the twentieth century), then confronts the narratives of discovery and conquest, the New World epic, identity as the Ur-theme of American literature, miscegenation as another integral theme, and regionalism as a shaping force. Other striking these and juxtapositions include a comparison of Henry James and Machado de Assis as the first two great New World novelists, modernism as both a distinct literary movement and an amorphous body of aesthetic principles, and the conflict between "civilization" and "barbarism."
More in the exploratory spirit of the French Canadian voyageur than in the spirit of the conquistador, Rediscovering the New World is the first scholarly work in English to integrate an international set of American literary cultures. It should inspire other explorers as the field of Inter-American literary relations continues to evolve.
Increasingly, the modern era of Mexican history (c. 1750 to the present) is attracting the attention of Mexican and international scholars. Significant studies have appeared for most of the major regions and Yucatán, in particular, has generated an unusual appeal and an abundant scholarship. This book surveys major trends in Yucatán’s currents in Mexican historiography, and suggest new departures for regional and local-level research.
Rather than compiling lists of sources around given subject headings in the manner of many historiographies, the author seeks common ground for analysis in the new literature’s preoccupation with changing relations of land, labor, and capital and their impact on regional society and culture. Joseph proposes a new periodization of Yucatán’s modern history which he develops in a series of synthetic essays rooted in regional political economy.
After decades of suffering redlining and disinvestment by financial institutions, many communities have learned to fight back successfully. In more than seventy U.S. cities, over 300 community-based organizations have negotiated at least eighteen billion dollars in reinvestment commitments in recent years. In original essays, well-known community activists and activist academics tell the stories of some of the most successful reinvestment campaigns in Boston, Pittsburgh, Detroit, Chicago, Milwaukee, Atlanta, and California.
In the series Conflicts in Urban and Regional Development, edited by John R. Logan and Todd Swanstrom.
Redrawing the Lines was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Since 1970 literary theory has experienced a period of rich interaction with both Anglo-American analytic and Continental philosophy, particularly deconstruction. Yet these two philosophical schools have regarded each other with hostility, if at all, as in the 1977 exchange between John Searle and Jacques Derrida over the work of J. L. Austin. Since then, the two philosophical traditions have begun to interact as each has influenced literary theory, and some suggest that they are not diametrically opposed.
Redrawing the Lines,the first book to focus on that interaction, brings together ten essays by key figures who have worked to connect literary theory and philosophy and to reassess the relationship between analytic and Continental philosophy. The editor's introduction establishes the debate's historical context, and his annotated bibliography directs the interested reader to virtually everything written on this issue.
The contributors: Reed Way Dasenbrock, Henry Staten, Michael Fischer, Charles Altieri, Richard Shusterman, Samuel C. Wheeler III, Jules David Law, Steven Winspur, Christopher Norris, Richard Rorty, and Anthony J. Cascardi.
Reed Way Dasenbrock is associate professor of English at New Mexico State University. He is the author of The Literary Vorticism of Ezra Pound and Wyndham Lewis: Toward the Condition of Painting.
A history of American Western genre comics and how they interacted with contemporaneous political and popular culture.
Redrawing the Western charts a history of the Western genre in American comics from the late 1800s through the 1970s and beyond. Encompassing the core years in which the genre was forged and prospered in a range of popular media, Grady engages with several key historical timeframes, from the origins of the Western in the nineteenth-century illustrated press; fin de siècle anxieties with the closing of the frontier; and the centrality of cowboy adventure across the interwar, postwar, and high Cold War years, to the revisions of the genre in the wake of the Vietnam War and the Western’s continued vitality in contemporary comics storytelling.
In its study of stories about vengeance, conquest, and justice on the contested frontier, Redrawing the Western highlights how the “simplistic” conflicts common in Western adventure comics could disguise highly political undercurrents, providing young readers with new ways to think about the contemporaneous social and political milieu. Besides tracing the history, forms, and politics of American Western comics in and around the twentieth century, William Grady offers an original reassessment of the important role of comics in the development of the Western genre, ranking them alongside popular fiction and film in the process.
Written by activists and scholars of law, political science, African American studies, philosophy, economics, and history, the twenty-six essays include both previously published articles and pieces written specifically for this volume. Essays theorize the historical and legal bases of claims for redress; examine the history, strengths, and limitations of the reparations movement; and explore its relation to human rights and social justice movements in the United States and abroad. Other essays evaluate the movement’s primary strategies: legislation, litigation, and mobilization. While all of the contributors support the campaign for redress in one way or another, some of them engage with arguments against reparations.
Among the fifty-three primary documents included in the volume are federal, state, and municipal acts and resolutions; declarations and statements from organizations including the Black Panther Party and the NAACP; legal briefs and opinions; and findings and directives related to the provision of redress, from the Oklahoma Commission to Study the Tulsa Race Riot of 1921 to the mandate for the Greensboro Truth and Reconciliation Commission. Redress for Historical Injustices in the United States is a thorough assessment of the past, present, and future of the modern reparations movement.
Contributors. Richard F. America, Sam Anderson, Martha Biondi, Boris L. Bittker, James Bolner, Roy L. Brooks, Michael K. Brown, Robert S. Browne, Martin Carnoy, Chiquita Collins, J. Angelo Corlett, Elliott Currie, William A. Darity, Jr., Adrienne Davis, Michael C. Dawson, Troy Duster, Dania Frank, Robert Fullinwider, Charles P. Henry, Gerald C. Horne, Robert Johnson, Jr., Robin D. G. Kelley, Jeffrey R. Kerr-Ritchie, Theodore Kornweibel, Jr., David Lyons, Michael T. Martin, Douglas S. Massey , Muntu Matsimela , C. J. Munford, Yusuf Nuruddin, Charles J. Ogletree Jr., Melvin L. Oliver, David B. Oppenheimer, Rovana Popoff, Thomas M. Shapiro, Marjorie M. Shultz, Alan Singer, David Wellman, David R. Williams, Eric K. Yamamoto, Marilyn Yaquinto
"Hail to the Redskins" and Redskin-mania have consumed the nation's capital since 1937, the Redskins' fist year in Washington. And the fervor remains as strong, if not stronger, today.
Amply illustrated with 200 photos of players, coaches, and fans, The Redskins Encyclopedia recounts the franchise's first 75 seasons, reliving the great -- and not so great -- moments in the team's storied history, and the men who helped make Sundays memorable.
Fans will read about:
--Coaches like George Allen, the eccentric, passionate man who left a legacy as an NFL pioneer, and Joe Gibbs, who formed a D-Y-N-A-S-T-Y
--Players like star running back and all-time Redskins ground-gainer John Riggins, who once told Supreme Court Justice Sandra Day O'Connor to "loosen up, Sandy baby," and Doug Williams, the first black quarterback to win a Super Bowl and Super Bowl MVP honors
--The franchise's golden run of four Super Bowl appearances -- and three wins -- in the 1980s and early 1990s
--The legendary Redskins-Cowboys rivalry
--A year-by-year history of the team from 1932 to the present, with stats from each season
--Individual profiles of more than 100 Redskins players -- from Sammy Baugh to Darrell Green to Art Monk to Sonny Jurgensen to Charley Taylor to Joe Theismann
With an unparalleled collection of anecdotes, quotes, trivia, and hard-to-find information, The Redskins Encyclopedia is a must-have book for any fan who has ever bled burgundy and gold.
This innovative volume speaks to all people wanting to understand how artistic and critical endeavors can enrich, rather than impoverish, the imperiled world around us.
There are few issues more explosive than guns. "Guns don't kill people, people kill people," is an often-heard response to calls for firearm control. But are there ways to make guns safer without placing further restrictions on gun owners? Can guns be engineered to reduce the number and severity of injuries?
This book is about guns and new solutions for addressing problems they create. Trudy Karlson and Stephen Hargarten, two experts in public health and injury control, show readers how guns are products, designed to injure and kill, and how changes in the design, technology, and marketing of firearms can lead to reductions in the number of injuries and fatalities.
Just as innovations in the design and technology of motor vehicles succeeded in creating safer cars, Karlson and Hargarten describe how responsible changes to gun products can reduce the number of serious injuries and fatalities. The injury control perspective illustrates how the characteristics of guns and ammunition are associated with their ability to cause injury and death. It also provides options for how guns can be re-engineered to ensure a greater degree of safety and protection. Reducing Firearm Injury and Death teaches basic facts about guns and gun injuries, and by reframing the problem of firearms as a public health issue, offers hope for saving lives.
Section I discusses the consequences of inflation. These papers analyze inflation's impact on the tax system, labor market flexibility, equilibrium unemployment, and the public's sense of well-being. Section II considers the obstacles facing central bankers in achieving low inflation. These papers study the precision of estimates of equilibrium unemployment, the sources of the high inflation of the 1970s, and the use of non-traditional indicators in policy formation. The papers in section III consider how institutions can be designed to promote successful monetary policy, and the importance of institutions to the performance of policy in the United States, Germany, and other countries.
This timely volume should be read by anyone who studies or conducts monetary policy.
- the evolution of, and limits to, current environmental policy
- incorporating prevention into production planning and decisionmaking
- do voluntary programs lead to industry greening or greenwashing?
- case studies of the chemical, aerosols, radiator repair and electric vehicle industries
- opportunities for and barriers to pollution prevention
International competition and variable economic conditions have brought the threat of layoffs to the doorsteps of workers and managers in all sectors of our economy. One response to this problem is Unemployment Insurance-Supported Work Sharing. This new and promising program reduces the human and economic costs of layoffs by providing partial unemployment benefits to employees who have their workweeks reduced as an alternative to layoffs. Fred Best provides a balanced and thorough assessment of this policy in the United States, Canada, and Europe.
Unemployment Insurance-Supported Work Sharing maintains the income and fringe benefits of all workers at near full-time levels, enabling firms to maintain the skills and working relations of their employees and preventing undue hardships among those who would otherwise lose their jobs.
Best summarizes the history and effectiveness of these programs in terms of their economic and human impacts on employers, employees, government, and the economy. He presents key insights on how worktime and worker management cooperation can become powerful tools for combating joblessness and increasing economic performance. This definitive account of an important experiment in work hours will be of critical importance to managers, workers, policymakers, economists, and those concerned with employment issues.
In the series Labor and Social Change, edited by Paula Rayman and Carmen Sirianni.
Using analyses of observational data combined with field experiments and game-theoretical models, the authors provide new insights into the complex patterns of reproductive decision-making and breeding behavior in redwings. This book will be of interest to all who study social animals, including behavioral ecologists, evolutionary biologists, and ornithologists.
Evidence is mounting that redwood forests, like many other ecosystems, cannot survive as small, isolated fragments in human-altered landscapes. Such fragments lose their diversity over time and, in the case of redwoods, may even lose the ability to grow new, giant trees.
The Redwood Forest, written in support of Save-the-Redwood League's master plan, provides scientific guidance for saving the redwood forest by bringing together in a single volume the latest insights from conservation biology along with new information from data-gathering techniques such as GIS and remote sensing. It presents the most current findings on the geologic and cultural history, natural history, ecology, management, and conservation of the flora and fauna of the redwood ecosystem. Leading experts -- including Todd Dawson, Bill Libby, John Sawyer, Steve Sillett, Dale Thornburgh, Hartwell Welch, and many others -- offer a comprehensive account of the redwoods ecosystem, with specific chapters examining:
- the history of the redwood lineage, from the Triassic Period to the present, along with the recent history of redwoods conservation
- life history, architecture, genetics, environmental relations, and disturbance regimes of redwoods
- terrestrial flora and fauna, communities, and ecosystems
- aquatic ecosystems
- landscape-scale conservation planning
- management alternatives relating to forestry, restoration, and recreation.
The Redwood Forest offers a case study for ecosystem-level conservation and gives conservation organizations the information, technical tools, and broad perspective they need to evaluate redwood sites and landscapes for conservation. It contains the latest information from ground-breaking research on such topics as redwood canopy communities, the role of fog in sustaining redwood forests, and the function of redwood burls. It also presents sobering lessons from current research on the effects of forestry activities on the sensitive faunas of redwood forests and streams.
The key to perpetuating the redwood forest is understanding how it functions; this book represents an important step in establishing such an understanding. It presents a significant body of knowledge in a single volume, and will be a vital resource for conservation scientists, land use planners, policymakers, and anyone involved with conservation of redwoods and other forests.
The work adds new insights into the role religion and the secular played in the shaping of US political institutions and national policies. Chapters also look at the history of anti-polygamy laws, the persistence of post-1890 plural marriage, the continuation of anti-Mormon sentiment, the intimacies and challenges of religious privatization, the dynamic of federal power on religious reform, and the more intimate role individuals played in effecting these institutional and national developments.
The Smoot hearings stand as an important case study that highlights the paradoxical history of religious liberty in America and the principles of exclusion and coercion that history is predicated on. Framed within a liberal Protestant sensibility, these principles of secular progress mapped out the relationship of religion and the nation-state for the new modern century. The Reed Smoot Hearings will be of significant interest to students and scholars of Mormon, western, American, and religious history.
Publication supported, in part, by Gonzaba Medical Group.
Contributors: Gary James Bergera, John Brumbaugh, Kenneth L. Cannon II, Byron W. Daynes, Kathryn M. Daynes, Kathryn Smoot Egan, D. Michael Quinn
"Arnold's poetry, much more mature than most writers' first book, links lyrics, slight narratives, and a bit of satire into a work of glorious affirmation. The book is a splendid read."—Mary Sue Koeppel, Florida Times-Union
"For this commitment to both the autobiographical honesty and aesthetic risk, The Reef should be valuable to anyone who has been waiting for where contemporary American poetry is going."—Agni
First published in 1979, this guide has become the standard resource for scientists, divers, and spearfishers interested in the fishes of the tropical Pacific Coast. The authors have revised and updated this edition to include the most current taxonomic information, additional species descriptions, and new illustrations.
Like many coral specialists fifteen years ago, J. E. N. Veron thought Australia's Great Barrier Reef was impervious to climate change. "Owned by a prosperous country and accorded the protection it deserves, it would surely not go the way of the Amazon rain forest or the parklands of Africa, but would endure forever. That is what I thought once, but I think it no longer." This book is Veron's Silent Spring for the world's coral reefs.
Veron presents the geological history of the reef, the biology of coral reef ecosystems, and a primer on what we know about climate change. He concludes that the Great Barrier Reef and, indeed, most coral reefs will be dead from mass bleaching and irreversible acidification within the coming century unless greenhouse gas emissions are curbed. If we don't have the political will to confront the plight of the world's reefs, he argues, current processes already in motion will become unstoppable, bringing on a mass extinction the world has not seen for 65 million years.
Our species has cracked its own genetic code and sent representatives of its kind to the moon--we can certainly save the world's reefs if we want to. But to achieve this goal, we must devote scientific expertise and political muscle to the development of green technologies that will dramatically reduce greenhouse emissions and reverse acidification of the oceans.
When Thelma and Louise outfought the men who had tormented them, women across America discovered what male fans of action movies have long known—the empowering rush of movie violence. Yet the duo's escapades also provoked censure across a wide range of viewers, from conservatives who felt threatened by the up-ending of women's traditional roles to feminists who saw the pair's use of male-style violence as yet another instance of women's co-option by the patriarchy.
In the first book-length study of violent women in movies, Reel Knockouts makes feminist sense of violent women in films from Hollywood to Hong Kong, from top-grossing to direct-to-video, and from cop-action movies to X-rated skin flicks. Contributors from a variety of disciplines analyze violent women's respective places in the history of cinema, in the lives of viewers, and in the feminist response to male violence against women. The essays in part one, "Genre Films," turn to film cycles in which violent women have routinely appeared. The essays in part two, "New Bonds and New Communities," analyze movies singly or in pairs to determine how women's movie brutality fosters solidarity amongst the characters or their audiences. All of the contributions look at films not simply in terms of whether they properly represent women or feminist principles, but also as texts with social contexts and possible uses in the re-construction of masculinity and femininity.
As pop culture experts Frederick Luis Aldama and Christopher González show, the way Latinx peoples have appeared and are still represented in mainstream TV and film narratives is as frustrating as it is illuminating. Stereotypes such as drug lords, petty criminals, buffoons, and sexed-up lovers have filled both small and silver screens—and the minds of the public. Aldama and González blaze new paths through Latinx cultural phenomena that disrupt stereotypes, breathing complexity into real Latinx subjectivities and experiences. In this grand sleuthing sweep of Latinx representation in mainstream TV and film that continues to shape the imagination of U.S. society, these two Latinx pop culture authorities call us all to scholarly action.
Americans have had a long-standing love affair with the wilderness. As cities grew and frontiers disappeared, film emerged to feed an insatiable curiosity about wildlife. The camera promised to bring us into contact with the animal world, undetected and unarmed. Yet the camera's penetration of this world has inevitably brought human artifice and technology into the picture as well. In the first major analysis of American nature films in the twentieth century, Gregg Mitman shows how our cultural values, scientific needs, and new technologies produced the images that have shaped our contemporary view of wildlife.
Like the museum and the zoo, the nature film sought to recreate the experience of unspoiled nature while appealing to a popular audience, through a blend of scientific research and commercial promotion, education and entertainment, authenticity and artifice. Travelogue-expedition films, like Teddy Roosevelt's African safari, catered to upper- and middle-class patrons who were intrigued by the exotic and entertained by the thrill of big-game hunting and collecting. The proliferation of nature movies and television shows in the 1950s, such as Disney's True-Life Adventures and Marlin Perkins's Wild Kingdom, made nature familiar and accessible to America's baby-boom generation, fostering the environmental activism of the latter part of the twentieth century. Reel Nature reveals the shifting conventions of nature films and their enormous impact on our perceptions of, and politics about, the environment.
Whether crafted to elicit thrills or to educate audiences about the real-life drama of threatened wildlife, nature films then and now reveal much about the yearnings of Americans to be both close to nature and yet distinctly apart.
Leslie Midkiff DeBauche shows how the United States government’s need to garner public support for the war, conserve food, raise money, and enlist soldiers was met by the film industry. Throughout the nineteen months of American involvement in World War I, film studios supported the war effort through the production of short instructional films, public speaking activities of movie stars, the civic forum provided by movie theaters, and the National Association of the Motion Picture Industry’s provision of administrative personnel to work directly with government agencies. While feature films about the war itself never dominated the release schedules of film distributors, they did become a staple film industry offering throughout the late 1910s and 1920s.
The film industry had much to gain, DeBauche demonstrates, from working closely with the U.S. government. Though the war posed a direct challenge to the conduct of business as usual, the industry successfully weathered the war years. After the war, film producers, distributors, and exhibitors were able to capitalize on the good will of the movie-goer and the government that the industry’s war work created. It provided a buffer against national censorship when movie stars became embroiled in scandal, and it served as a selling point in the 1920s when major film companies began to trade their stock on Wall Street.
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