A SCHOLARLY BOOK REPOSITORY
Daniel Reimold gives readers of all generations an inside look at this phenomenon. Student sex columnists and sex magazine editors are both celebrities on their home campuses. One columnist, echoing the sentiments of many, said he became an overnight rock star golden child of journalism. But, with celebrity comes controversy. These columns and magazines have sparked contentious and far-reaching legal, religious, and intergenerational debates about sex, the student press, and the place of both within higher education. They are also the most prominent modern student press combatants in the fight for free speech. And they have blurred journalistic boundaries between what is considered public and private, art and pornography, and gossip and news.
Sex and the University explores the celebrity status that student sex columnists and magazine editors have received, the controversies they have caused, and the sexual generation and student journalism revolution they represent. Complete with a sexicon of slang, this book also dives into the columns and magazines themselves, sharing for the first time what modern students are saying about their sex and love lives, in their own words.
What is sex exactly? Does everyone agree on a definition? And does that definition hold when considering literary production in other times and places? Sex before Sex makes clear that we cannot simply transfer our contemporary notions of what constitutes a sex act into the past and expect them to be true for the people who were then reading literature and watching plays. The contributors confront how our current critical assumptions about definitions of sex restrict our understanding of representations of sexuality in early modern England.
Drawing attention to overlooked forms of sexual activity in early modern culture, from anilingus and interspecies sex to “chin-chucking” and convivial drinking, Sex before Sex offers a multifaceted view of what sex looked like before the term entered history. Through incisive interpretations of a wide range of literary texts, including Romeo and Juliet, The Comedy of Errors, Paradise Lost, the figure of Lucretia, and pornographic poetry, this collection queries what might constitute sex in the absence of a widely accepted definition and how a historicized concept of sex affects the kinds of arguments that can be made about early modern sexualities.
Contributors: Holly Dugan, George Washington U; Will Fisher, CUNY–Lehman College; Stephen Guy-Bray, U of British Columbia; Melissa J. Jones, Eastern Michigan U; Thomas H. Luxon, Dartmouth College; Nicholas F. Radel, Furman U; Kathryn Schwarz, Vanderbilt U; Christine Varnado, U of Buffalo–SUNY.
This is the first book to closely examine vital encounters among this era’s German-speaking researchers across their emerging professional and disciplinary boundaries. Although psychoanalysis was often considered part of a broader “sexual science,” sexologists increasingly distanced themselves from its mysterious concepts and clinical methods. Instead, they turned to more pragmatic, interventionist therapies—in particular, to the burgeoning field of hormone research, which they saw as crucial to establishing their own professional relevance. As sexology and psychoanalysis diverged, heated debates arose around concerns such as the sexual life of the child, the origins and treatment of homosexuality and transgender phenomena, and female frigidity. This new story of the emergence of two separate approaches to the study of sex demonstrates that the distinctions between them were always part of a dialogic and competitive process. It fundamentally revises our understanding of the production of modern sexual subjects.
Sex, Celibacy, and Deviance is the first major study to explore the Song of Songs (or Song of Solomon) in Victorian literature and art. As the Bible’s only erotic poem, the Song of Songs is the canonical Judeo-Christian book about love, furnishing the Victorians with an authoritative and literary language for love, marriage, sex, mourning, and religious celibacy.
Duc Dau adopts a queer and feminist lens to consider how Victorians employed and interpreted the Song of Songs in their work. How did writers and artists fashion and, most importantly, challenge the norms of gender, romantic love, and marriage? Spanning the early Victorian era through the first two decades of the twentieth century, Sex, Celibacy, and Deviance considers the works of Charlotte Brontë, Thomas Hardy, Christina Rossetti, John Gray, Michael Field, Edward Burne-Jones, and Simeon Solomon alongside two lesser-known figures: Irish-born Scottish artist Phoebe Anna Traquair and the Catholic religious leader Augusta Theodosia Drane. By addressing the relevance of the Song of Songs in light of shifting and conflicting religious and social contexts, Dau provides a fresh perspective on Victorian literature, religion, and culture.
Focusing on the theatricality of Kleist’s interventions in the performance of gender, sexuality, and emotion and examining how his dramatic texts unhinge major tenets of classical European theater, Sex Changes with Kleist is vital reading for anyone interested in queer studies, feminist studies, performance studies, literary studies, or emotion studies. This book changes our understanding of Kleist and breathes new life into queer thought.
A sociorhetorical analysis of First Corinthians
Robert H. von Thaden Jr.'s sociorhetorical analysis examines Paul's construction of sexual Christian bodies in First Corinthians by utilizing new insights from conceptual integration (blending) theory about the embodied processes of meaning making. Paul's teaching about proper sexual behavior in this letter is best viewed as an example of early Christian wisdom discourse. This discourse draws upon apocalyptic and priestly cognitive frames to increase the rhetorical force of the argument. Reading Paul's argument through the lens of rhetorical invention, von Thaden demonstrates that Paul first attempts to show the Corinthians why sexual immorality is the worst of all bodily sins before shifting rhetorical focus to explain to them how they can best avoid this infraction against the body of Christ.
Features:
- A programmatic application of conceptual integration theory using a sociorhetorical mode of interpretation
- A vivid account of key aspects of conceptual integration theory and how they function in sociorhetorical interpretation
- A detailed application of these strategies to interpret 1 Corinthians 1-4; 6:12-7:7
This book is the first to offer a combined social science and psychoanalytic perspective on reproductive behavior. The author emphasizes the personal histories of his subjects within their cultural environment, and takes into account the setting of the interview and the subjective responses of both interviewee and interviewer. The study reveals how Jamaicans, particularly women, relate to their own parents, learn about sex, experience sexual maturity and first intercourse, and perceive their relations with subsequent partners. Other themes examined are the significance of pregnancy, childbirth, and parenthood and the folk context of Jamaican beliefs about reproduction and contraception.
All of these are aspects of what the author terms a “culture of motherhood.” His unique approach illuminates the many complex factors that influence this population's use or nonuse of contraceptive methods. In his concluding chapter, Eugene Brody offers suggestions for reconciling the private needs of individuals and the public goals of Jamaican population policy. Although his research centers on one Caribbean island, his ideas are applicable to other developing countries. In Sex, Contraception, and Motherhood in Jamaica, family planning professionals, psychologists, psychiatrists, and social scientists will find an intriguing new approach to reproductive policy.
Sex, Death, and Minuets offers the first in-depth study of these notebooks and their owner, reanimating Anna Magdalena as a multifaceted historical subject—at once pious and bawdy, spirited and tragic. In these pages, we follow Magdalena from young and flamboyant performer to bereft and impoverished widow—and visit along the way the coffee house, the raucous wedding feast, and the family home. David Yearsley explores the notebooks’ more idiosyncratic entries—like its charming ditties on illicit love and searching ruminations on mortality—against the backdrop of the social practices and concerns that women shared in eighteenth-century Lutheran Germany, from status in marriage and widowhood, to fulfilling professional and domestic roles, money, fashion, intimacy and sex, and the ever-present sickness and death of children and spouses. What emerges is a humane portrait of a musician who embraced the sensuality of song and the uplift of the keyboard, a sometimes ribald wife and oft-bereaved mother who used her cherished musical notebooks for piety and play, humor and devotion—for living and for dying.
The Moche people who inhabited the north coast of Peru between approximately 100 and 800 AD were perhaps the first ancient Andean society to attain state-level social complexity. Although they had no written language, the Moche created the most elaborate system of iconographic representation of any ancient Peruvian culture. Amazingly realistic figures of humans, animals, and beings with supernatural attributes adorn Moche pottery, metal and wooden objects, textiles, and murals. These actors, which may have represented both living individuals and mythological beings, appear in scenes depicting ritual warfare, human sacrifice, the partaking of human blood, funerary rites, and explicit sexual activities.
In this pathfinding book, Steve Bourget raises the analysis of Moche iconography to a new level through an in-depth study of visual representations of rituals involving sex, death, and sacrifice. He begins by drawing connections between the scenes and individuals depicted on Moche pottery and other objects and the archaeological remains of human sacrifice and burial rituals. He then builds a convincing case for Moche iconography recording both actual ritual activities and Moche religious beliefs regarding the worlds of the living, the dead, and the afterlife. Offering a pioneering interpretation of the Moche worldview, Bourget argues that the use of symbolic dualities linking life and death, humans and beings with supernatural attributes, and fertility and social reproduction allowed the Moche to create a complex system of reciprocity between the world of the living and the afterworld. He concludes with an innovative model of how Moche cosmological beliefs played out in the realms of rulership and political authority.
In SEX DEPRESSION ANIMALS, Mag Gabbert redefines the bestiary in fiery, insistent, and resistant terms. These poems recast the traumas of her adolescence while charting new paths toward linguistic and bodily autonomy as an adult. Using dreamlike, shimmering imagery, she pieces together a fractured portrait of femininity—one that electrifies the confessional mode with its formal play and rich curiosity. Gabbert examines the origin of shame, the role of inheritance, and what counts as a myth, asking, “What’s the opposite of a man? / A woman? A wound? The devil’s image?”
"Few books blend the critical and creative approaches to drag performance this provocatively and engagingly, and none provides both the historical and the personal perspectives so effectively. Torr and Bottoms fundamentally challenge many long-standing ideas about drag kings and the performance of masculinity."
---Sarah Bay-Cheng, University at Buffalo
"This book brings the reader inside an artist's creative imagination and intellect, showing us Diane Torr's work in a detailed, thoughtful, and engaging way. We discover how Torr uses different physical disciplines to explore how gender is constructed, interpreted, and expressed. Along the way---by taking us into various venues in which she performed---she evokes the lively, dynamic scene in New York in the '80s and '90s."
---Alisa Solomon, Columbia University
Why would women want to perform as men? Why is gender crossing so compelling, whether it happens onstage or in everyday life? What can drag performance teach, and what aesthetic, political, and personal questions does it raise?
Performance artist Diane Torr has been experimenting with the performance of gender for thirty years---exploring everything from feminist go-go dancing to masculine power play. One of the key pioneers of "drag king" performance, Torr has been celebrated internationally for her gender transformation workshops, in which she has taught hundreds of ordinary women how to pass as men on city streets around the world. This cultural subterfuge appeals to participants for many different reasons: personal confidence-building, sexual frisson, gender subversion, trans-curiosity, or simply the appeal of disguise and role play.
Sex, Drag, and Male Roles documents the evolution of Torr's work by blending first-person memoir and commentary from Torr with critical reflections and contextualization from leading performance critic Stephen J. Bottoms. The book includes a consideration of the long cultural history of female-to-male cross-dressing and concludes with Torr's "Do-It-Yourself" guide to becoming a "Man for a Day."
Diane Torr developed her cross-disciplinary art in the downtown New York art scene from 1976 to 2002. Now living in Scotland, Torr has earned an international reputation for her performances and gender transformation workshops (featured on HBO, BBC, and This American Life on NPR, among others). Her work is the focus of a feature film, Man for a Day.
Stephen J. Bottoms is Wole Soyinka Professor of Drama and Theatre Studies at the University of Leeds. His books include Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement and Small Acts of Repair: Performance, Ecology, and Goat Island.
Cover: Diane Torr walks the streets of London, 1995. Photo by Debbie Humphreys.
When viewed from a quiet beach, the ocean, with its rolling waves and vast expanse, can seem calm, even serene. But hidden beneath the sea’s waves are a staggering abundance and variety of active creatures, engaged in the never-ending struggles of life—to reproduce, to eat, and to avoid being eaten.
With Sex, Drugs, and Sea Slime, marine scientist Ellen Prager takes us deep into the sea to introduce an astonishing cast of fascinating and bizarre creatures that make the salty depths their home. From the tiny but voracious arrow worms whose rapacious ways may lead to death by overeating, to the lobsters that battle rivals or seduce mates with their urine, to the sea’s masters of disguise, the octopuses, Prager not only brings to life the ocean’s strange creatures, but also reveals the ways they interact as predators, prey, or potential mates. And while these animals make for some jaw-dropping stories—witness the sea cucumber, which ejects its own intestines to confuse predators, or the hagfish that ties itself into a knot to keep from suffocating in its own slime—there’s far more to Prager’s account than her ever-entertaining anecdotes: again and again, she illustrates the crucial connections between life in the ocean and humankind, in everything from our food supply to our economy, and in drug discovery, biomedical research, and popular culture.
Written with a diver’s love of the ocean, a novelist’s skill at storytelling, and a scientist’s deep knowledge, Sex, Drugs, and Sea Slime enchants as it educates, enthralling us with the wealth of life in the sea—and reminding us of the need to protect it.
Eberwein starts his investigation in the silent and early sound eras with educational films used both to warn audiences about venereal disease and to provide basic contraception information. World War II movies, he states, waged their own war against venereal disease-in the armed services and at home. Newer works deal with birth control and focus in particular on AIDS.
Sex Ed also highlights the classroom. Eberwein draws connections between the earliest and most recent examples of educational films as he analyzes their ideological complexity. He concludes by examining marriage-manual films of the early 1970s and very recent videos for couples and individuals seeking instruction in sexual techniques to increase pleasure.
This provocative collection, by well-known feminists, surveys these arguments, and in particular asks why recent feminist debates about sexuality keep reducing to questions of pornography.
Over the past twenty years debates about pornography have raged within feminism and beyond. Throughout the 1970s feminists increasingly addressed the problem of men's sexual violence against women, and many women reduced the politics of men's power over women to questions about sexuality. By the 1980s these questions had become more and more focused on the issue of pornography––now a metaphor for the menace of male power. Collapsing feminist politics into sexuality and sexuality into pornography has not only caused some of the deepest splits between feminists, but made it harder to think clearly about either sexuality or pornography––indeed, about feminist politics more generally.
This provocative collection, by well-known feminists on both sides of the Atlantic, surveys these arguments, and in particular asks why recent feminist debates about sexuality keep reducing to questions of pornography. The authors open up the debate by looking at such topics as the improbable alliance between the right and pro-censorship feminists, the displacement of heterosexual desire and its discontents onto pornography, Andrea Dworkin's novel Mercy, psychoanalytic reflections on fantasy, censorship in relation to AIDS work, the new lesbian and bisexual pornography, the controversy over Robert Mapplethorpe's supposed racism in his photos of black nudes, Mae West as sexual icon and her brushes with the law, and the female nude in "high" art.
In addition to the editors, the contributors are Elizabeth Cowie, Harriett Gilbert, Robin Gorna, Marybeth Hamilton, Loretta Loach, Anne McClintock, Kobena Mercer, Jane Mills, Mandy Merck, Lynda Nead, Gillian Rodgerson, Carol Smart, Carole S. Vance, Linda Williams, and Elizabeth Wilson.
The volume includes the work of major figures including Eugene O’Neill, John Reed, Rachel Crothers, and Elizabeth Robins. Now largely forgotten and some previously unpublished, these plays were among the most celebrated and debated productions of their day. Together, their portrayals of commercialized vice, drug addiction, poverty, white slavery, and interracial desire reveal the Progressive Era’s fascination with the underworld and the theatre’s power to regulate sexuality. Additional plays, commentary, and teaching materials are available at brotheldrama.lib.miamioh.edu.
Plays included:
Ourselves (1913) by Rachel Crothers
The Web (1913) by Eugene O’Neill
My Little Sister (1913) by Elizabeth Robins
Moondown (1915) by John Reed
Cocaine (1916) by Pendleton King
A Shanghai Cinderella (renamed East is West, 1918) by Samuel Shipman and John B. Hymer
Sex, France, and Arab Men is a history of how and why—from the upheavals of French Algeria in 1962 through the 1970s—highly sexualized claims about Arabs were omnipresent in important public French discussions, both those that dealt with sex and those that spoke of Arabs. Shepard explores how the so-called sexual revolution took shape in a France profoundly influenced by the ongoing effects of the Algerian revolution. Shepard’s analysis of both events alongside one another provides a frame that renders visible the ways that the fight for sexual liberation, usually explained as an American and European invention, developed out of the worldwide anticolonial movement of the mid-twentieth century.
Sex in Development combines the cultural analysis of sexuality, critiques of global development, and science and technology studies. Whether considering the resistance encountered by representatives of an American pharmaceutical company attempting to teach Russian doctors a “value free” way to offer patients birth control or the tension between Tibetan Buddhist ideas of fertility and the modernization schemes of the Chinese government, these essays show that attempts to make sex a universal moral object to be managed and controlled leave a host of moral ambiguities in their wake as they are engaged, resisted, and reinvented in different ways throughout the world.
Contributors. Vincanne Adams, Leslie Butt, Lawrence Cohen, Heather Dell, Vinh-Kim Nguyen, Shanti Parikh, Heather Paxson, Stacy Leigh Pigg, Michele Rivkin-Fish
Concentrating on episodes and phenomena that occurred between 1915 and 1950, the contributors deftly render experiences ranging from those of a transgendered Zapatista soldier to upright damas católicas and Mexico City’s chicas modernas pilloried by the press and male students. Women refashioned their lives by seeking relief from bad marriages through divorce courts and preparing for new employment opportunities through vocational education. Activists ranging from Catholics to Communists mobilized for political and social rights. Although forced to compromise in the face of fierce opposition, these women made an indelible imprint on postrevolutionary society.
These essays illuminate emerging practices of femininity and masculinity, stressing the formation of subjectivity through civil-society mobilizations, spectatorship and entertainment, and locales such as workplaces, schools, churches, and homes. The volume’s epilogue examines how second-wave feminism catalyzed this revolutionary legacy, sparking widespread, more radically egalitarian rural women’s organizing in the wake of late-twentieth-century democratization campaigns. The conclusion considers the Mexican experience alongside those of other postrevolutionary societies, offering a critical comparative perspective.
Contributors. Ann S. Blum, Kristina A. Boylan, Gabriela Cano, María Teresa Fernández Aceves, Heather Fowler-Salamini, Susan Gauss, Temma Kaplan, Carlos Monsiváis, Jocelyn Olcott, Anne Rubenstein, Patience Schell, Stephanie Smith, Lynn Stephen, Julia Tuñón, Mary Kay Vaughan
Sex in the Heartland is the story of the sexual revolution in a small university town in the quintessential heartland state of Kansas. Bypassing the oft-told tales of radicals and revolutionaries on either coast, Beth Bailey argues that the revolution was forged in towns and cities alike, as "ordinary" people struggled over the boundaries of public and private sexual behavior in postwar America.
Bailey fundamentally challenges contemporary perceptions of the revolution as simply a triumph of free love and gay lib. Rather, she explores the long-term and mainstream changes in American society, beginning in the economic and social dislocations of World War II and the explosion of mass media and communication, which aided and abetted the sexual upheaval of the 1960s. Focusing on Lawrence, Kansas, we discover the intricacies and depth of a transformation that was nurtured at the grass roots.
Americans used the concept of revolution to make sense of social and sexual changes as they lived through them. Everything from the birth control pill and counterculture to Civil Rights, was conflated into "the revolution," an accessible but deceptive simplification, too easy to both glorify and vilify. Bailey untangles the radically different origins, intentions, and outcomes of these events to help us understand their roles and meanings for sex in contemporary America. She argues that the sexual revolution challenged and partially overturned a system of sexual controls based on oppression, inequality, and exploitation, and created new models of sex and gender relations that have shaped our society in powerful and positive ways.
Sixteen researchers have contributed essays to this collection that explore controversial topics, including teenage sexuality, sexual contact between children and adults, abortion, the role of cohabitation in the sexual satisfaction of couples, and how sexual behavior has changed in response to AIDS, as well as a widely heralded examination of circumcision, reported in the New York Times, which discusses the effects of the procedure on disease transmission and the preference for certain sexual practices. In its analysis, policy recommendations, and revelations about private practices, Sex, Love, and Health in America will, like the earlier volume, have a major role in shaping the discussion about American sexual behavior.
All museums are sex museums. In Sex Museums, Jennifer Tyburczy takes a hard look at the formation of Western sexuality—particularly how categories of sexual normalcy and perversity are formed—and asks what role museums have played in using display as a technique for disciplining sexuality. Most museum exhibits, she argues, assume that white, patriarchal heterosexuality and traditional structures of intimacy, gender, and race represent national sexual culture for their visitors. Sex Museums illuminates the history of such heteronormativity at most museums and proposes alternative approaches for the future of public display projects, while also offering the reader curatorial tactics—what she calls queer curatorship—for exhibiting diverse sexualities in the twenty-first century.
Tyburczy shows museums to be sites of culture-war theatrics, where dramatic civic struggles over how sex relates to public space, genealogies of taste and beauty, and performances of sexual identity are staged. Delving into the history of erotic artifacts, she analyzes how museums have historically approached the collection and display of the material culture of sex, which poses complex moral, political, and logistical dilemmas for the Western museum. Sex Museums unpacks the history of the museum and its intersections with the history of sexuality to argue that the Western museum context—from its inception to the present—marks a pivotal site in the construction of modern sexual subjectivity.
In Sex on the Kitchen Table, Norman C. Ellstrand takes us on a vegetable-laced tour of this entire sexual adventure. Starting with the love apple (otherwise known as the tomato) as a platform for understanding the kaleidoscopic ways that plants can engage in sex, successive chapters explore the sex lives of a range of food crops, including bananas, avocados, and beets, finally ending with genetically engineered squash—a controversial, virus-resistant vegetable created by a process that involves the most ancient form of sex. Peppered throughout are original illustrations and delicious recipes, from sweet and savory tomato pudding to banana puffed pancakes, avocado toast (of course), and both transgenic and non-GMO tacos.
An eye-opening medley of serious science, culinary delights, and humor, Sex on the Kitchen Table offers new insight into fornicating flowers, salacious squash, and what we owe to them. So as we sit down to dine and ready for that first bite, let us say a special grace for our vegetal vittles: let’s thank sex for getting them to our kitchen table.
Through virtuoso interpretations of works of cinema, photography, critical theory, and literature, including Lydia Davis's story "Break It Down" (reprinted in full here), Berlant and Edelman explore what it means to live with negativity, with those divisions that may be irreparable. Together, they consider how such negativity affects politics, theory, and intimately felt encounters. But where their critical approaches differ, neither hesitates to voice disagreement. Their very discussion—punctuated with moments of frustration, misconstruction, anxiety, aggression, recognition, exhilaration, and inspiration—enacts both the difficulty and the potential of encounter, the subject of this unusual exchange between two eminent critics and close friends.
Analyzes the rhetoric of contemporary sex panics to expose how homophobia, heterosexism, and transphobia define public, political, and scholarly preoccupations with sexuality and gender
In Sex Panic Rhetorics, Queer Interventions, Ian Barnard makes the counter-intuitive argument that contemporary “sex panics” are undergirded by queerphobia, even when the panics in question don’t appear to have much to do with queerness. Barnard presents six case studies that treat a wide range of sex panic rhetorics around child molesters, sex trafficking, transgenderism, incest, queer kids, and pedagogy to demonstrate this argument. By using examples from academic scholarship, political discourse, and popular culture, including the Kevin Spacey scandal and the award-winning film Moonlight, Barnard shows how homophobia and transphobia continue to pervade contemporary Western culture.
Barnard is concerned not so much with looking at the overt homophobia and transphobia that are the more obvious objects of antihomophobic and antitransphobic critique. The author’s focus, rather, is on excavating the significant traces of these panics in a neoliberal culture that has supposedly demonstrated its civility by its embrace of diversity, renunciation of its homophobic past, and attentiveness to the transgender revolution that has swept popular media and political culture in the United States and elsewhere. During a time of increasing conservative backlashes against advancing LGBTQ rights and human rights discourses in general, this book shows why it is important to attend to the liberal covers for sex panics that are not too far removed from their rhetorically conservative cousins.
Scanlan tells the story of how McLaren’s project—designed, in any case, to fail—foundered on the development of the Pistols into a great rock band and the inconvenient artistic emergence of John Lydon. Moving between London and New York, and with a fascinating cast of delinquents, petty criminals, and misfits, Sex Pistols: Poison in the Machine is not just a book about a band, it is about the times, the ideas, the coincidences, and the characters that made punk; that ended with the Sex Pistols—beaten, bloody, and overdosed—sensationally self-destructing on stage in San Francisco in January 1978; and that transformed popular culture throughout the world.
Sexual exploitation was and is a critical feature of enslavement. Across many different societies, slaves were considered to own neither their bodies nor their children, even if many struggled to resist. At the same time, paradoxes abound: for example, in some societies to bear the children of a master was a potential route to manumission for some women. Sex, Power, and Slavery is the first history of slavery and bondage to take sexuality seriously.
Twenty-six authors from diverse scholarly backgrounds look at the vexed, traumatic intersections of the histories of slavery and of sexuality. They argue that such intersections mattered profoundly and, indeed, that slavery cannot be understood without adequate attention to sexuality. Sex, Power, and Slavery brings into conversation historians of the slave trade, art historians, and scholars of childhood and contemporary sex trafficking. The book merges work on the Atlantic world and the Indian Ocean world and enables rich comparisons and parallels between these diverse areas.
Contributors: David Brion Davis, Martin Klein, Richard Hellie, Abdul Sheriff, Griet Vankeerberghen, E. Ann McDougall, Matthew S. Hopper, Marie Rodet, George La Rue, Ulrike Schmieder, Tara Iniss, Mariana Candido, James Francis Warren, Johanna Ransmeier, Roseline Uyanga with Marie-Luise Ermisch, Francesca Ann Louise Mitchell, Shigeru Sato, Gabeba Baderoon, Charmaine Nelson, Ana Lucia Araujo, Brian Lewis, Ronaldo Vainfas, Salah Trabelsi, Joost Coté, Sandra Evers, and Subho Basu
In charting the growth of the sex radical movement, Joanne E. Passet draws on a host of documents from the period -- letters, periodicals, lectures, and pamphlets -- to establish a strong link between the rise of print culture and the freedom of citizens, especially women, to build geographically dispersed communities of ideas. She also advances models of sexuality that challenge the restrictive mores of society at large and shows that the majority of correspondents who participated in the sex radical movement resided in the Midwest and the Great Plains states, where ideas of individual freedom and sovereignty resonated particularly strongly.
Passet vividly demonstrates how this sex radical movement laid the foundations upon which later generations of women’s rights crusaders and feminists would build, placing discussions of sex and sexuality squarely in the public arena.
Iggy Pop once said of women: “However close they come I’ll always pull the rug from under them. That’s where my music is made.” For so long, rock ’n’ roll has been fueled by this fear and loathing of the feminine. The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock’s dark heart—the music is often most thrilling when it is most misogynist and macho. And, looking at music made by female artists, it asks: must it always be this way?
Provocative and passionately argued, the book walks the edgy line between a rock fan’s excitement and a critic’s awareness of the music’s murky undercurrents. Here are the angry young men like the Stones and Sex Pistols, cutting free from home and mother; here are the warriors and crusaders, The Clash, Public Enemy, and U2 taking refuge in a brotherhood-in-arms; and here are the would-be supermen, with their man-machine fantasies and delusions of grandeur, from Led Zeppelin and Jim Morrison to Nick Cave and gangsta rap. The authors unravel the mystical, back-to-the-womb longings of the psychedelic tradition, from Pink Floyd, Jimi Hendrix, and Van Morrison to Brian Eno, My Bloody Valentine, and ambient techno. Alongside the story of male rock, The Sex Revolts traces the secret history of female rebellion in rock: the masquerade and mystique of Kate Bush, Siouxie, and Grace Jones, the demystifiers of femininity, like the Slits and Riot Grrl, tomboy rockers like L7 and P.J. Harvey, and confessional artists like Janis Joplin, Joni Mitchell, and Courtney Love.
A heady blend of music criticism, cultural studies, and gender theory by two of rock’s keenest observers, The Sex Revolts is set to become the key text in the women-in-rock debate.
Scandal, then as now, makes public the secret indiscretions of prominent people, engrossing its audience in salacious details that violate the very code of propriety it aims to enforce. In narratives ranging from Great Expectations to the Boulton and Park sodomy scandal of 1870–71, from Eliot’s and Trollope’s novels about scandalous women to Oscar Wilde’s writing and his trials for homosexuality, Cohen shows how, in each instance, sexuality appears couched in coded terms. He identifies an assortment of cunning narrative techniques used to insinuate sex into Victorian writing, demonstrating that even as such narratives air the scandalous subject, they emphasize its unspeakable nature.
Written with an eye toward the sex scandals that still whet the appetites of consumers of news and novels, this work is suggestive about our own modes of imagining sexuality today and how we arrived at them. Sex Scandal will appeal to scholars and general readers interested in Victorian literature, the history of sexuality, gender studies, nineteenth-century Britain, and gay, lesbian, and queer studies.
Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams
Ostertag situates this history alongside the story of an increasingly visible and political lesbian, gay, bisexual, and transgender population. He persuasively argues that scholarship on the development of sex hormone chemicals does not take into account LGBT history and activism, nor has work in LGBT history fully considered the scientific research that has long attempted to declare a chemical essence of gender. In combining these histories, Ostertag reveals the complex motivations behind hormone research over generations and expresses concern about the growing profits from estrogen and testosterone, which now are marketed with savvy ad campaigns to increase their use across multiple demographics.
Ostertag does not argue against the use of pharmaceutical hormones. Instead he points out that at a time when they are increasingly available, it is more important than ever to understand the history and current use of these powerful chemicals so that everyone—within the LGBT community and beyond—can make informed choices.
In this short, thoughtful, and engaging book, Ostertag tells a fascinating story while opening up a wealth of new questions and debates about gender, sexuality, and medical treatments.
Sex, Sexuality, and the Anthropologist recounts the real-life experiences of anthropologists who are forced to acknowledge that their hosts in the field view them as gendered beings in a social context, not as asexual, objective observers. Far from controlling the research environment and defining the terms of interviewer-informant relationships, these researchers find they must engage in a process of negotiating their position—including their sexual position—within the communities they study.
Ranging from public baths in Austria to lesbian bars in Taiwan and from Mexico to Nigeria to Finland to Japan, Sex, Sexuality, and the Anthropologist raises critical questions about ethnographers' reflexivity, subjectivity, and detachment, confronting the challenge of a holistic approach to the anthropological enterprise.
Molly alternately finds herself in the surprising company of winos, swingers, and drag kings; in love with Jesus H. Christ and a butch named Mars; in charge of two children; writing stories that shrink painfully to poems without her permission; and incapable of figuring out how she landed in any of these predicaments. She is, by turns, a little saint, a Stepford wife, a bi-mom, and a femme with super powers. Her transformation—from near-nun to full-fledged sexual being, accidentally becoming conscious in the process and delighting in the spree—is the story of a life set on play and a woman heroically committed to seeing it through.
"The journey toward authenticity, toward becoming whole is made palpable in Maureen Seaton's Sex Talks to Girls: A Memoir. It shines its considerable light on the passage from religion toward faith, from self-medication to sobriety, from daughterhood to motherhood, from being the disembodied 'good girl' to embracing her own bad lesbian self. In crisp chapters, Seaton leads us, step-by-step, over this harrowing and blissful road, so distinct from yet so much like our own."—Terry Wolverton, author of Insurgent Muse: Life and Art at the Woman's Building [permission pending]
Ranging from Cold War tensions to gender anxiety to controversies around doping, Lindsay Parks Pieper explores sex testing in sport from the 1930s to the early 2000s. Pieper examines how the IOC in particular insisted on a misguided binary notion of gender that privileged Western norms. Testing evolved into a tool to identify--and eliminate--athletes the IOC deemed too strong, too fast, or too successful. Pieper shows how this system punished gifted women while hindering the development of women's athletics for decades. She also reveals how the flawed notions behind testing--ideas often sexist, racist, or ridiculous--degraded the very idea of female athleticism.
Bonhomme argues that the public belief in sex thieves cannot be considered a superstition or form of mass hysteria. Rather, he brings to light multiple factors that explain the rumor’s success and shows how the cultural dynamic can operate on a vast scale. Analyzing the rumor on both transnational and local levels, he demonstrates how it arises from the ambiguities and dangers of anonymity, and thus that it reveals an occult flipside to everyday social interaction. Altogether, this book provides both richly ethnographic and theoretical understandings of urban sociality and the dynamics of human communication in contemporary Africa and beyond.
Case studies explore how women’s rights shape state responses to sex trafficking and show how politically empowering women can help prevent and combat human trafficking
Human trafficking for the sex trade is a form of modern-day slavery that ensnares thousands of victims each year, disproportionately affecting women and girls. While the international community has developed an impressive edifice of human rights law, these laws are not equally recognized or enforced by all countries. Sex Trafficking and Human Rights demonstrates that state responsiveness to human trafficking is shaped by the political, social, cultural, and economic rights afforded to women in that state.
While combatting human trafficking is a multiscalar problem with a host of conflating variables, this book shows that a common theme in the effectiveness of state response is the degree to which women and girls are perceived as, and actually are, full citizens. By analyzing human trafficking cases in India, Thailand, Russia, Nigeria, and Brazil, they shed light on the factors that make some women and girls more susceptible to traffickers than others.
This important book is both a call to understanding and a call to action: if the international community and state governments are to responsibly and effectively combat human trafficking, they must center the equality of women in national policy.
In 1968, Pope Paul VI published Humanae vitae, the encyclical that reaffirmed the Catholic Church’s continued opposition to the use of any form of artificial contraception. In Sex, Violence, and Justice: Contraception and the Catholic Church, Aline Kalbian outlines the Church’s position against artificial contraception as principally rooted in three biblical commandments. In addition, Kalbian shows how discourses about sexuality, both in the Church and in culture, are often tied to discourses of violence, harm and social injustice. These ties reveal that sexual ethics is never just about sex; it is about the vulnerability of the human body and the challenges humans face in trying to maintain just and loving relationships.
As Kalbian explores and contrasts the Catholic Church’s stance toward condoms and HIV/AIDS, emergency contraception in cases of rape, and contraception and population control, she underscores how contraception is not just a private decision, but a deeply social, cultural, and political one, with profound global implications. Kalbian concludes that even the most tradition-bound communities rely on justificatory schemes that are fluid and diverse. Taking this diversity seriously helps us to understand how religious traditions change and develop.
Sex, Violence, and Justice will be of interest to students and scholars of Catholic moral theology, sexual ethics, religion and society, gender and religion, as well as to specialists and practitioners in public health.
Recognizing that any partner is unknowable on some level, Michael Lowenthal writes about how intimacy can make strangers of us all. A newly ordained priest struggles with guilt and longing when he runs into his ex-girlfriend. A woman weighs the cost of protecting her daughter from a man they both adore. A teenage busboy has a jolting brush with a famous musician. A young man tries to salvage a long-distance relationship while caring for his mentor, an erotic writer dying of AIDS.
In edgy, disquieting stories, Lowenthal traces the paths that attraction and erotic encounters take, baffling and rueful as often as electrifying. This fraught and funny volume forces us to grapple with our own subconscious desires and question how well we can ever really know ourselves.
A gateway at the U.S.-Mexico border, Tijuana is a complex urban center with a sizeable population of sex workers. An in-depth case study of the trade, Sex Work and the City is the first major ethnographic publication on contemporary prostitution in this locale, providing a detailed analysis of how sex workers' experiences and practices are shaped by policing and regulation.
Contextualizing her research within the realm of occupational risk, Yasmina Katsulis examines the experiences of a diverse range of sex workers in the region and explores the implications of prostitution, particularly regarding the spheres of class hierarchies, public health, and other broad social effects. Based on eighteen months of intensive fieldwork and nearly 400 interviews with sex workers, customers, city officials, police, local health providers, and advocates, Sex Work and the City describes the arenas of power and the potential for disenfranchisement created by municipal laws designed to regulate the trade. Providing a detailed analysis of this subculture's significance within Tijuana and its implications for debates over legalization of "vice" elsewhere in the world, Katsulis draws on powerful narratives as workers describe the risks of their world, ranging from HIV/AIDS and rape (by police or customers) to depression, work-related stress, drug and alcohol addiction, and social stigma. Insightful and compelling, Sex Work and the City captures the lives (and deaths) of a population whose industry has broad implications for contemporary society at large.
While prostitutes in nineteenth-century Paris were subject to municipal laws that policed their bodies and movements, writers of the era enlisted them to stake their own claims on both the city and the novel as literary territory. Sex Work, Text Work: Mapping Prostitution in the Nineteenth-Century French Novel explores how prostitutes depicted by Émile Zola, Joris-Karl Huysmans, Edmond de Goncourt, Adolphe Tabarant, and Charles-Louis Philippe “write back,” confounding civil and literary efforts to contain them in space and in narrative.
In city-regulated brothels, brasseries à femmes, Haussmannian boulevards, and the novel itself, working-class prostitutes served to reinforce the boundaries of social inclusion and exclusion. And yet, Jessica Tanner contends, even the novels that most explicitly aligned with the disciplinary logic of regulated prostitution make space for a distinctly literary form of resistance: these women elude or disrupt the mapping that would claim them as literary territory, revealing their authors’ failure to secure their narratives as property. Tanner pushes back against the critical tendency to attribute agency only to courtesans who became published authors and forwards a new framework for understanding the political work novels engage in as they circulate. Observing that debates about the regulation of prostitution surfaced in tandem with racialized anxieties about the boundaries of the French nation, Tanner ultimately expands that framework to the history of French colonialism and the politics of immigration in the current day. This book shows that while sex workers have been recruited to mark the borders of civic and moral life, prostitution can also make space for more inclusive forms of community, both in the novel and in the world beyond its bounds.
The poems in Samuel Hazo’s Sexes: The Marriage Dialogues are concerned with how husbands and wives confront each other at life’s various intersections—sometimes casually, sometimes profoundly. It is at these points that the most interesting differences in gender reveal themselves. From the first poem (“Banterers”) to the last (“Ballad of the Old Lovers”) Hazo’s attuned ear picks up quotidian conversational exchanges, but the words are never window dressing. They hint at inevitable insights and misunderstandings born out of conjugal love. Each poem is a vignette of the moving and surprising moments that are married life.
From steamships to steam rooms and sweat lodges to sweatshops, processes of pleasures and desire have shaped the regulation and classification of bodies in a wide variety of colonial settings. On beaches and online, and in boardrooms, temples, and taverns, sexual practices have always influenced imperial power relations. In the many places and relationships where colonialism still affects economics, sex and sexuality remain a driving—if sometimes hidden—force. The contributors to this provocative issue contemplate empire as a global process involving sexualized subjects and objects, with essays that consider the history of sex and (or in) empire across several disciplines. Their topics include a "bewitched" nun in colonial Peru, contemporary call-center workers in the Philippines, and General Douglas MacArthur’s mixed-race Filipina mistress, among many others.
Ben Cowan is assistant professor of world history at George Mason University. Nicole M. Guidotti-Hernández is associate professor of American studies at the University of Texas at Austin and the author of Unspeakable Violence: Remapping U.S. and Mexican National Imaginaries, also published by Duke University Press. Jason Ruiz is assistant professor of American studies at the University of Notre Dame and the author of Americans in the Treasure House: Travel to Porfirian Mexico and the Cultural Politics of Empire.
Contributors: Laura Briggs, Keith Camacho, Ben Cowan, Emmanuel David, Vernadette Vicuña Gonzalez, Nicole M. Guidotti-Hernández, Elizabeth Mesok, Rachel Sarah O’Toole, Katrina Phillips, Jason Ruiz
Sexology and Translation is the first study of the contemporaneous emergence of sexology in Europe, Asia, and the Middle East. Heike Bauer and her contributors—historians, literary and cultural critics, and translation scholars—address the intersections between sexuality and modernity in a range of contexts during the period from the 1880s to the 1930s.
From feminist sexualities in modern Japan to Magnus Hirschfeld’s affective sexology, this book offers compelling new insights into how sexual ideas were formed in different contexts via a complex process of cultural negotiation. By focusing on issues of translation—the dynamic process by which ideas are produced and transmitted—the essays in Sexology and Translation provide an important corrective to the pervasive idea that sexuality is a “Western” construct that was transmitted around the world.
This volume deepens understanding of how the intersections between national and transnational contexts, between science and culture, and between discourse and experience, shaped modern sexuality.
Offering readers access to the primary materials on which contemporary sexology is founded, Sexology Uncensored is an invaluable record for all those interested in how we have come to think about sex and sexuality over the last hundred years.
Sexology in Culture and its companion Sexology Uncensored will interest all those concerned with understanding modern sexual discourse in its historical context.
In this updated edition of his fundamental study of modern marriage, John Scanzoni challenges the widespread assumption that marriage is a dying institution. By analyzing the "reward seeking" which generates conflicts between males and females, he shows that marriage indeed has a future but that its form will continue to change as sex-role equality emerges both within and outside of marriage.
Sexual blackmail first reached public notice in the late eighteenth century when laws against sodomy were exploited by the unscrupulous to extort money from those they could entrap. Angus McLaren chronicles this parasitic crime, tracing its expansion in England and the United States through the Victorian era and into the first half of the twentieth century. The labeling of certain sexual acts as disreputable, if not actually criminal--abortion, infidelity, prostitution, and homosexuality--armed would-be blackmailers and led to a crescendo of court cases and public scandals in the 1920s and 1930s. As the importance of sexual respectability was inflated, so too was the spectacle of its loss.
Charting the rise and fall of sexual taboos and the shifting tides of shame, McLaren enables us to survey evolving sexual practices and discussions. He has mined the archives to tell his story through a host of fascinating characters and cases, from male bounders to designing women, from badger games to gold diggers, from victimless crimes to homosexual outing. He shows how these stories shocked, educated, entertained, and destroyed the lives of their victims. He also demonstrates how muckraking journalists, con men, and vengeful women determined the boundaries of sexual respectability and damned those considered deviant. Ultimately, the sexual revolution of the 1960s blurred the long-rigid lines of respectability, leading to a rapid decline of blackmail fears. This fascinating view of the impact of regulating sexuality from the late Victorian Age to our own time demonstrates the centrality of blackmail to sexual practices, deviance, and the law.
Conflict between males and females over reproduction is ubiquitous in nature due to fundamental differences between the sexes in reproductive rates and investment in offspring. In only a few species, however, do males strategically employ violence to control female sexuality. Why are so many of these primates? Why are females routinely abused in some species, but never in others? And can the study of such unpleasant behavior by our closest relatives help us to understand the evolution of men’s violence against women?
In the first systematic attempt to assess and understand primate male aggression as an expression of sexual conflict, the contributors to this volume consider coercion in direct and indirect forms: direct, in overcoming female resistance to mating; indirect, in decreasing the chance the female will mate with other males. The book presents extensive field research and analysis to evaluate the form of sexual coercion in a range of species—including all of the great apes and humans—and to clarify its role in shaping social relationships among males, among females, and between the sexes.
This rich collection of essays presents a new vision of adolescent sexuality shaped by a variety of social factors: race and ethnicity, gender, sexual identity, physical ability, and cultural messages propagated in films, books, and within families. The contributors consider the full range of cultural influences that form a teenager's sexual identity and argue that education must include more than its current overriding message of denial hinged on warnings of HIV and AIDS infection and teenage pregnancy. Examining the sexual experiences, feelings, and development of Asians, Latinos, African Americans, gay man and lesbians, and disabled women, this book provides a new understanding of adolescent sexuality that goes beyond the biological approach all too often simplified as "surging hormones."
In the series Health, Society, and Policy, edited by Sheryl Ruzek and Irving Kenneth Zola.
In Sexual Discretion, Jeffrey Q. McCune Jr. provides the first in-depth examination of how the social expectations of black masculinity intersect and complicate expressions of same-sex affection and desire. Within these underground DL communities, men aren’t as highly policed—and thus are able to maintain their public roles as “properly masculine.” McCune draws from sources that range from R&B singer R. Kelly’s epic hip-hopera series Trapped in the Closet to Oprah's high-profile exposé on DL subculture; and from E. Lynn Harris’s contemporary sexual passing novels to McCune’s own interviews and ethnography in nightclubs and online chat rooms. Sexual Discretion details the causes, pressures, and negotiations driving men who rarely disclose their intimate secrets.
One contributor considers a criminal case in seventeenth-century Mexico that demonstrates that the negotiation of homosexual identity was much more complex than the model of domination and submission often believed to structure Latin American male homosexual relationships. Another contributor examines how priests in Mayan communities attempted to use the confessional and confessional manuals to promote their own notions of sexual desire and ownership of indigenous women, only to have their efforts turned against them, with Mayan women using the texts to assert strategic dominance over the priests. Yet another essay, focusing on the treatment of a hermaphrodite in late colonial Guatemala, examines how the hermaphrodite’s traits undermined or called into question Enlightenment-era ideas about sex and gender.
Contributors. John F. Chuchiak IV, Martha Few, Kimberly Gauderman, Laura A. Lewis, Caterina Pizzigoni, Pete Sigal, Zeb Tortorici, Neil L. Whitehead
Two principles capture the essence of the Catholic tradition on sexual ethics: that each and every marriage act must remain open to the transmission of life, and that any human genital act must occur within the framework of marriage. In the Catholic tradition, moral sexual activity is institutionalized within the confines of marriage and procreation, and sexual morality is marital morality.
But theologians Todd Salzman and Michael Lawler contend that there is a disconnect between many of the Church’s absolute sexual norms and other theological and intellectual developments explicitly recognized and endorsed in the Catholic tradition, especially since the Second Vatican Council. These developments include the shift from a primary static worldview to a historically conscious worldview, one that recognizes reality as dynamic, evolving, changing, and particular. By employing such a historically conscious worldview, alternative claims about the moral legitimacy of controversial topics such as contraception, artificial reproduction, and homosexual marriage can faithfully emerge within a Catholic context. Convinced of the central role that love, desire, and fertility play in a human life, and also in the life of Christian discipleship, the authors propose an understanding of sexuality that leads to the enhancement of human sexual relationships and flourishing.
This comprehensive introduction to Catholic sexual ethics—complete with thought-provoking study questions at the end of each chapter—will be sure to stimulate dialogue about sexual morality between Catholic laity, theologians, and the hierarchy. Anyone seeking a credible and informed Catholic sexual ethic will welcome this potentially revolutionary book.
When it comes to sexual relationships, adolescents pose a particular problem. Few teenagers possess all of the emotional and intellectual tools needed to navigate these threats, including the all too real advances made by supervisors, teachers, and mentors. In Sexual Exploitation of Teenagers, Jennifer Drobac explores the shockingly common problem of maturing adolescents who are harassed and exploited by adults in their lives. Reviewing the neuroscience and psychosocial evidence of adolescent development, she explains why teens are so vulnerable to adult harassers. Even today, in an age of increasing public awareness, criminal and civil law regarding the sexual abuse of minors remains tragically inept and irregular from state to state. Drobac uses six recent cases of teens suffering sexual harassment to illuminate the flaws and contradictions of this system, skillfully showing how our current laws fail to protect youths, and offering an array of imaginative legal reforms that could achieve increased justice for adolescent victims of sexual coercion.
To build on the sexual fields framework, Green has gathered a distinguished group of scholars who together make a strong case for sexual field theory as the first systematic theoretical innovation since queer theory in the sociology of sexuality. Expanding on the work of Bourdieu, Green and contributors develop this distinctively sociological approach for analyzing collective sexual life, where much of the sexual life of our society resides today. Coupling field theory with the ethnographic and theoretical expertise of some of the most important scholars of sexual life at work today, Sexual Fields offers a game-changing approach that will revolutionize how sociologists analyze and make sense of contemporary sexual life for years to come.
The incisive and innovative readings in Sexual Generations provide food for thought about how the final frontier can clarify pressing questions of our own space and time.
Christians who struggle with a conflict between their sexual and religious identities have few therapeutic options available to them. ‘Sexual orientation change efforts’ (SOCE) have rightly fallen out of favor and are no longer practiced by most clinicians. At the same time, the common approach of gay affirmative therapy (GAT) can at times present challenges and may not be a good fit when clients hold to conventional religious beliefs and values.
An alternative to these methods is Sexual Identity Therapy (SIT)—an approach that aims to provide individuals with a safe therapeutic space to explore the tension between their sexuality and their faith. Working within the SIT framework, clients are able to resolve their inner conflict to their personal satisfaction and to freely choose a coherent identity that enables them to move forward in life.
SIT has several stages, each designed to enable the client to make meaning out of his or her same-sex sexuality. At no point in the process is the client encouraged to choose one sexual identity over another. The ultimate goal of SIT is congruence. Congruence is achieved when a person freely adopts an identity and lives it out in ways that are in keeping with his or her beliefs and values. The SIT model is brought to life throughout the book with the help of case studies drawn from the author’s 20 years of experience.
Written for both Christian and non-religious clinicians, Sexual Identity and Faith is an informed, respectful, and nuanced guide to help people navigate the difficult conflict between who they are sexually and what they believe religiously.
Oratory is a valuable source for reconstructing the practices, legalities, and attitudes surrounding sexual labor in classical Athens. It provides evidence of male and female sex laborers, sex slaves, brothels, sex traffickers, the cost of sex, contracts for sexual labor, and manumission practices for sex slaves. Yet the witty, wealthy, and independent hetaira, well-known from other genres, does not feature. Its detailed narratives and character portrayals provide a unique discourse on sexual labor and reveal the complex relationship between such labor and Athenian society.
Through a holistic examination of five key speeches, Sexual Labor in the Athenian Courts considers how portrayals of sex laborers intersected with gender, the body, sexuality, the family, urban spaces, and the polis in the context of the Athenian courts. Drawing on gender theory and exploring questions of space, place, and mobility, Allison Glazebrook shows how sex laborers represented a diverse set of anxieties concerning social legitimacy and how the public discourse about them is in fact a discourse on Athenian society, values, and institutions.
"A brilliant new biography that will long be prized for its illuminating psychological insights into Gogol's actions, its informative readings of his fiction and drama, and its own stylistic grace and vivacity."—Edmund White, Washington Post Book World
Give the little boy a gun; offer the little girl a doll—how many years of feminism would it take to uncover the meaning behind such assumptions? After decades of attacks on intractable sexual stereotypes, the time is right to ask what makes them so compelling and resistant to change. In The Sexual Metaphor, Helen Haste does just that, exposing the deep cultural roots of our insistent distinctions between masculine and feminine.
To understand changing sex roles, Haste suggests that we recognize the role that gender plays in how we make sense of the world, particularly through the use of metaphor. As she demonstrates, the assault on traditional conceptions of gender is in fact a confrontation with the metaphor of dualism, or polarity, that underlies Western culture, informing our models of rationality and control. Here our anxieties about our own masculinity or femininity encounter a cultural tangle of opposites—public and private, order and chaos, thinking and feeling, active and passive, hard and soft, positive and negative. Drawing on research in the fields of sociology, anthropology, the history of science, paleontology, and philosophy, as well as her own field of psychology, Haste demonstrates the pervasiveness of the metaphor of dualism in large areas of our lives and our thinking, and of metaphor itself as a mode of thought expressing theories about the world in science and popular culture. Her work, accessible to social scientists and general readers alike, is a stimulating tour of the dark, divided territory that is the backdrop for our organization of everyday experience, society, and sexual identity.
Using as its center the idea that sexual pleasure is the primary motivational force behind human sexuality and that reproduction is simply a byproduct of the pleasurability of sex, this book examines sexuality at the individual, societal, and cultural levels. Beginning with a look at the evolution of sexuality in humans and other primates, the essays in the first section examine the sexual ingenuity of primates, the dominant theories of sexual behavior, the differences in male and female sexual interest and behavior, and the role of physical attractiveness in mate selection. The focus then shifts to biological approaches to sexuality, especially the genetic and hormonal origins of sexual orientation, gender, and pleasure.
The essays go on to look at the role of pleasure in different cultures. Included are essays on love among the tribespeople of the Brazilian rain forest and the regulation of adolescent sexuality in India. Finally, several contributors look at the methodological issues in the study of human sexuality, paying particular attention to the problems with research that relies on people's memories of their sexual experiences.
The contributors are Angela Pattatucci, Dean Hamer, David Greenberg, Frans de Waal, Mary McDonald Pavelka, Kim Wallen, Donald Symons, Heino Meyer-Bahlburg, Jean D. Wilson, Donald Tuzin, Lawrence Cohen, Thomas Gregor, Lenore Manderson, Robert C. Bailey, Alice Schlegel, Edward H. Kaplan, Richard Berk, Paul R. Abramson, Paul Okami, and Stephen D. Pinkerton.
Spanning the chasm of the nature versus nurture debate, Sexual Nature/Sexual Culture is a look at human sexuality as a complex interaction of genetic potentials and cultural influences. This book will be of interest to a wide range of readers—from scholars and students in psychology, anthropology, sociology, and history to clinicians, researchers, and others seeking to understand the many dimensions of sexuality.
"If we ever expect to solve the sexually based problems that modern societies face, we must encourage investigations of human sexual behavior. Moreover, those investigations should employ a broad range of disciplines—looking at sex from all angles, which is precisely what Sexual Nature, Sexual Culture does."—Mike May, American Scientist
"...This timely and relevant book reminds us that we cannot rely on simple solutions to complex problems. It represents a transdiciplinary approach integrating knowledge from diverse fields and provides the reader with a challenging and rewarding experience. Especially for those who are involved in teaching human sexuality to medical students and other health care professionals, this book is highly recommended."—Gerald Wiviortt, M.D., Journal of Nervous and Mental Disease
"In short, this volume contains much to stimulate, inform, and amuse, in varying proportions. What more can one ask?"—Pierre L. van den Berghe, Journal of the History of Sexuality
"...the book succeeds in bring together some of the sharpest thinkers in the field of human sexuality, and goes a long way toward clarifying the diverse perspectives that currently exist."—David M. Buss and Todd K. Shackelford, Quarterly Review of Biology
But in The Sexual Organization of the City, Edward Laumann and company argue that this idea is a myth. Drawing on extensive surveys and interviews with Chicago adults, they show that the city is—to the contrary—a place where sexual choices and options are constrained. From Wicker Park and Boys Town to the South Side and Pilsen, they observe that sexual behavior and partnering are significantly limited by such factors as which neighborhood you live in, your ethnicity, what your sexual preference might be, or the circle of friends to which you belong. In other words, the social and institutional networks that city dwellers occupy potentially limit their sexual options by making different types of sexual activities, relationships, or meeting places less accessible.
To explain this idea of sex in the city, the editors of this work develop a theory of sexual marketplaces—the places where people look for sexual partners. They then use this theory to consider a variety of questions about sexuality: Why do sexual partnerships rarely cross racial and ethnic lines, even in neighborhoods where relatively few same-ethnicity partners are available? Why do gay men and lesbians have few public meeting spots in some neighborhoods, but a wide variety in others? Why are African Americans less likely to marry than whites? Does having a lot of friends make you less likely to get a sexually transmitted disease? And why do public health campaigns promoting safe sex seem to change the behaviors of some, but not others?
Considering vital questions such as these, and shedding new light on the city of Chicago, this work will profoundly recast our ideas about human sexual behavior.
Attitudes toward homosexuality range from condemnation to pity to indifference to respect. This range of viewpoints also appears in the legal community, reflected in legislation, legal decisionmaking, and legal scholarship. Sexual Orientation and the Law examines the legal problems faced by gay men and lesbians: the interaction between gays and the criminal justice system; discrimination in public and private employment; first amendment issues posed by gay students and teachers in public schools and universities; legal problems faced in same-sex relationships; child custody and visitation rights, as well as the ability to become foster and adoptive parents; and other contexts, including immigration, insurance, incorporation of gay rights organizations, and local legislation to prevent sexual orientation discrimination.
The Introduction establishes a theoretical framework for approaching gay and lesbian legal issues, and an Afterword updates the comprehensive coverage of all legal developments through the summer of 1989. This review and analysis of the current state of the law is an important part of the discussion and debate that will make antigay discrimination recognized as a legitimate issue and gay concerns part of the mainstream of legal discourse.
Two principles capture the essence of the official Catholic position on the morality of sexuality: first, that any human genital act must occur within the framework of heterosexual marriage; second, each and every marriage act must remain open to the transmission of life. In this comprehensive overview of Catholicism and sexuality, theologians Todd A. Salzman and Michael G. Lawler examine and challenge these principles. Remaining firmly within the Catholic tradition, they contend that the church is being inconsistent in its teaching by adopting a dynamic, historically conscious anthropology and worldview on social ethics and the interpretation of scripture while adopting a static, classicist anthropology and worldview on sexual ethics.
While some documents from Vatican II, like Gaudium et spes ("the marital act promotes self-giving by which spouses enrich each other"), gave hope for a renewed understanding of sexuality, the church has not carried out the full implications of this approach. In short, say Salzman and Lawler: emphasize relationships, not acts, and recognize Christianity's historically and culturally conditioned understanding of human sexuality. The Sexual Person draws historically, methodologically, and anthropologically from the best of Catholic tradition and provides a context for current theological debates between traditionalists and revisionists regarding marriage, cohabitation, homosexuality, reproductive technologies, and what it means to be human. This daring and potentially revolutionary book will be sure to provoke constructive dialogue among theologians, and between theologians and the Magisterium.
Compelling and thought-provoking, The Sexual Politics of Empire examines LGBTQI life in contemporary Haiti against the backdrop of American imperialism and intervention.
"How many students of American political culture know that during the McCarthy era more people lost their jobs for being alleged homosexuals than for being Communists? . . . These facts are part of the heretofore obscure history of homosexuality in America—a history that John D'Emilio thoroughly documents in this important book."—George DeStefano, Nation
"John D'Emilio provides homosexual political struggles with something that every movement requires—a sympathetic history rendered in a dispassionate voice."—New York Times Book Review
"A milestone in the history of the American gay movement."—Rudy Kikel, Boston Globe
Contributors. Kadji Amin, Eva Cherniavsky, Andrea Long Chu, Jennifer Doyle, Joseph J. Fischel, Lynne Joyrich, Jennifer C. Nash, Emily Owens, Shoniqua Roach, Juana María Rodríguez, Mairead Sullivan, Samia Vasa, Rebecca Wanzo, Robyn Wiegman, Terrance Wooten
Contributors. Rogaia Mustafa Abusharaf, Jacqueline Bhabha, Wendy Brown, Dicle Kogacioglu, Joan Wallach Scott, Linda M. G. Zerilli
Since the early 1970s, scholars have argued, defined, and refined a wide range of interpretations of American women’s lives. Despite the richness of the recent literature, few interpretations sufficiently credit women’s family and sexual experiences for the emergence of feminism and the construction of pro-family agendas. Thus, Johnston’s approach offers an opportunity to view the history of feminism and the family from a fresh perspective.
Much of the literature on feminism has focused on women’s oppression and victimization, rather than on the power that women historically have exerted. Johnston’s interpretation of American feminism differs from previous works because she argues that the gradual growth of feminist consciousness lies not simply in oppression or feelings of victimization, but paradoxically in a growing sense of the empowerment of women as wives and mothers. She traces how reproduction, sexuality, domesticity, and motherhood have been socially constructed, and examines how feminists and anti-feminists have fought on the terrain of “family” issues.
Johnston explores critical questions concerning American women’s sexual lives. How have women’s empowering experiences in the family shaped feminist consciousness and action? How have feminists confronted family issues? How have women exerted sexual power? How was it contained within the limits of patriarchal society at times, while at other times it fueled the fires of feminist rebellion? How have gender and class issues affected domestic politics and feminism?
Sexual Reckonings is the fascinating tale of adolescent girls coming of age in the South during the most explosive decades for the region. Focusing on the period from 1920 to 1960, Susan Cahn reveals how both the life of the South and the meaning of adolescence underwent enormous political, economic, and social shifts. Those years witnessed the birth of a modern awareness of adolescence and female sexuality that clashed mightily with the white supremacist and patriarchal legacies of the old South. As youth staked its claim, the bodies and beliefs of southern girls became the battlefield for a transformed South, which was, like them, experiencing growing pains.
Cahn reveals how young women, both white and black, were seen as the South's greatest hope and its greatest threat. Viewed as critical actors in every regional crisis, from the economic recession and urban migrations of the 1920s to the racial conflicts precipitated by school desegregation in the 1950s, female teenagers became the conspicuous subjects of social policy and regional imagination. All the while, these adolescents pursued their own desires and discovered their own meanings, creating cracks in the twin pillars of the Jim Crow South--"racial purity" and white male dominance--that would soon be toppled by the student-led civil rights movement.
Sexual Reckonings is an amazingly intimate look at a time of deep personal exploration and profound cultural change for southern girls and for the society they inhabited, a powerful account of the clash between a society's fears and the daily lives and aspirations of its most prized, and unpredictable, population.
Gregory Carleton offers a comprehensive literary and cultural history of sex and society in the Soviet Union during the 1920s. The Bolshevik Revolution promised a total transformation of Russian society, down to its most intimate details. But in the years immediately following 1917, it was by no means clear how this would come about. Sex and sexuality became a crucial battleground for debates about the Soviet future, and literature emerged as a primary domain through which sex could be imagined and discussed.
Despite optimistic claims that bolshevism would overcome bourgeois depravity, the writings of the 1920s in all genres were awash in sexual adventure, promiscuity, various chauvinisms, date and gang rape, unwanted pregnancy, and sexually transmitted diseases, as well as sex-related alcohol abuse, depression, and suicide. In discussions about sex, party officials contradicted themselves, sociologists grappled with difficult social problems, and writers experimented in fictional form with modern identities and relationships.
Drawing on an uncommonly varied body of sources, including novels, journals, diaries, sociological research, public health brochures, surveys, and party documents-many examined here for the first time in English-Carleton reveals the dramatic, bizarre, and intriguing ways the sexual revolution was discussed and represented. Amidst this chaos, he discerns a historical process of codification and reaction, leading ultimately to the quelling of debate in the 1930s through the harsh dictates of Stalinism.
Sexual Revolution in Bolshevik Russia challenges Western writers who portray revolutionary Russia as either prudish or hedonistic by reconstructing a fuller picture of what circulated in Bolshevik culture and why. Carleton brings a complex human dimension to the subject, demonstrating that this controversy should not be viewed as a sideshow curiosity, but rather as a central aspect of the dramatic debates on early Soviet literature and culture.
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