A SCHOLARLY BOOK REPOSITORY
The other three sites date between 4000 and 300 years ago and reflect increasing human population density, technological innovation, and the rise of sedentism and territoriality. This historical sequence culminated in findings from a 400- to 300-year-old house complex probably occupied by the Mechoopda Indian Tribe, who collaborated with the authors throughout the project.
Standing against the visible landscape—the mountainous volcanoes, the jungles and savannahs—the seven trees conjured in these narrative poems by one of Latin America's masters also evoke another, more mysterious terrain. It is this other landscape, as invisible as poetry before it is written down but etched by history and animated by the collective memory of a people, that speaks through Pablo Antonio Cuadra’s Seven Trees against the Dying Light.
Storing experience as they exist, these tree-poems conserve local soil and memory in the place they inhabit. They are figures of life, stained by seawater and gun powder, by the bright red, bittersweet juice of the many life-giving plums that flourish in Nicaragua, and blood that has been spilled there. And they offer a way of remembering who we are, where we come from, and, above all, where we are bound if we cannot learn to root language in the earth that sustains us.
Printed here in Spanish with facing English translations, the edition includes an introduction with ecocritical focus, as well as complete notes on botanical, historical, mythological, and socio-political references.
In Seven Ways of Looking at Pointless Suffering, Scott Samuelson tackles that hardest question of all. To do so, he travels through the history of philosophy and religion, but he also attends closely to the real world we live in. While always taking the question of suffering seriously, Samuelson is just as likely to draw lessons from Bugs Bunny as from Confucius, from his time teaching philosophy to prisoners as from Hannah Arendt’s attempts to come to terms with the Holocaust. He guides us through the arguments people have offered to answer this fundamental question, explores the many ways that we have tried to minimize or eliminate suffering, and examines people’s attempts to find ways to live with pointless suffering. Ultimately, Samuelson shows, to be fully human means to acknowledge a mysterious paradox: we must simultaneously accept suffering and oppose it. And understanding that is itself a step towards acceptance.
Wholly accessible, and thoroughly thought-provoking, Seven Ways of Looking at Pointless Suffering is a masterpiece of philosophy, returning the field to its roots—helping us see new ways to understand, explain, and live in our world, fully alive to both its light and its darkness.
Presley is no wheelchair hero, no inspiring figure preaching patience and gratitude. An army brat turned farm kid, newly arrived in a conservative rural community, he was immobilized before he could take the next step toward adulthood. Prevented, literally, from taking that next step, he became cranky and crabby, anxious and alienated, a rolling responsibility crippled not just by polio but by anger and depression, “a crip all over, starting with the brain.” Slowly, however, despite the limitations of navigating in a world before the Americans with Disabilities Act, he builds an independent life.
Now, almost fifty years later, having worn out wheelchair after wheelchair, survived post-polio syndrome, and married the woman of his dreams, Gary has redefined himself as Gimp, more ready to act out than to speak up, ironic, perceptive, still cranky and intolerant but more accepting, more able to find joy in his family and his newfound religion. Despite the fact that he detests pity, can spot condescension from miles away, and refuses to play the role of noble victim, he writes in a way that elicits sympathy and understanding and laughter. By giving his readers the unromantic truth about life in a wheelchair, he escapes stereotypes about people with disabilities and moves toward a place where every individual is irreplaceable.
Richard M. Gummere, writing with characteristic warmth and humor, explores the attitudes toward the classics of seven prominent colonial Americans--Hugh Jones, Robert Calef, Michael Wigglesworth, Samuel Davies, Henry Melhior Muhlenberg, Benjamin Rush, and Thomas Paine.
A companion volume to the author's The American Colonial Mind and the Classical Tradition, this book provides separate, absorbing biographies of these "seven wise men." Each of them was essentially pragmatic and judged the value of the classics not only on the basis of their intrinsic worth but also for their relevance to contemporary problems.
Hugh Jones--who advocated a practical training for the youth of Colonial Virginia--and Benjamin Rush questioned particularly the value of the classics as a requisite part of the school curriculum, although granting their importance for college admission and professional careers. Thomas Paine, openly skeptical about the wisdom of studying Greek and Latin in the original, scattered references in translation throughout his writings, so that he often seems to be "a classicist malgré lui."
Higglesworth, Davies, and Muhlenberg regarded the ancient languages as aids tothe understanding of Christian theology and as basic preparation for both the minister and the layman. Wigglesworth, at home in both ancient and modern literature, peppered his sermons with Latin quotations, but took care to keep his interpolations strictly subservient to the Gospel.
Some academicians and religious leaders adapted or even misinterpreted the classics in order to find in them support for various moralistic positions. Robert Calef opposed this disingenuousness and debated vigorously with Cotton Mather the evils of the Salem witch trial convictions, whose virtue Mather sought to prove by citing classical myths and legends. Calef raised a seemingly lone voice in his plea for a Christian policy of forbearance and understanding.
In addition to the contents of the original volume, this edition brings back into print the following works:
- Death Rides the Rails to Poston
- Eucalyptus
- A Fire in Fontana
- Florentine Gardens
Yamamoto's disarming style matches the verbal economy of haiku, in which all meaning is contained within seventeen syllables. Her deft characterizations and her delineations of sexuality create a haunting story of a young girl's transformation from innocence to adulthood.
This casebook includes an introduction and an essay by the editor, an interview with the author, a chronology, authoritative texts of "Seventeen Syllables" (1949) and "Yoneko's Earthquake" (1951), critical essays, and a bibliography. The contributors are Charles L. Crow, Donald C. Goellnicht, Elaine H. Kim, Dorothy Ritsuko McDonald, Zenobia Baxter Mistri, Katharine Newman, Robert M. Payne, Robert T. Rolf, and Stan Yogi.
Seventeen Years in Alaska is Johnson’s eyewitness account of this tumultuous time. It is a captivating narrative of an ancient people facing rapid change and of the missionaries working to stem a corrupting tide. His journals offer a candid look at the beliefs and lives of missionaries, and they ultimately reveal the profound effect that he and other missionaries had on the Tlingit. Tracing nearly two decades of spiritual hopes and earthbound failures, Johnson’s memoir is a fascinating portrait of a rapidly changing world in one of the most far-flung areas of the globe.
Using the ethnography of Pueblo peoples and seventh-century European manuals of metallurgy, Thomas addresses how the situated agency of indigenous practitioners incorporated within colonial industries shaped the metallurgy industry in the Spanish colonial period. The resulting analysis investigates how economic, technical, and social knowledge was communicated, contested, and transformed across the social and cultural boundaries present in early colonial communities. Viewing these transformations through an ethnohistorical lens, Thomas builds a social and historical context within which to understand the decisions made by colonial actors at the time.
Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period: Monteverdi’s lost L’Arianna, as well as his Il Ritorno d’Ulisse and L’incoronazione di Poppea; Mazzochi and Marazzoli’s L’Egisto, ovvero Chi soffre speri; and Cavalli’s L’Ormindo and L’Artemisia. As she demonstrates, the sound-in-performance aspect of commedia dell’arte theater—specifically, the use of dialect and verbal play—produced an audience that was accustomed to listening to sonic content rather than simply the literal meaning of spoken words. This, Wilbourne suggests, shaped the musical vocabularies of early opera and facilitated a musicalization of Italian theater.
Highlighting productive ties between the two worlds, from the audiences and venues to the actors and singers, this work brilliantly shows how the sound of commedia performance ultimately underwrote the success of opera as a genre.
The robbery was a piece of cake. The getaway was clean. The only thing left to do is split the cash—then it all goes wrong. In The Seventh, the heist of a college football game turns sour and the take is stolen from right under Parker’s nose. With the cops on his tail, Parker must figure out who crossed him—and how he can pay the culprit back.
The Native people whose lives are depicted in Seventh Generation Earth Ethics understood the cultural gravity that kept their people rooted to their ancestral lands and acted in ways that ensured the growth and success of future generations. In this way they honor the Ojibwe Seventh Generation philosophy, which cautions decision makers to consider how their actions will affect seven generations in the future—some 240 years.
Internationally renowned essayist and cultural commentator Ilan Stavans spent five years traveling from across a dozen countries in Latin America, in search of what defines the Jewish communities in the region, whose roots date back to Christopher Columbus’s arrival. In the tradition of V.S. Naipaul’s explorations of India, the Caribbean, and the Arab World, he came back with an extraordinarily vivid travelogue. Stavans talks to families of the desaparecidos in Buenos Aires, to “Indian Jews,” and to people affiliated with neo-Nazi groups in Patagonia. He also visits Spain to understand the long-term effects of the Inquisition, the American Southwest habitat of “secret Jews,” and Israel, where immigrants from Latin America have reshaped the Jewish state. Along the way, he looks for the proverbial “seventh heaven,” which, according to the Talmud, out of proximity with the divine, the meaning of life in general, and Jewish life in particular, becomes clearer. The Seventh Heaven is a masterful work in Stavans’s ongoing quest to find a convergence between the personal and the historical.
Tracing the views of the church through its official and unofficial publications and through interviews with dozens of Adventist informants, Laura Vance reveals a significant shift around the turn of the century in women's roles advocated by the church: from active participation in the functioning, spiritual leadership, teaching, and evangelism of Adventism to an insistence on homemaking as a woman's sole proper vocation. These changes in attitude, Vance maintains, are inextricably linked to Adventism's shift from sect to church: in effect, to its maturation as a denomination.
Vance suggests that the reemergence of women in positions of influence within the church in recent decades should be viewed not as a concession to secular feminist developments but rather as a return to Adventism's earlier conception of gender roles. By examining changes in the movement's relationship with the world and with its own history, Seventh-day Adventism in Crisis offers a probing examination of how a sect founded on the leadership of women came to define women's roles in ways that excluded them from active public participation and leadership in the church.
The concept of surveillance and its attendant social ramifications have been powerful agents in U.S. culture for many decades, but in describing how during the 1970s Americans learned to “survey” themselves, Miller shines surprising new light on such subjects as the women’s movement, voting rights enforcement, the Ford presidency, and environmental legislation. He illuminates the significance of what he terms “microperiods” and analyzes relevant themes in many of the decade’s major films—such as The Deer Hunter, Network, Jaws, Star Wars, and Apocalypse Now—and in the literature of writers including John Ashbery, Toni Morrison, Adrienne Rich, and Sam Shepard. In discussing the reverberations of the 1969 Stonewall riots, technological innovations, the philosophy of Michel Foucault, and a host of documents and incidents, Miller shows how the 1970s marked an important period of transition, indeed a time of many transitions, to the world we confront at the end of the millennium.
The Seventies Now will interest students and scholars of cultural studies, American history, theories of technology, film and literature, visual arts, and gay and lesbian studies.
Presented for the first time in English, the recently discovered early manuscripts of the twentieth century’s most towering literary figure offer uncanny glimpses of his emerging genius and the creation of his masterpiece.
One of the most significant literary events of the century, the discovery of manuscript pages containing early drafts of Marcel Proust’s In Search of Lost Time put an end to a decades-long search for the Proustian grail. The Paris publisher Bernard de Fallois claimed to have viewed the folios, but doubts about their existence emerged when none appeared in the Proust manuscripts bequeathed to the Bibliothèque Nationale in 1962. The texts had in fact been hidden among Fallois’s private papers, where they were found upon his death in 2018. The Seventy-Five Folios and Other Unpublished Manuscripts presents these folios here for the first time in English, along with seventeen other brief unpublished texts. Extensive commentary and notes by the Proust scholar Nathalie Mauriac Dyer offer insightful critical analysis.
Characterized by Fallois as the “precious guide” to understanding Proust’s masterpiece, the folios contain early versions of six episodes included in the novel. Readers glimpse what Proust’s biographer Jean-Yves Tadié describes as the “sacred moment” when the great work burst forth for the first time. The folios reveal the autobiographical extent of Proust’s writing, with traces of his family life scattered throughout. Before the existence of Charles Swann, for example, we find a narrator named Marcel, a testament to what one scholar has called “the gradual transformation of lived experience into (auto)fiction in Proust’s elaboration of the novel.”
Like a painter’s sketches and a composer’s holographs, Proust’s folios tell a story of artistic evolution. A “dream of a book, a book of a dream,” Fallois called them. Here is a literary magnum opus finding its final form.
"In Sewall Wright and Evolutionary Biology . . . Provine has produced an intellectual biography which serves to chart in considerable detail both the life and work of one man and the history of evolutionary theory in the middle half of this century. Provine is admirably suited to his task. . . . The resulting book is clearly a labour of love which will be of great interest to those who have a mature interest in the history of evolutionary theory."-John Durant, ;ITimes Higher Education Supplement;X
This book aims to correct that. Lee Farrow offers here a detailed account of just what the Alaska Purchase was, how it came about, its impact at the time, and more. Farrow shows why both America and Russia had plenty of good reasons to want the sale to occur, including Russia’s desire to let go of an unprofitable, hard-to-manage colony and the belief in the United States that securing Alaska could help the nation gain control of British Columbia and generate closer trade ties with Asia . Farrow also delves into the implications of the deal for foreign policy and international diplomacy far beyond Russia and the United States at a moment when the global balance of power was in question.
A thorough, readable retelling of a story we only think we know, Seward’s Folly will become the standard book on the Alaska Purchase.
Sewing Shut My Eyes is a tour-de-force avant-pop anti-spectacle—nine darkly satiric out-takes of America tubing. Visions of mid-air synchronicities, robotic cockroaches, cyborg poets and one monstrous HDTV, all rendered in a hypo-manic style of electrified clauses and full-throttle patter. Here's Mona Sausalito, self-proclaimed "fricking gorgeous" bad-little-girl for Escort a la Mode and, on the side, Neogoth lyricist in the band of her boyfriend Mosh ("His real name is Marvin Goldstein"). Mona wants to be a poet. "I write about human sacrifices, cannibalism, vampires, and stuff. Mosh loves my work. He says we're all going to be famous some day. Only right now we're not, which bites, cuz I've been writing for like almost ten months. These things take time, I guess."
Olsen hallucinates a turned-on, channel-surfing nation where pain has become home theater and given enough channels, watching would beat sex. A nameless agent of the ultimate phantom bureaucracy holds his Yeltsin-70 at the ready and recalls O.J. on trial, supermodels and styrofoam landscapes, America screening fast and addictive. In the title story, Kerwin Penumbro wakes on his birthday to the ultimate tv, the renowned Mitsubishi Stealth, and at a point thirty-three thousand feet above the triangulation of Iron Lightning, Faith, and Thunder Butte, SD, Itty Snibb, supremely confident dwarf and prosperous entrepreneur, prepares to meet God.
These are fictions for minds lit with cathode-ray tubes, hands pixilated with static, for bodies that have become switching stations for the Society of the Spectacle.
The only thing left to do is start sewing shut our eyes.
Informed answers to questions like these, critical to our understanding of ourselves and the world around us, require both a knowledge of biology and a philosophical framework within which to make sense of its findings. In this accessible introduction to philosophy of biology, Kim Sterelny and Paul E. Griffiths present both the science and the philosophical context necessary for a critical understanding of the most exciting debates shaping biology today. The authors, both of whom have published extensively in this field, describe the range of competing views—including their own—on these fascinating topics.
With its clear explanations of both biological and philosophical concepts, Sex and Death will appeal not only to undergraduates, but also to the many general readers eager to think critically about the science of life.
The plights of these emigrant groups have been addressed by different historians in different ways; this book is the first to examine the tragedies in terms of biology. Grayson shows that who lived or died can largely be explained by age, sex, and family ties. His investigation reveals what happens when our cultural mechanisms for dealing with famine and extreme cold are reduced to only what our bodies can provide within structured social contexts. His results are surprising and not always intuitive as he investigates who survived in these life threatening situations.
Contributors. Chris Bell, Michael Davidson, Lennard J. Davis, Michel Desjardins, Lezlie Frye, Rachael Groner, Kristen Harmon, Michelle Jarman, Alison Kafer, Riva Lehrer, Nicole Markotić, Robert McRuer, Anna Mollow, Rachel O’Connell, Russell Shuttleworth, David Serlin, Tobin Siebers, Abby L. Wilkerson
Sex and Gender: Christian Ethical Reflections contains some of the subject’s most important analyses in recent decades. The collection covers a wide range of topics: same-sex marriage, sexual minorities and biblical interpretation, sex and power, sexual harassment and sexual abuse, HIV/AIDS and prevention strategy, the military and masculinities, mobile porn and sexting, human trafficking, moral discernment, and more. Contributors represent various theological traditions and draw on scriptural texts as well as such disciplines as philosophy, sociology, psychology, and the life sciences. Each essay is followed by a set of discussion questions—for the classroom or for students to use as an assignment outline—and suggestions for further reading and research. Teachers and students of Christian ethics will appreciate this multidisciplinary approach to one of the most divisive and controversial issues in contemporary culture.
In Sex and Isolation, readers will encounter eccentric street people, Latin American literary geniuses, a French cabaret owner, a transvestite performer, and many other unusual characters; they’ll visit subcultures rarely described in writing and be treated to Benderson’s iconoclastic opinions about culture in former and contemporary urban society. Whether proposing new theories about the relationship between art, entertainment, and sex, analyzing the rise of the Internet and the disappearance of public space, or considering how religion and sexual identity interact, each essay demonstrates sharp wit, surprising insight and some startling intellectual positions.
This is the first American volume of Benderson’s collected essays, featuring both new work and some of his best-known writings, including his famous essay “Toward the New Degeneracy.”
A revelatory look at the ways that gender, power, and the media are intertwined.
It all comes down to sex and money: how the media are organized, how they work, what they say, who gets to say it and to whom. That is the message this book delivers—and then parses for its meaning to society and culture. Forcefully and persuasively, this groundbreaking volume uses the media to show how questions of gender and economics are inextricably linked to issues of power in Western capitalist societies. Integrating political economy and feminism, it offers a new understanding of communication at the personal, experiential, institutional, and structural levels-and exposes all the subtle and complex ways in which sex and money are sutured into individuals’ daily lives.
Contributors: Robin Andersen, Fordham U; Ellen Balka, Simon Fraser U; Amy Beer; Carolyn M. Byerly, Ithaca College; Ramona Curry, U of Illinois; Fred Fejes, Florida Atlantic U; Nancy Hauserman, U of Iowa; Michèle Martin, Carleton U, Canada; Stana Martin, Central Missouri State U; Lisa McLaughlin, Miami U, Ohio; Roopali Mukherjee, Indiana U; Angela R. Record; Karen Ross, Coventry U; H. Leslie Steeves, U of Oregon; Angharad N. Valdivia, U of Illinois; Janet Wasko, U of Oregon; and Justin Wyatt.
Sexual drives are rooted in biology, but we don’t act on them blindly. Indeed, as the eminently readable judge and legal scholar Richard Posner shows, we make quite rational choices about sex, based on the costs and benefits perceived.
Drawing on the fields of biology, law, history, religion, and economics, this sweeping study examines societies from ancient Greece to today’s Sweden and issues from masturbation, incest taboos, date rape, and gay marriage to Baby M. The first comprehensive approach to sexuality and its social controls, Posner’s rational choice theory surprises, explains, predicts, and totally absorbs.
Sex and religion are inevitably and intricately linked. There are few realms of human experience other than sex in which religion has greater reach and influence. The role of religion, of any faith, to prohibit, regulate, condemn, and reward, is unavoidably prominent in questions of sex—namely with whom, when, how, and why. In Sex and Religion, Dag Øistein Endsjø examines the myriad and complex religious attitudes towards sex in cultures throughout the world.
Endsjø reflects on some of the most significantly problematic areas in the relationship between sex and religion—from sex before or outside of marriage to homosexuality. Through many examples from world religions, he outlines what people mean by sex in a religious context, with whom it’s permissible to have sex, how sex can be a directly religious experience, and what consequences there are for deviance, for both the individual and society. As Endsjø explains, while Buddhist monks call attention to gay sex as a holy mystery, the Christian church questions a homosexual’s place in the church. Some religions may believe that promiscuity leads to hurricanes and nuclear war, and in others God condemns interracial marriage. Sex and Religion reveals there is nothing natural or self-evident about the ways in which various religions prescribe or proscribe and bless or condemn different types of sexuality. Whether sex becomes sacred or abhorrent depends entirely on how a religion defines it.
Sex and Religion is a fascinating investigation of mores, meanings, rituals, and rules in many faiths around the globe, and will be of interest to anyone curious about the intersection of these fundamental aspects of human history and experience.
Sex and Salvation chronicles the coming of age of a generation of women in Tamatave in the years that followed Madagascar’s economic liberalization. Eager to forge a viable future amid poverty and rising consumerism, many young women have entered the sexual economy in hope of finding a European husband. Just as many Westerners believe that young people break with the past as they enter adulthood, Malagasy citizens fear that these women have severed the connection to their history and culture.
Jennifer Cole’s elegant analysis shows how this notion of generational change is both wrong and consequential. It obscures the ways young people draw on long-standing ideas of gender and sexuality, it ignores how urbanites relate to their rural counterparts, and it neglects the relationship between these husband-seeking women and their elders who join Pentecostal churches. And yet, as talk about the women circulates through the city’s neighborhoods, bars, Internet cafes, and churches, it teaches others new ways of being.
Cole’s sophisticated depiction of how a generation’s coming of age contributes to social change eschews a narrow focus on crisis. Instead, she reveals how fantasies of rupture and conceptions of the changing life course shape the everyday ways that people create the future.
During the Edo period in eighteenth-century Japan, erotic paintings and prints known today as shunga were popular among both men and women. Yet, prior to Tim Screech’s definitive study, Sex and the Floating World, no one had attempted to situate these overtly sexual images within the contexts of the sexual, gender, or class tensions of the time.
Newly revised and expanded, this second edition of Sex and the Floating World examines how and why these images were made and used. Along the way, Screech illuminates a provocative world of sexual fantasy in Edo Japan.
‘With concern, proportion, wit and a bit of levity, the author of this authoritative and invaluable contribution to scholarship has given us the book for which we have long waited.”—Japan Times
“Screech provides a fascinating and informative introduction to the social and sexual habits of pre-modern Japan, copiously illustrated and full of witty anecdotes as well as solid scholarly research. The ideal bedtime read?”—Insight Japan
Biographers, journalists, and satirists have long used the subject of sex to define the masculine character and political authority of America's Founding Fathers. Tracing these commentaries on the Revolutionary Era's major political figures in Sex and the Founding Fathers, Thomas Foster shows how continual attempts to reveal the true character of these men instead exposes much more about Americans and American culture than about the Founders themselves.
Sex and the Founding Fathers examines the remarkable and varied assessments of the intimate lives of George Washington, Thomas Jefferson, John Adams, Benjamin Franklin, Alexander Hamilton, and Gouverneur Morris from their own time to ours. Interpretations can change radically; consider how Jefferson has been variously idealized as a chaste widower, condemned as a child molester, and recently celebrated as a multicultural hero.
Foster considers the public and private images of these generally romanticized leaders to show how each generation uses them to reshape and reinforce American civic and national identity.
In Sex and the Gender Revolution, Randolph Trumbach reconstructs the worlds of eighteenth-century prostitution, illegitimacy, sexual violence, and adultery. In those worlds the majority of men became heterosexuals by avoiding sodomy and sodomite behavior.
As men defined themselves more and more as heterosexuals, women generally experienced the new male heterosexuality as its victims. But women—as prostitutes, seduced servants, remarrying widows, and adulterous wives— also pursued passion. The seamy sexual underworld of extramarital behavior was central not only to the sexual lives of men and women, but to the very existence of marriage, the family, domesticity, and romantic love. London emerges as not only a geographical site but as an actor in its own right, mapping out domains where patriarchy, heterosexuality, domesticity, and female resistance take vivid form in our imaginations and senses.
As comprehensive and authoritative as it is eloquent and provocative, this book will become an indispensable study for social and cultural historians and delightful reading for anyone interested in taking a close look at sex and gender in eighteenth-century London.
Daniel Reimold gives readers of all generations an inside look at this phenomenon. Student sex columnists and sex magazine editors are both celebrities on their home campuses. One columnist, echoing the sentiments of many, said he became an overnight rock star golden child of journalism. But, with celebrity comes controversy. These columns and magazines have sparked contentious and far-reaching legal, religious, and intergenerational debates about sex, the student press, and the place of both within higher education. They are also the most prominent modern student press combatants in the fight for free speech. And they have blurred journalistic boundaries between what is considered public and private, art and pornography, and gossip and news.
Sex and the University explores the celebrity status that student sex columnists and magazine editors have received, the controversies they have caused, and the sexual generation and student journalism revolution they represent. Complete with a sexicon of slang, this book also dives into the columns and magazines themselves, sharing for the first time what modern students are saying about their sex and love lives, in their own words.
What is sex exactly? Does everyone agree on a definition? And does that definition hold when considering literary production in other times and places? Sex before Sex makes clear that we cannot simply transfer our contemporary notions of what constitutes a sex act into the past and expect them to be true for the people who were then reading literature and watching plays. The contributors confront how our current critical assumptions about definitions of sex restrict our understanding of representations of sexuality in early modern England.
Drawing attention to overlooked forms of sexual activity in early modern culture, from anilingus and interspecies sex to “chin-chucking” and convivial drinking, Sex before Sex offers a multifaceted view of what sex looked like before the term entered history. Through incisive interpretations of a wide range of literary texts, including Romeo and Juliet, The Comedy of Errors, Paradise Lost, the figure of Lucretia, and pornographic poetry, this collection queries what might constitute sex in the absence of a widely accepted definition and how a historicized concept of sex affects the kinds of arguments that can be made about early modern sexualities.
Contributors: Holly Dugan, George Washington U; Will Fisher, CUNY–Lehman College; Stephen Guy-Bray, U of British Columbia; Melissa J. Jones, Eastern Michigan U; Thomas H. Luxon, Dartmouth College; Nicholas F. Radel, Furman U; Kathryn Schwarz, Vanderbilt U; Christine Varnado, U of Buffalo–SUNY.
This is the first book to closely examine vital encounters among this era’s German-speaking researchers across their emerging professional and disciplinary boundaries. Although psychoanalysis was often considered part of a broader “sexual science,” sexologists increasingly distanced themselves from its mysterious concepts and clinical methods. Instead, they turned to more pragmatic, interventionist therapies—in particular, to the burgeoning field of hormone research, which they saw as crucial to establishing their own professional relevance. As sexology and psychoanalysis diverged, heated debates arose around concerns such as the sexual life of the child, the origins and treatment of homosexuality and transgender phenomena, and female frigidity. This new story of the emergence of two separate approaches to the study of sex demonstrates that the distinctions between them were always part of a dialogic and competitive process. It fundamentally revises our understanding of the production of modern sexual subjects.
Sex, Celibacy, and Deviance is the first major study to explore the Song of Songs (or Song of Solomon) in Victorian literature and art. As the Bible’s only erotic poem, the Song of Songs is the canonical Judeo-Christian book about love, furnishing the Victorians with an authoritative and literary language for love, marriage, sex, mourning, and religious celibacy.
Duc Dau adopts a queer and feminist lens to consider how Victorians employed and interpreted the Song of Songs in their work. How did writers and artists fashion and, most importantly, challenge the norms of gender, romantic love, and marriage? Spanning the early Victorian era through the first two decades of the twentieth century, Sex, Celibacy, and Deviance considers the works of Charlotte Brontë, Thomas Hardy, Christina Rossetti, John Gray, Michael Field, Edward Burne-Jones, and Simeon Solomon alongside two lesser-known figures: Irish-born Scottish artist Phoebe Anna Traquair and the Catholic religious leader Augusta Theodosia Drane. By addressing the relevance of the Song of Songs in light of shifting and conflicting religious and social contexts, Dau provides a fresh perspective on Victorian literature, religion, and culture.
Focusing on the theatricality of Kleist’s interventions in the performance of gender, sexuality, and emotion and examining how his dramatic texts unhinge major tenets of classical European theater, Sex Changes with Kleist is vital reading for anyone interested in queer studies, feminist studies, performance studies, literary studies, or emotion studies. This book changes our understanding of Kleist and breathes new life into queer thought.
A sociorhetorical analysis of First Corinthians
Robert H. von Thaden Jr.'s sociorhetorical analysis examines Paul's construction of sexual Christian bodies in First Corinthians by utilizing new insights from conceptual integration (blending) theory about the embodied processes of meaning making. Paul's teaching about proper sexual behavior in this letter is best viewed as an example of early Christian wisdom discourse. This discourse draws upon apocalyptic and priestly cognitive frames to increase the rhetorical force of the argument. Reading Paul's argument through the lens of rhetorical invention, von Thaden demonstrates that Paul first attempts to show the Corinthians why sexual immorality is the worst of all bodily sins before shifting rhetorical focus to explain to them how they can best avoid this infraction against the body of Christ.
Features:
- A programmatic application of conceptual integration theory using a sociorhetorical mode of interpretation
- A vivid account of key aspects of conceptual integration theory and how they function in sociorhetorical interpretation
- A detailed application of these strategies to interpret 1 Corinthians 1-4; 6:12-7:7
This book is the first to offer a combined social science and psychoanalytic perspective on reproductive behavior. The author emphasizes the personal histories of his subjects within their cultural environment, and takes into account the setting of the interview and the subjective responses of both interviewee and interviewer. The study reveals how Jamaicans, particularly women, relate to their own parents, learn about sex, experience sexual maturity and first intercourse, and perceive their relations with subsequent partners. Other themes examined are the significance of pregnancy, childbirth, and parenthood and the folk context of Jamaican beliefs about reproduction and contraception.
All of these are aspects of what the author terms a “culture of motherhood.” His unique approach illuminates the many complex factors that influence this population's use or nonuse of contraceptive methods. In his concluding chapter, Eugene Brody offers suggestions for reconciling the private needs of individuals and the public goals of Jamaican population policy. Although his research centers on one Caribbean island, his ideas are applicable to other developing countries. In Sex, Contraception, and Motherhood in Jamaica, family planning professionals, psychologists, psychiatrists, and social scientists will find an intriguing new approach to reproductive policy.
Sex, Death, and Minuets offers the first in-depth study of these notebooks and their owner, reanimating Anna Magdalena as a multifaceted historical subject—at once pious and bawdy, spirited and tragic. In these pages, we follow Magdalena from young and flamboyant performer to bereft and impoverished widow—and visit along the way the coffee house, the raucous wedding feast, and the family home. David Yearsley explores the notebooks’ more idiosyncratic entries—like its charming ditties on illicit love and searching ruminations on mortality—against the backdrop of the social practices and concerns that women shared in eighteenth-century Lutheran Germany, from status in marriage and widowhood, to fulfilling professional and domestic roles, money, fashion, intimacy and sex, and the ever-present sickness and death of children and spouses. What emerges is a humane portrait of a musician who embraced the sensuality of song and the uplift of the keyboard, a sometimes ribald wife and oft-bereaved mother who used her cherished musical notebooks for piety and play, humor and devotion—for living and for dying.
The Moche people who inhabited the north coast of Peru between approximately 100 and 800 AD were perhaps the first ancient Andean society to attain state-level social complexity. Although they had no written language, the Moche created the most elaborate system of iconographic representation of any ancient Peruvian culture. Amazingly realistic figures of humans, animals, and beings with supernatural attributes adorn Moche pottery, metal and wooden objects, textiles, and murals. These actors, which may have represented both living individuals and mythological beings, appear in scenes depicting ritual warfare, human sacrifice, the partaking of human blood, funerary rites, and explicit sexual activities.
In this pathfinding book, Steve Bourget raises the analysis of Moche iconography to a new level through an in-depth study of visual representations of rituals involving sex, death, and sacrifice. He begins by drawing connections between the scenes and individuals depicted on Moche pottery and other objects and the archaeological remains of human sacrifice and burial rituals. He then builds a convincing case for Moche iconography recording both actual ritual activities and Moche religious beliefs regarding the worlds of the living, the dead, and the afterlife. Offering a pioneering interpretation of the Moche worldview, Bourget argues that the use of symbolic dualities linking life and death, humans and beings with supernatural attributes, and fertility and social reproduction allowed the Moche to create a complex system of reciprocity between the world of the living and the afterworld. He concludes with an innovative model of how Moche cosmological beliefs played out in the realms of rulership and political authority.
In SEX DEPRESSION ANIMALS, Mag Gabbert redefines the bestiary in fiery, insistent, and resistant terms. These poems recast the traumas of her adolescence while charting new paths toward linguistic and bodily autonomy as an adult. Using dreamlike, shimmering imagery, she pieces together a fractured portrait of femininity—one that electrifies the confessional mode with its formal play and rich curiosity. Gabbert examines the origin of shame, the role of inheritance, and what counts as a myth, asking, “What’s the opposite of a man? / A woman? A wound? The devil’s image?”
"Few books blend the critical and creative approaches to drag performance this provocatively and engagingly, and none provides both the historical and the personal perspectives so effectively. Torr and Bottoms fundamentally challenge many long-standing ideas about drag kings and the performance of masculinity."
---Sarah Bay-Cheng, University at Buffalo
"This book brings the reader inside an artist's creative imagination and intellect, showing us Diane Torr's work in a detailed, thoughtful, and engaging way. We discover how Torr uses different physical disciplines to explore how gender is constructed, interpreted, and expressed. Along the way---by taking us into various venues in which she performed---she evokes the lively, dynamic scene in New York in the '80s and '90s."
---Alisa Solomon, Columbia University
Why would women want to perform as men? Why is gender crossing so compelling, whether it happens onstage or in everyday life? What can drag performance teach, and what aesthetic, political, and personal questions does it raise?
Performance artist Diane Torr has been experimenting with the performance of gender for thirty years---exploring everything from feminist go-go dancing to masculine power play. One of the key pioneers of "drag king" performance, Torr has been celebrated internationally for her gender transformation workshops, in which she has taught hundreds of ordinary women how to pass as men on city streets around the world. This cultural subterfuge appeals to participants for many different reasons: personal confidence-building, sexual frisson, gender subversion, trans-curiosity, or simply the appeal of disguise and role play.
Sex, Drag, and Male Roles documents the evolution of Torr's work by blending first-person memoir and commentary from Torr with critical reflections and contextualization from leading performance critic Stephen J. Bottoms. The book includes a consideration of the long cultural history of female-to-male cross-dressing and concludes with Torr's "Do-It-Yourself" guide to becoming a "Man for a Day."
Diane Torr developed her cross-disciplinary art in the downtown New York art scene from 1976 to 2002. Now living in Scotland, Torr has earned an international reputation for her performances and gender transformation workshops (featured on HBO, BBC, and This American Life on NPR, among others). Her work is the focus of a feature film, Man for a Day.
Stephen J. Bottoms is Wole Soyinka Professor of Drama and Theatre Studies at the University of Leeds. His books include Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement and Small Acts of Repair: Performance, Ecology, and Goat Island.
Cover: Diane Torr walks the streets of London, 1995. Photo by Debbie Humphreys.
When viewed from a quiet beach, the ocean, with its rolling waves and vast expanse, can seem calm, even serene. But hidden beneath the sea’s waves are a staggering abundance and variety of active creatures, engaged in the never-ending struggles of life—to reproduce, to eat, and to avoid being eaten.
With Sex, Drugs, and Sea Slime, marine scientist Ellen Prager takes us deep into the sea to introduce an astonishing cast of fascinating and bizarre creatures that make the salty depths their home. From the tiny but voracious arrow worms whose rapacious ways may lead to death by overeating, to the lobsters that battle rivals or seduce mates with their urine, to the sea’s masters of disguise, the octopuses, Prager not only brings to life the ocean’s strange creatures, but also reveals the ways they interact as predators, prey, or potential mates. And while these animals make for some jaw-dropping stories—witness the sea cucumber, which ejects its own intestines to confuse predators, or the hagfish that ties itself into a knot to keep from suffocating in its own slime—there’s far more to Prager’s account than her ever-entertaining anecdotes: again and again, she illustrates the crucial connections between life in the ocean and humankind, in everything from our food supply to our economy, and in drug discovery, biomedical research, and popular culture.
Written with a diver’s love of the ocean, a novelist’s skill at storytelling, and a scientist’s deep knowledge, Sex, Drugs, and Sea Slime enchants as it educates, enthralling us with the wealth of life in the sea—and reminding us of the need to protect it.
Eberwein starts his investigation in the silent and early sound eras with educational films used both to warn audiences about venereal disease and to provide basic contraception information. World War II movies, he states, waged their own war against venereal disease-in the armed services and at home. Newer works deal with birth control and focus in particular on AIDS.
Sex Ed also highlights the classroom. Eberwein draws connections between the earliest and most recent examples of educational films as he analyzes their ideological complexity. He concludes by examining marriage-manual films of the early 1970s and very recent videos for couples and individuals seeking instruction in sexual techniques to increase pleasure.
This provocative collection, by well-known feminists, surveys these arguments, and in particular asks why recent feminist debates about sexuality keep reducing to questions of pornography.
Over the past twenty years debates about pornography have raged within feminism and beyond. Throughout the 1970s feminists increasingly addressed the problem of men's sexual violence against women, and many women reduced the politics of men's power over women to questions about sexuality. By the 1980s these questions had become more and more focused on the issue of pornography––now a metaphor for the menace of male power. Collapsing feminist politics into sexuality and sexuality into pornography has not only caused some of the deepest splits between feminists, but made it harder to think clearly about either sexuality or pornography––indeed, about feminist politics more generally.
This provocative collection, by well-known feminists on both sides of the Atlantic, surveys these arguments, and in particular asks why recent feminist debates about sexuality keep reducing to questions of pornography. The authors open up the debate by looking at such topics as the improbable alliance between the right and pro-censorship feminists, the displacement of heterosexual desire and its discontents onto pornography, Andrea Dworkin's novel Mercy, psychoanalytic reflections on fantasy, censorship in relation to AIDS work, the new lesbian and bisexual pornography, the controversy over Robert Mapplethorpe's supposed racism in his photos of black nudes, Mae West as sexual icon and her brushes with the law, and the female nude in "high" art.
In addition to the editors, the contributors are Elizabeth Cowie, Harriett Gilbert, Robin Gorna, Marybeth Hamilton, Loretta Loach, Anne McClintock, Kobena Mercer, Jane Mills, Mandy Merck, Lynda Nead, Gillian Rodgerson, Carol Smart, Carole S. Vance, Linda Williams, and Elizabeth Wilson.
The volume includes the work of major figures including Eugene O’Neill, John Reed, Rachel Crothers, and Elizabeth Robins. Now largely forgotten and some previously unpublished, these plays were among the most celebrated and debated productions of their day. Together, their portrayals of commercialized vice, drug addiction, poverty, white slavery, and interracial desire reveal the Progressive Era’s fascination with the underworld and the theatre’s power to regulate sexuality. Additional plays, commentary, and teaching materials are available at brotheldrama.lib.miamioh.edu.
Plays included:
Ourselves (1913) by Rachel Crothers
The Web (1913) by Eugene O’Neill
My Little Sister (1913) by Elizabeth Robins
Moondown (1915) by John Reed
Cocaine (1916) by Pendleton King
A Shanghai Cinderella (renamed East is West, 1918) by Samuel Shipman and John B. Hymer
Sex, France, and Arab Men is a history of how and why—from the upheavals of French Algeria in 1962 through the 1970s—highly sexualized claims about Arabs were omnipresent in important public French discussions, both those that dealt with sex and those that spoke of Arabs. Shepard explores how the so-called sexual revolution took shape in a France profoundly influenced by the ongoing effects of the Algerian revolution. Shepard’s analysis of both events alongside one another provides a frame that renders visible the ways that the fight for sexual liberation, usually explained as an American and European invention, developed out of the worldwide anticolonial movement of the mid-twentieth century.
When seeking approaches for sex education, few look to the past for guidance. But Susan K. Freeman's investigation of the classrooms of the 1940s and 1950s offers numerous insights into the potential for sex education to address adolescent challenges, particularly for girls. From rural Toms River, New Jersey, to urban San Diego and many places in between, the use of discussion-based classes fostered an environment that focused less on strictly biological matters of human reproduction and more on the social dimensions of the gendered and sexual worlds that the students inhabited.
Although the classes reinforced normative heterosexual gender roles that could prove repressive, the discussion-based approach also emphasized a potentially liberating sense of personal choice and responsibility in young women's relationship decisions. In addition to the biological and psychological underpinnings of normative sexuality, teachers presented girls' sex lives and gendered behavior as critical to the success of American families and, by extension, the entire way of life of American democracy. The approaches of teachers and students were sometimes predictable and other times surprising, yet almost wholly without controversy in the two decades before the so-called Sexual Revolution of the 1960s. Sex Goes to School illuminates the tensions between and among adults and youth attempting to make sense of sex in a society that was then, as much as today, both sex-phobic and sex-saturated.
Sex in Development combines the cultural analysis of sexuality, critiques of global development, and science and technology studies. Whether considering the resistance encountered by representatives of an American pharmaceutical company attempting to teach Russian doctors a “value free” way to offer patients birth control or the tension between Tibetan Buddhist ideas of fertility and the modernization schemes of the Chinese government, these essays show that attempts to make sex a universal moral object to be managed and controlled leave a host of moral ambiguities in their wake as they are engaged, resisted, and reinvented in different ways throughout the world.
Contributors. Vincanne Adams, Leslie Butt, Lawrence Cohen, Heather Dell, Vinh-Kim Nguyen, Shanti Parikh, Heather Paxson, Stacy Leigh Pigg, Michele Rivkin-Fish
Concentrating on episodes and phenomena that occurred between 1915 and 1950, the contributors deftly render experiences ranging from those of a transgendered Zapatista soldier to upright damas católicas and Mexico City’s chicas modernas pilloried by the press and male students. Women refashioned their lives by seeking relief from bad marriages through divorce courts and preparing for new employment opportunities through vocational education. Activists ranging from Catholics to Communists mobilized for political and social rights. Although forced to compromise in the face of fierce opposition, these women made an indelible imprint on postrevolutionary society.
These essays illuminate emerging practices of femininity and masculinity, stressing the formation of subjectivity through civil-society mobilizations, spectatorship and entertainment, and locales such as workplaces, schools, churches, and homes. The volume’s epilogue examines how second-wave feminism catalyzed this revolutionary legacy, sparking widespread, more radically egalitarian rural women’s organizing in the wake of late-twentieth-century democratization campaigns. The conclusion considers the Mexican experience alongside those of other postrevolutionary societies, offering a critical comparative perspective.
Contributors. Ann S. Blum, Kristina A. Boylan, Gabriela Cano, María Teresa Fernández Aceves, Heather Fowler-Salamini, Susan Gauss, Temma Kaplan, Carlos Monsiváis, Jocelyn Olcott, Anne Rubenstein, Patience Schell, Stephanie Smith, Lynn Stephen, Julia Tuñón, Mary Kay Vaughan
Sex in the Heartland is the story of the sexual revolution in a small university town in the quintessential heartland state of Kansas. Bypassing the oft-told tales of radicals and revolutionaries on either coast, Beth Bailey argues that the revolution was forged in towns and cities alike, as "ordinary" people struggled over the boundaries of public and private sexual behavior in postwar America.
Bailey fundamentally challenges contemporary perceptions of the revolution as simply a triumph of free love and gay lib. Rather, she explores the long-term and mainstream changes in American society, beginning in the economic and social dislocations of World War II and the explosion of mass media and communication, which aided and abetted the sexual upheaval of the 1960s. Focusing on Lawrence, Kansas, we discover the intricacies and depth of a transformation that was nurtured at the grass roots.
Americans used the concept of revolution to make sense of social and sexual changes as they lived through them. Everything from the birth control pill and counterculture to Civil Rights, was conflated into "the revolution," an accessible but deceptive simplification, too easy to both glorify and vilify. Bailey untangles the radically different origins, intentions, and outcomes of these events to help us understand their roles and meanings for sex in contemporary America. She argues that the sexual revolution challenged and partially overturned a system of sexual controls based on oppression, inequality, and exploitation, and created new models of sex and gender relations that have shaped our society in powerful and positive ways.
Sixteen researchers have contributed essays to this collection that explore controversial topics, including teenage sexuality, sexual contact between children and adults, abortion, the role of cohabitation in the sexual satisfaction of couples, and how sexual behavior has changed in response to AIDS, as well as a widely heralded examination of circumcision, reported in the New York Times, which discusses the effects of the procedure on disease transmission and the preference for certain sexual practices. In its analysis, policy recommendations, and revelations about private practices, Sex, Love, and Health in America will, like the earlier volume, have a major role in shaping the discussion about American sexual behavior.
All museums are sex museums. In Sex Museums, Jennifer Tyburczy takes a hard look at the formation of Western sexuality—particularly how categories of sexual normalcy and perversity are formed—and asks what role museums have played in using display as a technique for disciplining sexuality. Most museum exhibits, she argues, assume that white, patriarchal heterosexuality and traditional structures of intimacy, gender, and race represent national sexual culture for their visitors. Sex Museums illuminates the history of such heteronormativity at most museums and proposes alternative approaches for the future of public display projects, while also offering the reader curatorial tactics—what she calls queer curatorship—for exhibiting diverse sexualities in the twenty-first century.
Tyburczy shows museums to be sites of culture-war theatrics, where dramatic civic struggles over how sex relates to public space, genealogies of taste and beauty, and performances of sexual identity are staged. Delving into the history of erotic artifacts, she analyzes how museums have historically approached the collection and display of the material culture of sex, which poses complex moral, political, and logistical dilemmas for the Western museum. Sex Museums unpacks the history of the museum and its intersections with the history of sexuality to argue that the Western museum context—from its inception to the present—marks a pivotal site in the construction of modern sexual subjectivity.
In Sex on the Kitchen Table, Norman C. Ellstrand takes us on a vegetable-laced tour of this entire sexual adventure. Starting with the love apple (otherwise known as the tomato) as a platform for understanding the kaleidoscopic ways that plants can engage in sex, successive chapters explore the sex lives of a range of food crops, including bananas, avocados, and beets, finally ending with genetically engineered squash—a controversial, virus-resistant vegetable created by a process that involves the most ancient form of sex. Peppered throughout are original illustrations and delicious recipes, from sweet and savory tomato pudding to banana puffed pancakes, avocado toast (of course), and both transgenic and non-GMO tacos.
An eye-opening medley of serious science, culinary delights, and humor, Sex on the Kitchen Table offers new insight into fornicating flowers, salacious squash, and what we owe to them. So as we sit down to dine and ready for that first bite, let us say a special grace for our vegetal vittles: let’s thank sex for getting them to our kitchen table.
Through virtuoso interpretations of works of cinema, photography, critical theory, and literature, including Lydia Davis's story "Break It Down" (reprinted in full here), Berlant and Edelman explore what it means to live with negativity, with those divisions that may be irreparable. Together, they consider how such negativity affects politics, theory, and intimately felt encounters. But where their critical approaches differ, neither hesitates to voice disagreement. Their very discussion—punctuated with moments of frustration, misconstruction, anxiety, aggression, recognition, exhilaration, and inspiration—enacts both the difficulty and the potential of encounter, the subject of this unusual exchange between two eminent critics and close friends.
Analyzes the rhetoric of contemporary sex panics to expose how homophobia, heterosexism, and transphobia define public, political, and scholarly preoccupations with sexuality and gender
In Sex Panic Rhetorics, Queer Interventions, Ian Barnard makes the counter-intuitive argument that contemporary “sex panics” are undergirded by queerphobia, even when the panics in question don’t appear to have much to do with queerness. Barnard presents six case studies that treat a wide range of sex panic rhetorics around child molesters, sex trafficking, transgenderism, incest, queer kids, and pedagogy to demonstrate this argument. By using examples from academic scholarship, political discourse, and popular culture, including the Kevin Spacey scandal and the award-winning film Moonlight, Barnard shows how homophobia and transphobia continue to pervade contemporary Western culture.
Barnard is concerned not so much with looking at the overt homophobia and transphobia that are the more obvious objects of antihomophobic and antitransphobic critique. The author’s focus, rather, is on excavating the significant traces of these panics in a neoliberal culture that has supposedly demonstrated its civility by its embrace of diversity, renunciation of its homophobic past, and attentiveness to the transgender revolution that has swept popular media and political culture in the United States and elsewhere. During a time of increasing conservative backlashes against advancing LGBTQ rights and human rights discourses in general, this book shows why it is important to attend to the liberal covers for sex panics that are not too far removed from their rhetorically conservative cousins.
Scanlan tells the story of how McLaren’s project—designed, in any case, to fail—foundered on the development of the Pistols into a great rock band and the inconvenient artistic emergence of John Lydon. Moving between London and New York, and with a fascinating cast of delinquents, petty criminals, and misfits, Sex Pistols: Poison in the Machine is not just a book about a band, it is about the times, the ideas, the coincidences, and the characters that made punk; that ended with the Sex Pistols—beaten, bloody, and overdosed—sensationally self-destructing on stage in San Francisco in January 1978; and that transformed popular culture throughout the world.
Sexual exploitation was and is a critical feature of enslavement. Across many different societies, slaves were considered to own neither their bodies nor their children, even if many struggled to resist. At the same time, paradoxes abound: for example, in some societies to bear the children of a master was a potential route to manumission for some women. Sex, Power, and Slavery is the first history of slavery and bondage to take sexuality seriously.
Twenty-six authors from diverse scholarly backgrounds look at the vexed, traumatic intersections of the histories of slavery and of sexuality. They argue that such intersections mattered profoundly and, indeed, that slavery cannot be understood without adequate attention to sexuality. Sex, Power, and Slavery brings into conversation historians of the slave trade, art historians, and scholars of childhood and contemporary sex trafficking. The book merges work on the Atlantic world and the Indian Ocean world and enables rich comparisons and parallels between these diverse areas.
Contributors: David Brion Davis, Martin Klein, Richard Hellie, Abdul Sheriff, Griet Vankeerberghen, E. Ann McDougall, Matthew S. Hopper, Marie Rodet, George La Rue, Ulrike Schmieder, Tara Iniss, Mariana Candido, James Francis Warren, Johanna Ransmeier, Roseline Uyanga with Marie-Luise Ermisch, Francesca Ann Louise Mitchell, Shigeru Sato, Gabeba Baderoon, Charmaine Nelson, Ana Lucia Araujo, Brian Lewis, Ronaldo Vainfas, Salah Trabelsi, Joost Coté, Sandra Evers, and Subho Basu
In charting the growth of the sex radical movement, Joanne E. Passet draws on a host of documents from the period -- letters, periodicals, lectures, and pamphlets -- to establish a strong link between the rise of print culture and the freedom of citizens, especially women, to build geographically dispersed communities of ideas. She also advances models of sexuality that challenge the restrictive mores of society at large and shows that the majority of correspondents who participated in the sex radical movement resided in the Midwest and the Great Plains states, where ideas of individual freedom and sovereignty resonated particularly strongly.
Passet vividly demonstrates how this sex radical movement laid the foundations upon which later generations of women’s rights crusaders and feminists would build, placing discussions of sex and sexuality squarely in the public arena.
Iggy Pop once said of women: “However close they come I’ll always pull the rug from under them. That’s where my music is made.” For so long, rock ’n’ roll has been fueled by this fear and loathing of the feminine. The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock’s dark heart—the music is often most thrilling when it is most misogynist and macho. And, looking at music made by female artists, it asks: must it always be this way?
Provocative and passionately argued, the book walks the edgy line between a rock fan’s excitement and a critic’s awareness of the music’s murky undercurrents. Here are the angry young men like the Stones and Sex Pistols, cutting free from home and mother; here are the warriors and crusaders, The Clash, Public Enemy, and U2 taking refuge in a brotherhood-in-arms; and here are the would-be supermen, with their man-machine fantasies and delusions of grandeur, from Led Zeppelin and Jim Morrison to Nick Cave and gangsta rap. The authors unravel the mystical, back-to-the-womb longings of the psychedelic tradition, from Pink Floyd, Jimi Hendrix, and Van Morrison to Brian Eno, My Bloody Valentine, and ambient techno. Alongside the story of male rock, The Sex Revolts traces the secret history of female rebellion in rock: the masquerade and mystique of Kate Bush, Siouxie, and Grace Jones, the demystifiers of femininity, like the Slits and Riot Grrl, tomboy rockers like L7 and P.J. Harvey, and confessional artists like Janis Joplin, Joni Mitchell, and Courtney Love.
A heady blend of music criticism, cultural studies, and gender theory by two of rock’s keenest observers, The Sex Revolts is set to become the key text in the women-in-rock debate.
Scandal, then as now, makes public the secret indiscretions of prominent people, engrossing its audience in salacious details that violate the very code of propriety it aims to enforce. In narratives ranging from Great Expectations to the Boulton and Park sodomy scandal of 1870–71, from Eliot’s and Trollope’s novels about scandalous women to Oscar Wilde’s writing and his trials for homosexuality, Cohen shows how, in each instance, sexuality appears couched in coded terms. He identifies an assortment of cunning narrative techniques used to insinuate sex into Victorian writing, demonstrating that even as such narratives air the scandalous subject, they emphasize its unspeakable nature.
Written with an eye toward the sex scandals that still whet the appetites of consumers of news and novels, this work is suggestive about our own modes of imagining sexuality today and how we arrived at them. Sex Scandal will appeal to scholars and general readers interested in Victorian literature, the history of sexuality, gender studies, nineteenth-century Britain, and gay, lesbian, and queer studies.
Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams
Ostertag situates this history alongside the story of an increasingly visible and political lesbian, gay, bisexual, and transgender population. He persuasively argues that scholarship on the development of sex hormone chemicals does not take into account LGBT history and activism, nor has work in LGBT history fully considered the scientific research that has long attempted to declare a chemical essence of gender. In combining these histories, Ostertag reveals the complex motivations behind hormone research over generations and expresses concern about the growing profits from estrogen and testosterone, which now are marketed with savvy ad campaigns to increase their use across multiple demographics.
Ostertag does not argue against the use of pharmaceutical hormones. Instead he points out that at a time when they are increasingly available, it is more important than ever to understand the history and current use of these powerful chemicals so that everyone—within the LGBT community and beyond—can make informed choices.
In this short, thoughtful, and engaging book, Ostertag tells a fascinating story while opening up a wealth of new questions and debates about gender, sexuality, and medical treatments.
Sex, Sexuality, and the Anthropologist recounts the real-life experiences of anthropologists who are forced to acknowledge that their hosts in the field view them as gendered beings in a social context, not as asexual, objective observers. Far from controlling the research environment and defining the terms of interviewer-informant relationships, these researchers find they must engage in a process of negotiating their position—including their sexual position—within the communities they study.
Ranging from public baths in Austria to lesbian bars in Taiwan and from Mexico to Nigeria to Finland to Japan, Sex, Sexuality, and the Anthropologist raises critical questions about ethnographers' reflexivity, subjectivity, and detachment, confronting the challenge of a holistic approach to the anthropological enterprise.
Ranging from Cold War tensions to gender anxiety to controversies around doping, Lindsay Parks Pieper explores sex testing in sport from the 1930s to the early 2000s. Pieper examines how the IOC in particular insisted on a misguided binary notion of gender that privileged Western norms. Testing evolved into a tool to identify--and eliminate--athletes the IOC deemed too strong, too fast, or too successful. Pieper shows how this system punished gifted women while hindering the development of women's athletics for decades. She also reveals how the flawed notions behind testing--ideas often sexist, racist, or ridiculous--degraded the very idea of female athleticism.
Bonhomme argues that the public belief in sex thieves cannot be considered a superstition or form of mass hysteria. Rather, he brings to light multiple factors that explain the rumor’s success and shows how the cultural dynamic can operate on a vast scale. Analyzing the rumor on both transnational and local levels, he demonstrates how it arises from the ambiguities and dangers of anonymity, and thus that it reveals an occult flipside to everyday social interaction. Altogether, this book provides both richly ethnographic and theoretical understandings of urban sociality and the dynamics of human communication in contemporary Africa and beyond.
Case studies explore how women’s rights shape state responses to sex trafficking and show how politically empowering women can help prevent and combat human trafficking
Human trafficking for the sex trade is a form of modern-day slavery that ensnares thousands of victims each year, disproportionately affecting women and girls. While the international community has developed an impressive edifice of human rights law, these laws are not equally recognized or enforced by all countries. Sex Trafficking and Human Rights demonstrates that state responsiveness to human trafficking is shaped by the political, social, cultural, and economic rights afforded to women in that state.
While combatting human trafficking is a multiscalar problem with a host of conflating variables, this book shows that a common theme in the effectiveness of state response is the degree to which women and girls are perceived as, and actually are, full citizens. By analyzing human trafficking cases in India, Thailand, Russia, Nigeria, and Brazil, they shed light on the factors that make some women and girls more susceptible to traffickers than others.
This important book is both a call to understanding and a call to action: if the international community and state governments are to responsibly and effectively combat human trafficking, they must center the equality of women in national policy.
In 1968, Pope Paul VI published Humanae vitae, the encyclical that reaffirmed the Catholic Church’s continued opposition to the use of any form of artificial contraception. In Sex, Violence, and Justice: Contraception and the Catholic Church, Aline Kalbian outlines the Church’s position against artificial contraception as principally rooted in three biblical commandments. In addition, Kalbian shows how discourses about sexuality, both in the Church and in culture, are often tied to discourses of violence, harm and social injustice. These ties reveal that sexual ethics is never just about sex; it is about the vulnerability of the human body and the challenges humans face in trying to maintain just and loving relationships.
As Kalbian explores and contrasts the Catholic Church’s stance toward condoms and HIV/AIDS, emergency contraception in cases of rape, and contraception and population control, she underscores how contraception is not just a private decision, but a deeply social, cultural, and political one, with profound global implications. Kalbian concludes that even the most tradition-bound communities rely on justificatory schemes that are fluid and diverse. Taking this diversity seriously helps us to understand how religious traditions change and develop.
Sex, Violence, and Justice will be of interest to students and scholars of Catholic moral theology, sexual ethics, religion and society, gender and religion, as well as to specialists and practitioners in public health.
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