A striking biography of Marie Curie, the first woman to win a Nobel Prize and the only person ever to win Nobel Prizes in two disciplines.

Marie Curie is most famous for her pioneering work in the field of radioactivity and for discovering two new elements, polonium and radium. Curie not only broke scientific barriers but defied the gender expectations of her time amidst a male-dominated scientific community.

This revised edition of Curie, with a new introduction from the author, debunks myths about Curie, rejecting the notion of her as cold and reserved and recasting her as the dynamic and lively woman she truly was. Sarah Dry illuminates Curie’s personal and professional struggles: the demands of motherhood, the public scrutiny she faced, the grief she suffered after the loss of her husband, and her exposure to radiation. Ultimately, Curie emerges as an astonishingly resilient figure whose contributions to science and courage during adversity make her an enduring example, and a woman whose powerful legacy continues to inspire today.

“Beware! Against the poison that is Africa, there is but one antidote: Vichy.” So ran a 1924 advertisement for one of France’s main spas. Throughout the French empire, spas featuring water cures, often combined with “climatic” cures, thrived during the nineteenth century and the twentieth. Water cures and high-altitude resorts were widely believed to serve vital therapeutic and even prophylactic functions against tropical disease and the tropics themselves. The Ministry of the Colonies published bulletins accrediting a host of spas thought to be effective against tropical ailments ranging from malaria to yellow fever; specialized guidebooks dispensed advice on the best spas for “colonial ills.” Administrators were granted regular furloughs to “take the waters” back home in France. In the colonies, spas assuaged homesickness by creating oases of France abroad. Colonizers frequented spas to maintain their strength, preserve their French identity, and cultivate their difference from the colonized.

Combining the histories of empire, leisure, tourism, culture, and medicine, Eric T. Jennings sheds new light on the workings of empire by examining the rationale and practice of French colonial hydrotherapy between 1830 and 1962. He traces colonial acclimatization theory and the development of a “science” of hydrotherapy appropriate to colonial spaces, and he chronicles and compares the histories of spas in several French colonies—Guadeloupe, Madagascar, Tunisia, and Réunion—and in France itself. Throughout Curing the Colonizers, Jennings illuminates the relationship between indigenous and French colonial therapeutic knowledge as well as the ultimate failure of the spas to make colonialism physically or morally safe for the French.

These essays reveal the poet's fascination with the relationship between language and emotional life

"Pithy and wide-ranging. . . . This study provides a fresh new lens through which to reinvestigate the whole of early modern English literature."—Library Journal

In this striking social history, Barbara M. Benedict draws on the texts of the early modern period to discover the era's attitudes toward curiosity, a trait we learn was often depicted as an unsavory form of transgression or cultural ambition.

With the recent landing of the Mars rover Curiosity, it seems safe to assume that the idea of being curious is alive and well in modern science—that it’s not merely encouraged but is seen as an essential component of the scientific mission. Yet there was a time when curiosity was condemned. Neither Pandora nor Eve could resist the dangerous allure of unanswered questions, and all knowledge wasn’t equal—for millennia it was believed that there were some things we should not try to know. In the late sixteenth century this attitude began to change dramatically, and in Curiosity: How Science Became Interested in Everything, Philip Ball investigates how curiosity first became sanctioned—when it changed from a vice to a virtue and how it became permissible to ask any and every question about the world.

 

Looking closely at the sixteenth through eighteenth centuries, Ball vividly brings to life the age when modern science began, a time that spans the lives of Galileo and Isaac Newton. In this entertaining and illuminating account of the rise of science as we know it, Ball tells of scientists both legendary and lesser known, from Copernicus and Kepler to Robert Boyle, as well as the inventions and technologies that were inspired by curiosity itself, such as the telescope and the microscope. The so-called Scientific Revolution is often told as a story of great geniuses illuminating the world with flashes of inspiration. But Curiosity reveals a more complex story, in which the liberation—and subsequent taming—of curiosity was linked to magic, religion, literature, travel, trade, and empire. Ball also asks what has become of curiosity today: how it functions in science, how it is spun and packaged for consumption, how well it is being sustained, and how the changing shape of science influences the kinds of questions it may continue to ask.

 

Though proverbial wisdom tell us that it was through curiosity that our innocence was lost, that has not deterred us. Instead, it has been completely the contrary: today we spend vast sums trying to reconstruct the first instants of creation in particle accelerators, out of a pure desire to know. Ball refuses to let us take this desire for granted, and this book is a perfect homage to such an inquisitive attitude.

The first English-language collection to establish curiosity studies as a unique field

 

From science and technology to business and education, curiosity is often taken for granted as an unquestioned good. And yet, few people can define curiosity. Curiosity Studies marshals scholars from more than a dozen fields not only to define curiosity but also to grapple with its ethics as well as its role in technological advancement and global citizenship. While intriguing research on curiosity has occurred in numerous disciplines for decades, no rigorously cross-disciplinary study has existed—until now. 

Curiosity Studies stages an interdisciplinary conversation about what curiosity is and what resources it holds for human and ecological flourishing. These engaging essays are integrated into four clusters: scientific inquiry, educational practice, social relations, and transformative power. By exploring curiosity through the practice of scientific inquiry, the contours of human learning, the stakes of social difference, and the potential of radical imagination, these clusters focus and reinvigorate the study of this universal but slippery phenomenon: the desire to know. 

Against the assumption that curiosity is neutral, this volume insists that curiosity has a history and a political import and requires precision to define and operationalize. As various fields deepen its analysis, a new ecosystem for knowledge production can flourish, driven by real-world problems and a commitment to solve them in collaboration. By paying particular attention to pedagogy throughout, Curiosity Studies equips us to live critically and creatively in what might be called our new Age of Curiosity.

Contributors: Danielle S. Bassett, U of Pennsylvania; Barbara M. Benedict, Trinity College; Susan Engel, Williams College; Ellen K. Feder, American U; Kristina T. Johnson, Massachusetts Institute of Technology; Narendra Keval; Christina León, Princeton U; Tyson Lewis, U of North Texas; Amy Marvin, U of Oregon; Hilary M. Schor, U of Southern California; Seeta Sistla, Hampshire College; Heather Anne Swanson, Aarhus U.

Around the time Louis Jacques Mandé Daguerre perfected his method for fixing images on polished metal plates in 1839, Harvard was emerging as a modern research institution. Accordingly, the college began amassing vast collections for teaching and research. Among these collections in the university's libraries, museums, archives, and academic departments are some of the earliest photographic documents of American life: daguerreotypes.

A Curious and Ingenious Art brings together a representative sampling of Harvard's internationally significant but relatively unknown collection of daguerreotypes. Many of these images were made for, by, and of members of the university's community and have been in its holdings for more than 150 years. The collection includes the work of some of America's pioneering daguerreotypists, such as Mathew Brady, Southworth and Hawes, and John Adams Whipple. Most notably, the Harvard collection preserved for posterity such faces of the era as Oliver Wendell Holmes, Ralph Waldo Emerson, Harriet Beecher Stowe, Henry James, James McNeill Whistler, Dorothea Dix, Jenny Lind, and even Tom Thumb.

The university also seized upon photography as a tool of scientific research, stunningly exemplified in one of the first detailed daguerreotypes of the moon taken in 1851 as well as in images capturing the emergence of modern anesthesia. An unfortunate misuse of photography is recalled in the now famous slave daguerreotypes commissioned by natural historian Louis Agassiz, who believed in the theory of separate human species.

The Harvard collection represents the early history of photography and its social meaning. The accompanying essays explore the personal, telling histories behind the images, stories that unveil the reflections of individuals who searched for purpose and promise in the new medium.

Early seventeenth-century Italy saw a revolution in instrumental music. Large, varied, and experimental, the new instrumental repertoire was crucial for the Western tradition—but until now, the impulses that gave rise to it had yet to be fully explored. Curious and Modern Inventions offers fresh insight into the motivating forces behind this music, tracing it to a new conception of instruments of all sorts—whether musical, artistic, or scientific—as vehicles of discovery.

Rebecca Cypess shows that early modern thinkers were fascinated with instrumental technologies. The telescope, the clock, the pen, the lute—these were vital instruments for leading thinkers of the age, from Galileo Galilei to Giambattista Marino. No longer used merely to remake an object or repeat a process already known, instruments were increasingly seen as tools for open-ended inquiry that would lead to new knowledge. Engaging with themes from the history of science, literature, and the visual arts, this study reveals the intimate connections between instrumental music and the scientific and artisanal tools that served to mediate between individuals and the world around them.

Curious Attractions: Essays on Fiction Writing is a book about what makes fiction work. In nine entertaining and instructive essays, novelist and master teacher Debra Spark pursues key questions that face both aspiring and accomplished writers, including: How does a writer find inspiration? What makes a story's closing line resonate? How can a writer "get" style? Where should an author "stand" in relation to his or her characters?

While the book will have immediate appeal for students of writing, it will also be of interest to general readers for its in-depth reading of contemporary fiction and for its take on important issues of the day: Should writers try to be more uplifting? How is emotion best conveyed in fiction? Why are serious writers in North America wedded to the realist tradition?

When she was only twenty-three, Debra Spark's best-selling anthology 20 Under 30 introduced readers to some of today's best writers, including David Leavitt, Susan Minot, Lorrie Moore, Ann Patchett, and Mona Simpson. Almost twenty years later, Spark brings this same keen critical eye to Curious Attractions, discussing a broad range of authors from multiple genres and generations.

A collection of essays in the belles-lettres tradition, Curious Attractions offers lively and instructive discussions of craft flavored with autobiographical reflections and commentary on world events. Throughout, Spark's voice is warm, articulate, and engaging as it provides valuable insights to readers and writers alike.

Beachcombing, overturning a boulder, or simply parting the strands of seaweed in a rock pool can offer a glimpse into a thriving underwater world of astonishing creatures. Starfish which, upon losing an arm, can grow a new one; ethereal moon jellyfish pulsating in the current; baby sharks hatching from their fancifully named ‘mermaids’ purses.’

This veritable marine bestiary tells these fascinating stories of life between the tides. Featuring stunning oil paintings by the author, Curious Creatures on our Shores presents over fifty of the most unusual and remarkable marine organisms found on British coasts, from beloved seahorses and starfish to lesser-known critters like sea potatoes and sea lemons.

Inspired by the Oxford University Museum of Natural History’s exceptionally rich zoology collections, which contain millions of specimens amassed from centuries of expeditions, this book invites us to marvel anew at the natural wonders found where water and land meet.
 

Michael R. Jeffords and Susan L. Post have circled the globe--and explored their neighborhood--collecting images of the natural world. This book opens their personal cabinet of curiosities to tell the stories of the pair's most unusual encounters. From the "necking" battles of mate-hungry giraffes to the breathtaking beauty of millions of monarch butterflies at rest, Jeffords and Post share 200 stunning photographs and their own insightful essays to guide readers on a spectacular journey. Their training as entomologists offers unique perspectives on surprise stag beetle swarms and spider hunting habits. Their photographic eye, honed by decades of observation, finds expression in once-in-a-lifetime images. The result is an eyewitness collection of startling and unusual phenomena that illuminates the diverse life inhabiting our planet.

Winner of the 2016 American Book Award, the 2016 Arab American Book Award, and the 2014 Grace Paley Prize in Short Fiction
Susan Muaddi Darraj's short story collection about the inhabitants of a Palestinian West Bank village, Tel al-Hilou, spans generations and continents to explore ideas of memory, belonging, connection, and, ultimately, the deepest and richest meaning of home. A Curious Land gives voice to the experiences of Palestinians in the last century.

An excerpt from A Curious Land:

When Rabab lowered the magad and clapped-clapped to the well in her mother's too-big slippers, the stone jar digging into her shoulder, she didn't, at first, see the body. The morning sun glazed everything around her—the cement homes, the iron rails along one wall, the bars on the windows, the stones around the well—and made her squint her itchy eyes.

She was hungry. That was all.

They'd arrived here only last night, stopping as soon as Awwad and the men were sure the army had moved south. It must have been the third time in just a few weeks—collapse the tents, load the mules, disappear into the sands. She hoped this war would end soon, and she didn't really care who won, as long as it ended because they hadn't eaten well in two years. In the past few months, her mother had sold all her gold, except for her bracelet made of liras. It was the only thing left, and she was holding onto it, and Rabab realized, so were they all; she imagined that, the day it was sold, when her mother's wrist was bare, would signal that they were at the end.

Since that ancient day when the first human drew a line connecting Point A to Point B, maps have been understood as one of the most essential tools of communication. Despite differences in language, appearance, or culture, maps are universal touchstones in human civilization.
 
Over the centuries, maps have served many varied purposes; far from mere guides for reaching a destination, they are unique artistic forms, aides in planning commercial routes, literary devices for illuminating a story. Accuracy—or inaccuracy—of maps has been the make-or-break factor in countless military battles throughout history. They have graced the walls of homes, bringing prestige and elegance to their owners. They track the mountains, oceans, and stars of our existence. Maps help us make sense of our worlds both real and imaginary—they bring order to the seeming chaos of our surroundings.
 
With The Curious Map Book, Ashley Baynton-Williams gathers an amazing, chronologically ordered variety of cartographic gems, mainly from the vast collection of the British Library. He has unearthed a wide array of the whimsical and fantastic, from maps of board games to political ones, maps of the Holy Land to maps of the human soul. In his illuminating introduction, Baynton-Williams also identifies and expounds upon key themes of map production, peculiar styles, and the commerce and collection of unique maps. This incredible volume offers a wealth of gorgeous illustrations for anyone who is cartographically curious. 

New England is truly a Cabinet of Curiosities, and this indispensable guide directs you to its most bizarre, off the wall, and unsettling exhibits. Some evoke hilarity, some horror. Discover singing sand, glowing tombstones, ghostly squirrels, and a musical instrument said to cause madness. Marvel at the most mysterious manuscript in the world. Visit a miniature replica of the Holy Land or climb carved stone steps leading . . . nowhere. Curious New England points the way to all the tantalizing treats and terrifying treasures that remain tucked away in overlooked museums, private collections, and forgotten recesses of this very special region. *A cursed statue in Maine *Ageless American Megaliths *A window embedded in Vermont earth *Titus’s Arch on a New Hampshire hilltop *Artwork made from insect parts With precise directions, hours, and contact information, these fascinating pages reveal each mystery, miracle, and marvel, from world-class weirdness, to minor curiosities, to entertaining distractions. There'll be no more boring Sunday drives when you can visit a spider farm, explore the laboratory of “mad” scientist Wilhelm Reich, view the Hobo Hotel, and observe houses made from paper, wooden crates, mounds of earth—even covered bridges. And New England’s wonders never cease: discover evidence of manned flight a century before the Wright Brothers; visible phantoms manifesting from marble columns; and automobiles emerging from tarmac like dinosaurs from pits of tar. This one-of-a-kind collection spotlights all six New England states, illuminating everything that’s wicked, weird, and wonderful in every hidden corner of a region that rivals Old England in mysteries, miracles, and marvels.

Charles Dickens is among the greatest English novelists, and the power of his prose can be found in his portrayals of the harsh social realities of his time, from the depiction of poverty-stricken orphan Oliver Twist to the squalor of the slums and skewering of the justice system in Bleak House.

Published to celebrate the twohundredth anniversary of Dickens’s birth, this book brings together quotations from Dickens’s novels and letters with photographs of their original covers and Victorian-era images—among them, prints, posters, and newspaper pieces—that shed light on the topics about which Dickens writes. Ordered by theme, the book covers such topics as schools in Victorian England, domestic entertainment, the introduction of the railroad, and the poor conditions in prisons and workhouses, which loom large in Dickens’s novels—and, indeed, his own childhood. Dickens was also an avid theater enthusiast who arranged productions and public readings of many of his works, and this book explores his role throughout his later years in adroitly adapting his novels for the stage.

The Curious World of Dickens breathes new life on this momentous occasion into the vibrant world inhabited by Dickens and his characters.

A miscellany of sorts, preeminent author and critic Nicholas Delbanco’s Curiouser and Curiouser attests to a lifelong interest in music and the visual arts as well as both “mere” and “sheer” literature. With essays ranging from the restoration of his father-in-law’s famed Stradivarius cello—known throughout the world as “The Countess of Stanlein”—to a reimagining of H. A. and Margaret Rey’s lives and the creation of their most beloved character, Curious George, Delbanco examines what it means to live and love with the arts.
 
 
Whether exploring the history of personal viewing in the business of museum-going, musing on the process of rewriting one’s earliest published work, or looking back on the twists and turns of a life that spans the greater part of the twentieth century and into the twenty-first, Delbanco’s Curiouser and Curiouser invites adventurous readers to follow him down the rabbit hole as he reflects on life as a student, an observer, a writer, a lover, a father, a teacher, and most importantly, a participant in the everyday experiences of human life.
 

Classic essays and new work on the issue of childhood sexuality and its “queer resonances”

Our culture has a dominant narrative about children: they are (and should stay) innocent of sexual desires and intentions. At the same time, children are officially, tacitly, assumed to be heterosexual. Curiouser is a book about this narrative and what happens when it takes an unexpected, or queer, turn—when the stories of childhood must confront a child whose play does not conform to the ideal of child (a)sexuality.

The contributors to Curiouser examine the ostensibly simple representations of children that circulate through visual images, life narrative, children’s literature, film, and novels. At issue in these essays are the stories we tell to children, the stories we tell about children, and the stories we tell ourselves as children—stories that ultimately frame what is normative and what is queer. From the fiction of Horatio Alger, Henry James, Djuna Barnes, and Guy Davenport to the spectacles of Michael Jackson, Calvin Klein, and The Exorcist; from the narrative structure of pedophilia to evangelical Christianity; from punk tomboyism to queer girl-scouting: these scholars of childhood and sexuality scrutinize queer childhood energies in an impressive range of cultural forms. Contributors: Lauren Berlant, U of Chicago; Andre Furlani, Concordia U; Judith Halberstam, U of California, San Diego; Ellis Hanson, Cornell U; Paul Kelleher; Kathryn R. Kent, Williams College; James R. Kincaid, U of Southern California; Richard D. Mohr, U of Illinois, Urbana; Michael Moon, Johns Hopkins U; Kevin Ohi, Boston College; Eric Savoy, U of Montreal; Eve Kosofsky Sedgwick, CUNY Graduate Center; Kathryn Bond Stockton, U of Utah; Michael Warner, Rutgers U.

When Earl "Curly" Lambeau was a young boy growing up in Green Bay in the early 1900s, he and his friends didn't have money for a football. Instead, they kicked around a salt sack filled with sand, leaves, and pebbles. That humble beginning produced a single-minded drive for the figure whose name now graces the Green Bay Packers' stadium.

This title in the Badger Biographies series charts the course of Curly Lambeau's career as a flamboyant player and coach, which paralleled the rise of professional football in this country. Lambeau revolutionized the way football is played by legitimizing passing in a game that had previously centered on running. His dedication to popularizing football in Green Bay and in the state helped build the Packer organization into the institution it has become. Yet, he was not without flaws, and this biography presents a full picture of a man whose ambitions complicated his legacy.

There is no universally accepted definition of a currency crisis, but most would agree that they all involve one key element: investors fleeing a currency en masse out of fear that it might be devalued, in turn fueling the very devaluation they anticipated. Although such crises—the Latin American debt crisis of the 1980s, the speculations on European currencies in the early 1990s, and the ensuing Mexican, South American, and Asian crises—have played a central role in world affairs and continue to occur at an alarming rate, many questions about their causes and effects remain to be answered. In this wide-ranging volume, some of the best minds in economics focus on the historical and theoretical aspects of currency crises to investigate three fundamental issues: What drives currency crises? How should government behavior be modeled? And what are the actual consequences to the real economy?

Reflecting the latest thinking on the subject, this offering from the NBER will serve as a useful basis for further debate on the theory and practice of speculative attacks, as well as a valuable resource as new crises loom.

In 1998, Don Nichols returned regularly to Iowa from his life and job in Washington, D.C., to be with his dying father and to oversee his parents’ investments. A veteran investor and investment author, Nichols found that managing the portfolio entrusted to him brought a larger understanding of mortality, family, love, work, and the choices he had made as “an agri-kid who took the road out of town and kept going.” In this insightful and money-wise book that grew out of that experience, he merges the emotions of a dutiful son with the actions of a knowledgeable investor.

At any given time, a limited number of national currencies are used as instruments of international commerce, to settle foreign trade transactions or store value for investors and central banks. How countries whose currencies gain international appeal choose to use this status forms their strategy of currency statecraft. In different circumstances, issuing governments may welcome and promote the internationalization of their currency, tolerate it, or actively oppose it. Benjamin J. Cohen offers a provocative explanation of the strategic policy choices at play.
           
In a comprehensive review that ranges from World War II to the present, Cohen convincingly argues that one goal stands out as the primary motivation for currency statecraft: the extent of a country’s geopolitical ambition, or how driven it is to build or sustain a prominent place in the international community. When a currency becomes internationalized, it generally increases the power of the nation that produces it. In the persistent contestation that characterizes global politics, that extra edge can matter greatly, making monetary rivalry an integral component of geopolitics. Today, the major example of monetary rivalry is the emerging confrontation between the US dollar and the Chinese renminbi. Cohen describes how China has vigorously promoted the international standing of its currency in recent years, even at the risk of exacerbating relations with the United States, and explains how the outcome could play a major role in shaping the broader geopolitical engagement between the two superpowers. 
 

For decades Continental theorists from Derrida to Deleuze have engaged in provocative, penetrating, and often extensive examinations of modern philosophers-studies that have opened up new ways to think about figures such as Descartes, Spinoza, Leibniz, Locke, Hume, Rousseau, and Kant. This volume, for the first time, gives this work its due. A systematic rereading of early modern philosophers in the light of recent Continental philosophy, it exposes overlooked but critical aspects of sixteenth- through eighteenth-century philosophy even as it brings to light certain historical assumptions that have colored-and distorted-our understanding of modernist thought. This volume thus retrieves modern thinkers from the modernistic ways in which they have been portrayed since the nineteenth century; at the same time, it enhances our view of the roots and concerns of current Continental thought.

What claims does the early modern period have on contemporary philosophy? How have recent theorists engaged this material, and why? In answer, some of these essays explore how major Continental theorists such as Derrida, Deleuze, Le Doeuff, Irigaray, Kristeva, and Althusser explicate the ideas of classical modern thinkers; others draw on recent Continental insights to examine the doctrines of modern philosophers beginning with Machiavelli and ending with Kant. Together they show how current Continental theory reinvigorates the study of the history of modern philosophers by transforming not only how we interpret their answers to certain questions, but also how we understand the very nature of these questions.

Paleoethnobotany offers powerful tools for reconstructing past cultures by examining the interaction of human populations with the plant world. Plant remains from archaeological sites can provide information for a number of disciplines: archaeologists may use such remains to examine how plants were used, how agriculture changed over time, or how plant offerings in burials signaled social status; ecologists and botanists may use them to study morphological changes in plants due to domestication.

Combining case studies and theoretical discussions, Current Paleoethnobotany presents the first full discussion of the major stages and problems of paleoethnobotanical research, from designing and testing equipment, such as flotation machines, to quantification and interpretation. The volume explores a wide range of issues concerning collection techniques, analytical procedures, and interpretive models that will provide accurate information about past human societies from plant remains. The contributors offer data on specific regions as well as more general background information on the basic techniques of paleoethnobotany for the nonspecialist. Throughout, they explicitly examine the assumptions underlying paleoethnobotanical methods and the ways in which those assumptions affect anthropological and ecological research questions.

Based on a symposium presented at the 1985 meeting of the Society for American Archaeology, Current Paleoethnobotany moves beyond a technique-oriented view of paleoethnobotany to successfully integrate current thinking about both procedures and research goals. The contributors demonstrate the potential value of the field of paleoethnobotany and open the way for further discussion and improvement.

Current and Mesons is the most recent publication in the Chicago Lectures in Physics series. The book presents Professor Sakurai's introduction to a new field of elementary particle physics which has become increasingly important in the past few years. It is based on a course given to his advanced graduate students in theoretical high-energy physics at the University of Chicago.

The author begins with a brief review of SU (3). The major topics then treated are the divergence condition and current commutation relations, vector meson universality, PCAC and the Goldberger-Treiman relation, soft pion processes, and asymptotic symmetries and spectral-function sum rules. The book concludes with a discussion of notation and of normalization convention.

Professor Sakurai's work deals with topics on which much of current discussion on the theory of elementary particles is focused. The material is designed for the advanced student who is seriously interested in doing original work, and as such provides a much needed introduction to the present literature in the field.

“Applebee's central point, the need to teach 'knowledge in context,' is absolutely crucial for the hopes of any reformed curriculum. His experience and knowledge give his voice an authority that makes many of the current proposals on both the left and right seem shallow by comparison.”—Gerald Graff, University of Chicago

Welcome to Milton High School, where fear is a teacher’s best tool and every student is a soldier in the war on terror. A struggling public school outside the nation’s capital, Milton sat squarely at the center of two trends: growing fear of resurgent terrorism and mounting pressure to run schools as job training sites. In response, the school established a specialized Homeland Security program. 

A Curriculum of Fear takes us into Milton for a day-to-day look at how such a program works, what it means to students and staff, and what it says about the militarization of U.S. public schools and, more broadly, the state of public education in this country. Nicole Nguyen guides us through a curriculum of national security–themed classes, electives, and internships designed through public-private partnerships with major defense contractors like Northrop Grumman and federal agencies like the NSA. She introduces us to students in the process of becoming a corps of “diverse workers” for the national security industry, learning to be “vigilant” citizens; and she shows us the everyday realities of a program intended to improve the school, revitalize the community, and eliminate the achievement gap. 

With reference to critical work on school militarization, neoliberal school reform, the impact of the global war on terror on everyday life, and the political uses of fear, A Curriculum of Fear maps the contexts that gave rise to Milton’s Homeland Security program and its popularity. Ultimately, as the first ethnography of such a program, the book provides a disturbing close encounter with the new normal imposed by the global war on terror—a school at once under siege and actively preparing for the siege itself.

Sociologist Harry L. Gracey spent two years studying an East-Coast school system, which he calls "Brookview," and determined that the bureaucratic social structure of schools can have a profound and irreversibly negative effect on the creativity of teachers. This volume tells the story of the "Wilbur Wright" elementary school in Brookview. It examines the relationship between the educational institution as a bureaucracy and the goals of the two main types of teaching orientation found in elementary schools such as Wright.

The majority of teachers are "production" oriented. They believe that their job is to see that the children in their charge complete as much of the standardized grade level curriculum as possible during the school year. They do achieve some success in preparing children for life in a society where bureaucracy is the dominant form of social organization.

The other significant type of teaching orientation is that of the "craftsmen." These instructors see their goal as the development of each individual's learning potential, with the curriculum built upon the specific needs and interests of each child. Bureaucratic school structures do nothing to promote this kind of teaching.

Any ideas that are at variance with the school's organizational structure will fail. The craftsman teachers do not have the time to communicate the standardized programs desired by the school board and also to make use of their own individualistic techniques. Further, the continued use of the former cancels the effects of the craftsman approach.

In delineating his conclusions, Professor Gracey includes his observations on the community and educational setting of the study, the two types of teachers, the administration, the parents, and the children's response to educational organization.

This study is unique in approaching its educational subject matter from a sociological point of view; Professor Gracey intended it as a study of behavior in organizations. It should also serve educational goals, however, and will therefore interest educators and concerned citizens as well as sociologists.

 
"In its hard headed, richly documented concreteness, it is worth a thousand polemics."
-- New York Times, from a review of the first edition
"The Curse deserves a place in every women's studies library collection."
-- Sharon Golub, editor of Lifting the curse of Menstruation
"A stimulating and useful book, both for the scholarly and the general reader."
-- Paula A. Treichler, co-author of A Feminist Dictionary
 

The Curse of Cain confronts the inherent ambiguities of biblical stories on many levels and, in the end, offers an alternative, inspiring reading of the Bible that is attentive to visions of plenitude rather than scarcity, and to an ethics based on generosity rather than violence.

"[A] provocative and timely examination of the interrelationship of monotheism and violence. . . . This is a refreshing alternative to criticism-biblical and otherwise-that so often confuses interpretation with closure; it is an invitation to an ethic of possibility, plenitude, and generosity, a welcome antidote to violence, as important for its insights into memory, identity, and place as for its criticism of monotheism's violent legacy."—Booklist

"Brilliant and provocative, this is a work demanding close attention from critics, theologians, and all those interested in the imaginative roots of common life."—Rowan Williams, Bishop of Monmouth

"A stunningly important book."—Walter Brueggemann, Theology Today

"Artfully rendered, endlessly provocative."—Lawrence Weschler, New Yorker

Curt Flood, former star center fielder for the St. Louis Cardinals, is a hero to many for selflessly sacrificing his career to challenge the legality of baseball’s reserve system. Although he lost his case before the Supreme Court, he has become for many a martyr in the eventually successful battle for free agency. Sportswriters and fans alike have helped to paint a picture of Flood as a larger-than-life figure, a portrait that, unhappily, cannot stand closer inspection. This book reveals the real Curt Flood—more man than myth.

Flood stirred up a hornet’s nest by refusing to be traded from the Cardinals to the Philadelphia Phillies after the 1969 season, arguing that Major League Baseball’s reserve system reduced him to the status of bondage. Flood decided to resist a system in which his contract could be traded without his consent and in which he was not at liberty to negotiate his services in an open market. Stuart Weiss examines the man behind the decision, exploring the span of Flood’s life and shedding light on his relationships with those who helped shape his determination to sue baseball and providing a new perspective on the lawsuit that found its way to the U.S. Supreme Court.

Although a superb player, Flood was known to be temperamental and sensitive; in suing Major League Baseball he transformed his grievances against the Cardinals front office into an attack on how the business of big-league ball was conducted. Weiss shows that Flood was far from the stereotypical “dumb jock” but was rather a proud, multifaceted black man in a business run by white moguls. By illuminating Flood’s private side, rarely seen by the public, he reveals how Flood misled a gullible press on a regular basis and how his 1971 memoir, The Way It Is, didn’t tell it the way it really was.

Drawing on previously untapped sources, Weiss examines more fully and deeply than other writers the complexities of Flood’s decision to pursue his lawsuit—and demonstrates that the picture of Flood as a martyr for free agency is a myth. He suggests why, of all the players traded or sold through the years, it was Flood who brought this challenge. Weiss also explains how Flood’s battle against the reserve system cannot be understood in isolation from the personal experiences that precipitated it, such as his youth in a dysfunctional home, his troubled first marriage, his financial problems, and his unwavering commitment to the Cardinals.

The Curt Flood Story is a realistic account of an eloquent man who presented a warm, even vulnerable, face to the public as well as to friends, while hiding his inner furies. It shows that Flood was neither a hero nor a martyr but a victim of unique circumstances and his own life.

“I here and there o’heard a Coxcomb cry,
Ah, rot—’tis a Woman’s Comedy.”

Thus Aphra Behn ushers in a new era for women in the British Theatre (Sir Patient Fancy, 1678). In the hundred years that were to follow—and exactly those years that Curtain Calls examines—women truly took the theater world by storm.

For each woman who chose a career in the theater world of the eighteenth century, there is a unique tale of struggle, insult, success, good or bad fortune, disaster, seduction, or fame. Whether acting, writing, reviewing, or stage managing, women played a major, if frequently unacknowledged, role in the history of the theater from the late seventeenth through the early nineteenth centuries. From Alpha Behn’s earliest plays through the glorious celebrity of Sara Siddons, women molded the taste of the age and carved out in the theater one of the few available opportunities for independence and renown.

Not all the women who tried succeeded, of course, and even the best faced opposition as they challenged the male stronghold of playwriting and theater managing. Curtain Calls maps the new territory as these pioneering women staked it for their own; it chronicles their lives, their triumphs, and their losses.

We begin with Aphra Behn, whose first play was staged in 1670, and conclude in the early decades of the nineteenth century with Inchbald and Siddons. The one hundred and fifty years encompassed by their lives contain the careers of dozens of lesser–known women, a network, as Dr. Johnson would have it, encompassing both talent and tribulation.

Contributors include: Edward Langhans, Linda R. Payne, Pat Rogers, Maureen e. Mulvihill, Deborah Payne, Betty Rizzo, Ellen Donkin, Frances M. Kavenik, Jessica Munns, nancy Cotton, Edna L. Steevs, Doreen Saar, Jean B. Kern, Katherine M. Rogers, Constance Clark, William J. Burling, Judith Phillips Stanton, Douglas Butler, Rose Zimbardo, and the editors.

In this clear-minded but sobering book, Michael M. Kaiser assesses the current state of arts institutions—orchestras; opera, ballet, modern dance, and theater companies; and even museums. According to Kaiser, new developments in the twenty-first century, including the Internet explosion, the death of the recording industry, the near-death of subscriptions, economic instability, the focus on STEM education in schools, the introduction of movie-theater opera, the erosion of newspapers, the threat to serious arts criticism, and the aging of the donor base have together created tremendous challenges for all arts organizations. Using Michael Porter’s model of industry structure to describe how industries evolve, Kaiser argues persuasively that unless steps are taken now, midsized performing arts institutions will have all but evaporated by 2035. Only the largest arts organizations will survive, with tickets priced for the very wealthy and programming limited to the most popular and lucrative productions. Kaiser concludes with a call to arms. With three extraordinary decades’ experience as an arts administrator behind him, he advocates passionately for risk-taking in programming and more creative marketing, and details what needs to happen now—building strong donor bases, creating effective boards, and collective action—to sustain the performing arts for generations to come.

Psychoanalyst, teacher, and scholar, Heinz Kohut was one of this century's most important intellectuals. A rebel, according to many mainstream psychoanalysts, Kohut challenged Freudian orthodoxy and the medical control of psychoanalysis in America. His success in treating narcissistic disorders and his highly influential book How Does Analysis Cure? established Kohut's Self Psychology as the strongest rival to traditional psychoanalysis today.

The Curve of Life reveals Kohut's private and public life through a unique collection of lively and thoughtful correspondence with colleagues, public figures, family, and close friends. Over 300 never-before-published letters, drawn from Kohut's private files and from colleagues, cover Kohut's life from his native Austria in the 1930s until his death in 1981. Because many of his letters were so substantive, this rich collection clarifies Kohut's landmark published works. In letters to such diverse personalities as Anna Freud and Bruno Walter, Kohut meditated on some of the most intriguing psychoanalytic questions of the day—the nature of psychological cure, the relationship between doctor and patient, and the role of the Oedipus complex in psychoanalysis. The correspondence also reveals Kohut's lively interest in literature, music, history, and culture, as well as his deep and often contentious involvement in the politics of the psychoanalytic movement.

Kohut discussed his theories in letters to August Aichhorn, Heinz Hartmann, the Surgeon General, and even Jacqueline Kennedy, and the responses, some published here for the first time, prompted him to explore his ideas from a variety of perspectives. A letter from Anna Freud provoked Kohut to respond this way:

"What you had to say gave me great pleasure, and your approval was a welcome support amidst the inescapable insecurities under pressure to which we are all exposed. Strangely enough, it was not the discussion of scientific contributions and other statements that I had sent to you but the very last, parting sentence of your letter which gave me the most food for thought. You sent me your best wishes for the presidency of the American Psychoanalytic Association, and expressed the hope that '...this office permits opportunity for some revolutionary moves.'"

The Curve of Life illuminates the evolution of Kohut's theory of the psychology of the self, and provides a rare glimpse into the institutional and intellectual history of psychoanalysis in the last half of this century. These letters will fascinate not only scholars in psychoanalysis, but also those in the humanities, social sciences, and even theology, as well as general readers curious about the private thoughts of a towering figure in intellectual life.

Cussing Dixie, Loving Dixie: Fifty Years of Commentary by H. Brandt Ayers collects in one volume the essential writing of the legendary publisher and editor of the Anniston Star.
 
The decades-long ribbon of prose that spilled from Ayers’s pen captured the epochal milestones of our times, such as the 1965 March on Washington, the civil rights movement, the rise and decay of the New South movement, the South’s transformation from a bulwark of Democratic entropy to a heartland of irascible conservatism, and the election of the republic’s first black president.
 
Cussing Dixie, Loving Dixie: Fifty Years of Commentary by H. Brandt Ayers includes Ayers’s unforgettable descriptions of the political giants of Alabama’s turbulent twentieth century. Of George Wallace he wrote: “He lost his way in the swamp of racial politics, squandered his great talent for leadership, and, cruelly, has made his most devoted followers bear the consequences.” And Ayers memorably hymned Supreme Court justice Hugo Black as having “made of the Bill of Rights a trumpet which kept calling the nation back to its original purpose.”
 
Ayers was so known for his passionate crusade for a fair deal for “the plain people of both races” of Alabama that enemies dubbed his family’s newspaper “The Red Star.” A loyal son of Alabama who extolls Southern culture, Ayers unapologetically calls for Alabamians to cast off the moribund ideologies of the past. He jousts against obscurantism itself: “When fear and ignorance snuff out the brains of a man,” he thunders, “he is reduced to the level of a jungle predator—a flexed mass of instincts.”
 
Writing from a generous heart, Ayers enlivens and enlightens. Eschewing the hifalutin, his artful writing is both accessible to the people and admired by the learned. Far from provincial, his far-ranging eye landed often on global events, and he persuasively frames the state and region as an active front on which key national issues hang.
 
Ayers ranks among the most prolific and insightful chroniclers of twentieth- and twenty-first-century Alabama. Cussing Dixie, Loving Dixie: Fifty Years of Commentary by H. Brandt Ayers is a monument to his enduring legacy and relevance.
 

George Armstrong Custer rode at the head of his cavalry command where he made instantaneous decisions, most of which resulted in victory during the Civil War. The older officers over whom he had jumped in rank soon displayed their animosity. From them, and many others, a series of charges against him were circulated; from these grew the innumerable Custer legends. This volume includes many interesting and unusual Custer legends, which include the alleged fathering of Monahseetah’s Indian son; the Annie Jones story buried in the National Archives; Custer’s capture of Lee’s supply trains at Appomattox Court House that caused Lee to surrender—and much more.

In his eighty-seven years, Norman Maclean played many parts: fisherman, logger, firefighter, scholar, teacher. But it was a role he took up late in life, that of writer, that won him enduring fame and critical acclaim—as well as the devotion of readers worldwide. When he died in 1990, Maclean left behind an earlier unfinished project, on a topic that had held his attention for decades: General Custer and the Battle of the Little Bighorn. The portions of that writing that remain reveal a deep interest not only in the battle itself but also its afterlife—how historical events influence popular culture and how retellings revise the past. Summarizing the events from the various perspectives of the Americans, the Sioux, and the Cheyenne, Maclean explains why the battle lives on in our imagination. Custer’s “last stand” provides all the elements—the characters, the plot, and the backdrop—of the perfect dramatic tragedy. And the way we retell history, argues Maclean, is intimately tied to how we choose to memorialize defeat.

Farming and pastoral societies inhabit ever-changing environments. This relationship between environment and rural culture, politics and economy in Tanzania is the subject of this volume which will be valuable in reopening debates on Tanzanian history.

In his conclusion, Isaria N. Kimambo, a founding father of Tanzanian history, reflects on the efforts of successive historians to strike a balance between external causes of change and local initiative in their interpretations of Tanzanian history.

He shows that nationalist and Marxist historians of Tanzanian history, understandably preoccupied through the first quarter-century of the country's post-colonial history with the impact of imperialism and capitalism on East Africa, tended to overlook the initiatives taken by rural societies to transform themselves.

Yet there is good reason for historians to think about the causes of change and innovation in the rural communities of Tanzania, because farming and pastoral people have constantly changed as they adjusted to shifting environmental conditions.

"Anthropologists and students of anthropology may read this book because it is a superior ethnography, detailed and enriched by theoretical insights. But at the heart of this book is a moral take, a simple but powerful story about an indigenous people who were wronged, who resisted for more than 100 years, and who may yet prevail. This message, ultimately, lends the book its true meaning and value."—William Rodman, Anthropologica

"A major contribution to the ethnography and history of Malaita and Melanesia, and to the growing literature on cultural resistance. But above all, his humane and painful analysis of the meeting of peoples living in different worlds and constructing their agendas and moralities on incommensurate—and apparently equally arbitrary—principles, represents a major contribution and challenge to anthropological thought, addressing the basic issue of what it is to be human."—Fredrik Barth

Containing the complete and annotated texts of six pamphlets written between 1609 and 1620, "Custome Is an Idiot" makes an invaluable contribution to the scholarship on early modern British cultural history, specifically on competing opinions about the role of women in society.
 
During the early seventeenth century a fierce debate raged in British intellectual society regarding the role of women, how much is ordained by God, and how much is merely custom. The pamphlets that circulated at the time reveal a great deal about the terms of the debate, and these six constitute a significant body of primary literature, allowing the contending voices to be heard anew.
 
Included here are two pamphlets about gossips by Samuel Rowlands, William Heale's treatise against wife-beating, Christopher Newstead's argument for the superiority of women, and Hic Mulier and Haec Vir, two pamphlets that address the theme of cross-dressing. Introductions by Susan Gushee O'Malley place each pamphlet in a wider context, and detailed annotations shed light on the individual texts.
 

Originally published in 1989, this ground-breaking ethnographic exploration of tattooing—and the art world surrounding it—covers the history, anthropology and sociology of body modification practices; the occupational experience of the tattooist; the process and social consequences of becoming a tattooed person; and the prospects of "serious" tattooing becoming an accepted art form. Curiously, despite the greater prevalence of tattoos and body modification in today’s society, there is still a stigma of deviance associated with people who get or ink tattoos.

Retaining the core of the original book, this revised and expanded edition offers a new preface by the author and a new chapter focusing on the changes that have occurred in the tattoo world. A section on the new scholarly literature that has emerged, as well as the new modes of body modification that have come into vogue are included along with a new gallery of photographs that shows some splendid examples of contemporary tattoo art. A directory of artists' websites invites readers to discover the range of work being done around the world—from “suits” (full body tattoos) to skulls.

Accomplished businessman Richard J. Franke offers in Cut from Whole Cloth an intimate account of the American immigrant experience, recounting the moving story of his grandparents' struggle to build a new life in turn-of-the-century America.
Franke draws on extensive primary sources to create an engrossing narrative of his Catholic grandfather and Lutheran grandmother as they flee religious intolerance and economic adversity in Germany and immigrate to America in 1884. They settle in Springfield, Illinois, where they start a family and business and live out the American dream—with its attendant perils and promises—as their business evolves from a tailor's shop to a modern, thriving dry cleaner. Their story is one of strife, frustration, and success. Franke chronicles how they struggle to raise a family in a foreign culture with radically different values, as the old world morals that fuel their prosperity give rise to ancient family tensions that haunt each new generation.
By turns charming, wrenching, and poetic, Cut from Whole Cloth is an intensely personal yet timeless tale that will appeal to nearly every descendant of immigrants.

Although breakups—whether celebrity or everyday—are a constant source of fascination, surprisingly little attention has been given to women who are cut loose in their later years. This is a book about (mostly) long-term relationships that have come apart. Each woman involved, the majority of whom are over sixty, tells of her experience through journal entries, essays, poetry, or stories. Although in many senses they have been abandoned, they have also been set free, untethered, and, for some, liberated sexually, mentally, or emotionally.

The book is divided into two major sections. The pieces in the first part are personal narratives. Among the varied voices, we hear from women in both heterosexual and same-sex relationships who have been left by their partners or who have decided to leave them. In the second section, the contributors look at being left and leaving from psychological, sociological, economic, sexual, medical, anthropological, and literary perspectives. Other essays explore the shared experiences of specific classes of women, such as single women, widows, or abandoned daughters.

The English middle class in the late nineteenth century enjoyed an increase in the availability and variety of material goods. With that, the visual markers of class membership and manly behavior underwent a radical change. In The Cut of His Coat: Men, Dress, and Consumer Culture in Britain, 1860–1914, Brent Shannon examines familiar novels by authors such as George Eliot, Anthony Trollope, Thomas Hughes, and H. G. Wells, as well as previously unexamined etiquette manuals, period advertisements, and fashion monthlies, to trace how new ideologies emerged as mass-produced clothes, sartorial markers, and consumer culture began to change.

While Victorian literature traditionally portrayed women as having sole control of class representations through dress and manners, Shannon argues that middle-class men participated vigorously in fashion. Public displays of their newly acquired mannerisms, hairstyles, clothing, and consumer goods redefined masculinity and class status for the Victorian era and beyond.

The Cut of His Coat probes the Victorian disavowal of men’s interest in fashion and shopping to recover men’s significant role in the representation of class through self-presentation and consumer practices.

"Boxing is not just fighting," writes Carlo Rotella. "It is also training and living right and preparing to go the distance in the broadest sense of the phrase, a relentless managing of self that anyone who gets truly old must learn." Rotella's Cut Time chronicles his immersion in the fight world, from the brutal classroom of the gym to the spectacle of fight night. An award-winning writer and ringside veteran, Rotella unearths the hidden wisdom in any kind of fight, from barroom brawl to HBO extravaganza.

Tracing the consequences of hurt and craft, the two central facts of boxing, Rotella reveals moving resonances between the worlds inside and outside the ropes. The brief, disastrous fistic career of one of his students pinpoints the moment when adulthood arrives; the hard-won insight of a fellow fan shows Rotella how to reckon with a car crash. Mismatches, resilience, pride, pain, and aging—Rotella's lessons from the ring extend far beyond the sport. In Cut Time, Rotella achieves the near-impossible: he makes the fight world relevant to us, whether we're fans or not.

"Cut Time should be read not just by fight aficionados but also by fans of intelligent nonfiction writing. . . . An absorbing read."—Sports Illustrated
"Just when you think it's all been written, a good writer takes a shining new look at an old subject and breathes life into it. . . . Rotella has preserved the blow-by-blow and the grandeur of another age but has somehow expanded the ring to include his own generation's proclivities and sensibility."—Los Angeles Times