Donald E. Westlake is one of the greats of crime fiction. Under the pseudonym Richard Stark, he wrote twenty-four fast-paced, hardboiled novels featuring Parker, a shrewd career criminal with a talent for heists. Using the same nom de plume, Westlake also completed a separate series in the Parker universe, starring Alan Grofield, an occasional colleague of Parker. While he shares events and characters with several Parker novels, Grofield is less calculating and more hot-blooded than Parker; think fewer guns, more dames.
Not that there isn’t violence and adventure aplenty. . The Dame finds Grofield in Puerto Rico protecting a rich, demanding woman in her isolated jungle villa, and reluctantly assuming the role of detective. A rare Westlake take on a whodunit, The Dame features a cast of colorful characters and a suspenseful—and memorable—climax.
With a new foreword by Sarah Weinman that situates the Grofield series within Westlake’s work as a whole, this novel is an exciting addition to any crime fiction fan’s library.
In 1880 a young medical student named Arthur Conan Doyle embarked upon the “first real outstanding adventure” of his life, taking a berth as ship’s surgeon on an Arctic whaler, the Hope. The voyage took him to unknown regions, showered him with dramatic and unexpected experiences, and plunged him into dangerous work on the ice floes of the Arctic seas. He tested himself, overcame the hardships, and, as he wrote later, “came of age at 80 degrees north latitude.”
A special limited, numbered edition of the clothbound book is also available. In addition, a text-only e-book edition is published as Dangerous Work: Diary of an Arctic Adventure, Text-only Edition.
This e-book features the complete text found in the print edition of Dangerous Work, without the illustrations or the facsimile reproductions of Conan Doyle's notebook pages.
One of the greatest works of world literature, Dante Alighieri’s The Divine Comedy has, despite its enormous popularity and importance, often stymied readers with its multitudinous characters, references, and themes. But until now, students of the Inferno have lacked a suitable resource to guide their reading.
Welcome to Danteworlds, the first substantial guide to the Inferno in English. Guy P. Raffa takes readers on a geographic journey through Dante’s underworld circle by circle—from the Dark Wood down to the ninth circle of Hell—in much the same way Dante and Virgil proceed in their infernal descent. Each chapter—or “region”—of the book begins with a summary of the action, followed by detailed entries, significant verses, and useful study questions. The entries, based on a close examination of the poet’s biblical, classical, and medieval sources, help locate the characters and creatures Dante encounters and assist in decoding the poem’s vast array of references to religion, philosophy, history, politics, and other works of literature.
Written by an established Dante scholar and tested in the fire of extensive classroom experience, Danteworlds will be heralded by readers at all levels of expertise, from students and general readers to teachers and scholars.
Daring to Look presents never-before-published photos and captions from Dorothea Lange’s fieldwork in California, the Pacific Northwest, and North Carolina during 1939. Lange’s images of squatter camps, benighted farmers, and stark landscapes are stunning, and her captions—which range from simple explanations of settings to historical notes and biographical sketches—add unexpected depth, bringing her subjects and their struggles unforgettably to life, often in their own words.
When Lange was dismissed from the Farm Security Administration at the end of 1939, these photos and field notes were consigned to archives, where they languished, rarely seen. With Daring to Look, Anne Whiston Spirn not only returns them to the public eye, but sets them in the context of Lange’s pioneering life, work, and struggle for critical recognition—firmly placing Lange in her rightful position at the forefront of American photography.
“A thoughtful and meticulously researched account of Lange’s career. . . . Spirn, a photographer herself, traces Lange’s path, visiting her locations and subjects in a fascinating series of ‘then and now’ shots.”—Publishers Weekly
“Dorothea Lange has long been regarded as one of the most brilliant photographic witnesses we have ever had to the peoples and landscapes of America, but until now no one has fully appreciated the richness with which she wove images together with words to convey her insights about this nation. We are lucky indeed that Anne Whiston Spirn, herself a gifted photographer and writer, has now recovered Lange’s field notes and woven them into a rich tapestry of texts and images to help us reflect anew on Lange’s extraordinary body of work.”—William Cronon, author of Nature’s Metropolis
For decades, we’ve been shocked by images of violent clashes between Israelis and Palestinians in the West Bank and Gaza. But for all their power, those images leave us at a loss: from our vantage at home, it’s hard for us to imagine the struggles of those living in the midst of the fighting. Now, American-born Israeli David Shulman takes us right into the heart of the conflict with Dark Hope, an eye-opening chronicle of his work as a member of the peace group Ta‘ayush, which takes its name from the Arabic for “living together.”
Though Shulman never denies the complexity of the issues fueling the conflict—nor the culpability of people on both sides—he forcefully clarifies the injustices perpetrated by Israel by showing us the human dimension of the occupation. Here we meet Palestinians whose houses have been blown up by the Israeli army, shepherds whose sheep have been poisoned by settlers, farmers stripped of their land by Israel’s dividing wall. We watch as whip-swinging police on horseback attack crowds of nonviolent demonstrators, as Israeli settlers shoot innocent Palestinians harvesting olives, and as families and communities become utterly destroyed by the unrelenting violence of the occupation.
Opposing such injustices, Shulman and his companions—Israeli and Palestinian both—doggedly work through checkpoints to bring aid, rebuild houses, and physically block the progress of the dividing wall. As they face off against police, soldiers, and hostile Israeli settlers, anger mixes with compassion, moments of kinship alternate with confrontation, and, throughout, Shulman wrestles with his duty to fight the cruelty enabled by “that dependable and devastating human failure to feel.”
With Dark Hope, Shulman has written a book of deep moral searching, an attempt to discover how his beloved Israel went wrong—and how, through acts of compassionate disobedience, it might still be brought back.
Of paramount importance to the natural sciences, the principles of Darwinism, which involve variation, inheritance, and selection, are increasingly of interest to social scientists as well. But no one has provided a truly rigorous account of how the principles apply to the evolution of human society—until now.
In Darwin’s Conjecture, Geoffrey Hodgson and Thorbjørn Knudsen reveal how the British naturalist’s core concepts apply to a wide range of phenomena, including business practices, legal systems, technology, and even science itself. They also critique some prominent objections to applying Darwin to social science, arguing that ultimately Darwinism functions as a general theoretical framework for stimulating further inquiry. Social scientists who adopt a Darwinian approach, they contend, can then use it to frame and help develop new explanatory theories and predictive models.
This truly pathbreaking workat long last makes the powerful conceptual tools of Darwin available to the social sciences and will be welcomed by scholars and students from a range of disciplines.
Two species come to mind when one thinks of the Galapagos Islands—the giant tortoises and Darwin’s fabled finches. While not as immediately captivating as the tortoises, these little brown songbirds and their beaks have become one of the most familiar and charismatic research systems in biology, providing generations of natural historians and scientists a lens through which to view the evolutionary process and its role in morphological differentiation.
In Darwin’s Finches, Kathleen Donohue excerpts and collects the most illuminating and scientifically significant writings on the finches of the Galapagos to teach the fundamental principles of evolutionary theory and to provide a historical record of scientific debate. Beginning with fragments of Darwin’s Galapagos field notes and subsequent correspondence, and moving through the writings of such famed field biologists as David Lack and Peter and Rosemary Grant, the collection demonstrates how scientific processes have changed over time, how different branches of biology relate to one another, and how they all relate to evolution. As Donohue notes, practicing science today is like entering a conversation that has been in progress for a long, long time. Her book provides the history of that conversation and an invitation to join in. Students of both evolutionary biology and history of science will appreciate this compilation of historical and contemporary readings and will especially value Donohue’s enlightening commentary.
There has always been a mystery surrounding Darwin: How did this quiet, respectable gentleman come to beget one of the most radical ideas in the history of human thought? It is difficult to overstate what Darwin was risking in publishing his theory of evolution. So it must have been something very powerful—a moral fire, as Desmond and Moore put it—that helped propel him. That moral fire, they argue, was a passionate hatred of slavery.
In opposition to the apologists for slavery who argued that blacks and whites had originated as separate species, Darwin believed the races belonged to the same human family. Slavery was a “sin,” and abolishing it became his “sacred cause.” By extending the abolitionists’ idea of human brotherhood to all life, Darwin developed our modern view of evolution.
Drawing on a wealth of fresh manuscripts, family letters, diaries, and even ships’ logs, Desmond and Moore argue that only by acknowledging Darwin’s abolitionist heritage can we fully understand the development of his groundbreaking ideas.
This is an auto-narrated audiobook edition of this book.
The story behind the historic Mineral King Valley case, which reveals how the Sierra Club battled Disney’s ski resort development and launched a new environmental era in America.
In our current age of climate change–induced panic, it’s hard to imagine a time when private groups were not actively enforcing environmental protection laws in the courts. It wasn’t until 1972, however, that a David and Goliath–esque Supreme Court showdown involving the Sierra Club and Disney set a revolutionary legal precedent for the era of environmental activism we live in today.
Set against the backdrop of the environmental movement that swept the country in the late 1960s and early 1970s, Dawn at Mineral King Valley tells the surprising story of how the US Forest Service, the Disney company, and the Sierra Club each struggled to adapt to the new, rapidly changing political landscape of environmental consciousness in postwar America. Proposed in 1965 and approved by the federal government in 1969, Disney’s vast development plan would have irreversibly altered the practically untouched Mineral King Valley, a magnificently beautiful alpine area in the Sierra Nevada mountains. At first, the plan met with unanimous approval from elected officials, government administrators, and the press—it seemed inevitable that this expanse of wild natural land would be radically changed and turned over to a private corporation. Then the scrappy Sierra Club forcefully pushed back with a lawsuit that ultimately propelled the modern environmental era by allowing interest groups to bring litigation against environmentally destructive projects.
An expert on environmental law and appellate advocacy, Daniel P. Selmi uses his authoritative narrative voice to recount the complete history of this revolutionary legal battle and the ramifications that continue today, almost 50 years later.
Deadly Edge bids a brutal adieu to the 1960s as Parker robs a rock concert, and the heist goes south. Soon Parker finds himself—and his woman, Claire—menaced by a pair of sadistic, strung-out killers who want anything but a Summer of Love. Parker has a score to settle while Claire’s armed with her first rifle—and they’re both ready to usher in the end of the Age of Aquarius.
Though Alexander the Great lived more than seventeen centuries before the onset of Iberian expansion into Muslim Africa and Asia, he loomed large in the literature of late medieval and early modern Portugal and Spain. Exploring little-studied chronicles, chivalric romances, novels, travelogues, and crypto-Muslim texts, Vincent Barletta shows that the story of Alexander not only sowed the seeds of Iberian empire but foreshadowed the decline of Portuguese and Spanish influence in the centuries to come.
Death in Babylon depicts Alexander as a complex symbol of Western domination, immortality, dissolution, heroism, villainy, and death. But Barletta also shows that texts ostensibly celebrating the conqueror were haunted by failure. Examining literary and historical works in Aljamiado, Castilian, Catalan, Greek, Latin, and Portuguese, Death in Babylon develops a view of empire and modernity informed by the ethical metaphysics of French phenomenologist Emmanuel Levinas. A novel contribution to the literature of empire building, Death in Babylon provides a frame for the deep mortal anxiety that has infused and given shape to the spread of imperial Europe from its very beginning.
In The Death of the American Trial, distinguished legal scholar Robert P. Burns makes an impassioned case for reversing the rapid decline of the trial before we lose one of our public culture’s greatest achievements. As a practice that is adapted for modern times yet rooted in ancient wisdom, the trial is uniquely suited to balance the tensions—between idealism and realism, experts and citizens, contextual judgment and reliance on rules—that define American culture. Arguing that many observers make a grave mistake by taking a complacent or even positive view of the trial’s demise, Burns concludes by laying out the catastrophic consequences of losing an institution that so perfectly embodies democratic governance.
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