Ichiro Hori's is the first book in Western literature to portray how Shinto, Buddhist, Confucian, and Taoist elements, as well as all manner of archaic magical beliefs and practices, are fused on the folk level.

Folk religion, transmitted by the common people from generation to generation, has greatly conditioned the political, economic, and cultural development of Japan and continues to satisfy the emotional and religious needs of the people. Hori examines the organic relationship between the Japanese social structure—the family kinship system, village and community organizations—and folk religion. A glossary with Japanese characters is included in the index.

First published in 1975 and long out of print, Folk Songs from the West Virginia Hills is a major work of folklore poised to reach a new generation of readers. Drawing upon Patrick Ward Gainer’s extensive ethnographic fieldwork around West Virginia, it contains dozens of significant folk songs, including not only the internationally famous “Child Ballads,” but such distinctively West Virginian songs as “The West Virginia Farmer” and “John Hardy,” among others.
 
Folk Songs from the West Virginia Hills stands out as a book with multiple audiences. As a musical text, it offers comparatively easy access to a rich variety of folk songs that could provide a new repertoire for Appalachian singers. As an ethnographic text, it has the potential to reintroduce significant data about the musical lives of many West Virginians into conversations around Appalachian music—discourses that are being radically reshaped by scholars working in folklore, ethnomusicology, and Appalachian studies. As a historical document, it gives readers a glimpse into the research methods commonly practiced by mid-twentieth-century folklorists. And when read in conjunction with John Harrington Cox’s Folk Songs of the South (also available from WVU Press), it sheds important light on the significant role that West Virginia University has played in documenting the state’s vernacular traditions.
 

"This introduction to the study of folklore and folklife contains an inspiring and spirited mixture of essays, theoretical contributions, practical instructions, and pure encyclopedia articles. It is a very well put together book, written by eighteen researchers who have something to say. One can see here that it is competent educators who have come forward and are narrating. . . . All in all it is a very use-oriented handbook with attractive typography and layout."—Iorn Pio, Journal of American Folklore

A pioneering examination of the folkloric qualities of the World Wide Web, e-mail, and related digital media. These stuidies show that folk culture, sustained by a new and evolving vernacular, has been a key, since the Internet's beginnings, to language, practice, and interaction online. Users of many sorts continue to develop the Internet as a significant medium for generating, transmitting, documenting, and preserving folklore.

In a set of new, insightful essays, contributors Trevor J. Blank, Simon J. Bronner, Robert Dobler, Russell Frank, Gregory Hansen, Robert Glenn Howard, Lynne S. McNeill, Elizabeth Tucker, and William Westerman showcase ways the Internet both shapes and is shaped by folklore

For a while, tracing African roots in the artistic creations of blacks in the New World tended to generate much attention as if to suggest that the New World does not have profound impact on their creative spirit. In addition, few studies have tried to construct an interpretive model through which an array of works by New World writers could be meaningfully explored on the basis of their African Diasporic identity.

 

In Folklore in New World Black Fiction, Chiji Akọma offers an interpretive model for the reading of the African New World novel focusing on folklore, not as an ingredient, but as the basis for the narratives. The works examined do not contain folklore materials; they are folklore, constituted by the intersections of African oral narrative aesthetics, New World sensibility, and the written tradition. Specifically Akọma looks at four African Caribbean and African American novelists, Roy A.K. Heath, Wilson Harris, Toni Morrison, and Jean Toomer.

 

The book seeks to expand the understanding of the forms of folklore as it pertains to black texts. For one, it broadens the dimensions of folklore by looking beyond the oral world of the “simple folk” to the kinds of narrative sophistication associated with writing; it also asserts the importance of performance art in folklore analysis. The study demonstrates the durability of the black aesthetic over artistic forms.

Over thirty scholars examine the development of folklore studies through the lens of over one hundred years of significant activity in a state that has provided grist for the mills of many prominent folklorists. In the past the Folklore Society of Utah has examined the work of such scholars in biographical and other essays published in its newsletters. This book incorporates those essays and goes well beyond them to include many other topices, offering a thorough history of folklore studies and a guide to resources for those pursuing research in Utah now and in the future.

The essays survey the development and contributions of folklore studies in Utah from 1892 to 2004 but also represent developments in both academic and public-sector folklore throughout the United States. Following a thorough historical introduction, part I profiles the first folklorists working in the state, including Hector Lee, Thomas Cheney, Austin and Alta Fife, Wayland Hand, and Lester Hubbard. Part II looks at the careers of prominent Utah folklorists Jan Harold Brunvand, Barre Toelken, and William B. Wilson, as well as the works of the next, current generation of folklorists. Part III covers studies in major folklore genres, with essays on the study of material culture, vernacular architecture, and Mormon, ethnic, Native American, and Latino folklore. Part IV examines public folklore programs including organizations, conferences, and tourism. Back matter describes academic programs at Utah institutions of higher education, summarizes the holdings of the various folklore archives in the state, and provides a complete cross-indexed bibliography of articles, books, and recordings of Utah folklore.

Folklore—the inherently creative expression, transmission, and performance of cultural traditions—has always provided a deep well of material for writers, musicians, and artists of all sorts. Folklorists usually employ descriptive and analytical prose, but they, like scholars in other social sciences, have increasingly sought new, creative and reflexive modes of discourse. Many folklorists are also creative writers, some well known as such, and the folk traditions they research often provide shape and substance to their work. This collection of creative writing grounded in folklore and its study brings together some of the best examples of such writing.

Contributors to this collection include Teresa Bergen, John Burrison, Norma E. Cantu, Frank de Caro, Holly Everett, Danusha Goska, Neil R. Grobman, Carrie Hertz, Edward Hirsch, Laurel Horton, Rosan Augusta Jordan, Paul Jordan-Smith, Elaine J. Lawless, Cynthia Levee, Jens Lund, Mary Magoulick, Bernard McCarthy, Joanne B. Mulcahy, Kirin Narayan, Ted Olson, Daniel Peretti, Leslie Prosterman, Jo Radner, Susan Stewart, Jeannie Banks Thomas, Jeff Todd Titon, Libby Tucker, Margaret Yocom, and Steve Zeitlin.

Folklore Rules is a brief introduction to the foundational concepts in folklore studies for beginning students. Designed to give essential background on the current study of folklore and some of the basic concepts and questions used when analyzing folklore, this short, coherent, and approachable handbook is divided into five chapters: 

• What Is Folklore?
• What Do Folklorists Do
• Types of Folklore
• Types of Folk Groups;
• What Do I Do Now?

These chapters guide students toward a working understanding of the field, learn basic terms and techniques, and learn to perceive the knowledge base and discourse frame for materials used in folklore courses. Folklore Rules has become a classic text, serving instructors and students for a variety of courses, including introductory folklore and comparative studies as well as literature, anthropology, and composition classes that include a folklore component.

Interest in the conjunctions of film and folklore is stronger and more diverse than ever. Documentaries on folk life and expression remain a vital genre, but scholars such as Sharon Sherman and Mikel Koven also are exploring how folklore elements appear in, and merge with, popular cinema. They look at how movies, a popular culture medium, can as well be both a medium and type of folklore, playing cultural roles and conveying meanings customarily found in other folkloric forms. They thus use the methodology of folklore studies to analyze films made for commercial distribution.

The contributors to this book look at film and folklore convergences, showing how cinema conveys vernacular culture in traditional and popular venues. Folklore/Cinema will be of interest to scholars from many fields---folklore, film studies, popular culture, American studies, history, anthropology, and literature among them---and will help introduce students in various courses to intersections of film and culture.

This volume introduces a new concept to explore the dynamic relationship between folklore and popular culture: the “folkloresque.” With “folkloresque,” Foster and Tolbert name the product created when popular culture appropriates or reinvents folkloric themes, characters, and images. Such manufactured tropes are traditionally considered outside the purview of academic folklore study, but the folkloresque offers a frame for understanding them that is grounded in the discourse and theory of the discipline.

Fantasy fiction, comic books, anime, video games, literature, professional storytelling and comedy, and even popular science writing all commonly incorporate elements from tradition or draw on basic folklore genres to inform their structure. Through three primary modes—integration, portrayal, and parody—the collection offers a set of heuristic tools for analysis of how folklore is increasingly used in these commercial and mass-market contexts.

The Folkloresque challenges disciplinary and genre boundaries; suggests productive new approaches for interpreting folklore, popular culture, literature, film, and contemporary media; and encourages a rethinking of traditional works and older interpretive paradigms.
 

Contributors: Trevor J. Blank, Chad Buterbaugh, Bill Ellis, Timothy H. Evans, Michael Dylan Foster, Carlea Holl-Jensen, Greg Kelley, Paul Manning, Daniel Peretti, Gregory Schrempp, Jeffrey A. Tolbert

The Folklorist in the Marketplace brings together voices from multiple disciplines to consider how economics shape—and are shaped by—folk groups and academic disciplines. The authors ask how folk and folklorists can productively comment on the economic structures they inhabit.
 
As trade, technology, and geopolitics have led to a rapid increase in the global spread of cultural products like media, knowledge, objects, and folkways, there has been a concomitant rise in fear and anxiety about globalization’s dark other side—economic nativism, neocolonialism, cultural appropriation, and loss. Culture has become a resource and a currency in the global marketplace. This movement of people and forms necessitates a new textual consideration of how folklore and economics interweave. In The Folklorist in the Marketplace, contributors explore how the marketplace and folklore have always been integrally linked and what that means at this cultural and economic moment.
 
Covering a variety of topics, from creel boats to the history of a commune that makes hammocks, The Folklorist in the Marketplace goes far beyond the well-trod examinations of material culture to look closely at the historical and contemporary intersections of these two disciplines and to provoke cross-disciplinary conversation and collaboration.
 
 
Contributors:
William A. Ashton, Halle M. Butvin, James I. Deutsch, Christofer Johnson, Michael Lange, John Laudun, Julie M-A LeBlanc, Cassie Patterson, Rahima Schwenkbeck, Amy Shuman, Irene Sotiropoulou, Yuanhao Zhao
 

Here is an introspective, poignant portrait of an American family during a time of sweeping changes. Now nearly sixty years after it first appeared, Suckow's finest work still displays a thorough realism in its characters' actions and aspirations; the uneasy compromises they are forced to make still ring true.

Suckow's talent for retrospective analysis comes to life as she examines her own people—Iowans, descendants of early settlers—through the lives of the Ferguson family, living in the fictional small town of Belmond, Iowa. Using her gift of creating three-dimensional, living characters, Suckow focuses on personal differences within the family and each member's separate struggle to make sense of past and present, to confront a pervasive sense of loss as a way of life disappears.

Three prominent folklorists wrote these essays in the 1970s about Dorrance Weir of upstate New York and his song "Take that Night Train to Selma," Joe Scott of Maine and his song "The Plain Golden Band," and Paul Hall of Newfoundland and "The Bachelor's Song."

Music / Folklore / Ethnic & Native American Studies / American Midwest

America's Upper Midwest is a distinctive region where many indigenous and immigrant peoples have maintained, merged, and modified their folk song traditions for more than two centuries. In the 1930s and 40s, Sidney Robertson, Alan Lomax, and Helene Stratman-Thomas—with support from the Library of Congress and armed with bulky microphones, blank disks, spare needles, and cumbersome disk-cutting machines—recorded roughly 2000 songs and tunes throughout Michigan, Minnesota, and Wisconsin. Spanning dance tunes, ballads, lyric songs, hymns, laments, versified taunts, political anthems, street cries, and recitations, these field recordings—made by people born before or shortly after 1900—were captured at a transformative moment when America was in the throes of the Great Depression, World War II was erupting, and market-driven mass entertainment media were expanding rapidly. Yet, except for a handful of Anglo-American performances, these remarkable field recordings in more than twenty-five languages have remained largely unknown, along with the lives of their mostly immigrant, indigenous, rural, and working class performers.

Since the 1970s, folklorist James P. Leary has worked steadily to bring the folk music of the Upper Midwest to a larger public. Folksongs of Another America presents 187 representative performances by more than 200 singers and musicians, carefully restored in digital form from deteriorating original formats. The accompanying book provides an introduction, full texts of all lyrics in the original languages and in English translation, extensive notes about each song and tune, biographical sketches and photographs of many of the performers, and details about Robertson, Lomax, and Stratman-Thomas and their fieldwork efforts as song collectors. These restored performances reveal with clarity and power a nearly lost sonic portrait of another America.

Available here for the first time is the remarkably diverse folk music of America's Upper Midwest, captured in field recordings by collectors for the Library of Congress from 1937 to 1946. This landmark multimedia work challenges and considerably broadens popular and scholarly understanding of folk music in American culture. Although Eastern, Southern, and Western musical traditions are familiar to fans of American roots music, the restored images and performances of Folksongs of Another America weave the songs and spirit of the Upper Midwest's peoples into the nation's folksong fabric.

187 songs and tunes, digitally restored

Songs in more than 25 languages, with full original lyrics and English translations

More than 200 performers, with biographical notes and many photographs

BOXED SET INCLUDES

Illustrated book Folksongs of Another America

300 pp. (est.), 94 black and white photographs and illustrations

CDs & DVD

CD 1 Pigtown Fling: The Sidney Robertson Recordings

Recordings of lumberjack, Finnish, Scots Gaelic, and Serbian performers captured by fieldworker Sidney Robertson in Wisconsin and Minnesota in 1937.

CD 2 The River in the Pines: The Wisconsin Lumberjacks Recordings

Performances of the acclaimed Wisconsin Lumberjacks band of Rice Lake, Wisconsin, recorded by both Sidney Robertson and Alan Lomax during National Folk Festivals in Chicago and Washington, D.C., in 1937 and 1938.

CD 3 Harps and Accordions: The Alan Lomax Recordings Alan Lomax's 1938 Michigan field recordings of lumberjack, Finnish, French Canadian, German, Irish, Lithuanian, Ojibwe, Polish, and Swedish performers.

CD 4 When the Dance is Over: Helene Stratman-Thomas Recordings, Part 1 CD 5 My Father Was a Dutchman: Helene Stratman-Thomas Recordings, Part 2 Recordings made throughout Wisconsin in 1940, 1941, and 1946, encompassing not only Finns, French Canadians, Germans, Irish, Lithuanians, Ojibwe, Poles, Scots, Serbs, and Swedes, but also African American, Austrian, Belgian, Cornish, Croatian, Czech, Danish, Dutch, Ho-Chunk, Icelandic, Italian, Luxemburger, Norwegian, Oneida, Swiss, and Welsh performers.

DVD Alan Lomax Goes North The new documentary film combines digitally restored silent color film footage, related field recordings, voice-over readings from Lomax's correspondence and field notes, and onscreen text to create an audiovisual narrative featuring the performers and scenes that captivated Alan Lomax during his 1938 Upper Midwestern foray.

Funding for this project was provided by the National Endowment for the Humanities, the Brittingham Trust, the University of Wisconsin–Madison Graduate School with funding from the Wisconsin Alumni Research Foundation, the University of Wisconsin–Madison Department of Scandinavian Studies' Birgit Baldwin professorship, and the Finlandia Foundation.

Folk-Songs of the South: Collected Under the Auspices of the West Virginia Folk-Lore Society is a collection of ballads and folk-songs from West Virginia. First published in 1925, this resource includes narrative and lyric songs that were transmitted orally, as well as popular songs from print sources. Through 186 ballads and songs and 26 folk tunes, this collection archives a range of styles and genres, from English and Scottish ballads to songs about the Revolutionary and Civil Wars, the opening of the American West, boat and railroad transportation, children’s play-party and dance music, and songs from African American singers, including post-Civil war popular music. The original introduction by Cox contains vibrant portraits of the singers he researched, with descriptions of performance style and details about personalities and attitudes. With a new introduction by Alan Jabbour, this reprint renews the importance of this text as a piece of scholarship, revealing Cox’s understanding of the workings of tradition across time and place and his influence upon folk-song research. 

In this book Hasan M. El-Shamy has gathered the first authentic new collection of modern Egyptian folk narratives to appear in nearly a century. El-Shamy's English translations of these orally presented stories not only preserve their spirit, but give Middle Eastern lore the scholarly attention it has long deserved.

"This collection of seventy recently collected Egyptian tales is a major contribution to African studies and to international distribution studies of folktales. In the face of the recent anthropological trend to use folkloric materials for extra-folkloric purposes, the preeminence of the text must be asserted once more, and these are obviously authentic, straightforwardly translated, fully documented as to date of collection and social category of informant, and for all that . . . readable."—Daniel J. Crowley, Research in African Literatures

"Western knowledge of virtually all facets of contemporary Egyptian culture, much less the roots of that culture, is woefully inadequate. By providing an interesting, varied, and readable collection of Egyptian folktales and offering clear and sensible accounts of their background and meaning, this book renders a valuable service indeed."—Kenneth J. Perkins, International Journal of Oral History

If wonder tales are not abundant in England, other kinds of folktales thrive: local traditions, historical legends, humorous anecdotes. Many of the favorite tales which English-speaking peoples carry with them from childhood come from a long tradition—stories as familiar to Shakespeare, Ben Jonson, Spenser, and their many contemporaries as they are to us.

"This is a fine, homely feast, immediately intelligble. . . ."—Times Educational Supplement

". . . should be of special concern to Americans since many of the tales are parallel to or the source of our own folk stories."—Choice

"This is entertainment, to be sure, but is also part of man's attempts to comprehend his world."—Quartet

"Folktales of England is by all odds the most satisfactory general collection of folktales to come out of England since the advent of modern collection and classification techniques."—Ernest W. Baughman, Journal of American Folklore

Bringing together nearly one hundred tales translated from fourteen languages, Folktales of India opens the vast narrative world of Indian folklore to readers of English. Beck includes oral tales collected from tribal areas, peasant groups, urban areas, and remote villages in north and south India, and the distinctive boundary regions of Kashmir, Assam, and Manipur. The tales in this collection emphasize universal human characteristics—truthfulness, modesty, loyalty, courage, generosity, and honesty. Each story is meant to be savored individually with special attention given to the great range of motifs presented and the many distinct narrative styles used. Folktales of India offers a superb anthology of India's bountiful narrative tradition.

"This collection does an excellent job of representing India. . . . It is the type of book that can be enjoyed by all readers who love a well-told tale as well as by scholars of traditional narrative and scholars of India in general."—Hugh M. Flick, Jr., Asian Folklore Studies

"The stories collected here are representative, rich in structural subtlety, and endowed with fresh earthy humor."—Kunal Chakraborti, Contributions to Indian Sociology

Bringing together nearly one hundred tales translated from fourteen languages, Folktales of India opens the vast narrative world of Indian folklore to readers of English. Beck includes oral tales collected from tribal areas, peasant groups, urban areas, and remote villages in north and south India, and the distinctive boundary regions of Kashmir, Assam, and Manipur. The tales in this collection emphasize universal human characteristics—truthfulness, modesty, loyalty, courage, generosity, and honesty. Each story is meant to be savored individually with special attention given to the great range of motifs presented and the many distinct narrative styles used. Folktales of India offers a superb anthology of India's bountiful narrative tradition.

"This collection does an excellent job of representing India. . . . It is the type of book that can be enjoyed by all readers who love a well-told tale as well as by scholars of traditional narrative and scholars of India in general."—Hugh M. Flick, Jr., Asian Folklore Studies

"The stories collected here are representative, rich in structural subtlety, and endowed with fresh earthy humor."—Kunal Chakraborti, Contributions to Indian Sociology

Few countries can boast such a plentitude of traditional folktales as Ireland. In 1935, the creation of The Irish Folklore Commission set in motion the first organized efforts of collecting and studying a multitude of folktales, both written as well as those of the Irish oral tradition. The Commission has collected well over a million pages of manuscripts. Folktales of Ireland offers chief archivist Sean O'Sullivan's representation of this awe-inspiring collection. These tales represent the first English language collection of Gaelic folktales.

"Without doubt the finest group of Irish tales that has yet been published in English."—The Guardian

"O'Sullivan writes out of an intimacy with his subject and an instinctive grasp of the language of the originals. He tells us that his archives contain more than a million and a half pages of manuscript. If Mr. O'Sullivan translates them, I'll read them."—Seamus Heaney, New Statesman

"The stories have an authentic folktale flavor and will satisfy both the student of folklore and the general reader."—Booklist

Few countries can boast such a plentitude of traditional folktales as Ireland. In 1935, the creation of The Irish Folklore Commission set in motion the first organized efforts of collecting and studying a multitude of folktales, both written as well as those of the Irish oral tradition. The Commission has collected well over a million pages of manuscripts. Folktales of Ireland offers chief archivist Sean O'Sullivan's representation of this awe-inspiring collection. These tales represent the first English language collection of Gaelic folktales.

"Without doubt the finest group of Irish tales that has yet been published in English."—The Guardian

"O'Sullivan writes out of an intimacy with his subject and an instinctive grasp of the language of the originals. He tells us that his archives contain more than a million and a half pages of manuscript. If Mr. O'Sullivan translates them, I'll read them."—Seamus Heaney, New Statesman

"The stories have an authentic folktale flavor and will satisfy both the student of folklore and the general reader."—Booklist

Often lacking the clear episodic structure of folktales about talking animals and magic objects, legends grow from retellings of personal experiences. Christiansen isolated some seventy-seven legend types, and many of these are represented here in absorbing stories of St. Olaf, hidden treasures, witches, and spirits of the air, water, and earth. The ugly, massively strong, but slow-witted trolls are familiar to English-speaking readers. Less well-known, but the subject of an enormous number of legends, are the more manlike yet sinister "huldre-folk" who live in houses and try to woo human girls. These tales reflect the wildness of Norway, its mountains, forests, lakes, and sea, and the stalwart character of its sparse population.

"The translation is excellent, retaining the traditional Norwegian style . . . the tales themselves will also appeal to the interested layman."—Library Journal

All the selections in Richard M. Dorson's Folktales Told around the World were recorded by expert collectors, and the majority of them are published here for the first time. The tales presented are told in Africa, Asia, the Middle East, Europe, North and South America, and Oceania. Unlike other collections derived in large part from literary texts, this volume meets the criteria of professional folklorists in assembling only authentic examples of folktales as they were orally told. Background information, notes on the narrators, and scholarly commentaries are provided to establish the folkloric character of the tales.

The Follinglo Dog Book both is and is not about dogs. The dogs are certainly here: from Milla to Chip the Third, we encounter a procession of heroic if often unfortunate creatures who, along with their immigrant masters, led a hard life on the nineteenth-century American frontier. However, if you pick up this book thinking it will offer a heartwarming read about canine experiences, you will find yourself reinformed by the way it unfolds.

Instead, these are the stories of a Norwegian pioneer family that came in 1860 to settle the Iowa prairie on a homestead called Follinglo Farm in Story County, Iowa. In the Tjernagels' experience one may read a chronicle of the state, the region, and the nation. Arriving in Iowa in what was still the age of wooden equipment and animal power, the Tjernagels witnessed each successive revolution on the land. They built homes and barns, cultivated the land, and encountered every manner of natural disaster from prairie fires to blizzards. Through all the struggles and setbacks, Peder Gustav Tjernagel's stories sparkle with boyhood pranks and adventures, in which the family dogs frequently play a role.

Readers will discover a wonderful cast of Norwegian relatives and neighbors, including a Herculean uncle, Store Per (Big Pete), who could lift a cow by its horns; a mysterious aunt, Stora Fastero (Big Sister), whose arrival signaled that a baby was soon to be born; and Elling Eilson, the walking Lutheran apostle. And, of course, there are the dogs who shepherd, protect, and even baby-sit the residents of Follinglo Farm.

Twenty-one writers document the diverse representations and roles of Jewish women in American literature and culture.

In language as perceptive as it is poignant, poet Gwen Nell Westerman builds a world in words that reflects the past, present, and future of the Dakota people. An intricate balance between the singularity of personal experience and the unity of collective longing, Follow the Blackbirds speaks to the affection and appreciation a contemporary poet feels for her family, community, and environment. With touches of humor and the occasional sharp cultural criticism, the voice that emerges from these poems is that of a Dakota woman rooted in her world and her words. In this moving collection, Westerman reflects on history and family from a unique perspective, one that connects the painful past and the hard-fought future of her Dakota homeland. Grounded in vivid story and memory, Westerman draws on both English and the Dakota language to celebrate the long journey along sunflower-lined highways of the tallgrass prairies of the Great Plains that returns her to a place filled with “more than history.” An intense homage to the power of place, this book tells a masterful story of cultural survival and the power of language.

Many changes have taken place in the decade since Follow the Blue Blazes was first published, changes in the trails themselves and in the way we hike them. The Buckeye Trail still wends its way around the state of Ohio, following the course marked out by the characteristic blue blazes on trees and signposts along the way. In the intervening years, however, sections of the trail have changed their route, added amenities, or just grown more interesting. From the startling rock formations and graceful waterfalls of Old Man’s Cave, to Native American mounds, battlefields, and scenic rivers, Connie and Robert J. Pond provide a captivating guide to often-overlooked treasures around the state.

Each chapter features an overview of a 100-mile section of the trail and three self-guided featured hikes. The overviews and the accompanying maps may be read consecutively to acquaint the reader with the entire course of the trail. But most readers will best enjoy the trail by taking the guide along on one of the featured hikes. Each route is outlined on an easy-to-read map with GPS coordinates and waypoints to guide the hiker, as well as explicit directions from parking lot to trailhead.

The Buckeye Trail is readily accessible from Cincinnati, Dayton, Toledo, Cleveland, and Akron. Even a short trip can lead to an adventure near your own backyard.

Unique among hiking trails is the one that forms a complete loop around the state of Ohio. That 1,200-mile trail is called the Buckeye Trail. Showing the way on tree trunks, rocks, and other natural signposts are the blue painted markings called “the blue blazes.” In Follow the Blue Blazes, the reader embarks on a journey to discover a part of Ohio largely unseen except along this great path.

Beginning with the startling rock formations and graceful waterfalls of Old Man’s Cave in southern Ohio, and leading clockwise around the state to visit expansive forests, lovely parks, ancient mounds, historic canals and battlefields, and scenic river trails, experienced trailsman Robert J. Pond provides a captivating look at each section of the trail.

Each chapter features an overview of a 100-mile section of the trail and three self-guided featured hikes. The overviews, with accompanying maps, may be read consecutively to acquaint the reader with the entire course of the blue blazes. But most readers will best enjoy the Buckeye Trail by taking the guide along on featured hikes. Each hike is supported by a detailed but easy-to-follow map and includes explicit directions to trailheads and approximate hiking times.

In addition to many outlying areas, the extensive Buckeye Trail is accessible in or near Cincinnati, Dayton, Toledo, Cleveland, and Akron. Robert Pond has supplemented each description with interesting details about the geology and the diverse habitats of flora and fauna. Readers, too, can enjoy the beauty and wonders of Ohio if they Follow the Blue Blazes.

In a democracy, we generally assume that voters know the policies they prefer and elect like-minded officials who are responsible for carrying them out. We also assume that voters consider candidates' competence, honesty, and other performance-related traits. But does this actually happen? Do voters consider candidates’ policy positions when deciding for whom to vote? And how do politicians’ performances in office factor into the voting decision?

 

In Follow the Leader?, Gabriel S. Lenz sheds light on these central questions of democratic thought. Lenz looks at citizens’ views of candidates both before and after periods of political upheaval, including campaigns, wars, natural disasters, and episodes of economic boom and bust. Noting important shifts in voters’ knowledge and preferences as a result of these events, he finds that, while citizens do assess politicians based on their performance, their policy positions actually matter much less. Even when a policy issue becomes highly prominent, voters rarely shift their votes to the politician whose position best agrees with their own. In fact, Lenz shows, the reverse often takes place: citizens first pick a politician and then adopt that politician’s policy views. In other words, they follow the leader.

 

Based on data drawn from multiple countries, Follow the Leader? is the most definitive treatment to date of when and why policy and performance matter at the voting booth, and it will break new ground in the debates about democracy.

This fascinating study unveils the workings of the Indonesian migration regime, one that sends hundreds of thousands of women abroad as domestic workers each year. Drawing on extended ethnographic research since 2007, the book literally follows migrant women from one particular village in Central Java and tracks the moral, social, economic and legal processes by which they are turned into ‘maids’. From recruitment by local brokers to the ‘training’ received in secluded camps in Jakarta, employment in gated middle-class homes in Malaysia and back home again, Olivia Killias highlights the implications of the migration process on gendered practices of labour mobility (and immobilisation). She also reveals the disciplinary power that states, recruitment agencies and employers exercise over migrant domestic workers as well as highlighting frictions within the system. Killias’s analysis demonstrates that ironically, the “legalisation” of the migration industry, under the joint pressures of the Indonesian migration bureaucracy and international humanitarian agencies, does not automatically improve the situation of the women who embark on the migration adventure. Rather, Killias unmasks the gendered moralizing discourses on “illegal” migration and “trafficking” as legitimizing indentured labour and constraining migrant mobility. By exploring the workings of the Indonesian state’s overseas legal labour migration regime for migrants, she brings the reader directly into the nerve-racking lives of migrant village women, and reveals the richness and ambiguity of their experiences, going beyond stereotypical representations of them as “victims of trafficking”.

Detailing the fascinating career of Joe Evans, Follow Your Heart chronicles the nearly thirty years that he spent immersed in one of the most exciting times in African American music history. An alto saxophonist who between 1939 and 1965 performed with some of America's greatest musicians, including Louis Armstrong, Cab Calloway, Charlie Parker, Jay McShann, Andy Kirk, Billie Holiday, Bill "Bojangles" Robinson, Lionel Hampton, and Ivory Joe Hunter, Evans warmly recounts his wide range of experience in the music industry. Readers follow Evans from Pensacola, Florida, where he first learned to play, to such exotic destinations as Tel Aviv and Paris, which he visited while on tour with Lionel Hampton. Evans also comments on popular New York City venues used for shaping and producing black music, such as the Apollo Theater, the Savoy, Minton's Playhouse, and the Rhythm Club.

Revealing Evans as a master storyteller, Follow Your Heart describes his stints as a music executive, entrepreneur, and musician. Evans provides rich descriptions of jazz, swing, and rhythm and blues culture by highlighting his experiences promoting tracks to radio deejays under Ray Charles's Tangerine label and later writing, arranging, and producing hits for the Manhattans and the Pretenders. Leading numerous musical ventures that included a publishing company and several labels--Cee Jay Records (with Jack Rags), Revival, and Carnival Records--Evans remained active in the music industry even after he stopped performing regularly. As one of the few who enjoyed success as both performer and entrepreneur, he offers invaluable insight into race relations within the industry, the development of African American music and society from the 1920s to 1970s, and the music scene of the era.

In recent years, the federal government’s increasing inability to address major societal challenges has arguably hampered America’s commitment to renewable energy initiatives. Individual U.S. states have stepped into this void and adopted their own policies, leading some to believe that the states can propel America’s renewable energy industry forward. However, we know little about how legislative and regulatory dynamics within America’s states might accelerate or hinder renewable energy policy creation. 

In Following in Footsteps or Marching Alone?, Srinivas Parinandi explores how states have devised their own novel policies, and how the political workings of legislatures and public utilities commissions have impacted state renewable energy policy design. Through the meticulous study of nearly three decades of state-level renewable energy policy-making, he finds that their creation is primarily driven by legislatures, and that ideologically liberal legislatures largely push the envelope. The book suggests that having a predominantly state-driven renewable energy effort can lead to uneven and patchwork-based policy development outcomes, and a possible solution is to try to more successfully federalize these issues. Parinandi urges readers, scholars, and policy practitioners to consider whether a state-led effort is adequate enough to handle the task of building momentum for renewable energy in one of the world’s largest electricity markets.

Twitter allows us to build communities, track celebrities, raise our social profile, and promote a personal brand. Adam Hodgkin thinks Twitter is much more than a mere social media tool—it is a terrain ripe for a conceptual and theoretical analysis of our use of digital language. In Following Searle on Twitter, Hodgkin takes John Searle’s theory of speech acts as Status Function Declarations (SFDs)—speech acts that fulfill their meaning by saying the right words in the right context—as a probe for understanding Twitter’s institutional structure and the still-developing toolset that it provides for its members. He argues that Twitter is an institution built, constituted, and evolving through the use of SFDs. Searle’s speech act theories provide a framework for illuminating how Twitter membership arises, how users of Twitter relate to each other by following, and how increasingly complex content is conveyed with tweets. Using this framework, Hodgkin places language, action, intention, and responsibility at the core of the digital culture and the digital institutions that we are constructing.
 
Combining theoretical perspective with a down-to-earth exposition of present-day digital institutions, Following Searle on Twitter explores how all of our interactions with these emerging institutions are deeply rooted in language, and are the true foundation of social media and contemporary institutions.

With Following the Ball, Todd Cleveland incorporates labor, sport, diasporic, and imperial history to examine the extraordinary experiences of African football players from Portugal’s African colonies as they relocated to the metropole from 1949 until the conclusion of the colonial era in 1975. The backdrop was Portugal’s increasingly embattled Estado Novo regime, and its attendant use of the players as propaganda to communicate the supposed unity of the metropole and the colonies.

Cleveland zeroes in on the ways that players, such as the great Eusébio, creatively exploited opportunities generated by shifts in the political and occupational landscapes in the waning decades of Portugal’s empire. Drawing on interviews with the players themselves, he shows how they often assumed roles as social and cultural intermediaries and counters reductive histories that have depicted footballers as mere colonial pawns.

To reconstruct these players’ transnational histories, the narrative traces their lives from the informal soccer spaces in colonial Africa to the manicured pitches of Europe, while simultaneously focusing on their off-the-field challenges and successes. By examining this multi-continental space in a single analytical field, the book unearths structural and experiential consistencies and contrasts, and illuminates the components and processes of empire.

Suzi Parron, in cooperation with Donna Sue Groves, documented the massive public art project known as the barn quilt trail in her 2012 book Barn Quilts and the American Quilt Trail Movement. The first of these projects began in 2001, when Groves and community members created a series of twenty painted quilt squares in Adams County, Ohio. Since then, barn quilts have spread throughout forty-eight states and several Canadian provinces.

In Following the Barn Quilt Trail, Parron brings readers along as she, her new love, Glen, their dog Gracie, and their converted bus Ruby, leave the stationary life behind. Suzi and Glen follow the barn quilt trail through thirty states across thirteen thousand miles as Suzi collects the stories behind the brightly painted squares. With plentiful color photographs, this endearing hybrid of memoir and travelogue is for quilt lovers, Americana and folk art enthusiasts, or anyone up for a good story.

In Following the Elephant, Bruno Nettl edits articles drawn from fifty years of the pioneering journal Ethnomusicology. The roster of acclaimed scholars hail from across generations, using other works in the collection as launching points for dialogues on the history and accomplishments of the field. Nettl divides the collection into three sections. In the first, authors survey ethnomusicology from perspectives that include thoughts on defining and conceptualizing the field and its concepts. The second section offers milestones in the literature that critique major works. The authors look at what separates ethnomusicology from other forms of music research and discuss foundational issues. The final section presents scholars considering ethnomusicology--including recent trends--from the perspective of specific, but abiding, strands of thought. Contributors: Charlotte J. Frisbie, Mieczylaw Kolinski, Gerhard Kubik, George List, Alan P. Merriam, Bruno Nettl, David Pruett, Adelaida Reyes, Timothy Rice, Jesse D. Ruskin, Kay Kaufman Shelemay, Gabriel Solis, Jeff Todd Titon, J. Lawrence Witzleben, and Deborah Wong

Following Tradition is an expansive examination of the history of tradition—"one of the most common as well as most contested terms in English language usage"—in Americans' thinking and discourse about culture. Tradition in use becomes problematic because of "its multiple meanings and its conceptual softness." As a term and a concept, it has been important in the development of all scholarly fields that study American culture. Folklore, history, American studies, anthropology, cultural studies, and others assign different value and meaning to tradition. It is a frequent point of reference in popular discourse concerning everything from politics to lifestyles to sports and entertainment. Politicians and social advocates appeal to it as prima facie evidence of the worth of their causes. Entertainment and other media mass produce it, or at least a facsimile of it. In a society that frequently seeks to reinvent itself, tradition as a cultural anchor to be reverenced or rejected is an essential, if elusive, concept. Simon Bronner's wide net captures the historical, rhetorical, philosophical, and psychological dimensions of tradition. As he notes, he has written a book "about an American tradition—arguing about it." His elucidation of those arguments makes fascinating and thoughtful reading. An essential text for folklorists, Following Tradition will be a valuable reference as well for historians and anthropologists; students of American studies, popular culture, and cultural studies; and anyone interested in the continuing place of tradition in American culture.

Fonthill, Wiltshire, is typically associated with the writer and collector William Beckford, who built his Gothic fantasy house, Fonthill Abbey, there at the end of the eighteenth century. The collapse of the Abbey’s tower in 1825 transformed the name Fonthill into a symbol for overarching ambition and folly. But Fonthill is much more than the story of one man’s excesses, and the Abbey was only one of several important houses to be built there, all eventually consumed by fire or deliberately demolished—and all strangely forgotten by contemporary history

Fonthill Recovered draws on new research to explore the rich cultural history of this place where little remains today—a tower, a stable block, the ruins of what was once a kitchen, and an indentation in a field. The first half of the book traces the occupation of Fonthill from the Bronze Age to the twenty-first century. Some of the owners surpassed Beckford in terms of their wealth and political power—and even, in one case, their sexual proclivities. They include Charles I’s Chancellor of the Exchequer and the richest British commoner of the nineteenth century. The second half of the book consists of essays on specific topics, examining such crucial areas as the complex history of the designed landscape, the sources of the Beckfords’ wealth and their extensive art collection, and the recent appearance of the Abbey in a video game.
 

This special issue offers a broad range of social and cultural insights into the history of French gastronomy. At a moment when French cuisine no longer dominates the world of fine dining, the history of French food has drawn increasing attention in the academic world. The contributors address topics spanning the seventeenth to the twentieth centuries, such as coffee’s relationship to slavery and exoticism; the promotion of terroir to an aspiring middle class; the contrast between the romanticized images of Parisian shop girls and their efforts to survive on street food in the early twentieth century; the "standard meal" imagined by nineteenth-century nutritionists and the divergent reality of meager lunches for the working class; and the inequitable experience of wartime deprivation. The articles in this issue both model how the study of the culture of food can ground our understanding of France’s place in the world and illuminate questions of nationalism, global networks, gender, race, ethnicity, and class.

Contributors: Martin Bruegel, Bertram M. Gordon, Julia Landweber, Philippe Meyzie, Kenneth Mouré, Erica J. Peters, Patricia A. Tilburg

This special issue challenges historians to think about food and labor by considering how not only producing but acquiring, preparing, eating, and enjoying food are central to working-class life and capitalist transformation. Its essays bring labor history into closer conversation with the interdisciplinary perspectives of food studies to explore how broadly and deeply food experiences and working lives shape one another. Contributors trace this relationship through a series of case studies from across the Americas, including discussions of Native American life during the seventeenth and nineteenth centuries, African American food workers in the early twentieth century, Puerto Rican sugarcane workers under US imperialism, and the politics of fair trade.

Susan Levine is Professor of History and Director of the Institute for the Humanities at the University of Illinois at Chicago. She is the author of School Lunch Politics: The Surprising History of America’s Favorite Welfare Program. Steve Striffler is the Doris Zemurray Stone Chair in Latin American Studies and Professor of Anthropology at the University of New Orleans. He is the author of In the Shadows of State and Capital: The United Fruit Company, Popular Struggle, and Agrarian Restructuring in Ecuador, 1900–1995, also published by Duke University Press.

Contributors: William Bauer, Sarah Besky, Sandy Brown, Rachel Herrmann, Felicia Kornbluh, Susan Levine, Sarah Lyon, Vanessa May, April Merleaux, Liesl Orenic, Sara Ries, Steve Striffler

In a world where privatization and capitalism dominate the global economy, the essays in this book ask how to make socially responsive communication, design, and art that counters the role of the food industry as a machine of consumption. Food Democracy brings together contributions from leading international scholars and activists, critical case studies of emancipatory food practices, and reflections on possible models for responsive communication, design, and art. A section of visual communication works, creative writings, and accounts of participatory art for social and environmental change, which were curated by the Memefest Festival of Socially Responsive Communication and Art on the theme of “Food Democracy,” are also included here. The beautifully designed book also includes a unique and delicious compilation of socially engaged recipes by the academic and activist community. Aiming not just to advance scholarship, but to push ahead real change in the world, Food Democracy is essential reading for scholars and citizens alike.

Throughout the United States, people are increasingly concerned about where their food comes from, how it is produced, and how its production affects individuals and their communities. The answers to these questions reveal a complex web of interactions. While large, distant farms and multinational companies dominate at national and global levels, innovative programs including farmers’ markets, farm-to-school initiatives, and agritourism are forging stronger connections between people and food at local and regional levels. At all levels of the food system, energy use, climate change, food safety, and the maintenance of farmland for the future are critical considerations. The need to understand food systems—what they are, who’s involved, and how they work (or don’t)—has never been greater.

Food, Farms, and Community: Exploring Food Systems takes an in-depth look at critical issues, successful programs, and challenges for improving food systems spanning a few miles to a few thousand miles. Case studies that delve into the values that drive farmers, food advocates, and food entrepreneurs are interwoven with analysis supported by the latest research. Examples of entrepreneurial farms and organizations working together to build sustainable food systems are relevant to the entire country—and reveal results that are about much more than fresh food.

The Confédération Paysanne, one of France's largest farmers' unions, has successfully fought against genetically modified organisms (GMOs), but unlike other allied movements, theirs has been led by producers rather than consumers. In Food, Farms, and Solidarity, Chaia Heller analyzes the group's complex strategies and campaigns, including a call for a Europe-wide ban on GM crops and hormone-treated beef, and a protest staged at a McDonald's. Her study of the Confédération Paysanne shows the challenges small farms face in a postindustrial agricultural world. Heller also reveals how the language the union uses to argue against GMOs encompasses more than the risks they pose; emphasizing solidarity has allowed farmers to focus on food as a cultural practice and align themselves with other workers. Heller's examination of the Confédération Paysanne's commitment to a vision of alter-globalization, the idea of substantive alternatives to neoliberal globalization, demonstrates how ecological and social justice can be restored in the world.

From the racial defamation and mocking tone of “Mexican” restaurants geared toward the Anglo customer to the high-end Latin-inspired eateries with Anglo chefs who give the impression that the food was something unattended or poorly handled that they “discovered” or “rescued” from actual Latinos, the dilemma of how to make ethical choices in food production and consumption is always as close as the kitchen recipe, coffee pot, or table grape.

In Food Fight! author Paloma Martinez-Cruz takes us on a Chicanx gastronomic journey that is powerful and humorous. Martinez-Cruz tackles head on the real-world politics of food production from the exploitation of farmworkers to the appropriation of Latinx bodies and culture, and takes us right into transformative eateries that offer a homegrown, mestiza consciousness.

The hard-hitting essays in Food Fight! bring a mestiza critique to today’s pressing discussions of labeling, identity, and imaging in marketing and dining. Not just about food, restaurants, and coffee, this volume employs a decolonial approach and engaging voice to interrogate ways that mestizo, Indigenous, and Latinx peoples are objectified in mainstream ideology and imaginary.

In the 1960s and early 1970s, countercultural rebels decided that, rather than confront the system, they would create the world they wanted. The natural foods movement grew out of this contrarian spirit. Through a politics of principled shopping, eating, and entrepreneurship, food revolutionaries dissented from corporate capitalism and mainstream America.

In Food for Dissent, Maria McGrath traces the growth of the natural foods movement from its countercultural fringe beginning to its twenty-first-century "food revolution" ascendance, focusing on popular natural foods touchstones—vegetarian cookbooks, food co-ops, and health advocates. Guided by an ideology of ethical consumption, these institutions and actors spread the movement's oppositionality and transformed America's foodscape, at least for some. Yet this strategy proved an uncertain instrument for the advancement of social justice, environmental defense, and anti-corporatism. The case studies explored in Food for Dissent indicate the limits of using conscientious eating, shopping, and selling as tools for civic activism.

Schubert Miles Ogden (1928-2019) was one of America’s preeminent theologians during the last fifty years and spent a significant part of his career at Perkins School of Theology (SMU). During this time he engaged with a broad range of topics and concerns in his writings and teachings, producing an extensive theological body of work. What many in that academic world did not know was that Ogden was also a formidable man in the kitchen, constantly experimenting, testing, and coming up with a variety of recipes, from the distinctly delicious German-style baked goods like stollen to Schubert’s Own Salmon Loaf. He even had a signature cocktail called the Minister Margarita. In this present volume titled Food for the Soul: The Recipes of Schubert Ogden we have the second book published under the new Bridwell Press imprint that brings to life a lesser-known aspect of Ogden’s dynamic life and world. Instead of the adventures of the great scholar’s theological works, in this book we have an element of joyful surprise in his gastronomical oeuvre, and maybe there is something new and illuminating to discover in that as well. This compilation will certainly find a warm and inviting home among both theologians and non-theologians alike, especially if you like to experiment with the never-ending nuances of food.

In this first comprehensive synthesis of the literature on food hoarding in animals, Stephen B. Vander Wall discusses how animals store food, how they use food and how this use affects individual fitness, why and how food hoarding evolved, how cached food is lost, mechanisms for protecting and recovering cached food, physiological and behavioral factors that influence hoarding, and the impact that hoarding animals have on plant populations and plant dispersal. He then provides detailed coverage of hoarding behavior across taxa—mammals, birds, and arthropods—to address issues in evolution, ecology, and behavior.

Drawings, photographs, and appendixes document complex and intrinsically interesting food-hoarding behaviors, and the bibliography of nearly 1,500 sources is itself an invaluable and unique reference.

Corn, squash, and beans from the Native Americans; barbecue sauces from the Spanish; potatoes and sausages from the Germans: Missouri's foods include a bountiful variety of ingredients. In Food in Missouri: A Cultural Stew, Madeline Matson takes readers on an enticing journey through the history of this state's food, from the hunting and farming methods of the area's earliest inhabitants, through the contributions of the state's substantial African American population, to the fast-food purveyors of the microwave age.

Tracing the history of food preparation, preservation, and marketing, while highlighting the cultural traditions that engendered each change, Matson shows how advances in farming methods, the invention of the electric range, the development of cookbooks, and three waves of immigration have profoundly influenced what Missourians eat today. Along the way, she highlights some of the key people, places, and institutions in Missouri's food history: Irma S. Rombauer, author of Joy of Cooking; Stark Bro's Nurseries and Orchards in Louisiana, Missouri, the largest family-owned fruit-tree nursery in the world and the home of Delicious, Golden Delicious, and Gala apples; St. Louis's Soulard Market, established in 1779 and said to be the oldest public market west of the Mississippi; and Stone Hill Winery, a leader in Hermann's nationally recognized wine- making industry.

By bringing to life the traditions behind the foods we eat every day, Food in Missouri provides a unique perspective on the people who explored and settled the state, showing that Missouri's rich heritage truly is a cultural stew.

Food was incredibly diverse in post–Civil War America. It was an era of gross income inequality, and differences in diet reflected the deep disparities between upper and lower classes, as well as the expansion of a flourishing middle class. In this book, excerpts from a wide range of Gilded Age sources—from period cookbooks to advice manuals to dietary studies—reveal how jarringly eating and cooking differed between classes and regions at a time when technology and industrialization were transforming what and how people ate. Most of all, they show how strongly the fabled glitz of wealthy Americans in the Gilded Age contrasted with the lives of most Americans. Featuring a variety of sources as well as accessible essays putting those sources into context, this book provides a remarkable portrait of food in a singular era in American history, giving a glimpse into the kinds of meals eaten everywhere from high society banquets to the meanest tenements and sharecropping cabins.
 
 

Cookbooks offer a unique and valuable way to examine American life. Their lessons, however, are not always obvious. Direct references to the American Civil War were rare in cookbooks, even in those published right in the middle of it. In part, this is a reminder that lives went on and that dinner still appeared on most tables most nights, no matter how much the world was changing outside. But people accustomed to thinking of cookbooks as a source for recipes, and not much else, can be surprised by how much information they can reveal about the daily lives and ways of thinking of the people who wrote and used them. In this fascinating historical compilation, excerpts from five Civil War–era cookbooks present a compelling portrait of cooking and eating in the urban north of the 1860s United States.

Almost immediately, the Civil War transformed the way Southerners ate, devastating fields and food transportation networks. The war also spurred Southerners to canonize prewar cooking styles, resulting in cuisine that retained nineteenth-century techniques in a way other American cuisines did not. This fascinating book presents a variety of Civil War-era recipes from the South, accompanied by eye-opening essays describing this tumultuous period in the way people lived and ate. The cookbooks excerpted here teem with the kinds of recipes we expect to find when we go looking for Southern food: grits and gumbo, succotash and Hopping John, catfish, coleslaw, watermelon pickles, and sweet potato pie. The cookbooks also offer plenty of surprises. This volume, the second in the American Food in History series, sheds new light on cooking and eating in the Civil War South, pointing out how seemingly neutral recipes can reveal unexpected things about life beyond the dinner plate, from responses to the anti-slavery movement to shifting economic imperatives to changing ideas about women’s roles. Together, these recipes and essays provide a unique portrait of Southern life via the flavors, textures, and techniques that grew out of a time of crisis.