A SCHOLARLY BOOK REPOSITORY
What emerges is a portrait that neither discounts nor exaggerates the historical evidence. He presents polygamy in context, neither condemning nor defending, while relevant contemporary accounts are treated sympathetically but interpreted critically. No period of Mormon history is emphasized over another. The result is a systematic view that is unavailable in studies of isolated periods or in the repetitions of folklore that only disguise the reality of what polygamy was.
Scattered throughout the western United States today are an estimated 30,000 fundamentalist Mormons who still live “the principle.” They, too, are a part of Joseph Smith’s legacy and are included in this study.
Drawing on decades of work observing and researching the Mormon Tabernacle Choir, Michael Hicks examines the personalities, decisions, and controversies that shaped "America's choir." Here is the miraculous story behind the Tabernacle's world-famous acoustics, the anti-Mormonism that greeted early tours, the clashes with Church leaders over repertoire and presentation, the radio-driven boom in popularity, the competing visions of rival conductors, and the Choir's aspiration to be accepted within classical music even as Mormons sought acceptance within American culture at large. Everything from Billboard hits to TV appearances to White House performances paved the way for Mormonism's crossover triumph. Yet, as Hicks shows, such success raised fundamental concerns regarding the Choir's mission, functions, and image.
Back in print, this essential reference for readers interested in the Mormon Trail is part history, part resource book, part guide and photographic essay. Driven from their home in Nauvoo, Illinois, Mormons led by Brigham Young began in 1846 to journey west to an expected haven in the Great Salt Lake Valley. The first party arrived there in July 1847. Thousands of members and converts later followed the Mormon Trail, which for much of its way traced the route of the Oregon Trail, although it generally stayed across the Platte River from the more-traveled way. It was thus, until the railroad's arrival in 1869, one of the West's most important and heavily used roads.
Although the Mormons' experience was in most ways similar to that of other emigrants, the religious motivations, tight organization, and family groups of the Mormons gave their migration a distinct character. William E. Hill introduces the Mormons, their eventful early history, and the characteristics of the migration west. His book also includes a chronology of trail-related events, excerpts from diaries and guidebooks, songs, historical maps, over 200 then-and-now illustrations, descriptions of major museums and displays on the trail, and recommendations for further reading.
How the Violent Expulsion of the Mormons from Missouri Changed the History of America and the West
In 1831, Joseph Smith, Jr., the founder of the Church of Christ—later to be renamed the Church of Jesus Christ of Latter Day Saints—revealed that Zion, or “New Jerusalem,” was to be established in Jackson County, Missouri. Smith sent some of his followers to begin the settlement, but they were soon expelled by locals who were suspicious of their religion and their abolitionist sympathies. Smith led an expedition to regain the settlement, but was unsuccessful. Seven years later, in January 1838, Smith fled to Missouri from Ohio to avoid a warrant for his arrest, and joined the Mormon community in the town of Far West, which became the new Zion. The same prejudices recurred and the Mormons found themselves subject to attacks from non-Mormons, including attempts to prevent them from voting. Despite his abhorrence of violence, Smith decided that it was necessary for Mormons to defend themselves, which resulted in a short and sharp conflict known as the Mormon War. A covert Mormon paramilitary unit, the Danites, was formed to pillage non- Mormon towns, while angry rhetoric rose from both sides. After the Missouri state militia was attacked at the Battle of Crooked River, Missouri governor Liburn William Boggs issued Executive Order 44, which called for Mormons to be “exterminated or driven from the State.” Non-Mormons responded by attacking a Mormon settlement at Haun’s Mill, killing men and boys and firing on the women. Following this massacre, the state militia surrounded Far West and arrested Smith and other Mormon leaders. Smith was tried for treason and narrowly avoided execution, but was allowed to go and join the rest of his followers who were forced from Missouri to Illinois, where they founded their next major town, Nauvoo. There, Smith would be murdered and the church would split into several factions, with Brigham Young leading the movement’s largest group to Utah.
In The Mormon War: Zion and the Missouri Extermination Order of 1838, Brandon G. Kinney unravels the complex series of events that led to a religious and ideological war of both blood and words. The Mormon War not only challenged the protection afforded by the First Amendment, it foreshadowed the partisan violence over slavery and states’ rights that would erupt across Missouri and Kansas. The war also fractured Smith’s Church and led ultimately to the unexpected settlement of a vast area of the West as a Mormon homeland. By tracing the life of Joseph Smith, Jr. and his quest for Zion, the author reveals that the religion he founded was destined for conflict—both internal and external—as long as he remained its leader.
Winner of the Mormon History Association Best International Book Award
The Church of Jesus Christ of Latter-day Saints continues to contend with longstanding tensions surrounding gender and race. Yet women of color in the United States and across the Global South adopt and adapt the faith to their contexts, many sharing the high level of satisfaction expressed by Latter-day Saints in general. Caroline Kline explores the ways Latter-day Saint women of color in Mexico, Botswana, and the United States navigate gender norms, but also how their moral priorities and actions challenge Western feminist assumptions. Kline analyzes these traditional religious women through non-oppressive connectedness, a worldview that blends elements of female empowerment and liberation with a broader focus on fostering positive and productive relationships in different realms. Even as members of a patriarchal institution, the women feel a sense of liberation that empowers them to work against oppression and against alienation from both God and other human beings.
Vivid and groundbreaking, Mormon Women at the Crossroads merges interviews with theory to offer a rare discussion of Latter-day Saint women from a global perspective.
After many British believers left for America, church membership in England fell so sharply that the movement in Britain seemed to be on the brink of collapse. Yet British Mormonism gradually resurged and continues today. How did this religious minority flourish when so many nineteenth-century revivalist movements did not? Rasmussen explains Mormonism’s inception, perpetuation, and maturation in Britain in a compelling case study of a “new religious movement” with staying power. From its establishment in 1837 to its maturation in 1998, the Mormon perspective of Britain shifted dramatically. This book chronicles that shift, and illustrates how doctrinal adaptation has enabled Mormonism in Britain to persist.
This volume focuses on Asia, a region that includes more than half the world's population, but where Restoration traditions specifically and Christianity broadly are minority faiths. It uses a combination of focused case studies and theoretical analysis to highlight broader trends and themes that those studies suggest about the meaning of a globalized faith in the twenty-first century. The first section of this book lays out ways of thinking about Mormonism’s global presence in terms of the nation-state, and the essays explore where and how Restoration traditions as institutional actors have made their way into new political and social contexts. The second section studies the tensions created by the encounters of LDS norms with preexisting cultural and political values in local settings. These essays burrow more deeply into political and religious realities and explore the variations in Mormon cultural assumptions about politics and society, as well as the relationship between local congregants and the Mormon administrative center. The final section presents fine-grained
studies that focus attention on one of the central features of LDS lived religion: the role of gender and the family in the religious community. In each case, divine dictates necessarily bump up against traditional societal norms that converts must navigate.
Contributors: John-Charles Duffy, Stacilee Ford, Taunalyn Ford, Conan Grames, David J. Howlett, Melissa Wei-Tsing Inouye, Keisha Lai, Laurie Maffly-Kipp, Matthew Martinich, Meagan Rainock, Shinji Takagi, Pierre Vendassi
Winner of the Evans Handcart Prize 2009
Winner of the Mormon History Assn Best Biography Award 2009
By the early twentieth century, the era of organized Mormon colonization of the West from a base in Salt Lake City was all but over. One significant region of Utah had not been colonized because it remained in Native American hands--the Uinta Basin, site of a reservation for the Northern Utes. When the federal government decided to open the reservation to white settlement, William H. Smart--a nineteenth-century Mormon traditionalist living in the twentieth century, a polygamist in an era when it was banned, a fervently moral stake president who as a youth had struggled mightily with his own sense of sinfulness, and an entrepreneurial businessman with theocratic, communal instincts--set out to ensure that the Uinta Basin also would be part of the Mormon kingdom.
Included with the biography is a searchable CD containing William H. Smart's extensive journals, a monumental personal record of Mormondom and its transitional period from nineteenth-century cultural isolation into twentieth-century national integration.
A critical study of the expansion of federal law enforcement across the post-Civil War American South and frontier West.
In the decades immediately following the Civil War, the United States expanded rapidly. As the nation grew, so too did federal law, moving into areas of citizens’ lives previously regulated by local custom and state and territorial statutes.
Drawing on contemporary accounts and the letters that flowed between the Washington office of the Justice Department and its attorneys and marshals throughout the states and territories, Cresswell uses a case-study approach to explore the enforcement of federal law in four regions. In northern Mississippi, the rights of freedmen to vote clashed with established rules of relations between blacks and whites. In Utah Territory, Mormon polygamy and economic dominance challenged the aspirations of non-Mormon settlers. In eastern Tennessee, desperate poverty lent enchantment to the easy money of moonshining. In Arizona Territory, frontier greed and violence threatened the lives of people and the chances of early admission to the Union of states.
Mormons and Cowboys, Moonshiners and Klansmen moves beyond these local case studies to illuminate larger questions, including the evolution of the American criminal justice system, the relationship of the South and the West to the rest of the nation, the workings of the 19th-century American bureaucracy, and conflict of the local, state, and federal governments.
Out of the efforts of these early federal marshals came the modern federal justice system, with its firm policy guidelines, its Federal Bureau of Investigation, and its broader powers over the country as a whole.
This volume explains how the earliest Mormons viewed their religion and suggests that the Book of Mormon appeared to them as an exciting document of social protest. Contributors consider the history of persecution of the Mormons, the church's relationship with the state of Utah and with other divisions of Christianity, and culture clashes in the church's missionary efforts. Mormons and Mormonism also places beliefs such as vicarious baptism for the dead in a larger context of community and religious ideals.
The founding of Mormonism and its rapid emergence as a new world religion are among the most intriguing aspects of American religious history and among the most neglected in the religion classroom. This much-needed volume lays the groundwork for a better understanding of the LDS Church and its historical and potential impact on the United States and the world.
In the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent “others,” however, French dramatists used Mormonism to point out hypocrisy in their own culture. Aren't Mormon women, because of their numbers in a household, more liberated than French women who can't divorce? What is polygamy but another name for multiple mistresses? This new critical edition presents translations of four musical comedies staged or published in France in the late 1800s: Mormons in Paris (1874), Berthelier Meets the Mormons (1875), Japheth’s Twelve Wives (1890), and Stephana’s Jewel (1892). Each is accompanied by a short contextualizing introduction with details about the music, playwrights, and staging. Humorous and largely unknown, these plays use Mormonism to explore and mock changing French mentalities during the Third Republic, lampooning shifting attitudes and evolving laws about marriage, divorce, and gender roles.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Since 2006, when the “morning-after pill” Plan B was first sold over the counter, sales of emergency contraceptives have soared, becoming an $80-million industry in the United States and throughout the Western world. But emergency contraception is nothing new. It has a long and often contentious history as the subject of clashes not only between medical researchers and religious groups, but also between different factions of feminist health advocates.
The Morning After tells the story of emergency contraception in America from the 1960s to the present day and, more importantly, it tells the story of the women who have used it. Side-stepping simplistic readings of these women as either radical feminist trailblazers or guinea pigs for the pharmaceutical industry, medical historian Heather Munro Prescott offers a portrait of how ordinary women participated in the development and popularization of emergency contraception, bringing a groundbreaking technology into the mainstream with the potential to alter radically reproductive health practices.
"Toelken's insights . . . are unique. His study broadens and deepens scholarly appreciation of how folksong metaphors carry their own semantic weight. . . . One of the best expressions of the power of music in folksong that I have seen in recent years." -- James Porter, author of The Traditional Music of Britain and Ireland
In this lively exploration of folksongs and their meanings, Barre Toelken looks closely at riddle songs and other ambiguous folksongs, as well as the various "ballad commonplaces." Ranging through metaphors such as weaving, plowing, plucking flowers, and walking in the dew, Toelken shows how each contributes to meaning in vernacular song. He includes comparisons to German folksongs, medieval poetry, Italian folk lyrics, and a wide range of Euro-American vernacular expression.
Exploring the strategic and human dimensions of the defense of Outpost Harry.
By June 1953 the Korean War, marked at the outset by extremely fluid advances and retreats up and down the peninsula, had settled into position warfare very near the original pre-war demarcation line between North and South Korea. At this point both sides were fighting to win a peace, to achieve incremental advantages that could be translated into gains at the peace negotiations in Panmunjom. The battle at Outpost Harry devolved into hand-to-hand combat during a period of constant, intense fighting that lasted two days. The author, although seriously wounded that night, refused evacuation and remained on the hill to successfully lead his company in defense of the outpost. It wasn’t romantic; it wasn’t chivalrous; and many died or were badly wounded. Some of the survivors never fully overcame the mental and physical damage they suffered during the nightmare.
With this book, one of those scarred by that experience recounts the events of the battle and his lifelong efforts to deal with the residual horrors. The Korean Conflict may be called "the forgotten war" by some, but not by those who were on the front lines.
Barbara Drake articulates the lessons she’s learned from her long stint of country living in her new book, Morning Light. Replete with records of native wildflowers, an encounter with an elderly man who lived on her farm eighty years ago, and an old family recipe for wild blackberry pudding, Morning Light is an appreciation and exploration of the landscape of western Oregon, and readers will come to know it better through the book.
As entertaining and instructive as it is personal and reflective, Drake’s writing will resonate with anyone who has experienced a convergence of family history with natural history, considered their place in the historical continuum, or wondered if their lifestyle can be sustained with age. In a world where even “the country” is becoming increasingly citified, Morning Light reminds us why we should care for our rural landscapes—while we still can.
An expanded edition of revered theorist Michael Löwy's Morning Star: Marxism and Surrealism (previously published in French, Portuguese, Spanish, Italian, and Greek), this masterwork collects the author's essays on the ways in which surrealism intersected with a variety of revolutionary political approaches, ranging from utopian ideals to Marxism and situationism. Taking its title from André Breton's essay "Arcane 17," which casts the star as the searing firebrand of rebellion, Löwy's provocative work spans many perspectives. These include surrealist artists who were deeply interested in Marxism and anarchism (Breton among them), as well as Marxists who were deeply interested in surrealism (Walter Benjamin in particular).
Probing the dialectics of innovation, diversity, continuity, and unity throughout surrealism's international presence, Morning Star also incorporates analyses of Claude Cahun, Guy Debord, Pierre Naville, José Carlos Mariátegui and others, accompanied by numerous reproductions of surrealist art. An extraordinarily rich collection, Morning Star promises to ignite new dialogues regarding the very nature of dissent.
This book is one of the first comprehensive studies of Islam as locally understood in the Middle East. Specifically, it is concerned with the prevalent North African belief that certain men, called marabouts, have a special relation to God that enables them to serve as intermediaries and to influence the well-being of their clients and kin. Dale F. Eickelman examines the Moroccan pilgrimage center of Boujad and unpublished Moroccan and French archival materials related to it to show how popular Islam has been modified by its adherents to accommodate new social and economic realities. In the course of his analysis he demonstrates the necessary interrelationship between social history and the anthropological study of symbolism.
Eickelman begins with an outline of the early development of Islam in Morocco, emphasizing the "maraboutic crisis" of the fourteenth through sixteenth centuries. He also examines the history and social characteristics of the Sherqawi religious lodge, on which the study focuses, in preprotectorate Morocco. In the central portion of the book, he analyzes the economic activities and social institutions of Boujad and its rural hinterland, as well as some basic assumptions the townspeople and tribesmen make about the social order. Finally, there is an intensive discussion of maraboutism as a phenomenon and the changing local character of Islam in Morocco.
In focusing on the "folk" level of Islam, rather than on "high culture" tradition, the author has made possible a more general interpretation of Moroccan society that is in contrast with earlier accounts that postulated a marked discontinuity between tribe and town, past and present.
In the years after independence, new art forms and practices flourished at the Casablanca École des beaux-arts, transforming the colonial relic into a wellspring of Moroccan modernism. Casablanca School artists, including Farid Belkahia, Mohammed Chebaa, and Mohammed Melehi, defined the modernist movement in Morocco. Their visual arts activism was displayed at their iconic outdoor exhibition in the Djemaa al-Fna plaza in Marrakech, in their collaborations with the cultural and political journal Souffles, through their radical anticolonial pedagogy, and through their use of abstraction to expand the horizons of postcolonial national culture.
In Moroccan Modernism, Holiday Powers argues that the pedagogy and transnational solidarities of this generation of artists were intrinsic to their broader artistic projects. She advances a novel reading of Moroccan modernism that is rooted in its cosmopolitan national context and in Pan-Africanism and Pan-Arabism, the transnational anticolonial intellectual movements that defined the era.
Edwards reads a broad range of texts to recuperate the disorienting possibilities for rethinking American empire. Examining work by William Burroughs, Jane Bowles, Ernie Pyle, A. J. Liebling, Jane Kramer, Alfred Hitchcock, Clifford Geertz, James Michener, Ornette Coleman, General George S. Patton, and others, he puts American texts in conversation with an archive of Maghrebi responses. Whether considering Warner Brothers’ marketing of the movie Casablanca in 1942, journalistic representations of Tangier as a city of excess and queerness, Paul Bowles’s collaboration with the Moroccan artist Mohammed Mrabet, the hippie communities in and around Marrakech in the 1960s and early 1970s, or the writings of young American anthropologists working nearby at the same time, Edwards illuminates the circulation of American texts, their relationship to Maghrebi history, and the ways they might be read so as to reimagine the role of American culture in the world.
In Morocco, Walter M. Weiss brings extensive knowledge of the region to bear as he travels the breadth and depth of the country’s social and geographical contrasts. Berber villagers of the mountains are for the most part still illiterate and consider their king to be divinely chosen, while businessmen in Casablanca’s towering offices dream of closer ties to the European Union. Weiss visits the settings of modern legends, such as Tangier, as well as the two medieval centres Fès and Meknès, and sees earthen kasbahs and Marrakech’s bazaar. On the way, he meets acrobats, Sufi musicians, pilgrims, craftsmen, beatniks, rabbis, and Berber farmers—a kaleidoscope of variety and cultural influence.
Everett C. Olson was a professor at the University of Chicago and at the University of California, Los Angeles. He was a former president of the Society of Vertebrate Paleontology. Robert L. Miller was associate professor of geology at the University of Chicago, associate scientist in marine geology at the Woods Hole Oceanographic Institution, and a member of the board of editors of the Journal of Geology.
An influential star of British pop for more than three decades, Morrissey is known for his outspoken and often controversial views on class, ethnicity, and sexuality. Among critics and his many fans, he has long been seen as an anti-establishment figure who continues to provoke devotion, argument, and spirited debate.
This is the first collection of academic essays to focus exclusively on Morrissey’s solo career, and this important book offers a nuanced and rich reading of his highly influential creative and cultural output. Covering a broad range of academic disciplines and approaches, including musicology, ethnography, sociology, and cultural studies, these essays will be a must for fans of Morrissey or the Smiths, or those seeking to make sense of the many fascinating complexities of this global icon and controversial figure.
In Mortal Imitations of Divine Life, Diamond offers an interpretation of De Anima, which explains how and why Aristotle places souls in a hierarchy of value. Aristotle’s central intention in De Anima is to discover the nature and essence of soul—the principle of living beings. He does so by identifying the common structures underlying every living activity, whether it be eating, perceiving, thinking, or moving through space. As Diamond demonstrates through close readings of De Anima, the nature of the soul is most clearly seen in its divine life, while the embodied soul’s other activities are progressively clear approximations of this principle. This interpretation shows how Aristotle’s psychology and biology cannot be properly understood apart from his theological conception of God as life, and offers a new explanation of De Anima’s unity of purpose and structure.
This book traces Mortal Kombat’s history as an American product inspired by both Japanese video games and Chinese martial-arts cinema, its successes and struggles in adapting to new market trends, and the ongoing influence of its secret-strewn narrative world. After outlining the specific elements of gameplay that differentiated Mortal Kombat from its competitors in the coin-op market, David Church examines the various martial-arts films that inspired its Orientalist imagery, helping explain its stereotypical uses of race and gender. He also posits the games as a cultural landmark from a moment when public policy attempted to intervene in both the remediation of cinematic aesthetics within interactive digital games and in the transition of public gaming spaces into the domestic sphere. Finally, the book explores how the franchise attempted to conquer other forms of media in the 1990s, lost ground to a new generation of 3D games in the 2000s, and has successfully rebooted itself in the 2010s to reclaim its legacy.
From the tombs of the elite to the graves of commoners, mortuary remains offer rich insights into Classic Maya society. In Mortuary Landscapes of the Classic Maya: Rituals of Body and Soul, the anthropological archaeologist and bioarchaeologist Andrew K. Scherer explores the broad range of burial practices among the Maya of the Classic period (AD 250–900), integrating information gleaned from his own fieldwork with insights from the fields of iconography, epigraphy, and ethnography to illuminate this society’s rich funerary traditions.
Scherer’s study of burials along the Usumacinta River at the Mexican-Guatemalan border and in the Central Petén region of Guatemala—areas that include Piedras Negras, El Kinel, Tecolote, El Zotz, and Yaxha—reveals commonalities and differences among royal, elite, and commoner mortuary practices. By analyzing skeletons containing dental and cranial modifications, as well as the adornments of interred bodies, Scherer probes Classic Maya conceptions of body, wellness, and the afterlife.
Scherer also moves beyond the body to look at the spatial orientation of the burials and their integration into the architecture of Maya communities. Taking a unique interdisciplinary approach, the author examines how Classic Maya deathways can expand our understanding of this society’s beliefs and traditions, making Mortuary Landscapes of the Classic Maya an important step forward in Mesoamerican archeology.
It is a common belief that scripture has no place in modern, secular politics. Graham Hammill challenges this notion in The Mosaic Constitution, arguing that Moses’s constitution of Israel, which created people bound by the rule of law, was central to early modern writings about government and state.
of a Ford plant sends Andy and two companions to Moscow to find work in
a Soviet automotive plant, where he meets Natasha, an exemplar of the
"new Soviet woman." Based on Myra Page's own experiences in Moscow during
the first Five-Year Plan, Natasha is a portrait of women's contradictory
social position in the early periods of socialist construction. At the
core of this novel is a firsthand look at the developing forces and changing
relations of production forces that bring about the conversion of Andy
into a "Moscow Yankee." While revealing the political and economic policies
that would inevitably lead to the demise of Soviet-style socialism, Moscow
Yankee refutes the notion that egalitarian societies cannot succeed
because they fail to take into account the individualism and greed of
"human nature." Barbara Foley's introduction analyzes the Soviet Socialist
construction in Page's novel and the politics of the novelistic form in
relation to Moscow Yankee.
Originally published in 1935
"A picture of Americans lured
to Moscow by hope in the 'great experiment,' and of others driven there
by the depression, and of still others attracted by the simple desire
to get good engineering jobs, Moscow Yankee; has a decided
value . . . a sense of life, stirring in the chaos of destruction and
reconstruction." -- The New York Times Book Review
All three women lived for a time in close proximity on the Eastern Shore of Maryland, an isolated region that thrived on tobacco and then lost it, procured slaves and then lost them, and produced strong-minded women and then condemned them. Though they never actually met, and their backgrounds and beliefs differed drastically, these women's lives converged through their active experiences of the conflict over slavery in Maryland and beyond, the uncertainties of economic transformation, the struggles in the legal foundation of slavery and, most of all, the growing dispute in gender relations in America.
Throughout this book, Carole C. Marks gleans historical fact and sociological insight from the persistent myths and exaggerations that color the women's legacies, and she investigates the common roots and motivations of three remarkable figures who bucked the era's expectations for women. She also considers how each woman's public identity reflected changing ideas of domesticity and the public sphere, spirituality, and legal rights and limitations. Cannon, Carroll, and Tubman, each in her own way, passionately fought for the future of Maryland and the United States, and from these unique vantage points, Moses and the Monster and Miss Anne portrays the intersecting and conflicting forces of race, economics, and gender that threatened to rend a nation apart.
In The Moses Complex, Ute Holl analyzes these major works in detail and deep historical context, synthesizing the complex models of resistance to explore the relationships among media, migration, and politics. Since Moses descended from Sinai with the tablets inscribed with the Ten Commandments, new media and new laws have often emerged simultaneously. Liberation, in particular, has been negotiated through many different cultural media, with psychoanalysis, music, and cinema all describing exodus and exile as a process of force. Offering a dynamic and comprehensive political and cultural theory of migration and violence, The Moses Complex speaks equally well to psychoanalytic, musical, and cinematic thinking as it does to our tendency toward violence in the treatment of migrants today.
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
Providing readers with a fascinating exploration of the relationship between science, technology, and public policy, Gordon Patterson's narrative begins in New Jersey with John B. Smith's effort to develop a comprehensive plan and solution for mosquito control, one that would serve as a national model. From the Reed Commission's 1900 yellow fever experiment to the first Earth Day seventy years later, Patterson provides an eye-opening account of the crusade to curtail the deadly mosquito population.
A compelling biography of General William C. Gorgas, the US Army doctor's campaign against mosquito-borne disease reshaped public health, military medicine, and U. S. power on the world stage.
Mosquito Warrior tells the engrossing story of General William C. Gorgas (1854–1920), the once-renowned pioneer in tropical disease research and public health. His fascinating life illuminates vast transformations in the United States, including the end of the Civil War and the industrialization of the US military and economy, the emergence of germ theory and the modernization of the public health system, and the rise of the United States as a world power.
A scion of Confederate elites, Gorgas came of age amidst war and disease and the politics of racial segregation. He followed his father into military service as an army medical officer, treating troops on America’s western frontier posts. During the US occupation of Cuba, Gorgas applied Walter Reed’s research on the theory of mosquito-borne disease transmission, ending centuries of yellow fever in Havana through the eradication of the deadly Aedes aegypti mosquito. Applying similar strategies on the isthmus of Panama against yellow fever and malaria, Gorgas enabled the completion of the Panama Canal, then the largest engineering project in the world. Hailed a hero, he pursued his fight against mosquito-borne disease throughout the tropics, expanding American interests as he went. Appointed as US Army surgeon general on the eve of World War I, Gorgas resumed work modernizing the army health care system, strengthening US medical and military authority on the world stage.
Celebrated in life, Gorgas’s reputation fell victim to competing political interests and jealousies after his death, a cautionary tale about historical memory and the politics of science and personality. Carol R. Byerly’s balanced and contemporary examination of Gorgas illuminates his complex legacy in medicine and public health, military history, and American ambitions at the dawn of US global ascendency.
The definitive guide to the Southeast’s most persistent—and medically important—tiny predators.
Mosquitoes of the Southeastern United States is a full-color, highly illustrated guide to the sixty-four known species of mosquitoes in eleven genera that populate the South—from the Gulf Coastal states to the Carolinas. In addition to detailed and fully illustrated identification keys for both larvae and adults, it includes information on the mosquito’s lifecycle, interaction with humans, and biological diversity in the southeast.
This area of the country has a rich mosquito fauna with diverse species ranging from the tiny pitcher plant mosquito to the brilliantly colored cannibal mosquito. Close-up photographs of live adults showcase their widely varied and beautiful bodies while remarkable images made with the aid of a microaquarium reveal the differences in larval stages of the subjects. For each species described, Nathan D. Burkett-Cadena provides biological information including distribution maps, habitat associations of the larvae and adults, range of animals fed upon, and importance from a medical standpoint.
This book’s usefulness to mosquito control programs in the Southeast and beyond cannot be overstated. Not only for native species, but for new species introduced from exotic locales, mosquitoes must be properly identified in order to know how best to control them. This volume will also be valuable to medical and public health specialists working on mosquito-borne diseases, such as malaria, dengue, yellow fever, West Nile virus, and filariasis. Mosquitoes of the Southeastern United States is the first guide to integrate full-color photography, illustrated keys, and current information on the biology of mosquitoes into one definitive resource.
This comprehensive and richly illustrated account of the mosses found throughout the Great Lakes Basin and St. Lawrence River Valley is tailored for use in much of eastern North America. Detailed descriptions, keys, and a glossary are provided. 592 pages, frontispiece, hard cover.
Ranging from 1937 to the present, The Most Activist Supreme Court in History traces the legal and political forces that have shaped the modern Court. Thomas M. Keck argues that the tensions within modern conservatism have produced a court that exercises its own power quite actively, on behalf of both liberal and conservative ends. Despite the long-standing conservative commitment to restraint, the justices of the Rehnquist Court have stepped in to settle divisive political conflicts over abortion, affirmative action, gay rights, presidential elections, and much more. Keck focuses in particular on the role of Justices O'Connor and Kennedy, whose deciding votes have shaped this uncharacteristically activist Court.
Between 1904 and the Great Depression, Circuit Chautauquas toured the rural United States, reflecting and reinforcing its citizens’ ideas, attitudes, and politics every summer through music (the Jubilee Singers, an African American group, were not always welcome in a time when millions of Americans belonged to the KKK), lectures (“Civic Revivalist” Charles Zueblin speaking on “Militancy and Morals”), elocutionary readers (Lucille Adams reading from Little Lord Fauntleroy), dramas (the Ben Greet Players’ cleaned-up version of She Stoops to Conquer), orations (William Jennings Bryan speaking about the dangers of greed), and special programs for children (parades and mock weddings).
Theatre historians have largely ignored Circuit Chautauquas since they did not meet the conventional conditions of theatrical performance: they were not urban; they produced no innovative performance techniques, stage material, design effects, or dramatic literature. In this beautifully written and illustrated book, Charlotte Canning establishes an analytical framework to reveal the Circuit Chautauquas as unique performances that both created and unified small-town America.
One of the last strongholds of the American traditions of rhetoric and oratory, the Circuits created complex intersections of community, American democracy, and performance. Canning does not celebrate the Circuit Chautauquas wholeheartedly, nor does she describe them with the same cynicism offered by Sinclair Lewis. She acknowledges their goals of community support, informed public thinking, and popular education but also focuses on the reactionary and regressive ideals they sometimes embraced. In the true interdisciplinary spirit of Circuit Chautauquas, she reveals the Circuit platforms as places where Americans performed what it meant to be American.
Trapped in a house scarily alive with a rogues gallery of hapless and often hilarious crooks, misfits, and hangers-on, Robin must look elsewhere for stability, befriending the son of the neighborhood's only African American family-a boy whose unimpeachable manners and flawless grades mask his own sexuality-while falling in love with the high school beauty.
Wry, edgy, and smart, The Most Beautiful Girl in the World offers a new kind of young heroine, one who stands fearlessly at the precipice of her family and her town's self-destruction, defiantly fighting to save herself.
This book tells the story of Stegner and his family as they made a home just outside of Palo Alto, California, during its transition from the Valley of Heart’s Delight (known for its rolling hills and orchards) to Silicon Valley. In this thoughtful study of the novels Stegner wrote in California—including his Pulitzer Prize–winning Angle of Repose—readers are invited to consider with Stegner what the practice of place requires in the American West. Specialists in the literature and history of the American West will find new analyses of Stegner and his influential work. Other readers will be guided through Stegner’s work in concrete and accessible prose, and anyone who has longed for home and a sense of place will encounter a powerful, beautiful, and at times tragic attempt to build and preserve it.
When J. Edgar Hoover declared Herbert Aptheker “the most dangerous Communist in the United States,” the notorious FBI director misconstrued his true significance. In this first book-length biography of Aptheker (1915–2003), Gary Murrell provides a balanced yet unflinching assessment of the controversial figure who was at once a leading historian of African America, radical political activist, literary executor of W. E. B. Du Bois, and lifelong member of the American Communist Party. Although blacklisted at U.S. universities, Aptheker published dozens of books, including the groundbreaking American Negro Slave Revolts (1943) and the monumental seven-volume Documentary History of the Negro People (1951–1994). He also edited four volumes of the correspondence and unpublished writings of Du Bois, an achievement that Eric Foner, writing in the New York Times Book Review, called “a milestone in the coming of age of Afro-American history.”
As Murrell shows, Aptheker the historian was inseparable from Aptheker the leading Communist Party intellectual, polemicist, and agitator. During the 1960s, his ability to rouse and inspire both black and white student radicals made him one of the few Old Leftists accepted by the New Left. Aptheker had joined the CPUSA during its heyday in the 1930s, convinced that only through the party's leadership could fascism be defeated and true liberation be achieved: he ended his affiliation five decades later in 1991 after the collapse of socialism in the Soviet Union and Eastern Europe.
In an afterword, Bettina Aptheker adds to Murrell's narrative by illuminating her mother Fay's vital contributions to her father's work and by affirming the particularly devastating challenges of life in a family dedicated to radical political and social change.
The opening chapters define Arab and Muslim identity as those categories were understood in Muslim Spain, highlighting the unique aspects of this society as well as its similarities with other parts of the medieval Islamic world. The book goes on to discuss what it meant to be a Jew or Christian in Spain under Islamic rule, and the degree to which non-Muslims were full participants in society. Following this is a consideration of gender identity as defined by Islamic law and by less normative sources like literature and mystical texts. It concludes by focusing on internal rebellions against the government of Muslim Spain, particularly the conflicts between Muslims who were ethnically Arab and those who were Berber or native Iberian, pointing to the limits of Muslim solidarity.
Drawn from an unusually broad array of sources—including legal texts, religious polemic, chronicles, mystical texts, prose literature, and poetry, in both Arabic and Latin—many of Coope’s illustrations of life in al-Andalus also reflect something of the larger medieval world. Further, some key questions about gender, ethnicity, and religious identity that concerned people in Muslim Spain—for example, women’s status under Islamic law, or what it means to be a Muslim in different contexts and societies around the world—remain relevant today.
In Most of the Stars the linguistic power of the Italian literary tradition and the contemporary vernacular combine to articulate an idiosyncratic understanding of the New World—the breadth of its cities, its towns, its frontiers and interiors. Federico’s deeply spiritual understanding of our own American personalities and histories offers us a gift of beautiful objectivity. Students of poetry, linguistics, and cultural anthropology will be grateful to Federico and Poch for the wonder offered in this bilingual collection.
This bracing history uses the earth-shaking development of the steam engine to show how the very idea of intellectual property was essential to the entire Industrial Revolution.
Hardly a week passes without some high-profile court case that features intellectual property at its center. But how did the belief that one could own an idea come about? And how did that belief change the way humankind lives and works?
William Rosen, author of Justinian's Flea, seeks to answer these questions and more with The Most Powerful Idea in the World. A lively and passionate study of the engineering and scientific breakthroughs that led to the steam engine, this book argues that the very notion of intellectual property drove not only the invention of the steam engine but also the entire Industrial Revolution: history’s first sustained era of economic improvement. To do so, Rosen conjures up an eccentric cast of characters, including the legal philosophers who enabled most the inventive society in millennia, and the scientists and inventors—Thomas Newcomen, Robert Boyle, and James Watt—who helped to create and perfect the steam engine over the centuries. With wit and wide-ranging curiosity, Rosen explores the power of creativity, capital, and collaboration in the brilliant engineering of the steam engine and how this power source, which fueled factories, ships, and railroads, changed human history.
Deeply informative and never dull, Rosen's account of one of the most important inventions made by humans is a rollicking ride through history, with careful scholarship and fast-paced prose in equal measure.
Celebrate a trailblazer in the areas of women and re
Celebrate a trailblazer in the areas of women and religion, Jews and Judaism, and earliest Christianity in the ancient Mediterranean
Ross Kraemer is Professor Emerita in the Department of Religious Studies at Brown University. This volume of essays, conceived and produced by students, colleagues, and friends bears witness to the breadth of her own scholarly interests. Contributors include Theodore A. Bergren, Debra Bucher, Lynn Cohick, Mary Rose D’Angelo, Nathaniel P. DesRosiers, Robert Doran, Jennifer Eyl, Paula Fredriksen, John G. Gager, Maxine Grossman, Kim Haines-Eitzen, Susan Ashbrook Harvey, Jordan Kraemer, Robert A. Kraft, Shira L. Lander, Amy-Jill Levine, Susan Marks, E. Ann Matter, Renee Levine Melammed, Susan Niditch, Elaine Pagels, Adele Reinhartz, Jordan Rosenblum, Sarah Schwarz, Karen B. Stern, Stanley K. Stowers, Daniel Ullucci, Arthur Urbano, Heidi Wendt, and Benjamin G. Wright.Features:
- Articles that examine both ancient and modern texts in cross-cultural and trans-historical perspective
- Twenty-eight original essays on ancient Judaism, Christianity, and women in the Greco-Roman world
Through a series of case studies drawn from Central Europe, the United States, and Britain, The Most Secret Quintessence of Life explores how the notion of sex hormones enabled scientists to remap the human body, encouraging hopes that glandular interventions could cure ills, malfunctions, and even social deviance in ways inconceivable to previous generations. Many of these dreams failed, but their history, Chandak Sengoopta shows, takes us into the very heart of scientific medicine, revealing how even its most arcane concerns are shaped by cultural preoccupations and anxieties.
This critical edition presents the version performed in 1820 after Rossini had revised the unsuccessful and now lost third act of 1818. The edition includes an appendix with the original aria for Pharaoh written by Michele Carafa, which was performed throughout the nineteenth century even after Rossini replaced it with one of his own. Also featured are vocal ornamentation used in Paris performances and detailed information on the Paris productions between 1822 and 1840. This comprehensive critical edition provides a reliable source for interpretation and study of a work that Rossini called "sublime."
Andrea Antico was one of the earliest and most important music publishers. Starting in Rome in 1510 and continuing in Venice, Antico produced elegant books of polyphonic music, cut with incredible skill on wood blocks. The repertory he published is central to understanding sixteenth-century music. It includes, for example, many pieces sung regularly in the Sistine Chapel. Since the best-represented composer in Antico's volumes if Jean Mouton, chapel master to the French king, these motet books provide insights into the character of music both at the Vatican and at the French court at the height of the Renaissance.
Martin Picker provides an exemplary edition of the four volumes of motets published by Antico in the early 1520s. His edition includes, in modern notation, all of the contents of these volumes not previously published in the Medici Codex (Monuments of Renaissance Music, Volumes III-V). Picker prefaces his edition with a history of Antico's publishing career and a discussion of each piece and its sources. The list of concordant sources and the discussions of important variants will be of enormous value to Renaissance scholars.
about death: it’s a veil or a mission call to the spirit
world. But our actual encounters with the reality of
death inevitably change us in ways that are difficult
to articulate.
In this collection, Mormon writers wrestle with
mortality and its aftermath. A family sings a hesitant
rendition of Happy Birthday to a grief-stricken
mother who buried her toddler just a few hours earlier;
an agnostic son decides he’s Mormon enough to
arrange a funeral for his believing father.
Some essays use death as a means to understand
faith. One author imagines a world where Heavenly
Mother visits her children in the form of their
female ancestors, appearing to her descendants in
times of grief or pain.
Others address practicalities: how do you protect
your children from death while still allowing them
to experience the world; how do you get through
one more nausea-ridden day of cancer treatment?
Still others delve into death’s questions: does the
overwhelming suffering that occurs in the animal
kingdom have a function in the “plan of happiness”?
Sometimes humorous, sometimes heartbreaking,
always thought-provoking, these personal essays,
poems, and stories may never be heard at a Mormon
funeral. But they probably should be.
The memoir of a scientist and the wild silk moths he studies
Biologist Michael Collins has been studying wild silk moths since he was a boy. This family — which includes the largest and most colorful of the North American moths — led Collins into a long career as a scientist, and has provided him with significant insights into the process by which new species evolve. Moth Catcher is Collins’s engaging account of his development as a scientist and of his groundbreaking research. The canyon and pass environments of the American West offer a setting in which, since the last Ice Age, organisms have adapted to new surroundings and where many have formed new species. Collins has discovered in the Sierra Nevada that geneticists call a “hybrid zone” where two species interbreed. This hybrid zone is unusual because both sexes are fertile, unlike lab-bred hybrids between the same silk moth species. Collins explains how such hybrid populations serve as laboratories in nature where the process of speciation can be observed and studied. This book offers a fascinating view into the work of a field scientist and the ways that evolution continues to operate around us. Collins’s colorful accounts of his fieldwork will delight any reader who loves the outdoors and is captivated by the diversity and interrelations of the life forms found there. And his passion for his research and the fragile, exquisite creatures that he studies will inspire a new appreciation of the wonders of the natural world and the myriad life forms that occupy it.
The definitive biography of the founder of the Shaker movement, whose remarkable life is the subject of a new film, The Testament of Ann Lee.
This acclaimed, accessible, and thoroughly researched biography documents the life of Ann Lee, a controversial, religious leader and early feminist figure. Lee established the Shaker movement in 1770 in Manchester, England. The core principles of the Shakers were radical: in an era when wives were the possession of their husband, Lee proclaimed the equality of men and women. The Shakers were dedicated to beliefs in absolute pacifism, equality of the sexes, absolute celibacy, and the cleansing of sin through dancing and chanting to shake away the past.
The Shakers sought inner peace and harmony, but their unusual beliefs, including total abstinence from sex and their exhibitions of mystical ecstasy were considered suspect and led to the imprisonment of Lee and her followers. While jailed, Lee experienced a blinding, soul-splitting vision which reaffirmed her belief in celibacy and named her the second coming of Christ. Seeking religious freedom, she led her followers, known as the United Society of Believers in Christ’s Second Appearing, from England to settle in upstate New York, near Albany.
Mother Ann Lee died in 1784, but her movement continued to grow into the nineteenth century with at least eighteen utopian Shaker communities in Kentucky, Maine, Massachusetts, New Hampshire, New York, and Ohio. Today many of those Shaker settlements are museums. The last remaining Shaker community is at Sabbathday Lake Shaker Village near Poland, Maine. The Testament of Ann Lee, starring Amanda Seyfried, drew on this book among other sources to tell Lee’s story.
2024 NBCC Award Finalist, Autobiography
A family murder kept secret, the mysterious disappearance of her father, the systematic erasing of family photographs, a turbulent relationship with her mother, layers of trauma and abuse. In Mother Archive, Erika Morillo reconciles these demons of her past by searching for and seeking out the roots of her family. Intertwining memories with archival family photographs, news clippings, film stills, and artistic images, Morillo revisits her childhood growing up in the Dominican Republic, a place and time riddled with a history of violence and a tradition of erasure.
Spanning three generations across three different countries, this memoir works as a map in which the author traces incidents in her family history to help her understand herself and her own experience as a mother.
In language that is both barb and bauble, bitter and unbearably sweet, Sarah Blackman spins the threads of stories where everything is probable and nothing is constant. The stories in Mother Box, and Other Tales occur in an in-between world of outlandish possibility that has become irrefutable reality: a woman gives birth to seven babies and realizes at one of their weddings that they were foxes all along; a girl with irritating social quirks has been raised literally by cardboard boxes; a young woman throws a dinner party only to have her elaborate dessert upstaged by one of the guests who, as it turns out, is the moon. Love between mothers and children is a puzzling thrum that sounds at the very edge of hearing; a muted pulse that, nevertheless, beats and beats and beats.
In these tales, the prosaic details of everyday life—a half-eaten sandwich, an unopened pack of letters on a table—take on fevered significance as the characters blunder into revelations that occlude even as they unfold.
"Newton's fascinating book shows how study of the extraordinary can brilliantly illuminate the ordinary—that social-sexual division of personality, appearance, and activity we usually take for granted."—Jonathan Katz, author of Gay American History
"A trenchant statement of the social force and arbitrary nature of gender roles."—Martin S. Weinberg, Contemporary Sociology
Attributed to Tecumseh in the early 1800s, this statement is frequently cited to uphold the view, long and widely proclaimed in scholarly and popular literature, that Mother Earth is an ancient and central Native American figure. In this radical and comprehensive rethinking, Sam D. Gill traces the evolution of female earth imagery in North America from the sixteenth century to the present and reveals how the evolution of the current Mother Earth figure was influenced by prevailing European-American imagery of America and the Indians as well as by the rapidly changing Indian identity.
Gill also analyzes the influential role of scholars in creating and establishing the imagery that underlay the recent origins of Mother Earth and, upon reflection, he raises serious questions about the nature of scholarship.
"Mother Earth might be modern, stressing the supposed biological ground of native life and its rich mythic tradition, but it hardly frees the native people from their long, lamentable involvement with the white man. For making this point clear, Gill deserves high praise."—Bernard W. Sheehan, Journal of the American Academy of Religion
"In one of the finest studies of recent years we have an ambitious attempt to satisfy scholar, Native American, popular reader, and truth."—Thomas McElwain, Western Folklore
In this compelling study, Rena Steinzor highlights the ways in which the government, over the past twenty years, has failed to protect children from harm caused by toxic chemicals. She believes these failures—under-funding, excessive and misguided use of cost/benefit analysis, distortion of science, and devolution of regulatory authority—have produced a situation in which harm that could be reduced or eliminated instead persists.
Steinzor states that, as a society, we are neglecting our children's health to an extent that we would find unthinkable as individual parents, primarily due to the erosion of the government's role in protecting public health and the environment. At this pace, she asserts, our children will inherit a planet under grave threat. We can arrest these developments if a critical mass of Americans become convinced that these problems are urgent and the solutions are near at hand.
By focusing on three specific case studies—mercury contamination through the human food chain, perchlorate (rocket fuel) in drinking water, and the effects of ozone (smog) on children playing outdoors—Steinzor creates an analysis grounded in law, economics, and science to prove her assertions about the existing dysfunctional system.
Steinzor then recommends a concise and realistic series of reforms that could reverse these detrimental trends and serve as a blueprint for restoring effective governmental intervention. She argues that these recommendations offer enough material to guide government officials and advocacy groups toward prompt implementation, for the sake of America's—and the world's—future generations.
In Mother Figured, historical anthropologist Deirdre de la Cruz offers a detailed examination of several appearances and miracles of the Virgin Mary in the Philippines from materials and sites ranging from the mid-nineteenth century to the present. By analyzing the effects of the mass media on the perception and proliferation of apparition phenomena, de la Cruz charts the intriguing emergence of new voices in the Philippines that are broadcasting Marian discourse globally. Based on two years of ethnographic fieldwork and hitherto unexplored archives in the Philippines, the United States, and Spain, Mother Figured documents the conditions of Marian devotion’s modern development and tracks how it has transformed Filipinos’ social and political role within the greater Catholic world.
Focusing on specific texts by Jamaica Kincaid, Maryse Condé, and Paule Marshall, this fascinating study explores the intricate trichotomous relationship between the mother (biological or surrogate), the motherlands Africa and the Caribbean, and the mothercountry represented by England, France, and/or North America. The mother-daughter relationships in the works discussed address the complex, conflicting notions of motherhood that exist within this trichotomy. Although mothering is usually socialized as a welcoming, nurturing notion, Alexander argues that alongside this nurturing notion there exists much conflict. Specifically, she argues that the mother-daughter relationship, plagued with ambivalence, is often further conflicted by colonialism or colonial intervention from the "other," the colonial mothercountry.
Mother Imagery in the Novels of Afro-Caribbean Women offers an overview of Caribbean women's writings from the 1990s, focusing on the personal relationships these three authors have had with their mothers and/or motherlands to highlight links, despite social, cultural, geographical, and political differences, among Afro-Caribbean women and their writings. Alexander traces acts of resistance, which facilitate the (re)writing/righting of the literary canon and the conception of a "newly created genre" and a "womanist" tradition through fictional narratives with autobiographical components.
Exploring the complex and ambiguous mother-daughter relationship, she examines the connection between the mother and the mother's land. In addition, Alexander addresses the ways in which the absence of a mother can send an individual on a desperate quest for selfhood and a home space. This quest forces and forges the creation of an imagined homeland and the re-validation of "old ways and cultures" preserved by the mother. Creating such an imagined homeland enables the individual to acquire "wholeness," which permits a spiritual return to the motherland, Africa via the Caribbean. This spiritual return or homecoming, through the living and practicing of the old culture, makes possible the acceptance and celebration of the mother's land.
Alexander concludes that the mothers created by these authors are the source of diasporic connections and continuities. Writing/righting black women's histories as Kincaid, Condé, and Marshall have done provides a clearing, a space, a mother's land, for black women. Mother Imagery in the Novels of Afro-Caribbean Women will be of great interest to all teachers and students of women's studies, African American studies, Caribbean literature, and diasporic literatures.
Mrinalini's Sinha's edition provides selections of this controversial book and commentary on the Mother India phenomenon. It also reprints a range of responses from Mayo's contemporaries. Sinha's edition works to locate the book and the controversy it incited in the context of U.S. domestic, British Imperial, and Indian nationalist politics. Unlike previous editions, Sinha's examines the history of cultural feminisms and the relations between women's movements in the United States, Britain, and India; the examination of these different movements reveals intriguing insights into the nature of the varied reactions to Mayo's book. The edition includes several formerly obscure contemporary responses to Mother India from representatives of the women's movement and of the anti-caste movement in India.
Intended as a tool for students and teachers alike, this book will be an important text in the field of women's studies, cultural studies, political science, history, and religion, among others.
Mrinalini Sinha is Associate Professor of History, Southern Illinois University. She is the author of Colonial Masculinity: The 'Manly Englishman' and the 'Effeminate Bengali' in the Late Nineteenth Century.
For half a century Mother Jones took up the workingman’s cause without question and fought his battles without compromise. Dale Fetherling’s biography for the first time gives her full story, with eloquence and sympathetic understanding.
Juana de la Cruz (1481–1534) is a unique figure in the history of the Catholic Church, thanks to her public visionary experiences during which she lost consciousness, while a deep voice, identifying itself as Christ, issued from her, narrating the feasts and pageants taking place in heaven. Juana’s so called “sermons,” collected in a manuscript called Libro del Conorte, form a fascinating window into Castilian religiosity in the early sixteenth century. There is much to reap from these sermons concerning Spanish Renaissance culture, theology, mysticism, gender roles, and interreligious interactions.
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