A SCHOLARLY BOOK REPOSITORY82 start with S start with S
In this remarkable and deeply felt book, Virginia Kerns uncovers the singular and forgotten life of a young Indian woman who was captured in 1847 in what was then Mexican territory. Sold to a settler, a son-in-law of Brigham Young, the woman spent the next thirty years as a servant to Young’s family. Sally, as they called her, lived in the shadows, largely unseen. She was later remembered as a “wild” woman made “tame” who happily shed her past to enter a new and better life in civilization.
Drawing from a broad range of primary sources, Kerns retrieves Sally from obscurity and reconstructs her complex life before, during, and after captivity. This true story from the American past resonates deeply in the current moment, attentive as it is to killing epidemics and racial injustices. In telling Sally’s story, Kerns presents a new narrative of the American West.
On the morning of November 29, 1864, Colorado state cavalry under the command of Col. John Chivington attacked a peaceful encampment of mostly Cheyenne Indians along the Sand Creek in Colorado, slaughtering perhaps as many as 160 people, mostly women and children. It was one of the most egregious atrocities of the Indian Wars. Even with the country embroiled in a Civil War, the gravity of the situation can be gauged by the fact that within six weeks of the killings, a Joint Committee of Congress conducted a public hearing. Congress vilified Chivington in summarizing his cowardly and racist attack in their published report: “Wearing the uniform of the United States, which should be the emblem of justice and humanity . . . he deliberately planned and executed a foul and dastardly massacre.” The Sand Creek Massacre: The Official 1865 Report contains a facsimile of the “Report of the Joint Committee on the Conduct of the War: Massacre of the Cheyenne Indians” along with unique annotations made by a reader at the time and the attached typescript testimony of the African American pioneer James P. Beckwourth, in which he recounts the atrocity. This edition is introduced by Bill Yenne. who places the Sand Creek Massacre in context within the Civil War and Indian Wars and provides biographical information about the main persons involved.
Luther Cressman's 1938 discovery of a 9,000-year-old sandal in Fort Rock Cave revolutionized accepted theories of western prehistory. The recovery of the woven sagebrush-bark sandal, found buried under a layer of volcanic ash from the eruption of Mount Mazama, established a human presence in the Oregon Country much earlier than previously thought.
Through six decades of scientific investigation, Cressman worked to uncover the history of the first Oregonians. In The Sandal and the Cave, he offers a brief, lucid introduction to the prehistory of Oregon Indians. Cressman describes their diverse cultures, highlighting similarities and differences between the peoples of various regions: the Oregon Coast, the Klamath Highland, the Northern Great Basin, and the Columbia Plateau.
In a new introduction to Cressman's classic work, Dennis Jenkins provides a short biographical profile of the "father of Oregon archaeology" and discusses the importance of Cressman's excavation results and interpretations. Jenkins also offers a concise summary of recent archaeological research in the Northern Great Basin, bringing readers the most up-to-date information about the oldest known sites in Oregon.
Delving into European political philosophy, comparative politics, and contemporary international law, the book shows how the concept of indigeneity has shaped the development of the modern state. The exclusion of Indigenous people was not a collateral byproduct; it was a political project in its own right. The book argues that indigeneity is a political identity relational to modern nation-states and that Indigenous politics, although marking the boundary of the state, are co-constitutive of colonial processes of state-making. In showing how indigeneity is central to how the international system of states operates, the book forefronts Indigenous peoples as political actors to reject essentializing views that reduce them to cultural “survivors” rooted in the past.
With insights drawn from diverse global contexts and empirical research from Bolivia and Ecuador, this work advocates for the relevance of Indigenous studies within political science and argues for an ethnography of sovereignty in anthropology. Savages and Citizens makes a compelling case for the centrality of Indigenous perspectives to understand the modern state from political theory to international studies.
Scarlet and Black documents the history of Rutgers’s connection to slavery, which was neither casual nor accidental—nor unusual. Like most early American colleges, Rutgers depended on slaves to build its campuses and serve its students and faculty; it depended on the sale of black people to fund its very existence. Men like John Henry Livingston, (Rutgers president from 1810–1824), the Reverend Philip Milledoler, (president of Rutgers from 1824–1840), Henry Rutgers, (trustee after whom the college is named), and Theodore Frelinghuysen, (Rutgers’s seventh president), were among the most ardent anti-abolitionists in the mid-Atlantic.
Scarlet and black are the colors Rutgers University uses to represent itself to the nation and world. They are the colors the athletes compete in, the graduates and administrators wear on celebratory occasions, and the colors that distinguish Rutgers from every other university in the United States. This book, however, uses these colors to signify something else: the blood that was spilled on the banks of the Raritan River by those dispossessed of their land and the bodies that labored unpaid and in bondage so that Rutgers could be built and sustained. The contributors to this volume offer this history as a usable one—not to tear down or weaken this very renowned, robust, and growing institution—but to strengthen it and help direct its course for the future.
The work of the Committee on Enslaved and Disenfranchised Population in Rutgers History.
Visit the project's website at http://scarletandblack.rutgers.edu
—Kent Powell, Senior historian at Utah Division of State History and editor of Utah State Historical Quarterly (retired)
"Scouting for the Bluecoats examines the important role that Navajos played in military operations during the last quarter of the nineteenth and beginning of the twentieth centuries. Unlike the famous Navajo code talkers of World War II, little has been written about these men who served in some of the most challenging and noteworthy struggles against the Apaches. Until now, their story has been forgotten. Navajo skills in understanding and tracking a wily foe across an inhospitable landscape proved to be essential elements in ending the Apache wars. For those interested in the recruitment and deployment of the scouts, measures taken to counter enemy tactics, and the challenge of obtaining recognition for their service, this book is an invaluable source and a must-read for any serious scholar of Navajo history."
—Ronald P. Maldonado, Tribal historic preservation officer (retired), Navajo Nation
Ramzy Baroud is a veteran journalist and former producer for Al-Jazeera TV. This is his comprehensive account of the momentous events of the last five years which shaped the political landscape not only of Palestine and Israel but of the entire Middle East region.
Addressing the most controversial issues, including the alarming escalation in suicide bombings, and the construction of the Separation Wall, he reports on the huge rate of unemployment and hunger in the Occupied Territories -- statistics so critical that NGOs compare their magnitude to African nations such as the Congo. From the brutality of the Israeli army to the ever-compromising nature of the Palestinian Authority, few are spared Baroud’s thoughtful critique.
The book is clear and concise, with one chapter dedicated to the major events of each year, and includes a comprehensive timeline.
This indispensable and unique volume is at once a history of and a pathfinder for the future of the Great Law, the governing principles behind the long-standing Haudenosaunee Confederacy. Focused on the Duck Creek Oneida people of Wisconsin, Seeds of Tomorrow draws together a wide range of tribal voices, from elders and community members to young people and academic experts. This collection chronicles the history of the Haudenosaunee Confederacy’s revolutionary governing principles, outlines the current state of tribal government, and proposes a vision for a political future that draws on traditional Indigenous practices and knowledge. This guide toward stronger sovereignty, revitalized community ties, and a healthier and more self-determined future based on traditional structures of governance is indigenization in practice: a model not just for Duck Creek Oneida but for Indigenous nations everywhere.
Contributors: Kenzie Allen, Marley Atkinson, Marena Bridges, Robert “Bob” Brown, Breann Clark, Julie Clark, Carol Cornelius, Margaret Cornelius, Randy Cornelius, Michele Doxtater, Richard “Lotni” Elm-Hill, Jennifer “Jen” Falck, William Gollnick, Joie Guiterrez, Gerald L. Hill, Jo Anne House, Toni M. House, Nicholas Metoxen, Paul Ninham, Saniya Ninham, John III Powless, Mark Powless, Nina Powless, Artley Skenandore, Lois Stevens, Vernon Stevens, Amelia “Mia” Webster, Grace Webster, Hunter D. Webster, Rebecca M. Webster, Arthur Wilbur, Jameson Wilson
Separate Paths: Lenapes and Colonists in West New Jersey is the first cross-cultural study of European colonization in the region south of the Falls of the Delaware River (now Trenton). Lenape men and women welcomed their allies, the Swedes and Finns, to escape more rigid English regimes on the west bank of the Delaware, offering land to establish farms, share resources, and trade. In the 1670s, Quaker men and women challenged this model with strategies to acquire all Lenape territory for their own use and to sell as real estate to new immigrants. Though the Lenapes remained sovereign and “old settlers” retained their Swedish Lutheran religion and ethnic autonomy, the West Jersey proprietors had considerable success in excluding Lenapes from their land. The Friends believed God favored their endeavor with epidemics of smallpox and other European diseases that destroyed Lenape families and communities. Affluent Quakers also introduced enslavement of imported Africans and Natives—and the violence that sustained it—to a colony they had promoted with the liberal West New Jersey Concessions of 1676-77. Thus, they defied their prior experience of religious persecution and their principles of peaceful resolution of conflict, equality of everyone before God, and the golden rule to treat others as you wish to be treated. Despite mutual commitment to peace by Lenapes, old settlers, and Friends, Quaker colonization had similar results to military conquests of Natives by English in Virginia and New England, and Dutch in the Hudson Valley and northern New Jersey. Still, in alliance with old settlers, Lenape communities survived in areas outside the focus of English colonization, in the Pine Barrens, upper reaches of streams, and Atlantic shore.
“This story takes place on the island of Saint Paul, away and away in the Bering Sea. Saint Paul is home to many residents, from the blue foxes to the elusive reindeer, but the largest of these groups are the northern fur seals and the Unangan.”
So begins the story of Sergie Oustikoff, an Unangan teenager who can’t wait to leave his small island home; and Kotick, an albino fur seal who can imagine no better place in all the world. The two live separate lives, divided by species and habitat—until one day when an unknown danger arrives on Saint Paul Island, bringing fish shortages that threaten the livelihood of humans and fur seals alike. As Kotick turns to Sergie for help, Sergie grapples with the strange, shamanistic powers that seem to burgeon within him whenever the white seal is near. Along with a host of animal and human companions, the two embark on a quest to save their island that will lead them through the annals of history—and into a world of magic they never imagined.
One hundred and thirty-two years after “The White Seal” first appeared in Rudyard Kipling’s The Jungle Book (1894), this retelling lends it a long-overdue Indigenous perspective. It recharacterizes the fur seals and the Unangan not as mortal enemies, but as equal partners in stewardship of their lands and seas. With Unangan Traditional Knowledge woven into the fabric of the story, and featuring over ninety Unangam Tunuu words and phrases, the tale of Sergie and Kotick invites readers to celebrate Saint Paul Island and all those who call it home.
When American settlers first crossed the Appalachian Mountains they were amazed to discover that the wilderness beyond contained ancient ruins—large man-made mounds and enclosures, and impressive earthen sculptures, such as a gigantic serpent. Reports trickled back to the eager ears of President Thomas Jefferson and others. However, most did not believe these earthworks had anything to do with Native Americans; rather, given the intense interest in the history of Western Civilization at the time, it became popular to speculate that the ruins had been built by refugees from Greece, Rome, Egypt—or even the lost continent of Atlantis. Since their discovery, the mounds have attracted both scholars and quacks, from the early investigations sponsored by the then new Smithsonian Institution to the visions of the American psychic Edgar Cayce.
As Lorett Treese explains in her fascinating history A Serpent’s Tale: Discovering America’s Ancient Mound Builders, the enigmatic nature of these antiquities fueled both fanciful claims and scientific inquiry. Early on, the earthworks began to fall to agricultural and urban development. Realizing that only careful on-site investigation could reveal the mysteries of the mounds, scholars hastened to document and classify them, giving rise to American archaeology as a discipline. Research made it possible to separate the Mound Builders into three distinct pre-contact Native American cultures. More recently, Mound Builder remains have attracted the practitioners of new disciplines like archaeoastronomy who suggest they may have functioned as calendars. There is no doubt that the abandoned monuments that made the Midwest’s Ohio Valley the birthplace of American archaeology have yet to reveal all the knowledge they contain on the daily lives and world views of persons of North American prehistory.
Keith W. Kintigh demonstrates how changing agricultural strategies and developing mechanisms of social integration contributed to these population shifts. In particular, he argues that occupants of the earliest large pueblos relied on runoff agriculture, but that gradually spring-and river-fed irrigation systems were adopted. Resultant strengthening of the mechanisms of social integration allowed the increased occupational stability of the protohistorical Zuni towns.
How Alaska redefined US colonialism through Indigenous resistance and legal innovation
Long treated as the symbolic “last frontier,” Alaska was, in fact, the United States’s first experiment in overseas empire. Settler Imperialism reveals these concepts as fictitious stories promoted by government officials and offers a sweeping history of Alaska Native legal and political struggle in the face of a colonial structure that defied the norms of US expansion. Examining Alaska as both a settler and imperial space, Jess Arnett challenges familiar narratives of American growth, sovereignty, and law.
Following the 1867 Treaty of Cession when the United States purchased Alaska from Russia, the federal government refused to sign treaties with Alaska Natives, excluded them from the Bureau of Indian Affairs, and denied the region designation as Indian Country. These departures from standard Indian policy created legal ambiguity that enabled new opportunities for land dispossession and resource extraction by state and corporate interests. Focusing on history from the late nineteenth century through the 1971 Alaska Native Claims Settlement Act, Arnett uncovers how the Tlingit, Haida, Tsimshian, and other Indigenous nations navigated and contested Alaska’s peculiar legal terrain. Members of these communities forcefully petitioned for US citizenship, mobilized Indigenous legal orders, and engaged selective federal Indian law to assert land rights and political authority.
By placing Alaska at the center of US colonial history, Settler Imperialism turns a critical lens on the evolution of America. To understand US expansion, race, and legal formation, Alaska must be seen not as the last frontier but as a proving ground for empire.
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In 1811, while escorting members of John Jacob Astor’s Pacific Fur Company up the Columbia River, their Chinookan guide refused to advance beyond a particular point that marked a boundary between his people and another indigenous group. Long before European contact, Native Americans created and maintained recognized borders, ranging from family hunting and fishing properties to larger tribal territories to vast river valley regions. Within the confines of these respective borders, the native population often established permanent settlements that acted as the venues for the major political, economic, and social activities that took place in virtually every part of precolonial North America. It was the location of these native settlements that played a major role in the establishment of the first European, and later, American frontier towns.
In Settling the Frontier: Urban Development in America’s Borderlands, 1600–1830, historian Joseph P. Alessi examines how the Pecos, Mohawk, Ohioan, and Chinook tribal communities aided Europeans and Americans in the founding of five of America’s earliest border towns—Santa Fe (New Mexico), Fort Amsterdam (New York City), Fort Orange (Albany, New York), Fort Pitt (Pittsburgh, Pennsylvania), and Fort Astoria (Portland, Oregon). Filling a void in scholarship about the role of Native American communities in the settlement of North America, Alessi reveals that, although often resistant to European and American progress or abused by it, Indians played an integral role in motivating and assisting Europeans with the establishment of frontier towns. In addition to the location of these towns, the native population was often crucial to the survival of the settlers in unfamiliar and unforgiving environments. As a result, these new towns became the logistical and economic vanguards for even greater development and exploitation of North America.
Part memoir, part cultural history, these memories of seven aunts holding home and family together tell a crucial, often overlooked story of women of the twentieth century
They were German and English, Anishinaabe and French, born in the north woods and Midwestern farm country. They moved again and again, and they fought for each other when men turned mean, when money ran out, when babies—and there were so many—added more trouble but even more love. These are the aunties: Faye, who lived in California, and Lila, who lived just down the street; Doreen, who took on the bullies taunting her “mixed-blood” brothers and sisters; Gloria, who raised six children (no thanks to all of her “stupid husbands”); Betty, who left a marriage of indenture to a misogynistic southerner to find love and acceptance with a Norwegian logger; and Carol and Diane, who broke the warped molds of their own upbringing.
From the fabric of these women’s lives, Staci Lola Drouillard stitches a colorful quilt, its brightly patterned pieces as different as her aunties, yet alike in their warmth and spirit and resilience, their persistence in speaking for their generation. Seven Aunts is an inspired patchwork of memoir and reminiscence, poetry, testimony, love letters, and family lore.
In this multifaceted, unconventional portrait, Drouillard summons ways of life largely lost to history, even as the possibilities created by these women live on. Unfolding against a personal view of the settler invasion of the Midwest by men who farmed and logged, fished and hunted and mined, it reveals the true heart and soul of that history: the lives of the women who held together family, home, and community—women who defied expectations and overwhelming odds to make a place in the world for the next generation.
Indigenous perspectives on sustainability, culture, and community
In this collection of twelve biographies, one from each of the Native nations in Wisconsin, author Patty Loew (Bad River Ojibwe) introduces readers to prominent figures in Native sustainability—people whose life’s work reflects the traditional ecological knowledge and cultural values of their people.
Born out of Loew’s thirty years as a journalist and historian, Seventh Generation Earth Ethics highlights individuals who helped to sustain and nurture their nations.
Walter Bresette, Red Cliff Ojibwe, community activist
Hilary Waukau, Menominee, environmental warrior
Frances Van Zile, Mole Lake (Sokaogon) Ojibwe, keeper of the water
James Schlender, Lac Courte Oreilles Ojibwe, treaty rights guardian
Jose Rose, Bad River Ojibwe, elder, environmentalist, and scholar
Dorothy Davids, Stockbridge-Munsee Community Band of Mohican Indians, educator
William Gollnick, Oneida, culture keeper
Thomas St. Germaine, Lac du Flambeau Ojibwe, attorney
Truman Lowe, Ho-Chunk, organic sculpture artist
Jenny and Mary Thunder, Forest County Potawatomi, medicine women
Wanda McFaggen, St. Croix Ojibwe, Tribal Historic Preservationist
Caroline Andler, Brothertown Indian Nation, genealogist
The indigenous people whose lives are depicted in Seventh Generation Earth Ethics understood the cultural gravity that kept their people rooted to their ancestral lands and acted in ways that ensured the growth and success of future generations.
First removed from Arizona to Florida, the prisoners were eventually relocated to Mount Vernon Barracks in Alabama, where, in the words of one Apache, "We didn’t know what misery was until they dumped us in those swamps." Pulmonary disease took its toll—by 1894, disease had killed nearly half of the Apaches—and after years of pressure from Indian rights activists and bureaucratic haggling, Fort Sill in Oklahoma was chosen as a more healthful location. Here they were given the opportunity to farm, and here Geronimo, who eventually converted to Christianity, died of pneumonia in 1909 at the age of 89, still a prisoner of war. In the meantime, many Apache children had been removed to Carlisle, Pennsylvania, for education—despite earlier promises that families would not be split up—and most eventually lost their cultural identity.
Henrietta Stockel has combed public records to reconstruct this story of American shame and Native endurance. Unabashedly speaking on behalf of the Apaches, she has framed these documents within a readable narrative to show how exasperated public officials, eager to openly demonstrate their superiority over "savages" who had successfully challenged the American military for years, had little sympathy for the consequences of their confinement. Although the Chiricahua Apaches were not alone in losing their ancestral homelands, they were the only American Indians imprisoned for so long a time in an environment that continually exposed them to illnesses against which they had no immunity, devastating families even more than warfare. Shame and Endurance records events that ought never to be repeated—and tells a story that should never be forgotten.
Until recently, historians have assumed that Central Algonquians derive from politically unified tribes, but by analyzing the crucial role that individuals, institutions, and policies played in shaping modern tribal governments, Warren reveals a messier, more complicated history of migration and conflict. Ultimately, Warren establishes that the form of the modern Shawnee "tribe" was coerced in accordance with the U.S. government's desire for an entity with whom to do business, rather than as a natural development of traditional Shawnee ways.
Sherman Alexie is, by many accounts, the most widely read American Indian writer in the United States and likely in the world. A literary polymath, Alexie's nineteen published books span a variety of genres and include his most recent National Book Award-winning The Absolutely True Diary of a Part-Time Indian.
Now, for the first time, a volume of critical essays is devoted to Alexie's work both in print and on the big screen. Editors Jeff Berglund and Jan Roush have assembled twelve leading scholars of American Indian literature to provide new perspectives on a writer with his finger on the pulse of America.
Interdisciplinary in their approach to Alexie's work, these essays cover the writer's entire career, and are insightful and accessible to scholars and lay readers alike. This volume is a worthy companion to the work of one of our nations's most recognized contemporary voices.
Explores the untold impacts of colonialism in New England through diverse colonist lives, Indigenous encounters, and environmental legacies.
In The Shock of Colonialism in New England, archaeologist Meghan C. L. Howey uses excavations in the seventeenth-century colonial frontier of the Great Bay Estuary/P8bagok in today’s New Hampshire to trace the connection between European global colonialism and the planetary climate crises. Howey shows how this landscape holds forgotten stories of what it meant to live through the shock of colonialism.
These stories reveal an unexpected diversity and dynamism among English colonists, multifaceted encounters with Indigenous peoples, and lasting environmental damage from labor-intensive industries. Early Euro-American maps and stunning archaeological finds, such as a broken pickaxe embedded in a hearth, and a historical marker for the Oyster River “Massacre” of 1694 complicate our limited views of a shared past.
The reality of English colonialism in the dispossession of Indigenous lands and its wake is not commemorated. Howey’s work is a powerful corrective that traces the rise of intergenerational colonial wealth made possible by land commodified as property, the increased labor required to work newly opened land, the importation of indentured Scots and enslaved Africans to provide that labor, and the resulting degradation of the natural environment. Through Howey’s insights into the stories they tell, these fragments from a frontier can help contemporary readers better understand the past as they seek a more just and sustainable future.
This compilation of Dale Morgan’s historical work on Indians in the Intermountain West focuses primarily on the Shoshone who lived near the Oregon and California trails. Three connected works by Morgan are included: First is his classic article on the history of the Utah Superintendency of Indian Affairs. This is followed by an important set of government reports and correspondence from the National Archives concerning the Eastern Shoshone and their leader Washakie. Morgan heavily annotated these for serial publication in the Annals of Wyoming. He also wrote a previously unpublished history of early relations among the Western Shoshone, emigrants, and the government along the California Trail. Morgan biographer Richard L. Saunders introduced, edited, and further annotated this collection. His introduction includes an intellectual biography of Morgan that focuses on the place of the anthologized pieces in Morgan’s corpus. Gregory E. Smoak, a leading historian of the Shoshone, contributed an ethnohistorical essay as additional context for Morgan’s work.
Immortalized in The Last of the Mohicans, the True Story of a Pivotal Battle in the British and French War for the North American Continent
The opening years of the French and Indian War were disastrous for the British. In 1755 General Braddock’s troops were routed at the Battle of Monongahela and by the middle of 1756 Fort Oswego on Lake Ontario had fallen. Hindered by quarrelsome provincial councils, incompetent generals, and the redcoats’ inability to adapt to wilderness warfare, Britain was losing the war. In 1757 the 35th Regiment of Foot stepped into the breach. A poorly trained assortment of conscripts, old soldiers, and convicted criminals led by Lieutenant Colonel George Monro, the regiment was destined to take center stage in the most controversial event of the war. Fort William Henry on the southern shore of New York’s Lake George was a key fortification supporting British interests along the frontier with French America. Monro and his regiment occupied the fort in the spring of 1757 while Britain planned its attack on the key French fortress at Louisbourg, Nova Scotia. Learning that most of Britain’s military resources were allocated to Louisbourg, the French launched a campaign along the weakened frontier. French Commander Louis-Joseph de Montcalm and his American Indian allies laid siege to Fort William Henry; Monro could not hold out and was forced to surrender. As part of the terms, the British regiment, colonial militia, and their camp followers would be allowed safe passage to nearby Fort Edward. The French watched in horror, however, as their Indian allies attacked the British column after it left the fort, an episode that sparked outrage and changed the tactics of the war.
Seen through the eyes of participants such as Louis Antoine de Bougainville, a scholarly young aide-de-camp, Jabez Fitch, an amiable Connecticut sergeant, and Kisensik, a proud Nipissing chief whose father once met Louis XIV in the marbled halls of Versailles, The Siege of Fort William Henry: A Year on the Northeastern Frontier uses contemporary newspaper reports, official documents, private letters, and published memoirs to bring the narrative to life. From Indian councils on the banks of the Saint Lawrence River and bustling military camps in northern New York to the narrative’s bloody denouement on the shores of Lake George, the reader is immersed in the colorful, yet brutal world of eighteenth-century northeastern America.
Confronting the rifts created by our common conceptual vocabulary for North American colonial studies
How can we tell colonial histories in ways that invite intercultural conversation within humanistic fields that are themselves products of colonial domination? Beginning with a famous episode of failed communication from the narrative of the freed slave Olaudah Equiano, The Silence of the Miskito Prince explores this question by looking critically at five concepts frequently used to imagine solutions to the challenges of cross-cultural communication: understanding, cosmopolitanism, piety, reciprocity, and patience.
Focusing on the first two centuries of North American colonization, Matt Cohen traces how these five concepts of cross-cultural relations emerged from, and continue to evolve within, colonial dynamics. Through a series of revealing archival explorations, he argues the need for a new vocabulary for the analysis of past interactions drawn from the intellectual and spiritual domains of the colonized, and for a historiographical practice oriented less toward the illusion of complete understanding and scholarly authority and more toward the beliefs and experiences of descendant communities.
The Silence of the Miskito Prince argues for new ways of framing scholarly conversations that use past interactions as a site for thinking about intercultural relations today. By investigating the colonial histories of these terms that were assumed to promote inclusion, Cohen offers both a reflection on how we got here and a model of scholarly humility that holds us to our better or worse pasts.
In The Silver Man: The Life and Times of John Kinzie, readers witness the dramatic changes that swept the Wisconsin frontier in the early and mid-1800s, through the life of Indian agent John Harris Kinzie. From the War of 1812 and the monopoly of the American Fur Company, to the Black Hawk War and the forced removal of thousands of Ho-Chunk people from their native lands—John Kinzie’s experience gives us a front-row seat to a pivotal time in the history of the American Midwest.
As an Indian agent at Fort Winnebago—in what is now Portage, Wisconsin—John Kinzie served the Ho-Chunk people during a time of turbulent change, as the tribe faced increasing attacks on its cultural existence and very sovereignty, and struggled to come to terms with American advancement into the upper Midwest. The story of the Ho-Chunk Nation continues today, as the tribe continues to rebuild its cultural presence in its native homeland.
Through John Kinzie’s story, we gain a broader view of the world in which he lived—a world that, in no small part, forms a foundation for the world in which we live today.
Enlightening and evocative, Singing Paths offers an eyewitness look at a rarely explored musical tradition.
Iconic lawman Lance Smith joins a community-wide search, but Buck is nowhere to be found. As evidence mounts against her old friend, Sadie rushes to return home to help—only to be delayed by an island-wide earthquake and her own sinking suspicions.
A diverse cast of characters weave together a breathless story of murder, thievery, and the toll of war on the human spirit. In her effort to restore balance to her neighbor’s life, Sadie not only uncovers the truth, but unravels much more than a murder.
Rare, First-Hand Accounts from Newspaper Correspondents Describing the Course of America’s Largest Indian War, Compiled and Edited for the First Time in One Volume
“No one commands better the story of the Great Sioux War of 1876–1877 as presented in the nation’s newspapers than does Marc Abrams. Here is Abrams’s story of America’s greatest Indian war woven from those timely reports, augmented with insightful introductions and annotations. Abrams has produced a significant addition to the historiography of this endlessly fascinating struggle and its colorful personalities.” —Paul L. Hedren, author of After Custer: Loss and Transformation in Sioux Country
“Marc Abrams has provided an invaluable service to both scholars and lay readers in compiling this treasure trove of primary information. Like the correspondents he has come to know through his research, Marc has done the hard work; we need only read in comfort and benefit from his efforts.” —Douglas W. Ellison, author of Sole Survivor: An Examination of the Frank Finkel Narrative
“Marc Abrams’s book is an exciting and innovative approach that brings immediacy to the campaigns of Custer, Crook, and Miles, and teems with fascinating new detail. Sioux War Dispatches not only offers a gripping contemporary window into those times, it fills an important reference need as well.” —Jerome A. Greene, author of Stricken Field: The Little Bighorn Since 1876
Sioux War Dispatches: Reports from the Field, 1876-1877, tells the story of the Great Sioux War, including the battle of the Little Big Horn, primarily through the eyes of contemporary newspaper correspondents, both civilian and military. The volume begins with the Black Hills dilemma and the issue of the unceded territory (the disputed lands that were adjacent to the Great Sioux Reservation) and continues through to the spring of 1877 with the surrender of the legendary Sioux leader Crazy Horse. Along the way readers will learn about the Reynolds battle, the skirmish at Tongue River Heights, the battle of the Rosebud, the battle of the Little Big Horn, the skirmish at Warbonnet Creek, the fight at Slim Buttes, and more. In addition to numerous annotated excerpts from those who were there, are rare original dispatches, reprinted in full, that will take readers on a wild ride through several battles.
An Acclaimed Biography of the Greatest American Indian Leader
Sitting Bull's name is still the best known of any American Indian leader, but his life and legacy remain shrouded with misinformation and half-truths. Sitting Bull's life spanned the entire clash of cultures and ultimate destruction of the Plains Indian way of life. He was a powerful leader and a respected shaman, but neither fully captures the enigma of Sitting Bull. He was a good friend of Buffalo Bill and skillful negotiator with the American government, yet erroneously credited with both murdering Custer at the Little Big Horn and with being the chief instigator of the Ghost Dance movement. The reality of his life, as Bill Yenne reveals in his absorbing new portrait, Sitting Bull, is far more intricate and compelling. Tracing Sitting Bull's history from a headstrong youth and his first contact with encroaching settlers, through his ascension as the spiritual and military leader of the Lakota, friendship with a Swiss-American widow from New York, and death at the hands of the Indian police on the eve of the massacre at Wounded Knee, Yenne scoured rare contemporary records and consulted Sitting Bull's own "Hieroglyphic Autobiography" in the course of his research. While Sitting Bull was the leading figure of Plains Indian resistance his message, as Yenne explains, was of self-reliance, not violence. At the Battle of the Little Bighorn, Sitting Bull was not confronting Custer as popular myth would have it, but riding through the Lakota camp making sure the most defenseless of his tribe--the children--were safe. In Sitting Bull we find a man who, in the face of an uncertain future, helped ensure the survival of his people.
It’s the early 1990s and Rudy Yellow Shirt and his brother, Mogie, are living on the Pine Ridge Reservation in South Dakota, home of the legendary Oglala Sioux warrior Crazy Horse. Both Vietnam veterans, the men struggle with daily life on the rez. Rudy, a criminal investigator with the Pine Ridge Public Safety Department, must frequently arrest his neighbors and friends, including his brother, who has become a rez wino.
But when Rudy falls and hits his head on a rock while pursuing a suspected murderer, Iktome the trickster enters his brain. Iktome restores Rudy’s youthful sexual vigor—long-lost to years of taking high blood pressure pills—and ignites his desire for political revenge via an alter ego, the “Avenging Warrior.” As the Avenging Warrior, Rudy takes direct action to punish local criminals. In a violent act, he torches the local liquor store, nearly burning Mogie alive while he is hiding on the store’s roof, plotting to steal booze. Although the brothers reconcile before Mogie dies, he leaves the Avenging Warrior with one final mission: go to Mount Rushmore and blow the nose off George Washington’s face.
Louis’s critically acclaimed novel was made into a movie in 2002, directed by Chris Eyre.
In Skunk Hill, archeologist Robert A. Birmingham traces the largely unknown story of this community, detailing the role it played in preserving Native culture through a harsh period of US Indian policy from the 1880s to 1930s. The story’s central focus is the Drum Dance, also known as the Dream Dance or Big Drum, a pan-tribal cultural revitalization movement that swept the Upper Midwest during the Great Suppression, emphasizing Native values and rejecting the vices of the white world. Though the community disbanded by the 1930s, the site, now on the National Register of Historic
Places with two dance circles still visible on the grounds, stands as testimony to the efforts of its members to resist cultural assimilation.
Perhaps because the Washoe population has always been small or because it has been more peaceful than other tribal communities, its history has never been published. In The Small Shall Be Strong, Matthew S. Makley demonstrates that, in spite of this lack of scholarly attention, Washoe history is replete with broad significance. The Washoes, for example, gained culturally important lands through the 1887 Dawes Act. And during the 1990s, the tribe sought to ban climbing on one of its most sacred sites, Cave Rock, a singular instance of Native sacred concerns leading to restrictions.
The Small Shall Be Strong illustrates a history and raises a broad question: How might greater scholarly attention to the numerous lesser-studied tribes in the United States compel a rethinking of larger historical narratives?
The Social Organization of the Western Apache is still one of the most comprehensive descriptions of the social life of an American Indian tribe. Grenville Goodwin knew the Western Apache better than any other ethnographer who ever lived. And he wrote about them from the conviction that his knowledge was important—not only for specialists interested in the tribes of the Southwest, but for all anthropologists concerned with the structure and operation of primitive social systems.
After establishing the distribution of prehistoric and historic populations from the northeastern Appalachian forests to the southern trans-Mississippian prairies, the contributors consider the archaeological and cultural record of several specific groups, including Mohawk and Onondaga, Monacan, Coosa, and Calusa. For each, they present new evidence of cultural changes prior to European contact, including populations movements triggered by the Little Ice Age (AD 1550–1770), shifting exchange and warfare networks, geological restriction of effective maize subsistence, and use of empty hunting territories as buffers between politically unstable neighbors. The contributors also trace European influences, including the devastation caused by European-introduced epidemics and the paths of European trade goods that transformed existing Native American-exchange networks.
While the profound effects of European explorers, missionaries, and traders on Eastern Woodlands tribes cannot be denied, the archaeological evidence suggests that several indigenous societies were already in the process of redefinition prior to European contact. The essays gathered here show that, whether formed in response to natural or human forces, cultural change may be traced through archaeological artifacts, which play a critical role in answering current questions regarding cultural persistence.
A fifty-year-old mystery converges with a present-day struggle over family, land, and history—now available in paperback
When a rock is dislodged from its slope by mischievous ancestors, the past rises to meet the present, and Half-Dime Hill gives up a gruesome secret it has kept for half a century. Some people of Mozhay Point have theories about what happened; others know—and the discovery stirs memories long buried, reviving a terrible story yet to be told.
Returning to the fictional Ojibwe reservation in northern Minnesota she has so deftly mapped in her award-winning books, Linda LeGarde Grover reveals traumas old and new as Margie Robineau, in the midst of a fight to keep her family’s long-held allotment land, uncovers events connected to a long-ago escape plan across the Canadian border, and the burial—at once figurative and painfully real—of not one crime but two. While Margie is piecing the facts together, Dale Ann is confronted by her own long-held secrets and the truth that the long ago and the now, the vital and the departed are all indelibly linked, no matter how much we try to forget.
As the past returns to haunt those involved, Margie prepares her statement for the tribal government, defending her family’s land from a casino development and sorting the truths of Half-Dime Hill from the facts that remain there. Throughout the narrative, a chorus of spirit women gather in lawn chairs with coffee and cookies to reminisce, reflect, and speculate, spinning the threads of family, myth, history, and humor—much as Grover spins another tale of Mozhay Point, weaving together an intimate and complex novel of a place and its people.
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"To be read for enjoyment; nevertheless, the historian will find in it a wealth of information that has been shrewdly appraised, carefully sifted, and creditably related."—Catholic Historical Review
"Of interest not only to the historian but to the geographer and anthropologist."—Pacific Historical Review
Francis Pegahmagabow’s stories describe many parts of his life and are characterized by classic Ojibwe narrative. They reveal aspects of Francis’s Anishinaabe life and worldview. Interceding chapters by Brian McInnes provide valuable cultural, spiritual, linguistic, and historical insights that give a greater context and application for Francis’s words and world. Presented in their original Ojibwe as well as in English translation, the stories also reveal a rich and evocative relationship to the lands and waters of Georgian Bay.
In Sounding Thunder, Brian McInnes provides a new perspective on Pegahmagabow and his experience through a unique synthesis of Ojibwe oral history, historical record, and Pegahmagabow family stories.
This pictorial classic is a valuable ethnological record of southeastern Indians that also showcases the work of early photographers and artists.
A collection of over 350 photographs, paintings, drawings,and woodcuts, Life Portraits offers us an important visual representation of southeastern Indians—at work, at play, in rituals, and in death—when they first encountered Europeans.
Studied by historians and archaeologists, as well as museum exhibit designers and costumers, these illustrations provide a wealth of information on native dress and jewelry, house construction, agricultural techniques, warfare, and other aspects of American Indian life. Among the tribes illustrated are Natchez, Choctaw, Creek, Chickasaw, Cherokee, Seminole, Chitimacha, Timucua, Powhatan, Tuscarora, Caddo, Yuchi, and Shawnee.
A special section of the book quotes historic narratives and comments on the life and work of the artists, lithographers, photographers, and engravers who made the originals. Included among these are Jacques le Moyne, John White, Theodore De Bry, Francis Parsons, Joshua Reynolds, John Trumball, George Catlin, John Mix Stanley, Thomas McKenney, and Samuel Waugh.
Life Portraits has been a classic title in southeastern archaeology and a staple of bookstores and museum shops around the country since its original publication in 1958. Because the carefully identified illustrations were secured from a wide variety of sources, including the British Museum, the Charleston Museum, the New York Public Library, and the Oklahoma Historical Society, this volume represents the most comprehensiveand widely available record of Indian images. Designed for Americana collections, it will appeal to general readers as well as professional historians and archaeologists.
What does it mean to know, and how is knowledge practiced? How can Indigenous perspectives challenge conventional concepts of knowledge in the Global North? Drawing on Indigenous epistemologies from the Andes and Western Amazon, Southern Epistemologies investigates how knowledge, wisdom, and understanding are shaped by local cultures, languages, bodies, and environments.
Bringing together linguists, philosophers, anthropologists, and Indigenous knowledge holders, the volume examines the dynamic interactions between culture, language, and place, showing how the unique linguistic histories and worldviews of Andean and Amazonian societies inform distinct ways of knowing. By interpreting these perspectives on their own terms, the book offers fresh insights into the plurality and diversity of human knowledge.
As the first volume specifically focused on Indigenous South American epistemologies, Southern Epistemologies foregrounds Indigenous knowledge systems and science while fostering dialogue with academic traditions. By opening new interdisciplinary and cross-cultural conversations, this groundbreaking volume challenges conventional notions of knowledge and illuminates how engagement with Indigenous perspectives can expand and enrich our understanding of what it truly means to know.
Unearthing the Gulf Coast’s past—one footprint at a time.
Southern Footprints celebrates more than fifty years of archaeological research along the Gulf Coast by the University of South Alabama and the Center for Archaeological Studies. Archaeologists Gregory A. Waselkov and Philip J. Carr, the former and current directors of the center, present the “greatest hits” that have transformed knowledge of human history on the Alabama and Mississippi Gulf Coast from the Ice Age until recently. Each archaeological site, from surface collections to premiere archaeological preserves, such as Old Mobile and Holy Ground, offers clues to the past.
The chapters in this collection are arranged chronologically and survey the history and archaeology of a wide range of significant sites, including the Gulf Shores canoe canal, Bottle Creek Mounds, Old Mobile, Fort Mims, Spanish Fort, Spring Hill College, and Mobile River Bridge.
Waselkov and Carr take care to acknowledge in these stories populations who have been historically underdocumented, now recognizing the contributions of Native Americans and African Americans that have been uncovered through archaeology. The authors reveal the dire impacts of climate change, environmental disasters, development, and neglect—and convey their urgency to protect these areas of shared history—as a result of the meticulous excavation, analysis, and preservation of artifacts from these sites. Color photographs showcase the archaeology as it unfolds, often with the help of dedicated volunteers. Southern Footprints will serve as an indispensable reference on the rich Gulf Coast heritage for all to appreciate.
This landmark collection strives to reflect the complexity of identities within Native Gay, Lesbian, Bisexual, Transgender, Queer, and Two-Spirit (GLBTQ2) communities. Gathering together the work of established writers and talented new voices, this anthology spans genres (fiction, nonfiction, poetry, and essay) and themes (memory, history, sexuality, indigeneity, friendship, family, love, and loss) and represents a watershed moment in Native American and Indigenous literatures, Queer studies, and the intersections between the two.
Collaboratively, the pieces in Sovereign Erotics demonstrate not only the radical diversity among the voices of today’s Indigenous GLBTQ2 writers but also the beauty, strength, and resilience of Indigenous GLBTQ2 people in the twenty-first century.
Contributors: Indira Allegra, Louise Esme Cruz, Paula Gunn Allen, Qwo-Li Driskill, Laura Furlan, Janice Gould, Carrie House, Daniel Heath Justice, Maurice Kenny, Michael Koby, M. Carmen Lane, Jaynie Lara, Chip Livingston, Luna Maia, Janet McAdams, Deborah Miranda, Daniel David Moses, D. M. O’Brien, Malea Powell, Cheryl Savageau, Kim Shuck, Sarah Tsigeyu Sharp, James Thomas Stevens, Dan Taulapapa McMullin, William Raymond Taylor, Joel Waters, and Craig Womack
Carlson argues that by drawing on the conventions of early colonial treaty-making, nineteenth- and early twentieth-century Indian autobiographers sought to adapt and redefine the terms of Indian law as a way to assert specific property-based and civil rights. Focusing primarily on the autobiographical careers of two major writers (William Apess and Charles Eastman), Sovereign Selves traces the way that their sustained engagement with colonial legal institutions gradually enabled them to produce a new rhetoric of "Indianness."
In the early twenty-first century Bolivian social movements made streets, plazas, and highways into the decisively important spaces for acting politically, rivaling and at times exceeding voting booths and halls of government. The Sovereign Street documents this important period, showing how indigenous-led mass movements reconfigured the politics and racial order of Bolivia from 1999 to 2011.
Drawing on interviews with protest participants, on-the-ground observation, and documentary research, activist and scholar Carwil Bjork-James provides an up-close history of the indigenous-led protests that changed Bolivia. At the heart of the study is a new approach to the interaction between protest actions and the parts of the urban landscape they claim. These “space-claiming protests” both communicate a message and exercise practical control over the city. Bjork-James interrogates both protest tactics—as experiences and as tools—and meaning-laden spaces, where meaning is part of the racial and political geography of the city.
Taking the streets of Cochabamba, Sucre, and La Paz as its vantage point, The Sovereign Streetoffers a rare look at political revolution as it happens. It documents a critical period in Latin American history, when protests made headlines worldwide, where a generation of pro-globalization policies were called into question, and where the indigenous majority stepped into government power for the first time in five centuries.
Speak to Me Words is a stimulating blend of classic articles and original pieces that reflect the energy of modern American Indian literary studies. Highlighting various aspects of poetry written by American Indians since the 1960s, it is a wide-ranging collection that balances the insights of Natives and non-Natives, men and women, old and new voices. Included here are such landmark articles as "Answering the Deer" by Paula Gunn Allen, "Herbs of Healing" by Carter Revard, and "Song, Poetry and Language—Expression and Perception" by Simon Ortiz—all pieces that have shaped how we think about Native poetry. Among the contributions appearing for the first time are Elaine Jahner writing on Paula Gunn Allen's use of formal structures; Robert Nelson addressing pan-Indian tropes of emergence, survival, return, and renewal; and Janet McAdams focusing on Carter Revard's "angled mirrors." Although many Native writers may disregard distinctions between genres, together these writings help readers see the difference between American Indian poetry and other forms of Native literature.
These essays are as broad, encompassing, and provocative as Native poetry itself, branching off from and weaving back into one another. In showing how American Indian poetry redefines our social order and articulates how Indian communities think about themselves, these writers establish a new foundation for the study—and enjoyment—of this vital art.
Of varied backgrounds, the writers represent Indian heritages and cultures from the Pacific Northwest to the northern plains, from Canada to Guatemala. They are poets, novelists, and playwrights. And although their backgrounds are different and their statements intensely personal, they share common themes of their relationship to the land, to their ancestors, and to future generations of their people. From Gloria Bird's powerful recounting of personal and family history to Esther Belin's vibrant tale of her urban Native homeland in Los Angeles, these writers reveal the importance of place and politics in their lives. Leslie Marmon Silko calls upon the ancient tradition of Native American storytelling and its role in connecting the people to the land. Roberta J. Hill and Elizabeth Woody ponder some of the absurdities of contemporary Native life, while Guatemalan Victor Montejo takes readers to the Mayan world, where a native culture had writing and books long before Europeans came.
Together these pieces offer an inspiring portrait of what it means to be a Native writer in the twentieth century. With passion and urgency, these writers are speaking for themselves, for their land, and for the generations.
"This is a fine introduction to Hopi mythology and values. It recreates an authentic poetic spirit and makes the reader eager to read more Hopi tales." —New Mexico Humanities Review
Before the Chickasaws were removed to lands in Oklahoma in the 1800s, the heart of the Chickasaw Nation was located east of the Mississippi River in the upper watershed of the Tombigbee River in what is today northeastern Mississippi. Their lands had been called "splendid and fertile" by French governor Bienville at the time they were being coveted by early European settlers. The people were also termed “splendid” and described by documents of the 1700s as “tall, well made, and of an unparalleled courage. . . . The men have regular features, well-shaped and neatly dressed; they are fierce, and have a high opinion of themselves.”
The progenitors of the sociopolitical entity termed by European chroniclers progressively as Chicasa, Chicaca, Chicacha, Chicasaws, and finally Chickasaw may have migrated from west of the Mississippi River in prehistoric times. Or migrating people may have joined indigenous populations. Despite this longevity in their ancestral lands, the Chickasaw were the only one of the original "five civilized tribes" to leave no remnant community in the Southeast at the time of removal.
Atkinson thoroughly researches the Chickasaw Indians, tracing their history as far back as the documentation and archaeological record will allow. He historicizes from a Native viewpoint and outlines political events leading to removal, while addressing important issues such as slave-holding among Chickasaws, involvement of Chickasaw and neighboring Indian tribes in the American Revolution, and the lives of Chickasaw women.
Splendid Land, Splendid People will become a fundamental resource for current information and further research on the Chickasaw. A wide audience of librarians, anthropologists, historians, and general readers have long awaited publication of this important volume.
A cast with over fifty distinct roles acted out events extending from Palm Sunday to Christ’s death on the cross. One actor became a localized embodiment of Jesus through a process of investiture and mimesis that carried aspects of pre-Columbian materialized divinity into the later colonial period. The play told afar richer version of the Passion story than what later colonial Nahuas typically learned from their priests or catechists. And by assimilating Jesus to an Indigenous, or macehualli, identity, the players enacted a protest against colonial rule.
The situation in eighteenth-century New Spain presents both a unique confrontation between Indigenous communities and Enlightenment era religious reformers and a new chapter in an age-old power game between popular practice and religious orthodoxy. By focusing on how Nahuas localized the universalizing narrative of Christ’s Passion, Staging Christ’s Passion in Eighteenth-Century Nahua Mexico offers an unusually in-depth view of religious life under colonial rule.
Burkhart’s accompanying website also makes available transcriptions and translations of the six Nahuatl-language plays, four Spanish-language plays composed in response to the suppression of the Nahuatl practice, and related documentation, providing a valuable resource for anyone interested in consulting the original material.
Comments restricted to single page
plays composed in response to the suppression of the Nahuatl practice, and related documentation,
providing a valuable resource for anyone interested in consulting the original material
Miller’s photographs include many rare and relatively unknown panels and represent a lifetime of work by someone intimately familiar with the Colorado Plateau. The photos highlight the astonishing variety of rock art as well as the variability within traditions and time periods. Jones’s essays furnish general information about previous Colorado Plateau cultures and shine a light on rock art as art. The book emphasizes the exquisite artistry of these ancient works and their capacity to reach through the ages to envelop and inspire viewers.
CONTENTS
Introduction, George Pierre Castile & Robert L. Bee
Part I—Historical Foundations of the Reservation System
An Elusive Institution: The Meanings of Indian Reservations in Gold Rush California, John M. Findlay
Crow Leadership Amidst Reservation Oppression, Frederick E. Hoxie
Part II—The Nonreservation Experience
Utah Indians and the Homestead Laws, Martha C. Knack
The Enduring Reservations of Oklahoma, John H. Moore
Without Reservation: Federal Indian Policy and the Landless Tribes of Washington, Frank W. Porter, III
Part III—Power and Symbols
Riding the Paper Tiger, Robert L. Bee
Indian Sign: Hegemony and Symbolism in Federal Indian Policy, George P. Castile
Part IV—The Resource Base
Primitive Accumulation, Reservations, and the Alaska Native Claims Settlement Act, Lawrence Weiss & David C.Maas
Shortcomings of the Indian Self-Determination Policy, George S. Esber, Jr.
Getting to Yes in the New West: The Negotiation of Policy, Thomas R. McGuire
This economic vitality did not last, however. As immigrants settled upstream from the Pima villages, they deprived the Indians of the water they needed to sustain their economy. DeJong traces federal, territorial, and state policies that ignored Pima water rights even though some policies appeared to encourage Indian agriculture. This is a particularly egregious example of a common story in the West: the flagrant local rejection of Supreme Court rulings that protected Indian water rights. With plentiful maps, tables, and illustrations, DeJong demonstrates that maintaining the spreading farms and growing towns of the increasingly white population led Congress and other government agencies to willfully deny Pimas their water rights.
Had their rights been protected, DeJong argues, Pimas would have had an economy rivaling the local and national economies of the time. Instead of succeeding, the Pima were reduced to cycles of poverty, their lives destroyed by greed and disrespect for the law, as well as legal decisions made for personal gain.
In "Still They Remember Me," stories are presented in the Penobscot language and English side-by-side, coupled with illustrations from members of the tribal community. For the first time, these stories are accessible to a young generation of Penobscot language learners and scholars of Native American literatures at all levels, from grade school to graduate school.
Explores the impact of European colonization on Native American and Pacific Islander technology and culture
This is the first comprehensive analysis of the partial replacement of flaked stone and ground stone traditions by metal tools in the Americas during the Contact Era. It examines the functional, symbolic, and economic consequences of that replacement on the lifeways of native populations, even as lithic technologies persisted well after the landing of Columbus. Ranging across North America and to Hawai'i, the studies show that, even with wide access to metal objects, Native Americans continued to produce certain stone tool types—perhaps because they were still the best implements for a task or because they represented a deep commitment to a traditional practice.Chapters are ordered in terms of relative degree of European contact, beginning with groups that experienced brief episodes of interaction, such as the Wichita-French meeting on the Arkansas River, and ending with societies that were heavily influenced by colonization, such as the Potawatomi of Illinois. Because the anthology draws comparisons between the persistence of stone tools and the continuity of other indigenous crafts, it presents holistic models that can be used to explain the larger consequences of the Contact Era.
Marvin T. Smith, of Valdosta State University has stated that, “after reading this volume, no archaeologist will ever see the replacement of lithic technology by metal tools as a simple matter of replacement of technologically inferior stone tools with their superior metal counterparts. This is cutting-edge scholarship in the area of contact period studies.”
Emily Legg turns to the Cherokee medicine wheel and cardinal directions as a Cherokee rhetorical discipline of knowledge making in the archives, an embodied and material practice that steers knowledge through the four cardinal directions around all relations. Going beyond historiography, Legg delineates educational practices that are intertwined with multiple strands of traditional Cherokee stories that privilege Indigenous and matriarchal theoretical lenses. Stories of Our Living Ephemera synthesizes the connections between contemporary and nineteenth-century academic experiences to articulate the ways that colonial institutions and research can be Indigenized by centering Native American sovereignty.
By undoing the erasure of Cherokee literacy and educational practices, Stories of Our Living Ephemera celebrates the importance of storytelling, especially for those who are learning about Indigenous histories and rhetorics. This book is of cultural importance and value to academics interested in composition and pedagogy, the Cherokee Nation, and a general audience seeking to learn about Indigenous rhetorical devices and Cherokee history.
Stories Through Theories/Theories Through Stories explores the uneasy relations—often contentious, sometimes complicit—between American Indian Literature and literary theory. Some of the essays in this book open American Indian narratives to theoretical critique based on "western depth models." Others work from a very different direction, finding critique in storytelling and processes of narrative production, thereby exposing dimensions of literary theory that grow from the indigenous ground of Native stories themselves.
This collection of essays—sometimes playfully but always insistently—changes our readings of Native works and challenges our roles as intellectual guides until we step deeper into the ambiguous territories where writer, listener, reader, and critic intersect.
Taken together, these essays provide compelling evidence for looking at primary Native cultures, authors, and histories as enrichments of Native literature.
Since its passage in 1989, a state law known as Act 31 requires that all students in Wisconsin learn about the history, culture, and tribal sovereignty of Wisconsin’s federally recognized tribes.
The Story of Act 31 tells the story of the law’s inception—tracing its origins to a court decision in 1983 that affirmed American Indian hunting and fishing treaty rights in Wisconsin, and to the violent public outcry that followed the court’s decision. Author J P Leary paints a picture of controversy stemming from past policy decisions that denied generations of Wisconsin students the opportunity to learn about tribal history.
Following Du Vernet’s journey westward from Toronto to Ojibwe territory and across the young nation of Canada, Pamela Klassen examines how contests over the mediation of stories—via photography, maps, printing presses, and radio—lucidly reveal the spiritual work of colonial settlement. A city builder who bargained away Indigenous land to make way for the railroad, Du Vernet knew that he lived on the territory of Ts’msyen, Nisga’a, and Haida nations who had never ceded their land to the onrush of Canadian settlers. He condemned the devastating effects on Indigenous families of the residential schools run by his church while still serving that church. Testifying to the power of radio mind with evidence from the apostle Paul and the philosopher Henri Bergson, Du Vernet found a way to explain the world that he, his church and his country made.
Expanding approaches to religion and media studies to ask how sovereignty is made through stories, Klassen shows how the spiritual invention of colonial nations takes place at the same time that Indigenous peoples—including Indigenous Christians—resist colonial dispossession through stories and spirits of their own.
Did you ever wonder who made the first popsicles? Or if your ancestors made snow cones with maple syrup?
Me too!
I guess we'll never know who made the first frozen treat because the evidence was eaten long ago, but it's always fun to imagine new stories...
Wabooz has a brand new idea for a delicious treat, but will everything turn out as he hoped? Travel with him through the lands where the pawpaws grow in search of the perfect fruit!
Over time, field nurses and Native people formed a positive working relationship that resulted in the decline of mortality from infectious diseases. Many Native Americans accepted and used Western medicine to fight pathogens, while also continuing Indigenous medicine ways. Nurses helped control tuberculosis, measles, influenza, pneumonia, and a host of gastrointestinal sicknesses. In partnership with the community, nurses quarantined people with contagious diseases, tested for infections, and tracked patients and contacts. Indians turned to nurses and learned about disease prevention. With strong hearts, Indians eagerly participated in the tuberculosis campaign of 1939–40 to x-ray tribal members living on twenty-nine reservations. Through their cooperative efforts, Indians and health-care providers decreased deaths, cases, and misery among the tribes of Southern California.
In these coming-of-age tales set on the Menominee Indian Reservation of the 1980s and 1990s, Thomas Pecore Weso explores the interrelated nature of meals and memories. As he puts it, “I cannot separate foods from the moments in my life when I first tasted them.” Weso’s stories recall the foods that influenced his youth in northern Wisconsin: subsistence meals from hunted, fished, and gathered sources; the culinary traditions of the German, Polish, and Swedish settler descendants in the area; and the commodity foods distributed by the government—like canned pork, dried beans, and powdered eggs—that made up the bulk of his family’s pantry. His mom called this “survival food.”
These stories from the author’s teen and tween years—some serious, some laugh-out-loud funny—will take readers from Catholic schoolyards to Native foot trails to North Woods bowling alleys, while providing Weso’s perspective on the political currents of the era. The book also contains dozens of recipes, from turtle soup and gray squirrel stew to twice-baked cheesy potatoes. This follow-up to Weso’s Good Seeds: A Menominee Indian Food Memoir is a hybrid of modern foodways, Indigenous history, and creative nonfiction from a singular storyteller.
2024 Wisconsin Library Association Outstanding Achievement Award
2024 PEN Oakland Josephine Miles Award for Excellence
Silver winner of the 2023 Midwest Book Award for Cookbooks/Crafts/Hobbies
Thomas Pecore Weso’s Survival Food was selected by the Wisconsin Center for the Book as the Wisconsin entry in the “Great Reads from Great Places” program of the Library of Congress.
“This book is not only about survival food, but about the singular beauty, creativity, and fortitude that comes out of that survival.”
—Chef Sean Sherman, author, The Sioux Chef’s Indigenous Kitchen
“Survival Food is interesting because it’s one part cookbook, three parts memoir, one part history, and one part multidisciplinary exploration of its setting, northern Wisconsin."
—James Norton, The Cookbook Test
“Nothing brings people together like good food and good stories. There’s an abundance of both in Thomas Pecore Weso’s latest memoir. As Weso attests, food can bring back happy, loving memories of times that were far from happy. Even a tray of funeral sandwiches brings a kind of comfort. This is a wonderful, honest portrait of northeastern Wisconsin, enlightening even to those of us who call this area home.”
—Jared Santek, Founder & Artistic Director, Write On Door County
“Survival Food provides ample nourishment for the mind and body. . . . The stories, told with humor and affection, are complemented by recipes ranging from mouth-watering instructions for cooking wild asparagus to ever-so-interesting advice for preparing bear stew.”
—Lucille Lang Day, author of Birds of San Pancho and Other Poems of Place and coeditor of Red Indian Road West: Native American Poetry from California
“His grandmother cooked according to Native traditions; his mother, ‘a nontraditional college student during my teens,’ resorted to instant meals. His grandfather was town constable and days spent with him brought Weso to the meatloaf, sausage and sauerkraut of German and Polish neighbors. Uncle Buddy’s flash car brings buckwheat pancakes to Weso’s mind, and he lived for a time near Cheese Box Curve—so called after a truck hauling dairy products overturned. Weso includes a few recipes, but mostly, Survival Food is an entertaining look back at life in Wisconsin’s rural north.”
—David Luhrssen, Shepherd Express
“Survival Food: North Woods Stories by a Menominee Cook by Thomas Pecore Weso is a posthumous sequel to his celebrated collection of family stories, Good Seeds: A Menominee Food Memoir. . . . Rich with captivating tales that include driving a convertible on logging roads, agreeing on terms before throwing eggs at passing cars, and his grandmother’s brief stay in a jailhouse she’d later purchase, Weso’s entries offer readers catharsis—demonstrating how to laugh, boast, debate, eat, mourn, and heal.”
—Ryan Winn, College of Menominee Nation, Tribal College Journal
In these coming-of-age tales set on the Menominee Indian Reservation of the 1980s and 1990s, Thomas Pecore Weso explores the interrelated nature of meals and memories. As he puts it, “I cannot separate foods from the moments in my life when I first tasted them.” Weso’s stories recall the foods that influenced his youth in northern Wisconsin: subsistence meals from hunted, fished, and gathered sources; the culinary traditions of the German, Polish, and Swedish settler descendants in the area; and the commodity foods distributed by the government—like canned pork, dried beans, and powdered eggs—that made up the bulk of his family’s pantry. His mom called this “survival food.”
These stories from the author’s teen and tween years—some serious, some laugh-out-loud funny—will take readers from Catholic schoolyards to Native foot trails to North Woods bowling alleys, while providing Weso’s perspective on the political currents of the era. The book also contains dozens of recipes, from turtle soup and gray squirrel stew to twice-baked cheesy potatoes. This follow-up to Weso’s Good Seeds: A Menominee Indian Food Memoir is a hybrid of modern foodways, Indigenous history, and creative nonfiction from a singular storyteller.
2024 Wisconsin Library Association Outstanding Achievement Award
2024 PEN Oakland Josephine Miles Award for Excellence
Silver winner of the 2023 Midwest Book Award for Cookbooks/Crafts/Hobbies
Thomas Pecore Weso’s Survival Food was selected by the Wisconsin Center for the Book as the Wisconsin entry in the “Great Reads from Great Places” program of the Library of Congress.
“This book is not only about survival food, but about the singular beauty, creativity, and fortitude that comes out of that survival.”
—Chef Sean Sherman, author, The Sioux Chef’s Indigenous Kitchen
“Survival Food is interesting because it’s one part cookbook, three parts memoir, one part history, and one part multidisciplinary exploration of its setting, northern Wisconsin."
—James Norton, The Cookbook Test
“Nothing brings people together like good food and good stories. There’s an abundance of both in Thomas Pecore Weso’s latest memoir. As Weso attests, food can bring back happy, loving memories of times that were far from happy. Even a tray of funeral sandwiches brings a kind of comfort. This is a wonderful, honest portrait of northeastern Wisconsin, enlightening even to those of us who call this area home.”
—Jared Santek, Founder & Artistic Director, Write On Door County
“Survival Food provides ample nourishment for the mind and body. . . . The stories, told with humor and affection, are complemented by recipes ranging from mouth-watering instructions for cooking wild asparagus to ever-so-interesting advice for preparing bear stew.”
—Lucille Lang Day, author of Birds of San Pancho and Other Poems of Place and coeditor of Red Indian Road West: Native American Poetry from California
“His grandmother cooked according to Native traditions; his mother, ‘a nontraditional college student during my teens,’ resorted to instant meals. His grandfather was town constable and days spent with him brought Weso to the meatloaf, sausage and sauerkraut of German and Polish neighbors. Uncle Buddy’s flash car brings buckwheat pancakes to Weso’s mind, and he lived for a time near Cheese Box Curve—so called after a truck hauling dairy products overturned. Weso includes a few recipes, but mostly, Survival Food is an entertaining look back at life in Wisconsin’s rural north.”
—David Luhrssen, Shepherd Express
“Survival Food: North Woods Stories by a Menominee Cook by Thomas Pecore Weso is a posthumous sequel to his celebrated collection of family stories, Good Seeds: A Menominee Food Memoir. . . . Rich with captivating tales that include driving a convertible on logging roads, agreeing on terms before throwing eggs at passing cars, and his grandmother’s brief stay in a jailhouse she’d later purchase, Weso’s entries offer readers catharsis—demonstrating how to laugh, boast, debate, eat, mourn, and heal.”
—Ryan Winn, College of Menominee Nation, Tribal College Journal
He began his career by creating cards and soon was lending his art to posters and logos for many community-based Native organizations. Winning recognition from these groups, his work was soon actively sought by them. Chana’s work also appears on the covers and as interior art in a number of books on southwestern and American Indian topics.
The Sweet Smell of Home is an autobiographical work, written in Chana’s own voice that unfolds through oral history interviews with anthropologist Susan Lobo. Chana imparts the story of his upbringing and starting down the path toward a career as an artist. Balancing humor with a keen eye for cultural detail, he tells us about life both on and off the reservation.
Eighty pieces of art—26 in color—grace the text, and Chana explains both the impetus for and the evolution of each piece. Leonard Chana was a people’s artist who celebrated the extraordinary heroism of common people’s lives. The Sweet Smell of Home now celebrates this unique artist whose words and art illuminate not only his own remarkable life, but also the land and lives of the Tohono O’odham people
Luci Tapahonso shows how the details of everyday life—whether the tragedy of losing a loved one or the joy of raising children, or simply drinking coffee with her uncle—bear evidence of cultural endurance and continuity. Through her work, readers may come to better appreciate the different perceptions that come from women's lives.
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