From London to DC to Australia to Los Angeles, Tim Miller has sold out shows in which he addresses issues of gender, immigration, homophobia, and censorship. As one of the “NEA Four,” who successfully sued the federal government for violating their First Amendment rights when their funding was rescinded in the early 1990s, Miller has always played an important role in defending queer artistic expression on stage. His autobiographical explorations into identity, politics, and art through the lens of his own experiences lead to visceral, humorous, and poignant performances. His activism and experiences inform his newest collection of performance scripts and writings, which represent the culmination of the many struggles for rights and equality that Miller has documented, and performed, over the course of his career. A Body in the O is an important addition to Miller’s existing body of work, picking up from his show Lay of the Land and moving into his more recent piece, Rooted.

In this lively coming-of-age novel, young Danny Meyer lays bare a landscape of illness and despair but emerges triumphant, with a new awareness of the limitations of security and the lessons of eternity. Danny’s bubble-like existence in paradisal Madison is broken when his father, a concert pianist and professor, is stricken with illness and must give up his professorship. The family is forced to move to Milwaukee to live at the brink of poverty while his father gets sicker, his artistic mother struggles as bread-winner, and his brother becomes delusional. Here, Danny finds himself in the uncertain position of having to accept the responsibilities of manhood while still struggling with adolescence.

In a world that keeps shifting, Danny befriends the son of a gangster and, through his brushes with that compelling world of crime, finds his way to a new confidence. Realistically portrayed, A Friend of Kissinger, captures an authentic sense of place that is one part arty, heartland Main Street and one part shady, small-time gangsterland.

What happens when concepts of "truth," "memory," and "human rights" are taken up and adapted by former perpetrators of violence? Peru has moved from the 1980s–90s conflict between its armed forces and Shining Path militants into an era of open democracy, transitional justice, and truth and reconciliation commissions. Cynthia Milton reveals how Peru's military has engaged in a tactical cultural campaign—via books, films, museums—to shift public opinion, debate, and memories about the nation's violent recent past and its part in it.

Milton calls attention to fabrications of our post-truth era but goes further to deeply explore the ways members of the Peruvian military see their past, how they actively commemorate and curate it in the present, and why they do so. Her nuanced approach upends frameworks of memory studies that reduce military and ex-military to a predictable role of outright denial.

This interdisciplinary collection of essays encompasses variations of the sibling paradigm—the single child, brothers and sisters, twins, and sisters and sisterhood. Literary siblings are the focus, but each discussion is placed within the parameters of cultural and social commentary.
     The essays bring together  studies in the fields of social and family therapy, psychological research, and literary criticism.

Joinings and Disjoinings illustrates the importance of marriage or singleness in short stories and novels and suggests the diverse perspectives the topic can provide on specific works and on analysis of the cultural importance of marriage and marital status. Essays discuss  canonical and lesser-known works, providing social, historical, and literary context.

While Louis XVIII, Charles X, and Louis Philippe ruled in France, a vast majority of politically unenfranchised Frenchmen were developing their own subculture. Only recently literate, they fashioned their own literature. It consisted of two important genres: the popular novel and the melodrama. As we trace these genres from the turn of the nineteenth century until that moment of February 25, 1848, when the Second Republic was declared, we are also led to a detailed scrutiny of the injustices which the immense majority of the French suffered and of the political causes they espoused. The succession of heroes and villains in their literature mirrored accurately the fears and hopes they felt.

This is a moving, star-filled account of one of Hollywood’s true golden ages as told by a man in the middle of it all. Walter Mirisch’s company has produced some of the most entertaining and enduring classics in film history, including West Side Story, Some Like It Hot, In the Heat of the Night, and The Magnificent Seven. His work has led to 87 Academy Award nominations and 28 Oscars. Richly illustrated with rare photographs from his personal collection, I Thought We Were Making Movies, Not History reveals Mirisch’s own experience of Hollywood and tells the stories of the stars—emerging and established—who appeared in his films, including Natalie Wood, John Wayne, Peter Sellers, Sidney Poitier, Steve McQueen, Marilyn Monroe, and many others.
    With hard-won insight and gentle humor, Mirisch recounts how he witnessed the end of the studio system, the development of independent production, and the rise and fall of some of Hollywood’s most gifted (and notorious) cultural icons. A producer with a passion for creative excellence, he offers insights into his innovative filmmaking process, revealing a rare ingenuity for placating the demands of auteur directors, weak-kneed studio executives, and troubled screen sirens.
    From his early start as a movie theater usher to the presentation of such masterpieces as The Apartment, Fiddler on the Roof, and The Great Escape, Mirisch tells the inspiring life story of his climb to the highest echelon of the American film industry. This book assures Mirisch’s legacy—as Elmore Leonard puts it—as “one of the good guys.”

Best Books for Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association

Artist James Tissot compiled photographs of his work in three albums, which are reproduced in this book.

Playwright, director, and critic Ronald E. Mitchell offers general readers a richer understanding of traditions, terms, styles, and staging techniques of musical theater, including an introduction to seventeen examples of operas and musicals, from baroque and romantic operas to Gilbert & Sullivan, from proletarian dramas to Broadway shows like Oklahoma.

This book discusses the figure of the unchaste woman in a wide range of fiction written between 1835 and 1880; serious novels by Dickens, Mrs. Gaskell, Meredith, and George Eliot; popular novels that provided light reading for middle-class women (including books by Dinah Craik, Rhoda Broughton, and Ouida); sensational fiction; propaganda for social reform; and stories in cheap periodicals such as the Family Herald and the London Journal, which reached a different and far wider audience than either serious or popular novels.

This illustrated biography is the first account of the colorful life of Chicago newspaper columnist Mike Royko, Pulitzer Prize winner, best-selling author, and legendary journalist who personified Chicago in all its rough-edged charm. Drawing on exclusive photos and interviews with Royko’s family and intimates, the book chronicles Royko’s rise from a “flat-above-a-tavern” youth—raised above a bar on Chicago’s Polish northwest side—to one of the best-known names in American journalism.
    Readers will get the inside scoop on Royko’s epic battles with Mayor Richard J. Daley and other politicians and his hilarious columns featuring “Slats Grobnik.” They’ll also meet a softer, largely unknown, side of Royko, through the love letters he sent to his wife-to-be from an Air Force base in Washington State.
    More than 100 photos—many never before available to the public—capture the man and his times. Millions of readers—in 800 newspapers around the world—followed Royko’s work and life. In The World of Mike Royko—he lives again.

Charles Monroe-Kane is a natural raconteur, and boy, does he have stories to tell. Born into an eccentric Ohio clan of modern hunter-gatherers, he grew up hearing voices in his head. Over a dizzying two decades, he was many things—teenage faith healer, world traveler, smuggler, liberation theologian, ladder-maker, squatter, halibut hanger, grifter, environmental warrior, and circus manager—all the while wrestling with schizophrenia and self-medication.
            From Baby Doc’s Haiti to the Czech Velvet Revolution, and from sex, drugs, and a stabbing to public humiliation by the leader of the free world, Monroe-Kane burns through his twenties and several bridges of youthful idealism before finally saying: enough.
            In a memoir that blends engaging charm with unflinching frankness, Monroe-Kane gives his testimony of mental illness, drug abuse, faith, and love. By the end of Lithium Jesus there may be a voice in your head, too, saying “Do more, be more, live more. And fear less.”

From Elizabeth Taylor, Bette Midler, and Diana Ross to Queen Elizabeth I, Julia Child, and Princess Leia, these divas have been sister, alter ego, fairy godmother, or model for survival to gay men and the closeted boys they once were. And anyone—straight or gay, young or old, male or female—who ever needed a muse, or found one, will see their own longing mirrored here as well.
    These witty and poignant short essays explore reasons for diva-worship as diverse as the writers themselves. My Diva offers both depth and glamour as it pays tribute with joy, intelligence, and fierce, fierce love.
 

 

Finalist, Lambda Book Award for LGBT Anthology, Lambda Literary Foundation

Polykleitos of Argos is one of the most celebrated sculptors of classical Greece. This richly illustrated volume of superb essays by art historians, classical scholars, and archaeologists discusses Polykleitos’ life and influence, his intellectual and cultural milieu, and his best-known work—the bronze Doryphoros, or “Spear-Bearer.”
    Polykleitos, the Doryphoros, and Tradition displays an impressive range of approaches–from commentary on the artistic and philosophical antecedents that influenced Polykleitos’ own aesthetic to the role of contemporary Greek anatomical knowledge in his representation of the human form. The essays offer extended analysis of his work as well as reflections of his style in sculpture, paintings, coins, and other art in Greece, Italy, and Asia Minor. This volume also contains a thorough discussion of Polykleitos’ original bronze Doryphoros, its pose, its relation to other spear-bearer sculptures, and the fine Roman marble copy of it now at the Minneapolis Institute of Arts.

This book describes who American skinheads are, how they have developed within larger youth group scenes, their ideas and activities, the role of music in their formation and development, how they have been perceived by the media in America, and what damage they have done in American society. Jack B. Moore focuses on the cultural history of this group in America during the 1980s and suggests that while they were originally a minor distraction on the punk scene, they have grown into a dangerous and far more politically engaged source of hate thought and crime.

When Johnquell, an African American teen, suffers a serious accident in the home of his white neighbor, Mrs. Czernicki, his community must find ways to bridge divisions between black and white, gay and straight, old and young. Set in one of the nation’s most highly segregated cities—Milwaukee, Wisconsin—Meet Me Halfway tells stories of connections in a community with a tumultuous and divided past. In nine stories told from diverse perspectives, Jennifer Morales captures a Rust Belt city’s struggle to establish a common ground and a collective vision of the future.
            Morales gives life to multifaceted characters—white schoolteachers and senior citizens, Latino landlords, black and Puerto Rican teens, political activists, and Vietnam vets. As their lives unfold in these stories, we learn about Johnquell’s family—his grandparents’ involvement in the local Black Panther Party, his sister’s on-again, off-again friendship with a white classmate, and his aunt’s identity crisis as she finds herself falling in love with a woman. We also meet Johnquell’s mother, Gloria, and his school friend Taquan, who is struggling to chart his own future.
            As an activist mother in the thick of Milwaukee politics, Morales developed a keen ear and a tender heart for the kids who have inherited the city’s troubled racial legacy. With a critical eye on promises unfulfilled, Meet Me Halfway raises questions about the notion of a “postracial” society and, with humor and compassion, lifts up the day-to-day work needed to get there.

Runner-up, Short Story/Anthology, Midwest Book Awards

Best books for public & secondary school libraries from university presses, American Library Association

Wisconsin representative for “Great Lakes Reads,” Library of Congress Center for the Book and its affiliated Midwest centers

Outstanding Achievement Award, Wisconsin Library Association (one of ten 2015 books chosen)

The land that is now called Wisconsin has a place in weather history. Its climate has ranged from tropical to polar over hundreds of millions of years—and even today, that’s the seeming difference between July and January here. And Wisconsinites have played key roles in advancing the science of meterology and climatology: Increase Lapham helped found the National Weather Service in the nineteenth century; Eric Miller was the first to broadcast regular weather reports on the radio in the 1920s; Verner Suomi pioneered tracking weather by satellite; and Reid Bryson has been a leader in studying global climate change.
Wisconsin's Weather and Climate is written for weather buffs, teachers, students, outdoor enthusiasts, and those working in fields, lakes, and forests for whom the weather is a daily force to be reckoned with. It examines the physical features of Wisconsin that shape the state’s climate—topography, mid-latitude location, and proximity to Lakes Superior and Michigan—and meteorological phenomena that affect climate, such as atmospheric circulation and air mass frequency. Authors Joseph M. Moran and Edward J. Hopkins trace the evolution of methods of weather observation and forecasting that are so important for agriculture and Great Lakes commerce, and they explain how Wisconsin scientists use weather balloons, radar, and satellites to improve forecasting and track climate changes. They take readers through the seasonal changes in weather in Wisconsin and give an overview of what past climate changes might tell us about the future.
Appendices provide climatic data for Wisconsin, including extremes of temperature, snowfall, and precipitation at selected stations in the state. The authors also list sources for further information.

Vignettes throughout the book provide fascinating weather lore:

o Why there are cacti in Wisconsin
o The famous Green Bay Packers–Dallas Cowboys "Ice Bowl" game of 1967
o The Army Signal Corps’ ban on the word tornado
o Advances in snow-making technology
o The decline of the Great Lakes ice industry

In 1898, in an era of racial terror at home and imperial conquest abroad, the United States sent its troops to suppress the Filipino struggle for independence, including three regiments of the famed African American "Buffalo Soldiers." Among them was David Fagen, a twenty-year-old private in the Twenty-Fourth Infantry, who deserted to join the Filipino guerrillas. He led daring assaults and ambushes against his former comrades and commanders—who relentlessly pursued him without success—and his name became famous in the Philippines and in the African American community.

The outlines of Fagen's legend have been known for more than a century, but the details of his military achievements, his personal history, and his ultimate fate have remained a mystery—until now. Michael Morey tracks Fagen's life from his youth in Tampa as a laborer in a phosphate camp through his troubled sixteen months in the army, and, most importantly, over his long-obscured career as a guerrilla officer. Morey places this history in its larger military, political, and social context to tell the story of the young renegade whose courage and defiance challenged the supremacist assumptions of the time.

The idea that the United States—a nation founded after a war of independence—operates as an imperialist power on the world stage has gained considerable traction since the turn of the twenty-first century. But just a few decades earlier, this position was considered radical and even “un-American.” How did this dramatic change come about?
            Tracing the emergence of the concept of US imperialism, James G. Morgan shows how radical and revisionist scholars in the 1950s and 1960s first challenged the paradigm of denying an American empire. As the Vietnam War created a critical flashpoint, bringing the idea of American imperialism into the US mainstream, radical students of the New Left turned toward Marxist critiques, admiring revolutionaries like Che Guevara. Simultaneously, a small school of revisionist scholars, led by historian William Appleman Williams at the University of Wisconsin, put forward a progressive, nuanced critique of American empire grounded in psychology, economics, and broader historical context. It is this more sophisticated strand of thinking, Morgan argues, which demonstrated that empire can be an effective analytical framework for studying US foreign policy, thus convincing American scholars to engage with the subject seriously for the first time.

Between the 1890s and the 1920s, mass consumer culture and modernism grew up together, by most accounts as mutual antagonists. This provocative work of cultural history tells a different story.  By delving deeply into the publishing and promotional practices of the modernists in Britain and America, however, Mark Morrisson reveals that their engagements with the commercial mass market were in fact extensive and diverse.
    The phenomenal successes of new advertising agencies and mass market publishers did elicit what Morrisson calls a "crisis of publicity" for some modernists and for many concerned citizens in both countries. But, as Morrisson demonstrates, the vast influence of these industries on consumers also had a profound and largely overlooked effect upon many modernist authors, artists, and others. By exploring the publicity and audience reception of several of the most important modernist magazines of the period, The Public Face of Modernism shows how modernists, far from lamenting the destruction of meaningful art and public culture by the new mass market, actually displayed optimism about the power of mass-market technologies and strategies to transform and rejuvenate contemporary culture—and, above all, to restore a public function to art.
    This reconstruction of the "public face of modernism" offers surprising new perceptions about the class, gender, racial, and even generational tensions within the public culture of the early part of the century, and provides a rare insight into the actual audiences for modernist magazines of the period.  Moreover, in new readings of works by James Joyce, George Bernard Shaw, Wyndham Lewis, Ford Madox Ford, T. S. Eliot, William Carlos Williams, and many others, Morrisson shows that these contexts also had an impact on the techniques and concerns of the literature itself.

This book attempts to analyze a major part of Mansfield's fiction, concentrating on an analysis of the various textures, themes, and issues, plus the point of view virtuosity that she accomplished in her short lifetime (34 years). Many of her most famous works, such as "Prelude" and "Bliss," are explicated, along with many of her less famous and unfinished stories.

One of the most famous American journals is that of seventeenth-century Puritan leader John Winthrop. As the first governor of the Massachusetts Bay Colony, an office he held with few interruptions for two decades, he worked to establish a society in which he thought true Christianity could flourish, beyond the reach of the unfaithful Church of England. Winthrop recorded the daily events of his life—the political infighting and religious disputes among Puritans, as well as their relations with other colonists, Indians, and England. His journal is a window into a world that, while unfamiliar, continues to influence our sense of the meaning of America.
    In the first in-depth study of Winthrop since 1958, James G. Moseley provides a fascinating new look at this extraordinary man, paying careful attention to the connections between Winthrop’s political activity and his writing. Moseley first examines Winthrop as a writer, using the journal to analyze Winthrop as a man resolving challenges based as much on his acutely pragmatic intelligence as on his deeply felt religious convictions. Second, Moseley traces how historians have responded to Winthrop—how his famous journal has been read and misread by those who have filtered the man and his cultural context through many lenses.
    By examining Winthrop’s ancestors and early life in England, especially the religious changes he experienced, Moseley removes the blinders of modernism, portraying Winthrop as never before. He shows how Winthrop’s successful struggle to accept the deaths of his first two wives led him away from moralistic views of Christianity, himself, and his world to more magnanimous views.
    Arguing that writing was the medium through which Winthrop developed his capacity for leadership, Moseley shows how the journal enabled Winthrop to reflect objectively on his situation and to adjust his behavior. Winthrop was, Moseley suggests, not only a politician but a historian, and his interpretations of foundational events in American history in his journal are an invaluable resource for understanding the nature of leadership and the meaning of liberty in Puritan America.
    Winthrop’s World is a very graceful, well-written, and engaging narrative that provides new insight into the Puritan way of life and into the man who provided a window between our world and his.

Eighteen-year-old Joshua Cushing wakes up in a psych ward, not knowing how he got there. Worse, he has only one eye. And no one in his family will tell him what happened to his girlfriend, Sophie. The one thing he knows for sure is that something happened, leaving him with a self and a life he barely recognizes.

Once a popular long-distance runner, Josh is now flabby, frustrated, and furious about returning to his New Jersey high scho ol to repeat his senior year. Forced to attend meetings with other "underage weirdos," he sinks into his loneliness. But when Josh meets Elizabeth Rinaldi, things begin to change. The only other new student in his class, she has a scar on her forehead, a Southern accent, and an attitude. Sharing a status as outcasts and an aptitude for snark, Josh and Elizabeth help each other escape their pasts.

The Book of Joshua weaves an unforgettable story from family secrets, friendship, faith, love, and redemption. It brings readers deeply into the lives of those who suffer from mental illness, as well as the friends and family affected by it.

Marilyn Ann Moss’s Giant examines the life of one of the most influential directors to work in Hollywood from the 1930s to the 1960s. George Stevens directed such popular and significant films as Shane, Giant, A Place in the Sun, and The Diary of Anne Frank. He was the first to pair Katharine Hepburn and Spencer Tracy on film in Woman of the Year. Through the study of Stevens’s life and his production history, Moss also presents a glimpse of the workings of the classic Hollywood studio system in its glory days.
            Moss documents Stevens’s role as a powerful director who often had to battle the heads of major studios to get his films made his way. She traces the four decades Stevens was a major Hollywood player and icon, from his earliest days at the Hal Roach Studios—where he learned to be a cameraman, writer, and director for Laurel and Hardy features—up to when his films made millions at the box office and were graced by actors such as Elizabeth Taylor, James Dean, Alan Ladd, and Montgomery Clift.

            Confronting History describes Mosse's opulent childhood in Weimar Berlin; his exile in Paris and England, including boarding school and study at Cambridge University; his second exile in the U.S. at Haverford, Harvard, Iowa, and Wisconsin; and his extended stays in London and Jerusalem. Mosse discusses being a Jew and his attachment to Israel and Zionism, and he addresses his gayness, his coming out, and his growing scholarly interest in issues of sexuality. This touching memoir—told with the clarity, passion, and verve that entranced thousands of Mosse's students—is guided in part by his belief that "what man is, only history tells" and, most of all, by the importance of finding one's self through the pursuit of truth and through an honest and unflinching analysis of one's place in the context of the times.

This is your guide to cooking wildfoods that you can hunt, fish, or forage—or buy from a growing number of wildfoods vendors—in the Upper Midwest. You’ll savor treasured recipes like Rabbit Pie, Venison Stew, Orange Pheasant, Morel Mushroom Scramble, and Cathy’s Plum Lake Bluegill. You’ll also discover a wealth of dishes reflecting the region’s ethnic riches—from Hassenpfeffer to savory Pierogies with Oyster Mushrooms, from flaky-crusted Goose Tortiere to Catfish Curry.
            Wild Rice Goose also revives overlooked dishes popular in times past. If you have carp, redhorse, smelt, or turtle, dandelion greens or mulberries, you can turn these humble finds into tasty treats with tips from experienced fishermen and foragers. Cooks will appreciate the clear, kitchen-tested recipes, and fans of sporting literature will enjoy the lyrical writing.
            You’ll find here:
            • more than 100 recipes for wildfoods from asparagus to venison
            • sidebars on regional foods, specialty preparations, and folk history
            • tips on finding and cleaning game, fish, and wild edibles
            • advice on freezing and drying
            • a list of Upper Midwest wildfoods vendors.

Best Regional Special Interest Books, selected by the American Association of School Librarians

Best Regional General Interest Books, selected by the Public Library Reviewers

This collection includes essays by scholars from around the world and five of Ray Browne's essays which he considers signal. The purpose of this book is to chart Popular Culture Studies into the next century.

The transformation of a house into a home has been in our culture a traditional task of women. The articles examine this process as they reflected the role of American middle-class women as homemakers in the years 1840–1940.

More than one hundred years before Barack Obama, George Edwin Taylor made presidential history. Born in the antebellum South to a slave and a freed woman, Taylor became the first African American ticketed as a political party’s nominee for president of the United States, running against Theodore Roosevelt in 1904.
    Orphaned as a child at the peak of the Civil War, Taylor spent several years homeless before boarding a Mississippi riverboat that dropped him in La Crosse, Wisconsin. Taken in by an African American farm family, Taylor attended a private school and eventually rose to prominence as the owner/editor of a labor newspaper and as a vocal leader in Wisconsin’s People’s Party. At a time when many African Americans felt allegiance to the Republican Party for its support of abolition, Taylor’s sympathy with the labor cause drew him first to the national Democratic Party and then to an African American party, the newly formed National Liberty Party, which in 1904 named him its presidential candidate. Bruce L. Mouser follows Taylor’s life and career in Arkansas, Illinois, Wisconsin, Iowa, and Florida, giving life to a figure representing a generation of African American idealists whose initial post-slavery belief in political and social equality in America gave way to the despair of the Jim Crow decades that followed.


Best Books for Special Interests, selected by the American Association for School Libraries

Best Books for Professional Use, selected by the American Association for School Libraries

Best Books for General Audiences, selected by the Public Library Association

Second Place, Biography, Society of Midland Authors

Honorable Mention, Benjamin F. Shambough Award, the State Historical Society of Iowa

William Thomas Scott (1839–1917) was an entrepreneur and political activist from East Saint Louis and Cairo, Illinois, who in 1904 briefly became the first African American nominated by a national party for president of the United States before his scandalous past forced him to step aside. A free man before the Civil War, Scott was a charismatic hustler who built his fortune through both vice trades and legal businesses including hotels, saloons, and real estate. Publisher and editor of the Cairo Gazette and an outspoken advocate for equal rights, he believed in political patronage and frequently rebelled against political bosses who failed to deliver, whether they were white, black, Republican, or Democrat.

Scott helped build the National Negro Liberty Party to forward economic, political, and legal rights for his race. But the hustling that had brought him business success proved his undoing as a national political figure. He was the NNLP's initial presidential nominee, only to be replaced by a better-educated and more socially acceptable candidate, George Edwin Taylor.

Our National Parks is a guidebook supreme, an exciting introduction to Yosemite and several other magnificent parks by the man who, more than any other person, helped to create them. After this fast-paced trip with Muir, past visitors to the parks will want to revisit them with new insights, and those who have never wandered these trails will not rest until they have done so.
    The book, long out of print, was originally published in 1901, its ten essays having previously appeared as articles in the Atlantic Monthly. Muir wrote them with a single purpose—to entice people, by his descriptions, to come to the parks, to see and enjoy them. If enough people did so, reasoned Muir, they would surely love the wilderness as he did, and the parks would be preserved.
    Muir carried out his public relations mission with remarkable success. Every page of this book carries his unbridled and irresistible enthusiasm. Our National Parks is part reminiscence, part philosophy, and mostly enticing description. It is all vintage Muir.
    Although the book treats Yellowstone, Sequoia, General Grant, and other national parks of the Western U.S., Muir devotes the bulk of the work to his first love—Yosemite, settled into the heart of the Sierra Nevada. Indeed, six of the book’s chapters are devoted to Yosemite, treating the forests, wild gardens, fountains and streams, animals, and birds of the park. The concluding essay is an impassioned plea to save American forests.
    All visitors to the great western national parks—and all who will one day visit them—will be captivated by Muir’s descriptions. The grandeur of this wilderness is reflected in the very spirit of John Muir. Both shine through every page of this remarkable book.

In the mountain valleys of Nepal, Tibetan communities have long been established through migrations from the North. Because of these migrations over the last few centuries, Tibetan lamaism, as one of the world’s great ritual traditions, can be studied in the Himalayas as a process that emerges through dialogue with the more ancient shamanic tradition which it confronts and criticizes.
    Here for the first time is a thorough anthropological study of Tibetan lamaism combining textual analysis with richly contextualized ethnographic data. The rites studied are of the Nyingma Tibetan Buddhist tradition. In contrast to the textual analyses that have viewed the culture as a finished entity, here we see an unbounded ritual process with unfinished interpretations.
    Mumford’s focus is on the “dialogue” taking place between the lamaist and the shamanic regimes, as a historic development occurring between different cultural layers. The study powerfully demonstrates that interrelationships between subsystems within a given cultural matrix over time are critical to an understanding of religion as a cultural process.

Peter F. Murphy's purpose in this book is not to shock but rather to educate, provoke discussion, and engender change. Looking at the sexual metaphors that are so pervasive in American culture—jock, tool, shooting blanks, gang bang, and others even more explicit—he argues that men are trapped and damaged by language that constantly intertwines sexuality and friendship with images of war, machinery, sports, and work.
     These metaphors men live by, Murphy contends, reinforce the view that relationships are tactical encounters that must be won, because the alternative is the loss of manhood. The macho language with which men cover their fear of weakness is a way of bonding with other men. The implicit or explicit attacks on women and gay men that underlie this language translate, in their most extreme forms, into actual violence. Murphy also believes, however, that awareness of these metaphorical power plays is the basis for behavioral change: "How we talk about ourselves as men can alter the way we live as men."

Denton Welch (1915–48) died at the age of thirty-three after a brief but brilliant career as a writer and painter. The revealing, poignant, impressionistic voice that buoys his novels was much praised by critics and literati in England and has since inspired creative artists from William S. Burroughs to John Waters. His achievements were all the more remarkable because he suffered from debilitating spinal and pelvic injuries incurred in a bicycle accident at age eighteen.

Though German bombs were ravaging Britain, Welch wrote in his published work about the idyllic landscapes and local people he observed in Kent. There, in 1943, he met and fell in love with Eric Oliver, a handsome, intelligent, but rather insecure "landboy"—an agricultural worker with the wartime Land Army. Oliver would become a companion, comrade, lover, and caretaker during the last six years of Welch's life. All fifty-one letters that Welch wrote to Oliver are collected and annotated here for the first time. They offer a historical record of life amidst the hardship, deprivation, and fear of World War II, and also are a timeless testament of one young man's tender and intimate emotions, his immense courage in adversity, and his continual struggle for love and creative existence.

This two-CD set is designed to accompany Discovering Albanian 1 Textbook. Featuring the voices of native speakers, the CDs include all of the dialogs, readings, and vocabulary in the textbook.

Approximately five million people worldwide speak Albanian. The opening of Albania in the 1990s to broader trading and diplomatic relations with other nations has created a need for better knowledge of the language and culture of this country. This book teaches the student to communicate in everyday situations in the language, with each chapter introducing a new situational context. Students learn to discuss work, vacations, health, and entertainment. Students also learn to practice basic skills such as shopping, ordering tickets, and renting an apartment. Upon completing this textbook, students will be at the A2/B1 level of proficiency on the scale provided by the Common European Framework of Reference for Languages (CEFR).
    The textbook includes:
• eighteen lessons based on real-life situations, including three review lessons
• dialogues to help introduce vocabulary and grammatical structures
• comprehension questions and exercises
• related readings at the end of each chapter
• full translations for all examples discussed in grammar sections
• a series of appendixes with numerous charts summarizing main classes of nouns, adjectives, and verbs
• an appendix with the solutions to most of the exercises in the book
• a glossary with all the words in the dialogs and readings.

A companion workbook offers a rich variety of graded practice exercises in grammar and vocabulary. A key to all the exercises is included at the end of the workbook.