front cover of Rise Up!
Rise Up!
Activism as Education
Amalia Dache
Michigan State University Press, 2019
We live at a time when the need for resistance has come front and center to international consciousness. Rise Up! Activism as Education works to advance theory and practice-oriented understandings of multiple forms of and relationships between racial justice activism and diverse and transnational educational contexts. Here contributors provide detailed accounts and examinations—historical and contemporary, local and international—of active resistance efforts aimed at transforming individuals, institutions, and communities to dismantle systems of racial domination. They explore the ways in which racial justice activism serves as public education and consciousness-raising and a form of education and resistance from those engaged in the activism. The text makes a case for activism as an educational concept that enables organizers and observers to gain important learning outcomes from on-the-ground perspectives as it explores racial justice activism, specifically in the context of community and campus activism, intersectional activism, and Black diasporic liberation. This volume is an essential handbook for preparing both students and activists to effectively resist.
[more]

front cover of Who is Buried in Chaucer's Tomb?
Who is Buried in Chaucer's Tomb?
Studies in the Reception of Chaucer's Book
Joseph A. Dane
Michigan State University Press, 1998
Joseph A. Dane examines the history of the books we now know as "Chaucer’s"—a history that includes printers and publishers, editors, antiquarians, librarians, and book collectors. The Chaucer at issue here is not a medieval poet, securely bound within his fourteenth-century context, but rather the product of the often chaotic history of the physical books that have been produced and marketed in his name.
     This history involves a series of myths about Chaucer—a reformist Chaucer, a realist Chaucer, a political and critical Chaucer who seems oddly like us. It also involves more self-reflective critical myths—the conveniently coherent editorial tradition that leads progressively to modern editions of Chaucer. Dane argues that the material background of these myths remains irreducibly and often amusingly recalcitrant. The great Chaucer monuments—his editions, his book, and even his tomb—defy our efforts to stabilize them with our critical descriptions and transcriptions.
     Part I concentrates on the production and reception of the Chaucerian book from the sixteenth to the eighteenth centuries, a period dominated by the folio "Complete Works" and a period that culminates in what Chaucerians have consistently (if uncritically) defined as the worst Chaucer edition of 1721. Part II considers the increasing ambivalence of modern editors and critics in relation to the book of Chaucer, and the various attempts of modern scholars to provide alternative sources of authority. 
 
[more]

front cover of Eight Mile High
Eight Mile High
Jim Ray Daniels
Michigan State University Press, 2014
In these linked stories, the constants are the places—from Eight Mile High, the local high school, to Eight Miles High, the local bar; from The Clock, a restaurant that never closes, to Stan’s, a store that sells misfit clothes. Daniels’s characters wander Detroit, a world of concrete, where even a small strip of greenery becomes a hideout for mystery and mayhem. Even when they leave town—to Scout camp, or Washington, DC, or the mythical Up North, they take with them  their hardscrabble working-class sensibilities and their determination to do what they must do to get by. With a survival instinct that includes a healthy dose of humor, Daniels’s characters navigate work and love, change and loss, the best they can. These characters don’t have the luxury of feeling sorry for themselves, even when they stumble. They dust themselves off and head back into the ring with another rope-a-dope wisecrack. These stories seem to suggest that we are always coming of age, becoming, trying to figure out what it means to be an adult in this world, attempting to figure out a way to forgive ourselves for not measuring up to our own expectations of what it means to lead a successful, happy life.
[more]

front cover of The Luck of the Fall
The Luck of the Fall
Jim Ray Daniels
Michigan State University Press, 2023
In The Luck of the Fall, characters get lost; they fall, but the falls shape their lives in ways that might even be called “lucky”—if luck is defined as survival, despite the scars left behind. They take consolation in their lack of prizes, in the clarity of their failures, while approaching the future with gallows humor and faith in cynicism. Some stories read like dramatic monologues in the longer play of lives along Eight Mile Road on the edge of Detroit, a landmark location throughout Daniels’s six other fiction collections. Among the looming hulks of abandoned factories, near-nihilistic lives struggle in the absence of the comforting shadows those factories provided. Some keep score, some don’t, as they search for validation, however brief, before the curtain comes down and anonymity returns. COVID shows up with its masked consequences, along with addiction, divorce, unwanted pregnancy, and mental illness. None of these characters fit in, but all are trying to keep from being squeezed out entirely. In The Luck of the Fall, the logic of the heart wins out, even as the characters are picking up the pieces of their broken lives, looking for something shiny called hope.
[more]

front cover of The Perp Walk
The Perp Walk
Jim Ray Daniels
Michigan State University Press, 2019
In The Perp Walk, his latest collection of linked stories, Daniels maps out the emotional capitals and potholes of coming of age in a blue-collar town in the Great Lakes State, though it could be any state where people work hard, play hard, and aren’t paid nearly enough for their efforts. Alternating flash fiction pieces with longer narratives, Daniels captures both the shooting stars and the constellations that build into earned insights and honest reflections. Sometimes we need both the long version of the short version and the short version of the long version, he suggests. Daniels invites his readers to settle on some truth in between the versions. Humor and heartbreak. Coming to terms, coming of age, or just plain aging. U-Haul trucks full of bad behavior and messy goodbyes. In Daniels’s work, the check is always in the mail but somehow never arrives, and honor is more than a certificate—it’s something we strive for, even while doing our various perp walks through life. Compromises are made, as they must be. Sometimes we get what we want for just a second or two, but for these characters, that has to be enough happiness to live on.
[more]

front cover of Trigger Man
Trigger Man
More Tales of the Motor City
Jim Ray Daniels
Michigan State University Press, 2011

Trigger Man is a superb collection of stories capturing the gritty spirit of Detroit and the sometimes grim circumstances of the characters shaped by its industry and economics. Grounded on the bleak streets of the Motor City, these stories also explore the mythical “Up North,” the idealized country of many Detroit workers’ fantasy—an escape from the concrete and metal reality of their daily lives. Daniels’ characters are resilient and defiant, inhabiting a world that has often placed them on the margins of society, scouring a declining region for spiritual providence. Building on Daniels’ earlier collections of stories, Trigger Man brings vivid life to individuals struggling both to remain in and to flee the city that once sustained them.

[more]

front cover of RESPECT
RESPECT
The Poetry of Detroit Music
Jim Daniels
Michigan State University Press, 2019
While there have been countless books written about Detroit, none have captured its incredible musical history like this one. This collection of poems and lyrics covers numerous genres including jazz, blues, doo-wop, Motown, classic rock, punk, hip-hop, and techno. Detroit artists have forged the paths in many of these genres, producing waves of creative energy that continue to reverberate across the country and around the world. While documenting and celebrating this part of Detroit’s history, this book captures the emotions that the music inspired in its creators and in its listeners. The range of contributors speaks to the global impact of Detroit’s music scene—Grammy winners, Pulitzer Prize winners, Rock and Roll Hall of Fame inductees, and poet laureates all come together in this rich and varied anthology, including such icons as Eminem, June Jordan, Fred “Sonic” Smith, Rita Dove, Jack White, Robbie Robertson, Paul Simon, Nikki Giovanni, Philip Levine, Sasha Frere-Jones, Patricia Smith, Billy Bragg, Andrei Codrescu, Toi Derricotte, and Cornelius Eady.
[more]

front cover of Detroit
Detroit
Race Riots, Racial Conflicts, and Efforts to Bridge the Racial Divide
Joe T. Darden
Michigan State University Press, 2013
Episodes of racial conflict in Detroit form just one facet of the city’s storied and legendary history, and they have sometimes overshadowed the less widely known but equally important occurrence of interracial cooperation in seeking solutions to the city’s problems. The conflicts also present many opportunities to analyze, learn from, and interrogate the past in order to help lay the groundwork for a stronger, more equitable future. This astute and prudent history poses a number of critical questions: Why and where have race riots occurred in Detroit? How has the racial climate changed or remained the same since the riots? What efforts have occurred since the riots to reduce racial inequality and conflicts, and to build bridges across racial divides? Unique among books on the subject, Detroit pays special attention to post-1967 social and political developments in the city, and expands upon the much-explored black-white dynamic to address the influx of more recent populations to Detroit: Middle Eastern Americans, Hispanic Americans, and Asian Americans. Crucially, the book explores the role of place of residence, spatial mobility, and spatial inequality as key factors in determining access to opportunities such as housing, education, employment, and other amenities, both in the suburbs and in the city.
[more]

front cover of Norwegians in Michigan
Norwegians in Michigan
Clifford Davidson
Michigan State University Press, 2010

In Norwegians in Michigan, Clifford Davidson shows how Norwegians took advantage of opportunities when they began settling in Michigan in the nineteenth century. Norwegians sailed Lake Michigan, joined the lumber trade, farmed the northwest part of the state, and mined copper and iron in the Upper Peninsula. At the same time, they brought a unique culture that came to be associated with Michigan and the Midwest. The first generations of Norwegians in Michigan maintained close cultural ties with their homeland. 
     Some Norwegian immigrants adjusted to life in a new land more quickly than others. Among these, according to Davidson, were engineers trained in Norway who developed Michigan's bridges, tunnels, and eventually even the cars that used them.
     Illustrated with photographs, maps, and documents, Norwegians in Michigan vividly chronicles a now-familiar pattern of immigrants' cultural understandings prodding and shaping the culture of an emerging region and nation.

[more]

front cover of Taking Care of Time
Taking Care of Time
Cortney Davis
Michigan State University Press, 2018
For poet and nurse practitioner Cortney Davis, the truth revealed through poetry is similar to what she has experienced in the heightened and urgent dramas that occur in health care—those suspended moments in which a dying heart might be revived or unbearable suffering relieved. We are vulnerable, her poems say, and we are dependent on one another—on the ways in which we care or fail to care for one another, in how we love or fail to love. In poems that are sensual, emotionally searing, and yet unfailingly tender, Davis shines a caregiver’s light on the most intimate details of the human body and the spirit within—how the flesh might betray, how it endures, and how ultimately it triumphs. 
[more]

front cover of Of This River
Of This River
Noah Davis
Michigan State University Press, 2020
In a stunning and visceral debut, Noah Davis ushers in a new era of poems from the Alleghenyregion of Appalachia. In chronicling the river valley’s human and more-than-human worlds through acts of modern myth making, Davis expands the scope of contemporary American poetry. This soulful meditation on a neglected region of America reveals a legacy of lingering violence to land and animal alike. In striking stories and scenes, Davis portrays the spiritual cost of deep poverty, the necessity to ask for forgiveness, and the joy in praising the beauty still found in the steep hollows. These poems will cling to you like water on the soles of your boots.
[more]

front cover of Coffin Honey
Coffin Honey
Todd Davis
Michigan State University Press, 2022
In Coffin Honey, his seventh book of poems, celebrated poet Todd Davis explores the many forms of violence we do to each other and to the other living beings with whom we share the planet. Here racism, climate collapse, and pandemic, as well as the very real threat of extinction—both personal and across ecosystems—are dramatized in intimate portraits of Rust-Belt Appalachia: a young boy who has been sexually assaulted struggles with dreams of revenge and the possible solace that nature might provide; a girl whose boyfriend has enlisted in the military faces pregnancy alone; and a bear named Ursus navigates the fecundity of the forest after his own mother’s death, literally crashing into the encroaching human world. Each poem in Coffin Honey seeks to illuminate beauty and suffering, the harrowing precipice we find ourselves walking nearer to in the twenty-first century. As with his past prize-winning volumes, Davis, whose work Orion Magazine likens to that of Wendell Berry and Mary Oliver, names the world with love and care, demonstrating what one reviewer describes as his knowledge of “Latin names, common names, habitats, and habits . . . steeped in the exactness of the earth and the science that unfolds in wildness.”
[more]

logo for Michigan State University Press
Ditch Memory
New and Selected Poems
Todd Davis
Michigan State University Press, 2024
In an age when many find themselves disconnected from the natural world, celebrated poet Todd Davis offers the possibilities of reconnection, of listening to the earth’s labored breathing, to the thoughts of other-than-human animals and the languages trees speak. In thirty new poems, and with ample selections from his previous seven books, Davis’s roots run deep in Rust-Belt Appalachia, attending to the harmed but healing landscape, the people whose lives are too often neglected, and the looming threat of climate collapse and extinction. Orion Magazine likens Davis’s work to Wendell Berry and Mary Oliver, as he continues to demonstrate what one reviewer describes as his knowledge of “Latin names, common names, habitats and habits . . . steeped in the exactness of the earth and the science that unfolds in wildness.” Known for both narrative and lyrical impulses, Davis asks readers to acknowledge their kinship with all living beings, which demands some grieving for past sins but also suggests a way toward restoration. With a Foreword by David James Duncan.
[more]

front cover of Fast Break to Line Break
Fast Break to Line Break
Poets on the Art of Basketball
Todd Davis
Michigan State University Press, 2012

If baseball is the sport of nostalgic prose, basketball’s movement, myths, and culture are truly at home in verse. In this extraordinary collection of essays, poets meditate on what basketball means to them: how it has changed their perspective on the craft of poetry; how it informs their sense of language, the body, and human connectedness; how their love of the sport made a difference in the creation of their poems and in the lives they live beyond the margins. Walt Whitman saw the origins of poetry as communal, oral myth making. The same could be said of basketball, which is the beating heart of so many neighborhoods and communities in this country and around the world. On the court and on the page, this “poetry in motion” can be a force of change and inspiration, leaving devoted fans wonderstruck.

[more]

front cover of In the Kingdom of the Ditch
In the Kingdom of the Ditch
Todd Davis
Michigan State University Press, 2013
In poetry that is at once accessible and finely crafted, Todd Davis maps the mysterious arc between birth and death, celebrating the beauty and pain of our varied entrances and exits, while taking his readers into the deep forests and waterways of the northeastern United States. With an acute sensibility for language unlike any other working poet, Davis captures the smallest nuances in the flowers, trees, and animals he encounters through a daily life spent in the field. Davis draws upon stories and myths from Christian, Transcendental, and Buddhist traditions to explore the intricacies of the spiritual and physical world we too often overlook. In celebrating the abundant life he finds in a ditch—replete with Queen Anne’s lace and milkweed, raspberries and blackberries, goldenrod and daisies—Davis suggests that life is consistently transformed, resurrected by what grows out of the fecundity of our dying bodies. In his fourth collection the poet, praised by The Bloomsbury Review, Arts & Letters, and many others, provides not only a taxonomy of the flora and fauna of his native Pennsylvania but also a new way of speaking about the sacred walk we make with those we love toward the ultimate mystery of death.
[more]

front cover of The Least of These
The Least of These
Todd Davis
Michigan State University Press, 2010

In his third collection of poems Todd Davis advises us that "the only corruption comes / in not loving this life enough." Over the course of this masterful and heartfelt book it becomes clear that Davis not only loves the life he's been given, but also believes that the ravishing desire of this world can offer hope, and even joy, however it might be negotiated.
     Drawing upon a range of stories from the Christian, Transcendental, and Asian traditions, as well as from his own deep understanding of the natural world, Davis explores the connection between the visible and invisible worlds, or what Pierre Teilhard de Chardin called "the incandescent surface of matter plunged in God." 
     A direct poetic descendant of Walt Whitman, Davis invites us to sing "the songs we collect in the hymnals of our flesh- / impromptu, a cappella, our mouths flung open / in a great wide O."

[more]

front cover of Native Species
Native Species
Todd Davis
Michigan State University Press, 2019
In his sixth book of poetry, Todd Davis, who Harvard Review declares is “unflinchingly candid and enduringly compassionate,” confesses that “it’s hard to hide my love for the pleasures of the earth.” In poems both achingly real and stunningly new, he ushers the reader into a consideration of the green world and our uncertain place in it. As he writes in “Dead Letter to James Wright,” “You said / you’d wasted your life. / I’m still not sure / what species I am.” To that end, Native Species explores what happens to us—to all of us, bear, deer, mink, trout, moose, girl, boy, woman, man—when we die, and what happens to the soul as it faces extinction—if it “migrates into the lives of other creatures, becomes a fox or frog, an ant in a colony serving a queen, a red salamander entering a pond before it freezes.” He wonders, too, “How many new beginnings are we granted?” It’s a beautiful question, and it freights, simultaneously, possibility and pain. These are the verses of a poet maturing into a new level of thinking, full of tenderness and love for the home that carries us all.
[more]

front cover of Winterkill
Winterkill
Todd Davis
Michigan State University Press, 2016
In Winterkill, Todd Davis, who, according to Gray’s Sporting Journal, “observes nature in the great tradition of Robert Frost, James Dickey, and Jim Harrison,” offers an unflinching portrait of the cycles of birth and death in the woods and streams of Pennsylvania, while never leaving behind the tragedies and joys of the human world. Fusing narrative and lyrical impulses, in his fifth book of poetry Davis seeks to address the living world through a lens of transformation. In poems of praise and sorrow that draw upon the classical Chinese rivers-and-mountains tradition, Davis chronicles the creatures of forest and sky, of streams and lakes, moving through cycles of fecundity and lack, paying witness to the fundamental processes of the earth that offer the possibility of regeneration, even resurrection. Meditations on subjects from native brook trout to the ants that scramble up a compost pile; from a young diabetic girl burning trash in a barrel to a neighbor’s denial of global warming; from an examination of the bone structure in a rabbit’s skull to a depiction of a boy who can name every bird by its far-off song, these are poems that both celebrate and lament the perfectly imperfect world that sustains us.
[more]

front cover of Flesh Becomes Word
Flesh Becomes Word
A Lexicography of the Scapegoat or, the History of an Idea
David Dawson
Michigan State University Press, 2013
Though its coinage can be traced back to a sixteenth-century translation of Leviticus, the term “scapegoat” has enjoyed a long and varied history of both scholarly and everyday uses. While WilliamTyndale employed it to describe one of two goats chosen by lot to escape the Day of Atonement sacrifices with its life, the expression was soon far more widely used to name victims of false accusation and unwarranted punishment. As such, the scapegoat figures prominently in contemporary theories of violence, from its elevation by Frazer to a ritual category in his ethnological opus The Golden Bough to its pivotal roles in projects as seemingly at odds as Jacques Derrida’s deconstruction of Western metaphysics and René Girard’s theory of cultural origins. A copiously researched and groundbreaking investigation of the expression in such wide use today, Flesh Becomes Word follows the scapegoat from its origins in Mesopotamian ritual across centuries of typological reflection on the meaning of Jesus’ death, to its first informal uses in the pornographic and plague literature of the 1600s, and finally into the modern era, where the word takes recognizable shape in the context of the New English Quaker persecution and proto-feminist diatribe at the close of the seventeenth century. The historical circumstances of its lexical formation prove rich in implications for current theories of the scapegoat and the making of the modern world alike.
[more]

front cover of Copper-Toed Boots
Copper-Toed Boots
Marguerite de Angeli
Michigan State University Press

front cover of Machado de Assis
Machado de Assis
Toward a Poetics of Emulation
João Cezar de Castro Rocha
Michigan State University Press, 2015
This book offers an alternative explanation for one of the core dilemmas of Brazilian literary criticism: the “midlife crisis” Machado de Assis underwent from 1878 to 1880, the result of which was the writing of The Posthumous Memoirs of Brás Cubas, as well as the remarkable production of his mature years—with an emphasis on his masterpiece, Dom Casmurro.

At the center of this alternative explanation, Castro Rocha situates the fallout from the success enjoyed by Eça de Queirós with the publication of Cousin Basílio and Machado’s two long texts condemning the author and his work. Literary and aesthetic rivalries come to the fore, allowing for a new theoretical framework based on a literary appropriation of “thick description,” the method proposed by anthropologist Clifford Geertz. From this method, Castro Rocha derives his key hypothesis: an unforeseen consequence of Machado’s reaction to Eça’s novel was a return to the classical notion of aemulatio, which led Machado to develop a “poetics of emulation.”
[more]

front cover of Shakespearean Cultures
Shakespearean Cultures
Latin America and the Challenges of Mimesis in Non-Hegemonic Circumstances
João Cezar de Castro Rocha
Michigan State University Press, 2019
In Shakespearean Cultures, René Girard’s ideas on violence and the sacred inform an innovative analysis of contemporary Latin America. Castro Rocha proposes a new theoretical framework based upon the “poetics of emulation” and offers a groundbreaking approach to understanding the asymmetries of the modern world. Shakespearean cultures are those whose self-perception originates in the gaze of a hegemonic Other. The poetics of emulation is a strategy developed in situations of asymmetrical power relations. This strategy encompasses an array of procedures employed by artists, intellectuals, and writers situated at the less-favored side of such exchanges, whether they be cultural, political, or economic in nature. The framework developed in this book yields thought-provoking readings of canonical authors such as William Shakespeare, Gustave Flaubert, and Joseph Conrad. At the same time, it favors the insertion of Latin American authors into the comparative scope of world literature, and stages an unprecedented dialogue among European, North American, and Latin American readers of René Girard’s work. 
[more]

front cover of Rethinking Rhetorical Theory, Criticism, and Pedagogy
Rethinking Rhetorical Theory, Criticism, and Pedagogy
The Living Art of Michael C. Leff
Antonio de Velasco
Michigan State University Press, 2016
What distinguishes the study of rhetoric from other pursuits in the liberal arts? From what realms of human existence and expression, of human history, does such study draw its defining character? What, in the end, should be the purposes of rhetorical inquiry? And amid so many competing accounts of discourse, power, and judgment in the contemporary world, how might scholars achieve these purposes through the attitudes and strategies that animate their work?
 
Rethinking Rhetorical Theory, Criticism, and Pedagogy: The Living Art of Michael C. Leff offers answers to these questions by introducing the central insights of one of the most innovative and prolific rhetoricians of the twentieth century, Michael C. Leff. This volume charts Leff ’s decades-long development as a scholar, revealing both the variety of topics and the approach that marked his oeuvre, as well as his long-standing critique of the disciplinary assumptions of classical, Hellenistic, renaissance, modern, and postmodern rhetoric.
 
Rethinking Rhetorical Theory, Criticism, and Pedagogy includes a synoptic introduction to the evolution of Leff ’s thought from his time as a graduate student in the late 1960s to his death in 2010, as well as specific commentary on twenty-four of his most illuminating essays and lectures.
 
 
[more]

front cover of Oedipus; or, The Legend of a Conqueror
Oedipus; or, The Legend of a Conqueror
Marie Delcourt
Michigan State University Press, 2020
Marie Delcourt’s brilliant study of the Oedipus legend, an unjustly neglected monument of twentieth-century classical scholarship published in 1944 and issued here for the first time in English translation, bridges the gap between Carl Robert’s influential Oidipus (1915) and the work of Lowell Edmunds seventy years later. Delcourt studies the legend in its various aspects, six episodes that have equal weight and that stress the same themes: greatness, conquest, domination, the right to rule—all of them bound up with the idea of kingship. Together they form the biography of a Theban hero, the fullest account that has come down to us about the prehistory of sovereign power among the ancient Greeks. Delcourt does not suppose that Oedipus, or indeed any other Greek hero, was a historical figure. The personality familiar to us from the plays of the tragedians of the fifth century—our oldest source, and a very late one—was the result of their extraordinary artistry in linking together themes rooted in very ancient social and religious rites that in the interval had come to describe the feats of Oedipus, then his life, and finally his character. It was in order to explain these rites, whose meaning had ceased to be understood, that myths and legends were invented in the first place. Oedipus, Delcourt argues, is the archetype of all heroes of essentially (if not exclusively) ritual origin, whose acts were prior to their person. This is a very different— and far more complex—Oedipus than the one rather implausibly imagined by Freud. More generally, the origin and transmission of the Oedipus legend tells us a great deal about the strength and persistence of public memories in prehistoric societies.
[more]

front cover of The Unauthorized Audubon
The Unauthorized Audubon
Laura B. DeLind
Michigan State University Press, 2014
In an age of experts and individualism, metrics and competition, The Unauthorized Audubon is something of an anachronism. In fact, its creators, printmaker Laura B. DeLind and poet Anita Skeen, never set out to produce a book at all when they began exchanging prints and poems, but something happened along the way. As they began to appreciate at a deeper level the skill involved in each other’s work, they began to find meaning in small things—a pattern, a memory, a carefully chosen word. In his essay “Plugging into Essential Sources,” Eric Booth introduces the concept of “response-ability.” He describes it as the capacity to connect with the artful work of another. It represents both our need and our promise to respond in an open, eager, and multi-sensual way to a world of possibility. Without this capacity we are crippled in our ability to imagine and to grow. This book is all about response-ability as experienced by the two artists and the visitors to an exhibit of their work at the Michigan State University Museum. This concept and activity animates the twenty-two bird-like spirits found herein, reminding us that there are other such spirits hovering expectantly just beyond the pages, simply waiting for the imagining.
[more]

front cover of The Offbeat
The Offbeat
Collecting Glances
Kristen DeMay
Michigan State University Press, 2005

The Offbeat is an independent literary series devoted to publishing a diverse collection of voices,and to promoting contactand discussion among Michigan writers. The Offbeat is run entirely by Michigan State University undergraduates, and is centered in East Lansing. Student editors encourage contributions by all individuals with a Michigan connection, past and present, visitor and resident, urban and rural, student and non-student alike. The Offbeat’s goal is to provide an alternative literary outlet for all Michigan writers.

 

[more]

front cover of The Offbeat
The Offbeat
Fully Clothed
Kristen DeMay
Michigan State University Press, 2006

The Offbeat is an independent literary series devoted to publishing a diverse collection of voices, and to promoting contact and discussion among Michigan writers. The Offbeat is run entirely by Michigan State University undergraduates, and is centered in East Lansing. Student editors encourage contributions by all individuals with a Michigan connection, past and present, visitor and resident, urban and rural, student and non student alike. The Offbeat’s goal is to provide an alternative literary outlet for all Michigan writers.

 

[more]

front cover of The Offbeat
The Offbeat
Tell Me Everything
Kristen DeMay
Michigan State University Press, 2007

The Offbeat is an independent literary series devoted to publishing a diverse collection of voices, and to promoting contactand discussion among Michigan writers. The Offbeat is run entirely by Michigan State University undergraduates, and is centered in East Lansing. Student editors encourage contributions by all individuals with a Michigan connection, past and present, visitor and resident, urban and rural, student and non-student alike. The Offbeat's goal is to provide an alternative literary outlet for all Michigan writers.

 

[more]

front cover of The Offbeat
The Offbeat
Unvarnished Voices
Kristen DeMay
Michigan State University Press, 2004

The Offbeat is a literary collection series devoted to publishing a diverse selection of voices and to promoting contact and discussion among writers. The Offbeat is run entirely by Michigan State University students, with the goal of providing an alternative literary outlet for Michigan writers.
     This edition contains work by Steven Rajewski, Erin Ashmore, Neil Kennedy, Victoria Henderson, Mary Helmic, Rebecca Klein, Jamie Miller, Ken Sleight, Laura Tisdel, and many others.

 

[more]

front cover of Mourning Animals
Mourning Animals
Rituals and Practices Surrounding Animal Death
Margo DeMello
Michigan State University Press, 2016
We live more intimately with nonhuman animals than ever before in history. The change in the way we cohabitate with animals can be seen in the way we treat them when they die. There is an almost infinite variety of ways to help us cope with the loss of our nonhuman friends—from burial, cremation, and taxidermy; to wearing or displaying the remains (ashes, fur, or other parts) of our deceased animals in jewelry, tattoos, or other artwork; to counselors who specialize in helping people mourn pets; to classes for veterinarians; to tips to help the surviving animals who are grieving their animal friends; to pet psychics and memorial websites. But the reality is that these practices, and related beliefs about animal souls or animal afterlife, generally only extend, with very few exceptions, to certain kinds of animals—pets. Most animals, in most cultures, are not mourned, and the question of an animal afterlife is not contemplated at all. Mourning Animals investigates how we mourn animal deaths, which animals are grievable, and what the implications are for all animals.
 
[more]

front cover of Half Wild
Half Wild
People, Dogs, and Environmental Policy
Dave Dempsey
Michigan State University Press, 2023
Humans and canines have been cohabitating for centuries, straddling a boundary that allows us to live together within and across our species. In this empathetic volume, author Dave Dempsey explores this life on the border, the overlapping planes between humans and the nonhuman world that lead to both magnificent creation and appalling destruction. Dempsey’s forty-year career as an environmentalist gives this book a nuanced context that could only be afforded by someone who has lived a half-wild existence himself, both defending and expanding the range of protections afforded to other species. As the former environmental advisor to Michigan Governor James J. Blanchard, Dempsey’s recollections also provide a unique perspective on the history of environmental policy, ruminating on how such policy reflects the way we understand ourselves in relation to the environment. Through vignettes that recall personal stories and those that outline historical events that influenced policymaking, Dempsey calls attention to the philosophical question of how we as humans relate to animals and our environment.
[more]

front cover of The Heart of the Lakes
The Heart of the Lakes
Freshwater in the Past, Present and Future of Southeast Michigan
Dave Dempsey
Michigan State University Press, 2019
The water corridor that defines southeast Michigan sits at the heart of the world’s largest freshwater ecosystem, the Great Lakes. Over forty-three trillion gallons of water a year flow through the Detroit River, providing a natural conduit for everything from fish migration to the movement of cargo-bearing one thousand–foot freighters, and a defining sense of place.  But in both government policies and individual practices, the freshwater at the heart of the lakes was long neglected and sometimes abused. Today southeast Michigan enjoys an opportunity to learn from that history and put freshwater at the center of a prosperous and sustainable future. Joining this journey downriver in place and time, from Port Huron to Monroe, from the 1600s to the present, provides insight and hope for the region’s water-based renaissance.
 
[more]

front cover of On the Brink
On the Brink
The Great Lakes in the 21st Century
Dave Dempsey
Michigan State University Press, 2004

As one of the world’s great natural treasures, the Great Lakes have also served in recent decades as an early warning system for many emerging environmental problems. In the early twenty-first century, as the Lakes face unprecedented challenges, we need to revisit both the wonder of the Lakes and the perils plaguing them, and to take action to protect this majestic ecosystem. 
     Dave Dempsey weaves the natural character and phenomena of the Great Lakes and stories of the schemes, calamities, and unusual human residents of the Basin with the history of their environmental exploitation and recovery. Contrasting the incomparable beauty and complexity of the Lakes, and the poetry, folklore, and citizen action they have inspired, with the disasters that short-sighted human folly has inflicted on the ecosystem, Dempsey makes this history both engaging and relevant to today’s debates and decisions.
     Underlying the neglectful treatment of the Lakes are two irreconcilable and faulty human assumptions: that the Lakes are a system so big that human beings cannot do great harm to it, and that the Lakes are a resource that can be bent to the will of humankind. Dempsey finds evidence that, despite great changes in the laws governing the Lakes and public attitudes toward them in the last fifty years, government policy and institutions are still dominated by these dangerous attitudes.
     A central theme of On the Brink is that citizens, who have displayed an increasing sense of commitment to the Lakes and a growing sense of place, must challenge their leaders to reform Great Lakes institutions. While everything from large-scale water exports to global climate change looms in the future of the Lakes, single-purpose solutions do not suffice—no more than a Band- aid would on a gaping wound. Dempsey shows that it is necessary to create a governing system that reflects the realities of life “on the ground” in communities and that taps into the passion and determination of citizens to protect these treasures.

[more]

front cover of Ink Trails II
Ink Trails II
Michigan's Famous and Forgotten Authors
Dave Dempsey
Michigan State University Press, 2016
From authors of bodice rippers and gallant figures to hometown poetry, hearty men, and tales of American originals, the history of literature in Michigan is deep and rich. The Wolverine State has been the birthplace, home, and inspiration to a tremendous number of men and women of letters, both the well-known and the obscure. Ink Trails II tells the stories of these fascinating and diverse writers whose talent is inextricably linked to Michigan.
Exploring the hidden treasures of otherwise forgotten authors while also acknowledging the Michigan-set stories of giants like Hemingway, Dave and Jack Dempsey delve into the state’s literary heritage, as robust, diverse, and inexhaustible as the natural beauty of the place that nurtured it. This second volume of “ink trails” continues to tell the story of the remarkable writers, powerful words, and sublime nature of Michigan in the same well-researched and entertaining prose as the first.
[more]

front cover of Ink Trails
Ink Trails
Michigan's Famous and Forgotten Authors
Dave Dempsey
Michigan State University Press, 2012

Long revered as the birthplace of many of the nation’s best-known authors, Michigan has also served as inspiration to countless others. In this entertaining and well-researched book—the first of its kind—the secrets, legends, and myths surrounding some of Michigan’s literary luminaries are explored. Which Michigan poet inspired a state law requiring teachers to assign at least one of his compositions to all students? Which young author emerged from the University of Michigan with a bestselling novel derided by some critics as “vulgar”? And from what Michigan city did Arthur Miller, Robert Frost, and Jane Kenyon draw vital inspiration? The answers to these questions and more are revealed in this rich literary history that highlights the diversity of those whose impact on letters has been indelible and distinctly Michiganian.

[more]

front cover of Conflicts Over Land & Water in Africa
Conflicts Over Land & Water in Africa
Cameroon, Ghana, Burkina Faso, West Africa, Sudan, South Africa, Zimbabwe, Kenya, Tanzania
Bill Derman
Michigan State University Press, 2007

This is an examination of the broader context for the re-emergence of land reform and resource conflicts in Africa. Efforts to change the race based systems of land ownership and land tenure in Namibia, South Africa, and Zimbabwe have pushed land issues to the forefront of social and economic discourses in Africa. This collection examines the broader context for the re-emergence of land reform and resource conflicts.
     The case studies examine the links between identity maintenance, tenurial changes, state intervention, and forms and modes of conflict. The authors emphasize the need for a deeper understanding of local histories, cultures, and motivations if efforts to attain a more just distribution of resources are to succeed. The book contributes to a field that has been developing rapidly in the decade since the publication of Melissa Leach and Robin Mearns' collection The Lie of the Land and Mahmood Mamdani's Citizen and Subject. Those two books started a wide ranging discussion of the political reasons for failed development in Africa, as well as the environmental and natural resource dimensions of that failure.

[more]

front cover of The Lieutenant of Kouta
The Lieutenant of Kouta
Massa Makan Diabaté
Michigan State University Press, 2017
The Lieutenant of Kouta is the first novel in Massa Makan Diabaté’s award-winning trilogy. Featuring an introduction by leading Diabaté scholar Cheick M. Chérif Keïta and Shane Auerbach, it tells the story, part tragicomic and part hagiographic, of an African lieutenant in the French Army who returns as a decorated hero from the battlefields of Europe to Kouta, a fictionalized version of the author’s own birthplace, the Malian town of Kita. Upon his return, Siriman Keita finds it difficult to adjust to village life as he navigates traditional customs in his attempts to create his place in the predominantly Muslim Kouta. The novel offers a rich and nuanced representation of Mali on the brink of independence; it is a tapestry of traditional Mandinka society and the French colonial apparatus, illustrating the dynamic interplay between the two. This text is, ultimately, a story of one man’s transformation coinciding with that of his country.
 
[more]

front cover of After the Bloodbath
After the Bloodbath
Is Healing Possible in the Wake of Rampage Shootings?
James D. Diamond
Michigan State University Press, 2019
As violence in the United States seems to become increasingly more commonplace, the question of how communities reset after unprecedented violence also grows in significance. After the Bloodbath examines this quandary, producing insights linking rampage shootings and communal responses in the United States. Diamond, who was a leading attorney in the community where the Sandy Hook Elementary School tragedy occurred, focuses on three well-known shootings and a fourth shooting that occurred on the Red Lake Indian Reservation in Minnesota. The book looks to the roots of Indigenous approaches to crime, identifying an institutional weakness in the Anglo judicial model, and explores adapting Indigenous practices that contribute to healing following heinous criminal behavior. Emerging from the history of Indigenous dispute resolution is a spotlight turned on to restorative justice, a subject no author has discussed to date in the context of mass shootings. Diamond ultimately leads the reader to a positive road forward focusing on insightful steps people can take after a rampage shooting to help their wounded communities heal.
[more]

front cover of Black/Gay
Black/Gay
The Harlem Renaissance, the Protest Era, and the Constructions of Black Gay Identity in the 1980s and 90s
Simon Dickel
Michigan State University Press, 2011

This book explores key texts of the black gay culture of the 1980s and ’90s. Starting with an analysis of the political discourse in anthologies such as In the Life and Brother to Brother, it identifies the references to the Harlem Renaissance and the Protest Era as common elements of black gay discourse. This connection to African American cultural and political traditions legitimizes black gay identity and criticizes the construction of gay identity as white. Readings of Isaac Julien’s Looking for Langston, Samuel R. Delany’s “Atlantis: Model 1924” and The Motion of Light in Water, Melvin Dixon’s Vanishing Rooms, Randall Kenan’s A Visitation of Spirits, and Steven Corbin’s No Easy Place to Be demonstrate how these strategies of signifying are used in affirmative, humorous, and ironic ways.

[more]

front cover of Copts in Michigan
Copts in Michigan
Eliot Dickinson
Michigan State University Press, 2008

The Copts, or Egyptian Christians, are a relatively small and tight-knit ethno-religious group, numbering perhaps three thousand people and living mostly in the Detroit metropolitan area. Since they began immigrating to Michigan in the mid-1960s, their community has grown exponentially.
     Granted exceptional access to the Coptic community, Eliot Dickinson provides the first in- depth profile of this unique and remarkably successful immigrant group. Drawing on personal interviews to infuse the book with warmth and depth. Copts in Michigan offers readers a compelling view into this vibrant community.

[more]

front cover of From Black to Schwarz
From Black to Schwarz
Cultural Crossovers Between African America and Germany
Maria I. Diedrich
Michigan State University Press, 2011
From Black to Schwarz explores the long and varied history of the exchanges between African America and Germany, with a particular focus on cultural interplay. Covering a wide range of media of expression—music, performance, film, scholarship, literature, visual arts, reviews—these essays trace and analyze a cultural interaction, collaboration, and mutual transformation that began in the eighteenth century, boomed during the Harlem Renaissance/Weimar Republic, survived the Third Reich’s “Degenerate Art” campaigns, and (with new media available to further exchanges), is still increasingly empowering and inspiring participants on both sides of the Atlantic.
[more]

front cover of Climate Change in the Great Lakes Region
Climate Change in the Great Lakes Region
Navigating an Uncertain Future
Thomas Dietz
Michigan State University Press, 2012

People living in the Great Lakes region are already feeling the effects of a changing climate. Shifts in seasonal temperatures and precipitation patterns could have dramatic impacts on the economy, ecology, and quality of life. In this illuminating and thorough volume, leading scholars address the challenge of preparing for climate change in the region, where decision makers from various sectors—government, agriculture, recreation, and tourism—must increasingly be aware of the need to incorporate climate change into their short- and long-term planning. The chapters in this revealing book, written by some of the foremost climate change scholars in North America, outline the major trends in the climate of the Great Lakes region, how humans might cope with the uncertainty of climate change impacts, and examples of on-the-ground projects that have addressed these issues.

[more]

front cover of Hidden in the Heartland
Hidden in the Heartland
The New Wave of Immigrants and the Challenge to America
Nancy Brown Diggs
Michigan State University Press, 2011

As other teens returned home from school, thirteen-year-old José Silva headed for work at a restaurant, where he would remain until 2:00 a.m. Francisca Herrera, a tomato picker, was exposed to pesticides while she was pregnant and gave birth to a baby without arms or legs. Silva and Herrera immigrated illegally to the United States, and their experiences are far from unique. In this comprehensive, balanced overview of the immigration crisis, Nancy Brown Diggs examines the abusive, unethical conditions under which many immigrants work, and explores how what was once a border problem now extends throughout the country. Drawing from a wide spectrum of sources, Hidden in the Heartland demonstrates how the current situation is untenable for both illegal immigrants and American citizens. A vivid portrait of the immigration crisis, the book makes a passionate case for confronting this major human rights issue—a threat to the very unity of the country.

[more]

front cover of The Beautiful Skin
The Beautiful Skin
Football, Fantasy, and Cinematic Bodies in Africa
Vlad Dima
Michigan State University Press, 2020
In this original and provocative study of contemporary African film and literature, Vlad Dima investigates the way that football and cinema express individual and collective fantasies, and highlights where football and cinema converge and diverge with regard to neocolonial fantasies. Shedding new light on both well-known and less familiar films by Mahamat-Saleh Haroun, Abderrahmane Sissako, Jean-Pierre Bekolo, Moussa Touré, Safi Faye, Cheick Doukouré, and Joseph Gaï Ramaka, among others, the study asks just whose fantasy is articulated in football and African cinema. Answering this question requires the exploration of body and identity issues, here through the metaphor of skin: fantasy as a skin; the football jersey as a skin; and ultimately film itself as a skin that has visual, aural, and haptic qualities. The neocolonial body is often depicted as suffering and in the process of being flattened or emptied. So frequently do African cinema and literature replicate this hollowed body, all skin as it were, that it becomes the very type of body that defines neocolonialism. Could the body of film—the depth of both characters and story within the cinematic skin—hold the key to moving into a post-neocolonial era, an era defined by “full” bodies and personal affirmation? This is the question Dima seeks to answer.
[more]

front cover of Meaninglessness
Meaninglessness
Time, Rhythm, and the Undead in Postcolonial Cinema
Vlad Dima
Michigan State University Press, 2023
For too long, the approach to seemingly universal experiences like love, death, and even time in film has been dominated by the Global North. But what if such explorations developed horizontally instead? Drawing from both European and African cultural theorists, including Gilles Deleuze and Wole Soyinka, Vlad Dima invites us to consider what happens to postcolonial African film if we no longer privilege the idea of time. How else might we understand the cinematic image, and how would its meanings change? Meaninglessness: Time, Rhythm, and the Undead in Postcolonial Cinema is a study of meaning and meaninglessness through the figure of the undead, beginning with francophone Africa and extending to postcolonial France. Through the analysis of films like Mati Diop’s Atlantics and Jean-Pierre Bekolo’s Miraculous Weapons, Dima shows how the African cinematic image may produce meaning without any attachment to European time, and how that meaning is connected instead to the philosophy of negritude and to the notion of rhythm. Meaninglessness introduces the concept of the rhythm-sequence as a new way to understand the African moving image.
[more]

front cover of The Knight and His Shadow
The Knight and His Shadow
Boubacar Boris Diop
Michigan State University Press, 2015
A brilliant tour de force, The Knight and His Shadow tells the tale of Lat-Sukabé’s quest to find his former lover, Khadidja, who writes him to “come before it’s too late.” As Lat-Sukabé recounts his past with Khadidja, reality shapeshifts and takes on a dreamlike quality. He describes how Khadidja is hired by a wealthy stranger to sit before an open door and tell stories into an uncertain darkness, unable to see the person to whom she speaks. Like Lat-Sukabé and Khadidja, the reader feels farther from home with every page, as the world turns and morphs. With those shifts, the symbolic order, the basis of meaning and sanity, begins to tremble. Postmodernist sensibilities meet postcolonial concerns in this lyrical novel from a master of Senegalese literature.
[more]

front cover of Doomi Golo—The Hidden Notebooks
Doomi Golo—The Hidden Notebooks
Boubacar Boris Diop
Michigan State University Press, 2016
The first novel to be translated from Wolof to English, Doomi Golo—The Hidden Notebooks is a masterful work that conveys the story of Nguirane Faye and his attempts to communicate with his grandson before he dies. With a narrative structure that beautifully imitates the movements of a musical piece, Diop relates Faye’s trauma of losing his only son, Assane Tall, which is compounded by his grandson Badou’s migration to an unknown destination. While Faye feels certain that his grandson will return one day, he also is convinced that he will no longer be alive by then. Faye spends his days sitting under a mango tree in the courtyard of his home, reminiscing and observing his surroundings. He speaks to Badou through his seven notebooks, six of which are revealed to the reader, while the seventh, the “Book of Secrets,” is highly confidential and reserved for Badou’s eyes only. In the absence of letters from Badou, the notebooks form the only possible means of communication between the two, carrying within them tunes and repetitions that give this novel its unusual shape: loose and meandering on the one hand, coherent and tightly interwoven on the other. Translated by Vera Wülfing-Leckie and El Hadji Moustapha Diop.
 
[more]

front cover of Crisis in Higher Education
Crisis in Higher Education
A Plan to Save Small Liberal Arts Colleges in America
Jeffrey R. Docking
Michigan State University Press, 2014
In 2005 Adrian College was home to 840 enrolled students and had a tuition income of $8.54 million. By fall of 2011, enrollment had soared to 1,688, and tuition income had increased to $20.45 million. For the first time in years, the small liberal arts college was financially viable. Adrian College experienced this remarkable growth during the worst American economy in seventy years and in a state ravaged by the decline of the big three auto companies. How, exactly, did this turnaround happen? Crisis in Higher Education: A Plan to Save Small Liberal Arts Colleges in America was written to facilitate replication and generalization of Adrian College’s tremendous enrollment growth and retention success since 2005. This book directly addresses the economic competitiveness of small four-year institutions of higher education and presents an evidence-based solution to the enrollment and economic crises faced by many small liberal arts colleges throughout the country.
[more]

front cover of Communication Convergence in Contemporary China
Communication Convergence in Contemporary China
International Perspectives on Politics, Platforms, and Participation
Patrick Shaou-Whea Dodge
Michigan State University Press, 2020
In a speech opening the nineteenth Chinese Communist Party Congress meeting in October 2017, President Xi Jinping spoke of a “New Era” characterized by new types of communication convergence between the government, Party, and state media. His speech signaled that the role of the media is now more important than ever in cultivating the Party’s image at home and disseminating it abroad. Indeed, communication technologies, people, and platforms are converging in new ways around the world, not just in China. This process raises important questions about information flows, control, and regulation that directly affect the future of US–China relations. Just a year before Xi proclaimed the New Era, scholars had convened in Beijing at a conference cohosted by the Communication University of China and the US-based National Communication Association to address these questions. How do China and the United States envision each other, and how do our interlinked imaginaries create both opportunities for and obstacles to greater understanding and strengthened relations? Would the convergence of new media technologies, Party control, and emerging notions of netizenship in China lead to a new age of opening and reform, greater Party domination, or perhaps some new and intriguing combination of repression and freedom? Communication Convergence in Contemporary China presents international perspectives on US–China relations in this New Era with case studies that offer readers informative snapshots of how these relations are changing on the ground, in the lived realities of our daily communication habits.
[more]

front cover of Those Who Belong
Those Who Belong
Identity, Family, Blood, and Citizenship among the White Earth Anishinaabeg
Jill Doerfler
Michigan State University Press, 2015
Despite the central role blood quantum played in political formations of American Indian identity in the late nineteenth and twentieth centuries, there are few studies that explore how tribal nations have contended with this transformation of tribal citizenship. Those Who Belong explores how White Earth Anishinaabeg understood identity and blood quantum in the early twentieth century, how it was employed and manipulated by the U.S. government, how it came to be the sole requirement for tribal citizenship in 1961, and how a contemporary effort for constitutional reform sought a return to citizenship criteria rooted in Anishinaabe kinship, replacing the blood quantum criteria with lineal descent. Those Who Belong illustrates the ways in which Anishinaabeg of White Earth negotiated multifaceted identities, both before and after the introduction of blood quantum as a marker of identity and as the sole requirement for tribal citizenship. Doerfler’s research reveals that Anishinaabe leaders resisted blood quantum as a tribal citizenship requirement for decades before acquiescing to federal pressure. Constitutional reform efforts in the twenty-first century brought new life to this longstanding debate and led to the adoption of a new constitution, which requires lineal descent for citizenship.
[more]

front cover of Centering Anishinaabeg Studies
Centering Anishinaabeg Studies
Understanding the World through Stories
Jill Doerfler
Michigan State University Press, 2013
For the Anishinaabeg people, who span a vast geographic region from the Great Lakes to the Plains and beyond, stories are vessels of knowledge. They are bagijiganan, offerings of the possibilities within Anishinaabeg life. Existing along a broad narrative spectrum, from aadizookaanag (traditional or sacred narratives) to dibaajimowinan (histories and news)—as well as everything in between—storytelling is one of the central practices and methods of individual and community existence. Stories create and understand, survive and endure, revitalize and persist. They honor the past, recognize the present, and provide visions of the future. In remembering, (re)making, and (re)writing stories, Anishinaabeg storytellers have forged a well-traveled path of agency, resistance, and resurgence. Respecting this tradition, this groundbreaking anthology features twenty-four contributors who utilize creative and critical approaches to propose that this people’s stories carry dynamic answers to questions posed within Anishinaabeg communities, nations, and the world at large. Examining a range of stories and storytellers across time and space, each contributor explores how narratives form a cultural, political, and historical foundation for Anishinaabeg Studies. Written by Anishinaabeg and non-Anishinaabeg scholars, storytellers, and activists, these essays draw upon the power of cultural expression to illustrate active and ongoing senses of Anishinaabeg life. They are new and dynamic bagijiganan, revealing a viable and sustainable center for Anishinaabeg Studies, what it has been, what it is, what it can be.
[more]

front cover of Playing Sociology
Playing Sociology
Theory and Games for Coping with Mimetic Crisis and Social Conflict
Martino Doni
Michigan State University Press, 2024
Play is a key part of human relationships, and we engage in it during every stage and in every facet of our lives. We develop games to include decision-making, risk, chance, competition, and cooperation, which mirror how we navigate social engagement in our everyday lives. In Playing Sociology: Theory and Games for Coping with Mimetic Crisis and Social Conflict, Martino Doni and Stefano Tomelleri employ gaming as a lens through which they analyze the underlying and sometimes hidden aspects of social relationships and conventions. They also provide five sociological games that can be played by teams in workplaces, classrooms, and other settings to encourage creative thinking and to create abstract ways to explore systemic or ongoing conflicts among group members. This research offers a new way to look at and participate in relational dynamics in both theory and practice.
[more]

front cover of Animals, Mind, and Matter
Animals, Mind, and Matter
The Inside Story
Josephine Donovan
Michigan State University Press, 2022
It’s no secret that animals are considered objects in the fields of law, commerce, and science, characterized as property and commodities. Animals, Mind, and Matter: The Inside Story challenges this ascription and establishes that animals are living subjects, who have minds and opinions of their own and care about what happens to them. Donovan contends that animals’ voices or standpoints should be part of any human decisions concerning their ethical treatment. Elaborating on feminist care theory and critical animal standpoint theory, the author provides compelling evidence for animal subjectivity, exploring in the process the nature of subjectivity and consciousness while drawing from recent developments in quantum and emergence theories that point away from the dominant ontology of Cartesian objectivism. Through these explorations, Donovan proposes that a new narrative is emerging in the arts and sciences—an inside story that re-subjectifies natural life and leaves behind the deadening Midas touch of Cartesian objectivism.
[more]

front cover of The World of René Girard
The World of René Girard
Interviews
Nadine Dormoy
Michigan State University Press, 2024
In 1988, Nadine Dormoy conducted a series of interviews with René Girard at a pivotal moment in his career, just after a number of books and conferences had situated his work in a new context of research on self-organizing systems. In these interviews, Girard discusses the flurry of intellectual activity that followed the landmark 1981 Stanford University conference, Disorder and Order. Attended by several Nobel prize winners and other important intellectual figures, this event expanded his reputation in Europe and laid the groundwork for later accolades, including the Modern Language Association’s Award for Lifetime Scholarly Achievement and being elected as a member of the Académie Française. Girard also discusses Theater of Envy, his then-forthcoming book on Shakespeare and his first book written in English, as well as corrects several misunderstandings of his mimetic hypothesis. Dormoy is a spirited interlocutor, like Girard a postwar émigré who came to make a new life for herself teaching French in American universities. Translated into English for the first time by leading mimetic studies scholar William A. Johnsen, The World of René Girard is a must-have for those new to and familiar with Girard’s work.
[more]

front cover of Settler City Limits
Settler City Limits
Indigenous Resurgence and Colonial Violence in the Urban Prairie West
Heather Dorries
Michigan State University Press, 2019
While cities like Winnipeg, Minneapolis, Saskatoon, Rapid City, Edmonton, Missoula, Regina, and Tulsa are places where Indigenous marginalization has been most acute, they have also long been sites of Indigenous placemaking and resistance to settler colonialism. Settler City Limits addresses urban struggles involving Anishinabek, Cree, Creek, Dakota, Flathead, Lakota, and Métis peoples. Collectively, these studies showcase how Indigenous people in the city resist ongoing processes of colonial dispossession and create spaces for themselves and their families. Working at intersections of Indigenous studies, settler colonial studies, urban studies, geography, and sociology, this book examines how the historical and political conditions of settler colonialism have shaped urban development in the Canadian Prairies and American Great Plains. Settler City Limits frames cities as Indigenous spaces and places, both in terms of the historical geographies of the regions in which they are embedded and with respect to ongoing struggles for land, life, and self-determination.
[more]

front cover of Stray Truths
Stray Truths
Selected Poems of Euphrase Kezilahabi
Annmarie Drury
Michigan State University Press, 2015
Stray Truths is a stirring introduction to the poetry of Euphrase Kezilahabi, one of Africa’s major living authors, published here for the first time in English. Born in 1944 on Ukerewe Island in Tanzania (then the Territory of Tanganyika), Kezilahabi came of age in the newly independent nation. His poetry confronts the task of postcolonial nation building and its conundrums, and explores personal loss in parallel with nationwide disappointments. Kezilahabi sparked controversy when he published his first poetry collection in 1974, introducing free verse into Swahili. His next two volumes of poetry (published in 1988 and 2008) confirmed his status as a pioneering and modernizing literary force. Stray Truths draws on each of those landmark collections, allowing readers to encounter the myriad forms and themes significant to this poet over a span of more than three decades. Even as these poems jettison the constraints of traditional Swahili forms, their use of metaphor connects them to traditional Swahili poetics, and their representational strategies link them to indigenous African arts more broadly. To date, translations of Swahili poetry have been focused on scholarly interpretations. This literary translation, in contrast, invites a wide audience of readers to appreciate the verbal art of this seminal modernist writer.
[more]

front cover of French Canadians in Michigan
French Canadians in Michigan
John P. DuLong
Michigan State University Press, 2001

As the first European settlers in Michigan, the French Canadians left an indelible mark on the place names and early settlement patterns of the Great Lakes State. Because of its importance in the fur trade, many French Canadians migrated to Michigan, settling primarily along the Detroit- Illinois trade route, and throughout the fur trade avenues of the Straits of Mackinac. When the British conquered New France in 1763, most Europeans in Michigan were Francophones. John DuLong explores the history and influence of these early French Canadians, and traces, as well, the successive 19th- and 20th-century waves of industrial migration from Quebec, creating new communities outside the old fur trade routes of their ancestors.

[more]

front cover of The Ambivalence of Scarcity and Other Essays
The Ambivalence of Scarcity and Other Essays
Paul Dumouchel
Michigan State University Press, 2014
First published in French in 1979, “The Ambivalence of Scarcity” was a groundbreaking work on mimetic theory. Now expanded upon with new, specially written, and never-before-published conference texts and essays, this revised edition explores René Girard’s philosophy in three sections: economy and economics, mimetic theory, and violence and politics in modern societies. The first section argues that though mimetic theory is in many ways critical of modern economic theory, this criticism can contribute to the enrichment of economic thinking. The second section explores the issues of nonviolence and misrecognition (méconnaissance), which have been at the center of many discussions of Girard’s work. The final section proposes mimetic analyses of the violence typical of modern societies, from high school bullying to genocide and terrorist attacks. Politics, Dumouchel argues, is a violent means of protecting us from our own violent tendencies, and it can at times become the source of the very savagery from which it seeks to protect us. The book’s conclusion analyzes the relationship between ethics and economics, opening new avenues of research and inviting further exploration. Dumouchel’s introduction reflects on the importance of René Girard’s work in relation to ongoing research, especially in social sciences and philosophy.
[more]

front cover of The Barren Sacrifice
The Barren Sacrifice
An Essay on Political Violence
Paul Dumouchel
Michigan State University Press, 2015
According to political theory, the primary function of the modern state is to protect its citizens—both from each other and from external enemies. Yet it is the states that essentially commit major forms of violence, such as genocides, ethnic cleansings, and large-scale massacres, against their own citizens. In this book Paul Dumouchel argues that this paradoxical reversal of the state’s primary function into violence against its own members is not a mere accident but an ever-present possibility that is inscribed in the structure of the modern state. Modern states need enemies to exist and to persist, not because they are essentially evil but because modern politics constitutes a violent means of protecting us against our own violence. If they cannot—if we cannot—find enemies outside the state, they will find them inside. However, this institution is today coming to an end, not in the sense that states are disappearing, but in the sense that they are increasingly failing to protect us from our own violence. That is why the violent sacrifices that they ask from us, in wars and even in times of peace, have now become barren.
[more]

front cover of How to Think About Catastrophe
How to Think About Catastrophe
Toward a Theory of Enlightened Doomsaying
Jean-Pierre Dupuy
Michigan State University Press, 2022
During the last century humanity acquired the ability to destroy itself. The direct approach to destruction can be seen in such facts as the ever-present threat of nuclear war, but we have also developed the capacity to do indirect harm by altering conditions necessary for survival, including the looming cloud of climate change. How can we look forward and work past the dire position we now find ourselves in to achieve a sustainable future? This volume presents a new way of thinking about the future as it examines catastrophe and the human response. It examines different kinds of catastrophes that range from natural (e.g., earthquakes) to industrial (e.g., Chernobyl) and concludes that the traditional distinctions between them are only becoming blurrier by the day. This book aims to build a general theory of catastrophes—a new form of apocalyptic thinking that is grounded in science and philosophy. An ethics for the sake of the future is what is required, which in turn necessitates a new metaphysics of temporality. If a way out of the imminent danger in which we find ourselves is to be found, we must first look to radically alter our ethics.
[more]

front cover of Economy and the Future
Economy and the Future
A Crisis of Faith
Jean-Pierre Dupuy
Michigan State University Press, 2014
A monster stalks the earth—a sluggish, craven, dumb beast that takes fright at the slightest noise and starts at the sight of its own shadow. This monster is the market. The shadow it fears is cast by a light that comes from the future: the Keynesian crisis of expectations. It is this same light that causes the world’s leaders to tremble before the beast. They tremble, Jean-Pierre Dupuy says, because they have lost faith in the future. What Dupuy calls Economy has degenerated today into a mad spectacle of unrestrained consumption and speculation. But in its positive form—a truly political economy in which politics, not economics, is predominant—Economy creates not only a sense of trust and confidence but also a belief in the open-endedness of the future without which capitalism cannot function. In this devastating and counterintuitive indictment of the hegemonic pretensions of neoclassical economic theory, Dupuy argues that the immutable and eternal decision of God has been replaced with the unpredictable and capricious judgment of the crowd. The future of mankind will therefore depend on whether it can see through the blindness of orthodox economic thinking.
[more]

front cover of A Short Treatise on the Metaphysics of Tsunamis
A Short Treatise on the Metaphysics of Tsunamis
Jean-Pierre Dupuy
Michigan State University Press, 2015
In 1755 the city of Lisbon was destroyed by a terrible earthquake. Almost 250 years later, an earthquake beneath the Indian Ocean unleashed a tsunami whose devastating effects were felt over a vast area. In each case, a natural catastrophe came to be interpreted as a consequence of human evil. Between these two events, two indisputably moral catastrophes occurred: Auschwitz and the bombing of Hiroshima and Nagasaki. And yet the nuclear holocaust survivors likened the horror they had suffered to a natural disaster—a tsunami.
Jean-Pierre Dupuy asks whether, from Lisbon to Sumatra, mankind has really learned nothing about evil. When moral crimes are unbearably great, he argues, our ability to judge evil is gravely impaired, and the temptation to regard human atrocity as an attack on the natural order of the world becomes irresistible. This impulse also suggests a kind of metaphysical ruse that makes it possible to convert evil into fate, only a fate that human beings may choose to avoid. Postponing an apocalyptic future will depend on embracing this paradox and regarding the future itself in a radically new way.
The American edition of Dupuy’s classic essay, first published in 2005, also includes a postscript on the 2011 nuclear accident that occurred in Japan, again as the result of a tsunami.
[more]

front cover of Michigan Salvage
Michigan Salvage
The Fiction of Bonnie Jo Campbell
Lisa DuRose
Michigan State University Press, 2023
Michigan Salvage is the first scholarly collection on celebrated writer Bonnie Jo Campbell, the author of two novels and three short story collections, including National Book Award finalist American Salvage (2009). Her writing captures a diverse and bustling rural America, brimming with complex characters who struggle with addiction, poverty, and land degradation—issues that have become, undeniably, part of the southwestern Michigan landscape that she calls home. The essays in this volume demonstrate many rich ways to approach Campbell’s writing, from historical and cultural overviews to essays examining the class and gender implications of her stories and novels, to teaching essays highlighting how to use her work in the classroom and beyond. Along with each essay, Michigan Salvage also features lesson plans and writing prompts meant to spark discussion and encourage further investigation into these stories and novels. This essential and teachable collection makes plain Campbell’s contributions to contemporary American literature.
[more]

front cover of From Curlers to Chainsaws
From Curlers to Chainsaws
Women and Their Machines
Joyce Dyer
Michigan State University Press, 2016
The twenty-three distinguished writers included in From Curlers to Chainsaws: Women and Their Machines invite machines into their lives and onto the page. In every room and landscape these writers occupy, gadgets that both stir and stymie may be found: a Singer sewing machine, a stove, a gun, a vibrator, a prosthetic limb, a tractor, a Dodge Dart, a microphone, a smartphone, a stapler, a No. 1 pencil and, of course, a curling iron and a chainsaw.
From Curlers to Chainsaws is a groundbreaking collection of lyrical and illuminating essays about the serious, silly, seductive, and sometimes sorrowful relationships between women and their machines. This collection explores in depth objects we sometimes take for granted, focusing not only on their functions but also on their powers to inform identity.
For each writer, the device moves beyond the functional to become a symbolic extension of the writer’s own mind—altering and deepening each woman’s concept of herself.
[more]


Send via email Share on Facebook Share on Twitter