These lively and penetrating essays by outstanding scholars of political communication examine President Clinton’s rhetorical work before he took the oath of office, presenting a unique perspective on the words and texts that brought him to the presidency and the dynamics of political media throughout the campaign. In these original, valuable, and deeply insightful interpretations, the success of Clinton as a public persuader and compelling orator is analyzed, as is the whole process of political communication in America at the end of the twentieth century.

Renowned for his fierce devotion to the people of Texas—as well as his equally fierce rages and unpredictable temper—Bob Bullock was the most powerful political figure in Texas at the end of the twentieth century. First elected to the Texas House of Representatives in 1956, Bullock held several key statewide posts before capturing the lieutenant governor's office in 1990. Though nominally the state's number two official, Bullock in fact became Texas's top power broker, wielding tremendous influence over the legislative agenda and state budget through the 1990s while also mentoring and supporting a future president—George W. Bush.

In this lively, yet thoroughly researched biography, award-winning journalists Dave McNeely and Jim Henderson craft a well-rounded portrait of Bob Bullock, underscoring both his political adroitness and his personal demons. They trace Bullock's rise through state government as Assistant Attorney General, Secretary of State, State Comptroller, and Lieutenant Governor, showing how he increased the power of every office he held. The authors spotlight Bullock's substantial achievements, which included hiring an unprecedented number of women and minorities, instituting a performance review to increase the efficiency of state agencies, restructuring the public school funding system, and creating the state's first water conservation and management plan.

This fascinating record chronicles Governor Bill Clinton’s 1992 bid for the presidency by gathering editorial cartoons from some of the nation’s premier magazines and newspapers. His meteoric rise from obscure origins as governor of a small southern state to his current position as the world’s most powerful head of state presents political cartoonists with a unique challenge.

For many people, in the United States and abroad, the dramas of the campaign created the character of Clinton. From the Gennifer Flowers debacle to Clinton’s
resurrection at the Democratic National Convention and the triumph of the election win, the incisive cartoons in this collection capture Clinton’s emerging image in a way that no written word can. The forty-five contributing artists use these cartoons to depict the breathtaking and colorful events that only a presidential campaign can produce and offer hours of entertainment for any reader.

Despite popular perceptions, presidents rarely succeed in persuading either the public or members of Congress to change their minds and move from opposition to particular policies to support of them. As a result, the White House is not able to alter the political landscape and create opportunities for change. Instead, successful presidents recognize and skillfully exploit the opportunities already found in their political environments. If they fail to understand their strategic positions, they are likely to overreach and experience political disaster.
 
Donald Trump has been a distinctive president, and his arrival in the Oval Office brought new questions. Could someone with his decades of experience as a self-promoter connect with the public and win its support? Could a president who is an experienced negotiator obtain the support in Congress needed to pass his legislative programs? Would we need to adjust the theory of presidential leadership to accommodate a president with unique persuasive skills?
 
Building on decades of research and employing extensive new data, George C. Edwards III addresses these questions. He finds that President Trump has been no different than other presidents in being constrained by his environment. He moved neither the public nor Congress. Even for an experienced salesman and dealmaker, presidential power is still not the power to persuade. Equally important was the fact that, as Edwards shows, Trump was not able to exploit the opportunities he had. In fact, we learn here that the patterns of the president’s rhetoric and communications and his approach to dealing with Congress ultimately lessened his chances of success. President Trump, it turns out, was often his own agenda’s undoing.

Steven Spielberg's extraordinary career redefined Hollywood, but his achievement goes far beyond shattered box office records. Rejecting the view of Spielberg as a Barnumesque purveyor of spectacle, Lester D. Friedman presents the filmmaker as a major artist who pairs an ongoing willingness to challenge himself with a widely recognized technical mastery.

This new edition of Citizen Spielberg expands Friedman’s original analysis to include films of the 2010s like Lincoln and Ready Player One. Breaking down the works by genre, Friedman looks at essential aspects of Spielberg’s art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker.

Incisive and discerning, Citizen Spielberg offers a career-spanning appraisal of a moviemaking icon.

Today the United States is fighting a "war" against terrorism, a military action whose definition will be a matter of controversy, particularly, if history is any guide, between Congress and the president. Throughout its history, the United States has grappled with the constitutional tension built into the conduct of its foreign affairs and the interpretation of the power to make war and use force abroad. Since the Cold War's end, the United States has had to navigate through a period of strategic ambiguity, where American national security interests are much less certain.

Ryan Hendrickson examines the behavior of the Clinton administration and Congress in dealing with the range of American military operations that occurred during the Clinton presidency. He uses a case-study approach, laying out the foreign background and domestic political controversies in separate chapters on Somalia, Haiti, Bosnia, Kosovo, and Iraq. Of special interest after the World Trade Center attacks is the chapter "Terrorism: Usama Bin Laden."

The author analyzes a number of factors that influence the domestic decision-making process. We see the president relying on congressional consultation and approval during periods of political or personal weakness, and, conversely, in better times we see a president with a freer hand. Also influential is the ability of the public to comprehend and support the reasons for a particular action, with troops in Bosnia requiring more explanation than cruise missiles over Baghdad. Consideration is given to the relevance and effectiveness of the War Powers Resolution of 1973, a Watergate-era attempt by Congress to restore what it perceived to be its legitimate constitutional role in the decision to use force abroad.

Beginning with Lost Highway, director David Lynch “swerved” in a new direction, one in which very disorienting images of the physical world take center stage in his films. Seeking to understand this unusual emphasis in his work, noted Lynch scholar Martha Nochimson engaged Lynch in a long conversation of unprecedented openness, during which he shared his vision of the physical world as an uncertain place that masks important universal realities. He described how he derives this vision from the Holy Vedas of the Hindu religion, as well as from his layman’s fascination with modern physics.

With this deep insight, Nochimson forges a startlingly original template for analyzing Lynch’s later films—the seemingly unlikely combination of the spiritual landscape envisioned in the Holy Vedas and the material landscape evoked by quantum mechanics and relativity. In David Lynch Swerves, Nochimson navigates the complexities of Lost Highway, The Straight Story, Mulholland Drive, and Inland Empire with uncanny skill, shedding light on the beauty of their organic compositions; their thematic critiques of the immense dangers of modern materialism; and their hopeful conceptions of human potential. She concludes with excerpts from the wide-ranging interview in which Lynch discussed his vision with her, as well as an interview with Columbia University physicist David Albert, who was one of Nochimson’s principal tutors in the discipline of quantum physics.

"This investigation tries to understand why many Evangelical pastors were blamed for endorsing Trump when, in fact, most did not. This book joins other attempts by scholars and journalists to analyze the relationship between Trump and Evangelicals. Recommended.” —CHOICE

Tracing the digital narratives that shaped evangelical identity in a pivotal political moment.

As a political constituency, white conservative evangelicals are generally portrayed as easy to dupe, disposed to vote against their own interests, and prone to intolerance and knee-jerk reactions. In Decoding the Digital Church: Evangelical Storytelling and the Election of Donald J. Trump, Stephanie A. Martin challenges this assumption and moves beyond these overused stereotypes to develop a refined explanation for this constituency’s voting behavior.

This volume offers a fresh perspective on the study of religion and politics and stems from the author’s personal interest in the ways her experiences with believers differ from how scholars often frame this group’s rationale and behaviors. To address this disparity, Martin examines sermons, drawing on her expertise in rhetoric and communication studies with the benefits of ethnographic research in an innovative hybrid approach she terms a “digital rhetorical ethnography.” Martin’s thorough research surveys more than 150 online sermons from America’s largest evangelical megachurches in 37 different states. Through listening closely to the words of the pastors who lead these conservative congregations, Martin describes a gentler discourse less obsessed with issues like abortion or marriage equality than stereotypes of evangelicals might suggest. Instead, the politicaleconomic sermons and stories from pastors encourage true believers
to remember the exceptional nature of the nation’s founding while also deemphasizing how much American citizenship really means.

Martin grapples with and pays serious, scholarly attention to a seeming contradiction: while the large majority of white conservative evangelicals voted in 2016 for Donald J. Trump, Martin shows that many of their pastors were deeply concerned about the candidate, the divisive nature of the campaign, and the potential effect of the race on their congregants’ devotion to democratic process itself. In-depth chapters provide a fuller analysis of our current political climate, recapping previous scholarship on the history of this growing divide and establishing the groundwork to set up the dissonance between the political commitments of evangelicals and their faith that the rhetorical ethnography addresses.

A little-known fact about the prominent US psychologist and educator Carl E. Seashore (1866–1949) is that he was deeply involved in the American eugenics movement. He was among the US academics to support eugenics long before German Nazis embraced it. A titan in a host of disciplines and a proponent of radical education reform, Seashore used his positional power to promote a constellation of education reforms consistent with central precepts of eugenics. Many of these reforms, including tracking, gifted and talented programs, and high-stakes standardized testing, were adopted and remain standard practice in the United States today. He promulgated the idea that musical talent is biologically inheritable, and he developed the first standardized tests of musical talent; these tests were used by early-twentieth-century researchers in their attempts to determine whether there are race differences in musical talent. Seashore’s ideas and work profoundly shaped music education’s research trajectory, as well as enduring “commonsense” beliefs about musical ability. An intersectional analysis, “Destined to Fail” focuses on the relationship between eugenics and Seashore’s views on ability, race, and gender. Koza concludes that Seashore promoted eugenics and its companion, euthenics, because he was a true believer. She also discusses the longstanding silences surrounding Seashore’s participation in eugenics. As a diagnosis and critique of the present, “Destined to Fail” identifies resemblances and connections between past and present that illustrate the continuing influence of eugenics—and the systems of reasoning that made early-twentieth-century eugenics imaginable and seem reasonable—on education discourse and practice today. It maps out discursive, citational, and funding connections between eugenicists of the early twentieth-century and contemporary White supremacists; this mapping leads to some of Donald Trump’s supporters and appointees.

The trajectory of Don Gummer's career as a sculptor began in New York City in the late 1970s with his wall reliefs of painted wood, carefully layered geometric works exhibiting a strong architectural influence. Moving beyond wood to stone, bronze, stainless steel, aluminum, and glass as his primary materials, his artworks evolved into subtly inventive freestanding sculptures, often of monumental scale, that exhibit his unfailing attention to craftsmanship and detail.

In a 2001 interview with Peter Plagens, American artist and art critic, Gummer described his interest in sculpture as "the recontextualization of natural phenomena, of unaltered things brought into aesthetic balance by choosing and placing." Using balance, proportion, and his unique sense of harmony, the artist is able to make durable materials seem almost buoyant. Negative space becomes an intrinsic element in his work, imparting a sense that his exquisite, seemingly permanent forms are ultimately as fleeting as any of nature's creations would be. The Artist Book Foundation is delighted to present Don Gummer, a new monograph on the artist and his highly acclaimed body of work.

This definitive synthesis of mathematician Gregory Margulis’s research brings together leading experts to cover the breadth and diversity of disciplines Margulis’s work touches upon.
 
This edited collection highlights the foundations and evolution of research by widely influential Fields Medalist Gregory Margulis. Margulis is unusual in the degree to which his solutions to particular problems have opened new vistas of mathematics; his ideas were central, for example, to developments that led to the recent Fields Medals of Elon Lindenstrauss and Maryam Mirzhakhani. Dynamics, Geometry, Number Theory introduces these areas, their development, their use in current research, and the connections between them. Divided into four broad sections—“Arithmeticity, Superrigidity, Normal Subgroups”; “Discrete Subgroups”; “Expanders, Representations, Spectral Theory”; and “Homogeneous Dynamics”—the chapters have all been written by the foremost experts on each topic with a view to making them accessible both to graduate students and to experts in other parts of mathematics. This was no simple feat: Margulis’s work stands out in part because of its depth, but also because it brings together ideas from different areas of mathematics. Few can be experts in all of these fields, and this diversity of ideas can make it challenging to enter Margulis’s area of research. Dynamics, Geometry, Number Theory provides one remedy to that challenge.

Not long after her father died, Afsaneh Najmabadi discovered that her father had a secret second family and that she had a sister she never knew about. In Familial Undercurrents, Najmabadi uncovers her family’s complex experiences of polygamous marriage to tell a larger story of the transformations of notions of love, marriage, and family life in mid-twentieth-century Iran. She traces how the idea of “marrying for love” and the desire for companionate, monogamous marriage acquired dominance in Tehran’s emerging urban middle class. Considering the role played in that process by late nineteenth- and early twentieth-century romance novels, reformist newspapers, plays, and other literature, Najmabadi outlines the rituals and objects---such as wedding outfits, letter writing, and family portraits---that came to characterize the ideal companionate marriage. She reveals how in the course of one generation men’s polygamy had evolved from an acceptable open practice to a taboo best kept secret. At the same time, she chronicles the urban transformations of Tehran and how its architecture and neighborhood social networks both influenced and became emblematic of the myriad forms of modern Iranian family life.

Originally published in 1970, Raymond Mungo's picaresque account of his adventures with Liberation News Service in the wild years of 1967 and 1968 has been variously described as youthful, passionate, lyrical, demented, and an iconic symbol of the sixties counterculture. A review in The Nation described it as “hip Huck Finn.”

A college editor at the height of the Vietnam War, Mungo found himself smack in the middle of a mad swirl of activism and dissent, vigorously protesting everything from the draft to abortion laws to the university itself. Then he connected with Marshall Bloom to cofound LNS in Washington, D.C., as a news service catering to the burgeoning underground press. One thing led to another, until LNS, like so many other radical organizations, eventually disintegrated into violently warring factions. Mungo's memoir tracks its development and destruction with wicked humor and literary panache.

In an introduction to this new edition, John McMillian discusses the enduring appeal of Famous Long Ago and situates it within its broader historical context, while the author provides his own retrospective take in a new afterword.

From Protest to President describes an inspirational odyssey of a young, Black activist coming of age in Mississippi and Chicago in the tumultuous 1960s and '70s, culminating in a notable thirty-five-year presidency at Thomas Edison State University.  
 
From barbershop encounters with Malcolm X to death threats at Illinois State University and gunfire at Towson State, Pruitt provides a powerful narrative poised at the intersection of social justice, higher education and politics. He recounts leadership experiences at HBCUs and public universities across the country, as he advocated for autonomy at Morgan State and fought to preserve Tennessee State University.  
 
His steadfast activism, integrity and courage led to groundbreaking work in providing access to higher education for working adults and the military.
 
From his days as a student protester in high school and college to his appearances on Capitol Hill, Pruitt has earned the reputation as a candid and influential leader in higher education.  

 

From the Mines to the Streets draws on the life of Félix Muruchi to depict the greater forces at play in Bolivia and elsewhere in South America during the last half of the twentieth century. It traces Félix from his birth in an indigenous family in 1946, just after the abolition of bonded labor, through the next sixty years of Bolivia's turbulent history. As a teenager, Félix followed his father into the tin mines before serving a compulsory year in the military, during which he witnessed the 1964 coup d'état that plunged the country into eighteen years of military rule. He returned to work in the mines, where he quickly rose to become a union leader. The reward for his activism was imprisonment, torture, and exile. After he came home, he participated actively in the struggles against neoliberal governments, which led in 2006—the year of his sixtieth birthday—to the inauguration of Evo Morales as Bolivia's first indigenous president.

The authors weave Muruchi's compelling recollections with contextual commentary that elucidates Bolivian history. The combination of an unforgettable life story and in-depth text boxes makes this a gripping, effective account, destined to become a classic sourcebook.

One woman’s quest for knowledge of her father lost at sea

Mary Lee Coe Fowler was a posthumous child, born after her father, a submarine skipper in the Pacific, was lost at sea in 1943. Her mother quickly remarried into a difficult and troubled relationship, and Mary Lee’s biological father was never mentioned. It was not until her mother died and Mary Lee was a middle-aged adult that she set out to learn not only who her father was, but what happened to him and his crew, and why—and also to confront why she had shied away from asking these questions until it was nearly too late.

Fowler searched through old ships’ logs, letters, and naval communiqués; visited submarine museums, the Naval Academy, and other pertinent sites; interviewed old friends and crew members who knew her dad and mom or served concurrently; and slowly reconstructed the world in which they lived. Beautifully written, Fowler’s memoir reveals what she eventually learned: of the perils and harships of submarine service in wartime, of the tragic irony of how her father’s sub was probably lost, and of the long-term damage experienced by the families of those who do not come home from war.

A brief biography of George W. Bush for young readers.

Louann Temple is a lifelong Texan with a personal passion for arts and education who believes that biography, with its emphasis on personalities, is ideal for introducing young people to history, with its focus on events. Temple is uniquely situated to write this biography for young readers, as she has been personally acquainted with many important people in presidential history, President George W. Bush included, and she has mentored countless middle and high school students, preparing them for college admission.

George W. Bush highlights the key events in the life of the forty-third president; explores the life lessons afforded by his legacy; and reflects on the broad historical issues during his time in the White House as president from 2001 to 2009. George W. Bush’s legacy as president is significant as he guided America through the events of 9/11. Enhanced with a carefully curated selection of black and white photographs from three presidential libraries, this biography for beginning historians is poised to bring the best of biography and history to a new generation of readers.

The extraordinary Swahili poetry collection Sauti ya Dhiki (Voice of Agony), is a collection of prison poems composed by Abdilatif Abdalla between 1969 and 1972. He originally wrote the poems while incarcerated by the government of Jomo Kenyatta for sedition as a result of his political activism and smuggled them out of prison on scraps of paper. Imaginative Vision is the first complete literary translation into English—translated by the late Kenyan novelist and scholar Ken Walibora Waliaula and edited by Annmarie Drury—of one of the most esteemed and influential collections of Swahili poetry of the twentieth century. 

Yet, Imaginative Vision is also something more. Even as it centers on a literary translation of a singularly beautiful and influential book of poetry, it tells English-language readers the story of that book. Supporting materials illuminate the circumstances of its inception when Abdilatif, aged 22, was arrested and tried. They explore what the volume meant to its first readers and its affiliations with subsequent extraordinary works of prison literature by Alamin Mazrui and Ngũgĩ wa Thiong’o. They trace its links to literary art of the past, including the nineteenth-century poet Muyaka bin Haji, and to writing that followed. And they explain social and historical aspects of the Swahili coastal world that nurtured Abdilatif’s political engagement and stunning verbal art. Under the editorship of scholar, translator, and poet Annmarie Drury, contributors bring insights from their diverse backgrounds to present contextualizing material that illuminates the poems at the heart of this book.

The contributors to Kin draw on the work of anthropologist Deborah Bird Rose (1946–2018), a foundational voice in environmental humanities, to examine the relationships of interdependence and obligation between human and nonhuman lives. Through a close engagement over many decades with the Aboriginal communities of Yarralin and Lingara in northern Australia, Rose’s work explored possibilities for entangled forms of social and environmental justice. She sought to bring the insights of her Indigenous teachers into dialogue with the humanities and the natural sciences to describe and passionately advocate for a world of kin grounded in a profound sense of the connectivities and relationships that hold us together. Kin’s contributors take up Rose’s conceptual frameworks, often pushing academic fields beyond their traditional objects and methods of study. Together, the essays do more than pay tribute to Rose’s scholarship; they extend her ideas and underscore her ongoing critical and ethical relevance for a world still enduring and resisting ecocide and genocide.

Contributors. The Bawaka Collective, Matthew Chrulew, Colin Dayan, Linda Payi Ford, Donna Haraway, James Hatley, Owain Jones, Stephen Muecke, Kate Rigby, Catriona (Cate) Sandilands, Isabelle Stengers, Anna Tsing, Thom van Dooren, Kate Wright

The 2016 election saw more Latino votes than the record voter turnout of the 2012 election. The essays in this volume provide a highly detailed analysis of the state and national impact Latino voters had in what will be remembered as one of the biggest surprises in presidential election history. Contrary to much commentary, Latino voters increased their participation rates in all states beyond the supposed peak levels that they attained in 2012. Moreover, they again displayed their overwhelming support of Democratic candidates and even improved their Democratic support in Florida. Nonetheless, their continued presence and participation in national elections was not sufficient to prevent the election of Donald Trump, the Republican presidential candidate who vilified Latinos and especially Latino immigrants. Each essay provides insights as to how these two competing realities coexist, while the conclusion addresses the implications of this coexistence for the future of Latinos in American politics.

Nevada Wolf Pack football coach Chris Ault is unlike any other college football coach in history. He spent his entire coaching career, from 1976 to 2012, at the University of Nevada, Reno, where he elevated a football program with very little notoriety onto the national stage, winning 234 games and earning a place in the College Football Hall of Fame. Ault’s innovative “Pistol” offense, established in the 2004–2005 season, revolutionized college football and ushered in its modern high-scoring offensive style. 

Yet perhaps beyond the offensive genius Ault brought to the college game, he was also a masterful showman. He built interest in a previously moribund program with publicity stunts like inviting military tanks into Mackay Stadium and having them blast non-live rounds into the sky whenever the Wolf Pack scored a touchdown. He wrote victory songs for the Wolf Pack to sing in the locker room following every win. His teams marched through downtown Reno in military formation while wearing full game uniforms. He delivered stirring halftime speeches that led to improbable comebacks, including the single greatest football comeback in NCAA history. He found common personal ground with young Wolf Pack athletes and developed talent like Colin Kaepernick, who developed into one of the greatest college quarterbacks the sport had ever seen. 

Through his unconventional coaching methods, his fervent belief that the University of Nevada, Reno, was the finest institution of higher learning in the land, and his innate, creative, and intuitive understanding of how a winning football program can unite people, Ault brought the people of Northern Nevada together in a way that no one has replicated since. Chris Ault was the rare college football coach who came to campus as a starting quarterback, stayed throughout his career as a coach, and left a mark that will never be equaled.

Blake's adventurous essays—her Letters from Togo—are based on the letters she wrote to her friends from Lomé, the West African capital where she spent a Fulbright year teaching American literature from 1983 to 1984. As Blake begins the process of making sense out of a vibrant, seeming anarchy, we are pulled along with her into the heart of Togo—a tiny dry strip of a country no one can even find on a map.

With her delightful prose and insight for detail Blake introduces us to Mahouna, her housekeeper, who runs a cold drink business from his refrigerator in a country where electricity is unreliable; to American Lee Ann and her Togolese family, who works at the American school to earn the fees for a private education for her children; and to the suave René, wearing silk shirts and a most seductive smile, who teeters on the edge of the Togolese and expatriate worlds.

Since Lomé is both an overgrown village and a cosmopolitan city, Blake's exhilarating, often humorous experiences range from buying a car to attending a traditional tom-tom funeral, from visiting people who hunt with bows and arrows to enduring faculty meetings, from negotiating the politics of buying produce to lecturing on Afro-American literature at the English Club. Together, her enlivening letters trace the pattern of adjusting to a foreign environment and probe the connections between Africa and this curious, energetic American. Not "out of Africa" but within it, they take advantage of time and perspective to penetrate the universal experience of being a stranger in a strange land.

As one of the most influential contemporary film scholars, Linda Williams brought her critical feminist lens to some of society’s most maligned and underappreciated film genres. Melodrama as Provocateur showcases what was to be Williams's last project in which, insisting on melodrama as a cross-generic, cross-media mode, she investigates the divergence between French and American attitudes to film melodrama. A diverse group of scholars respond to her provocations, rethinking melodrama’s transnational, transmedia histories and potential futures. Their contributions examine how melodrama became, as Williams argues, the default mode of contemporary media, and demonstrate how it plays an increasingly powerful role in public discourse and political rhetoric today.

Essential reading for scholars and students interested in sociology and biblical studies

In this collection scholars of biblical texts and rabbinics engage the work of Barry Schwartz, Professor Emeritus in the Department of Sociology at the University of Georgia. Schwartz provides an introductory essay on the study of collective memory. Articles that follow integrate his work into the study of early Jewish and Christian texts. The volume concludes with a response from Schwartz that continues this warm and fruitful dialogue between fields.

Features:

• Articles that integrate the study of collective memory and social psychology into religious studies
• Essays from Barry Schwartz
• Theories applied rather than left as abstract principles

Throughout American history, presidents have shown a startling power to act independently of Congress and the courts. On their own initiative, presidents have taken the country to war, abolished slavery, shielded undocumented immigrants from deportation, declared a national emergency at the border, and more, leading many to decry the rise of an imperial presidency. But given the steep barriers that usually prevent Congress and the courts from formally checking unilateral power, what stops presidents from going it alone even more aggressively?  The answer, Dino P. Christenson and Douglas L. Kriner argue, lies in the power of public opinion.

With robust empirical data and compelling case studies, the authors reveal the extent to which domestic public opinion limits executive might. Presidents are emboldened to pursue their own agendas when they enjoy strong public support, and constrained when they don’t, since unilateral action risks inciting political pushback, jeopardizing future initiatives, and further eroding their political capital. Although few Americans instinctively recoil against unilateralism, Congress and the courts can sway the public’s view via their criticism of unilateral policies. Thus, other branches can still check the executive branch through political means. As long as presidents are concerned with public opinion, Christenson and Kriner contend that fears of an imperial presidency are overblown.

This engaging work by legal scholar Arnold Rochvarg presents a narrative history of the mid-1960s civil rights movement centered around the experiences of a white woman from Philadelphia, Pennsylvania, who quit college to join the movement and became involved with many of the important events and persons of the day.
 
Rochvarg, the cousin of the woman around whom the narrative revolves, had for over fifty years been intrigued by the mystery surrounding the seven-year disappearance of his cousin Iris during the 1960s. Once he finally approached her about her rumored involvement in the civil rights movement, she generously shared her experiences with him and arranged for him to meet others with whom she had worked. His book corroborates and enhances the stories he was told through traditional research based on primary and secondary sources.  
 
More than a review of significant events of the mid-1960s, No One Ever Asked is also the story of the challenges and sacrifices of young civil rights workers both Black and white, young persons who not only faced violence and personal harm, but in many cases became estranged from their families because of their involvement in the movement. Rochvarg approaches history from the “bottom-up,” focusing on persons whose stories have never been told but have something to add to an understanding of the history of the movement. Many of them, even sixty years later, have never shared their stories because, as in the case of the central character of this book, no one ever asked them.
 

Filmmaker David Lynch asserts that when he is directing, ninety percent of the time he doesn't know what he is doing. To understand Lynch's films, Martha Nochimson believes, requires a similar method of being open to the subconscious, of resisting the logical reductiveness of language. In this innovative book, she draws on these strategies to offer close readings of Lynch's films, informed by unprecedented, in-depth interviews with Lynch himself.

Nochimson begins with a look at Lynch's visual influences—Jackson Pollock, Francis Bacon, and Edward Hopper—and his links to Alfred Hitchcock and Orson Welles, then moves into the heart of her study, in-depth analyses of Lynch's films and television productions. These include Twin Peaks: Fire Walk with Me, Wild at Heart, Twin Peaks, Blue Velvet, Dune, The Elephant Man, Eraserhead, The Grandmother, The Alphabet, and Lynch's most recent, Lost Highway.

Nochimson's interpretations explode previous misconceptions of Lynch as a deviant filmmaker and misogynist. Instead, she shows how he subverts traditional Hollywood gender roles to offer an optimistic view that love and human connection are really possible.

“I am the Chosen One!” With this exclamation Donald Trump crowns the national exceptionalism his base upholds with a claim of personal exceptionalism. He leaves no doubt as to the emotional note: “I am your vengeance!” He personifies reaction for the masses. Except, in today’s microsegmented social media environment the “masses” no longer exist. Fascism’s cultural conditions have shifted. In The Personality of Power, Brian Massumi retheorizes the conditions of contemporary fascism through the prism of Trump’s persona. Older theories based on identification of the masses with a charismatic leader no longer hold. Rather, an affective regime of reaction agitates bodies and orients lives at the molecular level. Massumi examines this agitation in relation to race, gender, personhood, and conspiracy thinking. The Personality of Power is a political treatise on fascism and its precursor movements, coupled with a philosophical inquiry into becoming reactionary as a collective process. Massumi calls the very concept of the person into question, asking what collective personhood means concretely. Nothing less than an alternative political logic is needed, turned to the task of thinking collective individuation.

In Postcolonial Configurations Josen Masangkay Diaz examines the making of Filipino America through the dynamics of dictatorship, coloniality, and subjectivity. Diaz explores how the Ferdinand Marcos dictatorship and US policies during the Cold War that supported the regime defined the relationship between “Filipino” and “America” in ways that influenced the creation of a gendered and racialized Filipino American subject. By analyzing Philippine-US state programs for military operations, labor and immigration reform, and development and modernization plans, she shows how anticommunist liberalism and authoritarianism shaped the visibility and recognition of new forms of Filipino subjectivity. Tracing the rise of various social formations that emerged under the Marcos regime and US programs for liberal reform, from transnational Filipino and US culture and the immigrant returnee to the New Filipina woman and the humanitarian English teacher, Diaz positions literature, film, periodicals, and other cultural texts against official state records in ways that reconceptualize the meanings of Filipino America in the Cold War.

The American presidency has long tested the capacity of the system of checks and balances to constrain executive power, especially in times of war. While scholars have examined presidents starting military conflicts without congressional authorization or infringing on civil liberties in the name of national security, Stuart Streichler focuses on the conduct of hostilities. Using the treatment of war-on-terror detainees under President George W. Bush as a case study, he integrates international humanitarian law into a constitutional analysis of the repercussions of presidential war powers for human rights around the world.

Putting President Bush’s actions in a wider context, Presidential Accountability in Wartime begins with a historical survey of the laws of war, with particular emphasis on the 1949 Geneva Conventions and the Nuremberg Tribunal. Streichler then reconstructs the decision-making process that led to the president’s approval of interrogation methods that violated Geneva’s mandate to treat wartime captives humanely. While taking note of various accountability options—from within the executive branch to the International Criminal Court—the book illustrates the challenge in holding presidents personally responsible for violating the laws of war through an in-depth analysis of the actions taken by Congress, the Supreme Court, and the public in response. In doing so, this book not only raises questions about whether international humanitarian law can moderate wartime presidential behavior but also about the character of the presidency and the American constitutional system of government.

Has American democracy’s long, ambitious run come to an end? Possibly yes. As William G. Howell and Terry M. Moe argue in this trenchant new analysis of modern politics, the United States faces a historic crisis that threatens our system of self-government—and if democracy is to be saved, the causes of the crisis must be understood and defused.

The most visible cause is Donald Trump, who has used his presidency to attack the nation’s institutions and violate its democratic norms. Yet Trump is but a symptom of causes that run much deeper: social forces like globalization, automation, and immigration that for decades have generated economic harms and cultural anxieties that our government has been wholly ineffective at addressing. Millions of Americans have grown angry and disaffected, and populist appeals have found a receptive audience. These are the drivers of Trump’s dangerous presidency. And after he leaves office, they will still be there for other populists to weaponize.

What can be done to safeguard American democracy? The disruptive forces of modernity cannot be stopped. The solution lies, instead, in having a government that can deal with them—which calls for aggressive new policies, but also for institutional reforms that enhance its capacity for effective action.

The path to progress is filled with political obstacles, including an increasingly populist, anti-government Republican Party. It is hard to be optimistic. But if the challenge is to be met, we need reforms of the presidency itself—reforms that harness the promise of presidential power for effective government, but firmly protect against the fear that it may be put to anti-democratic ends.

While there is a long history of state violence toward immigrants in the United States, the essayists in this interdisciplinary collection tackle head-on the impacts of the Trump administration.

This volume provides a well-argued look at the Trump era. Insightful contributions delve into the impact of Donald Trump’s rhetoric and policies on migrants detained and returned, immigrant children separated from their parents and placed in detention centers, and migrant women subjected to sexual and reproductive abuses, among other timely topics. The chapter authors document a long list in what the book calls “Trump’s Reign of Terror.”

Organized thematically, the book has four sections: The first gathers histories about the Trump years’ roots in a longer history of anti-migration; the second includes essays on artistic and activist responses on the border during the Trump years; the third critiques the normalization of Trump’s rhetoric and actions in popular media and culture; and the fourth envisions the future.

Resistance and Abolition in the Borderlands is an essential reader for those wishing to understand the extent of the damage caused by the Trump era and its impact on Latinx people.

Contributors
Arturo J. Aldama
Rebecca Avalos
Cynthia Bejarano
Tria Blu Wakpa
Renata Carvalho Barreto
Karma R. Chávez
Leo R. Chavez
Jennifer Cullison
Jasmin Lilian Diab
Allison Glover
Jamila Hammami
Alexandria Herrera
Diana J. Lopez
Sergio A. Macías
Cinthya Martinez
Alexis N. Meza
Roberto A. Mónico
José Enrique Navarro
Jessica Ordaz
Eliseo Ortiz
Kiara Padilla
Leslie Quintanilla
J-M Rivera
Heidy Sarabia
Tina Shull
Nishant Upadhyay
Maria Vargas
Antonio Vásquez

The Arab Revolutions that began in 2011 reignited interest in the question of theory and practice, imbuing it with a burning political urgency. In Revolution and Disenchantment Fadi A. Bardawil redescribes for our present how an earlier generation of revolutionaries, the 1960s Arab New Left, addressed this question. Bardawil excavates the long-lost archive of the Marxist organization Socialist Lebanon and its main theorist, Waddah Charara, who articulated answers in their political practice to fundamental issues confronting revolutionaries worldwide: intellectuals as vectors of revolutionary theory; political organizations as mediators of theory and praxis; and nonemancipatory attachments as impediments to revolutionary practice. Drawing on historical and ethnographic methods and moving beyond familiar reception narratives of Marxist thought in the postcolony, Bardawil engages in "fieldwork in theory" that analyzes how theory seduces intellectuals, cultivates sensibilities, and authorizes political practice. Throughout, Bardawil underscores the resonances and tensions between Arab intellectual traditions and Western critical theory and postcolonial theory, deftly placing intellectuals from those traditions into a much-needed conversation.

The inspiring life story of Minnesota’s first woman lieutenant governor: breaking political ground, navigating patriarchal tradition, and persevering through great personal loss

Marking a milestone for women in state government, Marlene M. Johnson became Minnesota’s first woman lieutenant governor under Rudy Perpich’s gubernatorial administration in January 1983. That same year, she met her husband, Peter, and their deeply loving relationship profoundly sustained her for twenty-seven years. Rise to the Challenge weaves these personal and professional stories together in a courageous portrait of dedication and leadership.

Growing up in rural Minnesota, Johnson began organizing and advocating for change early, beginning with a campaign to introduce foreign languages into her high school curriculum. Pursuing a deeply felt commitment to improving the lives of others, she continued to sharpen her leadership skills throughout her life, participating in activist work in college, cofounding organizations to support women entrepreneurs and politicians, and eventually running an international education nonprofit.

A stalwart supporter, her husband gave Marlene strength and encouragement to face the challenges of the political landscape and its gender biases. Then, in 2010, he suffered a traumatic brain injury that would change both of their lives. Learning how to be a medical advocate and, eventually, facing the sorrow of Peter’s death, Marlene relied on the hard-fought resilience and belief in herself that Peter had helped her to develop.

A story of learning and leadership in politics, business, and public service, Rise to the Challenge is a moving portrayal of spirit, perseverance, and grace in the face of daunting personal challenges, supported by unwavering faith in the public good.

Listed as one of the Reno News & Review's "New Books from Nevada Authors," December 29, 2021

The grazing rights battle between Nevada rancher Cliven Bundy and the federal government, resulting in a tense, armed standoff between Bundy’s supporters and federal law enforcement officers, garnered international media attention in 2014. Saints, Sinners, and Sovereign Citizens places the Bundy conflict into the larger context of the Sagebrush Rebellion and the long struggle over the use of federal public lands in the American West. 

Author John L. Smith skillfully captures the drama of the Bundy legal tangle amid the current political climate. Although no shots were fired during the standoff itself, just weeks later self-proclaimed Bundy supporters murdered two Las Vegas police officers and a civilian. In Eastern Oregon, other Bundy supporters occupied the federal offices of the Malheur National Wildlife Refuge, and one of them died in a hail of bullets.

While examining the complex history of federal public land policies, Smith exposes both sides of this story. He shows that there are passionate true believers on opposite sides of the insurrection, along with government agents and politicians in Washington complicit in efforts to control public lands for their wealthy allies and campaign contributors. With the promise of billions of dollars in natural resource profits and vast tracts of environmentally sensitive lands hanging in the balance, the West’s latest range war is the most important in the nation’s history. This masterful exposé raises serious questions about the fate of America’s public lands and the vehement arguments that are framing the debate from all sides.

Should we draw an analogy between Shakespeare’s tyrants—Richard III, Julius Caesar, Macbeth, and King Lear—and Donald Trump? In Shakespeare and Trump, Jeffrey Wilson applies literary criticism to real life, examining plot, character, villainy, soliloquy, tragedy, myth, and metaphor to identify the formal features of the Trump phenomenon, and its hidden causes, structure, and meanings.

Wilsonapproaches his comparison prismatically. He first considers two high-concept (read: far-fetched) Shakespeare adaptations penned by Trump’s former chief political strategist Steve Bannon. He looks at University of Pennsylvania students protesting Trump by taking down a monument to Shakespeare. He reads Trump’s first 100 days in office against Netflix’s House of Cards. Wilson also addresses the summer 2017 Shakespeare in the Park production of Julius Caesar wherein an assassination of a Trump-ian leader caused corporations to withdraw sponsorship. 

These stories reveal a surprising—and bizarre—relationship between the provincial English playwright and the billionaire President of the United States, ostensibly a medieval king living in a modern world. The comparison reveals a politics that blends villainy and comedy en route to tragedy.

Why has Steven Spielberg’s work been so often identified with childhood and children? How does the director elicit such complex performances from his young actors? Steven Spielberg’s Children is the first book to investigate children, childhood, and Spielberg’s employment of child actors together and in depth. Through a series of lively readings of both the celebrated performances he elicits from his young stars in films such as E.T.: The Extra Terrestrial, A.I.: Artificial Intelligence, and Empire of the Sun, as well as less discussed roles in films such as War of the Worlds, The BFG, and Jurassic Park, this book shows children to be key players in the director’s articulation of childhood since the 1970s.
 
Steven Spielberg’s Children presents children and childhood in some surprising ways, not only analyzing boyhood and girlhood according to Spielberg, but considering children as alien, adult-children who refuse to grow up, and children who aren’t even human. It discusses the way in which children have served to cast Spielberg as a sentimentalist, but also how they are more frequently framed as complex, cruel, and canny. The child might be dangled as bait in an exploitation horror scenario (Jaws), might become the image of universal higher beings (Close Encounters of the Third Kind), or might be a young cultural creator like the director was himself (The Fabelmans), "born with a camera glued to [his] eye." The child, on both sides of the camera, is a resonant image, signifying all that adult culture wants it to be, yet resisting this through authorship of their own stories. The book also looks at Spielberg's young actors in the long history of child stars in theater and cinema, and how Spielberg’s children have fared as performers and celebrities.
 

A memoir of lessons learned from an Ojibwe grandmother during the time of Relocation
 

Why, her mother asked, did Janis keep running away from kindergarten? She wanted to go home. But not to the house they had just moved to in Duluth, with its gravel yard and traffic noise. She was a country girl, and home was the log cabin among the wildflowers on the Leech Lake Indian Reservation in Bena, Minnesota. Knowing they were now going to stay in the city, Janis’s parents offered her a compromise: during the summer, Janis could leave the bustle of Duluth and live with her grandmother on the Fond du Lac Reservation, listening to stories, learning Ojibwe, and finding her place in the world. In Sugar Bush Babies, Janis A. Fairbanks returns to that time of Relocation, dislocation, and discovery, taking us home with her through stories of childhood and lessons learned at her grandmother’s knee, enveloped in love and tradition.

 

Through the eyes of a child and the teachings of an elder, Fairbanks revisits her life during Indian Relocation from reservations to urban areas, from Ojibwe villages to white communities whose ideas about Indians came from Hollywood Westerns. Recalling her early childhood at Leech Lake, her school days in Duluth, and her summers in Fond du Lac, Janis brings the gifts of living history full circle, continuing the traditions of carrying family lore, women’s wisdom, and Indigenous culture from generation to generation.

 

There are tales told at nighttime or during thunderstorms; lessons in Native medicine; stories of Grandma’s recollections of boarding school, Daddy’s days as a lumberjack, and Mother’s special powers; memories of wash days and dancing, of powwows and Girl Scout camp, of snaring rabbits, selling lilacs, and attending the circus. A lyrical memoir, Sugar Bush Babies conveys the eloquence of women speaking and sharing through generations and the lasting power of tradition.

Texas civil rights icon Jim Harrington recounts his lifelong fight for equality, winning major reforms for farmworkers and disabled Texans and helping build a movement for social justice.

Jim Harrington arrived in South Texas in 1973, ready to file class action lawsuits and “save the world.” Over the following fifty years, he built one of Texas’s key civil rights organizations and played an essential role in many of its greatest victories.

Harrington takes readers on his journey from a Midwest seminary to a United Farm Workers office in the Rio Grande Valley and on to founding the Texas Civil Rights Project. He fought for the rights of a wide range of Texans, bringing justice to victims of police brutality, injured farmworkers, silenced students, and people with disabilities excluded from full participation in society, building a movement for social justice, and a family, along the way. These major gains were tempered by heartbreaking losses, and Harrington recounts the difficult work of persevering in the face of injustice.

Framed by a foreword from Judge Lora Livingston and an afterword by Congressman Greg Casar, The Texas Civil Rights Project is at once a history of the struggle for equality over the last fifty years, a celebration of the individuals and grassroots organizations who fought hard to improve the lives of others, and a memoir of a singular force who pushed the Texas justice system to live up to its ideals.

While women have struggled to gain recognition in the discipline of philosophy, there is no shortage of brilliant female thinkers. What can these women teach us about ethics, politics, and the nature of existence, and how might we relate these big ideas back to the smaller everyday concerns of domestic life, work, play, love, and relationships?
Australian novelist Julienne van Loon goes on a worldwide quest to answer these questions, by engaging with eight world-renowned thinkers who have deep insights on humanity and society: media scholar Laura Kipnis, novelist Siri Hustvedt, political philosopher Nancy Holmstrom, psychoanalytic theorist Julia Kristeva, domestic violence reformer Rosie Batty, peace activist Helen Caldicott, historian Marina Warner, and feminist philosopher Rosi Braidotti. As she speaks to these women, she reflects on her own experiences. Combining the intimacy of a memoir with the intellectual stimulation of a theoretical text, The Thinking Woman draws novel connections between the philosophical, personal, and political. Giving readers a new appreciation for both the ethical complexities and wonder of everyday life, this book is inspiration to all thinking people.

“It may be cold comfort in this chaotic era, but Americans should know that there are adults in the room. . . . And we are trying to do what’s right even when Donald Trump won’t.”—An anonymous senior administrative official in an op-ed published in a New York Times op-ed, September 5, 2018
 
Every president faces criticism and caricature. Donald Trump, however, is unique in that he is routinely characterized in ways more suitable for a toddler. What’s more, it is not just Democrats, pundits, or protestors who compare the president to a child; Trump’s staffers, subordinates, and allies on Capitol Hill also describe Trump like a small, badly behaved preschooler.

            In April 2017, Daniel W. Drezner began curating every example he could find of a Trump ally describing the president like a toddler. So far, he’s collected more than one thousand tweets—a rate of more than one a day. In The Toddler-in-Chief, Drezner draws on these examples to take readers through the different dimensions of Trump’s infantile behavior, from temper tantrums to poor impulse control to the possibility that the President has had too much screen time. How much damage can really be done by a giant man-baby? Quite a lot, Drezner argues, due to the winnowing away of presidential checks and balances over the past fifty years. In these pages, Drezner follows his theme—the specific ways in which sharing some of the traits of a toddler makes a person ill-suited to the presidency—to show the lasting, deleterious impact the Trump administration will have on American foreign policy and democracy.

            The “adults in the room” may not be able to rein in Trump’s toddler-like behavior, but, with the 2020 election fast approaching, the American people can think about whether they want the most powerful office turned into a poorly run political day care facility. Drezner exhorts us to elect a commander-in-chief, not a toddler-in-chief. And along the way, he shows how we must rethink the terrifying powers we have given the presidency.
 

With sculpture, paintings, prints, and drawings, award-winning artist John Himmelfarb explores the iconic American truck. An in-depth consideration of the vehicles that are intrinsically and culturally significant to the American landscape, Trucks: Recent Works by John Himmelfarb showcases the artist's diverse and lighthearted approach, adeptly shifting between mediums, style, and message during his decade-long contemplation of trucks and their specific functions. Under his skillful hands, the utilitarian vehicles of commerce and construction become unique and provocative art forms.

In 2005 and 2006, the truck as narrative becomes center stage for Himmelfarb's work. With his seamless, animated traverse of multiple mediums, viewers cannot help but smile as they appreciate the common truck through unique perspectives. In 2007, another tectonic change occurs in Himmelfarb's pursuit of his theme: as a result of a three-month residency at the John Michael Kohler Arts Center's Arts/Industry program, he begins his first meaningful foray into three-dimensional works.

Finalist: 2024 Order of the Coif Book Award | March 3, 2025

The sudden emergence of the Trump nation surprised nearly everyone, including journalists, pundits, political consultants, and academics. When Trump won in 2016, his ascendancy was widely viewed as a fluke. Yet time showed it was instead the rise of a movement—angry, militant, revanchist, and unabashedly authoritarian.

How did this happen? Twilight of the American State offers a sweeping exploration of how law and legal institutions helped prepare the grounds for this rebellious movement. The controversial argument is that, viewed as a legal matter, the American state is not just a liberal democracy, as most Americans believe. Rather, the American state is composed of an uneasy and unstable combination of different versions of the state—liberal democratic, administered, neoliberal, and dissociative. Each of these versions arose through its own law and legal institutions. Each emerged at different times historically. Each was prompted by deficits in the prior versions. Each has survived displacement by succeeding versions. All remain active in the contemporary moment—creating the political-legal dysfunction America confronts today.

Pierre Schlag maps out a big picture view of the tribulations of the American state. The book abjures conventional academic frameworks, sets aside prescriptions for quick fixes, dispenses with lamentations about polarization, and bypasses historical celebrations of the American Spirit.

How does a Jewish boy who spent the bulk of his childhood on the basketball courts of Brooklyn wind up teaching in one of the city's pioneering black studies departments? Naison's odyssey begins as Brooklyn public schools respond to a new wave of Black migrants and Caribbean immigrants, and established residents flee to virtually all-white parts of the city or suburbs. Already alienated by his parents' stance on race issues and their ambitions for him, he has started on a separate ideological path by the time he enters Columbia College. Once he embarks on a long-term interracial relationship, becomes a member of SDS, focuses his historical work on black activists, and organizes community groups in the Bronx, his immersion in the radical politics of the 1960s has emerged as the center of his life. Determined to keep his ties to the Black community, even when the New Left splits along racial lines, Naison joined the fledgling African American studies program at Fordham, remarkable then as now for its commitment to interracial education.This memoir offers more than a participant's account of the New Left's racial dynamics; it eloquently speaks to the ways in which political commitments emerge from and are infused with the personal choices we all make.

With or Without explores the role of German women’s poetry in the contemporary literary discourse of the latter half of the twentieth century. Melin highlights the significant role that women played in the shaping of postwar German poetry as a whole and also their deep engagement with the broader issues of modernism, postmodernism, and related discourses about the relationship between individual experience, communal ideals, and interpersonal expression. Melin shows that for German writers poetry became the genre that had the capacity to project subjectivity, voice, and authenticity.