Winner of the 2016 Lillian Smith Book Award

When Aaron Henry returned home to Mississippi from World War II service in 1946, he was part of wave of black servicemen who challenged the racial status quo. He became a pharmacist through the GI Bill, and as a prominent citizen, he organized a hometown chapter of the NAACP and relatively quickly became leader of the state chapter.

From that launching pad he joined and helped lead an ensemble of activists who fundamentally challenged the system of segregation and the almost total exclusion of African Americans from the political structure. These efforts were most clearly evident in his leadership of the integrated Mississippi Freedom Democratic Party delegation, which, after an unsuccessful effort to unseat the lily-white Democratic delegation at the Democratic National Convention in 1964, won recognition from the national party in 1968.

The man who the New York Times described as being “at the forefront of every significant boycott, sit-in, protest march, rally, voter registration drive and court case” eventually became a rare example of a social-movement leader who successfully moved into political office. Aaron Henry of Mississippi covers the life of this remarkable leader, from his humble beginnings in a sharecropping family to his election to the Mississippi house of representatives in 1979, all the while maintaining the social-change ideology that prompted him to improve his native state, and thereby the nation.

In this sympathetic history of a maligned decade, Marty Jezer, a fellow antiwar activist, details Abbie Hoffman's humor, manic energy, depressive spells, political skills, & above all, his incurable & still contagious optimism. He presents a thoughtful, solidly researched biography of the wildly creative & iconoclastic Yippie, portraying Hoffman as a fresh force in American political culture. Jezer surveys in detail the politics, philosophies, & struggles of the antiwar movement.

"... Abbie, more than any other radical, showed potheads how to demonstrate and radicals how to dance." -- Chicago Tribune

"... deeply sympathetic and scrupulously detached-a triumph of judicious empathy." -- MARTIN DUBERMAN, Distinguished Professor of History, Lehman/The Graduate School, C.U.N.Y.

"... details Hoffman's humor, manic energy, depressive spells, political skills, and above all, his Incurable and still contagious optimism." -- Entertainment Weekly

"Here's the Abbie I knew and loved! Marty Jezer has captured him in all his complexity, dedication, humor, and heart." -- ANITA HOFFMAN

This examination of nineteenth-century journalism explores the specific actions and practices of the publications that provided a true picture of slavery to the general public. From Boston's strident <i>Liberator</i> to Frederick Douglass' <i>North Star</i>, the decades before the Civil War saw more than forty newspapers founded with the specific aim of promoting emancipation. Not only did these sheets provide a platform for discourse, but they also gave slavery a face for a wider audience. The reach of the abolitionist press only grew as the fiery publications became objects of controversy and targets of violence in both South and North. These works kept the issue of slavery in the public eye even as mainstream publications took up the call for emancipation, as the nation went to war, up to the end of slavery. Their legacy has endured, as dedicated reform writers and editors continue to view the press as a vital tool in the fight for equality.

Sarah Parker Remond (1826–1894) left the free black community of Salem, Massachusetts, where she was born, to become one of the first women to travel on extensive lecture tours across the United Kingdom. Remond eventually moved to Florence, Italy, where she earned a degree at one of Europe's most prestigious medical schools. Her language skills enabled her to join elite salons in Florence and Rome, where she entertained high society with musical soirees even while maintaining connections to European emancipation movements.

Remond's extensive travels and diverse acquaintances demonstrate that the nineteenth-century grand tour of Europe was not exclusively the privilege of white intellectuals but included African American travelers, among them women. This biography, based on international archival research, tells the fascinating story of how Remond forged a radical path, establishing relationships with fellow activists, artists, and intellectuals across Europe.

Before the Civil War, slaveholders made themselves into the most powerful, most deeply rooted, and best organized private interest group within the United States. Not only did slavery represent the national economy's second largest capital investment, exceeded only by investment in real estate, but guarantees of its perpetuation were studded throughout the U.S. Constitution. The vast majority of white Americans, in North and South, accepted the institution, and pro-slavery presidents and congressmen consistently promoted its interests. In Abolitionist Politics and the Coming of the Civil War, James Brewer Stewart explains how a small group of radical activists, the abolitionist movement, played a pivotal role in turning American politics against this formidable system. He examines what influence the movement had in creating the political crises that led to civil war and evaluates the extent to which a small number of zealous reformers made a truly significant political difference when demanding that their nation face up to its most excruciating moral problem. In making these assessments, Stewart addresses a series of more specific questions: What were the abolitionists actually up against when seeking the overthrow of slavery and white supremacy? What motivated and sustained them during their long and difficult struggles? What larger historical contexts (religious, social, economic, cultural, and political) influenced their choices and determined their behavior? What roles did extraordinary leaders play in shaping the movement, and what were the contributions of abolitionism's unheralded "foot soldiers"? What factors ultimately determined, for better or worse, the abolitionists' impact on American politics and the realization of their equalitarian goals?

Seven years after the death of Anton Chekhov, his sister, Maria, wrote to a friend, "You asked for someone who could write a biography of my deceased brother. If you recall, I recommended Iv. Al. Bunin . . . . No one writes better than he; he knew and understood my deceased brother very well; he can go about the endeavor objectively. . . . I repeat, I would very much like this biography to correspond to reality and that it be written by I.A. Bunin."

In About Chekhov Ivan Bunin sought to free the writer from limiting political, social, and aesthetic assessments of his life and work, and to present both in a more genuine, insightful, and personal way. Editor and translator Thomas Gaiton Marullo subtitles About Chekhov "The Unfinished Symphony," because although Bunin did not complete the work before his death in 1953, he nonetheless fashioned his memoir as a moving orchestral work on the writers' existence and art. . . . "Even in its unfinished state, About Chekhov stands not only as a stirring testament of one writer's respect and affection for another, but also as a living memorial to two highly creative artists." Bunin draws on his intimate knowledge of Chekhov to depict the writer at work, in love, and in relation with such writers as Tolstoy and Gorky. Through anecdotes and observations, spirited exchanges and reflections, this memoir draws a unique portrait that plumbs the depths and complexities of two of Russia's greatest writers.

Like her father before her, Bette Husted grew up on stolen land. The bench land above the Clearwater River in north-central Idaho had been a home for the Nez Perce Indians until the Dawes Act opened their reservation to settlement in 1895. As a child on the family homestead, Husted felt the presence of the Nez Perce: "But they were always just out of sight, like a smoky shadow behind me that I couldn't quite turn around quickly enough to catch."

Above the Clearwater chronicles her family's history on the land, revealing their joys and sorrows, their triumphs and tragedies. In a series of graceful and moving essays, Husted traces this intimate history, from her Cold War childhood to her struggles as a parent and finally to her life as a woman and teacher in the rural West. Her family's stories echo those of countless other families in the American West: the conflicts with guns, the struggles over land ownership and water rights, the isolation of women, the separations by race and class, the family secrets of mental illness and suicide.

With a powerful, poetic voice, Husted illuminates the tangled relationship between the history of a particular place and the history of the families who inhabit that place over time. As Above the Clearwater explores one family's search for a home on land taken from its original inhabitants, it quietly asks all readers to examine their own homes in the same light.

For decades Abraham and Mary Lincoln’s marriage has been characterized as discordant and tumultuous. In Abraham and Mary Lincoln, author Kenneth J. Winkle goes beyond the common image of the couple, illustrating that although the waters of the Lincoln household were far from calm, the Lincolns were above all a house united. Calling upon their own words and the reminiscences of family members and acquaintances, Winkle traces the Lincolns from their starkly contrasting childhoods, through their courtship and rise to power, to their years in the White House during the Civil War, ultimately revealing a dynamic love story set against the backdrop of the greatest peril the nation has ever seen. 

When the awkward but ambitious Lincoln landed Mary Todd, people were surprised by their seeming incompatibility. Lincoln, lacking in formal education and social graces, came from the world of hardscrabble farmers on the American frontier. Mary, by contrast, received years of schooling and came from an established, wealthy, slave-owning family. Yet despite the social gulf between them, these two formidable personalities forged a bond that proved unshakable during the years to come. Mary provided Lincoln with the perfect partner in ambition—one with connections, political instincts, and polish. For Mary, Lincoln was her “diamond in the rough,” a man whose ungainly appearance and background belied a political acumen to match her own. 

While each played their role in the marriage perfectly— Lincoln doggedly pursuing success and Mary hosting lavish political soirées—their partnership was not without contention. Mary—once described as “the wildcat of her age”—frequently expressed frustration with the limitations placed on her by Victorian social strictures, exhibiting behavior that sometimes led to public friction between the couple. Abraham’s work would at times keep him away from home for weeks, leaving Mary alone in Springfield. 

The true test of the Lincolns’ dedication to each other began in the White House, as personal tragedy struck their family and civil war erupted on American soil. The couple faced controversy and heartbreak as the death of their young son left Mary grief-stricken and dependent upon séances and spiritualists; as charges of disloyalty hounded the couple regarding Mary’s young sister, a Confederate widow; and as public demands grew strenuous that their son Robert join the war. The loss of all privacy and the constant threat of kidnapping and assassination took its toll on the entire family. Yet until a fateful night in the Ford Theatre in 1865, Abraham and Mary Lincoln stood firmly together—he as commander-in-chief during America’s gravest military crisis, and she as First Lady of a divided country that needed the White House to emerge as a respected symbol of national unity and power. 

Despite the challenges they faced, the Lincolns’ life together fully embodied the maxim engraved on their wedding bands: love is eternal. Abraham and Mary Lincoln is a testament to the power of a stormy union that held steady through the roughest of seas.

Was Jesus the founder of Christianity or a teacher of Judaism? When he argued the latter based on the New Testament, Abraham Geiger ignited an intense debate that began in nineteenth-century Germany but continues to this day.

Geiger, a pioneer of Reform Judaism and a founder of Jewish studies, developed a Jewish version of Christian origins. He contended that Jesus was a member of the Pharisees, a progressive and liberalizing group within first-century Judaism, and that he taught nothing new or original. This argument enraged German Protestant theologians, some of whom produced a tragic counterargument based on racial theory.

In this fascinating book, Susannah Heschel traces the genesis of Geiger's argument and examines the reaction to it within Christian theology. She concludes that Geiger initiated an intellectual revolt by the colonized against the colonizer, an attempt not to assimilate into Christianity by adopting Jesus as a Jew, but to overthrow Christian intellectual hegemony by claiming that Christianity—and all of Western civilization—was the product of Judaism.

On the American stages of politics and journalism in the mid-nineteenth century, few men were more influential than Abraham Lincoln and his sometime adversary, sometime ally, New York Tribune editor Horace Greeley. In this compelling new volume, author Gregory A. Borchard explores the intricate relationship between these two vibrant figures, both titans of the press during one of the most tumultuous political eras in American history. Packed with insightful analysis and painstaking research, Abraham Lincoln and Horace Greeley offers a fresh perspective on these luminaries and their legacies.

Borchard begins with an overview of the lives of both Lincoln and Greeley, delving particularly into their mutual belief in Henry Clay’s much-debated American System, and investigating the myriad similarities between the two political giants, including their comparable paths to power and their statuses as self-made men, their reputations as committed reformers, and their shared dedication to social order and developing a national infrastructure. Also detailed are Lincoln’s and Greeley’s personal quests to end slavery in the United States, as well as their staunch support of free-soil homesteads in the West. 

Yet despite their ability to work together productively, both men periodically found themselves on opposite ends of the political spectrum. Their by turns harmonious and antagonistic relationship often played out on the front pages of Greeley’s influential newspaper, the New York Tribune. Drawing upon historical gems from the Tribune, as well as the personal papers of both Lincoln and Greeley, Borchard explores in depth the impact the two men had on their times and on each other, and how, as Lincoln’s and Greeley’s paths often crossed—and sometimes diverged—they personified the complexities, virtues, contradictions, and faults of their eras. 

Abraham Lincoln and Horace Greeley goes beyond tracing each man’s personal and political evolution to offer a new perspective on the history-changing events of the times, including the decline of the Whig Party and the rise of the Republicans, the drive to extend American borders into the West; and the bloody years of the Civil War. Borchard finishes with reflections on the deaths of Lincoln and Greeley and how the two men have been remembered by subsequent generations. 

Sure to become an essential volume in the annals of political history and journalism, Abraham Lincoln and Horace Greeley is a compelling testament to the indelible mark these men left on both their contemporaries and the face of America’s future.

Abraham Lincoln has long dominated the pantheon of American presidents. From his lavish memorial in Washington and immortalization on Mount Rushmore, one might assume he was a national hero rather than a controversial president who came close to losing his 1864 bid for reelection. In Abraham Lincoln and the Forge of National Memory, Barry Schwartz aims at these contradictions in his study of Lincoln's reputation, from the president's death through the industrial revolution to his apotheosis during the Progressive Era and First World War.

Schwartz draws on a wide array of materials—painting and sculpture, popular magazines and school textbooks, newspapers and oratory—to examine the role that Lincoln's memory has played in American life. He explains, for example, how dramatic funeral rites elevated Lincoln's reputation even while funeral eulogists questioned his presidential actions, and how his reputation diminished and grew over the next four decades. Schwartz links transformations of Lincoln's image to changes in the society. Commemorating Lincoln helped Americans to think about their country's development from a rural republic to an industrial democracy and to articulate the way economic and political reform, military power, ethnic and race relations, and nationalism enhanced their conception of themselves as one people.

Lincoln's memory assumed a double aspect of "mirror" and "lamp," acting at once as a reflection of the nation's concerns and an illumination of its ideals, and Schwartz offers a fascinating view of these two functions as they were realized in the commemorative symbols of an ever-widening circle of ethnic, religious, political, and regional communities. The first part of a study that will continue through the present, Abraham Lincoln and the Forge of National Memory is the story of how America has shaped its past selectively and imaginatively around images rooted in a real person whose character and achievements helped shape his country's future.

   When an idealistic American named Edmund Stevens arrived in Moscow in 1934, his only goal was to do his part for the advancement of international Communism. His job writing propaganda led to a reporting career and an eventual Pulitzer Prize in 1950 for his uncensored descriptions of Stalin’s purges. This book tells how Stevens became an accidental journalist—and the dean of the Moscow press corps.

            The longest-serving American-born correspondent working from within the Soviet Union, Stevens was passionate about influencing the way his stateside readers thought about Russia’s citizens, government, and social policy. Cheryl Heckler now traces a career that spanned half a century and four continents, focusing on Stevens’s professional work and life from 1934 to 1945 to tell how he set the standards for reporting on Soviet affairs for the Christian Science Monitor.

            Stevens was a keen observer and thoughtful commentator, and his analytical mind was just what the Monitor was looking for in a foreign correspondent. He began his journalism career reporting on the Russo-Finnish War in 1939 and was the Monitor’s first man in the field to cover fighting in World War II. He reported on the Italian invasion of Greece, participated in Churchill’s Moscow meeting with Stalin as a staff translator, and distinguished himself as a correspondent with the British army in North Africa.

Drawing on Stevens’s memoirs—to which she had exclusive access—as well as his articles and correspondence and the unpublished memoirs of his wife, Nina, Heckler traces his growth as a frontline correspondent and interpreter of Russian culture. She paints a picture of a man hardened by experience, who witnessed the brutal crushing of the Iron Guard in 1941 Bucharest and the Kharkov hangings yet who was a failure on his own home front and who left his wife during a difficult pregnancy in order to return to the war zone. Heckler places his memoirs and dispatches within the larger context of events to shed new light on both the public and the private Stevens, portraying a reporter adapting to new roles and circumstances with a skill that journalists today could well emulate.

By exposing the many facets of Stevens’s life and experience, Heckler gives readers a clear understanding of how this accidental journalist was destined to distinguish himself as a war reporter, analyst, and cultural interpreter. An Accidental Journalist is an important contribution to the history of war reporting and international journalism, introducing readers to a man whose inside knowledge of Stalinist Russia was beyond compare as it provides new insight into the Soviet era.

Acheson and Empire offers a compelling reassessment of Dean Acheson's policies toward the former colonial world during his period as secretary of state from 1949 to 1953. John T. McNay argues that Acheson inherited through his own personal history a way of understanding the world that encouraged imperial-style international relationships. This worldview represented a well-developed belief system rooted in his Ulster Protestant heritage that remained consistent throughout his life.

By exploring relationships of the United States with Britain and countries formerly or then controlled by Britain, such as India, Ireland, Iran, and Egypt, McNay shows the significance of Acheson's beliefs. McNay argues that Acheson's support of existing imperial relationships was so steadfast that it often led other nations to perceive that the United States was nothing more than a front for British interests. He believes this approach to foreign policy damaged American relations with emerging countries and misled the British regarding possibilities of an Anglo-American partnership.

Acheson and Empire contends that the widely accepted view of Acheson as a foreign policy realist is misleading and that historians should acknowledge that his affinity for the British Empire went beyond his clothing and mannerisms. McNay maintains that the widely accepted view of Acheson as one of a group of "wise men" who shaped the Cold War world by basing their decisions on cold calculation of American interests should be reconsidered.

Drawing from extensive research in archival sources, including the Truman Library, the National Archives, the Public Record Office in London, and Acheson's personal papers at Yale, Acheson and Empire offers a fresh look at Dean Acheson that runs counter to previous biographies and many histories of the Cold War.

Although many of the practical and intellectual traditions that make up modern science date back centuries, the category of “science” itself is a relative novelty. In the early eighteenth century, the modern German word that would later mean “science,” naturwissenschaft, was not even included in dictionaries. By 1850, however, the term was in use everywhere. Acolytes of Nature follows the emergence of this important new category within German-speaking Europe, tracing its rise from an insignificant eighteenth-century neologism to a defining rallying cry of modern German culture.

Today’s notion of a unified natural science has been deemed an invention of the mid-nineteenth century. Yet what Denise Phillips reveals here is that the idea of naturwissenschaft acquired a prominent place in German public life several decades earlier. Phillips uncovers the evolving outlines of the category of natural science and examines why Germans of varied social station and intellectual commitments came to find this label useful. An expanding education system, an increasingly vibrant consumer culture and urban social life, the early stages of industrialization, and the emergence of a liberal political movement all fundamentally altered the world in which educated Germans lived, and also reshaped the way they classified knowledge.

After unearthing her great-grandparents’ diaries, Mary Ann Hooper set out on a journey to retrace their 1871 trip across the United States on the newly-opened Transcontinental Railroad—via Chicago, just destroyed by the Great Fire, then across the Great Plains and Rocky Mountains to the Golden City of San Francisco. Filled with rich details of time, place, and culture, Mary Ann’s thoughtful and compelling narrative is both a re-creation of a family journey and a thoughtful account of how the American West has changed over the last 150 years. 
 
Using the common thread of the same train trip across the American landscape, she weaves together the two stories—her great grandparents, Charles and Fannie Crosby’s leisurely Victorian tourist trip described in both their diaries—and her own trip. Mary Ann’s adventurous and determined voice fills the pages with entertaining encounters on the train, escapades on her folding bike, and her reflections on her birth country and her own life story.

During her journey, she discovers the stories of her 1950s childhood reflect a “Wild West” at odds with the West her great-grandparents record in their diaries, leading her to uncover more of the real and meatier history of the American West—going through conquest, rapid settlement, and economic development. As Mary Ann fulfills her quest to understand better why glorified myths were created to describe the Wild West of her childhood, and reflects on the pitfalls of what “progress” is doing to the environment, she is left with a much bigger question: Can we transform our way of doing things quickly enough to stop our much-loved West becoming an uninhabitable desert?

 
       This intimate and provocative autobiography, first published in 1936,
        reveals the innermost thoughts of a great American poet. Edgar Lee Masters
        was a transitional figure in American literature with one foot planted
        in the nineteenth century and the other firmly placed on the path of what
        we now think of as the modern period.
      Masters expounds on his own development as a poet and as a human being;
        he shares his views on American culture, politics, and the literary criticism
        of the times. Masters's friends and acquaintances discussed here include
        some of the most prominent writers and politicians of his age. And he
        reflects on his life events that shaped, haunted, and inspired his writings
        of the classic Spoon River Anthology.
     
 

On April 30, 1849, Sarah Bayliss Royce, along with her husband, Josiah, and their daughter, Mary, left her home in Tipton, Iowa, and headed for California in a covered wagon. Along the way, she kept a diary which, nearly thirty years later, served as the basis for a memoir she titled Across the Plains. That book has been freshly transcribed by Jennifer Dawes Adkison from Royce’s original handwritten document, and this new edition is faithful to the original, restoring several passages that were omitted from the previous edition.

In a new introduction Adkison reveals Across the Plains to be far more than a simple narrative of one pioneer woman’s journey west. She explains that Royce wrote the book at the request of her son, Josiah Royce, a well-known professor of philosophy at Harvard University with motives of his own. She crafted the narrative that her son wanted: an argument for spiritual faith and fortitude as foundational to California’s history. Yet the narrative itself, in addition to offering a window into a world that has long lacked close documentation, gives us the opportunity to study the ways in which nineteenth-century western women asserted this primacy of faith and crafted their experience into stories with larger cultural and social resonance.

Scholars have long used Across the Plains to mold and support an iconic image of the resolute pioneer woman. However, until now no one has considered Royce’s own self-conscious creation of this persona. Readers will discover that in many ways, Sarah Royce’s careful construction of this cultural portrait deepens our respect for her and our delight in her travels, travails, and triumphs.

Richard Karl, a doctor and teacher, takes the reader closer than any writer before into the corridors of the hospital, on the surgical table, and into the world of medicine. In these pages we see the tragedies and triumphs of modern medicine: the beauty of surgery done well, and the aftermath of operations that fail to deliver on the hopes of the doctor and patient. We witness the "M&M"—the morbidity and mortality meeting—where doctors scrutinize their own work and mistakes, and the often inevitable outcomes of treatment. Suffused throughout are Karl’s keen observations on the workings of the human body and its immense capacity for healing. "...I celebrate the rich privilege accorded the practicing surgeon. The surgical life is really about bearing witness to the human condition and about respecting the many almost whimsical variations of biology and about the intersection of the two. It is remarkable, really, the way I get to know people so intimately so quickly, and to observe the brave and often noble behavior in them, while I witness the relentless push of biology, the aging and decay, the growth and development, but most especially the healing, both physical and emotional. It is this natural drive of our bodies to repair themselves from all injuries (including the surgeon's wounds) that is the centerpiece of medicine. Without it no surgeon could cut." Written with economy and subtlety, Across the Red Line offers a vivid picture of disease and the miracle of life. It will interest anyone who's ever been on either side of the surgical table.

Frederick Douglass, Harriet Jacobs, W.E.B. DuBois, Zora Neale Hurston, Malcolm X—their words speak firmly, eloquently, personally of the impact of white America on the lives of African-Americans. Black autobiographical discourses, from the earliest slave narratives to the most contemporary urban raps, have each in their own way gauged and confronted the character of white society. For Crispin Sartwell, as philosopher, cultural critic, and white male, these texts, through their exacting insights and external perspective, provide a rare opportunity, a means of glimpsing and gaining access to contents and core of white identity.

There is, Sartwell contends, a fundamental elusiveness to that identity. Whiteness defines itself as normative, as a neutral form of the human condition, marking all other forms of identity as "racial" or "ethnic" deviations. Invisible to itself, white identity seeks to define its essence over and against those other identities, in effect defining itself through opposition and oppression. By maintaining fictions of black licentiousness, violence, and corruption, white identity is able to cast itself as humane, benevolent, and pure; the stereotype fabricates not only the oppressed but the oppressor as well. Sartwell argues that African-American autobiography perceives white identity from a particular and unique vantage point; one that is knowledgeable and intimate, yet fundamentally removed from the white world and thus unencumbered by its obfuscating claims to normativity.

Throughout this provocative work, Sartwell steadfastly recognizes the many ways in which he too is implicated in the formulation and perpetuation of racial attitudes and discourse. In Act Like You Know, he challenges both himself and others to take a long, hard look in the mirror of African-American autobiography, and to find there, in the light of those narratives, the visible features of white identity.

A captivating cast of 1980s power and talent--John Candy, Tom Cruise, Robert DeNiro, Clint Eastwood, Sally Field, Harrison Ford, Michael J. Fox, Mel Gibson, Goldie Hawn, Jessica Lange, Steve Martin, Eddie Murphy, Arnold Schwarzenegger, Sissy Spacek, Sylvester Stallone, Meryl Streep, Sigourney Weaver, Bruce Willis, and the "Brat Pack"—stars in the drama of this decade. Acting for America focuses on the way these film icons have engaged in and defined some major issues of cultural and social concern to America during the 1980s.

Scholars employing a variety of useful approaches explore how these movie stars' films speak to an increased audience awareness of advances in feminism, new ideas about masculinity, and the complex political atmosphere in the Age of Reagan. The essays demonstrate the range of these stars' contributions to such conversations in a variety of films, including blockbusters and major genres.

Ada, Countess of Lovelace (1815­–52), daughter of romantic poet Lord Byron and the highly educated Anne Isabella, is sometimes called the world’s first computer programmer, and she has become an icon for women in technology today. But how did a young woman in the nineteenth century, without access to formal schooling or university education, acquire the knowledge and expertise to become a pioneer of computer science?
            Although it was an unusual pursuit for women at the time, Ada Lovelace studied science and mathematics from a young age. This book uses previously unpublished archival material to explore her precocious childhood—from her curiosity about the science of rainbows to her design for a steam-powered flying horse—as well as her ambitious young adulthood. Active in Victorian London’s social and scientific elite alongside Mary Somerville, Michael Faraday, and Charles Dickens, Ada Lovelace became fascinated by the computing machines of Charles Babbage, whose ambitious, unbuilt invention known as the “Analytical Engine” inspired Lovelace to devise a table of mathematical formulae which many now refer to as the “first program.”
            Ada Lovelace died at just thirty-six, but her work strikes a chord to this day, offering clear explanations of the principles of computing, and exploring ideas about computer music and artificial intelligence that have been realized in modern digital computers. Featuring detailed illustrations of the “first program” alongside mathematical models, correspondence, and contemporary images, this book shows how Ada Lovelace, with astonishing prescience, first investigated the key mathematical questions behind the principles of modern computing.

Jimmy Creech, a United Methodist pastor in North Carolina, was visited one morning in 1984 by Adam, a longtime parishioner whom he liked and respected. Adam said that he was gay, and that he was leaving The United Methodist Church, which had just pronounced that “self-avowed practicing homosexuals” could not be ordained. He would not be part of a community that excluded him. Creech found himself instinctively supporting Adam, telling him that he was sure that God loved and accepted him as he was. Adam’s Gift is Creech’s inspiring first-person account of how that conversation transformed his life and ministry.

Adam’s visit prompted Creech to re-evaluate his belief that homosexuality was a sin, and to research the scriptural basis for the church’s position. He determined that the church was mistaken, that scriptural translations and interpretations had been botched and dangerously distorted. As a Christian, Creech came to believe that discriminating against lesbian, gay, bisexual, and transgender people was morally wrong. This understanding compelled him to perform same-gender commitment ceremonies, which conflicted with church directives. Creech was tried twice by The United Methodist Church, and, after the second trial, his ordination credentials were revoked. Adam’s Gift is a moving story and an important chapter in the unfinished struggle for lesbian, gay, bisexual, and transgender civil and human rights.

The authors employ the techniques of oral history to penetrate the nether world of the drug user, giving us an engrossing portrait of life in the drug subculture during the "classic" era of strict narcotic control. 

Praise for the hardcover edition:

"A momentous book which I feel is destined to become a classic in the category of scholarly narcotic books."
—Claude Brown, author of the bestseller, Manchild in the Promised Land.

"The drug literature is filled with the stereotyped opinions of non-addicted, middle-class pundits who have had little direct contact with addicts.  These stories are reality.  Narcotic addicts of the inner cities are both tough and gentle, deceptive when necessary and yet often generous--above all, shrewd judges of character.  While judging them, the clinician is also being judged."
—Vincent P. Dole, M.D., The Rockefeller Institute.

"What was it like to be a narcotic addict during the Anslinger era?  No book will probably ever appear that gives a better picture than this one. . . . a singularly readable and informative work on a subject ordinarily buried in clichés and stereotypes."
—Donald W. Goodwin, Journal of the American Medical Association

" . . . an important contribution to the growing body of literature that attempts to more clearly define the nature of drug addiction. . . . [This book] will appeal to a diverse audience.  Academicians, politicians, and the general reader will find this approach to drug addiction extremely beneficial, insightful, and instructive. . . . Without qualification anyone wishing to acquire a better understanding of drug addicts and addiction will benefit from reading this book."
—John C. McWilliams, Pennsylvania Magazine of History and Biography

"This study has much to say to a general audience, as well as those involved in drug control."
—Publishers Weekly

"The authors' comments are perceptive and the interviews make interesting reading."
—John Duffy, Journal of American History

"This book adds a vital and often compelling human dimension to the story of drug use and law enforcement.  The material will be of great value to other specialists, such as those interested in the history of organized crime and of outsiders in general."
—H. Wayne Morgan, Journal of Southern History

"This book represents a significant and valuable addition to the contemporary substance abuse literature. . . .  this book presents findings from a novel and remarkably imaginative research approach in a cogent and exceptionally informative manner."
—William M. Harvey, Journal of Psychoactive Drugs

"This is a good and important book filled with new information containing provocative elements usually brought forth through the touching details of personal experience. . . .  There isn't a recollection which isn't of intrinsic value and many point to issues hardly ever broached in more conventional studies."
—Alan Block, Journal of Social History

This reader collects sixty of the personal essays, critical articles, and other seminal works of Addison Gayle Jr., one of the most influential figures in African American literary criticism and a key pioneer in the Black Arts/Black Aesthetic Movement. The volume contains selective essays that represent the range of Gayle's writing on such subjects as relationships between father and son, cultural nationalism, racism, black aesthetics, black criticism, and black literature. The collection, the first of its kind, includes definitive essays such as "Blueprint for Black Criticism," "The Harlem Renaissance: Toward a Black Aesthetic," and "Cultural Strangulation: Black Literature and the White Aesthetics."

The keeping of journals and diaries became an almost everyday pastime for many Americans in the nineteenth century. Adeline and Julia Graham, two young women from Berrien Springs, Michigan, were both drawn to this activity, writing about the daily events in their lives, as well as their 'grand adventures.' These are fascinating, deeply personal accounts that provide an insight into the thoughts and motivation of two sisters who lived more than a century ago. Adeline began keeping a diary when she was sixteen, from mid-1880 through mid-1884; through it we see a young woman coming of age in this small community in western Michigan. Paired with Adeline's account is her sister Julia's diary, which begins in 1885 when she sets out with three other young women to homestead in Greeley County, Kansas, just east of the Colorado border. It is a vivid and colorful narrative of a young woman's journey into America's western landscape.

Adventures in Pen Land conveys a writer’s sheer doggedness, with a few bones of advice tossed in along the way. Candid and irreverent, but always humane, this memoir is must reading for fans of Southern literature, students of creative writing, and anyone who can’t resist the treat of reading about a writer’s resilience and dedication to her craft.

In Adventures of a Deaf-Mute, Deaf New Englander William B. Swett recounts his adventures in the White Mountains of New Hampshire in the late 1860s. Given to us in short, energetic episodes, Swett tells daring stories of narrow escapes from death and other perilous experiences during his time as a handyman and guide at the Profile House, a hotel named for the nearby Old Man of the Mountain rock formation. A popular destination, the hotel attracted myriad guests, and Swett’s tales of rugged endurance are accompanied by keen observations of the people he meets.
       Confident in his identity as a Deaf “mute,” he notes with wry humor the varied perceptions of deafness that he encounters. As a signing Deaf person from a prominent multigenerational Deaf family, he counters negative stereotypes with generosity and a smart wit. He takes pride in his physical abilities, which he showcases through various stunts and arduous treks in the wilderness. However, Swett’s writing also reveals a deep awareness of the fragility and precariousness of life. This is a portrait of a man testing his physical and emotional limits, written from the vantage point of someone who is no longer a young man but is still very much in the prime of his life.
       This collection also includes “Mr. Swett and His Diorama,” an article from 1859 in which Swett describes his miniature recreation of the Battle of Lexington, as well as Manual Alphabets, a pamphlet published in 1875 on the history of manual alphabets that includes short biographies of Thomas Hopkins Gallaudet and Laurent Clerc, two pioneers of Deaf education in the United States. The work is accompanied by a new introduction that offers a reflection on Swett’s life and the time in which he lived.

Wisenberg may have lost a breast, but she retained her humor, outrage, and skepticism toward common wisdom and most institutions. While following the prescribed protocols at the place she called Fancy Hospital, Wisenberg is unsparing in her descriptions of the fumblings of new doctors, her own awkward announcement to her students, and the mounds of unrecyclable plastic left at a survivors’ walk. Combining the personal with the political, she shares her research on the money spent on pink ribbons instead of preventing pollution, and the disparity in medical care between the insured and the uninsured. When chemotherapy made her bald, she decorated her head with henna swirls in front and an antiwar protest in back. During treatment, she also recorded the dailiness of life in Chicago as she rode the L, taught while one-breasted, and attended High Holiday services and a Passover seder.

Wisenberg’s writing has been compared to a mix of Leon Wieseltier and Fran Lebowitz, and in this book, she has Wieseltier’s erudition and Lebowitz’s self-deprecating cleverness: “If anybody ever offers you the choice between suffering and depression, take the suffering. And I don't mean physical suffering. I mean emotional suffering. I am hereby endorsing psychic suffering over depression.”

From The Adventures of Cancer Bitch:

I found that when you invite people to a pre-mastectomy party, they show up. Even those with small children. The kids were so young that they didn't notice that most of the food had nipples. . . . I talked to everyone—about what I'm not sure. Probably about my surgery. Everyone told me how well I looked. I felt giddy. I was going to go under, but not yet; I was going to be cut, but not yet; I was going to be bald, but not yet. As my friend who had bladder cancer says: The thing about cancer is you feel great until they start treating you for it.

In 1990, the New York Times wrote, "Government corruption was not invented in West Virginia. But there are people who contend that West Virginia officials have done more than their share over the years to develop state-of-the-art techniques in vote theft, contract kickbacks, influence peddling and good old-fashioned bribery, extortion, fraud, tax evasion and outright stealing." While investigating such events as the Invest Right scandal, Thomas Stafford, a former journalist for the Charleston Gazette, would find himself in a very precarious position. As a reporter he felt obligated to tell the whole truth, and he believed in the need to serve the public and those West Virginians who were being abused by a political machine.

In Afflicting the Comfortable, Stafford relates such tales of the responsibility of journalism and politics in coordination with scandals that have unsettled the Mountain State over the past few decades. His probing would take him from the halls of Charleston to the center of our nation's ruling elite. Guided by his senses of duty, right, and fairness, he plunged head first into the misdeeds of West Virginia's politicians. His investigations would be the preface to the downfall of a governor and an adminstration that had robbed the state and the citizens of West Virginia for years.

Thomas E. Wagner and Phillip J. Obermiller's African American Miners and Migrants documents the lives of Eastern Kentucky Social Club (EKSC) members, a group of black Appalachians who left the eastern Kentucky coalfields and their coal company hometowns in Harlan County.
 
Bound together by segregation, the inherent dangers of mining, and coal company paternalism, it might seem that black miners and mountaineers would be eager to forget their past. Instead, members of the EKSC have chosen to celebrate their Harlan County roots. African American Miners and Migrants uses historical and archival research and extensive personal interviews to explore their reasons and the ties that still bind them to eastern Kentucky. The book also examines life in the model coal towns of Benham and Lynch in the context of Progressive Era policies, the practice of welfare capitalism, and the contemporary national trend of building corporate towns and planned communities.
 

Shirley Chisholm, the first Black woman in the U.S. House of Representatives, was elected in 1968. That was nearly a hundred years after the election of the first African American man to Congress and fifty years after the first woman. A quarter of a century after Chisholm's election, the first Black woman, Carol Moseley-Braun, was elected to the United States Senate. It was not until 1993, when ten additional Black women won seats in the 103rd Congress, that African American women were allowed to serve their country and their constituencies in any substantial numbers. In 1997 that historic moment will very likely be lost as congressional districts are redrawn by court order. This remarkable book by LaVerne Gill preserves the history of the struggles and accomplishments of these fifteen courageous women, and will move others to learn from and follow their example.

African American Women in Congress details the life and career histories of Shirley Chisholm, Barbara Jordan, Yvonne Burke, Cardiss Collins, Katie Hall, Eleanor Holmes Norton, Maxine Waters, Barbara-Rose Collins, Carol Moseley-Braun, Corinne Brown, Carrie Meek, Cynthia McKinney, Eva Clayton, Eddie Bernice Johnson, and Sheila Jackson-Lee. Each profile contains a picture of its subject, interview material, and resumés. Arranged chronologically, the book introduces the reader to issues of vital importance to the Black community—Reconstruction, enfranchisement, lynchings and harassment, civil rights struggles, the founding of advocacy groups, the power of the Congressional Black Caucus, the creation of majority minority districts that allowed greater representation in Congress, the struggle of largely Black Washington, D.C., for representation, and the recent dismantling of past gains by a Republican majority. Gill also describes the uphill battles for social justice and the rights of women that the fifteen women had to wage even within their own political parties, political organizations, and districts.

For general readers, high school and college students, and anyone interested in the political process, this book is illuminating and inspiring reading.

African Rhythms is the autobiography of the important jazz pianist, composer and band leader Randy Weston. He tells of his childhood in Brooklyn, his six decades long musical career, his time living in Morocco, and his lifelong quest to learn about the musical and cultural traditions of Africa.

African-American Concert Dance significantly advances the study of pioneering black dancers by providing valuable biographical and historical information on a group of artists who worked during the 1920s, 1930s, and 1940s to legitimize black dance as a serious art form. John O. Perpener sets these seminal artists and their innovations in the contexts of African-American culture and American modern dance and explores their creative synthesis of material from European-American, African-American, Caribbean, and African sources.
Perpener begins with Hemsley Winfield, a versatile performer and director whose company, the New Negro Art Theatre, launched the careers of Edna Guy, Randolph Sawyer, and Ollie Burgoyne, among many others. Also profiled are Charles Williams, who directed the Hampton Creative Dance Group at the Hampton Institute in Virginia, and Asadata Dafora Horton, a native African who established himself as the preeminent purveyor of African dance and culture in America during the 1930s. Dafora's African Dance Troupe, which at one point came under the umbrella of the WPA Federal Theatre Project, was a focal point of the famous "voodoo" Macbeth, an all-black production set in Haiti and directed by the young Orson Welles.
Stepping onto the path cleared by these early innovators, two important artists combined dance with anthropology to expand the reach and scope of African-American dance. Katherine Dunham and Pearl Primus both studied anthropology and engaged in extensive fieldwork that infused their dances with Caribbean and African influences. Dunham founded two ambitious training schools, one in New York and one in East St. Louis, while Primus's projects included an African Arts Center in Monrovia, Liberia, dedicated to collecting dance material, teaching, and organizing professional performances.
Perpener examines the politics of racial and cultural difference and their impact on these early African-American dance leaders. In particular he documents the critical reception of their work, detailing the rigid preconceptions of African-American dance that white critics imposed on black artists. He also surveys important black dancers and choreographers since 1950, including Talley Beatty, Donald McKayle, Alvin Ailey, Eleo Pomare, Rod Rodgers, and Dianne McIntyre, and discusses how they have extended and diverged from traditions established by their predecessors.
 

The appearance of Alain Resnais' 1955 French documentary Night and  Fog heralded the beginning of a new form of cinema, one that used the narrative techniques of modernism to provoke a new historical consciousness. Afterimage presents a theory of posttraumatic film based on the encounter between cinema and the Holocaust. Locating its origin in the vivid shock of wartime footage, Afterimage focuses on a group of crucial documentary and fiction films that were pivotal to the spread of this cinematic form across different nations and genres.

Joshua Hirsch explores the changes in documentary brought about by cinema verite, culminating in Shoah. He then turns to teh appearance of a fictional posttraumatic cinema, tracing its development through the vivid flashbacks in Resnais' Hiroshima, mon amour to the portrayal of pain and memory in Pawnbroker. He excavates a posttraumatic autobiography in three early films by the Hungarian Istvan Szabo. Finally, Hirsch examines the effects of postmodernism on posttraumatic cinema, looking at Schindler's List and a work about a different form of historical trauma, History and Memory, a  videotape dealing with the internment of Japanese Americans during the Second World  War.

Sweeping in its scope, Afterimage presents a new way of thinking about film and history, trauma and its representation.

On 28 March, 1941, at the height of Hitler's victories during the Second World War, Virginia Woolf filled her pockets with stones and drowned herself in the River Ouse near her home in Sussex. At the time of her death some voices in the press attacked her for showing cowardice in the face of the enemy and for setting a bad example to the general population. Woolf's suicide has been the subject of controversy for the media, for literary scholars, and for her biographers ever since.

Just when it may seem that nothing else could be said about Virginia Woolf and the ambiguous details of her suicide, Afterwords provides an entirely fresh perspective. It makes available to a wide readership for the first time letters sent to Leonard Woolf and Vanessa Bell (Virginia Woolf's sister) in the aftermath of the event. This unique volume brings together over two hundred letters from T. S. Eliot, H. G. Wells, May Sarton, Vita Sackville-West, Edith Sitwell, E. M. Forster, Radclyffe Hall, and many others, including political figures and religious leaders. In addition, informative annotations reveal the identities of many unexpected condolence-letter writers from among the general public.

In her introduction, editor Sybil Oldfield confronts the contemporary controversy over Woolf's suicide note, arguing that no one who knew Woolf or her work believed that she had deserted Britain. The ensuing collection of letters supports Oldfield's assertion. In elegant prose that rises to the stature of the occasion, these writers share remembrances of Virginia Woolf in life, comment on the quality of her work and her antifascist values, and reveal previously unknown facets of her capacity for friendship.

A richly deserved tribute to the life of an extraordinary woman as well as a testimony to the human capacity for sympathy, Afterwords is essential reading for anyone interested in the life, death, and enduring impact of Virginia Woolf.

Senelick's biography of the panto clown Laff Fox, renowned in his time as America's funniest performer, brings this most popular and most tragic legend to life. In his new essay to this expanded edition, Senelick draws upon recent discoveries and insights to further animate Fox's remarkable career. 

The essayist Adela Sloss-Vento (1901–1998) was a powerhouse of activism in South Texas’s Lower Rio Grande Valley throughout the Mexican American civil rights movement beginning in 1920 and the subsequent Chicano movement of the 1960s and 1970s. At last presenting the full story of Sloss-Vento’s achievements, Agent of Change revives a forgotten history of a major female Latina leader.

Bringing to light the economic and political transformations that swept through South Texas in the 1920s as ranching declined and agribusiness proliferated, Cynthia E. Orozco situates Sloss-Vento’s early years within the context of the Jim Crow/Juan Crow era. Recounting Sloss-Vento’s rise to prominence as a public intellectual, Orozco highlights a partnership with Alonso S. Perales, the principal founder of the League of United Latin American Citizens. Agent of Change explores such contradictions as Sloss-Vento’s tolerance of LULAC’s gender-segregated chapters, even though the activist was an outspoken critic of male privilege in the home and a decidedly progressive wife and mother. Inspiring and illuminating, this is a complete portrait of a savvy, brazen critic who demanded reform on both sides of the US-Mexico border.

Born into a relatively privileged family, Geraldyne Pierce Zimmerman earned a reputation as a maverick in her life-long home of Orangeburg, South Carolina, a semi-rural community where race and class were very much governed by the Jim Crow laws. Educated at Nashville’s Fisk University, Zimmerman returned to Orangeburg to teach school, serve her community, and champion equal rights for African Americans and women. She was a woman far ahead of her time.

Kibibi V. Mack-Shelton offers a vivid portrayal of the kind of black family seldom recognized for its role in the development of the African American community after the Civil War. At a time when “separate-but-equal” usually meant suffering and injustice for the black community, South Carolina families such as the Tatnalls, Pierces, and Zimmermans achieved a level of financial and social success rivaling that of many white families.

Drawing heavily on the oral accounts of Geraldyne Pierce Zimmerman, Mack-Shelton draws the reader into the lives of the African American elite of the early twentieth century. Her captivating narrative style brings to life many complicated topics: how skin color affected interracial interactions and class distinctions within the black community itself, the role of education for women and for African Americans in general, and the ways in which cultural ideas about family and community are simultaneously preserved and transformed over the span of generations.

Refreshing and engaging, <i>Ahead of Her Time in Yesteryear</i> is an important contribution to African American and women’s studies, as well as a fascinating biography for any reader interested in a new perspective on small town black culture in the Jim Crow South.
 
Kibibi V. Mack-Shelton held the former Tyler and Alice Haynes Endowed Chair of American Studies at the University of Richmond.  She currently teaches at the University of Maryland Baltimore County and is author and editor of numerous scholarly publications, including <i>Parlor Ladies and Ebony Drudges: African American Women, Class, and Work in a South Carolina Community and History And Women, Culture And Faith: Selected Writings Of  Elizabeth Fox-Genovese, Volume 2</i>.

A rollicking memoir from the linebacker at the heart of the most famous Alabama football play of all time
 
No university has won more football championships than Alabama, and Barry Krauss played a key role in one of them. The linebacker’s fourth down stop of Penn State’s Mike Guman in the Sugar Bowl on January 1, 1979, was recently named by ESPN as one of the ten most important plays of the 20th century.
 
The Goal Line Stand, as the play became known, immortalized Krauss among legions of fans. More than twenty-five years later, people still tell him exactly what they were doing and how they felt when he collided in mid-air with Guman that New Year’s Day—and almost never mention his twelve-year career in the NFL.
 
In this entertaining and well-illustrated memoir, Krauss tells of scrimmaging on front lawns with friends as a kid in Pompano Beach, Florida, and of his childhood dream to play for Don Shula. He acknowledges how Coach Bear Bryant tamed his free spirit and shaped him into the football player—and the man—he became. In addition, he emphasizes the importance of team, weaving together the personal stories of his Alabama teammates on the field during the Goal Line Stand, and acknowledges their significant roles in winning the game and the championship.
 
Ain’t Nothin’ But a Winner offers an insider’s look at how a team is built, tested, and becomes a national champion—and how that process sometimes calls upon an individual to rise to the challenge presented by his own personal gut check.
 

Hugh Dowding may be described as the prime architect of British victory in the battle of Britain, and thus as one of a handful of officers and men most responsible for ensuring that Hitler’s planned invasion of England never occurred. Dowding was born in 1882 at the apex of British imperial power and had an early career as a gunner on the fabled North-West Frontier of the British Indian Empire. During the first year of World War I, he served with distinction as a combat pilot in France, but his real test would come in 1936, when he was assigned the critical task of reorganizing the Air Defense of Great Britain as the first air officer commanding-in-chief of the new RAF Fighter Command. In that capacity he stood up to senior staff—and Winston Churchill—by preventing the dismantling of British air defenses during the Battle of France in the spring of 1940, defying pressure from the British Army, Britain’s French allies, and His Majesty’s Government to send the bulk of the RAF’s front-line fighters to the Continent in what Dowding predicted would be a futile effort to stem the German onslaught. While holding back as many of his best fighter aircraft as he could, in June Dowding deployed 11 Group under his hand-picked lieutenant, Air Vice-Marshal Keith Park, to repulse the Luftwaffe over Dunkirk, covering the evacuation of some 338,000 British and French troops from the Continent. During the three months of fighting known as the Battle of Britain, the integrated air defense system organized and trained by Dowding fought the vaunted Luftwaffe to a standstill in daylight air-to-air combat. In October, the Germans abandoned their attempt to win a decisive battle for air superiority over England, turning instead to the protracted campaign of attrition by nighttime area bombing known as the Blitz. In building, defending, and overseeing the operations of Fighter Command, Dowding was thus not only one of the master builders of air power, but also the only airman to have been the winning commander in one of history’s decisive battles.

Anna Akhmatova (1889-1966) was one of the greatest Russian poets of this century. But during her life she was subjected to scathing critical attacks, denounced as "half-nun, half-whore," and then expelled from the Writers' Union. She also endured severe personal losses. Akhmatova's friend Lydia Chukovskaya (1907-96) kept intimate diaries of her conversations with the great poet. First published in the U.S.S.R. in 1987, The Akhmatova Journals offers a rare look into the day-to-day life of Akhmatova.

A collection of portraits of many remarkable Alabamians, famous and obscure, profiled by award-winning journalist and novelist Roy Hoffman
 
Alabama Afternoons is a collection of portraits of many remarkable Alabamians, famous and obscure, profiled by award-winning journalist and novelist Roy Hoffman. Written as Sunday feature stories for the Mobile Press-Register with additional pieces from the New York Times, Preservation, and Garden & Gun, these profiles preserve the individual stories—and the individual voices within the stories—that help to define one of the most distinctive states in the union.
 
Hoffman recounts his personal visits with writer Mary Ward Brown in her library in Hamburg, with photographer William Christenberry in a field in Newbern, and with storyteller Kathryn Tucker Windham and folk artist Charlie “Tin Man” Lucas at their neighboring houses in Selma. Also highlighted are the lives of numerous alumni of The University of Alabama—among them Mel Allen, the “Voice of the Yankees” from 1939 to 1964; Forrest Gump author Winston Groom; and Vivian Malone and James Hood, the two students who entered the schoolhouse door in 1963. Hoffman profiles distinguished Auburn University alumni as well, including Eugene Sledge, renowned World War II veteran and memoirist, and Neil Davis, the outspoken, nationally visible editor of the Lee County Bulletin.
 
Hoffman also profiles major and minor players in the civil rights movement, from Johnnie Carr, raised in segregated Montgomery and later president of the Montgomery Improvement Association; and George Wallace Jr., son of the four-time governor; to Theresa Burroughs, a Greensboro beautician trampled in the march over the Edmund Pettus Bridge; and Diane McWhorter, whose award- winning book explores the trouble- filled Birmingham civil rights experience. Juxtaposed with these are accounts of lesser-known individuals, such as Sarah Hamm, who attempts to preserve the fading Jewish culture in Eufaula; Edward Carl, who was butler and chauffeur to Bellingrath Gardens founder Walter Bellingrath in Theodore; and cousins William Bolton and Herbert Henson, caretakers of the coon dog cemetery in Russellville.
 
Hoffman’s compilation of life stories creates an engaging and compelling look into what it means to be from, and shaped by, Alabama. “Alabama Afternoons,” he writes in the introduction, “is a small part of the even bigger question of what it means to be an American.”
Read an article about domestic lives by Roy Hoffman in the New York Times here: http://www.nytimes.com/2010/11/25/garden/25Domestic.html
 
 

A biographical history of the forefathers who shaped the identity of Alabama politically, legally, economically, militarily, and geographically
 
While much has been written about the significant events in the history of early Alabama, there has been little information available about the people who participated in those events. In Alabama Founders:Fourteen Political and Military Leaders Who Shaped the State Herbert James Lewis provides an important examination of the lives of fourteen political and military leaders. These were the men who opened Alabama for settlement, secured Alabama’s status as a territory in 1817 and as a state in 1819, and helped lay the foundation for the political and economic infrastructure of Alabama in its early years as a state.
 
While well researched and thorough, this book does not purport to be a definitive history of Alabama’s founding. Lewis has instead narrowed his focus to only those he believes to be key figures—in clearing the territory for settlement, serving in the territorial government, working to achieve statehood, playing a key role at the Constitutional Convention of 1819, or being elected to important offices in the first years of statehood.
 
The founders who readied the Alabama Territory for statehood include Judge Harry Toulmin, Henry Hitchcock, and Reuben Saffold II. William Wyatt Bibb and his brother Thomas Bibb respectively served as the first two governors of the state, and Charles Tait, known as the “Patron of Alabama,” shepherded Alabama’s admission bill through the US Senate. Military figures who played roles in surveying and clearing the territory for further settlement and development include General John Coffee, Andrew Jackson’s aide and land surveyor, and Samuel Dale, frontiersman and hero of the “Canoe Fight.” Those who were instrumental to the outcome of the Constitutional Convention of 1819 and served the state well in its early days include John W. Walker, Clement Comer Clay, Gabriel Moore, Israel Pickens, and William Rufus King.
 

An entirely revised and updated edition of the best-selling 2001 original
 
This collection of biographical essays, written by thirty-four noted historians and political scientists, chronicles the times, careers, challenges, leadership, and legacies of the fifty-seven men and one woman who have served as the state's highest elected official. The book is organized chronologically into six sections that cover Alabama’s years as a US territory and its early statehood, the 1840s through the Civil War and Reconstruction, the late nineteenth-century Bourbon era, twentieth-century progressive and wartime governors, the Civil Rights era and George Wallace’s period of influence, and recent chief executives in the post-Wallace era.
 
The political careers of these fifty-eight individuals reflect the story of Alabama itself. Taken together, these essays provide a unified history of the state, with its recurring themes of race, federal-state relations, tensions between north and south Alabama, economic development, taxation, and education.
 
Alabama Governors expertly delineates the decisions and challenges of the chief executives, their policy initiatives, their accomplishments and failures, and the lasting impact of their terms. The book also includes the true and sometimes scandalous anecdotes that pepper Alabama’s storied history. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his office and refused to give it up when voters failed to reelect him. A twentieth-century governor, an alumnus of Yale, served as an officer in the Ku Klux Klan.
 
This entirely updated and revised edition includes enlarged and enhanced images of each governor. Published as Alabama prepares for its sixty-fourth gubernatorial election, Alabama Governors is certain to become a valuable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history of Alabama politics.
 

The story of Alabama's governors has been often bizarre, occasionally inspiring, but never dull. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his administrative office and refused to give it up when voters failed to reelect him. A 20th-century governor, an alumnus of Yale, married his first cousin and served as an officer in the Ku Klux Klan.
 

This collection of biographical essays, written by 34 noted historians and political scientists, chronicles the foibles and idiosyncrasies, in and out of office, of those who have served as the state's highest elected official. It also describes their courage; their meaningful policy initiatives; their accomplishments and failures; the complex factors that led to their actions or inaction; and the enormous consequences of their choices on the state's behalf. 
 

Taken together, the essays provide a unified history of the state, with its recurring themes of race, federal-state relations, economic development, taxation, and education. Alabama Governors is certain to become an invaluable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history and politics of the state.

 

A vignette of local Southern history

Among the villains, heroes, rogues and demigods who inhabit Southern folklore, Stephen S. Renfroe deserves a place. In the twentieth-century a few popular magazine and newspaper articles have been written about Renfroe, while Carl Carmer’s Stars Fell on Alabama, published in 1934, devoted several pages to him. Other than this, all is previously know about the enigmatic sheriff who because an outlaw is in the form of a legend.
 
In general, Renfroe appeared in the Black Belt town of Livingston, Alabama in the late 1860s and quickly became a member of the Ku Klux Klan. Allegedly playing a major role in driving out carpetbaggers and ridding Sumter County of Radical Republican rule, he was awarded with the office of sheriff. However, he reverted to a pattern of crime that earned him disgrace and ostracism.
 
As to his origins, his background, and the details of his career—much has been speculated but little has been documented. Although no statue commemorates Renfroe’s role as a statesman, educator, or solider (his highest military rank was that of private), a case can be made that he helped shape the course of politics in Alabama’s Black Belt.
 

When, in 1968, 19-year-old Tressa Bowers took her baby daughter to an expert on deaf children, he pronounced that Alandra was “stone deaf,” she most likely would never be able to talk, and she probably would not get much of an education because of her communication limitations. Tressa refused to accept this stark assessment of Alandra’s prospects. Instead, she began the arduous process of starting her daughter’s education.

Economic need forced Tressa to move several times, and as a result, she and Alandra experienced a variety of learning environments: a pure oralist approach, which discouraged signing; Total Communication, in which the teachers spoke and signed simultaneously; a residential school for deaf children, where Signed English was employed; and a mainstream public school that relied upon interpreters. Changes at home added more demands, from Tressa’s divorce to her remarriage, her long work hours, and the ongoing challenge of complete communication within their family. Through it all, Tressa and Alandra never lost sight of their love for each other, and their affection rippled through the entire family. Today, Tressa can triumphantly point to her confident, educated daughter and also speak with pride of her wonderful relationship with her deaf grandchildren. Alandra’s Lilacs is a marvelous story about the resiliency and achievements of determined, loving people no matter what their circumstances might be.

Elizabeth B. Pinson shares with us her memories of Alaska's emergence into a new and modern era, bearing witness to history in the early twentieth century as she recalls it. She draws us into her world as a young girl of mixed ethnicity, with a mother whose Eskimo family had resided on the Seward Peninsula for generations and a father of German heritage. Growing up in and near the tiny village of Teller on the Bering Strait, Elizabeth at the age of six, despite a harrowing, long midwinter sled ride to rescue her, lost both her legs to frostbite when her grandparents, with whom she was spending the winter in their traditional Eskimo home, died in the 1918 influenza epidemic.

Fitted with artificial legs financed by an eastern benefactor, Elizabeth kept journals of her struggles, triumphs, and adventures, recording her impressions of the changing world around her and experiences with the motley characters she met. These included Roald Amundsen, whose dirigible landed in Teller after crossing the Arctic Circle; the ill-fated 1921 British colonists of Wrangel Island in the Arctic; trading ship captains and crews; prospectors; doomed aviators; and native reindeer herders. Elizabeth moved on to boarding school, marriage, and the state of Washington, where she compiled her records into this memoir and where she lived until her death in 2006.

Outdoor tourism is one of Alaska’s biggest industries, and the thousands of people who flock to the state’s dramatic landscapes and pristine waters to hunt and fish are supported by a large and growing network of guides, lodges, outfitters, and wildlife biologists.

This book honors more than sixty of those remarkably colorful characters, past and present, people whose incredible skills were their calling cards, but whose larger-than-life personalities were what people remember after the trip is over.  Taken together, these portraits offer a history of outdoor life in Alaska and celebrate its incredible natural beauty—and the people who devote their lives to helping us enjoy it.
 

The political and social impact that Albert A. Peña Jr. had on the lives of Mexican Americans, and later Chicanos, is by all counts immeasurable. However, in part because Chicano biography has traditionally been a neglected research area among academics generally and Chicano Studies scholars specifically, his life’s work has not featured prominently in any biographical work to date, making this volume the first of its kind. It provides a richly detailed documentation of Peña’s life and career, from blue collar worker to judge and essay writer, spanning nearly ninety years. Readers will find that at the heart of his story is a focus on grassroots organizing and politics, sharing leadership, and a commitment to social justice.

Winner of the Franco-British Society Literary Prize 2015

Few figures of twentieth-century French culture carry such an air of romance and intrigue as Albert Camus. Though his life was cut short by a fatal car accident in 1960, when he was just forty-six years old, he packed those years with an incredible amount of experience and accomplishment. This new entry in the Critical Lives series offers a fresh look at Camus’ life and work, from his best-selling novels like The Stranger to his complicated political engagement in a postwar world of intensifying ideological conflict. Edward Hughes offers a particularly nuanced exploration of Camus’ relationship to his native Algeria—a connection whose strength would be tested in the 1950s as France’s conflict with the anticolonial movement there became increasingly violent and untenable.
           
Ultimately, the picture Hughes offers is of a man whose commitment to ideas and truth reigned supreme, whether in his fiction, journalism, or political activity, a commitment that has led the man who disclaimed leadership—“I do not guide anyone,” he once pleaded—to nonetheless be seen as a powerful figure and ethical force.

While Albert Camus is an internationally acclaimed figure, Jean Sénac has struggled to gain recognition, even in France and Algeria. The correspondence between the Nobel Prize recipient and the young poet, documented in this illuminating collection, is a testimony to a little-known friendship that lasted for over a decade (1947–1958) and coincided with the escalating conflict between France and Algeria. Their letters shed light on a passionate conflict that opposed two men on two sides of the Algerian War. On one side, Camus distanced himself from an Algerian insurrection that was becoming increasingly violent. On the other, Sénac espoused the armed insurrection of the National Liberation Front and Algeria’s right to independence and freedom. The exchange between Sénac and Camus allows for a deeper and more personal understanding of the Algerian conflict, and of the crucial role of writers, poets, and thinkers in the midst of a fratricidal colonial conflict. The letters translated here are also the intimate dialog between two men who had much in common and who shared a deep love for each other and for their homeland. 

In an excellent addition to the Ohio Short Histories of Africa series, Robert Trent Vinson recovers the important but largely forgotten story of Albert Luthuli, Africa’s first Nobel Peace Prize winner and president of the African National Congress from 1952 to 1967. One of the most respected African leaders, Luthuli linked South African antiapartheid politics with other movements, becoming South Africa’s leading advocate of Mahatma Gandhi’s nonviolent civil disobedience techniques. He also framed apartheid as a crime against humanity and thus linked South African antiapartheid struggles with international human rights campaigns.

Unlike previous studies, this book places Luthuli and the South African antiapartheid struggle in new global contexts, and aspects of Luthuli’s leadership that were not previously publicly known: Vinson is the first to use new archival evidence, numerous oral interviews, and personal memoirs to reveal that Luthuli privately supported sabotage as an additional strategy to end apartheid. This multifaceted portrait will be indispensable to students of African history and politics and nonviolence movements worldwide.

George Starkey—chymistry tutor to Robert Boyle, author of immensely popular alchemical treatises, and probably early America's most important scientist—reveals in these pages the daily laboratory experimentation of a seventeenth-century alchemist.

The editors present in this volume transcriptions of Starkey's texts, their translations, and valuable commentary for the modern reader. Dispelling the myth that alchemy was an irrational enterprise, this remarkable collection of laboratory notebooks and correspondence reveals the otherwise hidden methodologies of one of the seventeenth century's most influential alchemists.

By 1888, twenty years after the publication of Little Women, Louisa May Alcott (1832-1888) was one of the most popular and successful authors America had yet produced. In her pre-Little Women days, she concocted blood-and-thunder tales for low wages; post-Little Women, she specialized in domestic novels and short stories for children. Collected here for the first time are the reminiscences of people who knew her, the majority of which have not been published since their original appearance in the 19th and early 20th centuries.

Many of the printed recollections in this book appeared after Alcott became famous and showcase her as a literary lion, but others focus on her teen years, when she was living the life of Jo March; these intimate glimpses into the life of the Alcott family lead the reader to one conclusion: the family was happy, fun, and entertaining, very much like the fictional Marches. The recollections about an older and wealthier Alcott show a kind and generous, albeit outspoken, woman little changed by her money and status.

From Annie Sawyer Downs’s description of life in Concord to Anna Alcott Pratt’s recollections of the Alcott sisters’ acting days to Julian Hawthorne’s neighborly portrait of the Alcotts, the thirty-six recollections in this copiously illustrated volume tell the private and public story of a remarkable life.

This biography of Aldo Leopold follows him from his childhood as a precocious naturalist to his profoundly influential role in the development of conservation and modern environmentalism in the United States. This edition includes a new preface by author Curt Meine and an appreciation by acclaimed Kentucky writer and farmer Wendell Berry.

A household icon of the environmental movement, Aldo Leopold (1887-1948) may be the most quoted conservationist in history. A Sand County Almanac has sold millions of copies and Leopold's writings are venerated for their perceptions about land and how people might live in concert with the whole community of life.

But who is the man behind the words? How did he arrive at his profound and poetic insights, inspiring generations of environmentalists? Building on past scholarship and a fresh study of Leopold's unpublished archival materials, Julianne Lutz Newton retraces the intellectual journey generated by such passion and intelligence.

Aldo Leopold's Odyssey illuminates his lifelong quest for answers to a fundamental issue: how can people live prosperously on the land and keep it healthy, too? Leopold's journey took him from Iowa to Yale to the Southwest to Wisconsin, with fascinating stops along the way to probe the causes of early land settlement failures, contribute to the emerging science of ecology, and craft a new vision for land use.

More than a biography, this articulate volume is a guide to one man's intellectual growth, and an inspirational resource for anyone pondering the relationships between people and the land.

In 2006, Julianne Lutz Warren (née Newton) asked readers to rediscover one of history’s most renowned conservationists. Aldo Leopold’s Odyssey was hailed by The New York Times as a “biography of ideas,” making “us feel the loss of what might have followed A Sand County Almanac by showing us in authoritative detail what led up to it.” Warren’s astute narrative quickly became an essential part of the Leopold canon, introducing new readers to the father of wildlife ecology and offering a fresh perspective to even the most seasoned scholars.
A decade later, as our very concept of wilderness is changing, Warren frames Leopold’s work in the context of the Anthropocene. With a new preface and foreword by Bill McKibben, the book underscores the ever-growing importance of Leopold’s ideas in an increasingly human-dominated landscape.
Drawing on unpublished archives, Warren traces Leopold’s quest to define and preserve land health. Leopold's journey took him from Iowa to Yale to the Southwest to Wisconsin, with fascinating stops along the way to probe the causes of early land settlement failures, contribute to the emerging science of ecology, and craft a new vision for land use.
Leopold’s life was dedicated to one fundamental dilemma: how can people live prosperously on the land and keep it healthy, too? For anyone compelled by this question, the Tenth Anniversary Edition of Aldo Leopold’s Odyssey offers insight and inspiration. 

 

The music of Alec Wilder (1907-1980) blends several American musical traditions, such as jazz and the American popular song, with classical European forms and techniques. Stylish and accessible, Wilder's musical oeuvre ranged from sonatas, suites, concertos, operas, ballets, and art songs to woodwind quintets, brass quintets, jazz suites, and hundreds of popular songs. In this biography and critical investigation of Wilder's music, Philip Lambert chronicles Wilder's early work as a part-time student at the Eastman School of Music, his ascent through the ranks of the commercial recording industry in New York City in the 1930s and 1940s, his turn toward concert music from the 1950s onward, and his devotion late in his life to the study of American popular songs of the first half of the twentieth century. The book discusses some of his best-known music, such as the revolutionary octets and songs such as "I'll Be Around," "While We're Young," and "Blackberry Winter," and explains the unique blend of cultivated and vernacular traditions in his singular musical language.

Filmed in1966 and ’67, but kept from release for twenty years, The Commissar is unquestionably one of the most important and compelling films of the Soviet era. Based on a short story by Vasily Grossman, it tells of a female Red Army commissar who is forced to stay with a Jewish family near the frontlines of the battle between the Red and White Armies as she waits to give birth. The film drew the ire of censors for its frank portrayal of the violence faced by Russian Jews in the wake of the revolution.
            This book is the first companion to the film in any language. It recounts the film’s plot and turbulent production history, and it also offers a close analysis of the artistic vision of its director, Aleksandr Askoldov, and the ways that viewers can trace in the film not only his complex aesthetics, but also the personal crises he endured in the years leading up to the film. The result is an indispensable companion to an unforgettable film.

Released in 2002, Russian Ark drew astonished praise for its technique: shot with a Steadicam  in one ninety-six-minute take, it presented a dazzling whirl of movement as it followed the Marquis de Custine as he wandered through the vast Winter Palace in St. Petersburg—and through three hundred years of Russian history.
            This companion to Russian Ark addresses all key aspects of the film, beginning with a comprehensive synopsis, an in-depth analysis, and an account of the production history. Birgit Beumers goes on from there to discuss the work that went into the now-legendary Steadicam shot—which required two thousand actors and three orchestras—and she also offers an account of the film’s critical and public reception, showing how it helped to establish director Aleksandr Sokurov as perhaps the leading filmmaker in Russia today.
 

Aleksandur Stamboliiski was one of the most original politicians of the 20th century. His tragedy was that he came to power at the end of the First World War in which Bulgaria had been defeated. It fell to him, therefore, to accept and apply the peace settlement. This created tensions between him and traditional Bulgarian nationalism, tensions which ended with his murder in 1923. The book will examine the origins of this traditional nationalism from the foundation of the Bulgarian state in 1878, and of the agrarian movement which came to represent the social aspirations of the majority of the peasant population. It will also illustrate Stamboliiski's rise to power and examine his ideology. Emphasis will be placed on how this ideology clashed with the monarchy, the military, and the nationalists. Stamboliiski's policies in the Balkan wars and the First World War will be described before the details of the 1919 peace settlement are examined. The implementation of those terms will then be discussed as will the coup of 1923. The legacy of the peace treaty in the inter-war period and of Stamboliiski's image in the years after his downfall will form the final section of the book.

When a ten-year-old boy befriends a mysterious hobo in his southern Colorado hometown in the early 1940s, he learns about evil in his community and takes his first steps toward manhood by attempting to protect his new friend from corrupt officials. Though a fictional story, Alex and the Hobo is written out of the life experiences of its author, José Inez (Joe) Taylor, and it realistically portrays a boy’s coming-of-age as a Spanish-speaking man who must carve out an honorable place for himself in a class-stratified and Anglo-dominated society. In this innovative ethnography, anthropologist James Taggart collaborates with Joe Taylor to explore how Alex and the Hobo sprang from Taylor’s life experiences and how it presents an insider’s view of Mexicano culture and its constructions of manhood. They frame the story (included in its entirety) with chapters that discuss how it encapsulates notions that Taylor learned from the Chicano movement, the farmworkers’ union, his community, his father, his mother, and his religion. Taggart gives the ethnography a solid theoretical underpinning by discussing how the story and Taylor’s account of how he created it represent an act of resistance to the class system that Taylor perceives as destroying his native culture.

Born in 1755 on a small Caribbean island to unmarried parents, Alexander Hamilton did not enjoy the privileges of wealth or heredity by which so many of his contemporaries advanced to the highest levels of power. Yet Hamilton's natural ability and ambition earned him prevailing influence in the American Revolution and the government created thereafter, eventually securing his place in the pantheon of America's founders.
Editor John P. Kaminski has gathered a remarkable collection of quotations by and about Alexander Hamilton that paint for us a nuanced portrait of a complex man. Through his own words and the words of his contemporaries -- including the man who killed him in a duel, Aaron Burr -- we can gain a better understanding of this fascinating man who rose from anonymity on a small Caribbean island to the corridors of power.

With Alexander Robey Shepherd, John P. Richardson gives us the first full-length biography of his subject, who as Washington, D.C.’s, public works czar (1871–74) built the infrastructure of the nation’s capital in a few frenetic years after the Civil War. The story of Shepherd is also the story of his hometown after that cataclysm, which left the city with churned-up streets, stripped of its trees, and exhausted.

An intrepid businessman, Shepherd became president of Washington’s lower house of delegates at twenty-seven. Garrulous and politically astute, he used every lever to persuade Congress to realize Peter L’Enfant’s vision for the capital. His tenure produced paved and graded streets, sewer systems, trees, and gaslights, and transformed the fetid Washington Canal into one of the city’s most stately avenues. After bankrupting the city, a chastened Shepherd left in 1880 to develop silver mines in western Mexico, where he lived out his remaining twenty-two years.

In Washington, Shepherd worked at the confluence of race, party, region, and urban development, in a microcosm of the United States. Determined to succeed at all costs, he helped force Congress to accept its responsibility for maintenance of its stepchild, the nation’s capital city.

Alexander William Doniphan (1808-1887)--Missouri attorney, military figure, politician, and businessman--is one of the most significant figures in antebellum Missouri. From the 1830s to the 1880s, Doniphan was active in a variety of affairs in Missouri and held firm to several underlying principles, including loyalty, hard work, the sanctity of the republic, and commitment to Christian charity. However, the key to Doniphan's importance was his persistent moderation on the critical issues of his day.

Doniphan became a household name when he served as the commanding officer of the famed First Missouri Mounted Volunteers during the Mexican-American War. It was during this time that he won two battles, established an Anglo-American-based democracy in New Mexico, and paved the way for the annexation of the territory that became New Mexico and Arizona. He is also recognized by the Mormons for his assistance to their beleaguered church during Missouri's "Mormon War" and for his refusal to execute Joseph Smith when ordered to do so by his commanding officer.

Although Doniphan was a slaveholding unionist, he sought a middle ground to stave off war in the 1850s and early 1860s and served as a delegate to the Washington Peace Conference in 1861. When conflict escalated along the western border of Missouri in 1862, Doniphan moved to St. Louis, where he worked as a lawyer with the Missouri Claims Commission, seeking pensions for refugees.

Doniphan early adopted the Whig ideal of the "positive liberal state" and sought to use the power of government to remake society into something better. Once he saw the heavy-handed use of state power during Reconstruction, however, Doniphan reversed his views on the role of the government in society. For the rest of his life, he resisted government incursions into the lives of the people and sought to restore a healthy Union.

Alexander William Doniphan will be of interest to academic specialists and general readers alike, especially those interested in Mormon studies, Missouri history, military history, and Western history.