front cover of Kaddish
Kaddish
Pages on Tadeusz Kantor
Jan Kott
Seagull Books, 2020
Tadeusz Kantor (1915–90) was renowned for his revolutionary theater performances in both his native Poland and abroad. Despite nominally being a Catholic, Kantor had a unique relationship with Jewish culture and incorporated many elements of Jewish theater into his works. In Kaddish, Jan Kott, an equally important figure in twentieth-century theater criticism, presents one of the most poignant descriptions of what might be called “the experience of Kantor.” At the core of the book is a fundamental philosophical question: What can save the memory of Kantor’s “Theatre of Death”—the Image, or the Word/Logos? Kott’s biblical answer in Kaddish is that Kantor’s theatre can be saved in its essence only by the Word, the Logos. This slim volume, Kott’s final work, is a distilled meditation that casts light on how two of the most prominent figures in Western theater reflected on the philosophy of the stage.
 
[more]

logo for Harvard University Press
Kafka
Klaus Wagenbach
Harvard University Press, 2003

In Kafka's writing, Albert Camus tells us, we travel "to the limits of human thought." And in this book, the world's leading Kafka authority conducts us to the deepest reaches of Kafka's own troubled psyche, to reveal the inner workings of the man who gave his name to a central facet of modern experience, the Kafkaesque. Klaus Wagenbach, who wrote the first major critical biography of Kafka, draws upon a wealth of new and recent information to produce a concise but finely nuanced portrait of the author, an ideal introduction to this quintessential figure of modernity.

With extensive reference to Kafka's extraordinary letters and diaries, Wagenbach shows us the author of Metamorphosis and The Trial perpetually caught between the irresistible attractions of the world and his ruthless desire for solitude and isolation. It was this tension, Wagenbach tells us, that gave Kafka's writing its uncanny quality and that haunted his intense, unresolved relationships with women. And it was in this tension that both his misery and mastery inhered, making his one of the most painfully powerful voices of the experience of the twentieth century.

[more]

front cover of Kafka's Prague
Kafka's Prague
Klaus Wagenbach
Haus Publishing, 2020
Nearly one hundred years after Franz Kafka’s death, his works continue to intrigue and haunt us. Kafka is regarded as one of the most significant intellectuals of the nineteenth and twentieth century, and even for those who are only barely acquainted with his novels, stories, diaries, or letters, “Kafkaesque” has become a term synonymous with the menacing, unfathomable absurdity of modern existence and bureaucracy. While the significance of his fiction is wide-reaching, Kafka’s writing remains inextricably bound up with his life and work in a particular place: Prague. It is here that the author spent every one of his forty years.

Drawing from a range of documents and historical materials, this is the first book specifically dedicated to the relationship between Kafka and Prague. Klaus Wagenbach’s account of Kafka’s life in the city is a meticulously researched insight into the author’s family background, his education and employment, his attitude toward the town of his birth, his literary influences, and his relationships with women. The result is a fascinating portrait of the twentieth century’s most enigmatic writer and the city that provided him with so much inspiration. W. G. Sebald recognized that “literary and life experience overlap” in Kafka’s works, and the same is true of this book.
 
[more]

front cover of Kafu the Scribbler
Kafu the Scribbler
The Life and Writings of Nagai Kafu, 1897–1959
Edward Seidensticker
University of Michigan Press, 1990
Kafū the Scribbler is neither pure biography nor pure criticism nor yet a pure anthology, but a blending of the three. It is an introduction to Nagai Kafū and his city, accompanied by a fairly generous sampling from his works. Marleigh Ryan writes:
“In this book Edward Seidensticker presents a unique combination of biography and literary criticism by skillfully interweaving details of the life of Nagai Kafū with studies of his writing. With quotations of from Kafū’s fiction and nonfiction alike, Seidensticker is able to reconstruct many incidents in the author’s life which had previously been little understood. The latter half of the book is given over to translations of short stories and to selections from two novels and a journal. Seidensticker has thoughtfully given cross references to the material in both parts of the book which enable the reader to handle this wealth of material with some dexterity.
“Seidensticker’s skill as a translator is so well established that it seems almost unnecessary to comment on it further here but one cannot help being impressed by his rendering of Kafū’s lyrical style. As we realize when reading the critical material, there is remarkably little plot or character development in Kafū’s fiction. His position as leading modern writer is dependent to a considerable degree upon the beauty and grace of his style, and we are fortunate indeed to have such masterful translations as these to convey that style.”*
*Ryan, Marleigh. Journal of the American Oriental Society 88, no. 3 (1968): 624. doi:10.2307/596924.
[more]

front cover of Kaiaulu
Kaiaulu
Gathering Tides
Mehana Blaich Vaughan
Oregon State University Press, 2018
The tide is rising ahead of the early morning sun on the northeast coast of the Hawaiian island of Kaua‘i. Waves rush singing onto the outer reef where two throw net fishermen stalk the surge. An elderly woman with her silver hair in a kerchief makes her way toward shore, two octopuses tucked in her mesh bag. Within hours, two hundred tourists will snorkel, sunbathe, and teeter on the coral, few ever knowing that people fish here or that their catch sustains an entire kaiāulu (community) connected to this stretch of reef.

This coast is known as a playground for tourists and backdrop for Hollywood movies, but catch from small local reefs, and the sharing of this abundance, has sustained area families for centuries, helping them to thrive through tidal waves, hurricanes, an influx of new residents, and economic recessions. Yet fishing families are increasingly invisible and many have moved away, threatened by global commodification and loss of access to coastal lands that are now private retreats for star entertainers, investors, and dot-com millionaires.

Building on two decades of interviews with more than sixty Hawaiian elders, leaders, and fishermen and women, Kaiāulu shares their stories of enduring community efforts to perpetuate kuleana, often translated to mean “rights and responsibilities.” Community actions extend kuleana to include nurturing respectful relationships with resources, guarding and cultivating fishing spots, perpetuating collective harvests and sharing, maintaining connection to family lands, reasserting local governance rooted in ancestral values, and preparing future generations to carry on.

An important contribution to scholarship in the fields of natural resource management, geography, Indigenous Studies, and Hawaiian Studies, Kaiāulu is also a skillfully written and deeply personal tribute to a community based not on ownership, but reciprocity, responsibility, and caring for the places that shape and sustain us all.
[more]

front cover of Kaija Saariaho
Kaija Saariaho
Pirkko Moisala
University of Illinois Press, 2008
This book is the first comprehensive study of the music and career of contemporary composer Kaija Saariaho. Born in Finland in 1952, Saariaho received her early musical training at the Sibelius Academy, where her close circle included composer and conductor Esa-Pekka Salonen. She has since become internationally known and recognized for her operas L'amour de loin and Adriana Mater and other works that involve electronic music. Her influences include the spectral analysis of timbre, especially string sounds, micropolyphonic techniques, the visual and literary arts, and sounds in the natural world.

Pirkko Moisala approaches the unique characteristics of Saariaho's music through composition sketches, scores, critical reviews, and interviews with the composer and her trusted musicians. Drawing extensively from this material, Moisala describes the development of Saariaho's career and international reception, the characteristics of her musical expression, and the progression of her compositional process.

[more]

front cover of Kaiso!
Kaiso!
Writings by and about Katherine Dunham
Edited by VeVe A. Clark and Sara E. Johnson
University of Wisconsin Press, 2006
“Kaiso,” a term of praise that is the calypso equivalent of “bravo,” is a fitting title for this definitive and celebratory collection of writings by and about Katherine Dunham, the legendary African American dancer, choreographer, anthropologist, and social activist. Originally produced in the 1970s, this is a newly revised and much expanded edition that includes recent scholarly articles, Dunham’s essays on dance and anthropology, press reviews, interviews, and chapters from Dunham’s unpublished volume of memoirs, “Minefields.” With nearly a hundred selections by dozens of authors, Kaiso! provides invaluable insight into the life and work of this pioneering anthropologist and performer and is certain to become an essential resource for scholars and general readers interested in social anthropology, dance history, African American studies, or Katherine Dunham herself.
[more]

logo for Ohio University Press
Kakungulu and the Creation of Uganda, 1868–1928
1868-1928
Michael Twaddle
Ohio University Press, 1993

This is a history of the early days of Uganda. The account has an African focus because it shows the British takeover through the experiences of an extraordinary leader.

“At this spot in the year 1901 the British flag was first hoisted by Semei Kakanguru, emissary and loyal servant of His Majesty the King. He built here a boma which was for a short time the headquarters of the district. From this beginning came the establishment of peace and the development of orderly progress in this part of Uganda.”

Michael Twaddle was shown this plaque in 1963 by a local government official who said “That man created the Uganda we Ugandans are fighting for today.” And yet the local people had had the plaque removed to a bicycle shed.

How do people regard an African who had an active role in the creation of the imperial state? Was this man “a hero,” “a collaborator,” “a warlord”? The reaction of colonial officials was mixed. One considered him “…in point of general intelligence, progressive ideas and charm of manner…far above all other natives in the Protectorate…” Another dismissed him, along with his companions, as “no better than Masai or Nandi cattle lifters.” And yet another viewed him as “undoubtedly…a partial religious maniac.”

The story of this man is an example of the dilemma for a whole generation of East Africans at the turn of the last century. This book has been compared in its importance to Shepperson’s and Price’s Independent African.

[more]

front cover of Kali's Child
Kali's Child
The Mystical and the Erotic in the Life and Teachings of Ramakrishna
Jeffrey J. Kripal
University of Chicago Press, 1998
In a book now marked by both critical acclaim and cross-cultural controversy, Jeffrey J. Kripal explores the life and teachings of Ramakrishna Paramahamsa, a nineteenth-century Bengali saint who played a major role in the creation of modern Hinduism. Through extended textual and symbolic analyses of Ramakrishna's censored "secret talk," Kripal demonstrates that the saint's famous ecstatic and visionary experiences were driven by mystico-erotic energies that he neither fully accepted nor understood. The result is a striking new vision of Ramakrishna as a conflicted, homoerotic Tantric mystic that is as complex as it is clear and as sympathetic to the historical Ramakrishna as it is critical of his traditional portraits.

In a substantial new preface to this second edition, Kripal answers his critics, addresses the controversy the book has generated in India, and traces the genealogy of his work in the history of psychoanalytic discourse on mysticism, Hinduism, and Ramakrishna himself. Kali's Child has already proven to be provocative, groundbreaking, and immensely enjoyable.

"Only a few books make such a major contribution to their field that from the moment of publication things are never quite the same again. Kali's Child is such a book."—John Stratton Hawley, History of Religions

Winner of the American Academy of Religion's History of Religions Prize for the Best First Book of 1995
[more]

front cover of Kamikaze Diaries
Kamikaze Diaries
Reflections of Japanese Student Soldiers
Emiko Ohnuki-Tierney
University of Chicago Press, 2006
“We tried to live with 120 percent intensity, rather than waiting for death. We read and read, trying to understand why we had to die in our early twenties. We felt the clock ticking away towards our death, every sound of the clock shortening our lives.” So wrote Irokawa Daikichi, one of the many kamikaze pilots, or tokkotai, who faced almost certain death in the futile military operations conducted by Japan at the end of World War II. 

This moving history presents diaries and correspondence left by members of the tokkotai and other Japanese student soldiers who perished during the war. Outside of Japan, these kamikaze pilots were considered unbridled fanatics and chauvinists who willingly sacrificed their lives for the emperor. But the writings explored here by Emiko Ohnuki-Tierney clearly and eloquently speak otherwise. A significant number of the kamikaze were university students who were drafted and forced to volunteer for this desperate military operation. Such young men were the intellectual elite of modern Japan: steeped in the classics and major works of philosophy, they took Descartes’ “I think, therefore I am” as their motto. And in their diaries and correspondence, as Ohnuki-Tierney shows, these student soldiers wrote long and often heartbreaking soliloquies in which they poured out their anguish and fear, expressed profound ambivalence toward the war, and articulated thoughtful opposition to their nation’s imperialism. 

A salutary correction to the many caricatures of the kamikaze, this poignant work will be essential to anyone interested in the history of Japan and World War II.
[more]

front cover of Kammie on First
Kammie on First
Baseball’s Dottie Kamenshek
Michelle Houts
Ohio University Press, 2014

Dorothy Mary Kamenshek was born to immigrant parents in Norwood, Ohio. As a young girl, she played pickup games of sandlot baseball with neighborhood children; no one, however, would have suspected that at the age of seventeen she would become a star athlete at the national level.

The outbreak of World War II and the ensuing draft of able-bodied young men severely depleted the ranks of professional baseball players. In 1943, Philip K. Wrigley, owner of the Chicago Cubs, led the initiative to establish a new league—a women’s league—to fill the ballparks while the war ground on in Europe and the Pacific. Kamenshek was selected and assigned to the Rockford Peaches in their inaugural season and played first base for a total of ten years, becoming a seven-time All-Star and holder of two league batting titles. When injuries finally put an end to her playing days, she went on to a successful and much quieter career in physical therapy. Fame came again in 1992, when Geena Davis portrayed a player loosely based on Kamenshek in the hit movie A League of Their Own.

Kammie on First is a real-life tale that will entertain and inspire young readers, both girls and boys. It is the first book in a new series, Biographies for Young Readers, from Ohio University Press.

[more]

front cover of Kane from Canada
Kane from Canada
Mary Kane
Arizona Center for Medieval and Renaissance Studies, 2016

front cover of Karl Kautsky, 1854-1938
Karl Kautsky, 1854-1938
Marxism in the Classical Years
Gary P. Steenson
University of Pittsburgh Press, 1991
The first major study of Karl Kautsky, considered the most influential Marxian theoretician in the world, from 1895 to 1914. Outside of Friedrich Engels, Kautsky did more to popularize Marism than any other person. An entire generation of Marxists, including Lenin and Trotsky, learned the doctrine in large part from Kautsky.
[more]

front cover of Karl Marx
Karl Marx
Paul Thomas
Reaktion Books, 2012
 

He was relatively unknown in his lifetime, but Karl Marx’s theories about society, economics, and politics changed the world, led to the Russian Revolution and the formation of the Soviet Union and the creation of the People’s Republic of China, and inspired variants from Leninism and Stalinism to Trotskyism and Maoism. Marx is one of the most influential thinkers of the modern age, but in recent times “Marxism” has become a vague, contestable, and uncertain term. In this concise, accessible book, Paul Thomas casts a clarifying light on Marx’s life and writings, providing a cogent introduction to a contemporary audience.

Illuminating Marx’s development as a critical thinker and revolutionary politician, Thomas explores how the events of Marx’s life influenced his doctrines. Thomas follows Marx from his birth into a wealthy family in Prussia, to his period of study of philosophy at the universities of Bonn and Berlin and his subsequent work as a journalist for radical newspapers in Cologne and Paris, where he began to develop the concepts that would lead to Marxism. As Marx found himself exiled to Brussels and finally to London, Thomas illustrates how he was inspired by his relationships with other socialist thinkers, particularly Friedrich Engels, and the tumultuous and fluctuating state of the governments in Europe. These experiences and their influence on Marx inspired The Communist Manifesto and Das Kapital, along with the many other books and pamphlets that continue to be read and discussed today.
 
A valuable resource for anyone trying to understand the governments, wars, and movements of the twentieth and twenty-first centuries, Karl Marx is an enlightening book about this potent thinker and the world that created him.
[more]

front cover of Karl Marx
Karl Marx
Greatness and Illusion
Gareth Stedman Jones
Harvard University Press, 2016

As much a portrait of his time as a biography of the man, Karl Marx: Greatness and Illusion returns the author of Das Kapital to his nineteenth-century world, before twentieth-century inventions transformed him into Communism’s patriarch and fierce lawgiver. Gareth Stedman Jones depicts an era dominated by extraordinary challenges and new notions about God, human capacities, empires, and political systems—and, above all, the shape of the future.

In the aftermath of the Battle of Waterloo, a Europe-wide argument began about the industrial transformation of England, the Revolution in France, and the hopes and fears generated by these occurrences. Would the coming age belong to those enthralled by the revolutionary events and ideas that had brought this world into being, or would its inheritors be those who feared and loathed it? Stedman Jones gives weight not only to Marx’s views but to the views of those with whom he contended. He shows that Marx was as buffeted as anyone else living through a period that both confirmed and confounded his interpretations—and that ultimately left him with terrible intimations of failure.

Karl Marx allows the reader to understand Marx’s milieu and development, and makes sense of the devastating impact of new ways of seeing the world conjured up by Kant, Hegel, Feuerbach, Ricardo, Saint-Simon, and others. We come to understand how Marx transformed and adapted their philosophies into ideas that would have—through twists and turns inconceivable to him—an overwhelming impact across the globe in the twentieth century.

[more]

front cover of Karl Renner
Karl Renner
Austria
Jamie Bulloch
Haus Publishing, 2009
The Socialist politician Karl Renner (1870-1950) was prime minister of the government that took power in Vienna after the collapse of the Austro-Hungarian Empire. He lead the delegation to Paris, which had to face the difficult issue of reparations and war guilt, for which the Allies held the successor states to the Empire responsible for. Fortunately, Renner was a likeable man and a realist, and the Austrian delegation became quite popular in Paris. The new Austrian state was in a perilous condition in 1919, on the brink of starvation and revolution, and facing territorial demands from both Italy, which had its eyes on the Tyrol, and the new Yugoslavia. Many in the German-speaking rump of the Empire sought union with Germany, Anschluss, but the Allied Powers vetoed it. Austria is often overlooked as one of the successor states to the Habsburg Empire, but it was no less important in the postwar settlement than Hungary, Czechoslovakia and the Balkan countries. Jamie Bulloch's account of Karl Renner's adroit handling of a difficult situation makes for fascinating reading.
[more]

front cover of Karolyi & Bethlen
Karolyi & Bethlen
Hungary
Bryan Cartledge
Haus Publishing, 2009
White aster flowers, on sale on the streets of Budapest on the eve of All Souls' Day, are made the symbol of a revolution which brings Mihály Károlyi (1875-1955) to power at the head of a National Council. Károlyi concludes an armistice which leaves large areas of Hungarian territory under occupation by French, Romanian and Serbian forces. Following the King-Emperor's abdication in November 1918, Hungary is declared an independent republic with Károlyi as its President. He sets about meeting Hungary's most pressing social need, for land reform. But Károlyi's liberal regime is soon beset by strong opposition from the right and from the left. The Allies seal Károlyi's fate by refusing to end the economic blockade of Hungary and by imposing, even in advance of a peace settlement (Hungary is denied an invitation until the Conference is virtually over), even harsher armistice terms. Károlyi flinches from opposing these measures by force. The small socialist element in his government of well-meaning aristocrats defects and forms an alliance with Hungary's fledgling Communist Party. Károlyi resigns and chooses exile. The Communists, led by Bela Kun, take power. Kun raises a Red Army, which defeats a Czech invasion but fails to stem the Romanian advance, which enters Budapest in defiance of orders from Paris and engages in an orgy of pillage and destruction. The Peace Conference despatches a British diplomat, Sir George Clerk, to Budapest to broker a Romanian withdrawal. Clerk succeeds in forming a coalition government of right-wing parties, with token representation for the centre-left, which he recognises in the name of the Peace Conference and invites to send a delegation to Paris. It includes Counts István Bethlen (1874-1946) and Pál Teleki, both future prime ministers. The delegation is presented on arrival, on 6 January 1920, with the draft peace treaty for Hungary which the expert committees of the Conference have produced and which the Council has approved without amendment. The Hungarians are appalled to find that the treaty will deprive their country of two-thirds of her territory and over half of her population. The injustice of the Treaty will drive Hungary into the arms of Nazi Germany, a fatal alliance which will doom Hungary's Jews to annihilation and Hungary to defeat and destruction in the Second World War.
[more]

logo for University of Minnesota Press
Katherine Anne Porter - American Writers 28
University of Minnesota Pamphlets on American Writers
Ray B. West Jr.
University of Minnesota Press, 1963

Katherine Anne Porter - American Writers 28 was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

[more]

front cover of Kay Boyle
Kay Boyle
A Twentieth-Century Life in Letters
Edited and with an Introduction by Sandra Spanier
University of Illinois Press, 2015
One of the Lost Generation modernists who gathered in 1920s Paris, Kay Boyle published more than forty books, including fifteen novels, eleven collections of short fiction, eight volumes of poetry, three children's books, and various essays and translations. Yet her achievement can be even better appreciated through her letters to the literary and cultural titans of her time.

<p>Kay Boyle shared the first issue of <i>This Quarter</i> with Gertrude Stein and Ernest Hemingway, expressed her struggles with poetry to William Carlos Williams and voiced warm admiration to Katherine Anne Porter, fled WWII France with Max Ernst and Peggy Guggenheim, socialized with the likes of James Joyce, Marcel Duchamp, and Samuel Beckett, and went to jail with Joan Baez. The letters in this first-of-its-kind collection, authorized by Boyle herself, bear witness to a transformative era illuminated by genius and darkened by Nazism and the Red Scare. Yet they also serve as milestones on the journey of a woman who possessed a gift for intense and enduring friendship, a passion for social justice, and an artistic brilliance that earned her inclusion among the celebrated figures in her ever-expanding orbit.
[more]

front cover of Keats
Keats
Andrew Motion
University of Chicago Press, 1999
Andrew Motion's dramatic narration of Keats's life is the first in a generation to take a fresh look at this great English Romantic poet. Unlike previous biographers, Motion pays close attention to the social and political worlds Keats inhabited. Making incisive use of the poet's inimitable letters, Motion presents a masterful account.

"Motion has given us a new Keats, one who is skinned alive, a genius who wrote in a single month all the poems we cherish, a victim who was tormented by the best doctors of the age. . . . This portrait, stripped of its layers of varnish and restored to glowing colours, should last us for another generation."—Edmund White, The Observer Review

"Keats's letters fairly leap off the page. . . . [Motion] listens for the 'freely associating inquiry and incomparable verve and dash,' the 'headlong charge,' of Keats's jazzlike improvisations, which give us, like no other writing in English, the actual rush of a man thinking, a mind hurtling forward unpredictably and sweeping us along."—Morris Dickstein, New York Times Book Review

"Scrupulous and eloquent."—Gregory Feeley, Philadelphia Inquirer

[more]

front cover of The Keats Brothers
The Keats Brothers
The Life of John and George
Denise Gigante
Harvard University Press, 2013

John and George Keats—Man of Genius and Man of Power, to use John’s words—embodied sibling forms of the phenomenon we call Romanticism. George’s 1818 move to the western frontier of the United States, an imaginative leap across four thousand miles onto the tabula rasa of the American dream, created in John an abysm of alienation and loneliness that would inspire the poet’s most plangent and sublime poetry. Denise Gigante’s account of this emigration places John’s life and work in a transatlantic context that has eluded his previous biographers, while revealing the emotional turmoil at the heart of some of the most lasting verse in English.

In most accounts of John’s life, George plays a small role. He is often depicted as a scoundrel who left his brother destitute and dying to pursue his own fortune in America. But as Gigante shows, George ventured into a land of prairie fires, flat-bottomed riverboats, wildcats, and bears in part to save his brothers, John and Tom, from financial ruin. There was a vital bond between the brothers, evident in John’s letters to his brother and sister-in-law, Georgina, in Louisville, Kentucky, which run to thousands of words and detail his thoughts about the nature of poetry, the human condition, and the soul. Gigante demonstrates that John’s 1819 Odes and Hyperion fragments emerged from his profound grief following George’s departure and Tom’s death—and that we owe these great works of English Romanticism in part to the deep, lasting fraternal friendship that Gigante reveals in these pages.

[more]

front cover of Keep On Fighting
Keep On Fighting
The Life and Civil Rights Legacy of Marian A. Spencer
Dorothy H. Christenson
Ohio University Press, 2015

Marian Alexander Spencer was born in 1920 in the Ohio River town of Gallipolis, Ohio, one year after the “Red Summer” of 1919 that saw an upsurge in race riots and lynchings. Following the example of her grandfather, an ex-slave and community leader, Marian joined the NAACP at thirteen and grew up to achieve not only a number of civic leadership firsts in her adopted home city of Cincinnati, but a legacy of lasting civil rights victories.

Of these, the best known is the desegregation of Cincinnati’s Coney Island amusement park. She also fought to desegregate Cincinnati schools and to stop the introduction of observers in black voting precincts in Ohio. Her campaign to raise awareness of industrial toxic-waste practices in minority neighborhoods was later adapted into national Superfund legislation.

In 2012, Marian’s friend and colleague Dot Christenson sat down with her to record her memories. The resulting biography not only gives us the life story of remarkable leader but encapsulates many of the twentieth century’s greatest struggles and advances. Spencer’s story will prove inspirational and instructive to citizens and students alike.

[more]

front cover of Keep True
Keep True
A Life in Politics
Howard Pawley
University of Manitoba Press, 2011
Howard Pawley, former Premier of Manitoba (1981-88) led the province during one of the most turbulent periods in its history. Elected at the outset of a serious national recession, his government successfully implemented social democtatic policies that ran counter to the neo-conservative trends that dominated the period, including job creation, labour reform, and human rights legislation. But his greatest challenge was over French-language rights, an explosive two-year debate that left the province badly divided and embroiled in the complicated maneuvering between the national government and Quebec serparatists. The political and public fallout from the French-language issue echoed through Manitoba's subsequent negotiations with the federal government over a bid for a lucrative CF-18 fighter jet contract, through the implementation of the Free Trade Agreement, and again during the stormy Meech Lake Accord debates. In Keep True: A Life in Politics Pawley takes us into the inner workings of his government during this controversial period. He gives us a vivid play-by-play of the events, acknowledging what went right and what went wrong, while putting it all into a contemporary context. Along the way, he offers insight on campaign management, choosing a cabinet, appointing public servants, and leading by consensus, while describing how the principles of Canadian agrarian socialism shaped his political vision.
[more]

front cover of Keep Your Airspeed Up
Keep Your Airspeed Up
The Story of a Tuskegee Airman
Harold H. Brown and Marsha S. Bordner
University of Alabama Press, 2017
Inspiring memoir of Colonel Harold H. Brown, one of the 930 original Tuskegee pilots, whose dramatic wartime exploits and postwar professional successes contribute to this extraordinary account.

Keep Your Airspeed Up: The Story of a Tuskegee Airman is the memoir of an African American man who, through dedication to his goals and vision, overcame the despair of racial segregation to great heights, not only as a military aviator, but also as an educator and as an American citizen.
 
Unlike other historical and autobiographical portrayals of Tuskegee airmen, Harold H. Brown’s memoir is told from its beginnings: not on the first day of combat, not on the first day of training, but at the very moment Brown realized he was meant to be a pilot. He revisits his childhood in Minneapolis where his fascination with planes pushed him to save up enough of his own money to take flying lessons. Brown also details his first trip to the South, where he was met with a level of segregation he had never before experienced and had never imagined possible.
 
During the 1930s and 1940s, longstanding policies of racial discrimination were called into question as it became clear that America would likely be drawn into World War II. The military reluctantly allowed for the development of a flight-training program for a limited number of African Americans on a segregated base in Tuskegee, Alabama. The Tuskegee Airmen, as well as other African Americans in the armed forces, had the unique experience of fighting two wars at once: one against Hitler’s fascist regime overseas and one against racial segregation at home.
 
Colonel Brown fought as a combat pilot with the 332nd Fighter Group during World War II, and was captured and imprisoned in Stalag VII A in Moosburg, Germany, where he was liberated by General George S. Patton on April 29, 1945. Upon returning home, Brown noted with acute disappointment that race relations in the United States hadn’t changed. It wasn’t until 1948 that the military desegregated, which many scholars argue would not have been possible without the exemplary performance of the Tuskegee Airmen.
[more]

front cover of Keeping An Open Door
Keeping An Open Door
Passages in a University Presidency
Keith Brodie and Leslie Banner
Duke University Press, 1996
During the 1980s, many of America’s most respected colleges and universities suffered financial crises, athletic scandals, a troubling upsurge of racial conflict, and the divisiveness of political correctness “wars.” Yet Duke University not only avoided these dangers but changed dramatically from a very good regional university to one of the nation’s top research institutions. Its undergraduate campus was hailed as a “hot college”; its Blue Devils basketball team was pronounced a model for student athletes; its graduate and professional schools gained new national prominence; and its scholars were quoted frequently in the popular press on both sides of the political correctness debates.
In Keeping an Open Door, Duke chancellor (1982-1985) and president (1985-1993) Keith Brodie and coauthor Leslie Banner recount what it was like to lead Duke during an era of change for research universities across the country: how Brodie reached some of his most controversial decisions, including the “Black Faculty Initiative”; his strategy for precluding abuse in Division I athletics at Duke; how his training as a psychiatrist shaped his leadership style and influenced how he dealt with trustees, deans, faculty, and students; and the avenues of power still open to today’s university presidents. The history and feeling of life on the Duke campus during the Brodie era are vividly evoked in photographs and key speeches introduced by the former president’s personal recollections.
Keeping an Open Door provides an insider’s view of issues critical to modern research universities and will interest anyone concerned with the history and future of higher education.
[more]

front cover of Keeping Faith
Keeping Faith
Memoirs of a President
Jimmy Carter
University of Arkansas Press, 1995
In Keeping Faith, originally published in 1982, President Carter provides a candid account of his time in the Oval Office, detailing the hostage crisis in Iran, his triumph at the Camp David Middle East peace summit, his relationships with world leaders, and even glimpses into his private world. “Responsible, truthful, intelligent, earnest, rational, purposeful. Thus the man: thus the book” (The Washington Post).
[more]

front cover of Keeping Heart
Keeping Heart
A Memoir of Family Struggle, Race, and Medicine
Otis Trotter
Ohio University Press, 2015

“After saying our good-byes to friends and neighbors, we all got in the cars and headed up the hill and down the road toward a future in Ohio that we hoped would be brighter,” Otis Trotter writes in his affecting memoir, Keeping Heart: A Memoir of Family Struggle, Race, and Medicine.

Organized around the life histories, medical struggles, and recollections of Trotter and his thirteen siblings, the story begins in 1914 with his parents, Joe William Trotter Sr. and Thelma Odell Foster Trotter, in rural Alabama. By telling his story alongside the experiences of his parents as well as his siblings, Otis reveals cohesion and tensions in twentieth-century African American family and community life in Alabama, West Virginia, and Ohio.

This engaging chronicle illuminates the journeys not only of a black man born with heart disease in the southern Appalachian coalfields, but of his family and community. It fills an important gap in the literature on an underexamined aspect of American experience: the lives of blacks in rural Appalachia and in the nonurban endpoints of the Great Migration. Its emotional power is a testament to the importance of ordinary lives.

[more]

front cover of Keeping the Faith
Keeping the Faith
Ordinary People, Extraordinary Lives
Wayne Flynt
University of Alabama Press, 2011
This historical memoir by the widely recognized scholar, Wayne Flynt, chronicles the inner workings of his academic career at Samford and Auburn Universities, as well as his many contributions to the general history of Alabama. Flynt has traveled the state and the South lecturing and teaching both lay and academic groups, calling on his detailed knowledge of both the history and power structures in Alabama to reveal uncomfortable truths wherever he finds them, whether in academic institutions that fall short of their stated missions, in government and industry leaders who seek and hold power by playing to the fears and prejudices of the public, or in religious groups who abandon their original missions and instead seek financial and emotional comfort in lip service only.
 
In doing so he has not only energized those who think the State of Alabama can and must do better, but  also has earned the enmity of those who prosper, profit, and prevaricate for their own selfish ends. Nevertheless, Flynt utilizes a lifetime of learning and reflection to voice the conscience of his community. Keeping the Faith: Ordinary People, Extraordinary Lives tells the story of his life and his courageous battles against an indifferent or hostile hierarchy with modesty and honesty. In doing so he tells us how Alabama institutions really are manipulated and, more importantly, why we should care.

 
[more]

front cover of Keewaydinoquay, Stories from My Youth
Keewaydinoquay, Stories from My Youth
Keewaydinoquay Peschel
University of Michigan Press, 2006
In the captivating art of the oral tradition-told in the author's own voice-Keewaydinoquay, Stories from My Youth brings to life the childhood years of a Michigan woman of both Native American and white. Presented here with the clarity and charm of a master storyteller, the words of Keewaydinoquay contain layers of understanding, conveyed by both what is said and how it is said. The values of the worldview that she shares with us are ones that resonate on far more than just an intellectual level.

The stories span generations and cultures and shed a rare light on the living conditions of Native Americans in Michigan in the early 1900s. They recount Keewaydinoquay's education in the public schools, illuminate the role Christianity played in Native American culture, and reveal the importance of maintaining traditional customs.

Keewaydinoquay was one of the very few Native American women who was steeped both in the ancient folkways of her people as well as erudite in the American university system. Ultimately she wove her native tradition and university learning together into a unique perspective that helped people understand the importance of nature and the human spirit.

Keewaydinoquay Peschel was Lecturer of Ethnobotany and Philosophy of the Western Great Lakes Indians at the University of Wisconsin. She is the author of several books, including Blue Berry: First Fruit of the Anishinaabeg. She passed over in 1999. Lee Boisvert attended the University of Michigan as a member of the Residential College from 1967 to 1969, and was awarded a Bachelor in Science in Sociology with double minors in Native American Studies and Gerontology by Central Michigan University in 1993.
[more]

front cover of Kelly Reichardt
Kelly Reichardt
Katherine Fusco, Nicole Seymour
University of Illinois Press, 2017
Kelly Reichardt's 1994 debut River of Grass established her gift for a slow-paced realism that emphasizes the ongoing, everyday nature of emergency. Her work since then has communed with--yet remained apart from--postwar European realisms, the American avant-garde, independent film, and the emerging slow cinema movement. Katherine Fusco and Nicole Seymour read such Reichardt films as Wendy and Lucy and Night Moves to consider the root that emergency shares with emergence --the slowly unfolding or the barely perceptible. They see Reichardt as a filmmaker preoccupied with how environmental and economic crises affect those living on society's fringes. Her spare plots and slow editing reveal an artist who recognizes that disasters are gradual, with effects experienced through duration rather than sudden shock. Insightful and boldly argued, Kelly Reichardt is a long overdue portrait of a filmmaker who sees emergency not as a break from the everyday, but as a version of it.
[more]

front cover of Kelso
Kelso
The Horse of Gold
Linda Kennedy
Westholme Publishing, 2007
The Inspiring True Story of One of the Most Successful and Beloved Thoroughbreds in Racing History

Praise for Kelso: The Horse of Gold:
“Ms. Kennedy has captured the grandeur of the horse in a simple, straightforward way that will charm and excite those who saw Kelso run and remember his stirring deeds. . . . Kelso's racing record through eight seasons is simply breathtaking.”—Wall Street Journal
“In this concise, entertaining account, Kennedy tells the story of Kelso, a scrawny ungainly gelding who just happened to be one of the greatest Thoroughbreds that ever lived.”—Publishers Weekly
“An excellent portrayal... so intense that one has the sensation of being right there with the crowd and cheering Kelso on.”—Tom Trotter, Former New York Racing Secretary

“He was the greatest horse I ever rode.”—Eddie Arcaro, rider of Triple Crown champions Whirlaway, Assault, and Citation
“He is unique... an athlete like Babe Ruth and Bobby Jones.” —Sports Illustrated
At his three-year debut in June 1960, no one could know that Mrs. Allaire DuPont’s small, deerlike gelding named Kelso would come to dominate American racing like no other horse before or since. For five unprecedented years, he would reign as Horse of the Year, setting records and endearing himself to millions of fans. Always considered among the top four horses of all time—with Man O' War, Secretariat, and Citation—for many, Kelso is the greatest racehorse, since he won at sprints and endurance races, won on turf and dirt, carried unprecedented handicap weights, and raced both foreign and national thoroughbreds. Kelso was crowned champion of the Jockey Gold Cup, one of the most prestigious racing events, an astounding five straight times. Like Seabiscuit, Kelso was not earmarked as a contender and missed the Triple Crown races. But Kelso's greatness was decisive: he regularly defeated Triple Crown race winners. In Kelso: The Horse of Gold, Linda Kennedy tells the remarkable story of one of the greatest athletes of the ages, recreating the excitement of "Kelly's" unique and brilliant career while placing his unparalleled achievements in the context of racing history.
[more]

front cover of Ken Saro-Wiwa
Ken Saro-Wiwa
Roy Doron
Ohio University Press, 2016

Hanged by the Nigerian government on November 10, 1995, Ken Saro-Wiwa became a martyr for the Ogoni people and human rights activists, and a symbol of modern Africans’ struggle against military dictatorship, corporate power, and environmental exploitation. Though he is rightly known for his human rights and environmental activism, he wore many hats: writer, television producer, businessman, and civil servant, among others. While the book sheds light on his many legacies, it is above all about Saro-Wiwa the man, not just Saro-Wiwa the symbol.

Roy Doron and Toyin Falola portray a man who not only was formed by the complex forces of ethnicity, race, class, and politics in Nigeria, but who drove change in those same processes. Like others in the Ohio Short Histories of Africa series, Ken Saro-Wiwa is written to be accessible to the casual reader and student, yet indispensable to scholars.

[more]

logo for Harvard University Press
Kenmu
Go–Daigo's Revolution
Andrew Edmund Goble
Harvard University Press, 1996
The short-lived Kenmu regime (1333–1336) of Japanese Emperor Go-Daigo is often seen as an inevitably doomed, revanchist attempt to shore up the old aristocratic order. But far from resisting change, Andrew Edmund Goble here forcefully argues, the flamboyant Go-Daigo and his iconoclastic associates were among the competitors seeking to overcome the old order and renegotiate its structure and ethos. Their ultimate defeat did not automatically spell failure; rather, the revolutionary nature of their enterprise decisively moved Japan into its medieval age.By birth, education, and circumstances, Go-Daigo should have been a weak, fatalistic bit player. Instead this student of Chinese political theory was a bold actor with an unprecedented knowledge of the various regions of Japan, who forced situations to his own benefit and led a rebellion that overthrew the Kamakura bakufu. Kenmu: Go-Daigo’s Revolution tells his extraordinary personal story vividly, reexamines original sources to discover the real nature of the Kenmu polity, and sets both within the broader backdrop of social, economic, and intellectual change at a dynamic moment in Japanese history.
[more]

logo for University of Minnesota Press
Kenneth Burke - American Writers 75
University of Minnesota Pamphlets on American Writers
Merle E. Brown
University of Minnesota Press, 1989

Kenneth Burke - American Writers 75 was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

[more]

front cover of Kept Secret
Kept Secret
The Half-Truth in Nonfiction
Jen Hirt
Michigan State University Press, 2017
Creative nonfiction writers wrestle constantly with the boundaries of creative license—what to reveal, when to reveal it, and how best to do it. While the truth may inspire us to make confident assertions, secrets, lies, and half-truths inspire us to delve further into our own writing to discover the heart of the story. The pieces in this collection feature essayists who do this type of detective work. Each essay contains a secret, lie, or half-truth—some of these are revealed by the author, but others remain buried. Ranging from the deep family secret to the little white lie, from the shocking to the humorous, and from the straightforward revelation to the slanted half-truth, these essays ask us to appreciate the magnitude of keeping a secret. They also ask us to consider the obstacles writers must overcome if they want to write about secrets in their own lives and the lives of others. In short interviews following each essay the contributors discuss craft, ethics, creativity, and how they eventually decided to reveal—or not reveal—a secret.
 
[more]

front cover of Kerouac, the Word and the Way
Kerouac, the Word and the Way
Prose Artist as Spiritual Quester
Ben Giamo
Southern Illinois University Press, 2000
Jack Kerouac, a "ragged priest of the word" according to Ben Giamo, embarked on a spiritual quest "for the ultimate meaning of existence and suffering, and the celebration of joy in the meantime." For Kerouac, the quest was a sustained and creative experiment in literary form. Intuitive and innovative, Kerouac created prose styles that reflected his search for personal meaning and spiritual intensity. These styles varied from an exuberant brand of conventional narrative (On the Road, The Dharma Bums, and Desolation Angels) to spontaneous bop prosody (Visions of Cody.Doctor Sax, and The Subterraneans). Giamo’s primary purpose is to chronicle and clarify Kerouac’s various spiritual quests through close examinations of the novels. Kerouac began his quest with On the Road, which also is Giamo’s real starting point. To establish early themes, spiritual struggles, and stylistic shifts, however, Giamo begins with the first novel, Town and Country, and ends with Big Sur, the final turning point in Kerouac’s quest.

Kerouac was primarily a religious writer bent on testing and celebrating the profane depths and transcendent heights of experience and reporting both truly. Baptized and buried a Catholic, he was also heavily influenced by Buddhism, especially from 1954 until 1957 when he integrated traditional Eastern belief into several novels. Catholicism remained an essential force in his writing, but his study of Buddhism was serious and not solely in the service of his literary art. As he wrote to Malcolm Cowley in 1954, "Since I saw you I took up the study of Buddhism and for me it’s the word and the way I was looking for."

Giamo also seeks IT—"a vital force in the experience of living that takes one by surprise, suspending for the moment belief in the ‘real’ concrete grey everyday of facts of self and selfhood . . . its various meanings, paths, and oscillations: from romantic lyricism to ‘the ragged and ecstatic joy of pure being and from the void-pit of the Great World Snake to the joyous pain of amorous love, and, finally, from Catholic/Buddhist serenity to the onset of penitential martyrhood."

[more]

front cover of The Key of Liberty
The Key of Liberty
The Life and Democratic Writings of William Manning, “a Laborer,” 1747–1814
Michael Merrill
Harvard University Press, 1993

The recovery of the ideas and experiences of William Manning is a major event in the history of the American Revolutionary era. A farmer, foot soldier, and political philosopher, Manning was a powerful democratic voice of the common American in a turbulent age. The public crises of the infant republic—beginning with the Battle of Concord—shaped his thinking, and his writings reveal a sinewy mind grappling with some of the weightiest issues of the nation’s founding. His most notable contribution was the first known plan for a national political association of laboring men. That plan, and Manning’s broader conclusions, open up a new vista on the popular origins of American democracy and the invention of American politics.

Until now, only a few specialists have referred to any of Manning’s writings—though always with some wonderment at his sophistication—and his place as a pioneering and exemplary American democrat has been largely unacknowledged. In this new and complete presentation of his works, the often arid debates over “republicanism” and “liberalism” in early America come to life in vivid human detail. The early growth of democratic impulses among quite ordinary people—impulses that defy orthodox categories, yet come closer to describing the ferment that led to the repeated political conflicts of the late eighteenth century—is here visible and felt. The Key of Liberty allows us a fuller understanding of the popular responses to the major political battles of the early republic, from Shays’ Rebellion through the election of Thomas Jefferson. It offers, better than any book yet published, a grassroots view of the rise of democratic opposition in the new nation. It sheds considerable light on the popular culture—literary, religious, and profane—of the epoch, with more exactness than previous histories, presenting a new interpretation of early American democracy that is bound to be controversial and much discussed.

The editors have written a lengthy and detailed introduction placing Manning and his writings in broad context. They have also modernized the text for easy use and have included full annotation, making this volume an authoritative contribution to the American Revolution and its aftermath.

[more]

front cover of A Key to the World
A Key to the World
Victor Abbou
Gallaudet University Press, 2021
Victor Abbou is an invaluable witness to the period in France which is called the Deaf Awakening. His story is a treasure trove of archival material of that period, as he was one of the trailblazers in so many fields: actor, activist, trainer and teacher of future interpreters studying at the university. In doing all of this, he created bridges between two worlds, the world of the deaf and the world of the hearing, which were in close proximity but which were separated by a great chasm. Victor's story also shines a light on the key role played by several Americans who contributed significant sparks which ignited the French Deaf Awakening. This Franco-American connection in contemporary Deaf history is yet another bridge which Victor Abbou's story documents in great detail.

Published by Eyes Editions.
Includes links to two hours of video in International Sign.
[more]

logo for Gallaudet University Press
A Key to the World
Victor Abbou
Gallaudet University Press, 2021
Victor Abbou is an invaluable witness to the period in France which is called the Deaf Awakening. His story is a treasure trove of archival material of that period, as he was one of the trailblazers in so many fields: actor, activist, trainer and teacher of future interpreters studying at the university. In doing all of this, he created bridges between two worlds, the world of the deaf and the world of the hearing, which were in close proximity but which were separated by a great chasm. Victor's story also shines a light on the key role played by several Americans who contributed significant sparks which ignited the French Deaf Awakening. This Franco-American connection in contemporary Deaf history is yet another bridge which Victor Abbou's story documents in great detail.

Published by Eyes Editions.
Includes links to two hours of video in International Sign.
[more]

front cover of Khabaar
Khabaar
An Immigrant Journey of Food, Memory, and Family
Madhushree Ghosh
University of Iowa Press, 2022
Independent Publishers Book Awards (IPPY Awards) gold medalist

Khabaar is a food memoir and personal narrative that braids the global journeys of South Asian food through immigration, migration, and indenture. Focusing on chefs, home cooks, and food stall owners, the book questions what it means to belong and what does belonging in a new place look like in the foods carried over from the old country? These questions are integral to the author’s own immigrant journey to America as a daughter of Indian refugees (from what’s now Bangladesh to India during the 1947 Partition of India); as a woman of color in science; as a woman who left an abusive marriage; and as a woman who keeps her parents’ memory alive through her Bengali food.
[more]

front cover of Kidnapped to the Underworld
Kidnapped to the Underworld
Memories of Xibalba
Víctor Montejo; Translated by Sean S. Sell
University of Arizona Press, 2024
Víctor Montejo’s story recounts the near-death experience of his grandfather, Antonyo Mekel Lawuxh (Antonio Esteban), who fell gravely ill in Guatemala in the late 1920s but survived to tell his family and community what he had witnessed of the afterlife.

Narrated from Antonio’s perspective, the reader follows along on a journey to the Maya underworld of Xibalba, accompanied by two spirit guides. Antonio traverses Xibalba’s levels of heaven and hell, encountering instructive scenes of punishment and reward: in one chapter, conquistadors are perpetually submerged in a pool of their victims’ blood; in another, the souls of animal abusers are forever unable to cross a crocodile-infested river. Infused with memory, the author illustrates Guatemala’s unique religious syncretism, exploring conceptions of heaven and hell shared between Catholicism and Indigenous Maya spirituality. In the tradition of both the Popol Vuh and the Divine Comedy, Montejo’s narrative challenges easy categorization—this is a work of family history, religious testimony, political allegory, and sacred literature.
[more]

front cover of The Killdeer
The Killdeer
And Other Stories From the Farming Life
Michael Cotter
Parkhurst Brothers, Inc., 2014
“Even after dark, if you are quiet and attentive, you can hear a Killdeer far off. Sandbars, mud flats and grazed fields are where you find them. They are commonplace. So much so, that you might miss them if not for the unique sound they make as they fly overhead, or dart back and forth on the ground, as if wondering which way to go next. So it is with Michael Cotter’s stories. They are like a comfortable pair of slippers. Not flashy at all, but each time you put them on and walk in them, you are so glad you did. They appear so ordinary, but the way they wrap around your soul surprises you. And like slippers you thought you’d never buy, Michael’s stories surprise you. Even though they are not flashy, energetic or dramatic in ways we have come to expect in this digital age, they are grounded in universal truths, with timeless characters. They provide us with a sense of memory, wisdom and peace that celebrates the human spirit, and revels in the common man, woman, boy and girl that is in us all. When Michael tells his stories, it’s as if time stands still. We are reminded of who we really are….down deep….after the television is turned off, the radio is silenced, and we have put our egos on the shelf to rest a spell.” 
 
 --Rex Ellis, Director of Museum programs, Smithsonian Institution, Washington, D.C.
[more]

front cover of Killer Crónicas
Killer Crónicas
Bilingual Memories
Susana Chavez-Silverman
University of Wisconsin Press, 2004
A woman living and communicating in multiple lands, Susana Chávez-Silverman conveys her cultural and linguistic displacement in humorous, bittersweet, and even tangible ways in this truly bilingual literary work. These meditative and lyrical pieces combine poignant personal confession, detailed daily observation, and a memorializing drive that shifts across time and among geocultural spaces. The author’s inventive and flamboyant use of Spanglish, a hybrid English-Spanish idiom, and her adaptation of the confessional "crónica" make this memoir compelling and powerful. Killer Crónicas confirms that there is no Latina voice quite like that of Susana Chávez-Silverman.

Includes a chapter that was awarded first prize in El Andar magazine’s Chicano Literary Excellence Contest in the category of personal memoir.
[more]

front cover of Killing Time
Killing Time
The Autobiography of Paul Feyerabend
Paul Feyerabend
University of Chicago Press, 1995
Killing Time is the story of Paul Feyerabend's life. Finished only weeks before his death in 1994, it is the self-portrait of one of this century's most original and influential intellectuals.

Trained in physics and astronomy, Feyerabend was best known as a philosopher of science. But he emphatically was not a builder of theories or a writer of rules. Rather, his fame was in powerful, plain-spoken critiques of "big" science and "big" philosophy. Feyerabend gave voice to a radically democratic "epistemological anarchism:" he argued forcefully that there is not one way to knowledge, but many principled paths; not one truth or one rationality but different, competing pictures of the workings of the world. "Anything goes," he said about the ways of science in his most famous book, Against Method. And he meant it.

Here, for the first time, Feyerabend traces the trajectory that led him from an isolated, lower-middle-class childhood in Vienna to the height of international academic success. He writes of his experience in the German army on the Russian front, where three bullets left him crippled, impotent, and in lifelong pain. He recalls his promising talent as an operatic tenor (a lifelong passion), his encounters with everyone from Martin Buber to Bertolt Brecht, innumerable love affairs, four marriages, and a career so rich he once held tenured positions at four universities at the same time.

Although not written as an intellectual autobiography, Killing Time sketches the people, ideas, and conflicts of sixty years. Feyerabend writes frankly of complicated relationships with his mentor Karl Popper and his friend and frequent opponent Imre Lakatos, and his reactions to a growing reputation as the "worst enemy of science."
[more]

front cover of Kim Ki-duk
Kim Ki-duk
Hye Seung Chung
University of Illinois Press, 2012
This study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal pain and extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labeled a "psychopath" and "misogynist" in South Korea.
 
Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression). Chung argues that the power of Kim's cinema lies precisely in its ability to capture, channel, and convey the raw emotions of protagonists who live on the bottom rungs of Korean society. She provides historical and postcolonial readings of victimization and violence in Kim's cinema, which tackles such socially relevant topics as national division in Wild Animals and The Coast Guard and U.S. military occupation in Address Unknown. She also explores the religious and spiritual themes in Kim's most recent works, which suggest possibilities of reconciliation and transcendence.
[more]

front cover of Kim Stanley Robinson
Kim Stanley Robinson
Robert Markley
University of Illinois Press, 2019
Award-winning epics like the Mars Trilogy and groundbreaking alternative histories like The Days of Rice and Salt have brought Kim Stanley Robinson to the forefront of contemporary science fiction. Mixing subject matter from a dizzying number of fields with his own complex ecological and philosophical concerns, Robinson explores how humanity might pursue utopian social action as a strategy for its own survival. Robert Markley examines the works of an author engaged with the fundamental question of how we—as individuals, as a civilization, and as a species—might go forward. By building stories on huge time scales, Robinson lays out the scientific and human processes that fuel humanity's struggle toward a more just and environmentally stable world or system of worlds. His works invite readers to contemplate how to achieve, and live in, these numerous possible futures. They also challenge us to see that SF's literary, cultural, and philosophical significance have made it the preeminent literary genre for examining where we stand today in human and planetary history.
[more]

front cover of Kindler of Souls
Kindler of Souls
Rabbi Henry Cohen of Texas
By Rabbi Henry Cohen II
University of Texas Press, 2007

In September 1930, the New York Times published a list of the clergy whom Rabbi Stephen Wise considered "the ten foremost religious leaders in this country." The list included nine Christians and Rabbi Henry Cohen of Galveston, Texas. Little-known today, Henry Cohen was a rabbi to be reckoned with, a man Woodrow Wilson called "the foremost citizen of Texas" who also impressed the likes of William Howard Taft and Clarence Darrow. Cohen's fleeting fame, however, was built not on powerful friendships but on a lifetime of service to needy Jews—as well as gentiles—in London, South Africa, Jamaica, and, for the last sixty-four years of his life, Galveston, Texas.

More than 10,000 Jews, mostly from Eastern Europe, arrived in Galveston in the early twentieth century. Rabbi Cohen greeted many of the new arrivals in Yiddish, then helped them find jobs through a network that extended throughout the Southwest and Midwest United States. The "Galveston Movement," along with Cohen's pioneering work reforming Texas prisons and fighting the Ku Klux Klan, made the rabbi a legend in his time. As this portrait shows, however, he was also a lovable mensch to his grandson. Rabbi Henry Cohen II reminisces about his grandfather's jokes while placing the legendary rabbi in historical context, creating the best picture yet of this important Texan, a man perhaps best summarized by Rabbi Wise in the New York Times as "a soul who touches and kindles souls."

[more]

front cover of King
King
A Biography
David Levering Lewis
University of Illinois Press, 2013
Acclaimed by leading historians and critics when it appeared shortly after the death of Dr. Martin Luther King Jr., this foundational biography wends through the corridors in which King held court, posing the right questions and providing a keen measure of the man whose career and mission enthrall scholars and general readers to this day. Updated with a new preface and more than a dozen photographs of King and his contemporaries, this edition presents the unforgettable story of King's life and death for a new generation.

[more]

front cover of King Hancock
King Hancock
The Radical Influence of a Moderate Founding Father
Brooke Barbier
Harvard University Press, 2023

A rollicking portrait of the paradoxical patriot, whose measured pragmatism helped make American independence a reality.

Americans are surprisingly more familiar with his famous signature than with the man himself. In this spirited account of John Hancock’s life, Brooke Barbier depicts a patriot of fascinating contradictions—a child of enormous privilege who would nevertheless become a voice of the common folk; a pillar of society uncomfortable with radicalism who yet was crucial to independence. About two-fifths of the American population held neutral or ambivalent views about the Revolution, and Hancock spoke for them and to them, bringing them along.

Orphaned young, Hancock was raised by his merchant uncle, whose business and vast wealth he inherited—including household slaves, whom Hancock later freed. By his early thirties, he was one of New England’s most prominent politicians, earning a place on Britain’s most-wanted list and the derisive nickname King Hancock. While he eventually joined the revolution against England, his ever moderate—and moderating—disposition would prove an asset after 1776. Barbier shows Hancock appealing to southerners and northerners, Federalists and Anti-Federalists. He was a famously steadying force as president of the fractious Second Continental Congress. He parlayed with French military officials, strengthening a key alliance with his hospitable diplomacy. As governor of Massachusetts, Hancock convinced its delegates to vote for the federal Constitution and calmed the fallout from the shocking Shays’s Rebellion.

An insightful study of leadership in the revolutionary era, King Hancock traces a moment when passion was on the side of compromise and accommodation proved the basis of profound social and political change.

[more]

front cover of King James and Letters of Homoerotic Desire
King James and Letters of Homoerotic Desire
David M. Bergeron
University of Iowa Press, 1999

What can we know of the private lives of early British sovereigns? Through the unusually large number of letters that survive from King James VI of Scotland/James I of England (1566-1625), we can know a great deal. Using original letters, primarily from the British Library and the National Library of Scotland, David Bergeron creatively argues that James' correspondence with certain men in his court constitutes a gospel of homoerotic desire. Bergeron grounds his provocative study on an examination of the tradition of letter writing during the Renaissance and draws a connection between homosexual desire and letter writing during that historical period.

King James, commissioner of the Bible translation that bears his name, corresponded with three principal male favorites—Esmé Stuart (Lennox), Robert Carr (Somerset), and George Villiers (Buckingham). Esmé Stuart, James' older French cousin, arrived in Scotland in 1579 and became an intimate adviser and friend to the adolescent king. Though Esmé was eventually forced into exile by Scottish nobles, his letters to James survive, as does James' hauntingly allegorical poem Phoenix. The king's close relationship with Carr began in 1607. James' letters to Carr reveal remarkable outbursts of sexual frustration and passion.

A large collection of letters exchanged between James and Buckingham in the 1620s provides the clearest evidence for James' homoerotic desires. During a protracted separation in 1623, letters between the two raced back and forth. These artful, self-conscious letters explore themes of absence, the pleasure of letters, and a preoccupation with the body. Familial and sexual terms become wonderfully intertwined, as when James greets Buckingham as "my sweet child and wife."

King James and Letters of Homoerotic Desire presents a modern-spelling edition of seventy-five letters exchanged between Buckingham and James. Across the centuries, commentators have condemned the letters as indecent or repulsive. Bergeron argues that on the contrary they reveal an inward desire of king and subject in a mutual exchange of love.

[more]

front cover of King of Kings
King of Kings
The Triumph and Tragedy of Emperor Haile Selassie I of Ethiopia
Asfa-Wossen Asserate
Haus Publishing, 2015
Haile Selassie I, the last emperor of Ethiopia, was as brilliant as he was formidable. An early proponent of African unity and independence who claimed to be a descendant of King Solomon, he fought with the Allies against the Axis powers during World War II and was a messianic figure for the Jamaican Rastafarians. But the final years of his empire saw turmoil and revolution, and he was ultimately overthrown and assassinated in a communist coup.

Written by Asfa-Wossen Asserate, Haile Selassie’s grandnephew, this is the first major biography of this final “king of kings.” Asserate, who spent his childhood and adolescence in Ethiopia before fleeing the revolution of 1974, knew Selassie personally and gained intimate insights into life at the imperial court. Introducing him as a reformer and an autocrat whose personal history—with all of its upheavals, promises, and horrors—reflects in many ways the history of the twentieth century itself, Asserate uses his own experiences and painstaking research in family and public archives to achieve a colorful and even-handed portrait of the emperor.
[more]

front cover of King of the Cowboys, Queen of the West
King of the Cowboys, Queen of the West
Roy Rogers and Dale Evans
Raymond E. White
University of Wisconsin Press, 2006
    For more than sixty years, Roy Rogers and Dale Evans personified the romantic, mythic West that America cherished well into the modern age. Blazing a trail through every branch of the entertainment industry—radio, film, recordings, television, and even comic books—the couple capitalized on their attractive personas and appealed to the nation's belief in family values, an independent spirit, community.
    King of the Cowboys, Queen of the West presents these two celebrities in the most comprehensive and inclusive account to date. Part narrative, part reference, this impeccably researched, highly accessible survey spans the entire scope of Rogers's and Evans's careers, illuminating and celebrating their place in twentieth-century American popular culture. Following the pair through each stage of their professional and personal trajectories, author Raymond E. White explores the unique alchemy of the singing cowboy and his free-spirited yet feminine partner. In a dual biography, he shows how Rogers and Evans carefully husbanded their public image and—of particular note—incorporated their Christian faith into their performances. And in a series of exhaustive appendixes, he documents their contributions to each medium they worked in. Testifying to both the breadth and the longevity of their careers, the book includes radio logs, discographies, filmographies, and comicographies that will delight historians and collectors alike. With its engaging tone and meticulous research, King of the Cowboys, Queen of the West is bound to become the definitive source on the lives of these two great American icons.
[more]

front cover of King of the Delta Blues
King of the Delta Blues
The Life and Music of Charlie Patton
Gayle Dean Wardlow
University of Tennessee Press, 2022

Born 130 years ago in the heart of Mississippi, Charlie Patton (c. 1891–1934) is considered by many to be a father of the Delta blues. With his bullish baritone voice and his fluid slide guitar touch, Patton established songs like “Pony Blues,” “A Spoonful Blues,” and “High Water Everywhere” in the blues lexicon and, through his imitators, in American music. But over the decades, his contributions to blues music have been overshadowed in popularity by those of Robert Johnson, Muddy Waters, and other mid-century bluesmen and women who’ve experienced a resurgence in their music. King of the Delta Blues Singers, originally published in 1988, began a small renaissance in blues and Patton research and set a new scholarly precedent touching even the spelling his name—which, to Patton himself, was "Charlie," not the "Charley" of the early records. And now, with the wide availability of Patton’s complete discography in multiple formats, this revised second edition brings the legend of Charlie Patton into a clarity of detail that was previously impossible.

Gayle Dean Wardlow and the late Stephen Calt (1946–2010) originally probed Patton’s career in the Mississippi Delta, his early performances and recordings, and his musical legacy that continues to influence today’s guitarists and performers, including such musicians as Jack White and Larkin Poe. For this second edition, Wardlow and Edward Komara refined the text and rewrote major sections, updating them with new scholarship on Patton and Delta blues. And finally, Komara has added a new afterword bringing Patton into the contemporary blues conversation and introducing numerous musical examples for the modern researcher and musician.

The second edition of King of the Delta Blues Singers will further cement Patton’s legacy among important blues musicians, and it will be of interest to anyone absorbed in the beginnings of the Delta blues and music biographies.

[more]

front cover of King of the World
King of the World
The Life of Louis XIV
Philip Mansel
University of Chicago Press, 2020
Louis XIV was a man in pursuit of glory. Not content to be the ruler of a world power, he wanted the power to rule the world. And, for a time, he came tantalizingly close.

Philip Mansel’s King of the World is the most comprehensive and up-to-date biography in English of this hypnotic, flawed figure who continues to captivate our attention. This lively work takes Louis outside Versailles and shows the true extent of his global ambitions, with stops in London, Madrid, Constantinople, Bangkok, and beyond. We witness the importance of his alliance with the Spanish crown and his success in securing Spain for his descendants, his enmity with England, and his relations with the rest of Europe, as well as Asia, Africa, and the Americas. We also see the king’s effect on the two great global diasporas of Huguenots and Jacobites, and their influence on him as he failed in his brutal attempts to stop Protestants from leaving France. Along the way, we are enveloped in the splendor of Louis’s court and the fascinating cast of characters who prostrated and plotted within it.
King of the World is exceptionally researched, drawing on international archives and incorporating sources who knew the king intimately, including the newly released correspondence of Louis’s second wife, Madame de Maintenon. Mansel’s narrative flair is a perfect match for this grand figure, and he brings the Sun King’s world to vivid life.

This is a global biography of a global king, whose power was extensive but also limited by laws and circumstances, and whose interests and ambitions stretched far beyond his homeland. Through it all, we watch Louis XIV progressively turn from a dazzling, attractive young king to a belligerent reactionary who sets France on the path to 1789. It is a convincing and compelling portrait of a man who, three hundred years after his death, still epitomizes the idea of le grand monarque.
[more]

front cover of Kipling
Kipling
Jad Adams
Haus Publishing, 2005
Joseph Rudyard Kipling was the greatest writer in a Britain that ruled the largest empire the world has known, yet he was always a controversial figure, as deeply hated as he was loved. This accessible biography aims at an understanding of the man behind the image and gives an explanation of his enduring popularity
[more]

front cover of THE KIRWAN YEARS
THE KIRWAN YEARS
CHRISTOPHER L PERRY
The Ohio State University Press, 2006
Starting under President Edward Jennings and continuing under Gordon Gee, The Ohio State University began a long-term drive to match the school’s ranking in football with a commensurate reputation for academic excellence. Initiatives to admit better-prepared students, attract and retain world-class faculty, and build highly rated programs were promising, but the university needed a broad strategy to coordinate these and other initiatives into a focused approach.
 
Enter President William “Brit” Kirwan, who understood this need perfectly and whose major legacy became widely known as the Academic Plan. This document became and remains the centerpiece of Ohio State’s agenda, with budget and other priorities emanating from its six strategies and 14 initiatives.

Continuing the Ohio State tradition of chronicling the university’s history through the work of its past presidents, The Kirwan Years recounts the Academic Plan’s creation, acceptance, and initial implementation, along with many major university accomplishments from mid-1998 through mid-2002. It also details the university’s ongoing, uphill struggle to maximize state financial support and its success in private and other fundraising. It provides a compelling look at the complexity permeating today’s research universities. And yes, it describes the firing of football coach John Cooper and the hiring of Jim Tressel.
[more]

front cover of Kissing Fidel
Kissing Fidel
A Memoir of Cuban American Terrorism in the United States
Magda Montiel Davis
University of Iowa Press, 2020

What does it mean to be instantly transformed into the most hated person in your community? After meeting Fidel Castro at a Havana reception in 1994, Cuban-born Magda Montiel Davis, founder of one of the largest immigration law firms in South Florida, soon found out. The reception—attended by hundreds of other Cuban émigrés—was videotaped for historical archives. In a seconds-long clip, Fidel pecks the traditional protocol kiss on Montiel Davis’s cheek as she thanks him for the social benefits conferred upon the Cuban people. The video, however, was mysteriously sold to U.S. reporters and aired incessantly throughout South Florida. Soon the encounter was an international cause célèbre.

Life as she knew it was over for Montiel Davis and her family, including a father who worked with the CIA to topple Fidel, a nohablo-inglés mother who lived with the family, her five children, and her Jewish Brooklyn-born attorney husband. Kissing Fidel shares the sometimes dismal, sometimes comical realities of an ordinary citizen being thrown into a world of death threats, mob attacks, and terrorism.

[more]

front cover of Knickerbocker
Knickerbocker
The Myth behind New York
Bradley, Elizabeth L
Rutgers University Press, 2009
Deep within New York's compelling, sprawling history lives an odd, ornery Manhattan native named Diedrich Knickerbocker. The name may be familiar today: his story gave rise to generations of popular tributes—from a beer brand to a basketball team and more—but Knickerbocker himself has been forgotten. In fact, he was New York's first truly homegrown chronicler, and as a descendant of the Dutch settlers, he singlehandedly tried to reclaim the city for the Dutch. Almost singlehandedly, that is. Diedrich Knickerbocker was created in 1809 by a young Washington Irving, who used the character to narrate his classic satire, A History of New York. According to Irving's partisan narrator, everything good and distinctive, proud and powerful, about New York City—from the doughnuts to the twisting streets of lower Manhattan—could be traced back to New Amsterdam. Terrific general interest, cultural history of a city with a rich and lively literary past. First-ever book on the eponymous myth that has informed New York City culture since the early 1800s. Coincides with the two-hundredth anniversary of Washington Irving's publication of A History of New York. Perfect gift book or addition to library collection of New York Cityùthemed books.

Includes a gallery of images that brings Diedrich Knickerbocker, his myth, time, and place to life Knickerbocker engagingly traces the creation, evolution, and prevalence of Irving's imaginary historian in New York literature and history, art and advertising, from the early nineteenth century to the present day. Who would imagine this satiric character, at once a snob and a champion of the people, would endure for two hundred years? In Elizabeth L. Bradley's words, "Whether you call it 'blood,' style, attitude, or moxie, the little Dutchman could deliver." And, from this engaging work, it is clear that he does.

Bradley's stunning volume offers a surprising and delightful glimpse behind the scenes of New York history, and invites readers into the world of Knickerbocker, the antihero who surprised everyone by becoming the standard-bearer for the city's exceptional sense of self, or what we now call a New York "attitude."

[more]

front cover of Knocking Down Barriers
Knocking Down Barriers
My Fight for Black America
Truman K. Gibson Jr. with Steve Huntley
Northwestern University Press, 2005
Winner, 2006 Illinois State Historical Society Book Award Certificate of Excellence
Recipient, 2007 Hyde Park Historical Society Paul Cornell Award

Knocking Down Barriers is the memoir of a life spent making a difference. In 1940, when Truman Gibson reported for duty at the War Department, Washington was like a southern city in its seemingly unalterable segregation and oppressive summer heat. Gibson had no illusions about the nation’s racism, but as a Chicagoan who’d enjoyed the best of the vibrant Black culture of prewar America, he was shocked to find the worst of the Jim Crow South in the capital. What Gibson accomplished as an advocate for African American soldiers—first as a lawyer working for the secretary of war, then as a member of Harry S. Truman’s “Black cabinet”—fueled the struggle for civil rights in the American military.
 
A University of Chicago Law School graduate, Gibson took his fight for racial justice to the corridors of power, arguing against restrictive real estate covenants before the US Supreme Court, opposing such iconic military figures as Generals Dwight D. Eisenhower and George C. Marshall to demand the integration of the armed forces, and challenging white control of professional sports by creating a boxing empire that made television history. Filled with firsthand details and little-known stories about key advancements in race relations in the worlds of law, the military, sports, and entertainment, Gibson’s memoir is also an engaging recollection of encounters with the likes of Thurgood Marshall, W. E. B. Du Bois, Eleanor Roosevelt, George Patton, Jackie Robinson, and Joe Louis. Winner of the 2006 Illinois State Historical Society Book Award Certificate of Excellence, Knocking Down Barriers illuminates social milestones that continue to shape race in the United States today.
[more]

front cover of Knowing Him by Heart
Knowing Him by Heart
African Americans on Abraham Lincoln
Edited by Frederick Hord and Matthew D. Norman
University of Illinois Press, 2023
Winner of the 2024 Abraham Lincoln Institute Book Award


An unprecedented collection of African American writings on Lincoln

Though not blind to Abraham Lincoln's imperfections, Black Americans long ago laid a heartfelt claim to his legacy. At the same time, they have consciously reshaped the sixteenth president's image for their own social and political ends. Frederick Hord and Matthew D. Norman's anthology explores the complex nature of views on Lincoln through the writings and thought of Frederick Douglass, Ida B. Wells-Barnett, Mary McLeod Bethune, Thurgood Marshall, Malcolm X, Gwendolyn Brooks, Barbara Jeanne Fields, Barack Obama, and dozens of others. The selections move from speeches to letters to book excerpts, mapping the changing contours of the bond--emotional and intellectual--between Lincoln and Black Americans over the span of one hundred and fifty years.

A comprehensive and valuable reader, Knowing Him by Heart examines Lincoln’s still-evolving place in Black American thought.

[more]

front cover of Knut Hamsun Remembers America
Knut Hamsun Remembers America
Essays and Stories, 1885-1949
Knut Hamsun, Translated and Edited by Richard Nelson Current
University of Missouri Press, 2003
When Americans remember him at all, they no doubt think of Knut Hamsun (1859–1952) as the author of Hunger or as the Norwegian who, along with Vidkun Quisling, betrayed his country by supporting the Nazis during World War II. Yet Hamsun, winner of the Nobel Prize in 1920 for his novel The Growth of the Soil, was and remains one of the most important and influential novelists of his time. Knut Hamsun Remembers America is a collection of thirteen essays and stories based largely on Hamsun’s experiences during the four years he spent in the United States when he was a young man. Most of these pieces have never been published before in an English translation, and none are readily available.
Hamsun’s feelings about America and American ways were complex. For the most part, they were more negative than positive, and they found expression in many of his writings—directly in his reminiscences and indirectly in his fiction. In On the Cultural Life of Modern America, his first major book, he portrayed the United States as a land of gross and greedy materialism, populated by illiterates who were utterly lacking in artistic originality or refinement. Although the pieces in this collection are not all anti-American, most of them emphasize the strangeness and unpleasantness, as the author saw it, of life in what he called Yankeeland.
Arranged chronologically, the pieces fall into three categories: Critical Reporting, Memory and Fantasy, and Mellow Reminiscence. The Critical Reporting section includes articles that appeared in Norwegian or Danish newspapers soon after each of Hamsun’s two visits to America and that give his views on a variety of American subjects, and includes an essay devoted to Mark Twain. Memory and Fantasy comprises narratives of life in America, most of which are presented as personal experiences but which actually are blends of fact and fiction. Mellow Reminiscence includes later and fonder recollections and impressions of the United States.
The pieces in this collection provide variations on a theme that runs through much of American history—European criticism of American ways. They give vivid, at times distorted, pictures of life as it was in the United States. They tell us something about the development of the worldview of a man who became a great writer, only to jeopardize his reputation by defending the Nazi oppressors of his own people. Knut Hamsun Remembers America will appeal to anyone interested in the history of American civilization or, more specifically, in the history of anti-Americanism.
[more]

front cover of Kokoschka
Kokoschka
The Untimely Modernist
Rüdiger Görner
Haus Publishing, 2020

The Austrian artist Oskar Kokoschka (1886–1980) achieved global fame with his intense expressionistic portraits and landscapes. In this first English-language biography, Rüdiger Görner depicts the artist in all his fascinating and contradictory complexity. He traces Kokoschka’s path from bête noire of the bourgeoisie and “hunger artist” who had to flee the Nazis to a wealthy and cosmopolitan political and critical artist who played a significant role in shaping the European art scene of the twentieth century and whose relevance is undiminished to this day. 

In Kokoschka: A Life in Art, Görner emphasizes the artist’s versatility. Kokoschka, although best known for his expressionistic portraits and landscapes, was more than a mere visual artist: his achievements as a playwright, essayist, and poet bear witness to a remarkable literary talent. Music, too, played a central role in his work, and a passion for teaching led him to establish in 1953 the School of Seeing, an unconventional art school intended to revive humanist ideals in the horrific aftermath of war.  This biography shows brilliantly how all the pieces of Kokoschka’s disparate interests and achievements cohered in the richly creative life of a singular artist.

[more]

front cover of Korea Letters in the William Elliot Griffis Collection
Korea Letters in the William Elliot Griffis Collection
An Annotated Selection
Young-mee Yu Cho
Rutgers University Press, 2024
William Elliot Griffis (1843 – 1928) graduated from Rutgers College in 1869 and taught four years in Fukui and Tokyo. After his return to the United States, he devoted himself to his research and writing on East Asia throughout his life. He authored 20 books about Japan and five books about Korea including, Corea: The Hermit Nation (1882), Corea, Without and Within: Chapters on Corean History, Manners and Religion (1885), The Unmannerly Tiger, and Other Korean Tales (1911), A Modern Pioneer in Korea: The Life Story of Henry G. Appenzeller (1912), and Korean Fairy Tales (1922). In particular, his bestseller, Corea: The Hermit Nation (1882) was reprinted numerous times through nine editions over thirty years. He was not only known as "the foremost interpreter of Japan to the West before World War I but also the American expert on Korea. After his death, his collection of books, documents, photographs and ephemera was donated to Rutgers.

The Korean materials in the Griffis Collection at Rutgers University consist of journals, correspondence, articles, maps, prints, photos, postcards, manuscripts, scrapbooks, and ephemera. These papers reflect Griffis's interests and activities in relation to Korea as a historian, scholar, and theologian. They provide a rare window into the turbulent period of late nineteenth- and twentieth-century Korea, witnessed and evaluated by Griffis and early American missionaries in East Asia. The Korea Letters in the William Elliot Griffis Collection are divided into two parts: letters from missionaries and letters from Japanese and Korean political figures. Newly available and accessible through this collection, these letters develop a multifaceted history of early American missionaries in Korea, the Korean independence movement, and Griffis's views on Korean culture.
[more]

front cover of Kore-eda Hirokazu
Kore-eda Hirokazu
Marc Yamada
University of Illinois Press, 2023
Films like Shoplifters and After the Storm have made Kore-eda Hirokazu one of the most acclaimed auteurs working today. Critics often see Kore-eda as a director steeped in the Japanese tradition defined by Yasujirō Ozu. Marc Yamada, however, views Kore-eda’s work in relation to the same socioeconomic concerns explored by other contemporary international filmmakers. Yamada reveals that a type of excess, not the minimalism associated with traditional aesthetics, defines Kore-eda’s trademark humanism. This excess manifests in small moments when a desire for human connection exceeds the logic of the institutions and policies formed by the neoliberal values that have shaped modern-day Japan. As Yamada shows, Kore-eda captures the shared spaces formed by bodies that move, perform, and assemble in ways that express the humanistic impulse at the core of the filmmaker’s expanding worldwide appeal.
[more]

front cover of Kurt Baschwitz
Kurt Baschwitz
A Pioneer of Communication Studies and Social Psychology
Jaap van Ginneken
Amsterdam University Press, 2018
In this accessible, unique study of a forgotten but noteworthy figure, the author tells the story of the life of Kurt Baschwitz (1886—1968), a scholar who fled from the Nazis. He wrote six books, never translated into English, on four related themes: the press, propaganda, politics, and persecution. Baschwitz independently developed concepts that are now seen as key to communication science and socialpsychology, and the author places Baschwitz’s ideas in the wider context of his dramatic life and times.
[more]

logo for Intellect Books
Kurt Kren
Structural Films
Edited by Nicky Hamlyn, Simon Payne, and A. L. Rees
Intellect Books, 2016
Kurt Kren was a vital figure in Austrian avant-garde cinema of the postwar period. His structural films—often shot frame-by-frame following elaborately prescored charts and diagrams—have influenced filmmakers for decades, even as Kren himself remained a nomadic and obscure public figure. Kurt Kren, edited by Nicky Hamlyn, Simon Payne, and A. L. Rees, brings together interviews with Kren, film scores, and classic, out-of-print essays, alongside the reflections of contemporary academics and filmmakers, to add much-needed critical discussion of Kren’s legacy. Taken together, the collection challenges the canonical view of Kren that ignores his underground lineage and powerful, lyrical imagery.
[more]

front cover of Kurt Vonnegut Remembered
Kurt Vonnegut Remembered
Edited by Jim O'Loughlin
University of Alabama Press, 2019
A collection of reminiscences that illuminate the career and private life of the iconic author of 'Slaughterhouse-Five'
 
Kurt Vonnegut (1922–2007), who began his writing career working for popular magazines, held both literary aspirations and an attraction to genre fiction. His conspicuous refusal to respect literary boundaries was part of what made him a countercultural icon in the 1960s and 1970s. Vonnegut’s personal life was marked in large part by public success and private turmoil. Two turbulent marriages, his sudden adoption of his late sister’s four children (and the equally sudden removal of one of those children), and a mid-eighties suicide attempt all signaled the extent of Vonnegut’s inner troubles. Yet, he was a generous friend to many, maintaining close correspondences throughout his life.

Kurt Vonnegut Remembered gathers reminiscences—by those who knew him intimately, and from those met him only once—that span Vonnegut’s entire life. Among the anecdotes in this collection are remembrances from his immediate family, reflections from his comrades in World War II, and tributes from writers he worked with in Iowa City and from those who knew him when he was young. Editor Jim O’Loughlin offers biographical notes on Vonnegut’s relationship with each of these figures.
 
Since Vonnegut’s death, much has been written on his life and work, but this new volume offers a more generous view of his life, particularly his last years. In O’Loughlin’s introduction to the volume, he argues that we can locate and understand Vonnegut’s best self through his public persona, and that in his performance as the kind and humane figure that many of the speakers here knew him as, Vonnegut became a better person than he ever felt himself to be.
[more]

front cover of Kurt Wolff
Kurt Wolff
A Portrait in Essays and Letters
Kurt Wolff
University of Chicago Press, 1991
Kurt Wolff (1887-1963) was a singular presence in the literary world of the twentieth century, a cultural force shaping modern literature itself and pioneering significant changes in publishing. During an intense, active career that spanned two continents and five decades, Wolff launched seven publishing houses and nurtured an extraordinary array of writers, among them Franz Kafka, Lou Andreas-Salomé, Boris Pasternak, Günter Grass, Robert Musil, Paul Valéry, Julian Green, Lampedusa, and Anne Morrow Lindbergh.
[more]

front cover of Kusiq
Kusiq
An Eskimo Life History from the Arctic Coast of Alaska.
Waldo Bodfish Sr.
University of Alaska Press, 1991
If you are a casual reader who wants an intriguing glimpse into Eskimo life, a novice oral historian who wants to know how it is done right, or a student of Alaska who wants an Inupiat perspective of the changes that swept the western Arctic this century, read Kusiq.
(Journal of the West)

A vivid 'inside' account of an observant Eskimo male who mastered much of the traditional subsistence technology and lore and who lived through the end of commercial whaling, the development and decline of introduced reindeer herding and the fur market, and through World War II and its aftermath. In its scope as well as in the presentation of historical, cultural, and linguistic context,Kusiq is far more extensive than [other] autobiographies.
(American Indian Culture and Research Journal)

Kusiq represents a new wave in literature, the expressions of cultural awakenings among native American cultures, the attempt to redefine the native world in written form, to recast history, a history for too long the domain of the white system.
(ARCTIC)

It would be difficult to find a better, more interesting first-person account of Eskimo life during the first half of this century. [It is] second in an ambitious series of oral histories developed by the University of Alaska Press.
(Scan-A-Book)

The collaborators for this book include William Schneider, curator of oral history at the Elmer E. Rasmuson Library, University of Alaska Fairbanks; Leona Kisautaq Okakok, manager of the Arctic Education Foundation at the Arctic Slope Regional Corporation; and James Mumigana Nageak, coordinator of bilingual and multicultural instruction at the North Slope Borough School District. Schneider recorded and compiled Bodfish's stories, while Okakok and Nageak, both Inupiaq Eskimo language specialists, contributed their skills in interviewing, translating, and clarifying Inupiaq concepts. The book contains twelve chapters of Bodfish's narrative, background and commentary by the collaborators, and information on pronunciation, personal names, genealogical relations, and place names.
[more]

logo for Ohio University Press
Kwame Nkrumah
The Father of African Nationalism
Jeffrey S. Ahlman
Ohio University Press, 1998
The first African statesman to achieve world recognition was Kwame Nkrumah (1909-1972), who became president of the new Republic of Ghana in 1960. He campaigned ceaselessly for African solidarity and for the liberation of southern Africa from white settler rule. His greatest achievement was to win the right of black peoples in Africa to have a vote and to determine their own destiny. He turned a dream of liberation into a political reality. He was the leader of Ghana who urged Africa to shed the colonial yoke and who inspired black people everywhere to seek their freedom. This revised edition of Birmingham’s fine and accessible biography chronicles the public accomplishments of this extraordinary leader, who faced some of the century’s most challenging political struggles over colonial transition. African nationalism, and pan-Africanism. It also relates some of the personal trials of a complex individual. As a student in America in the late 1930s, Nkrumah, shy, disorganized, but ambitious and persistent, earned four degrees in ten years. For political training he then went to England. Nkrumah found writing difficult throughout his lifetime, but once back in his African homeland, with its oral heritage, Nkrumah blossomed as a charming conversationalist, a speechmaker, and eventually a visionary and inspiring leader. Nkrumah’s crusades were controversial, however, and in the 1960s he gradually lost his heroic stature both among his own people and among his fellow leaders. He lived his last years in exile. This remarkable life story, which touches on many of the issues facing modern Africa, will open a window of understanding for the general leader as well as for graduate and undergraduate classes. In this new edition, Birmingham also examines Nkrumah’s exile and provides insight into the image of Nkrumah that has emerged in the light of research recently published.
[more]

front cover of Kwame Nkrumah
Kwame Nkrumah
Visions of Liberation
Jeffrey S. Ahlman
Ohio University Press, 2021
A new biography of Ghana’s Kwame Nkrumah, one of the most influential political figures in twentieth-century African history. As the first prime minister and president ofthe West African state of Ghana, Kwame Nkrumah helped shape the global narrative of African decolonization. After leading Ghana to independence in 1957, Nkrumah articulated a political vision that aimed to free the country and the continent—politically, socially, economically, and culturally—from the vestiges of European colonial rule, laying the groundwork for a future in which Africans had a voice as equals on the international stage. Nkrumah spent his childhood in the maturing Gold Coast colonial state. During the interwar and wartime periods he was studying in the United States. He emerged in the postwar era as one of the foremost activists behind the 1945 Manchester Pan-African Congress and the demand for an immediate end to colonial rule. Jeffrey Ahlman’s biography plots Nkrumah’s life across several intersecting networks: colonial, postcolonial, diasporic, national, Cold War, and pan-African. In these contexts, Ahlman portrays Nkrumah not only as an influential political leader and thinker but also as a charismatic, dynamic, and complicated individual seeking to make sense of a world in transition.
[more]


Send via email Share on Facebook Share on Twitter