When an idealistic American named Edmund Stevens arrived in Moscow in 1934, his only goal was to do his part for the advancement of international Communism. His job writing propaganda led to a reporting career and an eventual Pulitzer Prize in 1950 for his uncensored descriptions of Stalin’s purges. This book tells how Stevens became an accidental journalist—and the dean of the Moscow press corps.
The longest-serving American-born correspondent working from within the Soviet Union, Stevens was passionate about influencing the way his stateside readers thought about Russia’s citizens, government, and social policy. Cheryl Heckler now traces a career that spanned half a century and four continents, focusing on Stevens’s professional work and life from 1934 to 1945 to tell how he set the standards for reporting on Soviet affairs for the Christian Science Monitor.
Stevens was a keen observer and thoughtful commentator, and his analytical mind was just what the Monitor was looking for in a foreign correspondent. He began his journalism career reporting on the Russo-Finnish War in 1939 and was the Monitor’s first man in the field to cover fighting in World War II. He reported on the Italian invasion of Greece, participated in Churchill’s Moscow meeting with Stalin as a staff translator, and distinguished himself as a correspondent with the British army in North Africa.
Drawing on Stevens’s memoirs—to which she had exclusive access—as well as his articles and correspondence and the unpublished memoirs of his wife, Nina, Heckler traces his growth as a frontline correspondent and interpreter of Russian culture. She paints a picture of a man hardened by experience, who witnessed the brutal crushing of the Iron Guard in 1941 Bucharest and the Kharkov hangings yet who was a failure on his own home front and who left his wife during a difficult pregnancy in order to return to the war zone. Heckler places his memoirs and dispatches within the larger context of events to shed new light on both the public and the private Stevens, portraying a reporter adapting to new roles and circumstances with a skill that journalists today could well emulate.
By exposing the many facets of Stevens’s life and experience, Heckler gives readers a clear understanding of how this accidental journalist was destined to distinguish himself as a war reporter, analyst, and cultural interpreter. An Accidental Journalist is an important contribution to the history of war reporting and international journalism, introducing readers to a man whose inside knowledge of Stalinist Russia was beyond compare as it provides new insight into the Soviet era.
Frank Kearns was the go-to guy at CBS News for danger- ous stories in Africa and the Middle East in the 1950s, ‘60s, and early ‘70s. By his own account, he was nearly killed 114 times. He took stories that nobody else wanted to cover and was challenged to get them on the air when nobody cared about this part of the world. But his stories were warning shots for conflicts that play out in the headlines today.
In 1957, Senator John Kennedy described America’s view of the Algerian war for independence as the Eisenhower Administration’s “head in the sand policy.” So CBS News decided to find out what was really happening there and to determine where Algeria’s war for independence fit into the game plan for the Cold War. They sent Frank Kearns to find out.
Kearns took with him cameraman Yousef (“Joe”) Masraff and 400 pounds of gear, some of which they shed, and they hiked with FLN escorts from Tunisia, across a wide “no-man’s land,” and into the Aures Mountains of eastern Algeria, where the war was bloodiest. They carried no passports or visas. They dressed as Algerians. They refused to bear weapons. And they knew that if captured, they would be executed and left in unmarked graves. But their job as journalists was to seek the truth whatever it might turn out to be.
This is Frank Kearns’s diary.
Gary Cartwright is one of Texas’s legendary writers. In a career spanning nearly six decades, he has been a newspaper reporter, Senior Editor of Texas Monthly, and author of several acclaimed books, including Blood Will Tell, Confessions of a Washed-up Sportswriter, and Dirty Dealing. Cartwright was a finalist for a National Magazine Award for reporting excellence, and he has won several awards from the Texas Institute of Letters, including its most prestigious—the Lon Tinkle Award for lifetime achievement. His personal life has been as colorful and occasionally outrageous as any story he reported, and in this vivid, often hilarious, and sometimes deeply moving memoir, Cartwright tells the story of his writing career, tangled like a runaway vine with great friendships, love affairs, four marriages, four or five great dogs . . . looking always to explain, at least to himself, how the pattern probably makes a kind of perverted sense.
Cartwright’s career began at the Fort Worth Star-Telegram and Fort Worth Press, among kindred spirits and fellow pranksters Edwin “Bud” Shrake and Dan Jenkins. He describes how the three rookie writers followed their mentor Blackie Sherrod to the Dallas Times Herald and the Dallas Morning News, becoming the “best staff of sportswriters anywhere, ever” and creating a new kind of sportswriting that “swept the country and became standard.” Cartwright recalls his twenty-five years at Texas Monthly, where he covered everything from true crime to notable Texans to Texas’s cultural oddities. Along the way, he tells lively stories about “rebelling against sobriety” in many forms, with friends and co-conspirators that included Willie Nelson, Ann Richards, Dennis Hopper, Willie Morris, Don Meredith, Jack Ruby, and countless others. A remarkable portrait of the writing life and Austin’s counterculture, The Best I Recall may skirt the line between fact and fiction, but it always tells the truth.
Anthony Collings found himself in his share of difficult situations in his thirty-four years as a newsman. Like being captured by AK-47–toting Syrians in Lebanon in 1981 while looking for missiles that threatened a new outbreak of hostilities with Israel, or being “detained” by the KGB in Moscow in 1967 during his first foreign posting for the Associated Press filing stories about Soviet dissidents.
Charles K. McClatchy was twenty-five when he inherited The Sacramento Bee from his father, and his ensuing career as the paper’s editor extended well beyond the newsroom. Until his death in 1936, McClatchy was a consistent advocate for Progressive politics, a crusader for urban reform, a staunch isolationist, and a voice for Northern California. This biography explores his career as the long-time editor of the Bee in a work that weaves the history of Northern California with that of American newspapers.
This superb biography provides for the first time a candid look at the remarkable life of Walter Williams, the man who founded the world's first school of journalism and perhaps contributed more toward the promotion of professional journalism than any other person of his time.
Williams, the youngest of six children, was born in Boonville, Missouri, in 1864. Never an athletic child, he always had a love of books and of learning; yet, he scarcely had a high school education. He began his journalistic career as a printer's devil at seventy cents per week and eventually became editor and part- owner of a weekly in Columbia, Missouri. During his time as an editor, Williams became convinced that journalism would never reach its potential until its practitioners had the opportunity for university training in their field. After years of crusading, he established the first journalism school, on the University of Missouri campus. Later, he was chosen president of the University of Missouri, which he led with distinction during the Great Depression.
Williams was an unwavering advocate of high professional standards. His Journalist's Creed became one of the most widely circulated codes of professional ethics. Williams inspired the confidence of his fellow journalists, and he carried his message to nearly every country in which newspapers were published. Not only did he invent journalism education, he also created global organizations of journalists and spread the gospel of professionalism throughout the world. His death, in 1935, was mourned throughout the United States, and editorial tributes came from around the world. As one British editor succinctly put it, "Williams was not born to greatness. Neither was it thrust upon him. Literally, he achieved greatness."
E. James West's fresh and fascinating exploration of Ebony’s political, social, and historical content illuminates the intellectual role of the iconic magazine and its contribution to African American scholarship. He also uncovers a paradox. Though Ebony provided Bennett with space to promote a militant reading of black history and protest, the magazine’s status as a consumer publication helped to mediate its representation of African American identity in both past and present.
Mixing biography, cultural history, and popular memory, West restores Ebony and Bennett to their rightful place in African American intellectual, commercial, and political history.
In late summer 1953, as he returned to Mexico City after a seven-month expedition through the jungles of Ecuador, Colombia, and Peru, William Burroughs began a notebook of final reflections on his four years in Latin America. His first novel, Junkie, had just been published and he would soon be back in New York to meet Allen Ginsberg and together complete the manuscripts of what became The Yage Letters and Queer. Yet this notebook, the sole survivor from that period, reveals Burroughs not as a writer on the verge of success, but as a man staring down personal catastrophe and visions of looming cultural disaster.
Losses that will not let go of him haunt Burroughs throughout the notebook: “Bits of it keep floating back to me like memories of a daytime nightmare.” However, out of these dark reflections we see emerge vivid fragments of Burroughs’ fiction and, even more tellingly, unique, primary evidence for the remarkable ways in which his early manuscripts evolved. Assembled in facsimile and transcribed by Geoffrey D. Smith, John M. Bennett, and Burroughs scholar Oliver Harris, the notebook forces us to change the way we see both Burroughs and his writing at a turning point in his literary biography.
Christine Brennan, the USA Today sports columnist, author, and commentator, uses her voice to advocate for diversity and equality in the world of sports, and her wisdom to encourage future journalists. Her passion for sports was sparked by her dad, who encouraged her to participate in athletics and, as he said, “smell the game”—go watch baseball and football games together.
As a child, Christine wrote daily entries in her diary and listened to play-by-play coverage on her radio. She pursued this love of words through journalism school and applied her passion for sports by reporting on them for various newspapers. Since then, she has portrayed the setbacks and triumphs of athletes, all the while fighting her own battles for success—and respect—as a female journalist.
From knocking down barriers in NFL locker rooms to covering every Olympics since 1984 to being the go-to commentator whenever scandal occurs in the sports world, Christine Brennan has done it all. Eye to Eye invites young readers to learn more about this remarkable journalist and perhaps to nurture their own dreams of investigating and telling important stories.
Fighting Words profiles five journalists who published the truth as they saw it, no matter how their reporting angered politicians, social and religious leaders, or other journalists.
The five journalists are William Brann (1855–1898), Don Biggers (1868–1957), John Granbery (1874–1953), Archer Fullingim (1902–1984), and Stoney Burns [Brent Stein] (1942–2011). Though they lived in different eras, all these men dealt with issues that society continues to face—racism, official corruption, religious freedom, educational reform, political extremism of the left and right, the clash of urban and rural values, and the fear of change. Their lives and work constitute a unique, alternative perspective on Texas history and the history of journalism itself.
In addition to the troubling questions they raised on social issues, these independent journalists challenge us, as they challenged the mainline media of their own times, to define the function of journalism and to examine the mandate of the First Amendment. We may doubt the wisdom of some of their convictions, but not the courage they needed to express them in the face of ridicule, hostility, intimidation, and even death. More than the specific causes they fought for, the independents’ passion for truth and their absolute belief in free speech constitute their greatest legacy to us and to journalism.
In-depth and dramatic, Andrew E. Stoner's biography follows the remarkable life of the brash, pioneering journalist. Shilts's reporting on AIDS in San Francisco broke barriers even as other gay writers and activists ridiculed his overtures to the mainstream and labeled him a traitor to the movement, charges the combative Shilts forcefully answered. Behind the scenes, Shilts overcame career-threatening struggles with alcohol and substance abuse to achieve the notoriety he had always sought, while the HIV infection he had purposely kept hidden began to take his life.
Filled with new insights and fascinating detail, The Journalist of Castro Street reveals the historic work and passionate humanity of the legendary investigative reporter and author.
In this timely book, a Pulitzer Prize–winning reporter trains an autobiographical lens on a moment of remarkable transition in American journalism. Just a few years ago, the mainstream press was wrestling with whether labeling waterboarding as torture violated important norms of neutrality and objectivity. Now, major American newspapers regularly call the president of the United States a liar. Clearly, something has changed as the old rules of “balance” and “two sides to every story” have lost their grip. Is the change for the better? Will it last?
In Just a Journalist, Linda Greenhouse—who for decades covered the U.S. Supreme Court for The New York Times—tackles these questions from the perspective of her own experience. A decade ago, she faced criticism from her own newspaper and much of journalism’s leadership for a speech to a college alumnae group in which she criticized the Bush administration for, among other things, seeking to create a legal black hole at Guantánamo Bay—two years after the Supreme Court itself had ruled that the detainees could not be hidden away from the reach of federal judges who might hear their appeals.
One famous newspaper editor expressed his belief that it was unethical for a journalist to vote, because the act of choosing one candidate over another could compromise objectivity. Linda Greenhouse disagrees. Calling herself “an accidental activist,” she raises urgent questions about the role journalists can and should play as citizens, even as participants, in the world around them.
Hanged by the Nigerian government on November 10, 1995, Ken Saro-Wiwa became a martyr for the Ogoni people and human rights activists, and a symbol of modern Africans’ struggle against military dictatorship, corporate power, and environmental exploitation. Though he is rightly known for his human rights and environmental activism, he wore many hats: writer, television producer, businessman, and civil servant, among others. While the book sheds light on his many legacies, it is above all about Saro-Wiwa the man, not just Saro-Wiwa the symbol.
Roy Doron and Toyin Falola portray a man who not only was formed by the complex forces of ethnicity, race, class, and politics in Nigeria, but who drove change in those same processes. Like others in the Ohio Short Histories of Africa series, Ken Saro-Wiwa is written to be accessible to the casual reader and student, yet indispensable to scholars.
Includes a gallery of images that brings Diedrich Knickerbocker, his myth, time, and place to life Knickerbocker engagingly traces the creation, evolution, and prevalence of Irving's imaginary historian in New York literature and history, art and advertising, from the early nineteenth century to the present day. Who would imagine this satiric character, at once a snob and a champion of the people, would endure for two hundred years? In Elizabeth L. Bradley's words, "Whether you call it 'blood,' style, attitude, or moxie, the little Dutchman could deliver." And, from this engaging work, it is clear that he does.
Bradley's stunning volume offers a surprising and delightful glimpse behind the scenes of New York history, and invites readers into the world of Knickerbocker, the antihero who surprised everyone by becoming the standard-bearer for the city's exceptional sense of self, or what we now call a New York "attitude."
Part crusader, part comedian, Jim Murray was a once-in-a-generation literary talent who just happened to ply his trade on newsprint, right near the box scores and race results. During his lifetime, Murray rose through the ranks of journalism, from hard-bitten 1940s crime reporter, to national Hollywood correspondent, to the top sports columnist in the United States. In Last King of the Sports Page: The Life and Career of Jim Murray, Ted Geltner chronicles Jim Murray’s experiences with twentieth-century American sports, culture, and journalism.
While sportswriters rushed into Major League Baseball locker rooms to talk with players, MLB Commissioner Bowie Kuhn barred the lone woman from entering along with them. That reporter, 26-year-old Sports Illustrated reporter Melissa Ludtke, charged Kuhn with gender discrimination, and after the lawyers argued Ludtke v. Kuhn in federal court, she won. Her 1978 groundbreaking case affirmed her equal rights, and the judge’s order opened the doors for several generations of women to be hired in sports media.
Locker Room Talk is Ludtke’s gripping account of being at the core of this globally covered case that churned up ugly prejudices about the place of women in sports. Kuhn claimed that allowing women into locker rooms would violate his players’ “sexual privacy.” Late-night television comedy sketches mocked her, as newspaper cartoonists portrayed her as a sexy, buxom looker who wanted to ogle the naked athletes’ bodies. She weaves these public perspectives throughout her vivid depiction of the court drama overseen by Judge Constance Baker Motley, the first Black woman to serve on the federal bench. She recounts how her lawyer, F.A.O. “Fritz” Schwarz, employed an ingenious legal strategy that persuaded Judge Motley to invoke the Fourteenth Amendment’s Equal Protection Clause in giving Ludtke access identical to that of her male counterparts. Locker Room Talk is both an inspiring story of one woman’s determination to do a job dominated by men and an illuminating portrait of a defining moment for women’s rights.
Allen critically assesses the many new approaches and causes that Cooper championed: introducing celebrity news and colorful features to a service previously known for stodgy reliability, pushing through disruptive technological innovations like the instantaneous transmission of news photos, and leading a crusade to bring American-style press freedom--inseparable from private ownership, in Cooper’s view--to every country. His insistence on truthfulness and impartiality presents a sharp contrast to much of today’s fractured journalistic landscape.
Deeply researched and engagingly written, Mr. Associated Press traces Cooper’s career as he built a new foundation for the modern AP and shaped the twentieth-century world of news.
Lucile Morris Upton landed her first newspaper job out West in the early 1920s, then returned home to spend half a century reporting on the Ozarks world she knew best. Having come of age just as women gained the right to vote, she took advantage of opportunities that presented themselves in a changing world. During her years as a journalist, Upton rubbed shoulders with presidents, flew with aviation pioneer Wiley Post, covered the worst single killing of US police officers in the twentieth century, wrote an acclaimed book on the vigilante group known as the Bald Knobbers, charted the growth of tourism in the Ozarks, and spearheaded a movement to preserve iconic sites of regional history. Following retirement from her newspaper job, she put her experience to good use as a member of the Springfield City Council and community activist.
Told largely through Upton’s own words, this insightful biography captures the excitement of being on the front lines of newsgathering in the days when the whole world depended on newspapers to find out what was happening.
Written in taut, mesmerizing, often hilarious scenes, Night Moves captures the fierce friendships and small moments that form us all. Drawing on her personal journals from the aughts, Jessica Hopper chronicles her time as a DJ, living in decrepit punk houses, biking to bad loft parties with her friends, exploring Chicago deep into the night. And, along the way, she creates an homage to vibrant corners of the city that have been muted by sleek development. A book birthed in the amber glow of Chicago streetlamps, Night Moves is about a transformative moment of cultural history—and how a raw, rebellious writer found her voice.
Internationally acclaimed as a journalist, war correspondent, interviewer, and novelist, Oriana Fallaci’s public persona reached almost mythic proportions. It is a myth Fallaci herself created, according to Santo L. Aricò, who probes the psychological forces that motivated one of the twentieth century’s most famous and successful women writers.
Using his own extensive interviews with the writer, Aricò maps out Fallaci’s journey through life, paying particular attention to her ongoing and painstaking attempts to establish her own mythical status. He first examines her career as a literary journalist, emphasizing the high quality of her writing. From there, he concentrates on how Fallaci’s personal image began to emerge in her writings, as well as the way in which, through her powerful narratives, she catapulted herself into the public eye as her own main character.
Paul U. Kellogg and the Survey was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This joint biography of an editor, Paul U. Kellogg, and a journal, the Survey,provides new insights into the story of social work, social welfare policy, and political and social reform in the United States during the first half of the twentieth century. Under Kellogg's editorship, the Survey and Survey Graphic journals stood at the heart of the evolution of social work as a profession and the development of a public social welfare policy during those years.
Early in his career, in 1901, Kellogg joined the staff of the Charities Review,the leading social service publication at that time. In 1912 he became editor in chief of the successor to that journal, the Survey, and he held this position of leadership for forty years until the magazine ceased publication.
The journals Kellogg edited played a major role in shaping and defining areas and methods of social service in all its diverse fields — the settlement movement, casework, recreation and group work, community organization, and social action. They carried news in depth about all manner of social work practice—juvenile courts, penology, health, education, institutional care, public relief, the administration of social insurance, and other aspects. The Survey's influence was profound in promoting the elaboration of public policy in social welfare fields, such as housing reform, workmen's compensation, the rights of organized labor, old age and survivors' insurance, unemployment compensation, aid to dependent children, and health insurance. Thus this account represents an important chapter in American social history.
Samuel Bangs, the first printer in the territory that is now Texas, once owed his life to his printing press. One of the few survivors of the Mina Expedition to Mexico in 1817, Bangs wrote to Servando de Mier, “I had the good fortune, through the will of God, to have my life saved, as I was a printer.”
Bangs was not always so fortunate. Losses and disappointments plagued him throughout his career, and he spent many miserable months in Mexican jails. But his ingenuity in the face of adversity, his courage and charm, stamped him not only as a storybook hero but as a man whose virtues were large enough to be their own reward.
Lota Spell’s fine biography of Samuel Bangs is at the same time a fascinating history of northern Mexico (including Texas) in the first half of the nineteenth century. Through the successes and failures of an individual it presents the facts about the operation of a business during a time of important political and economic change.
Even more important is its contribution to our knowledge of printing and of the contemporary periodical press. Although first of all a printer, Samuel Bangs was also involved in the production of newspapers, making this book a detailed history of journalism in the Mexico and Texas of his day. His printing office also functioned as a typographer’s school, through which he instituted the apprentice system in the Southwest; and as a result of his interest in presses as a commodity of trade, the first business for merchandising and servicing printing presses in the area was developed.
This narrative, combining the story of a man’s life, the history of his times, and the development of his profession, fills a gap in our knowledge of Mexico and Texas, and does it with perception and charm.
Jack Hill was a pioneering Arkansas documentary filmmaker dedicated to sharing his state’s history with a wider public. Following a decade as an award-winning investigative journalist and news anchor at KAIT in Jonesboro, Hill was pushed out by new management for his controversial reporting on corruption in a local sheriff’s office. What seemed like a major career setback turned out to be an opportunity: he founded the production company TeleVision for Arkansas, through which he produced dozens of original films. Although Hill brought an abiding interest in education and public health to this work from the beginning, he found his true calling in topics based in Arkansas history. Convinced that a greater acquaintance with the state’s most significant historical events would nurture a greater sense of homegrown pride, Hill tirelessly crisscrossed the state to capture the voices of hundreds of Arkansans recalling significant chapters in the state’s history, such as the oil boom in El Dorado and Smackover, the crucial contributions of the Arkansas Ordnance Plant in Jacksonville during World War II, and the role of Rosenwald Schools in expanding educational opportunities.
In Reporting for Arkansas, Dale Carpenter and Robert Cochran present a biography of Hill alongside an annotated selected filmography designed to accompany sixteen of his best films on subjects related to Arkansas history—all newly hosted online by the Center for Arkansas and Regional Studies at the University of Arkansas.
In 1894, an eighteen-year-old Jack London quit his job shoveling coal, hopped a freight train, and left California on the first leg of a ten thousand-mile odyssey. His adventure was an exaggerated version of the unemployed migrations made by millions of boys, men, and a few women during the original "great depression of the 1890s. By taking to the road, young wayfarers like London forged a vast hobo subculture that was both a product of the new urban industrial order and a challenge to it. As London's experience suggests, this hobo world was born of equal parts desperation and fascination. "I went on 'The Road,'" he writes, "because I couldn't keep away from it . . . Because I was so made that I couldn't work all my life on 'one same shift'; because-well, just because it was easier to than not to."
The best stories that London told about his hoboing days can be found in The Road, a collection of nine essays with accompanying illustrations, most of which originally appeared in Cosmopolitan magazine between 1907 and 1908. His virile persona spoke to white middle-class readers who vicariously escaped their desk-bound lives and followed London down the hobo trail. The zest and humor of his tales, as Todd DePastino explains in his lucid introduction, often obscure their depth and complexity. The Road is as much a commentary on London's disillusionment with wealth, celebrity, and the literary marketplace as it is a picaresque memoir of his youth.
Towering above printers of his time and their successors for many years afterward was the figure of Robert Estienne, the great French lexicographer of the sixteenth century, whose contribution to knowledge and its dissemination is the subject of this authoritative book. The span of Robert Estienne's life (1503–1559) encompassed the historical epochs and events which shaped his career: the Renaissance, the Reformation, and the invention of printing by movable type. His keen interest in the revival of ancient literatures and languages and his training in the art of printing pointed the road he would travel, and the climate of opinion in the Reformation determined his destiny.
Robert Estienne promoted classical learning by printing the works of good authors; to spread knowledge of ancient literature he compiled dictionaries and grammars which were adopted by most of the universities of Europe. His dictionary of proper names of Biblical and classical origin, the Dictionarium historicum ac poeticum, became one of the great source books for later compilers of dictionaries and for authors. His influence on English writers was pervasive. Ben Jonson showed familiarity with his texts; Spenser and Milton sometimes set trarislations of his phraseology directly into their poetry. Perpetuation of the few errors he made is one sure proof that his dictionaries were used and copied.
An exemplar of learning in the classics and scripture, he searched in ancient manuscripts to avoid repeating the numerous errors that had crept into Bible translations over hundreds of years. For his efforts he was called a heretic by docteurs de theologie in the Sorbonne, but was protected by the royal favor of Francis I of France. Between attacks of theologians on the one side and the King's protection on the other, he became a "controversial" figure and after many years of calumny and persecution finally took refuge in Geneva.
Estienne established a family tradition of printing correct and beautiful books, and the printing establishments which made the name of Estienne celebrated throughout the world continued for 162 years.
Street-smart, wickedly funny, piercingly perceptive, and eloquent enough to win a Pulitzer Prize, Mike Royko continues to have legions of devoted fans who still wonder “what Royko would have said” about some outrageous piece of news. One thing he hardly ever wrote or talked about, though, was his private life, especially the time he shared with his first wife, Carol. She was the love of his life, and her premature death at the age of forty-four shook him to his soul. Mike’s unforgettable public tribute to Carol was a heart-wrenching column written on what would have been her forty-fifth birthday, “November Farewell.” His most famous and requested piece, it was the end of an untold story.
Royko in Love offers that story’s moving and utterly beguiling beginning in letters that “Mick” Royko, then a young airman, wrote to his childhood sweetheart, Carol Duckman. He had been in love with her since they were kids on Chicago’s northwest side, but she was a beauty and he was, well, anything but. Before leaving for Korea, he was crushed to hear she was getting married, but after returning to Blaine Air Force Base in Washington, he learned she was getting a divorce. Mick soon began to woo Carol in a stream of letters that are as fervent as they are funny. Collected here for the first time, Royko’s letters to Carol are a mixture of sweet seduction, sarcastic observations on military life, a Chicago kid’s wry view of rural folk, the pain of self-doubt, and the fear of losing what is finally so close, but literally so far. His only weapons against Carol’s many suitors were his pen, his ardor, and his brilliance. And they won her heart.
“Although of a relatively scarce breed,” the Arkansas Times observed in the obituary of the itinerant writer it had once employed, “Mike Trimble was Arkansas’s and perhaps the country’s greatest self-deprecating journalist.” Readers will find in this fifty-year inventory of Trimble’s wit and wisdom all the vindication they might seek for that quaint judgment—the rare humble author. Whether he was chronicling, in the 1980s, rising political worthies like the far-into-the-future governors Asa Hutchinson and Mike Beebe, or, more often, the ordinary and feckless people that he encountered every day, befriended, and spent most of his career writing about, Trimble usually found a way, subtly or artlessly, to bring up his own failings, such as identifying the wrong person as the dead woman in an obituary he had written in his earliest days for his first employer, the Texarkana Gazette. Like the yokels in the vaudeville duos Laurel and Hardy, Abbott and Costello, Rowan and Martin, and Fey and Poehler, Trimble’s confessed bumblings were purposeful and studied instruments of his humor.
Arkansas produced more than its quota of weirdos, fabulists, con men, oleaginous politicians, charlatans, creeps, visionaries, and fantastical creatures—from Albert Pike, Arvin the Wino, Dr. Brinkley the Great Depression’s goat-gland sex therapist, Editor Weston, and the salty riverboat queen Ray Dorthy all the way to Say McIntosh and Red the Irish Setter. Mike Trimble, the South’s best and funniest storyteller, put them all down on paper for some of the best reading since Catch-22. Trimble turned humor into art and history into vaudeville.
In this groundbreaking study, Joyce Hoffmann examines a critical twenty-five-year period in the work of one of the most influential journalists of the twentieth century. Theodore H. White was already a celebrated reporter when Jacqueline Kennedy summoned him for an exclusive interview in the aftermath of her husband's assassination. With her help, White would preserve what the First Lady claimed had been John F. Kennedy's vision of the New Frontier as an incarnation of that wistful, romantic kingdom--Camelot. Over the years, friends and advisers to Kennedy declared that they had never heard the president speak of Camelot. But White's article, which ran in Life magazine, created a myth that still endures in the popular consciousness.
That story was just one of many by Theodore White that had a lasting impact on the nation. As a correspondent for several of the country's most popular magazines, he covered the crucial events of the 1940s, '50s, and '60s. His best-selling book The Making of the President 1960 changed political reporting forever.
A gifted and likable man with a remarkable skill for ingratiating himself with others, White earned the confidence of key political, military, and diplomatic leaders. First in the Far East, later in Europe, and finally in Washington, D.C., he became a confidant and adviser rather than an adversary to the figures he covered for the news, following a pattern set by elite journalists. Even as he played the impartial reporter, White kept secrets in order to maintain access to his important sources, and he occasionally allowed his subjects, including John F. Kennedy and Nelson Rockefeller, to make changes in his work before publication.
Clinging to the illusion of objectivity, White--like other leading journalists in the postwar years--wrote about the world not as it was but as he believed it ought to be. Hoffmann relates the little-known episode in White's career when he intentionally obscured the truth about Chiang Kai-shek's corrupt and inept Nationalist government because he believed that undermining China's cause would be "a disservice to democracy."
No other book so thoroughly documents how a first-rank journalist can become a political insider and distort the news without losing the gloss of impartiality that is supposed to accompany the profession. Impressively researched, skillfully written, Theodore H. White and Journalism as Illusion is an unflinching look at a key figure in the history of American journalism and at the profession itself.
Examining the case that inspired a pop culture phenomenon
In 1924 Beulah Annan was arrested for killing her lover, Harry Kalsted. Six weeks later, a jury acquitted her of murder. Inspired by the sordid event, trial, and acquittal, reporter Maurine Watkins wrote the play Chicago, a Broadway hit that was adapted several times. Through a fresh retelling of Annan’s story and Watkins’s play, Charles H. Cosgrove provides the first critical examination of the criminal case and an exploration of the era’s social assumptions that made the play’s message so plausible in its time. Cosgrove expertly combines inquest and police records, and interviews with Annan’s relatives, to analyze the participants, the trial, and the play. Although no one will ever know what really happened in that Kenwood apartment, Cosgrove’s interrogation shows how sensationalized Watkins’s writing was. Her reporting on the Annan case perpetuated falsehoods about Annan’s so-called “confession,” and her play inaccurately portrayed Chicago’s criminal justice system. Cosgrove challenges the portrait of Annan as a killer who got away with murder and of Watkins as a savvy reporter and precocious playwright. He exposes the weaknesses of the case against Annan and vindicates the jury that tried her.
For fifty years, William Allen White, first as a reporter and later as the long-time editor of the Emporia Gazette, wrote of his small town and its Mid-American values. By tailoring his writing to the emerging urban middle class of the early twentieth century, he won his “gospel of Emporia” a nationwide audience and left a lasting impact on he way America defines itself.
Investigating White’s life and his extensive writings, Edward Gale Agran explores the dynamic thought of one of America’s best-read and most-respected social commentators. Agran shows clearly how White honed his style and transformed the myth of conquering the western frontier into what became the twentieth-century ideal of community building.
Once a confidante of and advisor to Theodore Roosevelt, White addressed, and reflected in his work, all the great social and political oscillations of his time—urbanization and industrialism, populism, and progressivism, isolationism internationalism, Prohibition, and New Deal reform. Again and again, he asked the question “What’s the matter?” about his times and townspeople, then found the middle ground. With great care and discernment, Agran gathers the man strains of White’s messages, demonstrating one writer’s pivotal contribution to our idea of what it means to be an American.
Walter Lippmann was the most distinguished American journalist and public philosopher of the twentieth century. But he was also something more: a public economist who helped millions of ordinary citizens make sense of the most devastating economic depression in history. Craufurd Goodwin offers a new perspective from which to view this celebrated but only partly understood icon of American letters.
From 1931 to 1946 Lippmann pursued a far-ranging correspondence with leading economic thinkers: John Maynard Keynes, Lionel Robbins, Friedrich Hayek, Henry Simons, Adolf Berle, Frank Taussig, and others. Sifting through their divergent views, Lippmann formed his own ideas about economic policy during the Great Depression and shared them with a vast readership in his syndicated column, Today and Tomorrow. Unemployment, monetary and fiscal policy, and the merits and drawbacks of free markets were just a few of the issues he helped explain to the public, at a time when professional economists who were also skilled at translating abstract concepts for a lay audience had yet to come on the scene.
After World War II Lippmann focused on foreign affairs but revisited economic policy when he saw threats to liberal democracy. In addition to pointing out the significance of the Marshall Plan and the World Bank, he addressed the emerging challenge of inflation and what he called “the riddle of the Sphinx”: whether price stability and full employment could be achieved in an economy with strong unions.
This highly readable book provides a unique glimpse into the rough-and-tumble Chicago news business as seen through the eyes of one of its legendary players. From his first news job working as a legman for Daily News columnist Jack Mabley in the 1950s to his later role as a news anchor and political commentator at CBS-owned WBBM, Walter Jacobson battled along the front lines of an industry undergoing dramatic changes. While it is ultimately Jacobson’s story, a memoir of a long and distinguished (and sometimes highly controversial) career, it is also an insider’s account of the inner workings of Chicago television news, including the ratings games, the process of defining news and choosing stories, the media’s power and its failures, and the meddling by corporate and network executives.
As a reporter, Jacobson was regularly contentious and confrontational. He was fired on a number of occasions and was convicted of libeling tobacco company Brown and Williamson, resulting in a multimillion-dollar federal court judgment against him and CBS. Yet it was this gutsy attitude that put him at the top of the news game. With an engaging writing style, Jacobson recollects his interactions with Chicago mayors Richard J. and Richard M. Daley, Jane Byrne, Harold Washington, and Rahm Emanuel; recounts his coverage of such fascinating news stories as the violent 1968 Democratic National Convention and the execution of convicted mass murderer John Wayne Gacy; and recalls his reporting on and interviews with Louis Farrakhan, governors George Ryan and Rod Blagojevich, and Barack Obama. More than a memoir, Walter’s Perspective is the extraordinary journey of one reporter whose distinctive career followed the changing face of Chicago’s local news.
For twenty-five years, Charlotte Curtis was a society/women's reporter and editor and an op-ed editor at the New York Times. As the first woman section editor at the Times, Curtis was a pioneering journalist and one of the first nationwide to change the nature and content of the women's pages from fluffy wedding announcements and recipes to the more newsy, issue-oriented stories that characterize them today. In this riveting biography, Marilyn Greenwald describes how a woman reporter from Columbus, Ohio, broke into the ranks of the male-dominated upper echelon at the New York Times. It documents what she did to succeed and what she had to sacrifice.
Charlotte Curtis paved the way for the journalists who followed her. A Woman of the Times offers a chronicle of her hard-won journey as she invents her own brand of feminism during the 1960s and 1970s. In the telling of this remarkable woman’s life is the story, as well, of a critical era in the nation’s social history.
This illustrated biography is the first account of the colorful life of Chicago newspaper columnist Mike Royko, Pulitzer Prize winner, best-selling author, and legendary journalist who personified Chicago in all its rough-edged charm. Drawing on exclusive photos and interviews with Royko’s family and intimates, the book chronicles Royko’s rise from a “flat-above-a-tavern” youth—raised above a bar on Chicago’s Polish northwest side—to one of the best-known names in American journalism.
Readers will get the inside scoop on Royko’s epic battles with Mayor Richard J. Daley and other politicians and his hilarious columns featuring “Slats Grobnik.” They’ll also meet a softer, largely unknown, side of Royko, through the love letters he sent to his wife-to-be from an Air Force base in Washington State.
More than 100 photos—many never before available to the public—capture the man and his times. Millions of readers—in 800 newspapers around the world—followed Royko’s work and life. In The World of Mike Royko—he lives again.
In 1952 the New Yorker published a three-part essay by A. J. Liebling in which he dubbed Chicago the "Second City." From garbage collection to the skyline, nothing escaped Liebling's withering gaze. Among the outraged responses from Chicago residents was one that Liebling described as the apotheosis of such criticism: a postcard that read, simply, "You were never in Chicago."
Neil Steinberg has lived in and around Chicago for more than three decades—ever since he left his hometown of Berea, Ohio, to attend Northwestern—yet he remains fascinated by the dynamics captured in Liebling's anecdote. In You Were Never in Chicago Steinberg weaves the story of his own coming-of-age as a young outsider who made his way into the inner circles and upper levels of Chicago journalism with a nuanced portrait of the city that would surprise even lifelong residents.
Steinberg takes readers through Chicago's vanishing industrial past and explores the city from the quaint skybridge between the towers of the Wrigley Building, to the depths of the vast Deep Tunnel system below the streets. He deftly explains the city's complex web of political favoritism and carefully profiles the characters he meets along the way, from greats of jazz and journalism to small-business owners just getting by. Throughout, Steinberg never loses the curiosity and close observation of an outsider, while thoughtfully considering how this perspective has shaped the city, and what it really means to belong. Intimate and layered, You Were Never in Chicago will be a welcome addition to the bookshelves of all Chicagoans, be they born in the city or forever transplanted.
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