A SCHOLARLY BOOK REPOSITORY50 start with B start with B
In this volume, Wolfgang Hirschmann proposes an ethnographic approach that contextualizes Bach's works, addressing the aesthetic paths he took as well as those he did not pursue. Steven Zohn's essay considers Telemann's contribution to the orchestral Ouverture genre, observering how Telemann's approach to integrating the national styles of his time was quite different from, but no less rich than, Bach's. Andrew Talle compares settings and strategies of Vergnügte Ruh, beliebte Seelenlust by Bach and Graupner. Alison Dunlop presents valuable primary research on Muffat, the most commonly cited keyboard music composer in Vienna during Bach's lifetime. Finally, Michael Maul sheds new light on the Scheibe-Birnbaum controversy, contextualizing the most famous critique of J. S. Bach's compositional style by discussing the other composers that Scheibe critiqued.
In this fascinating account of the critical final campaign against Nazi Germany on the western front, Reginald W. Thompson focuses on both the command decisions by the British and American generals and the performance of the enlisted men in order to explain the complex series of events that led to the German defeat in World War II. During the planning and run-up to what was intended to be a massive joint British and American push across the Rhine River and into the heart of Germany, the Allies encountered unexpected setbacks. Operation Market-Garden, the Allied aerial assault of the Low Countries, ended in disaster, while the attack through the Hu¨rtgen Forest was met by unexpected heavy resistance due to the build-up for the German surprise counterstrike planned for December 1944, what would become known as the Battle of the Bulge. The author identifies the attack on the town of Schmidt in the Hu¨rtgen Forest as the key battle that set in motion a series of events that both prolonged the war and shaped Allied strategy in their effort to cross the Rhine. Here the reader will learn the chain of decisions that allowed the Allies to pressure German forces between the Roer and Rhine rivers and move on Cologne, Dusseldorf, and other key points, including the famous bridge over the Rhine at Remagen, near Bonn. Based on both American and British official reports and the author’s independent research and originally published in 1958, The Battle for the Rhineland is a lucid, balanced, and engaging account of a critical period in Western Europe during the Second World War.
In this book, editor Kathleen James-Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus, placing it firmly in a historical context from before the formation of the Weimar Republic through Nazi ascendancy and World War II into the cold war. Together, they investigate its professors’ and students’ interactions with mass culture; establish the complexity of its relationship with Wilhelmine, Nazi, and postwar German politics; and challenge the claim that its architects greatly influenced American architecture in the 1930s.
Their most explosive conclusions address the degree to which some aspects of Bauhaus design continued to flourish during the Third Reich before becoming one of the cold war’s most enduring emblems of artistic freedom. In doing so, Bauhaus Culture calls into question the degree to which this influential school should continue to symbolize an uncomplicated relationship between art, modern technology, and progressive politics.
Contributors: Greg Castillo, Juliet Koss, Rose-Carol Washton Long, John V. Maciuika, Wallis Miller, Winifried Nerdinger, Frederic J. Schwartz.
Kathleen James-Chakraborty is associate professor of architecture at the University of California, Berkeley, and author of German Architecture for a Mass Audience and Erich Mendelsohn and the Architecture of German Modernism.
Becoming a Nazi Town reveals the ways in which ordinary Germans changed their cultural lives and their politics from the mid-1920s to the mid-1930s. Casting the origins of Nazism in a new light, David Imhoof charts the process by which Weimar and Nazi culture flowed into each other. He analyzes this dramatic transition by looking closely at three examples of everyday cultural life in the mid-sized German city of Göttingen: sharpshooting, an opera festival, and cinema.
Imhoof draws on individual and community experiences over a series of interwar periods to highlight and connect shifts in culture, politics, and everyday life. He demonstrates how Nazi leaders crafted cultural policies based in part on homegrown cultural practices of the 1920s and argues that overdrawn distinctions between “Weimar” and “Nazi” culture did not always conform to most Germans’ daily lives. Further, Imhoof presents experiences in Göttingen as a reflection of the common reality of many German towns beyond the capital city of Berlin.
Winner of the Yad Vashem International Book Prize for Holocaust Research
Auschwitz—the largest and most notorious of Hitler’s concentration camps—was founded in 1940, but the Nazis had been detaining Jews in camps ever since they came to power in 1933. Before Auschwitz unearths the little-known origins of the concentration camp system in the years before World War II and reveals the instrumental role of these extralegal detention sites in the development of Nazi policies toward Jews and in plans to create a racially pure Third Reich.
Investigating more than a dozen camps, from the infamous Dachau, Buchenwald, and Sachsenhausen to less familiar sites, Kim Wünschmann uncovers a process of terror meant to identify and isolate German Jews in the period from 1933 to 1939. The concentration camp system was essential to a regime then testing the limits of its power and seeking to capture the hearts and minds of the German public. Propagandized by the Nazis as enemies of the state, Jews were often targeted for arbitrary arrest and then routinely subjected to the harshest treatment and most punishing labor assignments in the camps. Some of them were murdered. Over time, shocking accounts of camp life filtered into the German population, sending a message that Jews were different from true Germans: they were portrayed as dangerous to associate with and fair game for acts of intimidation and violence.
Drawing on a wide range of previously unexplored archives, Before Auschwitz explains how the concentration camps evolved into a universally recognized symbol of Nazi terror and Jewish persecution during the Holocaust.
Struggling to survive in post–World War II Germany, Beate Uhse (1919–2001)—a former Luftwaffe pilot, war widow, and young mother—turned to selling goods on the black market. A self-penned guide to the rhythm method found eager buyers and started Uhse on her path to becoming the world’s largest erotica entrepreneur. Battling restrictive legislation, powerful churches, and conservative social mores, she built a mail-order business in the 1950s that sold condoms, sex aids, self-help books, and more. The following decades brought the world’s first erotica shop, the legalization of pornography, the expansion of her business into eastern Germany, and web-based commerce.
Uhse was only one of many erotica entrepreneurs who played a role in the social and sexual revolution accompanying Germany’s transition from Nazism to liberal democracy. Tracing the activities of entrepreneurs, customers, government officials, and citizen-activists, Before Porn Was Legal brings to light the profound social, legal, and cultural changes that attended the growth of the erotica sector. Heineman’s innovative readings of governmental and industry records, oral histories, and the erotica industry’s products uncover the roots of today’s sexual marketplace and reveal the indelible ways in which sexual expression and consumption have become intertwined.
This book begins with artist R. H. Quaytman uncovering something startling about a picture by Paul Klee. Pasted beneath Klee’s 1920 Angelus Novus—famous for its role in the writings of its first owner, Walter Benjamin—Quaytman found that Klee had interleaved a nineteenth-century engraving of Martin Luther, leaving just enough visible to provoke questions.
Behind the Angel of History reveals why this hidden face matters, delving into the intertwined artistic, political, and theological issues consuming Germany in the wake of the Great War. With the Angelus Novus, Klee responded to a growing call for a new religious art. For Benjamin, Klee’s Angelus became bound up with the prospect of meaningful dialogue among religions in Germany.
Reflecting on Klee’s, Benjamin’s, and Quaytman’s strategies of superimposing conflicting images, Annie Bourneuf reveals new dimensions of complexity in this iconic work and the writing it inspired.
Standing in long lines in the shops, coaxing clean laundry from an outdated washing machine, traveling despite unpredictable train schedules, and being without hot water, fruit, and vegetables through the gray winter months failed to dull Paul Gleye’s perceptions during the year he lived in Weimar, East Germany. Day by day Gleye documented his varied observations and experiences, unaware that they would prove a unique record of what would soon be an extinct society.
Gleye was in East Germany as a Fulbright lecturer. Living beyond the capital city of East Berlin and traveling and conversing freely, Gleye gained access to people and places that had been almost completely closed to Americans and other Westerners for decades.
Germany today boasts the fastest growing population of Jews in Europe. The streets of Berlin abound with signs of a revival of Jewish culture, ranging from bagel shops to the sight of worshipers leaving synagogue on Saturday. With the new energy infused by Jewish immigration from Russia and changes in immigration and naturalization laws in general, Jeffrey M. Peck argues that we must now begin considering how Jews live in Germany rather than merely asking why they would choose to do so.
In Being Jewish in the New Germany, Peck explores the diversity of contemporary Jewish life and the complex struggles within the community-and among Germans in general-over history, responsibility, culture, and identity. He provides a glimpse of an emerging, if conflicted, multicultural country and examines how the development of the European Community, globalization, and the post-9/11 political climate play out in this context. With sensitive, yet critical, insight into the nation's political and social life, chapters explore issues such as the shifting ethnic/national makeup of the population, changes in political leadership, and the renaissance of Jewish art and literature. Peck also explores new forms of anti-Semitism and relations between Jews and Turks-the country's other prominent minority population.
In this surprising description of the rebirth of a community, Peck argues that there is, indeed, a vibrant and significant future for Jews in Germany. Written in clear and compelling language, this book will be of interest to the general public and scholars alike.
When the Nazis annexed western Poland in 1939, they quickly set about identifying Polish citizens of German origin and granting them the privileged legal status of ethnic Germans of the Reich. Following Germany’s defeat in World War II, Soviet-dominated Poland incorporated eastern Germany and proceeded to do just the opposite: searching out Germans of Polish origin and offering them Polish citizenship. Underscoring the processes of inclusion and exclusion that mold national communities, Belonging to the Nation examines the efforts of Nazi Germany and postwar Poland to nationalize inhabitants of the contested Polish-German borderlands.
Histories of the experience of national minorities in the twentieth century often concentrate on the grim logic of ethnic cleansing. John Kulczycki approaches his topic from a different angle, focusing on how governments decide which minorities to include, not expel. The policies Germany and Poland pursued from 1939 to 1951 bear striking similarities. Both Nazis and Communist Poles regarded national identity as biologically determined—and both found this principle difficult to enforce. Practical impediments to proving a person’s ethnic descent meant that officials sometimes resorted to telltale cultural behaviors in making assessments of nationality. Although the goal was to create an ethnically homogeneous nation, Germany and Poland allowed pockets of minorities to remain, usually to exploit their labor. Kulczycki illustrates the complexity of the process behind national self-determination, the obstacles it confronts in practice, and the resulting injustices.
Why do totalitarian propaganda such as those created in Nazi Germany and the former German Democratic Republic initially succeed, and why do they ultimately fail? Outside observers often make two serious mistakes when they interpret the propaganda of this time. First, they assume the propaganda worked largely because they were supported by a police state, that people cheered Hitler and Honecker because they feared the consequences of not doing so. Second, they assume that propaganda really succeeded in persuading most of the citizenry that the Nuremberg rallies were a reflection of how most Germans thought, or that most East Germans were convinced Marxist-Leninists. Subsequently, World War II Allies feared that rooting out Nazism would be a very difficult task. No leading scholar or politician in the West expected East Germany to collapse nearly as rapidly as it did. Effective propaganda depends on a full range of persuasive methods, from the gentlest suggestion to overt violence, which the dictatorships of the twentieth century understood well.
In many ways, modern totalitarian movements present worldviews that are religious in nature. Nazism and Marxism-Leninism presented themselves as explanations for all of life—culture, morality, science, history, and recreation. They provided people with reasons for accepting the status quo. Bending Spines examines the full range of persuasive techniques used by Nazi Germany and the German Democratic Republic, and concludes that both systems failed in part because they expected more of their propaganda than it was able to deliver.
Pearson describes the rise of Berlin from a small settlement surrounded by bog to one of the crucial economic and political centers of Europe. Berlin is a palimpsest of a cutting edge and dynamic modern culture over a troubled history, one that is visible in bombsites, museums, late-night clubs, and even a lake that allegedly hosts a man-eating monster. He ultimately shows how the city is imbued with an array of unnerving elements: emptiness, provincialism, ramshackle industrial eclecticism, lurid and lascivious counter-cultural expressions, and a tremendous history of violence—but also that these are precisely the sorts of things that give the city its unique charge. Posing one thought-provoking question after another, Pearson walks the city’s neighborhoods, peeling back layer upon layer of history in order to reveal a Berlin that few of us know.
Step into Ernst Wolzogen's Motley Theater, Max Reinhardt's Sound and Smoke, Rudolf Nelson's Chat noir, and Friedrich Hollaender's Tingel-Tangel. Enjoy Claire Waldoff's rendering of a lower-class Berliner, Kurt Tucholsky's satirical songs, and Walter Mehring's Dadaist experiments, as Peter Jelavich spotlights Berlin's cabarets from the day the curtain first went up, in 1901, until the Nazi regime brought it down.
Fads and fashions, sexual mores and political ideologies--all were subject to satire and parody on the cabaret stage. This book follows the changing treatment of these themes, and the fate of cabaret itself, through the most turbulent decades of modern German history: the prosperous and optimistic Imperial age, the unstable yet culturally inventive Weimar era, and the repressive years of National Socialism. By situating cabaret within Berlin's rich landscape of popular culture and distinguishing it from vaudeville and variety theaters, spectacular revues, prurient "nude dancing," and Communist agitprop, Jelavich revises the prevailing image of this form of entertainment.
Neither highly politicized, like postwar German Kabarett, nor sleazy in the way that some American and European films suggest, Berlin cabaret occupied a middle ground that let it cast an ironic eye on the goings-on of Berliners and other Germans. However, it was just this satirical attitude toward serious themes, such as politics and racism, that blinded cabaret to the strength of the radical right-wing forces that ultimately destroyed it. Jelavich concludes with the Berlin cabaret artists' final performances--as prisoners in the concentration camps at Westerbork and Theresienstadt.
This book gives us a sense of what the world looked like within the cabarets of Berlin and at the same time lets us see, from a historical distance, these lost performers enacting the political, sexual, and artistic issues that made their city one of the most dynamic in Europe.
Begun in Poveromo, Italy, in 1932, and extensively revised in 1938, Berlin Childhood around 1900 remained unpublished during Walter Benjamin’s lifetime, one of his “large-scale defeats.” Now translated into English for the first time in book form, on the basis of the recently discovered “final version” that contains the author’s own arrangement of a suite of luminous vignettes, it can be more widely appreciated as one of the masterpieces of twentieth-century prose writing.
Not an autobiography in the customary sense, Benjamin’s recollection of his childhood in an upper-middle-class Jewish home in Berlin’s West End at the turn of the century becomes an occasion for unified “expeditions into the depths of memory.” In this diagram of his life, Benjamin focuses not on persons or events but on places and things, all seen from the perspective of a child—a collector, flâneur, and allegorist in one. This book is also one of Benjamin’s great city texts, bringing to life the cocoon of his childhood—the parks, streets, schoolrooms, and interiors of an emerging metropolis. It reads the city as palimpsest and labyrinth, revealing unexpected lyricism in the heart of the familiar.
As an added gem, a preface by Howard Eiland discusses the genesis and structure of the work, which marks the culmination of Benjamin’s attempt to do philosophy concretely.
Barkan, voraciously curious and witty, offers a self-deprecating guide to the history of Jewish life in Berlin, revealing how, beginning in the early nineteenth century, Jews became prominent in the arts, the sciences, and the city’s public life. With him, we tour the ivy-covered confines of the Schönhauser Allee cemetery, where many distinguished Jewish Berliners have been buried, and we stroll through Bayerisches Viertel, an elegant neighborhood created by a Jewish developer and that came to be called Berlin’s “Jewish Switzerland.” We travel back to the early nineteenth century to the salon of Rahel Varnhagen, a Jewish society doyenne, who frequently hosted famous artists, writers, politicians, and the occasional royal. Barkan also introduces us to James Simon, a turn-of-the-century philanthropist and art collector, and we explore the life of Walter Benjamin, who wrote a memoir of his childhood in Berlin as a member of the assimilated Jewish upper-middle class. Throughout, Barkan muses about his own Jewishness, while celebrating the rich Jewish culture on view in today’s Berlin.
A winning, idiosyncratic travel companion, Berlin for Jews offers a way to engage with German history, to acknowledge the unspeakable while extolling the indelible influence of Jewish culture.
The modern Middle East was forged in the crucible of the First World War, but few know the full story of how war actually came to the region. As Sean McMeekin reveals in this startling reinterpretation of the war, it was neither the British nor the French but rather a small clique of Germans and Turks who thrust the Islamic world into the conflict for their own political, economic, and military ends.
The Berlin-Baghdad Express tells the fascinating story of how Germany exploited Ottoman pan-Islamism in order to destroy the British Empire, then the largest Islamic power in the world. Meanwhile the Young Turks harnessed themselves to German military might to avenge Turkey’s hereditary enemy, Russia. Told from the perspective of the key decision-makers on the Turco-German side, many of the most consequential events of World War I—Turkey’s entry into the war, Gallipoli, the Armenian massacres, the Arab revolt, and the Russian Revolution—are illuminated as never before.
Drawing on a wealth of new sources, McMeekin forces us to re-examine Western interference in the Middle East and its lamentable results. It is an epic tragicomedy of unintended consequences, as Turkish nationalists give Russia the war it desperately wants, jihad begets an Islamic insurrection in Mecca, German sabotage plots upend the Tsar delivering Turkey from Russia’s yoke, and German Zionism midwifes the Balfour Declaration. All along, the story is interwoven with the drama surrounding German efforts to complete the Berlin to Baghdad railway, the weapon designed to win the war and assure German hegemony over the Middle East.
Since becoming the capital of reunited Germany, Berlin has had a dose of global money and international style added to its already impressive cultural veneer. Once home to emperors and dictators, peddlers and spies, it is now a fashion showplace that attracts the young and hip. Moving beyond descriptions of Berlin's fashion industry and its ready-to-wear clothing, Berliner Chic charts the turbulent stories of entrepreneurially-savvy manufacturers and cultural workers striving to establish their city as a fashion capital, and being repeatedly interrupted by politics, ideology, and war. There are many stories to tell about Berlin's fashion industry and Berliner Chic tells them all with considerable expertise.
As Hitler consolidated power, Jews and their allies in Germany began efforts to leave the country. Among them was the organization, Youth Aliyah. Based on abundant archival sources and a thorough use of secondary literature, Brian Amkraut details the story of the organization from its origins through its alliances and antagonisms with other Jewish organizations, and the challenges that vexed its efforts from every side, perhaps the greatest being sheer human naiveté ("surely things will get better").
Amkraut also discusses the identity dilemma for Jews who grew up feeling German, and then had to alter their self-image in the face of growing discrimination. He highlights the internal disagreements of Jewish agencies who wrestled with myriad problems. The author explores how German Jews were ideologically heterogeneous, and details how different groups coped with increasing antagonism in a variety of ways.
To this day, Youth Aliyah is considered by Israelis as a major contributor to the foundation of a Jewish presence leading to the modern state of Israel. Between Home and Homeland is an essential account of an important episode in the history of the Holocaust and the founding of the Isreali state.
In May of 1945, there were more than eight million “displaced persons” (or DPs) in Germany—recently liberated foreign workers, concentration camp prisoners, and prisoners of war from all of Nazi-occupied Europe, as well as eastern Europeans who had fled west before the advancing Red Army. Although most of them quickly returned home, it soon became clear that large numbers of eastern European DPs could or would not do so. Focusing on Bavaria, in the heart of the American occupation zone, Between National Socialism and Soviet Communism examines the cultural and political worlds that four groups of displaced persons—Polish, Ukrainian, Russian, and Jewish—created in Germany during the late 1940s and early 1950s. The volume investigates the development of refugee communities and how divergent interpretations of National Socialism and Soviet Communism defined these displaced groups.
Combining German and eastern European history, Anna Holian draws on a rich array of sources in cultural and political history and engages the broader literature on displacement in the fields of anthropology, sociology, political theory, and cultural studies. Her book will interest students and scholars of German, eastern European, and Jewish history; migration and refugees; and human rights.
Although persecuted and banned from practicing their beliefs by the Nazi regime in 1933, the Jehovah’s Witnesses’ unified resistance has been largely forgotten. Basing his work on a wide range of sources, including documents and archives previously unconsidered as well as critical analyses of Jehovah’s Witness literature and survivor interviews, Detlef Garbe chronicles the Nazi’s relentless persecution of this religious group before and during World War II.
The English translation of this important work features a series of original photographs not published in the German edition. These striking images bring a sense of individual humanity to this story and help readers comprehend the reality of the events documented. Between Resistance and Martyrdom is an indispensable work that will introduce an English-speaking audience to this important but lesser-known part of Holocaust history.
In 1920, at the age of thirteen, Irmgard Gebensleben first traveled from Germany to The Netherlands on a "war-children transport." She would later marry a Dutch man and live and raise her family there while keeping close to her German family and friends through the frequent exchange of letters. Yet during this period geography was not all that separated them. Increasing divergence in political opinions and eventual war between their countries meant letters contained not only family news but personal perspectives on the individual, local, and national choices that would result in the most destructive war in history.
This important collection, first assembled by Irmgard Gebensleben's daughter Hedda Kalshoven, gives voice to ordinary Germans in the Weimar Republic and the Third Reich and in the occupied Netherlands. The correspondence between Irmgard, her friends, and four generations of her family delve into their most intimate and candid thoughts and feelings about the rise of National Socialism. The responses to the German invasion and occupation of the Netherlands expose the deeply divided loyalties of the family and reveal their attempts to bridge them. Of particular value to historians, the letters evoke the writers' beliefs and their understanding of the events happening around them.
This first English translation of Ik denk zoveel aan jullie: Een briefwisseling tussen Nederland en Duitsland 1920-1949, has been edited, abridged, and annotated by Peter Fritzsche with the assent and collaboration of Hedda Kalshoven. After the book's original publication the diary of Irmgard's brother and loyal Wehrmacht soldier, Eberhard, was discovered and edited by Hedda Kalshoven. Fritzsche has drawn on this important additional source in his preface.
Surveying the many traditions that make up German food today, Heinzelmann shows that regional variations of the country’s food have not only been marked by geographic and climatic differences between north and south, but also by Germany’s political, cultural, and socioeconomic history. She explores the nineteenth century’s back-to-the-land movement, which called for people to grow food on their own land for themselves and others, as well as the development of modern mass-market products, rationing and shortages under the Nazis, postwar hunger, and divisions between the East and West. Throughout, she illustrates how Germans have been receptive to influences from the countries around them and frequently reinvented their cuisine, developing a food culture with remarkable flexibility.
Telling the story of beer, stollen, rye bread, lebkuchen, and other German favorites, the recipe-packed Beyond Bratwurst will find a place on the shelves of food historians, chefs, and spätzle lovers alike.
In 1963, West Germany was gripped by a dramatic trial of former guards who had worked at the Nazi death camp Auschwitz. It was the largest and most public trial to take place in the country and attracted international attention. Using the pretrial files and extensive trial audiotapes, Rebecca Wittmann offers a fascinating reinterpretation of Germany’s first major attempt to confront its past.
Evoking the courtroom atmosphere, Wittmann vividly recounts the testimony of survivors, former SS officers, and defendants—a cross-section of the camp population. Attorney General Fritz Bauer made an extraordinary effort to put the entire Auschwitz complex on trial, but constrained by West German murder laws, the prosecution had to resort to standards for illegal behavior that echoed the laws of the Third Reich. This provided a legitimacy to the Nazi state. Only those who exceeded direct orders were convicted of murder. This shocking ruling was reflected in the press coverage, which focused on only the most sadistic and brutal crimes, allowing the real atrocity at Auschwitz—mass murder in the gas chambers—to be relegated to the background.
The Auschwitz trial had a paradoxical result. Although the prosecution succeeded in exposing SS crimes at the camp for the first time, the public absorbed a distorted representation of the criminality of the camp system. The Auschwitz trial ensured that rather than coming to terms with their Nazi past, Germans managed to delay a true reckoning with the horror of the Holocaust.
Christina Xydias shows that some right-leaning parties advocate for women’s rights and interests, while left- and right-leaning parties can be equally indifferent to lack of representation for women from marginalized groups. These findings follow from analyses of election results, transcripts from debates and speeches, and personal interviews, as well as from a close reading of intertwined military and citizenship policies that illustrate how women’s and ethnic minority groups’ rights are constructed.
Beyond Left, Right, and Center concludes with an analysis of women’s representation across OECD countries, showing that right-leaning parties are more likely to support women’s rights and interests in societies that are more egalitarian.
This richly illustrated volume is the first book in English to address this history, constituting an invaluable addition to the literature on the Weimar period. Its readership includes scholars of German history, art, architecture, urban design, planning, collecting, and exhibition history; of the avant-garde, and of the development of arts academies and arts pedagogy.
During the Cold War, political tensions associated with the division of Germany came to influence the world of competitive sport. In the 1950s, West Germany and its NATO allies refused to recognize the communist East German state and barred its national teams from sporting competitions. The construction of the Berlin Wall in 1961 further exacerbated these pressures, with East German teams denied travel to several world championships. These tensions would only intensify in the run-up to the 1968 Olympics.
In Bidding for the 1968 Olympic Games, Heather L. Dichter considers how NATO and its member states used sport as a diplomatic arena during the height of the Cold War, and how international sport responded to political interference. Drawing on archival materials from NATO, foreign ministries, domestic and international sport functionaries, and newspapers, Dichter examines controversies surrounding the 1968 Summer and Winter Olympic Games, particularly the bidding process between countries to host the events. As she demonstrates, during the Cold War sport and politics became so intertwined that they had the power to fundamentally transform each other.
Honorable Mention for the DAAD/GSA Book Prize for the Best Book in Germanistik or Cultural Studies
Biological Modernism identifies an intellectual current in the Weimar Republic that drew on biology, organicism, vitalism, and other discourses associated with living nature in order to redefine the human being for a modern, technological age. Contrary to the assumption that any turn toward the organic indicated a reactionary flight from modernity or a longing for wholeness, Carl Gelderloos shows that biology and other discourses of living nature offered a nuanced way of theorizing modernity rather than fleeing from it. Organic life, instead of representing a stabilizing sense of wholeness, by the 1920s had become a scientific, philosophical, and disciplinary problem. In their work, figures such as Alfred Döblin, Ernst Jünger, Helmuth Plessner, and August Sander interrogated the relationships between technology, nature, and the human and radically reconsidered the relationship between the disciplines as well as the epistemological and political consequences for defining the human being. Biological Modernism will be of interest to scholars of German literature and culture, literary modernism, photography, philosophical anthropology, twentieth-century intellectual history, the politics of culture, and the history of science.
On the subject of science in Nazi Germany, we are apt to hear about the collaboration of some scientists, the forced emigration of talented Jewish scientists, the general science phobia of leaders of the Third Reich--but little detail about what actually transpired. Biologists under Hitler is the first book to examine the impact of Nazism on the lives and research of a generation of German biologists. Drawing on previously unutilized archival material, Ute Deichmann, herself a biologist, explores not only what happened to the biologists forced to emigrate but also the careers, science, and crimes of those who stayed in Germany.
Biologists under Hitler combines exhaustive research with capsule biographies of key scientists to overturn certain assumptions about science under the Nazi regime. Biological research, for instance, was neither neglected nor underfunded during World War II; funding by the German Research Association (DFG) in fact increased tenfold between 1933 and 1938, and genetic research in particular flourished. Deichmann shows that the forced emigration of Jews had a less significant impact in biology than in other fields. Furthermore, she reveals that the widely observed decline in German biology after 1945 was not caused primarily by the Third Reich's science policy or by the expulsion of biologists but was due to the international isolation of German scientists as part of the legacy of National Socialism. Her book also provides overwhelming evidence of German scientists' conscious misrepresentation after the war of their wartime activities. In this regard, Deichmann's capsule biography of Konrad Lorenz is particularly telling.
Certain to be regarded as the most thorough and comprehensive account of biological science in Nazi Germany, Biologists under Hitler will interest historians of science, historians of the Nazi era, and biologists, as well as those who wish to learn about the relationship between scientific truth and political realities.
Although there were neither professors of morphology nor a morphologists' society, morphologists achieved influence by "colonizing" niches in a variety of disciplines. Scientists in anatomy, zoology, natural history, and physiology considered their work morphological, and the term encompassed research that today might be classified as embryology, systematics, functional morphology, comparative physiology, ecology, behavior, evolutionary theory, or histology. Nyhart draws on research notes, correspondence, and other archival material to examine how these scientists responded to new ideas and to the work of colleagues. She examines the intertwined histories of morphology and the broader biological enterprise, demonstrating that the study of form was central to investigations of such issues as the relationships between an animal's structure and function, between an organism and its environment, and between living species and their ancestors.
A leading historian of nineteenth- and twentieth-century history, Ullrich demonstrates that the “Founder of the Reich” was in fact an opponent of liberal German nationalism. After the wars of 1866 and 1870, Bismarck spent the rest of his career working to preserve peace in Europe and protect the empire he had created. Despite his reputation as an enemy of socialism, he introduced comprehensive health and unemployment insurance for German workers. Far from being a “man of iron and blood,” Bismarck was in fact a complex statesman who was concerned with maintaining stability and harmony far beyond Germany’s newly unified borders.
Comprehensive and balanced, Bismarck shows us the post-reunification value of looking anew at this monumental figure’s role in European history.
A new account of the life and policies of the first German chancellor, Otto von Bismarck, this concise historical-biography reflects, for the first time in English, the historical shift in emphasis from the traditional political-economic approach to the more complex social-economic one of post—World War II scholarship.
Since the middle of the 1950s, much new material on Bismarck and nineteenth-century Germany and new interpretations of existing material have been published in Germany, Great Britain, and the United States. Professor George O. Kent’s brilliant synthesis, drawing on this mass of material, examines changes in emphasis in post—World War II scholarship. The book, particularly in the historiographical notes and bibliographical essay, provides the serious student with an invaluable guide to the intricacies of recent Bismarckian scholarship. For the general reader, the main text presents a picture of the man, the issues, and the age in the light of modern scholarship.
The major shift in historical emphasis described in this new account is the importance scholars give to the period 1877–79, the years of change from free trade to protectionism, rather than to 1870–71 the founding of the Reich. Bismarck’s political machinations, particularly his willingness to explore the possibilities of a coup d’état, are more fully discussed here than in any other book.
Miller-Idriss describes a new understanding of national belonging emerging among young Germans—one in which cultural assimilation takes precedence over blood or ethnic heritage. Moreover, she argues that teachers’ well-intentioned, state-sanctioned efforts to counter nationalist pride often create a backlash, making radical right-wing groups more appealing to their students. Miller-Idriss argues that the state’s efforts to shape national identity are always tempered and potentially transformed as each generation reacts to the official conception of what the nation “ought” to be.
Diamonds have long been bloody. A new history shows how Germany’s ruthless African empire brought diamond rings to retail display cases in America—at the cost of African lives.
Since the late 1990s, activists have campaigned to remove “conflict diamonds” from jewelry shops and department stores. But if the problem of conflict diamonds—gems extracted from war zones—has only recently generated attention, it is not a new one. Nor are conflict diamonds an exception in an otherwise honest industry. The modern diamond business, Steven Press shows, owes its origins to imperial wars and has never escaped its legacy of exploitation.
In Blood and Diamonds, Press traces the interaction of the mass-market diamond and German colonial domination in Africa. Starting in the 1880s, Germans hunted for diamonds in Southwest Africa. In the decades that followed, Germans waged brutal wars to control the territory, culminating in the genocide of the Herero and Nama peoples and the unearthing of vast mineral riches. Press follows the trail of the diamonds from the sands of the Namib Desert to government ministries and corporate boardrooms in Berlin and London and on to the retail counters of New York and Chicago. As Africans working in terrifying conditions extracted unprecedented supplies of diamonds, European cartels maintained the illusion that the stones were scarce, propelling the nascent US market for diamond engagement rings. Convinced by advertisers that diamonds were both valuable and romantically significant, American purchasers unwittingly funded German imperial ambitions into the era of the world wars.
Amid today’s global frenzy of mass consumption, Press’s history offers an unsettling reminder that cheap luxury often depends on an alliance between corporate power and state violence.
This book, based on years of fieldwork observing and studying the festivals, plays, events, and groups that comprise this subculture, addresses a larger, timely issue: cultural transfer and appropriations. Are Germans dressing up in American Indian costumes paying tribute or offending the cultures they are representing? Avoiding simplistic answers, A. Dana Weber considers the complexity of cultural enactments as they relate both to the distinctly German phenomenon as well as to larger questions of cultural representations in American and European live performance traditions."
Bodies and Ruins examines a range of local publications that carried photographic images of German cities destroyed in the air war, images that soon entered the visual memory of World War II. Despite its obvious importance, historians have paid very little attention to the visual representation of the bombing war. This book follows the search for what were considered to be the “right” stories and the “right” pictures of the bombing war in local publications and picture books from 1945 to the present, and is intended for historians as well as general readers interested in World War II, the Allied bombing of German cities, the Holocaust, the history of memory and photographic/visual history.
Giersdorf looks closely at uniquely East German dance forms—including mass exercise events, national folk dances, Marxist-Leninist visions staged by the dance ensemble of the armed forces, the vast amateur dance culture, East Germany’s version of Tanztheater, and socialist alternatives to rock ‘n’ roll—to demonstrate how dance was used both as a form of corporeal utopia and of embodied socialist propaganda and indoctrination. The Body of the People also explores the artists working in the shadow of official culture who used dance and movement to critique and resist state power, notably Charlotte von Mahlsdorf, Arila Siegert, and Fine Kwiatkowski. Giersdorf considers a myriad of embodied responses to the Communist state even after reunification, analyzing the embodiment of the fall of the Berlin Wall in the works of Jo Fabian and Sasha Waltz, and the diasporic traces of East German culture abroad, exemplified by the Chilean choreographer Patricio Bunster.
The issues of immigration and integration are at the forefront of contemporary politics. Yet debates over foreign workers and the desirability of their incorporation into European and American societies too often are discussed without a sense of history. McCook’s examination questions static assumptions about race and white immigrant assimilation a hundred years ago, highlighting how the Polish immigrant experience is relevant to present-day immigration debates on both sides of the Atlantic. Further, his research shows the complexity of attitudes toward immigration in Germany and the United States, challenging historical myths surrounding German national identity and the American “melting pot.”
In a comparative study of Polish migrants who settled in the Ruhr Valley and northeastern Pennsylvania, McCook shows that in both regions, Poles become active citizens within their host societies through engagement in social conflict within the public sphere to defend their ethnic, class, gender, and religious interests. While adapting to the Ruhr and northeastern Pennsylvania, Poles simultaneously retained strong bonds with Poland, through remittances, the exchange of letters, newspapers, and frequent return migration. In this analysis of migration in a globalizing world, McCook highlights the multifaceted ways in which immigrants integrate into society, focusing in particular on how Poles created and utilized transnational spaces to mobilize and attain authentic and more permanent identities grounded in newer broadly conceived notions of citizenship.
The music of Johannes Brahms is deeply colored, Daniel Beller-McKenna shows, by nineteenth-century German nationalism and by Lutheran religion. Focusing on the composer's choral works, the author offers new insight on the cultural grounding for Brahms's music.
Music historians have been reluctant to address Brahms's Germanness, wary perhaps of fascist implications. Beller-McKenna counters this tendency; by giving an account of the intertwining of nationalism, politics, and religion that underlies major works, he restores Brahms to his place in nineteenth-century German culture. The author explores Brahms's interest in the folk element in old church music; the intense national pride expressed in works such as the Triumphlied; the ways Luther's Bible and Lutheranism are reflected in Brahms's music; and the composer's ideas about nation building. The final chapter looks at Brahms's nationalistic image as employed by the National Socialists, 1933-1945, and as witnessed earlier in the century (including the complication of rumors that Brahms was Jewish).
In comparison to the overtly nationalist element in Wagner's music, the German elements in Brahms's style have been easy to overlook. This nuanced study uncovers those nationalistic elements, enriching our understanding both of Brahms's art and of German culture.
Peter Speiser charts the BAOR's fraught transformation from occupier to ally by looking at the charged nexus where British troops and their families interacted with Germany's civilian population. Examining the relationship on many levels, Speiser ranges from how British mass media representations of Germany influenced BAOR troops to initiatives taken by the Army to improve relations. He also weighs German perceptions, surveying clashes between soldiers and civilians and comparing the popularity of the British services with that of the other occupying powers. As Speiser shows, the BAOR's presence did not improve the relationship between British servicemen and the German populace, but it did prevent further deterioration during a crucial and dangerous period of the early Cold War.
An incisive look at an under-researched episode, The British Army of the Rhine sheds new light on Anglo-German diplomatic, political, and social relations after 1945, and evaluates their impact on the wider context of European integration in the postwar era.
"[A] chilly, disquieting novel about historical slippage; about the seemingly inevitable decline of horror into a vague and generic recollection. The East German writer has devised something between story and allegory to evoke the cold generational millennium that separates a father, with his concentration-camp memories, from a son, adrift in a society with no memories whatsoever."—Richard Eder, Los Angeles Times Book Review
"Mr. Becker, writing simply and clearly in an unstrained narrative, speaks with the voice of knowledge, and we do well to listen to him."—Eva Figes, New York Times Book Review
Jurek Becker (1937-1998) is the author of Jacob the Liar, Sleepless Days, The Boxer, and Amanda Herzlos.
Brothers and Strangers traces the history of German Jewish attitudes, policies, and stereotypical images toward Eastern European Jews, demonstrating the ways in which the historic rupture between Eastern and Western Jewry developed as a function of modernism and its imperatives. By the 1880s, most German Jews had inherited and used such negative images to symbolize rejection of their own ghetto past and to emphasize the contrast between modern “enlightened” Jewry and its “half-Asian” counterpart. Moreover, stereotypes of the ghetto and the Eastern Jew figured prominently in the growth and disposition of German anti-Semitism. Not everyone shared these negative preconceptions, however, and over the years a competing post-liberal image emerged of the Ostjude as cultural hero. Brothers and Strangers examines the genesis, development, and consequences of these changing forces in their often complex cultural, political, and intellectual contexts.
give an excellent overview of the scholarly research and current critical thought regarding
Jakob and Wilhelm Grimm and their hugely popular Grimm's Fairy Tales. . . . The
book is directed to the general educated public and is very readable." -- Choice
Guérin’s travels took him across the countryside and into the cities of Germany. He describes with extraordinary clarity, for example, his encounters with large groups of unemployed workers in Berlin and the spectacle of Goering presiding over the Reichstag. Staying in youth hostels, Guérin met individuals representing a range of various groups and movements, including the Wandervögel, leftist brigades, Hitler Youth, and the strange, semicriminal sexual underground of the Wild-frei. Devoting particular attention to the cultural politics of fascism and the lure of Nazism for Germany’s disaffected youth, he describes the seductive rituals by which the Nazis were able to win over much of the population. As Robert Schwartzwald makes clear in his introduction, Guérin’s interest in Germany at this time was driven, in part, by a homoerotic component that could not be stated explicitly in his published material. This excellent companion essay also places The Brown Plague within a broad historical and literary context while drawing connections between fascism, aesthetics, and sexuality.
Informed by an epic view of class struggle and an admiration for German culture, The Brown Plague, a notable primary source in the literature of modern Europe, provides a unique view onto the rise of Nazism.
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