This abundantly illustrated book examines the figure of Balthazar, one of the biblical magi, and explains how and why he came to be depicted as a Black African king.
 
According to the Gospel of Matthew, magi from the East, following a star, traveled to Jerusalem bearing precious gifts for the infant Jesus. The magi were revered as wise men and later as kings. Over time, one of the three came to be known as Balthazar and to be depicted as a Black man.
 
Balthazar was familiar to medieval Europeans, appearing in paintings, manuscript illuminations, mosaics, carved ivories, and jewelry. But the origin story of this fascinating character uncovers intricate ties between Europe and Africa, including trade and diplomacy as well as colonization and enslavement.
 
In this book, experts in the fields of Ethiopian, West African, Nubian, and Western European art explore the representation of Balthazar as a Black African king. They examine exceptional art that portrays the European fantasy of the Black magus while offering clues about the very real Africans who may have inspired these images. Along the way, the authors chronicle the Black presence in premodern Europe, where free and enslaved Black people moved through public spaces and courtly circles. The volume’s lavish illustrations include selected works by contemporary artists who creatively challenge traditional depictions of Black history.

In the late eleventh century, Ethiopian masons hewed great cruciform churches out of mountains in the eastern highlands of Tigray, Ethiopia’s northernmost province. Hitherto unparalleled in scale, these monuments were royal foundations, instruments of political centralization and re-Christianization that anticipated the great thirteenth-century churches at Lalibela. Bastions of the Cross, the first study devoted to the subject, examines the cruciform churches of Abreha wa-Atsbeha, Wuqro Cherqos, and Mika’el Amba and connects them to one of the great architectural movements of the Middle Ages: the millennial revival of the early Byzantine aisled, cruciform church. These were also the first to incorporate vaulting, and uniquely did so in the service of centralized spatial hierarchy. Through resuscitated pilgrimage networks, Ethiopian craftsmen revisited architectural types abandoned since Late Antiquity, while Islamic mercantile channels brought precious textiles from South Asia that inspired trans-material conceptions of architectural space. Bastions of the Cross reveals the eleventh century, in contrast to its popular reputation as a “dark age,” to be a forgotten watershed in the architectural history of Ethiopia and Eastern Christianity.

The oldest discovered statue, fashioned some fifteen to twenty thousand years ago, is of a bear. The lion was not always king. From antiquity to the Middle Ages, the bear’s centrality in cults and mythologies left traces in European languages, literatures, and legends from the Slavic East to Celtic Britain. Historian Michel Pastoureau considers how this once venerated creature was deposed by the advent of Christianity and continued to sink lower in the symbolic bestiary before rising again in Pyrrhic triumph as a popular toy.

The early Church was threatened by pagan legends of the bear’s power, among them a widespread belief that male bears were sexually attracted to women and would violate them, producing half-bear, half-human beings—invincible warriors who founded royal lines. Marked for death by the clergy, bears were massacred. During the Renaissance, the demonic prestige bears had been assigned in biblical allegory was lost to the goat, ass, bat, and owl, who were the devil’s new familiars, while the lion was crowned as the symbol of nobility. Once the undefeated champions of the Roman arena, prized in princely menageries, bears became entertainers in the marketplace, trained to perform humiliating tricks or muzzled and devoured by packs of dogs for the amusement of humans. By the early twentieth century, however, the bear would return from exile, making its way into the hearts of children everywhere as the teddy bear.

This compelling history reminds us that men and bears have always been inseparable, united by a kinship that gradually moved from nature to culture—a bond that continues to this day.

In the past twenty years or more, there has been a growing interest among philosophers and theologians alike in the transcendentals and especially in the beautiful. This seems fortuitous since so much of contemporary culture is fixated in many ways on beauty, on what might be called a superficial or man-made beauty, intent on outward appearance, with little or no concern for the human person’s interiority and distinctive nature. The Ancients and the Medievals, on the contrary, were sensitive not only to the beauty of nature and art but also to beauty as intelligible, that is, to the beauty of moral harmony and of metaphysical splendor. While the question of whether the beautiful is in fact a transcendental aspect of being continues to be a subject of dispute in contemporary scholarship, the relationship between the beautiful and the good has been accepted since ancient times and has been attended to in recent publications. None of these publications, however, offers a systematic treatment of this relationship by drawing from the wisdom of both ancient and medieval thought in such a way as to bring together the work of scholars in this tradition. Beauty and the Good intends therefore to make a singular contribution by presenting a richer alternative to the contemporary cult of beauty and appearance on the one hand, and to the concomitant decline of real beauty on the other hand. In addition to highlighting the centrality of beauty in the Aristotelian account of moral virtue, where virtue is kalon and virtuous actions are done for the sake of kalon—an account which is found echoed in the medieval notion of intrinsic goodness (bonum honestum), understood as intelligible or spiritual beauty—this volume will provide the metaphysical and theological grounding for beauty, as influenced in part by Plato and Neoplatonism, together with a much needed account of how we know and judge beauty, and how for the recognition of true good and real beauty we need to be properly disposed. The integration of philosophical and theological reflection on the nature and relationship of beauty and the good, on our perception and judgment of beauty and of the good as beautiful, and on the motivational role of beauty in human action has as its goal to produce a coherent volume of essays.

Bede is the inaugural volume in the Sources of Anglo-Saxon Literary Culture series, which seeks to comprehensively map British literary culture from 500 to 1100 CE. This volume presents four texts, or fascicles, dedicated to the Venerable Bede (d. 735), theologian and author of the Historia ecclesiastica gentis Anglorum. Articles provide a wealth of information on Bede through manuscript evidence, medieval library catalogs, citations, and quotations. Using discussions of source relationships, the entries weigh and consider different interpretations of Bede’s works and suggest possibilities for future research. Part of an exciting new reference series, this book“and those that follow“will be indispensable to anyone interested in the history and literature of the period.

Brings together articles that influenced the scholarly work of Ralph McInerny.

Ever since Tolkien’s famous lecture in 1936, it has been generally accepted that the poem Beowulf is a fantasy, and of no use as a witness to real history. This book challenges that view, and argues that the poem provides a plausible, detailed, and consistent vision of pre-Viking history which is most unlikely to have been the poet’s invention, and which has moreover received strong corroboration from archaeology in recent years. Using the poem as a starting point, historical, archaeological, and legendary sources are combined to form a picture of events in the North in the fifth and sixth centuries: at once a Dark and a Heroic Age, and the time of the formation of nations. Among other things, this helps answer two long-unasked questions: why did the Vikings come as such a shock? And what caused the previous 250 years of security from raiders from the sea?

This is a community translation of the earliest English epic poem. Beowulf tells the story of a mythical hero in northern Europe in, perhaps, the sixth century. Alongside his story, multiple other shorter narratives are told and many other voices are heard, making it a rich and varied account of the poet’s views of heroism, conflict, loyalty, and the human condition. The poem is widely taught in schools and universities, and has been adapted, modernized, and translated dozens of times, but this is the first large-scale polyvocal translation. Readers will encounter the voices of over two hundred individuals, woven together into a reading experience that is at once productively dissonant, yet strangely coherent in its extreme variation. We hope that it turns the common question "Why do we need yet another translation?" on its head, asking instead, "How can we hear from more translators?," and "How can previously unheard, or marginalized voices, find space, like this, in the world of Old English Studies?" With this in mind we invite a new generation of readers to try their own hand at translating Beowulf in the workbook space provided opposite this community translation. It is often through the effort of translating that we see the reality of the original.

Why should anyone, aside from specialist historians and philologists, read Beowulf? This book presents a passionate literary argument for Beowulf as a searching and subtle exploration of the human presence. Seamus Heaney praised Beowulf as "a work of the greatest imaginative vitality": how is that true? The poem's current scholarly obsessions and its popular reception have obscured the fact that this untitled and anonymous 3182-line poem from Anglo-Saxon England is a powerful and enduring work of world literature. Beowulf is an early medieval exercise in humanism: it dramatizes, in varied and complex ways, the conflict between human autonomy and the "mind-forg'd manacles" of the world. The poem is as relevant and moving to any reader today as it was during the early Middle Ages. This book serves both as an invitation and introduction to the poem as well as an intervention in its current scholarly context.

Alcimus Ecdicius Avitus, bishop of Vienne and a vigorous defender of Christian orthodoxy, was born into the senatorial aristocracy in southern Gaul in the mid-fifth century and lived until 518. The verse in Biblical and Pastoral Poetry was written in the late fifth or early sixth century. Avitus’s most famous work, the Spiritual History, narrates the biblical stories of creation, the Fall and expulsion from paradise, the Flood, and the Israelites’ escape from Egypt. He revitalizes Christian epic poetry, highlighting original sin and redemption and telling the history of Christian salvation with dramatic dialogue and rich description. In Consolatory Praise of Chastity—a verse treatise addressed to his sister, a consecrated virgin—illuminates the demands of the ascetic life from the perspective of a close family member. Avitus seeks to bolster his sister’s resolve with biblical examples of mental fortitude, constructing a robust model for female heroism. This volume presents new English translations of Avitus’s two extant poetic writings alongside the Latin texts.

This comprehensive biography of John Vitez, an instrumental figure of the Early Renaissance, presents a complex picture of cultural, political, and religious developments in Central Europe through one man’s life. Drawing on close study of Vitez’s writings and his various political and artistic networks of influence, Tomislav Matić demonstrates the wide scope of this church leader’s involvement in late medieval Central Europe. Not only were Vitez’s writings a catalyst for the introduction of humanism across the region, he was a patron of the arts, an avid astrologer, a master diplomat, and even a kingmaker, thus central to both political and cultural developments.

In 1563, the Council of Trent published its Decrees, calling for significant reforms of the Catholic Church in response to criticism from both Protestants and Catholics alike. Bishops, according to the Decrees, would take the lead in implementing these reforms. They were tasked with creating a Church in which priests and laity were well educated, morally upright, and focused on worshipping God. Unfortunately for these bishops, the Decrees provided few practical suggestions for achieving the wide-ranging changes demanded. Reform was therefore an arduous and complex process, which many bishops struggled to accomplish or even refused to undertake fully. The Bishop’s Burden argues that reforming bishops were forced to be creative and resourceful to accomplish meaningful change, including creating strong diocesan governments, reforming clerical and lay behavior, educating priests and parishioners, and converting non-believers. The book explores this issue through a detailed case study of the episcopacy of Cardinal-Bishop Gregorio Barbarigo of Padua (bp. 1664-1697), asking how a dedicated bishop formulated a reform program that sought to achieve the Church’s goals. Barbarigo, like other reforming bishops, borrowed strategies from a variety of sources in the absence of clear guidance from Rome. He looked to both pre- and post-Tridentine bishops, the Society of Jesus, the Venetian government, and the Propaganda Fide, which he selectively emulated to address the problems he discovered in Padua. The book is based primarily on the detailed records of Barbarigo’s visitations of rural parishes and captures the rarely-heard voices of seventeenth-century Italian peasants. The Bishop's Burden helps us understand not only the changes experienced by early modern Catholics, but also how even the most sophisticated plans of central authorities could be frustrated by practical realities, which in turn complicates our understanding of state-building and social control.

In this small book David Herlihy makes subtle and subversive inquiries that challenge historical thinking about the Black Death. Looking beyond the view of the plague as unmitigated catastrophe, Herlihy finds evidence for its role in the advent of new population controls, the establishment of universities, the spread of Christianity, the dissemination of vernacular cultures, and even the rise of nationalism. This book, which displays a distinguished scholar's masterly synthesis of diverse materials, reveals that the Black Death can be considered the cornerstone of the transformation of Europe.

Throughout the fourteenth century AD/eighth century H, waves of plague swept out of Central Asia and decimated populations from China to Iceland. So devastating was the Black Death across the Old World that some historians have compared its effects to those of a nuclear holocaust. As countries began to recover from the plague during the following century, sharp contrasts arose between the East, where societies slumped into long-term economic and social decline, and the West, where technological and social innovation set the stage for Europe's dominance into the twentieth century. Why were there such opposite outcomes from the same catastrophic event?

In contrast to previous studies that have looked to differences between Islam and Christianity for the solution to the puzzle, this pioneering work proposes that a country's system of landholding primarily determined how successfully it recovered from the calamity of the Black Death. Stuart Borsch compares the specific cases of Egypt and England, countries whose economies were based in agriculture and whose pre-plague levels of total and agrarian gross domestic product were roughly equivalent. Undertaking a thorough analysis of medieval economic data, he cogently explains why Egypt's centralized and urban landholding system was unable to adapt to massive depopulation, while England's localized and rural landholding system had fully recovered by the year 1500.

A new account of racial logics in premodern Islamic literature.
 
In Black Knights, Rachel Schine reveals how the Arabic-speaking world developed a different form of racial knowledge than their European neighbors during the Middle Ages. Unlike in European vernaculars, Arabic-language ideas about ethnic difference emerged from conversations extending beyond the Mediterranean, from the Sahara to the Indian Ocean. In these discourses, Schine argues, Blackness became central to ideas about a global, ethnically inclusive Muslim world.

Schine traces the emergence of these new racial logics through popular Islamic epics, drawing on legal, medical, and religious literatures from the period to excavate a diverse and ever-changing conception of Blackness and race. The result is a theoretically nuanced case for the existence and malleability of racial logics in premodern Islamic contexts across a variety of social and literary formations.

In Blessing the World, Derek A. Rivard studies liturgical blessing and its role in the religious life of Christians during the central and later Middle Ages, with a particular focus on the blessings of the Franco-Roman liturgical tradition from the tenth to late thirteenth centuries.

In this study of the relationship between Boethius and Thomas Aquinas, Ralph McInerny dispels the notion that Aquinas misunderstood the early philosopher and argues instead that he learned from Boethius, assimilated his ideas, and proved to be a reliable interpreter of his thought.

The question of how Islam arrived in India remains markedly contentious in South Asian politics. Standard accounts center on the Umayyad Caliphate’s incursions into Sind and littoral western India in the eighth century CE. In this telling, Muslims were a foreign presence among native Hindus, sowing the seeds of a mutual animosity that presaged the subcontinent’s partition into Pakistan and India many centuries later.

But in a compelling reexamination of the history of Islam in India, Manan Ahmed Asif directs attention to a thirteenth-century text that tells the story of Chach, the Brahmin ruler of Sind, and his kingdom’s later conquest by the Muslim general Muhammad bin Qasim in 712 CE. The Chachnama has long been a touchstone of Indian history, yet it is seldom studied in its entirety. Asif offers a close and complete analysis of this important text, untangling its various registers and genres in order to reconstruct the political vision at its heart.

Asif challenges the main tenets of the Chachnama’s interpretation: that it is a translation of an earlier Arabic text and that it presents a history of conquest. Debunking both ideas, he demonstrates that the Chachnama was originally Persian and, far from advancing a narrative of imperial aggression, is a subtle and sophisticated work of political theory, one embedded in both the Indic and Islamic ethos. This social and intellectual history of the Chachnama is an important corrective to the divisions between Muslim and Hindu that so often define Pakistani and Indian politics today.

This fascinating volume explores an important fifteenth-century illustrated manuscript tradition that provides a revealing glimpse of how western Europeans conceptualized the world.

From the classical encyclopedias of Pliny to famous tales such as The Travels of Marco Polo, historical travel writing has had a lasting impact, despite the fact that it was based on a curious mixture of truth, legend, and outright superstition. One foundational medieval source that expands on the ancient idea of the “wonders of the world” is the fifteenth-century French Book of the Marvels of the World, an illustrated guide to the globe filled with oddities, curiosities, and wonders—tales of fantasy and reality intended for the medieval armchair traveler. The fifty-six locales featured in the manuscript are presented in a manner that suggests authority and objectivity but are rife with stereotypes and mischaracterizations, meant to simultaneously instill a sense of wonder and fear in readers.

In The Book of Marvels, the authors explore the tradition of encyclopedias and travel writing, examining the various sources for geographic knowledge in the Middle Ages. They look closely at the manuscript copies of the French text and its complex images, delving into their origins, style, content, and meaning. Ultimately, this volume seeks to unpack how medieval white Christian Europeans saw their world and how the fear of difference—so pervasive in society today—is part of a long tradition stretching back millennia.

This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 11 to September 1, 2024, and at the Morgan Library & Museum from January 24 to May 25, 2025.

This translation makes this fascinating text accessible for the first time to an English-speaking audience. A substantial introduction to Agnellus and his composition of the text is included along with a full bibliography

Iceland was the last country in Europe to become inhabited, and we know more about the beginnings and early history of Icelandic society than we do of any other in the Old World. This world was vividly recounted in The Book of Settlements, first compiled by the first Icelandic historians in the thirteenth century. It describes in detail individuals and daily life during the Icelandic Age of Settlement.

<div>This beautifully illustrated book provides an accessible introduction to the medieval manuscript and what it can tell us about the world in which it was made and used. <i>Books Before Print</i> explores how manuscripts can act as a vibrant and versatile tool to understand the deep historical roots of human interaction with written information. It highlights extraordinary continuities between medieval book culture and modern-world communication, as witnessed in medieval pop-up books, posters, speech bubbles, book advertisements, and even sticky notes.</div>

The discovery of seven manuscript fragments of the Old French Suite Vulgate du Merlin in a set of early printed books in the Bristol Central Library hit global headlines in 2019. This book contains a comprehensive study of these fascinating Arthurian fragments. Beginning with an extensive contextual history, the authors reveal details of the fragments’ origin, their importation to England, and their subsequent journey to a waste pile in a bookbinder’s workshop, where they would be incorporated into the bindings of a four-volume edition of the works of Jean Gerson in the early sixteenth century. A full enquiry into the provenance of these host volumes sets out the possible routes from the bookbinder’s workshop to their final home in Bristol Central Library. Using multi-spectral imaging to read the damaged sections of text, the authors also provide a full edition and translation of the narrative contained in the fragments.

This introductory booklet on Byzantine coinage, first published in 1982, has been updated and expanded to include a description of the creation of the coin collection at Dumbarton Oaks. This new edition marks the completion of the five volume series Catalogue of the Byzantine Coins in the Dumbarton Oaks Collection.

The booklet covers phases of the coinage, gold, silver, and copper coinage, types and inscriptions, and ruler representations. Tables of values corresponding with various times in the empire’s history, a list of Byzantine emperors, and a glossary are also provided.

The imperial court in Constantinople has been central to the outsider’s vision of Byzantium. However, in spite of its fame in literature and scholarship, there have been few attempts to analyze the Byzantine court in its entirety as a phenomenon. The studies in this volume aim to provide a unified composition by presenting Byzantine courtly life in all its interconnected facets.

One important theme that unites these studies is the attention paid to describing the effects of a change in the social makeup of the court during this period and the reflection of these changes in art and architecture. These changes in social composition, mentality, and material culture of the court demonstrate that, as in so many other aspects of Byzantine civilization, the image of permanence and immutability projected by the forms of palace life was more apparent than real. As this new work shows, behind the golden facade of ceremony, rhetoric, and art, there was constant development and renewal.

These vitae feature holy men and women who opposed imperial edicts and suffered for their defense of images, from the nun Theodosia whose efforts to save the icon of Christ Chalkites made her the first iconodule martyr, to Symeon of Lesbos, the pillar saint whose column was attacked by religious fanatics.

The second volume in this series introduces saints who were active during the period of the iconoclastic controversy in Byzantium (726–843). For almost a century and a half, theological and popular opinions were strongly divided on the question of the manufacture and veneration icons of Christ, the Virgin, and saints.

Life of St. Theodosia of Constantinople
Life of St. Stephen the Younger
Life of St. Anthousa of Mantineon
Life of St. Anthousa, Daughter of Constantine V
Life of the Patriarch Nikephoros I of Constantinople
Life of Sts. David, Symeon, and George of Lesbos
Life of St. Ioannikios
Life of St. Theodora the Empress

This classic study presents the history of the Byzantine Empire from the sixth to the fifteenth century in terms of political events, art, literature, and thought. It is addressed to the general reader of history as well as to students and scholars.

Scarcely any object was as ubiquitous in Byzantine culture as the cross. This exhibition catalogue focuses on the figural processional cross, and the examples here provide opportunity to consider the various functions such crosses served in the imperial, ecclesiastic, military, and private sphere for both men and women.

Only in the last decade has much serious attention been paid to the Byzantine garden, so indirect is the mass of information, both in literature and the visual arts, that is available for scholars. Byzantine Garden Culture, based on papers delivered at a colloquium at Dumbarton Oaks, is the first book devoted to the subject.

Individual essays discuss Byzantine conceptions of paradise, the textual evidence for monastic horticulture, animal and game parks, herbs in medicinal pharmacy, and the famous illustrated copy of Dioskorides’s herbal manual in Vienna. An opening chapter explores questions and observations from the point of view of a non-Byzantine garden historian, and the closing chapter suggests possible directions for future scholarship in the field.

<div>Why were virtuous Byzantine women described as manly? Why were boys' bodies thought to be closer in constitution to those of women than adult men? Did Byzantines think eunuchs were men? </div><div>This lively and personal book explains some key aspects of how people of the Medieval Roman Empire (Byzantine Empire) conceived of men and women, masculinity and femininity, and proper behaviour for men and women. By laying bare fundamental ideas about how gender was defined and performed, <i>Byzantine Gender</i> enables readers to understand Byzantine society more fully. And by providing background information about Byzantine gender, it makes it easier to approach and appreciate the fascinating otherness of Byzantine culture.</div>

The nature of the typkia, discussed by John Thomas in the introduction, was one of flexible and personal documents, which differed considerably in form, length, and content. Not all of them were foundation documents in the strict sense, since they could be issued at any time in the history of an institution. Some were wills; others were reform decrees and rules; yet others were primarily liturgical in character.

Although Byzantium is known to history as the Eastern Roman Empire, scholars have long claimed that this Greek Christian theocracy bore little resemblance to Rome. Here, in a revolutionary model of Byzantine politics and society, Anthony Kaldellis reconnects Byzantium to its Roman roots, arguing that from the fifth to the twelfth centuries CE the Eastern Roman Empire was essentially a republic, with power exercised on behalf of the people and sometimes by them too. The Byzantine Republic recovers for the historical record a less autocratic, more populist Byzantium whose Greek-speaking citizens considered themselves as fully Roman as their Latin-speaking “ancestors.”

Kaldellis shows that the idea of Byzantium as a rigid imperial theocracy is a misleading construct of Western historians since the Enlightenment. With court proclamations often draped in Christian rhetoric, the notion of divine kingship emerged as a way to disguise the inherent vulnerability of each regime. The legitimacy of the emperors was not predicated on an absolute right to the throne but on the popularity of individual emperors, whose grip on power was tenuous despite the stability of the imperial institution itself. Kaldellis examines the overlooked Byzantine concept of the polity, along with the complex relationship of emperors to the law and the ways they bolstered their popular acceptance and avoided challenges. The rebellions that periodically rocked the empire were not aberrations, he shows, but an essential part of the functioning of the republican monarchy.

Why does medieval Rome look so, for lack of a better word, Byzantine? Why do its monuments speak an aesthetic of the medieval East? And just how do we quantify that Byzantine aesthetic or even the word “Byzantine”? This book seeks to consider the ways in which the artistic styles and iconographies generally associated with the eastern medieval tradition had a life in the West and, in many cases, were just as western as they were eastern. Rome’s medieval monuments are a fundamental part of the history of the East, a history that says more about a cross- cultural exchange and interconnected “Romes” than difference and separation. Each chapter follows the political and theological relationships between the East and the West chronologically, exploring the socio-political exchanges as they manifest in the visual language of the monuments that defined the medieval landscape of Rome.

Based on four seasons of fieldwork, this book presents the results of the first systematic site survey of a region rich in material remains. From architecture to fresco painting, Cappadocia represents a previously untapped resource for the study of material culture and the settings of daily life within the Byzantine Empire.

Following its initial publication in 2005, A Byzantine Settlement in Cappadocia has become a seminal work in interpreting the rich material remains of Byzantine Cappadocia. In the first systematic site survey from the region, at the settlement known as Çanlı Kilise in Western Cappadocia, the careful mapping and documentation of rock-cut and masonry architecture and its decoration led to a complete reexamination of the place of Cappadocia within the larger framework of Byzantine social and cultural developments. This revised edition builds upon its predecessor with an updated preface, a new bibliography, and a new master map of the Çanlı Kilise site.

Based on four seasons of fieldwork, Ousterhout challenges the commonly accepted notion that the rock-cut settlements of Cappadocia were primarily monastic. He proposes instead that the settlement at Çanlı Kilise was a town, replete with mansions, hovels, barns, stables, storerooms, cisterns, dovecotes, wine presses, fortifications, places of refuge, churches, chapels, cemeteries, and a few monasteries—that is, features common to most Byzantine communities. A Byzantine Settlement in Cappadocia has led to a rethinking of such sites and to a view of Cappadocia as an untapped resource for the study of material culture and daily life within the Byzantine Empire.

The Byzantine Sinbad collects The Book of Syntipas the Philosopher and The Fables of Syntipas, both translated from Syriac in the late eleventh century by the scholar Michael Andreopoulos.

Originally written in Persian and part of a multilingual and multicultural medieval storytelling tradition, The Book of Syntipas recounts how the Persian king Cyrus’s unnamed son—a student of the fictional philosopher Sinbad, who is known in Greek as Syntipas—is falsely accused of rape by a royal concubine. While the young man awaits execution, seven philosophers and the concubine attempt to influence Cyrus’s judgment. After seven days of storytelling, the son is exonerated and demonstrates the wisdom he learned from Syntipas.

The sixty-two moral tales in The Fables of Syntipas are inspired mainly by the tradition of Aesop but include fifteen that are uniquely attributed to the philosopher.

This volume is the first English translation to bring together Andreopoulos’s Byzantine Greek texts.

The fourth century, the century of Constantine, witnessed the foundation and rise of a new relationship between the Roman Empire and the Arabs. The warrior Arab groups in Oriens became foederati, allies of Byzantium, the Christian Roman empire, and so they remained until the Arab conquests. In Byzantium and the Arabs in the Fourth Century, Irfan Shahîd elucidates the birth of the new federation and the rise of its institutional forms and examines the various constituents of federate cultural life: the phylarchate, the episcopate, the beginnings of an Arab Church, an Arabic liturgy, and the earliest attested composition of Arabic poetry. He discusses the participation of the Arab foederati in Byzantium’s wars with her neighbors—the Persians and the Goths—during which those Arab allies, most notably the Tanūkhids, contributed to the welfare of the imperium and the ecclesia. In the reign of Valens, the foederati appeared as the defenders of Nicene Orthodoxy: their soldiers fought for it; their stern and uncompromising saint, Moses, championed it; and their heroic and romantic queen, Mavia, negotiated for it.

Byzantium and the Arabs in the Sixth Century is devoted to frontier studies and to the structures of the Arab federates of Byzantium. It deals mainly with the Ghassanids of Oriens in the sixth century, a time of transition from Late Antiquity to the Middle Ages. The focus of this study is on the military, religious, and civil structures of the Ghassanids. The detailed study of these buildings contributes to our understanding of Byzantine provincial art and architecture in Oriens, as they were adopted by the federate Arabs and later adapted to their own use. As monuments of Christian architecture, these federate structures constitute the missing link in the development of Arab architecture in the region—the link between the earlier pagan (Nabataean and Palmyrene) and later Muslim (Umayyad).

This book proposes a long view of Byzantium, one that begins in the early Roman empire and extends all the way to the modern period. It is a provocative thought-experiment which posits Byzantium as the most stable and enduring form of Greco-Roman society, forming a sturdy bridge between antiquity and the early modern period, as well as between East and West, and which sees the ancient Greek, Roman, and Christian traditions as flowing together. It offers a Byzantium unbound by other cultures and fields of study that would artificially cut it down to size.