In the late 1970s and early 1980s, British blues fan Alan Harper became a transatlantic pilgrim to Chicago. "I've come here to listen to the blues," he told an American customs agent at the airport, and listen he did, to the music in its many styles, and to the men and women who lived it in the city's changing blues scene. Harper's eloquent memoir conjures the smoky redoubts of men like harmonica virtuoso Big Walter Horton and pianist Sunnyland Slim. Venturing from stageside to kitchen tables to the shotgun seat of a 1973 Eldorado, Harper listens to performers and others recollect memories of triumphs earned and chances forever lost, of deep wells of pain and soaring flights of inspiration. Harper also chronicles a time of change, as an up-tempo, whites-friendly blues eclipsed what had come before, and old Southern-born black players held court one last time before an all-conquering generation of young guitar aces took center stage.

In the summer of 2000, David Hlavsa and his wife Lisa Holtby embarked on a pilgrimage. After trying for three years to conceive a child and suffering through the monthly cycle of hope and disappointment, they decided to walk the Camino de Santiago, a joint enterprise—and an act of faith—they hoped would strengthen their marriage and prepare them for parenthood.

Though walking more than 400 miles across the north of Spain turned out to be more difficult than they had anticipated, after a series of misadventures, including a brief stay in a Spanish hospital, they arrived in Santiago. Shortly after their return to Seattle, Lisa became pregnant, and the hardships of the Camino were no comparison to what followed: the stillbirth of their first son and Lisa’s harrowing second pregnancy.

Walking Distance is a moving and disarmingly funny book, a good story with a happy ending—the safe arrival of David and Lisa’s second son, Benjamin. David and Lisa get more than they bargained for, but they also get exactly what they wanted: a child, a solid marriage, and a richer life.

When longtime author Robert Root moves to a small town in southeast Wisconsin, he gets to know his new home by walking the same terrain traveled by three Wisconsin luminaries who were deeply rooted in place—John Muir, Aldo Leopold, and August Derleth. Root walks with Muir at John Muir State Natural Area, with Leopold at the Shack, and with Derleth in Sac Prairie; closer to home, he traverses the Ice Age Trail, often guided by such figures as pioneering scientist Increase Lapham. Along the way, Root investigates the changes to the natural landscape over nearly two centuries, and he chronicles his own transition from someone on unfamiliar terrain to someone secure on his home ground.In prose that is at turns introspective and haunting, Walking Home Ground inspires us to see history’s echo all around us: the parking lot that once was forest; the city that once was glacier. "Perhaps this book is an invitation to walk home ground," Root tells us. "Perhaps, too, it’s a time capsule, a message in a bottle from someone given to looking over his shoulder even as he tries to examine the ground beneath his feet."

War on Error brings together the stories of twelve young people, all vastly different but all American, and all Muslim. Their approaches to religion couldn’t be more diverse: from a rapper of Korean and Egyptian descent to a bisexual Sudanese American to a converted white woman from Colorado living in Cairo and wearing the hijab. These individuals, whether they were born to the religion or came to it on their own, have made their own decisions about how observant they’ll be, whether or not to fast, how often to pray, and what to wear. Though each story is unique, each is also seen through the searching eyes of Melody Moezzi, herself an American Muslim of Iranian descent. She finds that the people she interviews are horrified that, in a post-9/11 world, they have seen their religion come to be represented, in the minds of many Americans, by terrorism. These thoughtful and articulate individuals represent the truth about the faith and its adherents who are drawn to the logic, compassion, and tolerance they find in Muslim teachings. Moezzi, ever comfortable with contradiction and nuance, is a likable narrator whose underlying assumption that “faith is greater than dogma” is strengthened as she learns more about her religion and faces her own biases and blind spots. This fresh new voice, combined with the perceptions and experiences of her fellow American Muslims, make for a read that is both illuminating and enjoyable.

            The colt's call for help was answered, and that light inspired a worldwide response to his story. The struggle of the little colt, called Windchill by his rescuers, was reported widely, and soon 1.2 million people were following Windchill's progress on a blog and webcam.

            Warmed by Windchill tells how Jeffrey L. Tucker, owner of nearby Raindance Farms, and Kathi Davis, owner of a horse training operation co-located at Raindance, rescued and cared for the colt, aided by an outpouring of assistance. Donations of money, feed, blankets, and other supplies streamed in as round-the-clock volunteers tried to save Windchill. Warmed by Windchill is both heartening and heartbreaking.

Provocative insights into Beauvoir's philosophical and personal development during wartime

Written from September 1939 to January 1941, Simone de Beauvoir’s Wartime Diary gives English readers unabridged access to a scandalous text that threatened to overturn traditional views of Beauvoir’s life and work.

Beauvoir's clandestine affair with Jacques Bost and sexual relationships with various young women challenge the conventional picture of Beauvoir as the devoted companion of Jean-Paul Sartre. At the same time, her account of completing her novel She Came to Stay at a time when Sartre had just begun Being and Nothingness questions the traditional view of Beauvoir’s novel as merely illustrating Sartre’s philosophy.

Wartime Diary also traces Beauvoir's philosophical transformation as she broke from the prewar solipsism of She Came to Stay in favor of the postwar political engagement of The Second Sex. Beauvoir's emerging existentialist ethics reflect the dramatic collective experiences of refugees fleeing German invasion and life under Nazi occupation. The evolution of her thought also reveals the courageous reaffirmation of her individuality in constructing a humanist ethics of freedom and solidarity.

This edition also features previously unpublished material, including her musings about consciousness and order, recommended reading lists, and notes on labor unions. In providing new insights into Beauvoir’s philosophical development, the Wartime Diary promises to rewrite a crucial chapter of Western philosophy and intellectual history.  

This diary, begun after the Japanese attack on Pearl Harbor and covering the invasion of Burma up to June 1942, is a moving account of the dilemmas faced by the well-loved and prolific Burmese author Theippan Maung Wa (a pseudonym of U Sein Tin) and his family. At the time of the Japanese invasion, U Sein Tin was deputy secretary in the Ministry of Home and Defense Affairs. An Oxford-trained member of the Indian Civil Service, working for the British administration on the eve of the invasion, he lived with his wife and three small children in Rangoon.

Wartime in Burma is a stirring memoir that presents a personal account of U Sein Tin’s feelings about the war, his anxiety for the safety of his family, the bombing of Rangoon, and what happened to them during the next six chaotic months of the British retreat. The author and his family leave Rangoon to live in a remote forest in Upper Burma with several other Burmese civil servants, their staff, and valuable possessions—rich pickings for robbers. His diary ends abruptly on June 5, his forty-second birthday; U Sein Tin was murdered on June 6 by a gang of Burmese bandits. The diary pages, scattered on the floor of the house, were rescued by his wife and eventually published in Burma in 1966. What survives is a unique account that shines new light on the military retreat from Burma.

In We Flew over the Bridge, one of the country’s preeminent African American artists—and award-winning children’s book authors—shares the fascinating story of her life. Faith Ringgold’s artworks—startling “story quilts,” politically charged paintings, and more—hang in the Studio Museum in Harlem, the Metropolitan Museum of Art, the Guggenheim Museum, the Museum of Modern Art, and other major museums around the world, as well as in the private collections of Maya Angelou, Bill Cosby, and Oprah Winfrey. Her children’s books, including the Caldecott Honor Book Tar Beach, have sold hundreds of thousands of copies. But Ringgold’s path to success has not been easy. In this gorgeously illustrated memoir, she looks back and shares the story of her struggles, growth, and triumphs. Ringgold recollects how she had to surmount a wall of prejudices as she worked to refine her artistic vision and raise a family. At the same time, the story she tells is one of warm family memories and sustaining friendships, community involvement, and hope for the future.

Personal testimonies are the life force of human rights work, and rights claims have brought profound power to the practice of life writing. This volume explores the connections and conversations between human rights and life writing through a dazzling, international collection of essays by survivor-writers, scholars, and human rights advocates.
            In We Shall Bear Witness, editors Meg Jensen and Margaretta Jolly assemble moving personal accounts from those who have endured persecution, imprisonment, and torture; meditations on experiences of injustice and protest by creative writers and filmmakers; and innovative research on ways that digital media, commodification, and geopolitics are shaping what is possible to hear and say. The book’s primary sections—testimony, recognition, representation, and justice—evoke the key stages in turning experience into a human rights life story and attend to such diverse and varied arts as autobiography, documentary film, report, oral history, blog, and verbatim theater. The result is a groundbreaking book that sensitively examines how life and rights narratives have become so powerfully entwined. Also included is an innovative guide to teaching human rights and life narrative in the classroom.

As director of the National Oceanic and Atmospheric Administration’s National Climatic Data Center in the late 1960s and early ’70s, William H. Haggard witnessed an explosion in the number of requests from attorneys needing weather data for their cases. But while the Center offered data certified by the Department of Commerce that could be submitted as evidence in a court of law, government meteorologists could not be released from work to interpret this data in the courtroom. In their place, pioneering forensic meteorologists stepped in to serve as expert witnesses.

For a society enthralled by courtroom drama, forensics, and natural disasters, Weather in the Courtroom is a perfect storm: an exciting inside scoop on legendary court cases where the weather may—or may not—have played a crucial role. Haggard explores both the meteorological facts and human stories of a variety of high-profile cases among the hundreds in which, after retiring from the government, he served as an expert witness. Were the disappearance of Alaskan Congressman Nick Begich’s plane on October 16, 1972; the collapse of Tampa Bay’s Skyway Bridge on May 9, 1980; and the crash of Delta Flight 191 in Dallas/Fort Worth on August 2, 1985, natural or human-caused disasters? Haggard’s recounting of these and other litigations reveals just how critical the interpretation of weather and climate data in the courtroom is to our understanding of what happened—and who, if anyone, is at fault.
 

Farideh Goldin was born to her fifteen-year-old mother in 1953 and into a Jewish community living in an increasingly hostile Islamic state—prerevolutionary Iran. This memoir is Goldin’s passionate and painful account of her childhood in a poor Jewish household and her emigration to the United States in 1975. As she recalls trips to the market and the mikvah, and as she evokes ritual celebrations like weddings, Goldin chronicles her childhood, her extended family, and the lives of the women in her community in Shiraz, a southern Iranian city. Her memoir details her parents’ "courtship" (her father selected her mother from a group of adolescent girls), her mother’s lonely life as a child-bride, and Goldin’s childhood home which was presided over by her paternal grandmother. Goldin’s memoir conveys not just the personal trauma of growing up in a family fraught with discord but also the tragic human costs of religious dogmatism. In Goldin’s experience, Jewish fundamentalism was intensified by an Islamic context. Although the Muslims were antagonistic to Jews, their views on women’s roles and their treatment of women influenced the attitude and practices of some Iranian Jews. In this brave and dispassionate portrayal of a little-known corner of Jewish life, Farideh Goldin confronts profound sadness yet captures the joys of a child’s wonder as she savors the scenes and textures and scents of Jewish Iran. Readers share her youthful adventures and dangers, coming to understand how such experiences shape her choice.

The remotest place in the country, outside of Alaska, is a region in Yellowstone National Park ironically named the Thorofare, for its historic role as a route traversed by fur trappers. A Week in Yellowstone’s Thorofare is a history and celebration of this wild place, set within a week-long expedition that the author took with three friends in 2014.
 
Drawing upon the first-person accounts of rangers who have patrolled the area, archival documents, and Michael Yochim’s personal experiences over almost three decades, A Week in Yellowstone’s Thorofare distinguishes between the notions of wildness and wilderness. Through historic vignettes, descriptions of natural resources, and the author’s own experiences, it argues that wildness is the most precious, and easily lost, attribute of wilderness.
 
The Thorofare is remote not only from roads, but also largely unexplored in the vast body of wilderness literature. A Week in Yellowstone’s Thorofare aims to fill that void. Recognizing both the value and the fragility of wildness, the rangers who manage the area have struggled through many eras to preserve it. This book chronicles many of the struggles through which it has remained protected for visitors today.
 
Yochim offers poignant insight into the passions that motivate those who manage, defend, and journey through the Thorofare. His story demonstrates the importance of wild places for touching and understanding a fundamental part of the human experience. Part history, memoir, travelogue, natural history, and reflection, the book will appeal to readers interested in preservation, the wilderness movement, the history of National Parks, or the natural treasures of Yellowstone.

“In the spring of 1995, the condition I seem to have been waiting for all my life finally struck me.” So begins Jane Lazarre’s account of her transforming battle with breast cancer. Following in the tradition of her critically acclaimed literary memoirs The Mother Knot and Beyond the Whiteness of Whiteness: Memoir of a White Mother of Black Sons, Lazarre brilliantly interweaves her experience of life-threatening illness with other stories of recent and past losses—most notably, that of her mother to breast cancer when Jane was a small child. From these memories and experiences, Lazarre crafts a story that is at once intensely intimate and universally healing.

As she contends with the pain and many indignities of her treatment for cancer, Lazarre realizes that successful medical treatment will only be part of her healing process. Her own illness becomes the vehicle for coming to terms with key moments of loss and grief—the death of a beloved therapist from breast cancer, her brother-in-law’s death from AIDS, a traumatic disappointment in her work life, and the unresolved pain of being a motherless child. The gift of Lazarre’s writing is her ability to transform her narratives of grief and loss into a story whose power to heal lies in its ability to penetrate the unconscious and give voice to the elusive truths hidden there. Through her writing, Lazarre is able to embrace grief—even her own inarticulate grief as a child—and find her way through the story to a restored sense of wholeness.

In Wet Earth and Dreams Jane Lazarre once again proves herself to be both companion and guide through some of the most difficult challenges life has to offer. As always, she draws strength not only from sustaining friendship and love, but also from her own faith in the power of storytelling to make bearable the seemingly unbearable. Lazarre’s bravely and beautifully written account of grief, illness, and death is at the last a celebration of the redemptive possibilities of the creative spirit.

Burdened by poverty, illiteracy, and vulnerability as Mexican immigrants to California's Coachella Valley, three generations of González men turn to vices or withdraw into depression. As brothers Rigoberto and Alex grow to manhood, they are haunted by the traumas of their mother's early death, their lonely youth, their father's desertion, and their grandfather's invective. Rigoberto's success in escaping—first to college and then by becoming a writer—is blighted by his struggles with alcohol and abusive relationships, while Alex contends with difficult family relations, his own rocky marriage, and fatherhood.

Descending into a dark emotional space that compromises their mental and physical health, the brothers eventually find hope in aiding each other. This is an honest and revealing window into the complexities of Latino masculinity, the private lives of men, and the ways they build strength under the weight of grief, loss, and despair.

A Memoir of the Real Downton Abbey Experience
Eric Horne served as a butler in some of the great English country manors from the 1860s until just after World War I, when many of the families whose heirs died in battle were forced to sell off their homes. Born in Southampton, Horne came from a humble family who valued education. Horne excelled in school and wished to go to sea, but lacking his parents’ permission, he instead ended up as a footboy for a local household. Over the years, Horne moved up in the service of the aristocracy: his goal was to become butler to the king of England, a position he very nearly secured. He did end up in the service of several distinguished households for many decades, and upon his retirement in 1922, he decided to write his memoir. Horne is a unique voice; not only did he have intimate contact with his employers and the household staff, he also possessed literary talent, so that his account provides authentic detail as well as shrewd—and often witty—views of the aristocracy, the servants, and their activities. Horne is not sentimental though; he does not think that he used his life wisely, having never learned a true trade. He reveals the plight of the servant class, where once a butler lost his employment—particularly following the devastation of World War I—he was likely to end up in a poorhouse, because employers did not usually provide pensions and servants were rarely able to save enough money to survive on their own. What the Butler Winked At is a fascinating and essential account of life in a country house during the height of the Victorian and Edwardian eras.

In 1910, when Olaf F. Larson was born to tenant livestock and tobacco farmers in Rock County, Wisconsin, the original barn still stood on the property. It was filled with artifacts of an earlier time—an ox yoke, a grain cradle, a scythe used to cut hay by hand. But Larson came of age in a brave new world of modern inventions—tractors, trucks, combines, airplanes—that would change farming and rural life forever.

World War II was coming to a close in Europe and Richard Haney was only four years old when the telegram arrived at his family's home in Janesville, Wisconsin. That moment, when Haney learned of his father's death in the final months of fighting, changed his and his mother's lives forever.

In this emotionally powerful book, Haney, now a professional historian, explores the impact of war on an American family. Unlike many of America's 183,000 World War II orphans, Richard Haney has vivid memories of his father. He skillfully weaves together those memories with his parents' wartime letters and his mother's recollections to create a unique blend of history and memoir. Through his father's letters he reveals the war's effect on a man who fought in the Battle of the Bulge with the 17th Airborne but wanted nothing more than to return home, a man who expressed the feelings of thousands when he wrote to his wife, "I've seen and been through a lot but want to forget it all as soon as I can." Haney illuminates life on the home front in small-town America as well, describing how profoundly the war changed such communities. At the same time, his memories of an idyllic family life make clear what soldiers like Clyde Haney felt they were defending.

With "When Is Daddy Coming Home?", Richard Haney makes an exceptional contribution to the literature on the Greatest Generation - one that is both devastatingly personal and representative of what families all over America endured during that testing time. No one who reads this powerful story will come away unmoved.

Recounts the hardships and joys the Kilgore family and their neighbors experienced in a close-knit southern rural community during the Great Depression
 
As the Great Depression tightened its grip on the world, six members of the Kilgore family were living in a cramped farmhouse in Brookwood, Alabama. Crops didn’t grow well, food was scarce, shoes were in short supply, and the few clothes they had were all hand-me-downs. The Kilgores struggled to make ends meet, cobbling together odd jobs and working the land by hand.

Despite all of this, young Aileen thought life was full of hope. She longed to hold on to it and scribbled down daily events on whatever odds and ends of paper she could find. In her new memoir, When the Wolf Camped at Our Door, Aileen Kilgore Henderson creates a vivid portrait of what life was like for so many living in the rural South during the Depression. The book begins when Aileen is ten years old and follows her into her teenage years over the course of twenty-seven episodic chapters. Drawing on her girlhood diaries and told through the charismatic voice of her younger self, Henderson’s nuanced storytelling sheds light on the common struggle for survival during a time when people were at their most vulnerable.

Against the backdrop of a world where hard work and harsh conditions like hunger, privation, sickness, and early death were everyday realities, Henderson’s stories are nevertheless tinged with young Aileen’s lively sense of humor and optimistic faith in people and in the promise of life despite trying circumstances. We follow her rambles in the woods, her visits with friends, a trip to a fortune teller, and a search for the Howton Horror, a mysterious monster rumored to live deep in the Alabama backwoods.
 

Kendra Allen’s first collection of essays—at its core—is a bunch of mad stories about things she never learned to let go of. Unifying personal narrative and cultural commentary, this collection grapples with the lessons that have been stored between parent and daughter. These parental relationships expose the conditioning that subconsciously informed her ideas on social issues such as colorism, feminism, war-induced PTSD, homophobia, marriage, and “the n-word,” among other things.

These dynamics strive for some semblance of accountability, and the essays within this collection are used as displays of deep unlearning and restoring—balancing trauma and humor, poetics and reality, forgiveness and resentment.

When You Learn the Alphabet allots space for large moments of tenderness and empathy for all black bodies—but especially all black woman bodies—space for the underrepresented humanity and uncared for pain of black girls, and space to have the opportunity to be listened to in order to evolve past it.

On a warm summer’s night in Athens, Georgia, Patrik Keim stuck a pistol into his mouth and pulled the trigger. Keim was an artist, and the room in which he died was an assemblage of the tools of his particular trade: the floor and table were covered with images, while a pair of large scissors, glue, electrical tape, and some dentures shared space with a pile of old medical journals, butcher knives, and various other small objects. Keim had cleared a space on the floor, and the wall directly behind him was bare. His body completed the tableau. Art and artists often end in tragedy and obscurity, but Keim’s story doesn’t end with his death.

A few years later, 180 miles away from Keim’s grave, a bulldozer operator uncovered a pine coffin in an old beaver swamp down the road from Allen C. Shelton’s farm. He quickly reburied it, but Shelton, a friend of Keim’s who had a suitcase of his unfinished projects, became convinced that his friend wasn’t dead and fixed in the ground, but moving between this world and the next in a traveling coffin in search of his incomplete work.

In Where the North Sea Touches Alabama, Shelton ushers us into realms of fantasy, revelation, and reflection, paced with a slow unfurling of magical correspondences. Though he is trained as a sociologist, this is a genre-crossing work of literature, a two-sided ethnography: one from the world of the living and the other from the world of the dead.

What follows isn’t a ghost story but an exciting and extraordinary kind of narrative. The psycho-sociological landscape that Shelton constructs for his reader is as evocative of Kafka, Bataille, and Benjamin as it is of Weber, Foucault, and Marx. Where the North Sea Touches Alabama is a work of sociological fictocriticism that explores not only the author’s relationship to the artist but his physical, historical, and social relationship to northeastern Alabama, in rare style.

In these times of technological innovation and fast-paced electronic communication, we often take nature for granted—or even consider it a hindrance to our human endeavors. In Whispers and Shadows: A Naturalist’s Memoir, Jerry Apps explores such topics as the human need for wilderness, rediscovering a sense of wonder, and his father’s advice to “listen for the whispers” and “look in the shadows” to learn nature’s deepest lessons.
 
Combining his signature lively storytelling and careful observations of nature, Apps draws on a lifetime of experiences, from his earliest years growing up on a central Wisconsin farm to his current ventures as gardener, tree farmer, and steward of wetlands, prairies, and endangered Karner blue butterflies. He also takes inspiration from the writings of Aldo Leopold, Annie Dillard, Henry David Thoreau, Sigurd Olson, Ralph Waldo Emerson, John Muir, Barbara Kingsolver, Wendell Berry, Richard Louv, and Rachel Carson. With these eloquent essays, Jerry Apps reminds us to slow down, turn off technology, and allow our senses to reconnect us to the natural world. For it is there, he writes, that “I am able to return to a feeling I had when I was a child, a feeling of having room to stretch my arms without interfering with another person, a feeling of being a small part of something much larger than I was, and I marvel at the idea.”

Her parents never really explained what a D.P. was. Years later Daiva Markelis learned that “displaced person” was the designation bestowed upon European refugees like her mom and dad who fled communist Lithuania after the war. Growing up in the Chicago suburb of Cicero, though, Markelis had only heard the name T.P., since her folks pronounced the D as a T: “In first grade we had learned about the Plains Indians, who had lived in tent-like dwellings made of wood and buffalo skin called teepees. In my childish confusion, I thought that perhaps my parents weren’t Lithuanian at all, but Cherokee. I went around telling people that I was the child of teepees.” So begins this touching and affectionate memoir about growing up as a daughter of Lithuanian immigrants. 

Markelis was raised during the 1960s and 1970s in a household where Lithuanian was the first language. White Field, Black Sheep derives much of its charm from this collision of old world and new: a tough but cultured generation that can’t quite understand the ways of America and a younger one weaned on Barbie dolls and The Brady Bunch, Hostess cupcakes and comic books, The Monkees and Captain Kangaroo. Throughout, Markelis recalls the amusing contortions of language and identity that animated her childhood. She also humorously recollects the touchstones of her youth, from her First Communion to her first game of Twister. Ultimately, she revisits the troubles that surfaced in the wake of her assimilation into American culture: the constricting expectations of her family and community, her problems with alcoholism and depression, and her sometimes contentious but always loving relationship with her mother.

Deftly recreating the emotional world of adolescence, but overlaying it with the hard-won understanding of adulthood, White Field, Black Sheep is a poignant and moving memoir—a lively tale of this Lithuanian-American life.

W. Raymond Wood played a leading role in the early days of Great Plains archaeology. In A White-Bearded Plainsman, he tells how his own career emerged, as the discipline of Plains archaeology developed during the post-World War II era. Readers will learn of the childhood influences that lead Wood to pursue the path of archaeologist, and of the events and people that shaped his professional life. In addition to telling Wood’s personal story, the book provides an intellectual history of the discipline of mid-continental archaeology over the last half century. It will thus be valuable to students and scholars in the field, as it describes how the paradigms in Plains and midwestern prehistory have changed over time. To understand the discipline, one must understand the cultural and intellectual underpinnings that shaped it. Wood’s book helps map for a new generation of archaeologists from whence they’ve come, and his role in the developments along the way.

There are two ways to leave the Amish—one is through life and the other through death. When Saloma Miller Furlong’s father dies during her first semester at Smith College, she returns to the Amish community she had left twenty four years earlier to attend his funeral. Her journey home prompts a flood of memories. Now a mother with grown children of her own, Furlong recalls her painful childhood in a family defined by her father’s mental illness, her brother’s brutality, her mother’s frustration, and the austere traditions of the Amish—traditions Furlong struggled to accept for years before making the difficult decision to leave the community. In this personal and moving memoir, Furlong traces the genesis of her desire for freedom and education and chronicles her conflicted quest for independence. Eloquently told, Why I Left the Amish is a revealing portrait of life within—and without—this frequently misunderstood community.

"Our country is lucky to have Jerry Dennis. A conservationist with the soul of a poet whose beat is Wild Michigan, Dennis is a kindred spirit of Aldo Leopold and Sigurd Olson. The Windward Shore---his newest effort---is a beautifully written and elegiac memoir of outdoor discovery. Highly recommended!"
---Douglas Brinkley, author of The Wilderness Warrior: Theodore Roosevelt and the Crusade for America
 
"Come for a journey; stay for an awakening. Jerry Dennis loves the Great Lakes, the swell of every wave, the curve of every rock. He wants you to love them too before our collective trashing of them wipes out all traces of their original character. Through his eyes, you will treasure the hidden secrets that reveal themselves only to those who linger and long. Elegant and sad at the same time, The Windward Shore is a love song for the Great Lakes and a gentle call to action to save them."
---Maude Barlow, author of Blue Covenant: The Global Water Crisis and the Coming Battle for the Right to Water

"In prose as clear as the lines in a Dürer etching, Jerry Dennis maps his home ground, which ranges outward from the back door of his farmhouse to encompass the region of vast inland seas at the heart of our continent. Along the way, inspired by the company of water in all its guises---ice, snow, frost, clouds, rain, shore-lapping waves---he meditates on the ancient questions about mind and matter, time and attention, wildness and wonder. As in the best American nature writing---a tradition that Dennis knows well---here the place and the explorer come together in brilliant conversation."
---Scott Russell Sanders, author of A Conservationist Manifesto

If you have been enchanted by Jerry Dennis’s earlier work on sailing the Great Lakes, canoeing, angling, and the natural wonders of water and sky—or you have not yet been lucky enough to enjoy his engaging prose—you will want to immerse yourself in his powerful and insightful new book on winter in Great Lakes country.

Grounded by a knee injury, Dennis learns to live at a slower pace while staying in houses ranging from a log cabin on Lake Superior’s Keweenaw Peninsula to a $20 million mansion on the northern shore of Lake Michigan. While walking on beaches and exploring nearby woods and villages, he muses on the nature of time, weather, waves, agates, books, words for snow and ice, our complex relationship with nature, and much more.

From the introduction: “I wanted to present a true picture of a complex region, part of my continuing project to learn at least one place on earth reasonably well, and trusted that it would appear gradually and accumulatively—and not as a conventional portrait, but as a mosaic that included the sounds and scents and textures of the place and some of the plants, animals, and its inhabitants. Bolstered by the notion that a book is a journey that author and reader walk together, I would search for promising trails and follow them as far as my reconstructed knee would allow.”

     On the night of March 11, 1862, as the heavy tramp of Confederate marching troops died away in the distance—her husband’s regiment among them—Cornelia Peake McDonald began her diary of events in war-torn Winchester, Virginia.
     McDonald’s story of the Civil War records a personal and distinctly female battle of her own—a southern woman’s lonely struggle in the midst of chaos to provide safety and shelter for herself and her children. For McDonald, history is what happens “inside the house.” She relates the trauma that occurs when the safety of the home is disrupted and destroyed by the forces of war—when women and children are put out of their houses and have nowhere to go.
     Whether she is describing a Union soldier’s theft of her Christmas cakes, the discovery of a human foot in her garden, or the death of her baby daughter, McDonald’s story of the Civil War at home is compelling and disturbing. Her tremendous determination and unyielding spirit in the face of the final collapse of her world is testimony to a woman’s will to preserve her family and her own sense of purpose as a “rebel” against all that she regarded as tyrannical and brutal in war itself.

Stockel sheds light on some of the mysteries surrounding traditional and contemporary Chiricahua Apache culture. Each of the women interviewed emphasizes the importance of storytelling and ritual in preserving Apache heritage. Many ceremonies are still practiced today. In this book, the voices of the Chiricahua women are heard, individually and collectively, describing their history, its effects on them today, and their lives and their hopes for the future.

A classic that has been in print since its first publication in 1983, Womenfolks is both a personal memoir and a meditation on the often pernicious mythologies of southern cultural history. Shirley Abbott gives us the gritty, independent women of the backwoods, the South’s true heroines, whose hardscrabble world is one of red dirt and hard work—a far cry from the hoopskirts and magnolias of southern lore. As honest, vibrant, and remarkable as the women whose stories illuminate these pages, Womenfolks draws a vivid portrait of a rural culture beset by poverty and sustained by deeply rooted traditions. In her new preface to this edition, Abbott assesses what has changed—and what may never change—about the burdens of southern history and expresses her hope that the better angels of our nature may prevail in our still-new century.

“Traditionally, narratives of war have been male,” Sharon Talley writes. In the pages that follow, she goes on to disrupt this tradition, offering close readings and comparative studies of fourteen women’s diaries from the Civil War era that illuminate women’s experiences in the Confederacy during the war.

While other works highlighting individual diaries exist—and Talley notes that there has been a virtual explosion of published primary sources by women in recent years—this is the first effort of comprehensive synthesis of women’s Civil War diaries to attempt to characterize them as a distinct genre. Deeply informed by autobiographical theory, as well as literary and social history, Talley’s presentation of multiple diaries from women of differing backgrounds illuminates complexities and disparities across female wartime experiences rather than perpetuating overgeneralizations gleaned from a single diary or
preconceived ideas about what these diaries contain.

To facilitate this comparative approach, Talley divides her study into six sections that are organized by location, vocation, and purpose: diaries of elite planter women; diaries of women on the Texas frontier; diaries of women on the Confederate border; diaries of espionage by women in the South; diaries of women nurses near the battlefront; and diaries of women missionaries in the Port Royal Experiment. When read together, these writings illustrate that the female experience in the Civil War South was not one but many.

Women’s Diaries from the Civil War South: A Literary-Historical Reading is an essential text for scholars in women’s studies, autobiography studies, and Civil War studies alike, presenting an in-depth and multifaceted look at how the Civil War reshaped women’s lives in the South—and how their diverse responses shaped the course of the war in return.

A coming-of-age memoir evoking farm, mining, and small-town life in Alabama’s Tuscaloosa County as the world transitions from the Great Depression to World War II
 
In the 1930s, the rural South was in the throes of the Great Depression. Farm life was monotonous and hard, but a timid yet curious teenager thought it worth recording. Aileen Kilgore Henderson kept a chronicle of her family’s daily struggles in Tuscaloosa County alongside events in the wider world she gleaned from shortwave radio and the occasional newspaper. She wrote about Howard Hughes’s round-the-world flight and her horror at the rise to power in Germany of a bizarre politician named Adolf Hitler. Henderson longed to join the vast world beyond the farm, but feared leaving the refuge of her family and beloved animals.
 
 Yet, with her father’s encouragement, she did leave, becoming a clerk in the Kress dime store in downtown Tuscaloosa. Despite long workdays and a lengthy bus commute, she continued to record her observations and experiences in her diary, for every day at the dime store was interesting and exciting for an observant young woman who found herself considering new ideas and different points of view.
 
 Drawing on her diary entries from the 1930s and early 1940s, Henderson recollects a time of sweeping change for Tuscaloosa and the South. The World through the Dime Store Door is a personal and engaging account of a Southern town and its environs in transition told through the eyes of a poor young woman with only a high school education but gifted with a lively mind and an openness to life.
 

Worthy is a memoir of loss and the search for acceptance. Raised in a Mormon household, Denice Turner strives to find her place in the Church, longing to be worthy of her mother’s love. When her mother dies in a suspicious house fire, Turner is forced to face the problems with the stories she inherited. Contemplating the price of worthiness, Turner grapples with the mystery of her mother’s death, seeking to understand her mother’s battle with chronic pain.

The story unfolds as Turner confronts a history that includes a Greek grandfather whose up-from-the-bootstraps legacy refuses to die, the ghosts of two suicidal uncles, and a Mormon shrink who claims to see her dead relatives. In the end, this is a memoir not just about loss, but about all of the fragile human bonds that are broken in pursuit of perfection.

Wry and extraordinarily candid, Worthy will appeal to readers interested in the dynamics of family heritage, Mormon doctrine, and the subtle corrosive costs of shame.

 Barbara von Haeften’s memoir provides us with a moving account of the life of her husband Hans Bernd von Haeften, a lawyer, diplomat, and member of the Kreisau Circle resistance group in Nazi Germany. The Kreisau Circle participated in the assassination attempt of Hitler on July 20, 1944, carried out by Claus von Stauffenberg and Werner von Haeften, Hans’s brother. The Circle had also developed extensive plans for a new government to be put into place after the removal of Hitler. Drawing on personal letters and clear memories, this biography describes the life and political activity of an extraordinary man who was executed in the struggle to save Germany from the disastrous consequences of Hitler’s regime, and it sheds light on Barbara von Haeften’s knowledge of and participation in the resistance movement.

     Exploring nearly sixty years of memoir and autobiography, Writing Desire examines the changing identity of gay men writing within a historical context. Distinguished scholar and psychoanalyst Bertram J. Cohler has carefully selected a diverse group of ten men, including historians, activists, journalists, poets, performance artists, and bloggers, whose life writing evokes the evolution of gay life in twentieth-century America. 
     By contrasting the personal experience of these disparate writers, Cohler illustrates the social transformations that these men helped shape. Among Cohler's diverse subjects is Alan Helms, whose journey from Indiana to New York's gay society represents the passage of men who came of age in the 1950s and 1960s, when homosexuality was considered a hidden "disease." The liberating effects of Stonewall's aftermath are chronicled in the life of Arnie Kantrowitz, the prototypical activist for gay rights in the 1970s and the founder the Gay and Lesbian Alliance against Defamation. The artistic works of Tim Miller and Mark Doty evoke loss and shock during of the early stages of the AIDS epidemic in the 1980s. Cohler rounds out this collective group portrait by looking at the newest generation of writers in the Internet age via the blog of BrYaN, who did the previously unthinkable: he "outed" himself to millions of people. 
     A compelling mix of social history and personal biography, Writing Desire distills the experience of three generations of gay America.

 

 

Finalist, LGBT Studies, Lambda Literary Foundation

"A powerful, often heart-wrenching collection of essays tackling the history of the American South."  —Kirkus Reviews
 
In Written in the Sky: Lessons of a Southern Daughter, Patricia Foster presents a double portrait of place and family, a book of deeply personal essays that interrogate the legacy of racial tensions in the South, the constriction of caste and gender, and the ways race, class, and white privilege are entwined in her family story. After interviewing girls at Booker T. Washington High School in Tuskegee, Alabama, visiting the National Memorial for Peace and Justice in Montgomery, Alabama, and exploring Africatown in Plateau, Alabama, Patricia Foster was moved to reflect on the racial scars and crossroads in her southern past as well as to reckon with the intimate places of her own wounding and grief.

The story of place, she discovers, emerges not only from family histories and cultural traditions but also from wrestling with a culture’s irreconcilable ideas: the hard push to determine what matters. What matters to her are the shadow stories beneath our mythologies, the complicated and radiant narratives that must be excavated and reckoned with, stories that have no neat or binary resolution, stories full of luminous moments and riveting facts, and stories where the secrets hide. Written in the Sky presents the best of nonfiction storytelling: searingly honest portraits, dramatic encounters, and lyrical narratives that will interest teachers and students as well as social justice advocates, policymakers, and readers compelled by stories of awakening and the white-hot beauty of language.