Zacher's account delves into details inside a major newspaper operation during World War I and provides fascinating accounts of its struggles with competition, attending to patriotic duties, and internal editorial dissent. Zacher also looks at war-related issues, considering the newspapers' relationship with President Woodrow Wilson, American neutrality, the move to join the war, and fallout from disillusionment over the actuality of war. As Zacher shows, the progressive spirit and political independence at the Scripps newspapers came under attack and was changed forever during the era.
“[Fanis] demonstrates an impressive ability to travel nimbly between abstract theoretical concepts and a messy reality. In each one of the case study chapters, her analysis is rich, thoughtful, and imaginative.”
—Ido Oren, University of Florida
Shadow Lives reveals the unseen side of the '9/11 wars': their impact on the wives and families of men incarcerated in Guantanamo, or in prison or under house arrest in Britain and the US. Victoria Brittain shows how these families have been made socially invisible and a convenient scapegoat for the state in order to exercise arbitrary powers under the cover of the 'War on Terror'.
A disturbing exposé of the perilous state of freedom and democracy in our society, the book reveals how a culture of intolerance and cruelty has left individuals at the mercy of the security services’ unverifiable accusations and punitive punishments.
Both a j'accuse and a testament to the strength and humanity of the families, Shadow Lives shows the methods of incarceration and social control being used by the British state and gives a voice to the families whose lives have been turned upside down. In doing so it raises urgent questions about civil liberties which no one can afford to ignore.
Confederate general Joseph O. Shelby and his legendary Iron Brigade refused to acknowledge the end of the Civil War. Instead, they fought their way to Mexico in search of a place where they could continue to defy the U.S. government. These veteran Missouri cavalrymen clawed their way for fifteen hundred miles, fighting Juaristas, Indians, desperados, and disgruntled gringos. They disbanded only after they had offered their services to Emperor Maximilian and were turned down.
Shelby’s adjutant, journalist John N. Edwards, first published his story of the exploits of this superb mounted brigade and its quixotic final march in 1872. Conger Beasley provides a lively introduction that includes the first biographical sketch of the author. The 1969 movie The Undefeated starring John Wayne and Rock Hudson was based upon Shelby’s expedition.
This powerful interpretation of English history provides a completely new framework for understanding how Britain emerged in the eighteenth century as a major international power.
John Brewer’s brilliant analysis makes clear that the drastic increase in Britain's military involvement (and success) in Europe and the expansion of her commercial and imperial interests would not have happened without a concurrent radical increase in taxation, along with a surge in deficit financing and the growth of a substantial public administration. Warfare and taxes reshaped the English economy, and at the heart of these dramatic changes lay an issue that is still very much with us today: the tension between a nation's aspirations to be a major power and fear of the domestic consequences of such an ambition—namely, the loss of liberty.
Gail Hosking Gilberg's father was a hero, a valiant soldier decorated posthumously with the Medal of Honor, a man who served his country throughout his entire adult life. But Charles Hosking was a mystery to his daughter. He was killed in Vietnam a week after her seventeenth birthday. She buried the war, the protests, the medal, and her military upbringing along with her father, so much so that she felt cut off from herself. It took more than twenty years for her to recognize the stirrings of a father and a daughter not yet at peace.
Gilberg began a journey—two journeys really—to find out who her father was and in the process to find herself. She explored her buried rage, shame, and silence, and examined how war had shaped her life. In studying the photo albums that her father had left behind, Gilberg found that the photographs demanded that she give voice to her feelings, then release her silent words, words that had no meaning in war for her father yet had all the meaning in the world for her. The result was an epiphany. The photographs became the roads she took in and out of war, and her words brought her father home. Snake's Daughter reveals the crossroads where a soldier father's life and a daughter's life connect.
Snake's Daughter is an arresting and anguished narrative that gives voice to an experience Gail Hosking Gilberg shares with thousands of Americans, including military “brats” whose parents served their country and often gave their lives in the process.
Specters of War looks at the way war has been brought to the screen in various genres and at different historical moments throughout the twentieth century and into the twenty-first. Elisabeth Bronfen asserts that Hollywood has emerged as a place where national narratives are created and circulated so that audiences can engage with fantasies, ideologies, and anxieties that take hold at a given time, only to change with the political climate.
Such cultural reflection is particularly poignant when it deals with America’s traumatic history of war. The nation has no direct access to war as a horrific experience of carnage and human destruction; we understand our relation to it through images and narratives that transmit and interpret it for us. Bronfen does not discuss actual conflicts but the films by which we have come to know and remember them, including All Quiet on the Western Front, The Best Years of Our Lives, Miracle at St. Anna, The Deer Hunter, and Flags of Our Fathers. Battles and campaigns, the home front and women-who-wait narratives, war correspondents, and court martials are also explored as instruments of cultural memory. Bronfen argues that we are haunted by past wars and by cinematic re-conceptualizations of them, and reveals a national iconography of redemptive violence from which we seem unable to escape.
Decisions about war have always been made by humans, but now intelligent machines are on the cusp of changing things – with dramatic consequences for international affairs. This book explores the evolutionary origins of human strategy, and makes a provocative argument that Artificial Intelligence will radically transform the nature of war by changing the psychological basis of decision-making about violence.
Strategy, Evolution, and War is a cautionary preview of how Artificial Intelligence (AI) will revolutionize strategy more than any development in the last three thousand years of military history. Kenneth Payne describes strategy as an evolved package of conscious and unconscious behaviors with roots in our primate ancestry. Our minds were shaped by the need to think about warfare—a constant threat for early humans. As a result, we developed a sophisticated and strategic intelligence.
The implications of AI are profound because they depart radically from the biological basis of human intelligence. Rather than being just another tool of war, AI will dramatically speed up decision making and use very different cognitive processes, including when deciding to launch an attack, or escalate violence. AI will change the essence of strategy, the organization of armed forces, and the international order.
This book is a fascinating examination of the psychology of strategy-making from prehistoric times, through the ancient world, and into the modern age.
Surrogate Warfare explores the emerging phenomenon of “surrogate warfare” in twenty-first century conflict. The popular notion of war is that it is fought en masse by the people of one side versus the other. But the reality today is that both state and non-state actors are increasingly looking to shift the burdens of war to surrogates. Surrogate warfare describes a patron's outsourcing of the strategic, operational, or tactical burdens of warfare, in whole or in part, to human and/or technological substitutes in order to minimize the costs of war. This phenomenon ranges from arming rebel groups, to the use of armed drones, to cyber propaganda. Krieg and Rickli bring old, related practices such as war by mercenary or proxy under this new overarching concept. Apart from analyzing the underlying sociopolitical drivers that trigger patrons to substitute or supplement military action, this book looks at the intrinsic trade-offs between substitutions and control that shapes the relationship between patron and surrogate. Surrogate Warfare will be essential reading for anyone studying contemporary conflict.
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