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A prismatic, imaginative exploration of David Bowie’s last days

An intricate collage-novel fusing and confusing fact and imagination, Always Crashing in the Same Car is a prismatic exploration of David Bowie through multiple voices and perspectives—the protean musician himself, an academic trying to compose a critical monograph about him, friends, lovers, musicologists, and others in Bowie’s orbit.

At its core beat questions about how we read others, how we are read by them, how (if at all) we can tell the past with something even close to accuracy, what it feels like being the opposite of young and still committed to bracing, volatile innovation.

Set during Bowie’s last months—those during which he worked on his acclaimed final album Black Star while battling liver cancer and the consequences of a sixth heart attack—yet washing back and forth across his exhilarating, kaleidoscopically costumed life, Always Crashing in the Same Car enacts a poetics of impermanence, of art, of love, of truth, even of death, that apparently most permanent of conditions.

In 1959, when Un Negre a Paris first appeared, the French still held West Africa under colonial rule. Dadié's subtle parodies draw on intimate knowledge obtained over decades spent observing the colonizers abroad and now, suddenly, on their own home terrain. His remarks on Parisian living conditions, wordplay, manners, and and morals are entertaining and poignant, charming yet profound.

A story of mothers, monsters, and the science of longing

In this daring and evocative tale, Agnes Krahn, a chemist trained in Philadelphia, returns to her childhood home after the death of her father. Just a stone's throw from the haunted fields of Gettysburg, the small town of Letort, Pennsylvania is where the Krahn family has lived for six generations—bound by twisted folk wisdom and an uncanny kinship with the crows that loom over their land.

Back in the grim farmhouse of her youth, Agnes is drawn into the strange legacy she tried to leave behind. When she discovers an abandoned nest in the barn, she becomes consumed by a scientific—and deeply personal—experiment: to breed a crow large and intelligent enough to carry her daughter, Mina, to a freedom Agnes has never known herself. As the bird grows, so does its terrifying potential—manifest in language, cunning, and a violent will of its own. What begins as a gesture of love and liberation turns darkly obsessive, echoing the dangerous ambition of Frankenstein’s monster and the generational trauma buried in the soil of her family’s past.

A thoroughly modern, feminist novel, this is a story of mothers and daughters, inheritance and isolation, and the thin line between care and control. It confronts themes of self-harm and self-preservation, as well as memory and myth, in a narrative as visceral and uncanny as the bird that rises at its heart.

Why are many readers drawn to stories that texture ethnic experiences and identities other than their own? How do authors such as Salman Rushdie and Maxine Hong Kingston, or filmmakers in Bollywood or Mexico City produce complex fiction that satisfies audiences worldwide? In Analyzing World Fiction, fifteen renowned luminaries use tools of narratology and insights from cognitive science and neurobiology to provide answers to these questions and more.

With essays ranging from James Phelan's "Voice, Politics, and Judgments in Their Eyes Were Watching God" and Hilary Dannenberg's "Narrating Multiculturalism in British Media: Voice and Cultural Identity in Television" to Ellen McCracken's exploration of paratextual strategies in Chicana literature, this expansive collection turns the tide on approaches to postcolonial and multicultural phenomena that tend to compress author and narrator, text and real life. Striving to celebrate the art of fiction, the voices in this anthology explore the "ingredients" that make for powerful, universally intriguing, deeply human story-weaving.

Systematically synthesizing the tools of narrative theory along with findings from the brain sciences to analyze multicultural and postcolonial film, literature, and television, the contributors pioneer new techniques for appreciating all facets of the wonder of storytelling.

Professor Juan Manuel Barrientos prefers footsteps to footnotes. Fighting a hangover, he manages to keep his appointment to lead a group of students on a walking lecture among the historic buildings of downtown Mexico City. When the students fail to show up, however, he undertakes a solo tour that includes more cantinas than cathedrals. Unable to resist either alcohol itself or the introspection it inspires, Professor Barrientos muddles his personal past with his historic surroundings, setting up an inevitable conclusion in the very center of Mexico City.

First published in Mexico in the late 1990s, And Let the Earth Tremble at Its Centers was immediately lauded as a contemporary masterpiece in the long tradition of literary portraits of Mexico City. It is a book worthy of its dramatic title, which is drawn from a line in the Mexican national anthem.

Gonzalo Celorio first earned a place among the leading figures of Mexican letters for his scholarship and criticism, and careful readers will recognize a scholar's attention to accuracy within the novel's dyspeptic descriptions of Mexico City. The places described are indeed real (this edition includes a map that marks those visited in the story), though a few have since closed or been put to new uses. Dick Gerdes's elegant translation now preserves them all for a new audience.

The line between human and animal is thinner than you think.

In a striking first collection of stories, Cris Mazza brings a startling vision to the familiar terrain of intimate relationships. The eleven stories in Animal Acts describe characters navigating an unsteady course through the turbulence of sexial desire. Set in unmistakably American landscapes—from sprawling West Coast cities to the dry, dusty scrub of rural Southern California—the work is populated by gym teachers, aging flower children, secretaries and artists—most of them strong, willful women. 

The narrator of the title story holds the guests at a party spellbound with her fantastic retelling of another woman's perverse life—which may, in fact, be her own—thereby seducing a man who has previously eluded her. 

Mazza's arresting narrative structures and sharp sense of the absurd make for a dazzling debut collection.

Animals at the End of the World begins with an explosion, which six-year-old Inés mistakes for the end of the world that she has long feared. In the midst of the chaos, she meets the maid’s granddaughter, Mariá, who becomes her best friend and with whom she navigates the adult world in her grandparents’ confined house. Together, they escape the house and confront the “animals” that populate Bogotá in the 1980s. But Inés soon realizes she cannot count on either María or her preoccupied and conflicted parents. Alone, she must learn to decipher her outer and inner worlds, confronting both armies of beasts and episodes of domestic chaos. In the process, she also learns what it means to test boundaries, break rules, and cope with the consequences.

The first novel by Colombian author Gloria Susana Esquivel, Animals at the End of the World is a poetic and moving coming-of-age story that lingers long after its final page.

Agni and Effie, identical twins, are inseparable until Agni is sent to Greece one summer to visit their grandmother after their grandfather’s sudden death. Until now the more conventional and accommodating of the two, Agni refuses to return to college, choosing instead to remain in their family’s Greek village.

She is drawn into the daily routines and rural traditions that her parents left behind in exchange for the American dream. But the haunting presence of her grandfather’s ghost is a sign of unresolved family grief.

Without her sister’s companionship, Effie abruptly abandons the stability of her life so far and moves to the East Village to live as an artist. But when Agni’s absence become unbearable for her, a personal crisis brings the sisters together again, this time even closer than before.

Alternating between the sisters’ points of view, letters between them, and stories Agni writes in secret, Another Kind of Symmetry explores the sometimes uneasy relationship that children of immigrants have with their parents’ version of the American dream. It reflects on the challenges of living with cross-cultural traditions and how individuals’ different responses to them can disrupt even the closest of relationships.

Widely regarded as a major writer of his generation, Yuri Trifonov tolerated attack and admiration in the Soviet Union. His novellas are celebrated as being in the tradition of great nineteenth-century Russian writing. In "Another Life," a woman suddenly widowed attempts to grasp the memory of her brilliant, erratic husband, and to understand their life together. "The House on the Embankment" is the story of an academic opportunist who rises to apparatchik but suffers the oppression of society, friends, and most of all his inability to make decisions.

A landmark work of contemporary Russian literature, now in English for the first time

Set in a fictitious town in North Kazakhstan settled by political and ethnic exiles, this panoramic narrative follows the relationship between the titular character Anton, a Moscow historian of the vital “1960s generation,” and his grandfather, Leonid, a titan of physical and intellectual rigor who is now on the verge of death. As Anton contemplates the fading away of that once-powerful vitality, he lets his thoughts plunge deep into the past, presented in a series of fine-grained sketches, scattered reminiscences, and subtly interconnected episodes, back and forth from childhood to present day. The resulting novel is a “Soviet family Robinson”: the history of rugged and free-thinking intellectuals eking out a tolerable, even enviable homestead existence despite the difficulties of the Stalin years. One of the most vibrant works of literary fiction created since the fall of the Soviet Union, Aleksandr Chudakov’s Anton is a testament to humanity's tenacity and tenderness.