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Ever present in the work of contemporary Barbadian novelist George Lamming, author of In the Castle of My Skin, Natives of My Person, The Emigrants, and The Pleasures of Exile, are the subjects of history and revolution. In Caliban's Curse, Supriya M. Nair traces these themes and situates Lamming's work within the ongoing discourses of nationalism and identity. Retracing the history of colonial intervention in the anglophone Caribbean and seeking connections among Africa, the Caribbean, and England, Caliban's Curse moves beyond the popular perception of the archipelago as an ahistorical tourist paradise and presents the islands as a space populated by the tragic and triumphant cultures of the black diaspora.
Caliban's Curse draws upon a range of theories--postcolonial, Marxist, and feminist--to contextualize the black diaspora of the modern Caribbean through one of its primary anglophone novelists. Putting George Lamming in conversation with such contemporaries as C.L.R. James, Derek Walcott, and Wilson Harris, Nair argues that Lamming's works expand the protest of Shakespeare's Caliban to articulate a reinvention of Caribbean cultures. Both cursed by and cursing the weight of colonial history, Lamming works against the paralysis induced by such an encounter; his work serves to rewrite canonical icons and to reimagine popular cultures.
"Supriya Nair writes about the problems of history and social revolution with passion and clarity and an amazing range of critical and cultural reference. . . . She brings to existing studies of Lamming a wide and sustained knowledge of the forces that have shaped the West Indian novel, and the wider postcolonial debates in which these novels are read and discussed." --Simon Gikandi, University of Michigan
Supriya Nair is Associate Professor of English, Tulane University.

At the turn of the 20th century, the California dream was a suburban ideal where life on the farm was exceptional. Agrarian virtue existed alongside good roads, social clubs, cultural institutions, and business commerce. The California suburban dream was the ultimate symbol of progress and modernity.
 
California Dreaming: Boosterism, Memory, and Rural Suburbs in the Golden State analyzes the growth, promotion, and agricultural colonization that fed this dream during the early 1900s. Through this analysis, Paul J. P. Sandul introduces a newly identified rural-suburban type: the agriburb, a rural suburb deliberately planned, developed, and promoted for profit. Sandul reconceptualizes California’s growth during this time period, establishing the agriburb as a suburban phenomenon that occurred long before the booms of the 1920s and 1950s.
 
Sandul’s analysis contributes to a new suburban history that includes diverse constituencies and geographies and focuses on the production and construction of place and memory. Boosters purposefully “harvested” suburbs with an eye toward direct profit and metropolitan growth. State boosters boasted of unsurpassable idyllic communities while local boosters bragged of communities that represented the best of the best, both using narratives of place, class, race, lifestyle, and profit to avow images of the rural and suburban ideal.

This suburban dream attracted people who desired a family home, nature, health, culture, refinement, and rural virtue. In the agriburb, a family could live on a small home grove while enjoying the perks of a progressive city. A home located within the landscape of natural California with access to urban amenities provided a good place to live and a way to gain revenue through farming.
 
To uncover and dissect the agriburb, Sandul focuses on local histories from California’s Central Valley and the Inland Empire of Southern California, including Ontario near Los Angeles and Orangevale and Fair Oaks outside Sacramento. His analysis closely operates between the intersections of history, anthropology, geography, sociology, and the rural and urban, while examining a metanarrative that exposes much about the nature and lasting influence of cultural memory and public history upon agriburban communities.

The nation’s thirty-first state emerged early as one of its most diverse as people immigrated to the west. California’s indigenous tribes were forced off their lands first by Spanish settlers, then by the arrival of gold miners from every corner of the world. Because of its Catholic missionary history, Gold Rush California did not experience a more exclusive eastern-style Protestantism. This permitted more rapid and inclusive acculturation. California Jews, unlike their eastern counterparts whose arrival often followed that of European Protestants, were often among the first settlers to establish a west coast community. Jewish immigrants to California took advantage of its physical environment, ethnic diversity, and cultural distinctiveness to fashion a form of Judaism unique in the American experience. California Jews enjoyed unprecedented access to political power a generation earlier than their New York counterparts. They thrived in the multicultural mix, redefining the classic black-white racial binary by forging relations with a variety of religious and ethnic groups in both San Francisco and Los Angeles.

“Nothing defines California and our nation’s heritage as significantly or emotionally,” says the California Mission Foundation, “as do the twenty-one missions that were founded along the coast from San Diego to Sonoma.” Indeed, the missions collectively represent the state’s most iconic tourist destinations and are touchstones for interpreting its history. Elementary school students today still make model missions evoking the romanticized versions of the 1930s. Does it occur to them or to the tourists that the missions have a dark history? 

California Mission Landscapes is an unprecedented and fascinating history of California mission landscapes from colonial outposts to their reinvention as heritage sites through the late nineteenth and twentieth centuries. Illuminating the deeply political nature of this transformation, Elizabeth Kryder-Reid argues that the designed landscapes have long recast the missions from sites of colonial oppression to aestheticized and nostalgia-drenched monasteries. She investigates how such landscapes have been appropriated in social and political power struggles, particularly in the perpetuation of social inequalities across boundaries of gender, race, class, ethnicity, and religion. California Mission Landscapes demonstrates how the gardens planted in mission courtyards over the past 150 years are not merely anachronistic but have become potent ideological spaces. The transformation of these sites of conquest into physical and metaphoric gardens has reinforced the marginalization of indigenous agency and diminished the contemporary consequences of colonialism. And yet, importantly, this book also points to the potential to create very different visitor experiences than these landscapes currently do.

Despite the wealth of scholarship on California history, until now no book has explored the mission landscapes as an avenue into understanding the politics of the past, tracing the continuum between the Spanish colonial period, emerging American nationalism, and the contemporary heritage industry.

California’s Channel Islands are a chain of eight islands that extend along the state’s southern coastline from Santa Barbara’s Point Conception to the Mexican border. Popular tourist destinations today, these islands once supported some of the earliest human populations in the Americas; archaeological evidence of maritime Paleo-Indian settlements on the northern islands dates back some 13,000 years. The indigenous peoples of the islands—the Chumash of the northern islands and the Tongva of the southern islands—thrived into historic times by relying upon the abundance and diversity of marine and terrestrial resources available to them. California’s Channel Islands presents a definitive archaeological investigation of these unique islands and their inhabitants, and is the first publication to discuss the islands and their peoples holistically rather than individually or by subgroup.

Tracing the human occupation of the islands from the earliest settlement at the end of the Pleistocene by marine-adapted foragers with sophisticated stone tool technologies to the tragic story of historic depopulation continuing into the nineteenth century, contributors discuss topics including human settlement patterns on small and large scales, prehistoric trails, the use of plant resources, and ceremonialism. They also address the decisions that people made when confronted with diverse and changing environments. By focusing on distinct aspects of human relationships with California’s Channel Islands through time, they tell a story of settlement, subsistence, and ritual on the coastal edge of western North America.

This compendium of scholarship condenses decades of excavation and analysis into a single, illuminating volume that will be indispensable for those interested in the Channel Islands or New World history or archaeology.

The coastal sage and shrublands of California burn. The mountain-encrusting chaparral burns. The conifer forests of the Sierra Nevada, Cascades, and Trinity Alps burn.  The rain-shadowed deserts after watering by El Niño cloudbursts and the thick forests of the rumpled Coast Range—all burn according to local rhythms of wetting and drying. Fire season, so the saying goes, lasts 13 months.

In this collection of essays on the region, Stephen J. Pyne colorfully explores the ways the region has approached fire management and what sets it apart from other parts of the country. Pyne writes that what makes California’s fire scene unique is how its dramatically distinctive biomes have been yoked to a common system, ultimately committed to suppression, and how its fires burn with a character and on a scale commensurate with the state’s size and political power. California has not only a ferocity of flame but a cultural intensity that few places can match. California’s fires are instantly and hugely broadcast. They shape national institutions, and they have repeatedly defined the discourse of fire’s history. No other place has so sculpted the American way of fire.

California is part of the multivolume series describing the nation’s fire scene region by region. The volumes in To the Last Smoke also cover Florida, the Northern Rockies, the Great Plains, the Southwest, and several other critical fire regions. The series serves as an important punctuation point to Pyne’s fifty-year career with wildland fire—both as a firefighter and a fire scholar. These unique surveys of regional pyrogeography are Pyne’s way of “keeping with it to the end,” encompassing the directive from his rookie season to stay with every fire “to the last smoke.”

Call Me Tom is the first book-length biography of one of Missouri’s most successful senators. A moderate liberal in a conservative state, Thomas F. Eagleton was known for his political independence, integrity, and intelligence, likely the reasons Eagleton never once lost an election in his thirty years of public service.

Born in St. Louis, Eagleton began his public career in 1956 as St. Louis Circuit Attorney. At 27, he was the youngest person in the history of the state to hold that position, and he duplicated the feat in his next two elected positions, attorney general in 1960 and lieutenant governor in 1964. In 1968, he was elected to the U.S. Senate, where he served until 1987. He was thrown into the national spotlight in 1972 when revelations regarding his mental health, particularly the shock treatments he received for depression, forced his resignation as a vice presidential nominee of the Democratic Party. All of that would overshadow his significant contributions as senator, especially on environmental and social legislation, as well as his defense of Congressional authority on war making and his role in the U. S. military disengagement from Southeast Asia in 1973.

Respected biographer James N. Giglio provides readers with an encompassing and nuanced portrait of Eagleton by placing the man and his career in the context of his times. Giglio allows readers to see his rumpled suits, smell the smoke of his Pall Mall cigarettes, hear his gravelly voice, and relish his sense of humor. At the same time, Giglio does not shy away from the personal torments that Eagleton had to overcome. A definitive examination of the senator’s career also reveals his unique ability to work with Republican counterparts, especially prior to the 1980s when bipartisanship was more possible.

Measuring the effect his mental illness had on his career, Giglio determines that the removal of aspirations for higher office in 1972 made Eagleton a better senator. He consistently took principled stands, with the ultimate goal of preserving and modernizing the agenda of Franklin D. Roosevelt, his favorite president.

Thoroughly researched using the Eagleton Papers and interviews with more than eighty-five people close to Eagleton, including family, friends, colleagues, subordinates, and former classmates, Call Me Tom offers an engaging and in-depth portrayal of a man who remained a devoted public servant throughout his life.

Bringing immigrants onstage as central players in the drama of rural
capitalist transformation, Anne Kelly Knowles traces a community of
Welsh immigrants to Jackson and Gallia counties in southern Ohio. After
reconstructing the gradual process of community-building, Knowles
focuses on the pivotal moment when the immigrants became involved with
the industrialization of their new region as workers and investors in
Welsh-owned charcoal iron companies. Setting the southern Ohio Welsh in
the context of Welsh immigration as a whole from 1795 to 1850, Knowles
explores how these strict Calvinists responded to the moral dilemmas
posed by leaving their native land and experiencing economic success in
the United States.

Knowles draws on a wide variety of sources, including obituaries and
community histories, to reconstruct the personal histories of over 1,700
immigrants. The resulting account will find appreciative readers not
only among historical geographers, but also among American economic
historians and historians of religion.

Guided by myths of golden cities and worldly rewards, policy makers, conquistador leaders, and expeditionary aspirants alike came to the new world in the sixteenth century and left it a changed land. Came Men on Horses follows two conquistadors—Francisco Vázquez de Coronado and Don Juan de Oñate—on their journey across the southwest.

Driven by their search for gold and silver, both Coronado and Oñate committed atrocious acts of violence against the Native Americans, and fell out of favor with the Spanish monarchy. Examining the legacy of these two conquistadors Hoig attempts to balance their brutal acts and selfish motivations with the historical significance and personal sacrifice of their expeditions. Rich human details and superb story-telling make Came Men on Horses a captivating narrative scholars and general readers alike will appreciate.

A wedding couple gazes resolutely at viewers from the wings of a butterfly; a portrait surrounded by rose petals commemorates a recently deceased boy.

These quiet but moving images represent the changing role of photographic portraiture in India, a topic anthropologist Christopher Pinney explores in Camera Indica. Studying photographic practice in India, Pinney traces photography's various purposes and goals from colonial through postcolonial times. He identifies three key periods in Indian portraiture: the use of photography under British rule as a quantifiable instrument of measurement, the later role of portraiture in moral instruction, and the current visual popular culture and its effects on modes of picturing. Photographic culture thus becomes a mutable realm in which capturing likeness is only part of the project. Lavishly illustrated, Pinney's account of the change from depiction to invention uncovers fascinating links between these evocative images and the society and history from which they emerge.

In the decades after its invention in 1839, photography was inextricably linked to the Middle East. Introduced as a crucial tool for Egyptologists and Orientalists who needed to document their archaeological findings, the photograph was easier and faster to produce in intense Middle Eastern light—making the region one of the original sites for the practice of photography. A pioneering study of this intertwined history, Camera Orientalis traces the Middle East’s influences on photography’s evolution, as well as photography’s effect on Europe’s view of “the Orient.”

Considering a range of Western and Middle Eastern archival material from the late nineteenth and early twentieth centuries, Ali Behdad offers a rich account of how photography transformed Europe’s distinctly Orientalist vision into what seemed objective fact, a transformation that proved central to the project of European colonialism. At the same time, Orientalism was useful for photographers from both regions, as it gave them a set of conventions by which to frame exotic Middle Eastern cultures for Western audiences. Behdad also shows how Middle Eastern audiences embraced photography as a way to foreground status and patriarchal values while also exoticizing other social classes.

An important examination of previously overlooked European and Middle Eastern photographers and studios, Camera Orientalis demonstrates that, far from being a one-sided European development, Orientalist photography was the product of rich cultural contact between the East and the West.
 

Discusses an important yet often misunderstood topic in American History

Camp Chase was a major Union POW camp and also served at various times as a Union military training facility and as quarters for Union soldiers who had been taken prisoner by the Confederacy and released on parole or exchanged. As such, this careful, thorough, and objective examination of the history and administration of the camp will be of true significance in the literature on the Civil War.

Camp Floyd and the Mormons traces the history of the sojourn of “Johnston’s Army” in Utah Territory from the beginning of the Utah War in 1857 through the abandonment of Camp Floyd in Cedar Valley west of Utah Lake at the outbreak of the Civil War. The book describes the relationship between the invading army and the local Mormon population, gives an account of Indian affairs in Utah, and describes the activities of federal officials in Utah during that volatile period.

Completed posthumously by Gene Sessions, Moorman’s colleague at Weber State University, Camp Floyd and the Mormons is a comprehensive analysis of the history of frontier Utah as a decade of isolation ended and confrontations with the United States government began. Moorman had unprecedented access to materials in the LDS Church Archives on subjects ranging from the Mountain Meadows Massacre to the Mormon responses to the presence of the army in Utah from 1858 through 1861.

First published by the University of Utah Press in 1992, this reprint edition includes a new introduction by Gene Sessions in which he recounts Moorman’s research adventures during the 1960s "in the bowels of the old Church Administration Building, where Joseph Fielding Smith and A. Will Lund watched over the contents of the archives like wide-eyed mother hens."

This book is the first full portrait of a single assembly center--located at the Western Washington fairgrounds at Puyallup, outside Seattle--that held Japanese Americans for four months prior to their transfer to a relocation center during World War II. Gathering archival evidence and eyewitness accounts, Louis Fiset reconstructs the events leading up to the incarceration as they unfolded on a local level: arrests of Issei leaders, Nikkei response to the war dynamics, debates within the white community, and the forced evacuation of the Nikkei community from Bainbridge Island. The book explores the daily lives of the more than seven thousand inmates at "Camp Harmony," detailing how they worked, played, ate, and occasionally fought with each other and with their captors. Fiset also examines the inmates' community life, health care, and religious activities. He includes details on how army surveyors selected the center's site, oversaw its construction, and managed the transfer of inmates to the more permanent Minidoka Relocation Center in Idaho.

“Children see and hear what is there; adults see and hear what they are expected to and mainly remember what they think they ought to remember,” David Lowenthal wrote in The Past Is a Foreign Country. It is on this fraught foundation that Fred Lanzing builds this memoir of his childhood in a Japanese internment camp for Dutch colonialists in the East Indies during the World War II.

When published in the Netherlands in 2007, the book triggered controversy, if not vitriol, for Lanzing’s assertion that his time in the camp was not the compendium of horrors commonly associated with the Dutch internment experience. Despite the angry reception, Lanzing’s account corresponds more closely with the scant historical record than do most camp memoirs. In this way, Lanzing’s work is a substantial addition to ongoing discussions of the politics of memory and the powerful—if contentious—contributions that subjective accounts make to historiography and to the legacies of the past.

Lanzing relates an aspect of the war in the Pacific seldom discussed outside the Netherlands and, by focusing on the experiences of ordinary people, expands our understanding of World War II in general. His compact, beautifully detailed account will be accessible to undergraduate students and a general readership and, together with the introduction by William H. Frederick, is a significant contribution to literature on World War II, the Dutch colonial experience, the history of childhood, and Southeast Asian history.

Honorable Mention of the 1999 Gustavus Myers Outstanding Book Awards

Two collections by an important Asian American writer -- Camp Notes and Other Poeems and Desert Run: Poems and Stories -- return to print in one volume.

Mitsuye Yamada was born in Kyushu, Japan, and raised in Seattle, Washington, until the outbreak of World War II when her family was removed to a concentration camp in Idaho. Camp Notes and Other Writings recounts this experience.

Yamada's poetry yields a terse blend of emotions and imagery. Her twist of words creates a twist of vision that make her poetry come alive. The weight of her cultural experience-the pain of being perceived as an outsider all of her life-permeates her work.

Yamada's strength as a poet stems from the fact that she has managed to integrate both individual and collective aspects of her background, giving her poems a double impact. Her strong portrayal of individual and collective life experience stands out as a distinct thread in the fabric of contemporary literature by women.

"The core poems of Camp Notes and the title come from the notes I had taken when I was in camp, and it wasn’t published until thirty years after most of it was written. I was simply describing what was happening to me, and my thoughts. But, in retrospect, the collection takes on a kind of expanded meaning about that period in our history. As invariably happens, because Japanese American internment became such an issue in American history, I suppose I will be forever identified as the author of Camp Notes. Of course, I try to show that it’s not the only thing I ever did in my whole life; I did other things besides go to an internment camp during World War II. So, in some ways I keep producing to counteract that one image that gets set in the public mind. At the time that I was writing it, I wasn’t necessarily a political person. Now, when I reread it, even to myself, I think it probably has a greater warning about the dangers of being not aware, not aware of one’s own rights, not aware of helping other people who may be in trouble. I think that it does speak to our present age very acutely." -- Mitsuye Yamada, "You should not be invisible”: An Interview with Mitsuye Yamada, Contemporary Women's Writing, March 2014, Vol. 8 Issue 1

Read the whole interview at: https://academic.oup.com/cww/article/8/1/1/414906/You-should-not-be-invisible-An-Interview-with

Sitcoms of the 1950s and 1960s are widely considered conformist in their depictions of gender roles and sexual attitudes. In Camp TV Quinlan Miller offers a new account of the history of American television that explains what campy meant in practical sitcom terms in shows as iconic as The Dick Van Dyke Show as well as in more obscure fare, such as The Ugliest Girl in Town. Situating his analysis within the era's shifts in the television industry and the coalescence of straightness and whiteness that came with the decline of vaudevillian camp, Miller shows how the sitcoms of this era overflowed with important queer representation and gender nonconformity. Whether through regular supporting performances (Ann B. Davis's Schultzy in The Bob Cummings Show), guest appearances by Paul Lynde and Charles Nelson Reilly, or scripted dialogue and situations, industry processes of casting and production routinely esteemed a camp aesthetic that renders all gender expression queer. By charting this unexpected history, Miller offers new ways of exploring how supposedly repressive popular media incubated queer, genderqueer, and transgender representations.

It takes more than an excellent candidate to win elections; it takes an outstanding campaign organization, too. Campaign Inc. is the story of how leadership and organization propelled Barack Obama to the White House. As the chief operating officer of Obama’s 2008 presidential campaign, Henry F. De Sio, Jr., was positioned to view this historic campaign as few others could. In this fascinating behind-the-scenes account, he whisks readers into Obama’s national election headquarters in Chicago to glimpse the decision-making processes and myriad details critical to running a successful and innovative presidential campaign. From the campaign’s early chaos to the jubilation and drama of winning the Iowa caucus, to the drawn-out Democratic nomination process, to Obama’s eventual election as president of the United States, De Sio guides readers through the challenges faced by the Obama for America campaign in its brief twenty-one-month lifespan.

De Sio shows readers that Obama himself was direct about his vision for the campaign when he instructed his staff to “run it like a business.” Thus, this is less the story of Barack Obama, candidate, and more the story of Barack Obama, CEO. Because campaigns are launched from scratch during every election cycle, they are the ultimate entrepreneurial experience. In the course of the election, the Obama campaign scaled up from a scrappy start-up to a nearly $1 billion operation, becoming a hothouse environment on which the glare of the media spotlight was permanently trained.

Campaign Inc. allows readers to peek behind the curtain at the underdog organization that brought down the Clinton campaign and later went on to defeat the Republican machine, while offering lessons in leadership and organization to innovators, executives, and entrepreneurs.

‘Campaigning in Europe for a Free Indonesia’ explores Indonesian transnational political networks in the late colonial period, connecting the history of Indonesian nationalism with that of anticolonial internationalism and transnational activism. This book adds an international dimension to our understanding of the nationalist and anticolonial movement in the Netherlands Indies. Offering important new understandings of the Indonesian independence struggle, this fine-grained study explores the international activities in the capitals of interwar Europe of the Perhimpoenan Indonesia (PI), an Indonesian nationalist student organisation based in the Netherlands. Operating in a vibrant political environment, the PI interacted with different anticolonial movements in cities across Europe. Focusing on the period between 1917 and 1931, the book follows the personal journeys of different students to cities such as Zürich, Paris, Brussels and Berlin as they established contacts, joined associations and attended international conferences. Here, the complex reality of movement building is examined, going beyond superficial suggestions of contact and collaboration. The study shows that the activities of the PI reverberated in the Indonesian political landscape, where the new collaborations in Europe were followed with great interest. In this way, the book offers new findings for multiple audiences – Indonesianists and scholars of anticolonial resistance alike. However, it also demonstrates that the political awakening of Indonesian elites should be understood not just as an indigenous response to Dutch rule but also as part of global anticolonial movements and struggles.

The creation of a new school system in the Philippines in 1898 and educational reforms in occupied Japan, both with stated goals of democratization, speaks to a singular vision of America as savior, following its politics of violence with benevolent recuperation. The pedagogy of recovery—in which schooling was central and natives were forced to accept empire through education—might have shown how Americans could be good occupiers, but it also created projects of Orientalist racial management: Filipinos had to be educated and civilized, while the Japanese had to be reeducated and “de-civilized.” 

In Campaigns of Knowledge, Malini Schueller contrapuntally reads state-sanctioned proclamations, educational agendas, and school textbooks alongside political cartoons, novels, short stories, and films to demonstrate how the U.S. tutelary project was rerouted, appropriated, reinterpreted, and resisted. In doing so, she highlights how schooling was conceived as a process of subjectification, creating particular modes of thought, behaviors, aspirations, and desires that would render the natives docile subjects amenable to American-style colonialism in the Philippines and occupation in Japan.

Camping out in Yellowstone, 1882 describes the park at a time when Yellowstone was truly an "out-back and beyond" experience.

Writing just five years after the army chased the Nez Peirce Indians through the area, and only ten years after the park’s establishment, Mary Richards provides a vivid picture of the undeveloped and untouristed Yellowstone Park: Fire Hole Basin, Mammoth Hot Spring, Lower Falls, and the Excelsior Geyser, now defunct but mightier at the time than Old Faithful. Augmented by twenty-eight contemporary photographs, this book offers a fascinating perspective for present-day Park lovers.

"Based on subtle, imaginative readings of autobiographies, memoirs, fiction and secondary sources, [Campus Life] tells the story of the changing mentalities of American undergraduates over two centuries."—Michael Moffatt, New York Times Book Review

What common condition was once treated with cow dung? How might oyster shells relieve heartburn? Can eels really cure deafness? Is the secret to stopping a stubborn case of hiccups a simple ingredient found in most pantries? If you were struck by illness or injury in the late eighteenth century, you would most likely have been referred to Scottish physician William Buchan’s Domestic Medicine—and, as a result, you may have found yourself administering urine to your ears or drinking a broth made from sheep’s brains.

Originally published in 1769, Domestic Medicine was produced for the benefit of those without access to—or means to afford—medical assistance, and copies of the book were found in apothecaries and coffee houses, private households and clubs. In 1797, Bounty mutineer Fletcher Christian and his crew even had the foresight to pack a copy before fleeing to the Pitcairns. Derived from folklore and the emerging medical science of the day, some of Buchan’s recommendations for how to live a healthy life still ring true: for instance, exercising, enjoying a varied diet, and getting an abundance of fresh air. Others are delightfully dodgy or even downright dangerous, such as genital trusses, the prescription of mercury, or the suggestion that Spanish fly might soothe aching joints.

Bringing together an exceedingly entertaining selection of entries from one of the earliest self-help books, Can Onions Cure Ear-ache? offers fascinating insight into the popular treatments of the time.

In the words of guest editor Fernando Coronil, this special issue of the Hispanic American Historical Review on photography contributes “an expanding discussion across disciplinary boundaries of the role of visuality in social life.” Helping to overcome the split between image and word in Western theory, the essays pinpoint the need to recognize the “play of all senses in the construction of reality.” Turning photos and collections of photos into historical documents, the four authors read images as texts to be analyzed in the context of their production and circulation.

Each essay looks at the role of a particular photographic genre in the making of modern Latin American identities. Articles cover the adaptation in late-nineteenth-century Oaxaca of European type photography as a tool of imperialist enterprise and science, state consolidation, and consumer culture; the use of portrait photography by the K’iche Mayans of Quetzaltenango; and the family album—made up of snapshots, postcards, and other memorabilia—as a historical document.

Contributors. Greg Grandin, Daniel James, Mirta Zaida Lobato, Deborah Poole

 
      The Great Migration--the exodus of more than six million blacks from
        their southern homes hoping for better lives in the North--is a defining
        event of post-emancipation African-American life and a central feature
        of twentieth-century black literature. Lawrence Rodgers explores the historical
        and literary significance of this event and in the process identifies
        the Great Migration novel as a literary form that intertwines geography
        and identity.
      Drawing on a wide range of major literary voices, including Richard Wright,
        Ralph Ellison, and Toni Morrison, as well as lesser-known writers such
        as William Attaway (Blood on the Forge) and Dorothy West (The Living Is
        Easy), Rodgers conducts a kind of literary archaeology of the Great Migration.
        He mines the writers' biographical connections to migration and teases
        apart the ways in which individual novels relate to one another, to the
        historical situation of black America, and to African-American literature
        as a whole.
      In reading migration novels in relation to African-American literary
        texts such as slave narratives, folk tales, and urban fiction, Rodgers
        affirms the southern folk roots of African-American culture and argues
        for a need to stem the erosion of southern memory.
 

This work updates and enhances Howard Scarrow’s Canada Votes (1962) with complete election data from the constituency level through the province, region, and nation for more than a half-century of Canadian political life since the benchmark election of 1935. Frank Feigert adds a description of the circumstances of all the elections since, and he gives background descriptions of the electoral systems in each province and territory.
The result is a compendium of data and analysis that can be found nowhere else and which will be an invaluable sourcebook for students of Canadian political behavior.

Canada in the Frame explores a photographic collection held at the British Library that offers a unique view of late-nineteenth-century and early twentieth-century Canada. The collection, which contains more than 4,500 images, taken between 1895 and 1923, covers a dynamic period in Canada’s national history and provides a variety of views of its landscapes, developing urban areas and peoples. Colonial Copyright Law was the driver by which these photographs were acquired; unmediated by curators, but rather by the eye of the photographer who created the image, they showcase a grassroots view of Canada during its early history as a confederation.
Canada in the Frame describes this little-known collection and includes over one hundred images from the collection. The author asks key questions about what it shows contemporary viewers of Canada and its photographic history, and about the peculiar view these photographs offer of a former part of the British Empire in a postcolonial age, viewed from the old "Heart of Empire." Case studies are included on subjects such as urban centers, railroads and migration, which analyze the complex ways in which photographers approached their subjects in the context of the relationship between Canada, the British Empire, and photography.

Canada is situated geographically, historically, and culturally between old empires (Great Britain and France) and a more recent one (the United States), as well as on the terrain of First Nations communities. Poised between historical and metaphorical empires and operating within the conditions of incomplete modernity and economic and cultural dependency, Canada has generated a body of cultural criticism and theory, which offers unique insights into the dynamics of both center and periphery. The reader brings together for the first time in one volume recent writing in Canadian cultural studies and work by significant Canadian cultural analysts of the postwar era.

Including essays by anglophone, francophone, and First Nations writers, the reader is divided into three parts, the first of which features essays by scholars who helped set the agenda for cultural and social analysis in Canada and remain important to contemporary intellectual formations: Harold Innis, Marshall McLuhan, and Anthony Wilden in communications theory; Northrop Frye in literary studies; George Grant and Harold Innis in a left-nationalist tradition of critical political economy; Fernand Dumont and Paul-Émile Borduas in Quebecois national and political culture; and Harold Cardinal in native studies.

The volume’s second section showcases work in which contemporary authors address Canada’s problematic and incomplete nationalism; race, difference, and multiculturalism; and modernity and contemporary culture. The final section includes excerpts from federal policy documents that are especially important to Canadians’ conceptions of their social, political, and cultural circumstances. The reader opens with a foreword by Fredric Jameson and concludes with an afterword in which the Quebecois scholar Yves Laberge explores the differences between English-Canadian cultural studies and the prevailing forms of cultural analysis in francophone Canada.

Contributors. Ian Angus, Himani Bannerji, Jody Berland, Paul-Émile Borduas, Harold Cardinal, Maurice Charland, Stephen Crocker, Ioan Davies, Fernand Dumont, Kristina Fagan, Gail Faurschou, Len Findlay, Northrop Frye, George Grant, Rick Gruneau, Harold Innis, Fredric Jameson, Yves Laberge, Jocelyn Létourneau, Eva Mackey, Lee Maracle, Marshall McLuhan, Katharyne Mitchell, Sourayan Mookerjea, Kevin Pask, Rob Shields, Will Straw, Imre Szeman, Serra Tinic, David Whitson, Tony Wilden