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No part of the United States was more resistant to the civil rights movement and its pursuit of racial equality than Mississippi. Freedom Is a Constant Struggle explores the civil rights movement in that state to consider its emergence before the 1965 Voting Rights Act and its impact long after. Did the civil rights movement have a lasting impact, and, if so, how did it bring about change? Kenneth T. Andrews is the first scholar to examine not only the history of the movement but its social and political legacy as well. His study demonstrates how during the 1970s and '80s, local movements worked to shape electoral politics, increase access to better public schools, and secure the administration of social welfare to needy African Americans.

Freedom Is a Constant Struggle is also the first book of its kind to detail the activities of white supremacists in Mississippi, revealing how white repression and intimidation sparked black activism and simultaneously undermined the movement's ability to achieve far-reaching goals. Andrews shows that the federal government's role was important but reactive as federal actors responded to the sustained struggles between local movements and their opponents. He tracks the mobilization of black activists by the NAACP, the creation of Freedom Summer, efforts to galvanize black voters, the momentous desegregation of public schools and the rise of all-white private academies, and struggles over the economic development of black communities. From this complex history, Andrews shows how the civil rights movement built innovative organizations and campaigns that empowered local leadership and had a lasting legacy in Mississippi and beyond.

Based on an original and creative research design that combines extensive archival research, interviews with activists, and quantitative historical data, Freedom Is a Constant Struggle provides many new insights into the civil rights struggle, and it presents a much broader theory to explain whether and how movements have enduring impacts on politics and society. What results is a work that will be invaluable to students of social movements, democratic politics, and the struggle for racial freedom in the U.S.

Freedom Is an Endless Meeting offers vivid portraits of American experiments in participatory democracy throughout the twentieth century. Drawing on meticulous research and more than one hundred interviews with activists, Francesca Polletta challenges the conventional wisdom that participatory democracy is worthy in purpose but unworkable in practice. Instead, she shows that social movements have often used bottom-up decision making as a powerful tool for political change.

Polletta traces the history of democracy in early labor struggles and pre-World War II pacifism, in the civil rights, new left, and women's liberation movements of the sixties and seventies, and in today's faith-based organizing and anti-corporate globalization campaigns. In the process, she uncovers neglected sources of democratic inspiration—Depression-era labor educators and Mississippi voting registration workers, among them—as well as practical strategies of social protest. But Freedom Is an Endless Meeting also highlights the obstacles that arise when activists model their democracies after familiar nonpolitical relationships such as friendship, tutelage, and religious fellowship. Doing so has brought into their deliberations the trust, respect, and caring typical of those relationships. But it has also fostered values that run counter to democracy, such as exclusivity and an aversion to rules, and these have been the fault lines around which participatory democracies have often splintered. Indeed, Polletta attributes the fragility of the form less to its basic inefficiency or inequity than to the gaps between activists' democratic commitments and the cultural models on which they have depended to enact those commitments. The challenge, she concludes, is to forge new kinds of democratic relationships, ones that balance trust with accountability, respect with openness to disagreement, and caring with inclusiveness.

For anyone concerned about the prospects for democracy in America, Freedom Is an Endless Meeting will offer abundant historical, theoretical, and practical insights.

"This is an excellent study of activist politics in the United States over the past century. . . . Assiduously researched, impressively informed by a great number of thoughtful interviews with key members of American social movements, and deeply engaged with its subject matter, the book is likely to become a key text in the study of grass-roots democracy in America."—Kate Fullbrook, Times Literary Supplement

"Polletta's portrayal challenges the common assumption that morality and strategy are incompatible, that those who aim at winning must compromise principle while those who insist on morality are destined to be ineffective. . . . Rather than dwell on trying to explain the decline of 60s movements, Polletta shows how participatory democracy has become the guiding framework for many of today's activists."—Richard Flacks, Los Angeles Times Book Review

"In Freedom Is an Endless Meeting, Francesca Polletta has produced a remarkable work of historical sociology. . . . She provides the fullest theoretical work of historical sociology. . . . She provides the fullest theoretical picture of participatory democracy, rich with nuance, ambiguity, and irony, that this reviewer has yet seen. . . . This wise book should be studied closely by both academics and by social change activists."—Stewart Burns, Journal of American History

People running from slavery made many hard journeys to find freedom—on steamboats and in carriages, across rivers and in hay-covered wagons. Some were shot at. Many were chased by slave catchers. Others hid in tunnels and secret rooms. But these troubles were worth it for the men, women, and children who eventually reached freedom. Freedom Train North tells the stories of fugitive slaves who found help in Wisconsin. Young readers (ages 7 to 12) will meet people like Joshua Glover, who was broken out of jail by a mob of freedom workers in Milwaukee, and Jacob Green, who escaped five times before he finally made it to freedom.

This compelling book also introduces stories of the strangers who hid fugitive slaves and helped them on their way, brave men and women who broke the law to do what was right. As both a historian and a storyteller, author Julia Pferdehirt shares these exciting and important stories of a dangerous time in Wisconsin’s past. Using manuscripts, letters, and artifacts from the period, as well as stories passed down from one generation to another, Pferdehirt takes us deep into our state’s past, challenging and inspiring us with accounts of courage and survival.

Questions of academic freedom--from hate speech to the tenure structure—continue to be of great urgency and perennial debate in American higher education. Originally published as a special issue of Law and Contemporary Problems (Summer 1990), this volume draws together leading scholars of law, philosophy, and higher education to offer a fresh assessment of the founding principles of academic freedom and to define this crucial topic for the 1990s.
The original 1940 Statement of Principles on Academic Freedom and Tenure, which has been influential in determining institutional practices for the last half century, has required continual redefinition since its initial declaration. The volume begins with two overview articles: the most complete examination of the 1940 Statement ever provided (shedding light on some of its most troublesome clauses) and a historical review of the extent to which academic freedom has been accepted into domestic constitutional law. Subsequent articles address a range of issues related to academic freedom: the relationship between tenure and academic freedom; tenure and labor law; ideology and faculty selection; freedom of expression and the arts on campus; the boundaries defining hate speech and offensive expression; the clash between institutional and individual claims of academic freedom; and the practices of religious colleges in the United States.

Contributors. Ralph S. Brown, Matthew W. Finkin, Jordan E. Kurland, Michael W. McConnell, Walter P. Metzger, Robert M. O'Neil, David M. Rabban, Rodney A, Smolla, Janet Sinder, Judith Jarvis Thomson, William W. Van Alstyne

Freedom of Expression® covers the ways in which intellectual property laws have been used to privatize all forms of expression—from guitar riffs and Donald Trump’s “you’re fired” gesture to human genes and public space—and in the process stifle creative expression. Kembrew McLeod challenges the blind embrace of privatization as it clashes against our right to free speech and shared resources.

Kembrew McLeod is professor of communication studies at the University of Iowa, author of Owning Culture: Authorship, Ownership, and Intellectual Property Law, and coproducer of the documentary Copyright Criminals: This Is a Sampling Sport.

Lawrence Lessig is professor of law at Stanford Law School.

This book’s documentary companion will be available through Media Education Foundation.

In Freedom with Violence, Chandan Reddy develops a new paradigm for understanding race, sexuality, and national citizenship. He examines a crucial contradiction at the heart of modernity: the nation-state’s claim to provide freedom from violence depends on its systematic deployment of violence against peoples perceived as nonnormative and irrational. Reddy argues that the modern liberal state is organized as a “counterviolence” to race even as, and precisely because, race persists as the condition of possibility for the modern subject. Rejecting liberal notions of modernity as freedom from violence or revolutionary ideas of freedom through violence, Reddy contends that liberal modernity is a structure for authorizing state violence. Contemporary neoliberal societies link freedom to the notion of legitimate (state) violence and produce narratives of liberty that tie rights and citizenship to institutionalized violence. To counter these formulations, Reddy proposes an alternative politics of knowledge grounded in queer of color critique and critical ethnic studies. He uses issues that include asylum law and the military’s “don’t ask, don’t tell” policy to illustrate this major rethinking of the terms of liberal modernity.

In the spring of 1915, Chicagoans elected the city’s first black alderman, Oscar De Priest. In a city where African Americans made up less than five percent of the voting population, and in a nation that dismissed and denied black political participation, De Priest’s victory was astonishing. It did not, however, surprise the unruly group of black activists who had been working for several decades to win representation on the city council.

Freedom’s Ballot is the history of three generations of African American activists—the ministers, professionals, labor leaders, clubwomen, and entrepreneurs—who transformed twentieth-century urban politics. This is a complex and important story of how black political power was institutionalized in Chicago in the half-century following the Civil War. Margaret Garb explores the social and political fabric of Chicago, revealing how the physical makeup of the city was shaped by both political corruption and racial empowerment—in ways that can still be seen and felt today.

In a series of columns published in the African American newspaper The Christian Recorder, the young, charismatic preacher Henry McNeal Turner described his experience of the Civil War, first from the perspective of a civilian observer in Washington, D.C., and later, as one of the Union army’s first black chaplains.

 

In the halls of Congress, Turner witnessed the debates surrounding emancipation and black enlistment. As army chaplain, Turner dodged “grape” and cannon, comforted the sick and wounded, and settled disputes between white southerners and their former slaves. He was dismayed by the destruction left by Sherman’s army in the Carolinas, but buoyed by the bravery displayed by black soldiers in battle. After the war ended, he helped establish churches and schools for the freedmen, who previously had been prohibited from attending either.

 

Throughout his columns, Turner evinces his firm belief in the absolute equality of blacks with whites, and insists on civil rights for all black citizens. In vivid, detailed prose, laced with a combination of trenchant commentary and self-deprecating humor, Turner established himself as more than an observer: he became a distinctive and authoritative voice for the black community, and a leader in the African Methodist Episcopal church. After Reconstruction failed, Turner became disillusioned with the American dream and became a vocal advocate of black emigration to Africa, prefiguring black nationalists such as Marcus Garvey and Malcolm X. Here, however, we see Turner’s youthful exuberance and optimism, and his open-eyed wonder at the momentous changes taking place in American society.

 

Well-known in his day, Turner has been relegated to the fringes of African American history, in large part because neither his views nor the forms in which he expressed them were recognized by either the black or white elite. With an introduction by Jean Lee Cole and a foreword by Aaron Sheehan-Dean, Freedom’s Witness: The Civil War Correspondence of Henry McNeal Turner restores this important figure to the historical and literary record.

Much has been written about black urban empowerment and about the candidates—particularly the winning candidates—who are the public face of such shifts in power. Authors invariably mention the important role played by black political organizations in electing black officials or organizing communities, but Micah W. Kubic goes further, making, for the first time, one such organization the focus of a book-length study. Kubic tells the story of black political empowerment in Kansas City through the prism of Freedom, Inc., the nation’s oldest existing black political organization.

Using interviews and observation of participants as well as archival research, Kubic offers historical and political analysis of Freedom, Inc. from its founding in 1962 through its role in municipal elections of 2007. Kubic asserts that strong local organizations are living, dynamic organisms and that they, rather than charismatic candidates or interracial alliances, are the crucial players in both determining political outcomes and advancing black interests in urban areas.

Freedom's Ferment was first published in 1944. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

In this historical synthesis of men and movements, Alice Felt Tyler shows in action the democratic faith of the young American republic. She tells the stories of the reform movements and social and religious experiments characteristic of the early half of the nineteenth century.

The early efforts toward social and economic equality — later engulfed in the urgent issues of the Civil War—are here depicted and interpreted in their relation to the history of American thought and action.

Freedom's Ferment divides the movements of the early 1800's into two groups: the cults and utopias of varied origins and the humanitarian crusades. A wave of revivalistic religions swept the country. Here is the story of the Millerites, who believed the end of the world would come on October 22, 1844, of the Spiritualists, Rappites, the Mormons, the Shakers.

Many experiments in communal living were instituted by religious groups, but others were entirely social in concept. Life at Brook Farm, in Robert Owen's colony, in the Oneida Community, and a score of others, is interestingly reconstructed.

Humanitarian reforms and crusades represent the other phase of the movements. Tyler, "exasperated by all the silly twaddle being written about the eccentricities" of the early American republic, shows these movements and the leaders—event the crackpots—as manifestations of the American creed of perfectibility.

Prison and educational reforms, work for delinquents and unfortunates, crusades for world peace, temperance, and women's rights flourished. All to be overshadowed by the antislavery movement and submerged temporarily by the Civil War.

Freedom's Ferment pictures the days when the pattern for the American way of life and the fundamentals of the American faith were being set by crusaders who fought for righteousness. The changes in out social picture have altered the form of the humanitarian movements but not the purpose.

Interpretative and critical, the book show the ferment of the period and the urge to reform, found in every phase of life, to be the result of the fusion of religious freedom and political democracy.

Freeing Charles recounts the life and epic rescue of captured fugitive slave Charles Nalle of Culpeper, Virginia, who was forcibly liberated by Harriet Tubman and others in Troy, New York, on April 27, 1860. Scott Christianson follows Nalle from his enslavement by the Hansborough family in Virginia through his escape by the Underground Railroad and his experiences in the North on the eve of the Civil War. This engaging narrative represents the first in-depth historical study of this crucial incident, one of the fiercest anti-slavery riots after Harpers Ferry. Christianson also presents a richly detailed look at slavery culture in antebellum Virginia and probes the deepest political and psychological aspects of this epic tale. His account underscores fundamental questions about racial inequality, the rule of law, civil disobedience, and violent resistance to slavery in the antebellum North and South.

Foreword by Richard Dillon. Between 1842 and 1853, John C. Fremont led five expeditions across the trans-Mississippi West. While the success of his early journeys gained him acclaim as a national hero, his later missions ended in tragedy and ultimately a court-martial. Historian Ferol Egan focuses on Fremont’s explorations, providing a vivid portrait of a courageous man in an emerging young nation. 

As the first European settlers in Michigan, the French Canadians left an indelible mark on the place names and early settlement patterns of the Great Lakes State. Because of its importance in the fur trade, many French Canadians migrated to Michigan, settling primarily along the Detroit- Illinois trade route, and throughout the fur trade avenues of the Straits of Mackinac. When the British conquered New France in 1763, most Europeans in Michigan were Francophones. John DuLong explores the history and influence of these early French Canadians, and traces, as well, the successive 19th- and 20th-century waves of industrial migration from Quebec, creating new communities outside the old fur trade routes of their ancestors.

In 1993, an American biotechnology company and a French genetics lab developed a collaborative research plan to search for diabetes genes. But just as the project was to begin, the French government called it to a halt, barring the laboratory from sharing something never previously thought of as a commodity unto itself: French DNA.

A tectonic shift has occurred in the gastronomic field in France, upsetting the cultural imagination. In a European country captivated by a high-stakes power struggle between chefs and restaurants in the culinary field, the mass marketing of factory-processed industrial cuisine and fast foods has created shock waves in French society, culture, and the economy. 

In this insightful book, French Gastronomy and the Magic of Americanism, Rick Fantasia examines how national identity and the dynamics of cultural meaning-making within gastronomy have changed during a crucial period of transformation, from the 1970s through the 1990s. He illuminates the tensions and surprising points of cooperation between the skill, expertise, tradition, artistry, and authenticity of grand chefs and the industrial practices of food production, preparation, and distribution. 

Fantasia examines the institutions and beliefs that have reinforced notions of French cultural supremacy—such as the rise and reverence of local cuisine—as well as the factors that subvert those notions, such as when famous French chefs lend their names to processed, frozen, and pre-packaged foods available at the supermarket. Ultimately, French Gastronomy and the Magic of Americanism shows what happens to a cultural field, like French gastronomy, when the logic and power of the economic field imposes itself upon it.

Brilliantly uniting the personal and the critical, French Lessons is a powerful autobiographical experiment. It tells the story of an American woman escaping into the French language and of a scholar and teacher coming to grips with her history of learning. Kaplan begins with a distinctly American quest for an imaginary France of the intelligence. But soon her infatuation with all things French comes up against the dark, unimagined recesses of French political and cultural life.

The daughter of a Jewish lawyer who prosecuted Nazi war criminals at Nuremburg, Kaplan grew up in the 1960s in the Midwest. After her father's death when she was seven, French became her way of "leaving home" and finding herself in another language and culture. In spare, midwestern prose, by turns intimate and wry, Kaplan describes how, as a student in a Swiss boarding school and later in a junior year abroad in Bordeaux, she passionately sought the French "r," attentively honed her accent, and learned the idioms of her French lover.

When, as a graduate student, her passion for French culture turned to the elegance and sophistication of its intellectual life, she found herself drawn to the language and style of the novelist Louis-Ferdinand Celine. At the same time she was repulsed by his anti-Semitism. At Yale in the late 70s, during the heyday of deconstruction she chose to transgress its apolitical purity and work on a subject "that made history impossible to ignore:" French fascist intellectuals. Kaplan's discussion of the "de Man affair" — the discovery that her brilliant and charismatic Yale professor had written compromising articles for the pro-Nazi Belgian press—and her personal account of the paradoxes of deconstruction are among the most compelling available on this subject.

French Lessons belongs in the company of Sartre's Words and the memoirs of Nathalie Sarraute, Annie Ernaux, and Eva Hoffman. No book so engrossingly conveys both the excitement of learning and the moral dilemmas of the intellectual life.

Brilliantly uniting the personal and the critical, French Lessons is a powerful autobiographical experiment. It tells the story of an American woman escaping into the French language and of a scholar and teacher coming to grips with her history of learning. Kaplan begins with a distinctly American quest for an imaginary France of the intelligence. But soon her infatuation with all things French comes up against the dark, unimagined recesses of French political and cultural life.

The daughter of a Jewish lawyer who prosecuted Nazi war criminals at Nuremburg, Kaplan grew up in the 1960s in the Midwest. After her father's death when she was seven, French became her way of "leaving home" and finding herself in another language and culture. In spare, midwestern prose, by turns intimate and wry, Kaplan describes how, as a student in a Swiss boarding school and later in a junior year abroad in Bordeaux, she passionately sought the French "r," attentively honed her accent, and learned the idioms of her French lover.

When, as a graduate student, her passion for French culture turned to the elegance and sophistication of its intellectual life, she found herself drawn to the language and style of the novelist Louis-Ferdinand Celine. At the same time she was repulsed by his anti-Semitism. At Yale in the late 70s, during the heyday of deconstruction she chose to transgress its apolitical purity and work on a subject "that made history impossible to ignore:" French fascist intellectuals. Kaplan's discussion of the "de Man affair" — the discovery that her brilliant and charismatic Yale professor had written compromising articles for the pro-Nazi Belgian press—and her personal account of the paradoxes of deconstruction are among the most compelling available on this subject.

French Lessons belongs in the company of Sartre's Words and the memoirs of Nathalie Sarraute, Annie Ernaux, and Eva Hoffman. No book so engrossingly conveys both the excitement of learning and the moral dilemmas of the intellectual life.

Winner of the Kemper and Leila Williams Book Prize for the Best Book on Louisiana History, French Roots in the Illinois Country creates an entirely new picture of the Illinois country as a single ethnic, economic, and cultural entity. Focusing on the French Creole communities along the Mississippi River, Carl J. Ekberg shows how land use practices such as medieval-style open-field agriculture intersected with economic and social issues ranging from the flour trade between Illinois and New Orleans to the significance of the different mentalities of French Creoles and Anglo-Americans.
 

“A great story, full of twists and turns. . . . Careers made and ruined, departments torn apart, writing programs turned into sensitivity seminars, political witch hunts, public opprobrium, ignorant media attacks, the whole ball of wax. Read it and laugh or read it and weep. I can hardly wait for the movie.” —Stanley Fish, Think Again, New York Times

“In such a difficult genre, full of traps and obstacles, French Theory is a success and a remarkable book in every respect: it is fair, balanced, and informed. I am sure this book will become the reference on both sides of the Atlantic.” —Jacques Derrida

“The Atlantic Ocean has two sides, and so does French Theory. Reinvented in America and betrayed in its own country, it has become the most radical intellectual movement in the West with global reach, rewriting Marx in light of late capitalism. Breathtakingly moving back and forth between the two cultures, Francois Cusset takes us through a dazzling intellectual adventure that illuminates the past thirty years, and many more decades to come.” —Sylvere Lotringer

 

During the last three decades of the twentieth century, a disparate group of radical French thinkers achieved an improbable level of influence and fame in the United States. Compared by at least one journalist to the British rock ‘n’ roll invasion, the arrival of works by Michel Foucault, Jacques Derrida, Jean-François Lyotard, Jean Baudrillard, Gilles Deleuze, and Félix Guattari on American shores in the late 1970s and 1980s caused a sensation.

Outside the academy, “French theory” had a profound impact on the era’s emerging identity politics while also becoming, in the 1980s, the target of right-wing propagandists. At the same time in academic departments across the country, their poststructuralist form of radical suspicion transformed disciplines from literature to anthropology to architecture. By the 1990s, French theory was woven deeply into America’s cultural and intellectual fabric.

French Theory is the first comprehensive account of the American fortunes of these unlikely philosophical celebrities. François Cusset looks at why America proved to be such fertile ground for French theory, how such demanding writings could become so widely influential, and the peculiarly American readings of these works. Reveling in the gossipy history, Cusset also provides a lively exploration of the many provocative critical practices inspired by French theory. Ultimately, he dares to shine a bright light on the exultation of these thinkers to assess the relevance of critical theory to social and political activism today-showing, finally, how French theory has become inextricably bound with American life.

François Cusset, a writer and intellectual historian, teaches contemporary French thought in Paris at the Institut d’Etudes Politiques and at Columbia University’s Reid Hall. His books include Queer Critics and La Décennie.

Jeff Fort is assistant professor of French at the University of California, Davis. He has translated works by Maurice Blanchot, Jean Genet, and Jean-Luc Nancy.

Compared to other nationalities, few French have immigrated to the United States, and the state of Michigan is no exception in that regard. Although the French came in small numbers, those who did settle in or pass through Michigan played important roles as either permanent residents or visitors.
The colonial French served as explorers, soldiers, missionaries, fur traders, and colonists. Later, French priests and nuns were influential in promoting Catholicism in the state and in developing schools and hospitals. Father Gabriel Richard fled the violence of the French Revolution and became a prominent and influential citizen of the state as a U.S. Congressman and one of the founders of the University of Michigan. French observers of Michigan life included Alexis de Tocqueville. French entrepreneurs opened copper mines and a variety of service-oriented businesses. Louis Fasquelle became the first foreign-language instructor at the University of Michigan, and François A. Artault introduced photography to the Upper Peninsula. As pioneers of the early automobile, the French made a major contribution to the language used in auto manufacturing.

The American Civil War through the eyes of a French Jesuit chaplain.

"This book has a tantalizing quality, and it certainly is fresh literature for those who have watched the story of the Civil War unfold. . . . One cannot help but marvel at the research undertaken by Fr. Buckley. These letters of Fr. Gache cover such subjects as the duties of a chaplain, the lack of stimulating conversation in camp, whiskey as medication for diarrhea, the chaplain’s uniform, the oversupply of Catholic chaplains, descriptions of battles—Chancellorsville, Fredericksburg—chaplains as prisoners of war, the possibility of General Lee being chosen as the second president of the Confederacy, making candles for the alter and bleaching wax, procuring sacramental wine, conflicts with Protestant preachers, and the surrender of Richmond. Such subjects allow the personality and character of Hippolyte to stand out. . . . [The book] is interesting reading for all who love and admire the Jesuits. Its wealth of information makes it a must for others whose concern is the Confederate soldier and his God."

—Journal of Southern History

Albert Coryer, the grandson of a fur trade voyageur-turned-farmer, had a gift for storytelling. Born in 1877, he grew up in Prairie du Chien hearing tales of days gone by from his parents, grandparents, and neighbors who lived in the Frenchtown area. Throughout his life, Albert soaked up the local oral traditions, including narratives about early residents, local landmarks, interesting and funny events, ethnic customs, myths, and folklore.

Late in life, this lively man who had worked as a farm laborer and janitor drew a detailed illustrated map of the Prairie du Chien area and began to write his stories out longhand, in addition to sharing them in an interview with a local historian and folklore scholar. The map, stories, and interview transcript provide a colorful account of Prairie du Chien in the late nineteenth century, when it was undergoing significant demographic, social, and economic change. With sharp historical context provided by editors Lucy Eldersveld Murphy and Mary Elise Antoine, Coryer’s tales offer an unparalleled window into the ethnic community comprised of the old fur trade families, Native Americans, French Canadian farmers, and their descendants.

      Drawing on hundreds of richly textured interviews conducted from one
        end of the country to the other, veteran journalist Sanford J. Ungar documents
        the real-life struggles and triumphs of America's newest immigrants. He
        finds that the self-chosen who arrive every day, most of them legally,
        still enrich our national character and experience and make invaluable
        political, economic, social, cultural, and even gastronomic contributions.
      "First-class journalism, a book scholars will use decades from now
        to find out what it 'felt like' to be an immigrant in the 90s. I do not
        know of a better description and analysis of contemporary immigration."
        -- Roger Daniels, author of Coming to America: A History of Immigration
        and Ethnicity in American Life
      "An excellent overview of contemporary immigration issues set within
        the context of developments in the past fifty years. Ungar makes a strong
        case for the contributions of recent immigrants and for maintaining a
        relatively open door in the face of sometimes shrill opposition."
        -- Thomas Dublin, editor of Immigrant Voices: New Lives in America
      "Exactly the right book at the right time. [Ungar] looks at the
        national controversy over immigration policy with a clear eye, producing
        a history and a convincing argument why this is no time to reverse a liberal
        welcome to newcomers that has always—in good times and bad—made
        this a better and more prosperous democracy." -- Ben H. Bagdikian,
        author of Double Vision
 

Fresh Water: Women Writing on the Great Lakes is a collection of nonfiction works by women writers. These works focus on the Midwest: living with the five interconnected freshwater seas that we know as the Great Lakes. Contributing to this collection are renowned poets, essayists, and fiction writers, all of whom write about their own creative streams of consciousness, the fresh waters of the Great Lakes, and the region's many rivers: Loraine Anderson, Judith Arcana, Rachel Azima, Mary Blocksma, Gayle Boss, Sharon Dilworth, Beth Ann Fennelly, Linda Nemec Foster, Gail Griffin, Rasma Haidri, Aleta Karstad, Laura Kasischke, Janet Kauffman, Jacqueline Kolosov, Susan Laidlaw, Lisa Lenzo, Linda Loomis, Anna Mills, Stephanie Mills, Judith Minty, Anne-Marie Oomen, Rachael Perry, Susan Power, Donna Seaman, Heather Sellers, Gail Louise Siegel, Sue William Silverman,Claudia Skutar, Annick Smith, Leslie Stainton, Kathleen Stocking, Judith Strasser, Alison Swan, Elizabeth A.Trembley, Jane Urquhart, Diane Wakoski, and Leigh Allison Wilson.

Although public interest in wetlands has grown considerably in recent years, the associated issues of legislation and environmental policy are often confused by the need to correctly define a wetland area. Much of the difficulty comes from an inability to identify wetland indicator species and to determine whether a given area contains a significant proportion of such plants. The 182 species treated in this work represent the fast majority of genera commonly encountered in freshwater wetlands throughout the Northeast, consequently, this will prove an invaluable book for those concerned with how a correct definition of wetland areas affects decisions about land use, development, and/or conservation.

Following a brief introduction that discusses the functional values of wetlands and describes their various types, the manual is organized into two major components, the first consisting of keys that are based on life form and arrangement of plant parts, the second consisting of a description of each species. Such factors as range, habitat, general characteristics, stem, leaves, inflorescence, fruit, and similar species are covered in the descriptions.

This thought-provoking cultural history explores how psychoanalytic theories shaped the works of important African American literary figures. Badia Sahar Ahad details how Nella Larsen, Richard Wright, Jean Toomer, Ralph Ellison, Adrienne Kennedy, and Danzy Senna employed psychoanalytic terms and conceptual models to challenge notions of race and racism in twentieth-century America. Freud Upside Down explores the relationship between these authors and intellectuals and the psychoanalytic movement emerging in the United States over the course of the twentieth century. Examining how psychoanalysis has functioned as a cultural phenomenon within African American literary intellectual communities since the 1920s, Ahad lays out the historiography of the intersections between African American literature and psychoanalysis and considers the creative approaches of African American writers to psychological thought in their work and their personal lives.

A significant contribution to a deeper understanding of the Spanish period in Arizona and Sonora, Mexico, this translation of Father Diego Miguel Bringas' 1796–97 report on missionary activities presents a rare first-hand account of Spanish attempts to direct cultural change among the Pima Indians.

The Franciscan mission San José de Tumacácori and the perennially undermanned presidio Tubac become John L. Kessell's windows on the Arizona–Sonora frontier in this colorful documentary history. His fascinating view extends from the Jesuit expulsion to the coming of the U.S. Army.

Kessell provides exciting accounts of the explorations of Francisco Garcés, de Anza's expeditions, and the Yuma massacre. Drawing from widely scattered archival materials, he vividly describes the epic struggle between Bishop Reyes and Father President Barbastro, the missionary scandals of 1815–18, and the bloody victory of Mexican civilian volunteers over Apaches in Arivaipa Canyon in 1832. Numerous missionaries, presidials, and bureaucrats—nameless in histories until now—emerge as living, swearing, praying, individuals.

This authoritative chronicle offers an engrossing picture of the continually threatened mission frontier. Reformers championing civil rights for mission Indians time and again challenged the friars' "tight-fisted paternalistic control" over their wards. Expansionists repeatedly saw their plans dashed by Indian raids, uncooperative military officials, or lack of financial support.

Frairs, Soldiers, and Reformers brings into sharp focus the long, blurry period between Jesuit Sonora and Territorial Arizona.

Friendly Fallout 1953 is a hybrid work of literature that combines the actual history of aboveground atomic testing in the Nevada desert in 1953 with fictional vignettes that explore the impact of the tests on the people who participated in them and on civilian "downwinders." The book brings to life a turbulent era when Cold War fears, patriotic enthusiasm, scientific progress, and unacknowledged political agendas often collided with the welfare of ordinary citizens and the environment.

"Cogently argued, fills an important gap in the literature, and is accessible to undergraduates." —Choice "Dismantles the mythology surrounding pawnshops and check-cashing outlets, and demonstrates that they are no longer on the fringe of our financial system but integral to it."—San Francisco Bay Guardian In today's world of electronic cash transfers, automated teller machines, and credit cards, the image of the musty, junk-laden pawnshop seems a relic of the past. But it is not. The 1980s witnessed a tremendous boom in pawnbroking. There are now more pawnshops thanever before in U.S. history, and they are found not only in large cities but in towns and suburbs throughout the nation. As John Caskey demonstrates in Fringe Banking, the increased public patronage of both pawnshops and commercial check-cashing outlets signals the growing number of American households now living on a cash-only basis, with no connection to any mainstream credit facilities or banking services. Fringe Banking is the first comprehensive study of pawnshops and check-cashing outlets, profiling their operations, customers, and recent growth from family-owned shops to such successful outlet chains as Cash American and ACE America's Cash Express. It explains why, despite interest rates and fees substantially higher than those of banks, their use has so dramatically increased. According to Caskey, declining family earnings, changing family structures, a growing immigrant population, and lack of household budgeting skills has greatly reduced the demand for bank deposit services among millions of Americans. In addition, banks responded to 1980s regulatory changes by increasing fees on deposit accounts with small balances and closing branches in many poor urban areas. These factors combined to leave many low- and moderate-income families without access to checking privileges, credit services, and bank loans. Pawnshops and check-cashing outlets provide such families with essential financial services thay cannot obtain elsewhere. Caskey notes that fringe banks, particularly check-cashing outlets, are also utilized by families who could participate in the formal banking system, but are willing to pay more for convenience and quick access to cash. Caskey argues that, contrary to their historical reputation as predators milking the poor and desperate, pawnshops and check-cashing outlets play a key financial role for disadvantaged groups. Citing the inconsistent and often unenforced state laws currently governing the industry, Fringe Banking challenges policy makers to design regulations that will allow fringe banks to remain profitable without exploiting the customers who depend on them.

The name of Fritz Lang—the visionary director of Metropolis, M, Fury, The Big Heat, and thirty other unforgettable films—is hallowed the world over. But what lurks behind his greatest legends and his genius as a filmmaker? Patrick McGilligan, placed among “the front rank of film biographers” by the Washington Post, spent four years in Europe and America interviewing Lang’s dying contemporaries, researching government and film archives, and investigating the intriguing life story of Fritz Lang. This critically acclaimed biography—lauded as one of the year’s best nonfiction books by Publishers Weekly—reconstructs the compelling, flawed human being behind the monster with the monocle.

This award-winning book, now available in paperback, is the first solid appraisal of the legendary career of the eminent Hungarian-born conductor Fritz Reiner (1888-1963). Personally enigmatic and often described as difficult to work with, he was nevertheless renowned for the dynamic galvanization of the orchestras he led, a nearly unrivaled technical ability, and high professional standards. Reiner's influence in the United States began in the early 1920s and lasted until his death. Reiner was also deeply committed to serious music in American life, especially through the promotion of new scores. In Fritz Reiner, Maestro and Martinet, Kenneth Morgan paints a very real portrait of a man who was both his own worst enemy and one of the true titans of his profession.

Thirty years after his death, Fritz Reiner's contribution--as a conductor, as a teacher (of Leonard Bernstein, among others), and as a musician--continues to be reassessed. Music scholar and long-time friend Philip Hart has written the definitive biography of this influential figure.

The story of America’s earliest extant play begins with a petty crime—a crime that would have passed largely unnoticed had it not been for one fact: it prompted a beleaguered royal governor of one of Britain’s colonies to lash out at his enemies by writing a biting satire. Androboros, A Bographical [sic] Farce in Three Acts (1715), is universally acknowledged as the first play both written and printed in America. Its significance stems not simply from its publication but from its eventual impact. The play inadvertently laid the foundation for one of the defining rights of the nation that would eventually emerge some seventy-five years later—the First Amendment of the Constitution of the United States, guaranteeing a free press and freedom of expression.

Androboros was not just the first of its kind, it was also ahead of its time in many ways, preceding the harsh political satires and farces of the later eighteenth century by some fifty years. Such plays served a small but essential role in promoting political thought among the colonists. Written by anonymous authors and passed from hand to hand, these short, crude, and often bawdy plays and dialogues were rarely acted due to their inflammatory lampoonery. Nevertheless, they provided an opportunity for disgruntled colonists to vent their grievances and promote their ideas to fellow citizens. The farces of the late eighteenth century drove home the meaning and message of the American Revolution.

Equally significant is that Androboros may have influenced a few of the key political discourses published in the 1730s, and these works in turn may well have shaped the future of the American political landscape for the next several decades and even into the modern era. But as a closet drama intended only to be read by close friends and political supporters, this play has languished as a minor footnote in American intellectual history. Scholarly research published to date has been, for the most part, inadequate and occasionally inaccurate. This study remedies that oversight, providing a full analysis as well as an annotated typescript and facsimiles of the original printing.

Inspired by a 1937 map and travelogue of a newspaperman’s tour, author Mark W. Nichols embarked on his own long journey into the unique cities of the South. En route he met beekeepers, cheese makers, crawfish “bawlers,” duck callers, and a licensed alligator hunter, as well as entrepreneurs and governors. His keen observations encompass the southern states from Virginia to Arkansas and points south, and he unpacks the unique qualities of every city he visits. “It’s easy to say that getting to meet so many interesting and wonderful people was the best part of the journey--because it’s true,” Nichols writes. “I know there are friendly people everywhere, but southern friendliness is different.” His story embraces a wealth of southern charm from local characters, folklore, and customs to food, music, and dancing. Besides being just plain fun to read, Nichols’s account of his journey gives readers a true taste of the flavor of the evolving modern South.