18284 books match the query 'United States' and 552 start with h

cover of Hard as the Rock Itself: Place and Identity in the American Mining Town

Hard as the Rock Itself

Place and Identity in the American Mining Town

David Robertson

University Press of Colorado, 2006

The first intensive analysis of sense of place in American mining towns, Hard as the Rock Itself: Place and Identity in the American Mining Town provides rare insight into the struggles and rewards of life in these communities. David Robertson contends that these communities - often characterized in scholarly and literary works as derelict, as sources of debasing moral influence, and as scenes of environmental decay - have a strong and enduring sense of place and have even embraced some of the signs of so-called dereliction.

Robertson documents the history of Toluca, Illinois; Cokedale, Colorado; and Picher, Oklahoma, from the mineral discovery phase through mine closure, telling for the first time how these century-old mining towns have survived and how sense of place has played a vital role.

Acknowledging the hardships that mining's social, environmental, and economic legacies have created for current residents, Robertson argues that the industry's influences also have contributed to the creation of strong, cohesive communities in which residents have always identified with the severe landscape and challenging, but rewarding way of life.

Robertson contends that the tough, unpretentious appearance of mining landscapes mirrors qualities that residents value in themselves, confirming that a strong sense of place in mining regions, as elsewhere, is not necessarily wedded to an attractive aesthetic or even to a thriving economy.

Mining historians, geographers, and other students of place in the American landscape will find fascinating material in Hard As the Rock Itself.
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cover of Hard-Boiled

Hard-Boiled

Erin A. Smith

Temple University Press, 2000

In the 1920s a distinctively American detective fiction emerged from the pages of pulp magazines. The “hard-boiled” stories published in Black Mask, Dime Detective, Detective Fiction Weekly, and Clues featured a new kind of hero and soon challenged the popularity of the British mysteries that held readers in thrall on both sides of the Atlantic. In Hard-Boiled Erin A. Smith examines the culture that produced and supported this form of detective story through the 1940s.

Relying on pulp magazine advertising, the memoirs of writers and publishers, Depression-era studies of adult reading habits, social and labor history, Smith offers an innovative account of how these popular stories were generated and read. She shows that although the work of pulp fiction authors like Dashiell Hammett, Raymond Chandler, and Erle Stanley Gardner have become “classics” of popular culture, the hard-boiled genre was dominated by hack writers paid by the word, not self-styled artists. Pulp magazine editors and writers emphasized a gritty realism in the new genre. Unlike the highly rational and respectable British protagonists (Miss Marple and Hercule Poirot, for instance), tough-talking American private eyes relied as much on their fists as their brains as they made their way through tangled plotlines.

Casting working-class readers of pulp fiction as “poachers,” Smith argues that they understood these stories as parables about Taylorism, work, and manhood; as guides to navigating consumer culture; as sites for managing anxieties about working women. Engaged in re-creating white, male privilege for the modern, heterosocial world, pulp detective fiction shaped readers into consumers by selling them what they wanted to hear – stories about manly artisan-heroes who resisted encroaching commodity culture and the female consumers who came with it. Commenting on the genre’s staying power, Smith considers contemporary detective fiction by women, minority, and gay and lesbian writers.
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cover of Hard-Boiled Masculinities

Hard-Boiled Masculinities

Christopher Breu

University of Minnesota Press, 2005

The persona of the American male in the period between the two world wars was characterized by physical strength, emotional detachment, aggressive behavior, and an amoral worldview. This ideal of a hard-boiled masculinity can be seen in the pages and, even more vividly, on the covers of magazines such as Black Mask, which shifted from Victorian-influenced depictions of men in top hats and mustaches in the early 1920s to the portrayal of much more overtly violent and muscular men. 

Looking closely at this transformation, Christopher Breu offers a complex account of how and why hard-boiled masculinity emerged during an unsettled time of increased urbanization and tenuous peace and traces the changes in its cultural conception as it moved back and forth across the divide between high and low culture as well as the color line that bifurcated American society. 

Examining the work of Ernest Hemingway, Dashiell Hammett, Chester Himes, and William Faulkner, as well as many lesser-known writers for the hypermasculine pulp magazines of the 1920s and 1930s, Breu illustrates how the tough male was a product of cultural fantasy, one that shored up gender and racial stereotypes as a way of lashing out at the destabilizing effects of capitalism and social transformation. 

Christopher Breu is assistant professor of English at Illinois State University.
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cover of Hardaway Revisited: Early Archaic Settlement in the Southeast

Hardaway Revisited

Early Archaic Settlement in the Southeast

I. Randolph Daniel, Jr.

University of Alabama Press, 1998

A landmark reassessment of Early Archaic settlement and adaptation in the southeastern United States.

Since the early 1970s, southeastern archaeologists have focused their attention on identifying the function of prehistoric sites and settlement practices during the Early Archaic period (ca. 9,000-10,500 B.P.). The Hardaway site in the North Carolina Piedmont, one of the most important archaeological sites in eastern North America, has not yet figured notably in this research. Daniel's reanalysis of the Hardaway artifacts provides a broad range of evidence—including stone tool morphology, intrasite distributions of artifacts, and regional distributions of stoneraw material types—that suggests that Hardaway played a unique role in Early Archaic settlement.

The Hardaway site functioned as a base camp where hunting and gathering groups lived for extended periods. From this camp they exploited nearby stone outcrops in the Uwharrie Mountains to replenish expended toolkits. Based on the  results of this study, Daniel's new model proposes that settlement was conditioned less by the availability of food resources than by the limited distribution of high-quality knappable stone in the region. These results challenge the prevalent view of Early Archaic settlement that group movement was largely confined by the availability of food resources within major southeastern river valleys.

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cover of Hardboiled in Hollywood: Five Black Mask Writers and the Movies

Hardboiled in Hollywood

Five Black Mask Writers and the Movies

University of Wisconsin Press, 1991

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cover of Harder than Hardscrabble: Oral Recollections of the Farming Life from the Edge of the Texas Hill Country

Harder than Hardscrabble

Oral Recollections of the Farming Life from the Edge of the Texas Hill Country

Edited by Thad Sitton

University of Texas Press, 2004

Winner, San Antonio Conservation Society Citation, 2005
Runner-up, Carr P. Collins Award, Best Book of Nonfiction, Texas Institute of Letters, 2005

Until the U.S. Army claimed 300-plus square miles of hardscrabble land to build Fort Hood in 1942, small communities like Antelope, Pidcoke, Stampede, and Okay scratched out a living by growing cotton and ranching goats on the less fertile edges of the Texas Hill Country. While a few farmers took jobs with construction crews at Fort Hood to remain in the area, almost the entire population—and with it, an entire segment of rural culture—disappeared into the rest of the state.

In Harder than Hardscrabble, oral historian Thad Sitton collects the colorful and frequently touching stories of the pre-Fort Hood residents to give a firsthand view of Texas farming life before World War II. Accessible to the general reader and historian alike, the stories recount in vivid detail the hardships and satisfactions of daily life in the Texas countryside. They describe agricultural practices and livestock handling as well as life beyond work: traveling peddlers, visits to towns, country schools, medical practices, and fox hunting. The anecdotes capture a fast-disappearing rural society—a world very different from today's urban Texas.

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cover of Hardwood Glory: A Life of John Wooden

Hardwood Glory

A Life of John Wooden

Barbara Olenyik Morrow

Indiana Historical Society Press, 2014

The tenth volume in the Indiana Historical Society Press’s celebrated Youth Biography Series examines the life of a man who helped define college basketball in the twentieth century and became an icon of American sports—John Wooden. He was born in the small Indiana town of Martinsville near the start of the last century. His claim to fame came first as an accomplished athlete, helping his high school basketball team compete in three state championship games, then earning All-American honors three times in his home state as a starting guard at Purdue University. After briefly teaching high school English and coaching several sports in Dayton, Kentucky, Wooden returned to Indiana, where he launched a successful career coaching basketball at South Bend Central High School and later at Indiana State Teachers College (now Indiana State University) in Terre Haute. In 1948, at age thirty-seven, Wooden moved west, as did many Americans in the post-World War II era. He took over the head basketball job at the University of California at Los Angeles, a school with virtually no basketball tradition. He took his family and his coaching skills with him. He also took his midwestern values. For the next six decades he remained in Southern California, creating a basketball dynasty at UCLA and solidifying his place as one of the sporting world’s greats. When he died on June 4, 2010, at the Ronald Reagan UCLA Medical Center, he was four months shy of his hundredth birthday. Wooden’s success as a college coach was unprecedented and, in pure numbers, staggering. From 1964 to 1975, he led the UCLA Bruins men’s basketball team to ten National Collegiate Athletic Association national basketball championships, including seven in a row—a feat that may never be matched. During that string of championships, he coached the Bruins to four perfect 30–0 seasons, an NCAA men’s record that still stands. He also coached UCLA to an eighty-eight-game winning streak, yet another unrivaled men’s record. Over the course of his twenty-seven seasons at UCLA, he mentored All-Americans such as Kareem Abdul-Jabbar and Bill Walton, earned the respect of legions of players, and inspired countless would-be roundballers and coaches alike. These achievements put Wooden in the company of legendary coaches throughout the field of sports. Even in that elite company, he fared especially well. In 2009 Sporting News magazine asked more than one hundred coaches and sports experts to name the greatest coach of all time in any sport. Not surprisingly, coaching giants such as the Green Bay Packers’s Vince Lombardi, Notre Dame’s Knute Rockne, the Boston Celtics’s Red Auerbach, and New York Yankees’s Casey Stengel ranked in the top ten; Wooden stood at number one the list. Long before that ranking, however, awards and honors flowed Wooden’s way. In 1973 he was inducted into the Naismith Basketball Hall of Fame as coach, making him the first to be honored as both a player and a coach. (He received the honor as a player in 1960.) In 1977 college basketball’s annual player-of-the-year award was named for him. The NCAA bestowed its highest honor, the Theodore Roosevelt award, on Wooden in 1995. And in 2006 the National Collegiate Basketball Hall of Fame in Kansas City, Missouri, honored him as a member of the founding class, along with basketball inventor Doctor James Naismith. Accolades also poured in from outside the sports world. In 2003 President George W. Bush awarded Wooden the Presidential Medal of Freedom, American’s highest civilian honor. Two years later, Indiana bestowed on him its highest honor, the Sachem, an award recognizing a lifetime of excellence and virtue. In earlier decades, entities ranging from service clubs to faith-based organizations to universities rushed to salute not only his accomplishments but also his character.
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cover of Hardy Cross: American Engineer

Hardy Cross

American Engineer

Leonard K. Eaton

University of Illinois Press, 2006

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cover of Hare Krishna In America

Hare Krishna In America

Rochford, E. Burke

Rutgers University Press, 1985

You have seen them dancing and chanting on street corners or soliciting donations in airports. Their shaven heads, long robes, and sense for the dramatic set them apart from others around them and generate curiosity, sometimes mistrust, wherever they appear. 

Sociologist E. Burke Rochford, Jr., began his study of the Hare Krishna movement in America in the mid-1970s, only to find himself increasingly drawn into the movement even as he struggled to maintain a critical distance. Convinced to wear beads, chant, and take part in religious ceremonies, as well as to move in for occasional stays, Rochford found his new form of devotion a cause of concern for his family, friends, and colleagues. Participation in the movement's activities, however, enabled him to experience from within the forces at play between a society often intolerant of religious deviation and a religion dedicated to the continual recruitment of new followers. 

Rochford uses several different sociological approaches--the life history of a single devotee, analysis of male-female recruitment patterns, surveys of members, and extensive field notes--to present he reader with a vivid portrait of the Hare Krishna movement as it has developed and changed in the first twenty years of its existence. 
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cover of Hare Krishna In America

Hare Krishna In America

Rochford, E. Burke

Rutgers University Press, 1985

You have seen them dancing and chanting on street corners or soliciting donations in airports. Their shaven heads, long robes, and sense for the dramatic set them apart from others around them and generate curiosity, sometimes mistrust, wherever they appear. Sociologist E. Burke Rochford, Jr., began his study of the Hare Krishna movement in America in the mid-1970's, only to find himself increasingly drawn to the movement even as he struggled to maintain a critical distance. Convinced to wear beads, chant, and take part in religious ceremonies, as well as to move in for occasional stays, Rochford found his new form of devotion a cause of concern for his family, friends, and colleagues. Participation in the movement's activities, however, enabled him to experience from within the forces at play between a society often intolerant of religious deviation and a religion dedicated to the continual recruitment of new followers. Rochford uses several different sociological approaches--the life history of a single devotee, analysis of male-female recruitment patterns, surveys of members, and extensive field notes--to present the reader with a vivid portrait of the Hare Krishna movement as it has developed and changed in the first twenty years of its existence.
[more]
cover of Hare Krishna: (Studies in Contemporary Religion)

Hare Krishna

(Studies in Contemporary Religion)

Federico Squarcini

Signature Books, 2004

 The founder of the Hare Krishna movement (or International Society for Krishna Consciousness / ISKCON) was the Indian guru, Swami Bhaktivedanta, who during the last years of his life brought a Hindu denomination to the West. He represented the Bengali (Gaudiya) school of Vaisnavism—devotion to Vishnu and Krishna—which he molded somewhat to the times when he arrived in New York in the 1960s. Since then, ISKCON has evolved along more conventional—by Western standards—denominational lines with a largely middle-class, lay membership.

When Bhaktivedanta arrived in America, it was a bold step because historically a guru who ventured outside of India was stripped of his Brahman status. However, the effort bore fruit—not the least of which was the type of intercultural understanding promoted by the current authors through their study of ISKCON’s place within the religion and culture of India.

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cover of Harker's One-Room Schoolhouses: Visions of an Iowa Icon

Harker's One-Room Schoolhouses

Visions of an Iowa Icon

Paul Theobald

University of Iowa Press, 2008

In Harker’s Barns documentary photographer Michael Harker captured the glory and the decay of one of rural America’s most elemental icons. Now in Harker’s One-Room Schoolhouses he brings another rural American icon back to life. His stark and stunning photographs of these small, neat buildings—once the social and educational center of rural life, now either abandoned or restored to an artificial quaintness—encapsulate the dramatic transformations that have overtaken the Iowa countryside.
      Michael Harker’s goal is to record Iowa’s historically significant architecture before it disappears forever. From Coon Center School no. 5 in Albert City to Pleasant Valley School in Kalona, North River School in Winterset to Douglas Center School in Sioux Rapids, and Iowa’s first school to Grant Wood’s first school, he has achieved this goal on a grand scale in Harker’s One-Room Schoolhouses.
      Educational historian Paul Theobald tells the story of the rise and fall of Iowa’s one-room schools, whose numbers fell from close to 15,000 in 1918 to only 1,100 in 1960, all of which had ceased to function as schools by 1980. Moving from the state-wide story to the personal, he introduces us to George Coleman, son of a local farmer and school board director, who kept a sparse diary between December 1869 and June 1870.  Young George’s words reveal the intimate way in which one-room schools interacted with the local community, including the local economic scene. Theobald ends by suggesting that these one-room relics of the past may again prove useful.
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cover of Harlem's Theaters: A Staging Ground for Community, Class, and Contradiction, 1923-1939

Harlem's Theaters

A Staging Ground for Community, Class, and Contradiction, 1923-1939

Adrienne Macki Braconi

Northwestern University Press, 2015

Honorable Mention, 2016 Errol Hill Book Award for Outstanding Scholarship in African American Theater, Drama and/or Performance

Based on a vast amount of archival research, Adrienne Macki Braconi’s illuminating study of three important community-based theaters in Harlem shows how their work was essential to the formation of a public identity for African Americans and the articulation of their goals, laying the groundwork for the emergence of the Civil Rights movement. Macki Braconi uses textual analysis, performance reconstruction, and audience reception to examine the complex dynamics of productions by the Krigwa Players, the Harlem Experimental Theatre, and the Negro Theatre of the Federal Theatre Project. Even as these theaters demonstrated the extraordinary power of activist art, they also revealed its limits. The stage was a site in which ideological and class differences played out, theater being both a force for change and a collision of contradictory agendas. Macki Braconi’s book alters our understanding of the Harlem Renaissance, the roots of the Civil Rights movement, and the history of community theater in America.

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cover of Harlem: The Unmaking of a Ghetto

Harlem

The Unmaking of a Ghetto

Camilo José Vergara

University of Chicago Press, 2013

For more than a century, Harlem has been the epicenter of black America, the celebrated heart of African American life and culture—but it has also been a byword for the problems that have long plagued inner-city neighborhoods: poverty, crime, violence, disinvestment, and decay.

Photographer Camilo José Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood’s urban fabric, both the buildings that compose it and the life and culture embedded in them. By repeatedly returning to the same locations over the course of decades, Vergara is able to show us a community that is constantly changing—some areas declining, as longtime businesses give way to empty storefronts, graffiti, and garbage, while other areas gentrify, with corporate chain stores coming in to compete with the mom-and-pops. He also captures the ever-present street life of this densely populated neighborhood, from stoop gatherings to graffiti murals memorializing dead rappers to impersonators honoring Michael Jackson in front of the Apollo, as well as the growth of tourism and racial integration.

Woven throughout the images is Vergara’s own account of his project and his experience of living and working in Harlem. Taken together, his unforgettable words and images tell the story of how Harlem and its residents navigated the segregation, dereliction and slow recovery of the closing years of the twentieth century and the boom and racial integration of the twenty-first century. A deeply personal investigation, Harlem will take its place with the best portrayals of urban life.

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cover of Harlots, Hussies, and Poor Unfortunate Women: Crime, Transportation, and the Servitude of Female Convicts, 1718-1783

Harlots, Hussies, and Poor Unfortunate Women

Crime, Transportation, and the Servitude of Female Convicts, 1718-1783

Edith M. Ziegler

University of Alabama Press, 2014

In Harlots, Hussies, and Poor Unfortunate Women, Edith M. Ziegler recounts the history of British convict women involuntarily transported to Maryland in the eighteenth century.

Great Britain’s forced transportation of convicts to colonial Australia is well known. Less widely known is Britain’s earlier program of sending convicts—including women—to North America. Many of these women were assigned as servants in Maryland. Titled using epithets that their colonial masters applied to the convicts, Edith M. Ziegler’s Harlots, Hussies, and Poor Unfortunate Women examines the lives of this intriguing subset of American immigrants.

Basing much of her powerful narrative on the experiences of actual women, Ziegler restores individual faces to women stripped of their basic freedoms. She begins by vividly invoking the social conditions of eighteenth-century Britain, which suffered high levels of criminal activity, frequently petty thievery. Contemporary readers and scholars will be fascinated by Ziegler’s explanation of how gender-influenced punishments were meted out to women and often ensnared them in Britain’s system of convict labor.

Ziegler depicts the methods and operation of the convict trade and sale procedures in colonial markets. She describes the places where convict servants were deployed and highlights the roles these women played in colonial Maryland and their contributions to the region’s society and economy. Ziegler’s research also sheds light on escape attempts and the lives that awaited those who survived servitude.

Mostly illiterate, convict women left few primary sources such as diaries or letters in their own words. Ziegler has masterfully researched the penumbra of associated documents and accounts to reconstruct the worlds of eighteenth-century Britain and colonial Maryland and the lives of these unwilling American settlers. In illuminating this little-known episode in American history, Ziegler also discusses not just the fact that these women have been largely forgotten, but why. Harlots, Hussies, and Poor Unfortunate Women makes a valuable contribution to American history, women’s studies, and labor history.

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cover of Harnessed to the Pole: Sledge Dogs in Service to American Explorers of the Arctic 1853-1909

Harnessed to the Pole

Sledge Dogs in Service to American Explorers of the Arctic 1853-1909

Sheila Nickerson

University of Alaska Press, 2014

In the second half of the nineteenth century, an epic race was underway in some of the most brutal stretches on the planet. Explorers from around the world hoped to stake their claim on the Arctic, with the North Pole being the ultimate prize. Those with the greatest success found that the fastest way to travel was on four legs—using a team of hardworking sledge dogs.

Harnessed to the Pole follows the adventures of eight American explorers and their dog teams, starting with Elisha Kent Kane and ending with Robert Peary, controversial claimant of the title of first to reach the North Pole. While history has long forgotten these “little camels of the north,” Sheila Nickerson reveals how critical dogs were to the Arctic conquest. Besides providing transportation in extreme conditions, sledge dogs protected against wolves and polar bears, helped in hunting, found their way through storms, and provided warmth in extreme cold. They also faced rough handling, starvation, and the possibility of being left behind as expeditions plunged ahead. Harnessed to the Pole is an extraordinary—and unflinching—look at the dogs that raced to the top of the world.
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cover of Harold B. Lee: Life and Thought

Harold B. Lee

Life and Thought

Newell G. Bringhurst

Signature Books, 2021

While Harold B. Lee served as president of the Church of Jesus Christ of Latter-day Saints for a mere one and half-years—among the shortest tenure of any church leader—his impact on the modern LDS Church remains among the most profound. Lee implemented the Church Welfare Program, which provided relief to suffering church members during the 1930s Great Depression and continues to impact the lives of church members today. As a high-ranking general authority from 1941 to 1973, he championed other innovations, the most important being Correlation. Lee acted in response to the church’s record growth and increased diversity to consolidate and streamline churchwide instruction and administration. As a teacher/mentor, he promoted conservative church doctrine and practice, which influenced a generation of church leaders, including future presidents Spencer W. Kimball, Ezra Taft Benson, Howard W. Hunter, Gordon B. Hinckley, and Thomas S. Monson. Noted historian Newell G. Bringhurst succinctly narrates the major, defining events in Lee’s remarkable life, while highlighting Lee’s important, lasting contributions. This is the first volume in Signature’s new Brief Mormon Lives series.
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cover of Harold Rosenberg: A Critic‘s Life

Harold Rosenberg

A Critic‘s Life

Debra Bricker Balken

University of Chicago Press, 2021

Despite being one of the foremost American intellectuals of the mid-twentieth century, Harold Rosenberg (1906–1978) was utterly incapable of fitting in—and he liked it that way. Signature cane in one hand and a cigarette in the other, he cut a distinctive figure on the New York City culture scene, with his radiant dark eyes and black bushy brows. A gangly giant at six foot four, he would tower over others as he forcefully expounded on his latest obsession in an oddly high-pitched, nasal voice. And people would listen, captivated by his ideas.
 
With Harold Rosenberg: A Critic’s Life, Debra Bricker Balken offers the first-ever complete biography of this great and eccentric man. Although he is now known mainly for his role as an art critic at the New Yorker from 1962 to 1978, Balken weaves together a complete tapestry of Rosenberg’s life and literary production, cast against the dynamic intellectual and social ferment of his time. She explores his role in some of the most contentious cultural debates of the Cold War period, including those over the commodification of art and the erosion of individuality in favor of celebrity, demonstrated in his famous essay “The Herd of Independent Minds.” An outspoken socialist and advocate for the political agency of art, he formed deep alliances with figures such as Hannah Arendt, Saul Bellow, Paul Goodman, Mary McCarthy, Jean-Paul Sartre, Willem de Kooning, and Jackson Pollock, all of whom Balken portrays with vivid accounts from Rosenberg’s life.

Thoroughly researched and captivatingly written, this book tells in full Rosenberg’s brilliant, fiercely independent life and the five decades in which he played a leading role in US cultural, intellectual, and political history.
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cover of Harriet Hosmer: A Cultural Biography

Harriet Hosmer

A Cultural Biography

Kate Culkin

University of Massachusetts Press, 2010

Harriet Hosmer (1830–1908) was celebrated as one of the country's most respected artists, credited with opening the field of sculpture to women and cited as a model of female ability and American refinement. In this biographical study, Kate Culkin explores Hosmer's life and work and places her in the context of a notable group of expatriate writers and artists who gathered in Rome in the mid-nineteenth century.

In 1852 Hosmer moved from Boston to Rome, where she shared a house with actress Charlotte Cushman and soon formed close friendships with such prominent expatriates as Robert and Elizabeth Barrett Browning and fellow sculptors John Gibson, Emma Stebbins, and William Wetmore Story. References to Hosmer or characters inspired by her appear in the work of Nathaniel Hawthorne, Louisa May Alcott, and Kate Field among others. Culkin argues that Hosmer's success was made possible by her extensive network of supporters, including her famous friends, boosters of American gentility, and women's rights advocates. This unlikely coalition, along with her talent, ambition, and careful maintenance of her public profile, ultimately brought her great acclaim. Culkin also addresses Hosmer's critique of women's position in nineteenth-century culture through her sculpture, women's rights advocates' use of high art to promote their cause, the role Hosmer's relationships with women played in her life and success, and the complex position a female artist occupied within a country increasingly interested in proving its gentility.
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cover of Harriet Jacobs: A Play

Harriet Jacobs

A Play

Lydia R. Diamond

Northwestern University Press, 2010

Throughout her meteoric rise into the upper ranks of young playwrights, Lydia R. Diamond has boldly challenged assumptions about African American culture. In Harriet Jacobs, she turns one of the greatest of American slave narratives, Jacobs’ Incidents in the Life of a Slave Girl, into a penetrating, rousing work of theater.

Jacobs’ book—which was published in 1861 and only partially serialized in Horace Greely’s New York Tribune before it was deemed too graphic—chillingly exposed the sexual harassment and abuse of slave girls and women at the hands of their masters. Harriet Jabobs: A Play organically incorporates theatrical elements that extend the book’s enormous power. Through active scenes, piercing direct address, and slave narratives, Diamond is able to give new expression to the horrors and legacies of slavery. Diamond presents African American culture in all its richness—with slavery as a part of it, but not its defining aspect. Though harrowing, Harriet Jacobs addresses the necessary task of reenvisioning a difficult chapter in American history.
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cover of Harriet Tubman: Myth, Memory, and History

Harriet Tubman

Myth, Memory, and History

Milton C. Sernett

Duke University Press, 2007

Harriet Tubman is one of America’s most beloved historical figures, revered alongside luminaries including Abraham Lincoln and Frederick Douglass. Harriet Tubman: Myth, Memory, and History tells the fascinating story of Tubman’s life as an American icon. The distinguished historian Milton C. Sernett compares the larger-than-life symbolic Tubman with the actual “historical” Tubman. He does so not to diminish Tubman’s achievements but rather to explore the interplay of history and myth in our national consciousness. Analyzing how the Tubman icon has changed over time, Sernett shows that the various constructions of the “Black Moses” reveal as much about their creators as they do about Tubman herself.

Three biographies of Harriet Tubman were published within months of each other in 2003–04; they were the first book-length studies of the “Queen of the Underground Railroad” to appear in almost sixty years. Sernett examines the accuracy and reception of these three books as well as two earlier biographies first published in 1869 and 1943. He finds that the three recent studies come closer to capturing the “real” Tubman than did the earlier two. Arguing that the mythical Tubman is most clearly enshrined in stories told to and written for children, Sernett scrutinizes visual and textual representations of “Aunt Harriet” in children’s literature. He looks at how Tubman has been portrayed in film, painting, music, and theater; in her Maryland birthplace; in Auburn, New York, where she lived out her final years; and in the naming of schools, streets, and other public venues. He also investigates how the legendary Tubman was embraced and represented by different groups during her lifetime and at her death in 1913. Ultimately, Sernett contends that Harriet Tubman may be America’s most malleable and resilient icon.

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cover of Harriet Tubman: The Life and the Life Stories

Harriet Tubman

The Life and the Life Stories

Jean M. Humez

University of Wisconsin Press, 2005

    Harriet Tubman’s name is known world-wide and her exploits as a self-liberated Underground Railroad heroine are celebrated in children’s literature, film, and history books, yet no major biography of Tubman has appeared since 1943. Jean M. Humez’s comprehensive Harriet Tubman is both an important biographical overview based on extensive new research and a complete collection of the stories Tubman told about her life—a virtual autobiography culled by Humez from rare early publications and manuscript sources. This book will become a landmark resource for scholars, historians, and general readers interested in slavery, the Underground Railroad, the Civil War, and African American women.
    Born in slavery in Maryland in or around 1820, Tubman drew upon deep spiritual resources and covert antislavery networks when she escaped to the north in 1849. Vowing to liberate her entire family, she made repeated trips south during the 1850s and successfully guided dozens of fugitives to freedom. During the Civil War she was recruited to act as spy and scout with the Union Army. After the war she settled in Auburn, New York, where she worked to support an extended family and in her later years founded a home for the indigent aged. Celebrated by her primarily white antislavery associates in a variety of private and public documents from the 1850s through the 1870s, she was rediscovered as a race heroine by woman suffragists and the African American women’s club movement in the early twentieth century. Her story was used as a key symbolic resource in education, institutional fundraising, and debates about the meaning of "race" throughout the twentieth century.
    Humez includes an extended discussion of Tubman’s work as a public performer of her own life history during the nearly sixty years she lived in the north. Drawing upon historiographical and literary discussion of the complex hybrid authorship of slave narrative literature, Humez analyzes the interactive dynamic between Tubman and her interviewers. Humez illustrates how Tubman, though unable to write, made major unrecognized contributions to the shaping of her own heroic myth by early biographers like Sarah Bradford. Selections of key documents illustrate how Tubman appeared to her contemporaries, and a comprehensive list of primary sources represents an important resource for scholars.

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cover of Harriette Simpson Arnow: Critical Essays on Her Work

Harriette Simpson Arnow

Critical Essays on Her Work

Haeja K. Chung

Michigan State University Press, 1995

At her death in 1986, Harriette Simpson Arnow left a modest collection of published work: ten short stories, five novels, two non-fiction books, a short autobiography, and nineteen essays and book reviews. Although the sum is small, her writing has been examined from regionalist, Marxist, feminist, and other critical perspectives.
The 1970s saw the first serious attempts to revive interest in Arnow. In 1971, Tillie Olsen identified her as a writer whose "books of great worth suffer the death of being unknown, or at best, a peculiar eclipsing." Joyse Carol Oates wrote in The New York Times Book Review that Arnow's The Dollmaker is "our most unpretentious American masterpiece."
In the 1990s, it is appropriate to take stock of her earlier work and to prompt reexamination of this powerful yet poorly understood writer. This collection of critical essays examines traditional as well as new interpretations of Arnow and her work. It also suggests future directions for Arnow scholarship and includes studies of all of Arnow's writing, fiction and non-fiction, published and unpublished.

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cover of Harriman vs. Hill: Wall Street’s Great Railroad War

Harriman vs. Hill

Wall Street’s Great Railroad War

Larry Haeg

University of Minnesota Press, 2013

In 1901, the Northern Pacific was an unlikely prize: a twice-bankrupt construction of the federal government, it was a two-bit railroad (literally—five years back, its stock traded for twenty-five cents a share). But it was also a key to connecting eastern markets through Chicago to the rising West. Two titans of American railroads set their sights on it: James J. Hill, head of the Great Northern and largest individual shareholder of the Northern Pacific, and Edward Harriman, head of the Union Pacific and the Southern Pacific. The subsequent contest was unprecedented in the history of American enterprise, pitting not only Hill against Harriman but also Big Oil against Big Steel and J. P. Morgan against the Rockefellers, with a supporting cast of enough wealthy investors to fill the ballroom of the Waldorf Astoria.

The story, told here in full for the first time, transports us to the New York Stock Exchange during the unfolding of the earliest modern-day stock market panic. Harriman vs. Hill re-creates the drama of four tumultuous days in May 1901, when the common stock of the Northern Pacific rocketed from one hundred ten dollars a share to one thousand in a mere seventeen hours of trading—the result of an inadvertent “corner” caused by the opposing forces. Panic followed and then, in short order, a calamity for the “shorts,” a compromise, the near-collapse of Wall Street brokerages and banks, the most precipitous decline ever in American stock values, and the fastest recovery. Larry Haeg brings to life the ensuing stalemate and truce, which led to the forming of a holding company, briefly the biggest railroad combine in American history, and the U.S. Supreme Court ruling against the deal, launching the reputation of Justice Oliver Wendell Holmes as the “great dissenter” and President Theodore Roosevelt as the “trust buster.”

The forces of competition and combination, unfettered growth, government regulation, and corporate ambition—all the elements of American business at its best and worst—come into play in the account of this epic battle, whose effects echo through our economy to this day.

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cover of Harry Bridges: Labor Radical, Labor Legend

Harry Bridges

Labor Radical, Labor Legend

Robert W. Cherny

University of Illinois Press, 2023

The iconic leader of one of America’s most powerful unions, Harry Bridges put an indelible stamp on the twentieth century labor movement. Robert Cherny’s monumental biography tells the life story of the figure who built the International Longshore and Warehouse Union (ILWU) into a labor powerhouse that still represents almost 30,000 workers.

An Australian immigrant, Bridges worked the Pacific Coast docks. His militant unionism placed him at the center of the 1934 West Coast Waterfront Strike and spurred him to expand his organizing activities to warehouse laborers and Hawaiian sugar and pineapple workers. Cherny examines the overall effectiveness of Bridges as a union leader and the decisions and traits that made him effective. Cherny also details the price paid by Bridges as the US government repeatedly prosecuted him for his left-wing politics.

Drawing on personal interviews with Bridges and years of exhaustive research, Harry Bridges places an extraordinary individual and the ILWU within the epic history of twentieth-century labor radicalism.

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cover of Harry Huntt Ransom: Intellect in Motion

Harry Huntt Ransom

Intellect in Motion

By Alan Gribben

University of Texas Press, 2008

Both a life story and a portrait of public higher education during the twentieth century, Harry Huntt Ransom captures the spirit of a dynamic individual who dedicated his talents to nurturing intellectual life in Texas and beyond. Tracing the details of Ransom's youth in Galveston and Tennessee and his education at Yale, where he earned a doctorate, Alan Gribben provides new insight into the factors that shaped Ransom's future as a renowned administrator and defender of the humanities.

Ransom's career at the University of Texas began in 1935, when he was hired as an instructor of English. He rose through the ranks to become chancellor, stepping down in 1971 during a volatile period when debates about the University's central mission raged—particularly over the question of commercializing higher education. The development of Ransom's lasting legacy, the Humanities Research Center bearing his name, is explored in depth as well. Bringing to life a legendary figure, Harry Huntt Ransom is a colorful testament to a singular man of letters who had the audacity to propose "that there be established somewhere in Texas—let's say in the capital city—a center of our cultural compass, a research center to be the Bibliothèque Nationale of the only state that started out as an independent nation."

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cover of Harry Reasoner: A Life in the News

Harry Reasoner

A Life in the News

By Douglass K. Daniel

University of Texas Press, 2007

Harry Reasoner was one of the most trusted and well-liked journalists of the golden age of network television news. Whether anchoring the evening newscast on CBS in the 1960s or on ABC in the 1970s, providing in-depth reporting on 60 Minutes, or hosting numerous special programs covering civil rights struggles, the Vietnam War, and Watergate, Reasoner had "that almost mystical quality it seems to take for good television reporting, exuding this atmosphere of truth and believability," in the words of Walter Cronkite. Yet his reassuring manner and urbane, often witty, on-air persona masked a man who was far more complex and contradictory. Though gifted with the intelligence and drive to rise to the top of his profession, Reasoner was regarded by many colleagues as lazy and self-indulgent, a man who never achieved his full potential despite his many accomplishments.

Harry Reasoner: A Life in the News covers the entire sweep of this enigmatic journalist's life and career. Douglass K. Daniel opens with Reasoner's Depression-era Midwestern upbringing and follows him through his early work in newspapers and radio before he joined CBS in 1956. Focusing on Reasoner's thirty-five-year tenure in television news, Daniel presents fascinating, behind-the-scenes accounts of Reasoner's key role in founding the top-rated newsmagazine 60 Minutes. He also explores Reasoner's highly publicized move to ABC in 1970, where he anchored the nightly newscast, first with Howard K. Smith and later with Barbara Walters—a disastrous pairing from which Reasoner's career never fully recovered.

Based on scores of interviews and unpublished letters, memos, and other primary sources, this first biography of the man once rated second in credibility only to Walter Cronkite illuminates an entire era in broadcast journalism, as well as many of the unique personalities, from Andy Rooney to Mike Wallace, who made that era distinctive.

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Harry S. Truman and the Cold War Revisionists

Robert H. Ferrell

University of Missouri Press, 2006

The idea of revising what is known of the past constitutes an essential procedure in historical scholarship, but revisionists are often hasty and argumentative in their judgments. Such, argues Robert H. Ferrell, has been the case with assessments of the presidency of Harry S. Truman, who was targeted by historians and political scientists in the 1960s and ’70s for numerous failings in both domestic and foreign policy, including launching the cold war—perceptions that persist to the present day.
Widely acknowledged as today’s foremost Truman scholar, Ferrell turns the tables on the revisionists in this collection of classic essays. He goes below the surface appearances of history to examine how situations actually developed and how Truman performed sensibly—even courageously—in the face of unforeseen crises.
While some revisionists see Truman as consumed by a blind hatred of the Soviet Union and adopting an unrestrainedly militant stance, Ferrell convincingly shows that Truman wished to get along with the Soviets and was often bewildered by their actions. He interprets policies such as the Truman Doctrine, the Marshall Plan, and support for NATO as prudent responses to perceived threats and credits the Truman administration for the ways in which it dealt with unprecedented problems.
What emerges most vividly from Ferrell’s essays is a sense of how weak a hand the United States held from 1945 to1950, with its conventional forces depleted by the return of veterans to civil pursuits after the war and with its capacity for delivery of nuclear weapons in a sorry state. He shows that Truman regarded the atomic bomb as a weapon of last resort, not an instrument of policy, and that he took America into a war in Korea for the good of the United States and its allies. Although Truman has been vindicated on many of these issues, there still remains a lingering controversy over the use of atomic weapons in Japan—a decision that Ferrell argues is understandable in light of what Truman faced at the start of his presidency.
Ferrell argues that the revisionists who attacked Truman understood neither the times nor the man—one of the most clearheaded, farsighted presidents ever to occupy the Oval Office. Harry S. Truman and the Cold War Revisionists shows us that Truman’s was indeed a remarkable presidency, as it cautions historians against too quickly appraising the very recent past.
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cover of Harry S. Truman and the News Media: Contentious Relations, Belated Respect

Harry S. Truman and the News Media

Contentious Relations, Belated Respect

Franklin D. Mitchell

University of Missouri Press, 1998

Based upon extensive research in the papers of President Harry S. Truman and in several journalistic collections, Harry S. Truman and the News Media recounts the story of a once unpopular chief executive who overcame the censure of the news media to ultimately win both the public's and the press's affirmation of his personal and presidential greatness.

Franklin D. Mitchell traces the major contours of journalism during the lifetime and presidency of Truman. Although newspapers and newsmagazines are given the most emphasis, reporters and columnists of the Washington news corps also figure prominently for their role in the president's news conferences and their continuing coverage of Truman and his family. Broadcast journalism's expanding coverage of the president is also explored through chapters dealing with radio and television.

President Truman's advocacy of a liberal Fair Deal for all Americans and a prudent and visible role for the nation in world affairs drew fire from the anti-administration news media, particularly the publishing empire of William Randolph Hearst, the McCormick-Patterson newspapers, the Scripps-Howard chain, and the Time-Life newsmagazines of Henry R. Luce. Despite press opposition and the almost universal prediction of defeat in the 1948 election, Truman was victorious in the greatest miscalled presidential election in journalistic history.

During his full term, Truman's relations with the news media became contentious over such matters as national security in the Cold War, the conduct of the Korean War, and the continuing charges of communism and corruption in the administration. Although Truman's career in politics was based on honesty and the welfare of the people, his early political alliance with Thomas Pendergast, Kansas City's notorious political boss, provided the opportunity for a portion of the press to charge Truman with subservience to Pendergast's own agenda of corrupt government.

The history and the dynamics of the Truman presidency and the American news media, combined with biographical and institutional sketches of key individuals and news organizations, make Harry S. Truman and the News Media a captivating and original investigation of an American president. Well written and researched, this book will be of great value to Truman scholars, journalists, and anyone interested in American history or presidential studies.

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cover of Harry S. Truman versus the Medical Lobby: The Genesis of Medicare

Harry S. Truman versus the Medical Lobby

The Genesis of Medicare

Monte M. Poen

University of Missouri Press, 1996

“I have some bitter disappointments as President,” reflected Harry Truman after leaving office, “but the one that has troubled me the most , in a personal way, has been the failure to defeat organized opposition to a national compulsory health-insurance program.”
Harry S. Truman versus the Medical Lobby is a study of one aspect of Harry Truman’s domestic leadership and the political conflict it produced. In the book, author Monte Poen examines Truman’s quest for national health insurance in the light of the ongoing debate on the subject in this century. It reveals why Truman was the first president to advocate government-financed health care and why he repeatedly took the idea to Congress, despite insurmountable political obstacles.
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cover of Harry S. Truman: A Life

Harry S. Truman

A Life

Robert H. Ferrell

University of Missouri Press, 1995

Few U.S. presidents have captured the imagination of the American people as has Harry S. Truman, “the man from Missouri.”

In this major new biography, Robert H. Ferrell, widely regarded as an authority on the thirty-third president, challenges the popular characterization of Truman as a man who rarely sought the offices he received, revealing instead a man who—with modesty, commitment to service, and basic honesty—moved with method and system toward the presidency.

Truman was ambitious in the best sense of the word. His powerful commitment to service was accompanied by a remarkable shrewdness and an exceptional ability to judge people. He regarded himself as a consummate politician, a designation of which he was proud. While in Washington, he never succumbed to the “Potomac fever” that swelled the heads of so many officials in that city. A scrupulously honest man, Truman exhibited only one lapse when, at the beginning of 1941, he padded his Senate payroll by adding his wife and later his sister.

From his early years on the family farm through his pivotal decision to use the atomic bomb in World War II, Truman’s life was filled with fascinating events. Ferrell’s exhaustive research offers new perspectives on many key episodes in Truman’s career, including his first Senate term and the circumstances surrounding the Truman Doctrine and the Marshall Plan. In addition, Ferrell taps many little-known sources to relate the intriguing story of the machinations by which Truman gained the vice presidential nomination in 1944, a position which put him a heartbeat away from the presidency.

No other historian has ever demonstrated such command over the vast amounts of material that Robert Ferrell brings to bear on the unforgettable story of Truman’s life. Based upon years of research in the Truman Library and the study of many never-before-used primary sources, Harry S. Truman is destined to become the authoritative account of the nation’s favorite president.

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cover of Harry T. Burleigh: From the Spiritual to the Harlem Renaissance

Harry T. Burleigh

From the Spiritual to the Harlem Renaissance

Jean E. Snyder

University of Illinois Press, 2021

Harry T. Burleigh (1866-1949) played a leading role in American music and culture in the twentieth century. Celebrated for his arrangements of spirituals, Burleigh was also the first African American composer to create a significant body of art song. An international roster of opera and recital singers performed his works and praised them as among the best of their time. Jean E. Snyder traces Burleigh's life from his Pennsylvania childhood through his fifty-year tenure as soloist at St. George's Episcopal Church in Manhattan. As a composer, Burleigh's pioneering work preserved and transformed the African American spiritual; as a music editor, he facilitated the work of other black composers; as a role model, vocal coach, and mentor, he profoundly influenced American song; and in private life he was friends with Antonín Dvořák, Marian Anderson, Will Marion Cook, and other America luminaries. Snyder provides rich historical, social, and political contexts that explore Burleigh's professional and personal life within an era complicated by changes in race relations, class expectations, and musical tastes.
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cover of Harry's Farewell: Interpreting and Teaching the Truman Presidency

Harry's Farewell

Interpreting and Teaching the Truman Presidency

Edited & Intro by Richard S. Kirkendall

University of Missouri Press, 2004

Harry’s Farewell confronts the biggest issue of Truman historiography: the historical significance of Harry S. Truman’s presidency. Exploring the subject from the point of view of Truman’s Farewell Address of January 15, 1953, the book begins by describing the preparation of the address itself by the president and his closest advisers. In it, they challenged the negative view of his presidency that prevailed as he prepared to leave the White House. The book goes on to appraise the presidency in terms of the topics included in the address: the president and the people, the economy, civil rights, the bomb, Containment, Korea, and the end of the Cold War. Four essays follow that cover key topics that Truman did not mention in his speech: the Red Scare, women’s rights, ethnicity, and the environment. The book ends with essays by two major Truman biographers who present their own interpretations of his historical significance.
In addition to interpreting the Truman presidency, the book also deals with the needs of teachers who must bring this subject into their classrooms. Reflecting the importance of education for the Truman Library’s mission, Harry’s Farewell began as a conference at the library that brought researchers and teachers together for four days of conversation about interpretation and teaching. As a result, this book offers documents that teachers can use in their classes and includes an essay, based on the conversations, on ways of teaching the Truman presidency. In addition to being of great value to researchers and teachers, this book provides the general reader with a clearly focused collection of informative and provocative essays on Harry Truman, a man now widely regarded as a great American president.
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cover of Hart Crane and the Homosexual Text: New Thresholds, New Anatomies

Hart Crane and the Homosexual Text

New Thresholds, New Anatomies

Thomas E. Yingling

University of Chicago Press, 1990

"Canonized for being insufficiently American although he took America as his subject, chastised for obscurity by readers who would not allow or would not read homosexual meanings, Crane embodies many understandings of America, and of the predicament of the gay writer."—Voice Literary Supplement

"A brilliant critical model for understanding how textuality and sexuality can produce pervasive effects on each other in the writing of a figure like Crane."—Michael Moon, Duke University

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cover of Hart Crane: After His Lights

Hart Crane

After His Lights

Brian M. Reed

University of Alabama Press, 2006

A critical reassessment of the life’s work of a major American poet.
 
With his suicide in 1932, Hart Crane left behind a small body of work—White Buildings (1926) and The Bridge (1930). Yet, Crane’s poetry was championed and debated publicly by many of the most eminent literary and cultural critics of his day, among them Van Wyck Brooks, Kenneth Burke, Robert Graves, Allen Tate, and Edmund Wilson. The Bridge appears in its entirety in the Norton Anthology of American Literature, and Crane himself has been the subject two recent biographies.

In Hart Crane: After His Lights, Brian Reed undertakes a study of Crane’s poetic output that takes into account, but also questions, the post-structural and theoretical developments in humanities scholarship of the last decade that have largely approached Crane in a piecemeal way, or pigeonholed him as represen-tative of his class, gender, or sexual orientation. Reed examines Crane’s career from his juvenilia to his posthumous critical reception and his impact on practicing poets following World War II. The first part of the study tests common rubrics of literary theory—nationality, sexuality, period—against Crane’s poetry, and finds that these labels, while enlightening, also obfuscate the origin and character of the poet’s work. The second part examines Crane’s poetry through the process of its composition, sources, and models, taking up questions of style, genealogy, and genre. The final section examines Crane’s influence on subsequent generations of American poets, especially by avant-garde literary circles like the New American poets, the Black Mountain School, the New York School, and the Beats.

The result is a study that complicates and enriches our understandings of Crane’s poetry and contributes to the ongoing reassessment of literary modernism’s origins, course, and legacy.
 
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cover of Hatching Ruin: Or Mark Twain's Road to Bankruptcy

Hatching Ruin

Or Mark Twain's Road to Bankruptcy

Charles H. Gold

University of Missouri Press, 2003

In “Hatching Ruin,” Charles H. Gold provides a complete description of Samuel L. Clemens’s business relationships with Charles L. Webster and James W. Paige during the 1880s. Gold analyzes how these relationships affected Clemens as a person and an artist, most notably in A Connecticut Yankee in King Arthur’s Court.

The 1880s were a time when Samuel Clemens was more businessman than author. Clemens wanted to be rich. From an early age, he had dreamed of wealth. Suspicious of his previous publisher, Clemens started a publishing company and placed Charles L. Webster, who was married to his niece, at the head of it. He also invested large sums of money with James Paige, who was developing a typesetting machine. These were to be Clemens’s instruments of success—his way to bring technology to the world and become so rich that he would never need to earn money again.
 
Unfortunately for him, Paige was a perfectionist and a compulsive tinkerer who never stopped working on the typesetting machine. When, after early success, the publishing company began to fail, Clemens was unable to continue his investments in the typesetter. He blamed both Webster and Paige for his failure to “get rich quick” and for his eventual bankruptcy in 1894. Gold argues that these financial changes in his life helped to shape Connecticut Yankee, an important novel and cultural statement.
 
At the beginning of the 1880s, while life was still good, Clemens wrote Adventures of Huckleberry Finn, in part a nostalgic look at youth and innocence in preindustrial America. A Connecticut Yankee in King Arthur’s Court, written after the author’s financial failures, is a savage condemnation of the Gilded Age, especially technology’s role in it. Gold’s “Hatching Ruin” tells for the first time the full story of Clemens’s experiences as an investor, employer, and entrepreneur during the Gilded Age.
 
Gold uses previously unpublished material from family correspondence and Clemens’s autobiographical dictations to present a far more complex picture of the man most people know only as Mark Twain. He also offers a fuller depiction of Charles Webster and his relationship with Clemens than was previously available, while answering many questions that have hung over that relationship. This book will have a wide appeal to both Twain students and scholars, as well as anyone interested in social history.
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cover of Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse

Hating Jazz

A History of Its Disparagement, Mockery, and Other Forms of Abuse

Andrew S. Berish

University of Chicago Press, 2025

A deep dive into the meaning behind the hatred of jazz.
 
A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place?

Andrew S. Berish’s Hating Jazz listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz’s complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit racial tenor of jazz jokes has become muted over time, making fun of jazz, either in a lighthearted or aggressive way, is also an engagement with the place of Blackness in America. An individual’s taste in music may seem personal, but Berish’s analysis of jazz hatred demonstrates that musical preferences and trends are a social phenomenon. Criticism of jazz has become inextricable from the ways we understand race in America, past and present. In addition to this form of criticism, Berish also considers jazz hate as a form of taste discrimination and as a conflict over genre boundaries within different jazz cultures.

Both enlightening and original, Hating Jazz shows that our response to music can be a social act, unique to our historical moment and cultural context—we react to music in certain ways because of who we are, where we are, and when we are.
 
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cover of Hatred at Home: al-Qaida on Trial in the American Midwest

Hatred at Home

al-Qaida on Trial in the American Midwest

Andrew Welsh-Huggins

Ohio University Press, 2011

One day in 2002, three friends—a Somali immigrant, a Pakistan–born U.S. citizen, and a hometown African American—met in a Columbus, Ohio coffee shop and vented over civilian casualties in the war in Afghanistan. Their conversation triggered an investigation that would become one of the most unusual and far–reaching government probes into terrorism since the 9/11 attacks.

Over several years, prosecutors charged each man with unrelated terrorist activities in cases that embodied the Bush administration’s approach to fighting terrorism at home.

Government lawyers spoke of catastrophes averted; defense attorneys countered that none of the three had done anything but talk. The stories of these homegrown terrorists illustrate the paradox the government faces after September 11: how to fairly wage a war against alleged enemies living in our midst.

Hatred at Home is a true crime drama that will spark debate from all political corners about safety, civil liberties, free speech, and the government’s war at home.

[more]
cover of Hattie and Huey: An Arkansas Tour

Hattie and Huey

An Arkansas Tour

David Malone

University of Arkansas Press, 1990

During the first eight scorching days of August in 1932, U.S. Senator Huey P. Long of Louisiana campaigned in Arkansas for the election of Hattie Caraway to the U.S. Senate. Caraway easily defeated six well-known opponents in a race she was not expected to win and became the first woman to be elected to the U.S. Senate. This volume is a textbook of politics and a sweeping picture of the Great Depression, as if those perilous times had been compressed into a week and a day. It is a fascinating look at two extremely different people caught briefly in a common purpose.
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cover of Haunted City: Three Centuries of Racial Impersonation in Philadelphia

Haunted City

Three Centuries of Racial Impersonation in Philadelphia

Christian DuComb

University of Michigan Press, 2017

Haunted City explores the history of racial impersonation in Philadelphia from the late eighteenth century through the present day. The book focuses on select historical moments, such as the advent of the minstrel show and the ban on blackface makeup in the Philadelphia Mummers Parade, when local performances of racial impersonation inflected regional, national, transnational, and global formations of race.

Mummers have long worn blackface makeup during winter holiday celebrations in Europe and North America; in Philadelphia, mummers’ blackface persisted from the colonial period well into the twentieth century. The first annual Mummers Parade, a publicly sanctioned procession from the working-class neighborhoods of South Philadelphia to the city center, occurred in 1901. Despite a ban on blackface in the Mummers Parade after civil rights protests in 1963–64, other forms of racial and ethnic impersonation in the parade have continued to flourish unchecked. Haunted City combines detailed historical research with the author’s own experiences performing in the Mummers Parade to create a lively and richly illustrated narrative. Through its interdisciplinary approach, Haunted City addresses not only theater history and performance studies but also folklore, American studies, critical race theory, and art history.  It also offers a fresh take on the historiography of the antebellum minstrel show.

 
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cover of Haunted Heart: A Biography of Susannah McCorkle

Haunted Heart

A Biography of Susannah McCorkle

Linda Dahl

University of Michigan Press, 2006

"In this comprehensive biography, compiled from meticulous research and interviews with many of McCorkle's confidants . . . Dahl reconstructs a career distinguished by great promise and great sadness . . . doing her best to address a large, looming 'Why?' that can never be completely answered."
—New York Times

"A compelling, sympathetic but often chilling view not only of McCorkle's complexities but also of the difficult business of music itself and of the widespread always potentially fatal illness now better known as bipolar disorder, which the singer hid from so many, even from herself for many years."
—Newsweek

“Susannah's life was dark and daunting. Her music was suave and sunny. Both are honored in this remarkably well-researched and constantly revealing keyhole peek into a haunted life that is both chilling and exhilarating. I could not put it down.”
—Rex Reed

“Susannah McCorkle was a mesmerizing singer with a dark side she hid even from her closest friends. Now, thanks to this probing and courageous biography, we can understand the gut ambition that took her to the top of her field and the turmoil that brought her down.”
—James Gavin, author of Deep in a Dream: The Long Night of Chet Baker

“Haunted Heart strikingly resembles the woman it describes: it is vivacious, tender, saturnine, industrious, and deeply intelligent. Like Susannah's way with certain ballads, it opens a wound and begins the work of healing it. I am grateful for Linda Dahl's diligence and sympathy.”
—Leon Wieseltier

Linda Dahl is the author of Stormy Weather: The Music and Lives of a Century of Jazzwomen and Morning Glory: A Biography of Mary Lou Williams. Visit the author’s website at www.dahljazz.com.

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cover of Haunted Heartland

Haunted Heartland

Michael Norman

University of Wisconsin Press, 2017

A fleeting figure dressed in a white party dress roams the streets of southwest Chicago. A long-dead Iowa college student treads the staircase in an old building. A ghostly, plaid-shirted workman plays peek-a-boo with a ticket seller in a Minnesota theater. A phantom wolf prowls Ohio's Jackson and Pike Counties.

For decades, journalist Michael Norman has been tracking down spine-tingling tales that seem to arise from authentic incidents in Illinois, Indiana, Iowa, Kansas, Michigan, Minnesota, Missouri, Nebraska, Ohio, and Wisconsin. In Haunted Heartland he offers more than eighty entertaining, eerie stories. Are they true in the world that we know, or only in a dark vale of twilight?
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cover of Haunted Wisconsin

Haunted Wisconsin

Michael Norman

University of Wisconsin Press, 2011

Grab a cozy blanket, light a few flickering candles, and enjoy the unnerving tales of Haunted Wisconsin. Gathered from personal interviews with credible eyewitnesses, on-site explorations, historical archives, newspaper reports, and other sources, these scores of reports date from Wisconsin’s early settlement days to recent inexplicable events.
    You’ll read about Wisconsin’s most famous haunted house, Summerwind; three Milwaukee men who encountered the beautiful ghost of National Avenue; a phantom basketball player; a spectral horse that signaled death in the pioneer era of the Wisconsin Dells; a poltergeist in St. Croix County who attracted a crowd of more than three hundred spectators; the Ridgeway Ghost who haunts the driftless valleys of southwestern Wisconsin; a swinging railroad lantern held by unseen hands; the Ghost Island of the Chippewa Flowage; and many others. Are ghosts real? That’s for you to decide!
    Now available in a Third Edition with updates and several new accounts, Haunted Wisconsin remains a favorite collection of unexplained midwestern tales, enjoyed by readers of all ages.

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cover of Haunted by Empire: Geographies of Intimacy in North American History

Haunted by Empire

Geographies of Intimacy in North American History

Ann Laura Stoler, ed.

Duke University Press, 2006

A milestone in U.S. historiography, Haunted by Empire brings postcolonial critiques to bear on North American history and draws on that history to question the analytic conventions of postcolonial studies. The contributors to this innovative collection examine the critical role of “domains of the intimate” in the consolidation of colonial power. They demonstrate how the categories of difference underlying colonialism—the distinctions advanced as the justification for the colonizer’s rule of the colonized—were enacted and reinforced in intimate realms from the bedroom to the classroom to the medical examining room. Together the essays focus attention on the politics of comparison—on how colonizers differentiated one group or set of behaviors from another—and on the circulation of knowledge and ideologies within and between imperial projects. Ultimately, this collection forces a rethinking of what historians choose to compare and of the epistemological grounds on which those choices are based.

Haunted by Empire includes Ann Laura Stoler’s seminal essay “Tense and Tender Ties” as well as her bold introduction, which carves out the exciting new analytic and methodological ground animated by this comparative venture. The contributors engage in a lively cross-disciplinary conversation, drawing on history, anthropology, literature, philosophy, and public health. They address such topics as the regulation of Hindu marriages and gay sexuality in the early-twentieth-century United States; the framing of multiple-choice intelligence tests; the deeply entangled histories of Asian, African, and native peoples in the Americas; the racial categorizations used in the 1890 U.S. census; and the politics of race and space in French colonial New Orleans. Linda Gordon, Catherine Hall, and Nancy F. Cott each provide a concluding essay reflecting on the innovations and implications of the arguments advanced in Haunted by Empire.

Contributors. Warwick Anderson, Laura Briggs, Kathleen Brown, Nancy F. Cott, Shannon Lee Dawdy, Linda Gordon, Catherine Hall, Martha Hodes, Paul A. Kramer, Lisa Lowe, Tiya Miles, Gwenn A. Miller, Emily S. Rosenberg, Damon Salesa, Nayan Shah, Alexandra Minna Stern, Ann Laura Stoler, Laura Wexler

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cover of Haunted by Hitler: Liberals, the Left, and the Fight against Fascism in the United States

Haunted by Hitler

Liberals, the Left, and the Fight against Fascism in the United States

Christopher Vials

University of Massachusetts Press, 2014

Although fascism is typically associated with Europe, the threat of fascism in the United States haunted the imaginations of activists, writers, and artists, spurring them to create a rich, elaborate body of cultural and political work. Traversing the Popular Front of the 1930s, the struggle against McCarthyism in the 1950s, the Black Power movement of the 1960s, and the AIDS activism of the 1980s, Haunted by Hitler highlights the value of “antifascist” cultural politics, showing how it helped to frame the national discourse. 

Christopher Vials examines the ways in which anxieties about fascism in the United States have been expressed in the public sphere, through American television shows, Off-Broadway theater, party newspapers, bestselling works of history, journalism, popular sociology, political theory, and other media. He argues that twentieth-century liberals and leftists were more deeply unsettled by the problem of fascism than those at the center or the right and that they tirelessly and often successfully worked to counter America's fascist equivalents.

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cover of Haunted by Waters: A Journey through Race and Place in the American West

Haunted by Waters

A Journey through Race and Place in the American West

Robert T. Hayashi

University of Iowa Press, 2007

Even though race influenced how Americans envisioned, represented, and shaped the American West, discussions of its history devalue the experiences of racial and ethnic minorities. In this lyrical history of marginalized peoples in Idaho, Robert T. Hayashi views the West from a different perspective by detailing the ways in which they shaped the western landscape and its meaning.

As an easterner, researcher, angler, and third-generation Japanese American traveling across the contemporary Idaho landscape—where his grandfather died during internment during World War II—Hayashi reconstructs a landscape that lured emigrants of all races at the same time its ruling forces were developing cultured processes that excluded nonwhites. Throughout each convincing and compelling chapter, he searches for the stories of dispossessed minorities as patiently as he searches for trout.

Using a wide range of materials that include memoirs, oral interviews, poetry, legal cases, letters, government documents, and even road signs, Hayashi illustrates how Thomas Jefferson’s vision of an agrarian, all-white, and democratic West affected the Gem State’s Nez Perce, Chinese, Shoshone, Mormon, and particularly Japanese residents. Starting at the site of the Corps of Discovery’s journey into Idaho, he details the ideological, aesthetic, and material manifestations of these intertwined notions of race and place. As he ?y-?shes Idaho’s fabled rivers and visits its historical sites and museums, Hayashi reads the contemporary landscape in light of this evolution.

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cover of Haunting the Korean Diaspora: Shame, Secrecy, and the Forgotten War

Haunting the Korean Diaspora

Shame, Secrecy, and the Forgotten War

Grace M. Cho

University of Minnesota Press, 2008

Since the Korean War—the forgotten war—more than a million Korean women have acted as sex workers for U.S. servicemen. More than 100,000 women married GIs and moved to the United States. Through intellectual vigor and personal recollection, Haunting the Korean Diaspora explores the repressed history of emotional and physical violence between the United States and Korea and the unexamined reverberations of sexual relationships between Korean women and American soldiers. 

Grace M. Cho exposes how Koreans in the United States have been profoundly affected by the forgotten war and uncovers the silences and secrets that still surround it, arguing that trauma memories have been passed unconsciously through a process psychoanalysts call “transgenerational haunting.” Tracing how such secrets have turned into “ghosts,” Cho investigates the mythic figure of the yanggongju, literally the “Western princess,” who provides sexual favors to American military personnel. She reveals how this figure haunts both the intimate realm of memory and public discourse, in which narratives of U.S. benevolence abroad and assimilation of immigrants at home go unchallenged. Memories of U.S. violence, Cho writes, threaten to undo these narratives—and so they have been rendered unspeakable.

At once political and deeply personal, Cho’s wide-ranging and innovative analysis of U.S. neocolonialism and militarism under contemporary globalization brings forth a new way of understanding—and remembering—the impact of the Korean War.
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cover of Have Horn, Will Travel: The Life and Music of  Herman "Junior" Cook

Have Horn, Will Travel

The Life and Music of Herman "Junior" Cook

Courtney M. Nero

University of North Texas Press, 2025

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