3745 books match the query 'Europe' and 130 start with i

cover of In Pursuit of Their Dreams: A History of Azorean Immigration to the United States

In Pursuit of Their Dreams

A History of Azorean Immigration to the United States

Jerry R. Williams

Tagus Press, 2007

Jerry Williams' history of Azorean immigration to the United States offers us valuable insight into the experience and culture of Portuguese immigrants and their descendants. This account fills a major gap in American immigration history and gives us a comprehensive overview of how Portuguese-Americans—now numbering close to a million people—have come to constitute a vibrant and highly visible presence within southeastern New England, the areas around San Francisco and San Diego, Hawaii, and the New Jersey/New York metropolitan area. Even though Azorean immigrants all came from similar cultural and social backgrounds, Williams shows how regionally specific opportunity structures and social hierarchies have contributed to significant differences within the Portuguese-American experience.

Starting with the whaling routes that first connected the mid-Atlantic archipelago with the ports of call in New England and California in the early 1800s, Williams lays out the complex relationship between the Azores and the US that has continued into the present. We learn how particular patterns of poverty, overpopulation and social inequality in the Azores pushed large numbers of the islands' inhabitants to leave their homes in search of better opportunities for themselves and their children. He tells the story of how the early whalers who jumped ship in New Bedford, San Francisco, or Hawaii were followed by kin and fellow villagers who had heard of plentiful jobs in New England's textile mills, gold and land in California, or agricultural work on Hawaiian plantations. Williams' account allows us to understand the importance of family and community connections throughout the immigrants' arduous transition from peasant life to industrial society.

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cover of In Quest of History: On Czech Statehood and Identity

In Quest of History

On Czech Statehood and Identity

Jirí Pribán and Karel Hvíždala

Karolinum Press, 2019

In honor of the 2018 centennial of Czech independence, philosopher of law Jiří Přibán and award-winning Czech journalist Karel Hvížďala took the opportunity to examine key moments in Czech history from the ninth century to the twenty-first. Covering such a broad span of time allowed them to look into the past and question how Czechs have viewed their history at different points—and what that means for the Czech present and future. As contemporary politics drift closer towards totalitarianism, historiography from scholars and thinkers who experienced twentieth-century totalitarian regimes is more important than ever. In their spirited dialogue, Hvížďala and Přibán raise and explore these crucial issues, sharing subjects normally reserved for university seminars with the broader public.
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cover of In Search of the Perfect Romanian: National Specificity, Racial Degeneration, and Social Selection in Modern Romania

In Search of the Perfect Romanian

National Specificity, Racial Degeneration, and Social Selection in Modern Romania

Marius Turda

Central European University Press, 2026


The book centers on debates about the Romanian national character and race between 1880s and 1950s. It also argues that during the early 1940s anti-Semitism and anti-Roma racism contributed directly to the programme of ethnic purification pursued by the Antonescu regime. Racism and eugenics explain not just the deportation and murder of the Jews but also the deportation and murder of the Roma. The Holocaust in Romania should therefore be understood as the result not just of anti-Semitism but also of biopolitical nationalism. Finally, the book suggests that the eugenic ideal of the ‘perfect’ Romanian did not disappear in 1945 but was embedded in the socialist definitions of the ‘new man’ and ‘perfect’ society emerging under communism.
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cover of In Times of Crisis: Essays on European Culture, Germans, and Jews

In Times of Crisis

Essays on European Culture, Germans, and Jews

Steven E. Aschheim

University of Wisconsin Press, 2001

The nineteenth- and twentieth-century relationship between European culture, German history, and the Jewish experience produced some of the West’s most powerful and enduring intellectual creations—and, perhaps in subtly paradoxical and interrelated ways, our century’s darkest genocidal moments. In Times of Crisis explores the flashpoints of this vexed relationship, mapping the coordinates of a complex triangular encounter of immense historical import.
    In essays that range from the question of Nietzsche’s legacy to the controversy over Daniel Goldhagen’s Hitler’s Willing Executioners, the distinguished historian Steven E. Aschheim presents this encounter as an ongoing dialogue between two evolving cultural identities. He touches on past dimensions of this exchange (such as the politics of Weimar Germany) and on present dilemmas of grasping and representing it (such as the Israeli discourse on the Holocaust). His work inevitably traces the roots and ramifications of Nazism but at the same time brings into focus historical circumstances and contemporary issues often overshadowed or distorted by the Holocaust.
    These essays reveal the ubiquitous charged inscriptions of Nazi genocide within our own culture and illuminate the projects of some later thinkers and historians—from Hannah Arendt to George Mosse to Saul Friedlander—who have wrestled with its problematics and sought to capture its essence. From the broadly historical to the personal, from the politics of Weimar Germany to the experience of growing up German Jewish in South Africa, the essays expand our understanding of German Jewish history in particular, but also of historical processes in general.

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cover of In and Of the Mediterranean: Medieval and Early Modern Iberian Studies

In and Of the Mediterranean

Medieval and Early Modern Iberian Studies

Michelle M. Hamilton

Vanderbilt University Press, 2014

The Iberian Peninsula has always been an integral part of the Mediterranean world, from the age of Tartessos and the Phoenicians to our own era and the Union for the Mediterranean. The cutting-edge essays in this volume examine what it means for medieval and early modern Iberia and its people to be considered as part of the Mediterranean.
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cover of In the Blood of Our Brothers: Abolitionism and the End of the Slave Trade in Spain's Atlantic Empire, 1800–1870

In the Blood of Our Brothers

Abolitionism and the End of the Slave Trade in Spain's Atlantic Empire, 1800–1870

Jesús Sanjurjo

University of Alabama Press, 2021

FINALIST FOR THE PAUL E. LOVEJOY BOOK PRIZE

Unraveling the complex politics behind the end of the slave trade in Spain's Atlantic Empire.

Throughout the nineteenth century, very few people in Spain campaigned to stop the slave trade and did even less to abolish slavery. Even when some supported abolition, the reasons that moved them were not always humanitarian, liberal, or egalitarian. How abolitionist ideas were received, shaped, and transformed during this period has been ripe for study. Jesús Sanjurjo’s In the Blood of Our Brothers: Abolitionism and the End of the Slave Trade in Spain’s Atlantic Empire, 1800–1870 provides a comprehensive theory of the history, the politics, and the economics of the persistence and growth of the slave trade in the Spanish empire even as other countries moved toward abolition.

Sanjurjo privileges the central role that British activists and diplomats played in advancing the abolitionist cause in Spain. In so doing, he brings to attention the complex and uneven development of abolitionist and antiabolitionist discourses in Spain’s public life, from the beginning of the nineteenth century to the end of the transatlantic trade. His delineation of the ideological and political tension between Spanish liberalism and imperialism is crucial to formulating a fuller explanation of the reasons for the failure of anti–slave trade initiatives from 1811 to the 1860s. Slave trade was tied to the notion of inviolable property rights, and slavery persisted and peaked following three successful liberal revolutions in Spain.

Visit https://inthebloodofourbrothers.com/ for more information.

 

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cover of In the Company of Demons: Unnatural Beings, Love, and Identity in the Italian Renaissance

In the Company of Demons

Unnatural Beings, Love, and Identity in the Italian Renaissance

Armando Maggi

University of Chicago Press, 2006

Who are the familiar spirits of classical culture and what is their relationship to Christian demons? In its interpretation of Latin and Greek culture, Christianity contends that Satan is behind all classical deities, semi-gods, and spiritual creatures, including the gods of the household, the lares and penates.But with In the Company of Demons, the world’s leading demonologist Armando Maggi argues that the great thinkers of the Italian Renaissance had a more nuanced and perhaps less sinister interpretation of these creatures or spiritual bodies.

Maggi leads us straight to the heart of what Italian Renaissance culture thought familiar spirits were. Through close readings of Giovan Francesco Pico della Mirandola, Strozzi Cigogna, Pompeo della Barba, Ludovico Sinistrari, and others, we find that these spirits or demons speak through their sudden and striking appearances—their very bodies seen as metaphors to be interpreted. The form of the body, Maggi explains, relies on the spirits’ knowledge of their human interlocutors’ pasts. But their core trait is compassion, and sometimes their odd, eerie arrivals are seen as harbingers or warnings to protect us. It comes as no surprise then that when spiritual beings distort the natural world to communicate, it is vital that we begin to listen.
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cover of In the Forest of Metropoles

In the Forest of Metropoles

Karl-Markus Gauß

Seagull Books, 2024

A chronicle of the diversity and wealth of cultures, predominantly from Eastern Europe, that have played a formative role in shaping contemporary Europe but now risk being forgotten.

A Herodotus of Mitteleuropa, cultural historian Karl-Markus Gauß is essential reading for anyone trying to understand the breadth and complexities of cultures and societies in Europe before, during, and after its decades of division in the twentieth century.

In this book, Gauß takes his readers on a thirteen-station journey across Europe. From Brussels to Istanbul and from Naples to Opole, Gauß weaves a Sebaldian web of connection and coincidence into a hybrid cultural history. Significantly, Gauß’s metropoles are not the well-trodden, thoroughly explored, and minutely documented megalopolises and cultural capitals that have been mythologized by writers great and small. There are no visits to Berlin, Paris, Rome, or Madrid, although he does make time for Vienna, where he looks not for imperial remnants, but for traces of genius unrecognized by most. Gauß’s lodestars are small but cosmopolitan towns on the periphery, such as Slaghenaufi, Vacaresti, Fontevraud, Dragatus, Vrzdenec, and Sélestat. In these far-flung towns, Gauß assembles a canon of overlooked humanists, expelled or extinguished by political and historical forces that swept the continent.
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cover of In the House of the Hangman: The Agonies of German Defeat, 1943-1949

In the House of the Hangman

The Agonies of German Defeat, 1943-1949

Jeffrey K. Olick

University of Chicago Press, 2005

The central question for both the victors and the vanquished of World War II was just how widely the stain of guilt would spread over Germany. Political leaders and intellectuals on both sides of the conflict debated whether support for National Socialism tainted Germany's entire population and thus discredited the nation's history and culture. The tremendous challenge that Allied officials and German thinkers faced as the war closed, then, was how to limn a postwar German identity that accounted for National Socialism without irrevocably damning the idea and character of Germany as a whole. 

In  the House of the Hangman chronicles this delicate process, exploring key debates about the Nazi past and German future during the later years of World War II and its aftermath. What did British and American leaders think had given rise to National Socialism, and how did these beliefs shape their intentions for occupation? What rhetorical and symbolic tools did Germans develop for handling the insidious legacy of Nazism? Considering these and other questions, Jeffrey K. Olick explores the processes of accommodation and rejection that Allied plans for a new German state inspired among the German intelligentsia. He also examines heated struggles over the value of Germany's institutional and political heritage. Along the way, he demonstrates how the moral and political vocabulary for coming to terms with National Socialism in Germany has been of enduring significance—as a crucible not only of German identity but also of contemporary thinking about memory and social justice more generally.

Given the current war in Iraq, the issues contested during Germany's abjection and reinvention—how to treat a defeated enemy, how to place episodes within wider historical trajectories, how to distinguish varieties of victimhood—are as urgent today as they were sixty years ago, and In the House of the Hangman offers readers an invaluable historical perspective on these critical questions.
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cover of In the King's Wake: Post-Absolutist Culture in France

In the King's Wake

Post-Absolutist Culture in France

Jay Caplan

University of Chicago Press, 1999

Long before the guillotines of the 1789 Revolution brought a grisly political end to the ancien régime, Jay Caplan argues, the culture of absolutism had already perished. In the King's Wake traces the emergence of a post-absolutist culture across a wide range of works and genres: Saint-Simon's memoirs of Louis XIV and the Regency; Voltaire's first tragedy, Oedipe; Watteau's last great painting, L'Enseigne de Gersaint; the plays of Marivaux; and Casanova's History of My Life.

While absolutist culture had focused on value directly represented in people (e.g., those of noble blood) and things (e.g., coins made of precious metals), post-absolutist culture instead explored the capacity of signs to stand for something real (e.g., John Law's banknotes or Marivaux's plays in which actions rather than birth signify nobility). Between the image of the Sun King and visions of the godlike Romantic self, Caplan discovers a post-absolutist France wracked by surprisingly modern conflicts over the true sources of value and legitimacy.
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cover of In the Name of Women's Rights: The Rise of Femonationalism

In the Name of Women's Rights

The Rise of Femonationalism

Sara R. Farris

Duke University Press, 2017

Sara R. Farris examines the demands for women's rights from an unlikely collection of right-wing nationalist political parties, neoliberals, and some feminist theorists and policy makers. Focusing on contemporary France, Italy, and the Netherlands, Farris labels this exploitation and co-optation of feminist themes by anti-Islam and xenophobic campaigns as “femonationalism.” She shows that by characterizing Muslim males as dangerous to western societies and as oppressors of women, and by emphasizing the need to rescue Muslim and migrant women, these groups use gender equality to justify their racist rhetoric and policies. This practice also serves an economic function. Farris analyzes how neoliberal civic integration policies and feminist groups funnel Muslim and non-western migrant women into the segregating domestic and caregiving industries, all the while claiming to promote their emancipation. In the Name of Women's Rights documents the links between racism, feminism, and the ways in which non-western women are instrumentalized for a variety of political and economic purposes.
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cover of In the Nineties

In the Nineties

John Stokes

University of Chicago Press, 1990

John Stokes's lively study is an exercise in interdisciplinary criticism inspired by the decade it observes, the decade of Wilde, Shaw, Beardsley, and Sickert. No longer dismissed as merely transitional between the Victorian and the Modern, the 1890s have now come to be recognized as unique—a period of dramatic engagement between high culture and popular forms, one medium and another, art and life.

Spurning fixed boundaries, Stokes relates the controversial topics of the day—the status of the "New Journalism," the "degenerative" influence of Impressionist painting, the dubious morality of the music hall, the urgent need for prison reform, and the prevalence of suicide—to primary literary texts, such as The Ballad of Reading Gaol, The Importance of Being Earnest, Jude the Obscure, and Portrait of a Lady. And in the process, he explores crucial areas of sociological and psychological interest: criminality, sexuality, madness, and "morbidity."

Each of the book's six chapters opens with a look at the correspondence columns of daily newspapers and goes on, with a keen eye for the hidden link, to pursue a particular theme. Locations shift from Leicester Square and the Thames embankment to the Normandy coast and the Paris morgue and feature, along with famous names, a lesser known company of acrobats, convicts, aesthetes, "philistines," and mysterious suicides.

Nearly a century later, John Stokes's unrivalled knowledge of how the arts actually functioned in the nineties makes this book a major contribution to modern cultural studies.
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cover of In the Shadow of the Magic Mountain: The Erika and Klaus Mann Story

In the Shadow of the Magic Mountain

The Erika and Klaus Mann Story

Andrea Weiss

University of Chicago Press, 2008

A biography of Thomas Mann's two eldest children that provides intriguing insight into both their lives and the political and cultural shifts at the same time.

Thomas Mann’s two eldest children, Erika and Klaus, were unconventional, rebellious, and fiercely devoted to each other. Empowered by their close bond, they espoused vehemently anti-Nazi views in a Europe swept up in fascism and were openly, even defiantly, gay in an age of secrecy and repression. Although their father’s fame has unfairly overshadowed their legacy, Erika and Klaus were serious authors, performance artists before the medium existed, and political visionaries whose searing essays and lectures are still relevant today. And, as Andrea Weiss reveals in this dual biography, their story offers a fascinating view of the literary and intellectual life, political turmoil, and shifting sexual mores of their times.

In the Shadow of the Magic Mountain begins with an account of the make-believe world the Manns created together as children—an early sign of their talents as well as the intensity of their relationship. Weiss documents the lifelong artistic collaboration that followed, showing how, as the Nazis took power, Erika and Klaus infused their work with a shared sense of political commitment. Their views earned them exile, and after escaping Germany they eventually moved to the United States, where both served as members of the U.S. armed forces. Abroad, they enjoyed a wide circle of famous friends, including Andre Gide, Christopher Isherwood, Jean Cocteau, and W. H. Auden, whom Erika married in 1935. But the demands of life in exile, Klaus’s heroin addiction, and Erika’s new allegiance to their father strained their mutual devotion, and in 1949 Klaus committed suicide.

Beautiful never-before-seen photographs illustrate Weiss’s riveting tale of two brave nonconformists whose dramatic lives open up new perspectives on the history of the twentieth century.
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cover of In the Shadows of Romance: Romantic Tragic Drama in Germany, England, and France

In the Shadows of Romance

Romantic Tragic Drama in Germany, England, and France

Jeffrey N. Cox

Ohio University Press, 2011

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cover of In the Skin of a Beast: Sovereignty and Animality in Medieval France

In the Skin of a Beast

Sovereignty and Animality in Medieval France

Peggy McCracken

University of Chicago Press, 2017

In medieval literature, when humans and animals meet—whether as friends or foes—issues of mastery and submission are often at stake. In the Skin of a Beast shows how the concept of sovereignty comes to the fore in such narratives, reflecting larger concerns about relations of authority and dominion at play in both human-animal and human-human interactions.

Peggy McCracken discusses a range of literary texts and images from medieval France, including romances in which animal skins appear in symbolic displays of power, fictional explorations of the wolf’s desire for human domestication, and tales of women and snakes converging in a representation of territorial claims and noble status. These works reveal that the qualities traditionally used to define sovereignty—lineage and gender among them—are in fact mobile and contingent. In medieval literary texts, as McCracken demonstrates, human dominion over animals is a disputed model for sovereign relations among people: it justifies exploitation even as it mandates protection and care, and it depends on reiterations of human-animal difference that paradoxically expose the tenuous nature of human exceptionalism.
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cover of In the Solitude of My Soul: The Diary of Genevieve Breton, 1867-1871

In the Solitude of My Soul

The Diary of Genevieve Breton, 1867-1871

James Smith Allen

Southern Illinois University Press, 1994

Originally published to glowing reviews and literary prizes in France in 1985, this revealing diary not only recounts the moving and tragic relationship of its author, Geneviève Bréton, with the rising young nineteenth-century artist Henri Regnault, it also serves as a valuable historical document concerning the social, cultural, and political life of the French Second Empire.

The young Geneviève Bréton began her journal in 1867 as a consolation for the death of her eldest brother, Antoine. She met Regnault soon after on a trip to Rome. Throughout the next four years of their relationship, Bréton eloquently describes the personal, cultural, and political turbulence that affected her life. Writing against the backdrop of France’s fateful conflict with Prussia and the hardships and dangers of the siege of Paris and the Commune, Bréton, with innate candor and lyricism, creates a text that beautifully illuminates French art, literature, family life, society, and politics of the time. Her poignant account of her love for and engagement to Regnault reveals special insight into the life and mind of an extraordinary, though little known, literary talent. At Regnault’s death in 1871 during the Franco–Prussian War, the expression of her anguish is as much testimony to the political and cultural disorder of the time as it is to her own personal tragedy.

Following Bréton’s own instructions that she left before her death in 1918, this English version of the diary reincorporates material that was deleted from the French edition. Graced by rare photographs of the Bréton family as well as Regnault’s paintings, the book contains a touching foreword by the author’s granddaughter, Daphné Doublet-Vaudoyer. In its first English translation, it is a book for lovers of French life and culture, as well as students of French history; literature, and art.

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cover of In the Vineyard of the Text: A Commentary to Hugh's Didascalicon

In the Vineyard of the Text

A Commentary to Hugh's Didascalicon

Ivan Illich

University of Chicago Press, 1993

In a work with profound implications for the electronic age, Ivan Illich explores how revolutions in technology affect the way we read and understand text.

Examining the Didascalicon of Hugh of St. Victor, Illich celebrates the culture of the book from the twelfth century to the present. Hugh's work, at once an encyclopedia and guide to the art of reading, reveals a twelfth-century revolution as sweeping as that brought about by the invention of the printing press and equal in magnitude only to the changes of the computer age—the transition from reading as a vocal activity done in the monastery to reading as a predominantly silent activity performed by and for individuals.
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cover of Inari Sámi Folklore: Stories from Aanaar

Inari Sámi Folklore

Stories from Aanaar

August V. Koskimies and Toivo I. Itkonen, revised by Lea Laitinen; Edited and translated by Tim Frandy

University of Wisconsin Press, 2020

A rich multivoiced anthology of folktales, legends, joik songs, proverbs, riddles, and other verbal art, this is the most comprehensive collection of Sámi oral tradition available in English to date. Collected by August V. Koskimies and Toivo I. Itkonen in the 1880s from nearly two dozen storytellers from the arctic Aanaar (Inari) region of northeast Finland, the material reveals a complex web of social relations that existed both inside and far beyond the community.

First published in 1918 only in the Aanaar Sámi language and in Finnish, this anthology is now available in a centennial English-language edition for a global readership. Translator Tim Frandy has added biographies of the storytellers, maps and period photos, annotations, and a glossary. In headnotes that contextualize the stories, he explains such underlying themes as Aanaar conflicts with neighboring Sámi and Finnish communities, the collapse of the wild reindeer populations less than a century before, and the pre-Christian past in Aanaar. He introduces us to the bawdy humor of Antti Kitti, the didacticism of Iisakki Mannermaa, and the feminist leanings of Juho Petteri Lusmaniemi, emphasizing that folktales and proverbs are rooted in the experiences of individuals who are links in a living tradition.
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cover of Increase And Multiply: Governing Cultural Reproduction In Early Modern England

Increase And Multiply

Governing Cultural Reproduction In Early Modern England

David Glimp

University of Minnesota Press, 2003

A wide-ranging study of the ideology of population control in early modern England

Across the sixteenth and seventeenth centuries, a growing notion of the value of a large populace created a sense of urgency about reproduction; accordingly, a wide array of English writers of the time voiced the need not merely to add more people but also to ensure that England had an abundance of the right kinds of people. This need, in turn, called for a variety of institutions to train—and thus make, through a kind of nonbiological procreation—pious, enterprising, and dutiful subjects. In Increase and Multiply, David Glimp examines previously unexplored links between this emergent demographic mentality and Renaissance literature.

Glimp’s analysis centers on humanist pedagogy as a mechanism for creating people capable of governing both themselves and others. Acknowledging the ways in which authors such as Sidney, Shakespeare, and Milton advance their own work by appealing to this vision, Glimp argues that their texts allow us to read the scope and limits of this generative ideal, its capacity to reinforce order and to become excessive and destabilizing. His work provides unprecedented insight into the role of fantasies of nonbiological reproduction in early modern political theory, government practice, and literary production.
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cover of Independent Women: Work and Community for Single Women, 1850-1920

Independent Women

Work and Community for Single Women, 1850-1920

Martha Vicinus

University of Chicago Press, 1985

Martha Vicinus's subject is the middle-class English woman, the first of her sex who could afford to live on her own earnings 'outside heterosexual domesticity or church governance.' She wanted and needed to work. Meticulous, resonant, original, triumphant, Independent Women tells of the efforts and endurance of this Victorian woman; of her courage and the constraints that she rejected, accepted, and created. . . . The independent women are the 'foremothers' of any women today who seeks significant work, emotionally satisfying friendships, and a morally charged freedom."—from the Foreword by Catharine R. Stimpson

"Feminist insight combines with vast research to produce a dramatic narrative. Independent Women chronicles the energetic lives and imaginative communal structures invented by women who 'pioneered new occupations, new living conditions, and new public roles.'"—Lee R. Edwards, Ms.

"Vicinus is to be congratulated for her brave and unflinching portraits of twisted spinsters as well as stolid saints. That she stretches her net up into the '20s and covers the women's suffrage momement is a brilliant stroke, for one may see clearly how it was possible for women to mount such an enormous and successful political campaign."—Jane Marcus, Chicago Tribune Book World

"Vicinus' beautifully written book abounds in rich historical detail and in subtle psychological insights in the character of its protagonists. The author understands the complexities of the interplay between economic and social conditions, cultural values, and the aims and aspirations of individual personalities who act in history. . . . A superb achievement."—Gerda Lerner, Reviews in American History

"Martha Vicinus has with intelligence and energy paved and landscaped the road on which scholars and students of activist women all travel for many years."—Blanche Wiesen Cook, Women's Review of Books

"Independent Women can be read by anyone with an interest in women's history. But for all contemporary women, unconsciously enjoying privileges and freedoms once bought so dearly, this book should be required reading."—Catharine E. Boyd, History

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cover of Indian Ink: Script and Print in the Making of the English East India Company

Indian Ink

Script and Print in the Making of the English East India Company

Miles Ogborn

University of Chicago Press, 2007

A commercial company established in 1600 to monopolize trade between England and the Far East, the East India Company grew to govern an Indian empire. Exploring the relationship between power and knowledge in European engagement with Asia, Indian Ink examines the Company at work and reveals how writing and print shaped authority on a global scale in the seventeenth and eighteenth centuries.

Tracing the history of the Company from its first tentative trading voyages in the early seventeenth century to the foundation of an empire in Bengal in the late eighteenth century, Miles Ogborn takes readers into the scriptoria, ships, offices, print shops, coffeehouses, and palaces to investigate the forms of writing needed to exert power and extract profit in the mercantile and imperial worlds. Interpreting the making and use of a variety of forms of writing in script and print, Ogborn argues that material and political circumstances always undermined attempts at domination through the power of the written word.

Navigating the juncture of imperial history and the history of the book, Indian Ink uncovers the intellectual and political legacies of early modern trade and empire and charts a new understanding of the geography of print culture.

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cover of Individuals and Institutions in Medieval Scholasticism

Individuals and Institutions in Medieval Scholasticism

Edited by Antonia Fitzpatrick and John Sabapathy

University of London Press, 2020

Individuals and Institutions in Medieval Scholasticism is one of the first pieces of close exploratory scholarship on the fundamental relationship between medieval scholastic thought, individual scholars, and their institutions. The text revolves around these essential questions: What was the relationship between particular intellectuals and their wider networks (including but not limited to “schools”), how did intellectuals shape their institutions, and how were their institutions shaped by them? This theoretically sophisticated collection uses a range of European methodological approaches to address a variety of genres such as commentaries, quodlibetal questions, polemics, epic poetry, and inquisition records, and a range of subject matter including history, practical ethics, medicine, theology, philosophy, the constitution of religious orders, the practice of confession, and the institution of cults. This book will be an important reference point for medieval historians, while also raising questions relevant to those working on individualization and institutionalization in other periods and disciplines.
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cover of Inferno in Chechnya: The Russian-Chechen Wars, the Al Qaeda Myth, and the Boston Marathon Bombings

Inferno in Chechnya

The Russian-Chechen Wars, the Al Qaeda Myth, and the Boston Marathon Bombings

Brian Glyn Williams

University Press of New England, 2015

In 2013, the United States suffered its worst terrorist bombing since 9/11 at the annual running of the Boston Marathon. When the culprits turned out to be U.S. residents of Chechen descent, Americans were shocked and confused. Why would members of an obscure Russian minority group consider America their enemy? Inferno in Chechnya is the first book to answer this riddle by tracing the roots of the Boston attack to the Caucasus Mountains of southern Russia. Brian Glyn Williams describes the tragic history of the bombers’ war-devastated homeland—including tsarist conquest and two bloody wars with post-Soviet Russia that would lead to the rise of Vladimir Putin—showing how the conflict there influenced the rise of Europe’s deadliest homegrown terrorist network. He provides a historical account of the Chechens’ terror campaign in Russia, documents their growing links to Al Qaeda and radical Islam, and describes the plight of the Chechen diaspora that ultimately sent two Chechens to Boston. Inferno in Chechnya delivers a fascinating and deeply tragic story that has much to say about the historical and ethnic roots of modern terrorism.
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cover of Influences: Art, Optics, and Astrology in the Italian Renaissance

Influences

Art, Optics, and Astrology in the Italian Renaissance

Mary Quinlan-McGrath

University of Chicago Press, 2013

Today few would think of astronomy and astrology as fields related to theology. Fewer still would know that physically absorbing planetary rays was once considered to have medical and psychological effects. But this was the understanding of light radiation held by certain natural philosophers of early modern Europe, and that, argues Mary Quinlan-McGrath, was why educated people of the Renaissance commissioned artworks centered on astrological themes and practices.
 
Influences is the first book to reveal how important Renaissance artworks were designed to be not only beautiful but also—perhaps even primarily—functional. From the fresco cycles at Caprarola, to the Vatican’s Sala dei Pontefici, to the Villa Farnesina, these great works were commissioned to selectively capture and then transmit celestial radiation, influencing the bodies and minds of their audiences. Quinlan-McGrath examines the sophisticated logic behind these theories and practices and, along the way, sheds light on early creation theory; the relationship between astrology and natural theology; and the protochemistry, physics, and mathematics of rays.
 
An original and intellectually stimulating study, Influences adds a new dimension to the understanding of aesthetics among Renaissance patrons and a new meaning to the seductive powers of art.  
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cover of Informal Cities: Histories of Governance and Inequality in Latin Europe, Latin America, and Colonial North Africa

Informal Cities

Histories of Governance and Inequality in Latin Europe, Latin America, and Colonial North Africa

Edited by Charlotte Vorms and Brodwyn Fischer

University of Chicago Press, 2025

An empirically rich reconstruction of how informality became an intrinsic part of urban life across three continents.

Over a quarter of the world’s urban population lives in informal settlements. While informality as a concept has been widely debated, we still know very little about the phenomenon’s urban history or how that history has shaped the evolution of world cities. Spotlighting the historical processes that have created and sustained urban informality for more than a century, editors Charlotte Vorms and Brodwyn Fischer and this volume’s contributors reveal informality as an intrinsic feature of urbanity, shaping not only cities across the globe but also deeper processes of state formation, socioeconomic stratification, and political struggle.
 
The volume brings together case studies spanning more than a hundred years, drawn from Latin America (Brazil, Chile, Venezuela, and Mexico), Northern Africa (Morocco and Algeria), and Latin Europe (France, Spain, and Italy). Together, they show that informality is neither a contemporary crisis nor a predicament unique to the Global South. Topics include the origins of informal settlements and their relationship with law and institutional power; grassroots efforts to legitimize shantytown communities; mass social movements for rights to the city; the role that shantytown removal campaigns played in populist politics, fascism, and colonialism; and the ways that informality perpetuated racial and ethnic inequalities. Informal Cities is an indispensable guide to the complex and fraught terrain of urban informality in its many historical guises.

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cover of Informal Work in Europe, ca. 1870–1970

Informal Work in Europe, ca. 1870–1970

Sibylle Marti

Central European University Press, 2026

Formalized wage labor is often presented as the focus, if not the very core, of modern European labor history. The current volume challenges this widespread narrative by focusing on multiple forms of informal work in all parts of Europe. The chapters cover key fields of informal labor—agricultural, domestic, temporary, service, and sex work—during the period between 1870 and 1970, which is usually portrayed as an era of labor formalization. By demonstrating that informal work was neither a temporary nor a residual phenomenon, the contributors to this book render it visible as a constitutive factor of labor and labor politics in European history. In doing so, the volume aims to redraw the contours of labor history in nineteenth- and twentieth-century Europe while stimulating further thinking about a de-provincialized global history of work.
[more]
cover of Infortunios de Alonso Ramirez / The Misfortunes of Alonso Ramirez (1690): Annotated Bilingual Edition

Infortunios de Alonso Ramirez / The Misfortunes of Alonso Ramirez (1690)

Annotated Bilingual Edition

Buscaglia-Salgado, José F

Rutgers University Press, 2018

In 2009, 319 years after its publication, and following over a century of copious scholarly speculation about the work, José F. Buscaglia is the first scholar to furnish direct and irrefutable proof that the story contained in the Infortunios/Misfortunes is based on the life and times of a man certifiably named Alonso Ramírez, who was shipwrecked on Herradura Point in the Coast of Yucatán on Sunday September 18, 1689. This first bilingual edition of the Infortunios/Misfortunes reports the findings of almost two decades of sustained research in pursuit, on land and by sea, of a most elusive historical character who was, as we now can attest with all degree of certainty, the first American known to have circumnavigated the globe. Captured by pirates, shipwrecked, and eventually rescued and sent on his way, this is one man’s story of his unanticipated voyage around the Early Modern world. With transcription, translation, notes, maps, images, and critical essay by Jose F. Buscaglia-Salgado, this Rutgers edition is the most complete and authoritative study on a work that grants us privileged access to the intricacies of early American subjectivity.
[more]
cover of Infrastructural Development, Corruption, Xenophobia, and Colonization in Central and Southeastern Europe

Infrastructural Development, Corruption, Xenophobia, and Colonization in Central and Southeastern Europe

Silvia Marton

Central European University Press, 2026

Infrastructural development is most often understood as shorthand for the arrival of ‘modernity’, both holding the promise of prosperity, and carrying with it the threat of disruption. The present volume examines historical attitudes to the infrastructural revolution that transformed Central and Southeastern Europe in the long nineteenth century, homing in on the scandals and controversies that shaped national and transnational debates alike. Historicizing vocabularies of contestation brings to light a conceptual nexus: the entanglement between infrastructure, xenophobia, corruption, and colonization. Fears that ‘corrupting’ foreign Others would gain ‘colonial’ ascendancy through the conduits of infrastructure, capital, and expertise were a recurring feature of public debates. Yet other permutations of these terms were also possible, making this nexus an all the more relevant lens for reassessing this formative moment for empire- and nation-building in the region. Theoretically innovative and empirically rich, the volume aims to reshape our understanding of how infrastructure acted as a flashpoint for political and cultural reflection.
[more]
cover of Inglorious Artists: Art World Satire and the Emergence of a Capitalist Art Market in Paris, 1750-1850

Inglorious Artists

Art World Satire and the Emergence of a Capitalist Art Market in Paris, 1750-1850

Kathryn Desplanque

University of Delaware Press, 2025

Inglorious Artists traces the origins of the image of the starving artist to late eighteenth- and early nineteenth-century France, where practicing and aspiring visual artists mobilized the emerging genre of graphic satire to publish hundreds of satirical images that satirized the Paris art world. By examining many of these images, which have never before been studied or published, this book provides a new social history of the status of the artist, revealing the ways in which the starving artist trope was used to protest the emergence of an early capitalist art market and to distinguish artists and their work from an increasingly commercial world. During this period, a series of political revolutions brought the possibility of radical change in the French art world. Parisian artists struggled to keep pace with the emergence of modern financial speculative capitalism, transitioning away from an art system dominated by guild and corporate interest. We have neglected the complaints visual artists made about these changes, expressed in the medium most accessible to them: the graphic image. In examining this imagery for the first time, Inglorious Artists reveals that the emergence of our modern conception of the artist is far more conflicted than has been considered.

This book is also freely available online as an open access digital edition.
[more]
cover of Inherited Empire in East European Architectural Conservation: Appropriating Ottoman, Habsburg and Russian/Soviet Past

Inherited Empire in East European Architectural Conservation

Appropriating Ottoman, Habsburg and Russian/Soviet Past

Cosmin Minea

Central European University Press, 2026

Rather than a mere technical matter, the restoration of built monuments is a process through which societies promote their vision of history and cultural identity. The reasons why many monuments survive to this day are to be found in the nineteenth century, when modern practices of heritage preservation began. This book addresses the emergence and practices of architectural conservation in the case of the heterogeneous, disputed, fragmented and controversial heritage of Eastern and Central Europe from ca. 1800 to 1990. Thirteen chapters, an introduction and an afterword, follow the transformation and preservation of monuments, many of which are little known internationally, and their present legacy, from Georgia to Estonia, from Dalmatia and Galicia to the Russian Far North. With a focus on regions within and around the former Habsburg, Ottoman, Russian and Soviet empires, the volume contributes to decolonising this field of historical research by investigating the imperial and post-imperial architectural legacies, including how they enforced social, racial or ethnic inequalities.
[more]
cover of Innocence and Victimhood: Gender, Nation, and Women’s Activism in Postwar Bosnia-Herzegovina

Innocence and Victimhood

Gender, Nation, and Women’s Activism in Postwar Bosnia-Herzegovina

Elissa Helms

University of Wisconsin Press, 2013

The 1992–95 war in Bosnia-Herzegovina following the dissolution of socialist Yugoslavia became notorious for “ethnic cleansing” and mass rapes targeting the Bosniac (Bosnian Muslim) population. Postwar social and political processes have continued to be dominated by competing nationalisms representing Bosniacs, Serbs, and Croats, as well as those supporting a multiethnic Bosnian state, in which narratives of victimhood take center stage, often in gendered form. Elissa Helms shows that in the aftermath of the war, initiatives by and for Bosnian women perpetuated and complicated dominant images of women as victims and peacemakers in a conflict and political system led by men. In a sober corrective to such accounts, she offers a critical look at the politics of women’s activism and gendered nationalism in a postwar and postsocialist society.
            Drawing on ethnographic research spanning fifteen years, Innocence and Victimhood demonstrates how women’s activists and NGOs responded to, challenged, and often reinforced essentialist images in affirmative ways, utilizing the moral purity associated with the position of victimhood to bolster social claims, shape political visions, pursue foreign funding, and wage campaigns for postwar justice. Deeply sensitive to the suffering at the heart of Bosnian women’s (and men’s) wartime experiences, this book also reveals the limitations to strategies that emphasize innocence and victimhood.
[more]
cover of Innocent Lens: Race and Visibility on the Swedish Screen

Innocent Lens

Race and Visibility on the Swedish Screen

Benjamin Mier-Cruz

University of Wisconsin Press, 2027

Sweden, like other Nordic countries, prides itself on being “colorblind” or immune to the kinds of racism found in, for example, the United States. In the 1960s and 1970s, white Swedish documentarians, in the fashion of early anthropologists, recorded racial tensions amid the US civil rights movement. More recently, in the twenty-first century, short films produced by Swedes of color have tackled racism and bigotry within Sweden.

Benjamin Mier-Cruz offers a comparative study of these two periods of Swedish documentary filmmaking. “Racially innocent” white documentarians of the mid-twentieth century developed an “aesthetics of altruism” predicated on Sweden’s assumed racial equalitarianism—a notion that their documentaries in turn helped create and maintain. In contemporary films, on the other hand, Swedes of color use the same filmic format to challenge not only their predecessors’ reductionist, pseudo-anthropological presentations but also Sweden’s purportedly colorblind ideology. Mier-Cruz’s close readings of films from both eras demonstrate the possibilities and limitations of the documentary form and the ways in which it is motivated by politics and activism.

[more]
cover of Inside a Class Action: The Holocaust and the Swiss Banks

Inside a Class Action

The Holocaust and the Swiss Banks

Jane Schapiro

University of Wisconsin Press, 2003

    On October 21, 1996, attorney Michael Hausfeld, with a team of lawyers, filed a class-action complaint against Union Bank of Switzerland, Swiss Bank Corporation, and Credit Suisse on behalf of Holocaust victims. The suit accused the banks of, among other things, acting as the chief financiers for Nazi Germany. Hausfeld wanted to use the suit to prove that the banks not only concealed and refused to return millions of dollars in dormant accounts, but that they acted as a conduit for looted assets and slave labor profits. Such behavior, he charged, violated the code of ethics known as customary international law. On August 12, 1998, the plaintiffs and banks reached a $1.25 billion settlement.
    Through interviews with a wide range of people involved in the case and detailed research of documents and court transcripts, Jane Schapiro shows the ways that egos, personalities, and values clash in such a complex and emotionally charged case. Inside a Class Action provides an insider’s view of a major lawsuit from its inception to its conclusion, which will appeal to anyone interested in human rights, reparations, and international law.

[more]
cover of Inside the Antisemitic Mind: The Language of Jew-Hatred in Contemporary Germany

Inside the Antisemitic Mind

The Language of Jew-Hatred in Contemporary Germany

Monika Schwarz-Friesel and Jehuda Reinharz

Brandeis University Press, 2017

Antisemitism never disappeared in Europe. In fact, there is substantial evidence that it is again on the rise, manifest in violent acts against Jews in some quarters, but more commonly noticeable in everyday discourse in mainstream European society. This innovative empirical study examines written examples of antisemitism in contemporary Germany. It demonstrates that hostility against Jews is not just a right-wing phenomenon or a phenomenon among the uneducated, but is manifest among all social classes, including intellectuals. Drawing on 14,000 letters and e-mails sent between 2002 and 2012 to the Central Council of Jews in Germany and to the Israeli embassy in Berlin, as well as communications sent between 2010 and 2011 to Israeli embassies in Austria, Switzerland, Belgium, England, Ireland, the Netherlands, Sweden, and Spain, this volume shows how language plays a crucial role in activating and re-activating antisemitism. In addition, the authors investigate the role of emotions in antisemitic argumentation patterns and analyze “anti-Israelism” as the dominant form of contemporary hatred of Jews.
[more]
cover of Institutional Theatrics: Performing Arts Policy in Post-Wall Berlin

Institutional Theatrics

Performing Arts Policy in Post-Wall Berlin

Brandon Woolf

Northwestern University Press, 2021

Shortlist, 2021 Waterloo Centre for German Studies Book Prize
2022 Outstanding Book Award Finalist from the Association for Theater in Higher Education (ATHE)


In a city struggling to determine just how neoliberal it can afford to be, what kinds of performing arts practices and institutions are necessary—and why?

Since the fall of the Berlin Wall, political and economic agendas in the reunified German capital have worked to dismantle long-standing traditions of state‑subsidized theater even as the city has redefined itself as a global arts epicenter. Institutional Theatrics charts the ways theater artists have responded to these shifts and crises both on- and offstage, offering a method for rethinking the theater as a vital public institution.  
 
What is the future of the German theater, grounded historically in large ensembles, extensive repertoires, and auteur directors? Examining the restructuring of Berlin’s theatrical landscape and most prominent performance venues, Brandon Woolf argues that cultural policy is not simply the delegation and distribution of funds. Instead, policy should be thought of as an artistic practice of institutional imagination. Woolf demonstrates how performance can critique its patron institutions in order to transform the relations between the stage and the state, between the theater and the infrastructures of its support. Bold, nuanced, and rigorously documented, Institutional Theatrics offers new insights about art, its administration, and the forces that influence cultural production.
[more]
cover of Instructions for American Servicemen in Britain, 1942: Reproduced from the original typescript, War Department, Washington, DC

Instructions for American Servicemen in Britain, 1942

Reproduced from the original typescript, War Department, Washington, DC

Edited by the Bodleian Library

Bodleian Library Publishing, 2004

In 1942, the United States War Department distributed a handbook to American servicemen that advised them on the peculiarities of the "British, their country, and their ways." Over sixty years later, this newly published reproduction from the rich archives of the Bodleian Library offers a fascinating glimpse into American military preparations for World War II.

The guide was intended to alleviate the culture shock for soldiers taking their first trip to Great Britain, or, for that matter, abroad. The handbook is punctuated with endearingly nostalgic advice and refreshingly candid quips such as: "The British don't know how to make a good cup of coffee. You don't know how to make a good cup of tea. It's an even swap." By turns hilarious and poignant, many observations featured in the handbook remain relevant even today.

Reproduced in a style reminiscent of the era, Instructions for American Servicemen in Britain is a powerfully evocative war-time memento that offers a unique perspective on the longstanding American-British relationship and reveals amusingly incisive American perceptions of the British character and country.
[more]
cover of Instructions for American Servicemen in France during World War II

Instructions for American Servicemen in France during World War II

United States Army

University of Chicago Press, 2008

“You are about to play a personal part in pushing the Germans out of France. Whatever part you take—rifleman, hospital orderly, mechanic, pilot, clerk, gunner, truck driver—you will be an essential factor in a great effort.”
 
As American soldiers fanned out from their beachhead in Normandy in June of 1944 and began the liberation of France, every soldier carried that reminder in his kit. A compact trove of knowledge and reassurance, Instructions for American Servicemen in France during World War II was issued to soldiers just before they embarked for France to help them understand both why they were going and what they’d find when they got there. After lying unseen in Army archives for decades, this remarkable guide is now available in a new facsimile edition that reproduces the full text and illustrations of the original along with a new introduction by Rick Atkinson setting the book in context.       
            Written in a straightforward, personal tone, the pamphlet is equal parts guidebook, cultural snapshot, and propaganda piece. A central aim is to dispel any prejudices American soldiers may have about the French—especially relating to their quick capitulation in 1940. Warning soldiers that the defeat “is a raw spot which the Nazis have been riding” since the occupation began, Instructions is careful to highlight France’s long historical role as a major U.S. ally. Following that is a brief, fascinating sketch of the French character (“The French are mentally quick;” “Rich or poor, they are economical”) and stark reminders of the deprivation the French have endured under occupation. Yet an air of reassuring confidence pervades the final section of the pamphlet, which reads like a straightforward tourists’ guide to Paris and the provinces—like a promise of better days to come once the soldiers complete their mission.
            Written by anonymous War Department staffers to meet the urgent needs of the moment, with no thought of its historical value, Instructionsfor American Servicemen in France during World War II nevertheless brings to vivid life the closing years of World War II—when optimism was growing, but a long, demanding road still lay ahead.
[more]
cover of Instructions for British Servicemen in France, 1944

Instructions for British Servicemen in France, 1944

Edited by the Bodleian Library

Bodleian Library Publishing, 2006

When World War II drew to a close, British servicemen were sent to France to assist in the liberation and recovery of their war-ravaged ally, and a small but indispensable guidebook was packed into their knapsacks for the mission. A follow-up to the hugely successful publication of Instructions for American Servicemen in Britain, 1942, this pamphlet offers a rare and insightful glimpse into the lives of soldiers during the Second World War. 

Instructions for British Servicemen in France, 1944 reminds British soldiers of the common points of culture and history Britain shares with France, and, above all, their mutual aim of defeating Hitler. The pamphlet attempts to teach British soldiers the ways of the French and warns them not give in to their urges: “If you should happen to imagine that the first pretty French girl who smiles at you intends to dance the can-can or take you to bed, you risk stirring up a lot of trouble for yourself—and for our relations with the French.” The pamphlet also features a pronunciation guide (“Bonjewer, commont-allay-voo?”), a list of useful phrases, and an unflinching account of the diseases and poverty ravaging the citizens of battle-torn France. 

Instructions for British Servicemen in France, 1944 captures the complex dynamics of Anglo-French relations during the Second World War on an intimate and often humorous level and reveals all the fascinating aspects of life off the battlefield. Essential for the shelf of every historian and history buff, Instructions for British Servicemen in France, 1944 is a small document that nonetheless speaks volumes about its era.
[more]
cover of Instructions for British Servicemen in Germany, 1944

Instructions for British Servicemen in Germany, 1944

Edited by the Bodleian Library

Bodleian Library Publishing, 2007

“Don’t be too ready to listen to stories told by attractive women. They may be acting under orders.” This was only one of the many warnings given to the 30,000 British troops preparing to land in the enemy territory of Nazi Germany nine-and-a-half months after D-Day. The newest addition to the Bodleian Library’s bestselling series of wartime pamphlets, Instructions for British Servicemen in Germany, 1944 opens an intriguing window into the politics and military stratagems that brought about the end of World War II.

The pamphlet is both a succinct survey of German politics, culture, and history and a work of British propaganda. Not only does the pamphlet cover general cultural topics such as food and drink, currency, and social customs, but it also explains the effect of years of the war on Germans and their attitudes toward the British. The book admonishes, “The Germans are not good at controlling their feelings. They have a streak of hysteria. You will find that Germans may often fly into a passion if some little thing goes wrong.” The mix of humor and crude stereotypes—“If you have to give orders to German civilians, give them in a firm, military manner. The German civilian is used to it and expects it”—in the text make this pamphlet a stark reminder of the wartime fears and hopes of the British.
By turns a manual on psychological warfare, a travel guide, and a historical survey, Instructions for British Servicemen in Germany, 1944 offers incomparable insights into how the British, and by extension the Allied forces, viewed their fiercest enemy on the eve of its defeat.
[more]
cover of Instrument of Memory: Encounters with the Wandering Jew

Instrument of Memory

Encounters with the Wandering Jew

Lisa Lampert-Weissig

University of Michigan Press, 2024

How can immortality be a curse? According to the Wandering Jew legend, as Jesus made his way to Calvary, a man refused him rest, cruelly taunting him to hurry to meet his fate. In response, Jesus cursed the man to wander until the Second Coming. Since the medieval period, the legend has inspired hundreds of adaptations by artists and writers. Instrument of Memory: Encounters with the Wandering Jew, the first English-language study of the legend in over fifty years, is also the first to examine the influence of the legend’s medieval and early modern sources over the centuries into the present day. Using the lens of memory studies, the work shows how the Christian tradition of the legend centered the memory of the Passion at the heart of the Wandering Jew’s curse. Instrument of Memory also shows how Jewish artists and writers have reimagined the legend through Jewish memory traditions. Through this focus on memory, Jewish adapters of the legend create complex renderings of the Wandering Jew that recognize not only the entanglement of Jewish and Christian memory, but also the impact of that entanglement on Jewish subjects. This book presents a complex, sympathetic, and more fully realized version of the legend while challenging the limits of the presentism of memory studies.
[more]
cover of Instrumentality: On Technical Objects and Orientations in the Later Middle Ages

Instrumentality

On Technical Objects and Orientations in the Later Middle Ages

J. Allan Mitchell

University of Minnesota Press, 2024

From medieval to modern, exploring instrumental attitudes toward physical gadgets, diagrams, concepts, methods, and disciplines

Opening up the instrumental condition of the human for critical reflection and renewal, Instrumentality illuminates key moments in the intellectual history of the European Middle Ages. J. Allan Mitchell reveals how, in the predigital past, we can recognize many of the operative technics, analytics, and metaphorics that continue to shape human sense and cognition today.

Exploring the diverse modalities of medieval instruments, Mitchell’s case studies encompass techniques as seemingly distinct as time-keeping mechanisms, mathematical diagrams, logical syllogisms, and the literary devices of Geoffrey Chaucer and John Gower. A cultural and intellectual history, Mitchell’s work leads readers from three-dimensional objects (physical mechanisms) to two-dimensional inscriptions (maps and diagrams) and onward to overarching disciplinary norms in the early liberal and mechanical arts. Prying loose the subtle, adaptable, and generative concept of technical objects from limiting contemporary frameworks, he shows how these instruments are indispensable to the past—and the future—of the arts and culture at large.

[more]
cover of Insurgent Identities: Class, Community, and Protest in Paris from 1848 to the Commune

Insurgent Identities

Class, Community, and Protest in Paris from 1848 to the Commune

Roger V. Gould

University of Chicago Press, 1995

In this important contribution both to the study of social protest and to French social history, Roger Gould breaks with previous accounts that portray the Paris Commune of 1871 as a continuation of the class struggles of the 1848 Revolution. Focusing on the collective identities framing conflict during these two upheavals and in the intervening period, Gould reveals that while class played a pivotal role in 1848, it was neighborhood solidarity that was the decisive organizing force in 1871.

The difference was due to Baron Haussmann's massive urban renovation projects between 1852 and 1868, which dispersed workers from Paris's center to newly annexed districts on the outskirts of the city. In these areas, residence rather than occupation structured social relations. Drawing on evidence from trail documents, marriage records, reports of police spies, and the popular press, Gould demonstrates that this fundamental rearrangement in the patterns of social life made possible a neighborhood insurgent movement; whereas the insurgents of 1848 fought and died in defense of their status as workers, those in 1871 did so as members of a besieged urban community.

A valuable resource for historians and scholars of social movements, this work shows that collective identities vary with political circumstances but are nevertheless constrained by social networks. Gould extends this argument to make sense of other protest movements and to offer predictions about the dimensions of future social conflict.

[more]
cover of Intellectuals in Exile: Refugee Scholars and the New School for Social Research

Intellectuals in Exile

Refugee Scholars and the New School for Social Research

Claus-Dieter Krohn

University of Massachusetts Press, 1993

In the 1930s, with the rise of the Third Reich, thousands of European intellectuals sought refuge in the United States. Through the tireless efforts of Alvin Johnson, director of the New School for Social Research, nearly two hundred of these scholars came to be affiliated with the University in Exile, later known as the Graduate Faculty of Political and Social Science. This book presents an intellectual history of that remarkable group of social and political scientists, documenting their experiences and their influence on both European and American thought.

Johnson was one of the first to recognize the need for action to prevent Hitler’s destruction of the German intellectual tradition. He sought out many of the best European scholars of the day and brought them to the newly created University in Exile in New York. There, the refugees framed as intellectual problems the social and political experiences that had so disrupted their lives and careers. They examined the cultural roots of fascism, the bureaucratization of Western societies, and the prerequisites for a historically and morally informed social science. In the field of economics, the exiles developed theoretical concepts and models that came to be instrumental in the formation of New Deal policies and that remain relevant today.

[more]
cover of Interests and Integration: Market Liberalization, Public Opinion, and European Union

Interests and Integration

Market Liberalization, Public Opinion, and European Union

Matthew J. Gabel

University of Michigan Press, 1998

Integration in Europe has been a slow incremental process focusing largely on economic matters. Policy makers have tried to develop greater support for the European Union by such steps as creating pan-European political institutions. Yet significant opposition remains to policies such as the creation of a single currency. What explains continued support for the European Union as well as opposition among some to the loss of national control on some questions? Has the incremental process of integration and the development of institutions and symbols of a united Europe transformed public attitudes towards the European Union?
In this book, Matthew Gabel probes the attitudes of the citizens of Europe toward the European Union. He argues that differences in attitudes toward integration are grounded in the different perceptions of how economic integration will affect individuals' economic welfare and how perceptions of economic welfare effect political attitudes. Basing his argument on Easton's idea that where affective support for institutions is low, citizens will base their support for institutions on their utilitarian appraisal of how well the institutions work for them, Gabel contends that in the European Union, citizens' appraisal of the impact of the Union on their individual welfare is crucial because their affective support is quite low.
This book will be of interest to scholars studying European integration as well as scholars interested in the impact of public opinion on economic policymaking.
Matthew Gabel is Assistant Professor of Political Science, University of Kentucky.
[more]
cover of Intermediaries, Interpreters, and Clerks: African Employees in the Making of Colonial Africa

Intermediaries, Interpreters, and Clerks

African Employees in the Making of Colonial Africa

Edited by Benjamin N. Lawrance, Emily Lynn Osborn, and Richard L. Roberts

University of Wisconsin Press, 2006

As a young man in South Africa, Nelson Mandela aspired to be an interpreter or clerk, noting in his autobiography that “a career as a civil servant was a glittering prize for an African.” Africans in the lower echelons of colonial bureaucracy often held positions of little official authority, but in practice these positions were lynchpins of colonial rule. As the primary intermediaries among European colonial officials, African chiefs, and subject populations, these civil servants could manipulate the intersections of power, authority, and knowledge at the center of colonial society.
            By uncovering the role of such men (and a few women) in the construction, function, and legal apparatus of colonial states, the essays in this volume highlight a new perspective. They offer important insights on hegemony, collaboration, and resistance, structures and changes in colonial rule, the role of language and education, the production of knowledge and expertise in colonial settings, and the impact of colonization in dividing African societies by gender, race, status, and class.
[more]
cover of International Exposure: Perspectives on Modern European Pornography, 1800–2000

International Exposure

Perspectives on Modern European Pornography, 1800–2000

Sigel, Lisa Z.

Rutgers University Press, 2005

International Exposure demonstrates the wealth of desires woven into the fabric of European history: desires about empire and nation, about self and other, about plenty and dearth. By documenting the diverse meanings of pornography, senior scholars from across disciplines show the ways that sexuality became central to the individual, to the nation, and to the transnational character of modern society.

The ten essays in the volume engage a rich array of topics, including obscenity in the German states, censorship in France’s Third Republic, “she-male” internet porn, the rise of incestuous longings in England, the place of the Hungarian video revolution in the global market, and the politics of pornography in Russia. Taken together, the essays illustrate the latest approaches to content, readership, form, and delivery in modern European pornography.

A substantial discussion of the broad history and state of the field complements the ten in-depth case studies that examine a wide range of sources from literature to magazines, video to the internet. By tackling the highbrow and lowdown of the pornographic form, this volume lays the groundwork for the next surge of studies in the field.

[more]
cover of Interrogating Integration: Sport, Celebrity, and Scandal in the Making of New Germany

Interrogating Integration

Sport, Celebrity, and Scandal in the Making of New Germany

Kate Zambon

University of Michigan Press, 2025

Interrogating Integration explores how international sporting spectacles, media campaigns, and public debates construct racialized national identity in an era of rising right-wing nationalism. Across Europe, “integration” has emerged as a guiding concept to regulate cultural differences, particularly in Germany, where integration became a watchword after the introduction of birthright citizenship in 2000. The legal expansion of German citizenship threatened the homogeneous definition of the nation and spurred increased scrutiny of immigrants and Germans of color, primarily Muslim and Black Germans. This opened a new chapter in the long struggle over German identity. The celebrations, scandals, and debates analyzed here reveal how the admission of new citizens inspired an optimistic cosmopolitanism that claimed to differentiate the new Germany from its fascist past while simultaneously reinscribing racialized hierarchies and providing fuel for rising far-right politics.

Using touchstones of public memory, including events surrounding men’s World Cup soccer and the record-breaking success of a book blaming Muslims for Germany’s decline, Zambon examines persistent problems in European conceptions of race, where racializing projects take place under an “ideology of racelessness” and the atrocities of historical and transnational racisms are used to deny current local forms of racism.
 
[more]
cover of Interrogation Of Joan Of Arc

Interrogation Of Joan Of Arc

Karen Sullivan

University of Minnesota Press, 1999

A radical reassessment of the trial of Joan of Arc that gives a new sense of Joan in her time.

The transcripts of Joan of Arc’s trial for heresy at Rouen in 1431 and the minutes of her interrogation have long been recognized as our best source of information about the Maid of Orleans. Historians generally view these legal texts as a precise account of Joan’s words and, by extension, her beliefs. Focusing on the minutes recorded by clerics, however, Karen Sullivan challenges the accuracy of the transcript. In The Interrogation of Joan of Arc, she re-reads the record not as a perfect reflection of a historical personality’s words, but as a literary text resulting from the collaboration between Joan and her interrogators.

Sullivan provides an illuminating and innovative account of Joan’s trial and interrogation, placing them in historical, social, and religious context. In the fifteenth century, interrogation was a method of truth-gathering identified not with people like Joan, who was uneducated, but with clerics, like those who tried her. When these clerics questioned Joan, they did so as scholastics educated at the University of Paris, as judges and assistants to judges, and as pastors trained in hearing confessions.The Interrogation of Joan of Arc traces Joan’s conflicts with her interrogators not to differing political allegiances, but to fundamental differences between clerical and lay cultures. Sullivan demonstrates that the figure depicted in the transcripts as Joan of Arc is a complex, multifaceted persona that results largely from these cultural differences. Discerning and innovative, this study suggests a powerful new interpretive model and redefines our sense of Joan and her time.
[more]
cover of Intersections in Turkish Literature: Essays in Honor of James Stewart-Robinson

Intersections in Turkish Literature

Essays in Honor of James Stewart-Robinson

Walter G. Andrews, Editor

University of Michigan Press, 2001

The rich but often neglected field of Turkish and Ottoman literature has long suffered from the fact that a number of traditional research boundaries have separated the studies of folk and elite literature, of Ottoman and modern literature, of the village and the city, the religious and the secular.
Intersections in Turkish Literature is a collection of essays on Turkish literature by former students of James Stewart-Robinson. The topics and methods cover a broad range--from a careful thematic analysis of a traditional Turkish folktale, which reveals its resemblance to well-known Western tales; to an analysis of the "saint tales" recounted by present-day Albanian Bektasi adepts; to a study of narrative rhythm in Nazim Hikhmet's rendition of an account of a fifteenth-century popular uprising.
Walter G. Andrews has assembled the writings of a number of scholars who bridge traditional chasms, inviting us to rethink our approaches to the study of Turkish and Ottoman literature. This collection forms a nucleus that clearly demonstrates the great potential now existing for study in this area, the essays displaying a variety of unusual approaches that bring together seemingly disparate materials: the Turkish story "The Pomegranate Seed" and Disney's "Snow White"; a fifteenth-century chronicle and the poetry of a modern socialist poet; Albanian dervishes in Detroit; a modern Turkish novel; Virginia Woolf; a Yale critic; traditional Japanese poetry; and Ottoman lyrics.
Intersections in Turkish Literature will provide an important stimulus to work that reaches beyond the limits of area studies, intersecting with the interests of scholars and students of literary theory, folklore studies, anthropology, French, Japanese, and Persian.
Walter G. Andrews is Affiliate Professor of Near Eastern Languages and Civilization, University of Washington.
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cover of Intimate Reading: Textual Encounters in Medieval Women’s Visions and Vitae

Intimate Reading

Textual Encounters in Medieval Women’s Visions and Vitae

Jessica Barr

University of Michigan Press, 2020

Intimate Reading: Textual Encounters in Medieval Women’s Visions and Vitae explores the ways that women mystics sought to make their books into vehicles for the reader’s spiritual transformation. Jessica Barr argues that the cognitive work of reading these texts was meant to stimulate intensely personal responses, and that the very materiality of the book can produce an intimate encounter with God. She thus explores the differences between mystics’ biographies and their self-presentation, analyzing as well the complex rhetorical moves that medieval women writers employ to render their accounts more effective.
This new volume is structured around five case studies. Chapters consider the biographies of 13th-century holy women from Liège, the writings of Margery Kempe, Gertrude of Helfta, Mechthild of Magdeburg, Marguerite Porete, and Julian of Norwich. At the heart of Intimate Reading is the question of how reading works—what it means to enter imaginatively and intellectually into the words of another. The volume showcases the complexity of medieval understandings of the work of reading, deepening our perception of the written word’s capacity to signify something that lies even beyond rational comprehension.
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