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On weekday afternoons, dismissal bells signal not just the end of the school day but also the beginning of another important activity: the federally funded after-school programs that offer tutoring, homework help, and basic supervision to millions of American children. Nearly one in four low-income families enroll a child in an after-school program. Beyond sharpening students’ math and reading skills, these programs also have a profound impact on parents. In a surprising turn—especially given the long history of social policies that leave recipients feeling policed, distrusted, and alienated—government-funded after-school programs have quietly become powerful forces for political and civic engagement by shifting power away from bureaucrats and putting it back into the hands of parents. In State of Empowerment Carolyn Barnes uses ethnographic accounts of three organizations to reveal how interacting with government-funded after-school programs can enhance the civic and political lives of low-income citizens.

John Steinbeck once famously wrote that "Texas is a state of mind." For those who know it well, however, the Lone Star State is more than one mind-set, more than a collection of clichés, more than a static stereotype. There are minds in Texas, Don Graham asserts, and some of the most important are the writers and filmmakers whose words and images have helped define the state to the nation, the world, and the people of Texas themselves. For many years, Graham has been critiquing Texas writers and films in the pages of Texas Monthly and other publications. In State of Minds, he brings together and updates essays he published between 1999 and 2009 to paint a unique, critical picture of Texas culture.

In a strong personal voice—wry, humorous, and ironic—Graham offers his take on Texas literary giants ranging from J. Frank Dobie to Larry McMurtry and Cormac McCarthy and on films such as The Alamo, The Last Picture Show, and Brokeback Mountain. He locates the works he discusses in relation to time and place, showing how they sprang (or not) from the soil of Texas and thereby helped to define Texas culture for generations of readers and viewers—including his own younger self growing up on a farm in Collin County. Never shying from controversy and never dull, Graham's essays in State of Minds demolish the notion that "Texas culture" is an oxymoron.

A revealing legal journey through Alabama’s civil rights battles, exposing systemic discrimination and the enduring fight for justice via landmark Supreme Court cases

State of Segregation: America’s Freedom Rights Struggles, as Told by Alabama by Mark J. Tenhundfeld offers a compelling exploration of Alabama’s civil rights and civil liberties history through the lens of thirty-two pivotal US Supreme Court cases. Each case, rooted in Alabama’s social and legal conflicts, reveals the persistent struggle to fulfill the Constitution’s promises of equal protection and due process. From early twentieth-century challenges to the Alabama Constitution of 1901 to contemporary battles over gerrymandering, Tenhundfeld traces how discrimination was embedded in the state’s institutions—and how it was contested.

State of Segregation uniquely blends legal analysis, historical narrative, and social commentary to expose the deep-rooted systems of racial, gender, and class-based discrimination in Alabama. Tenhundfeld argues that while discrimination is the most defining feature of Alabama’s past, it remains the most difficult to confront. By illuminating the legal strategies used to uphold and dismantle injustice, State of Segregation contributes to the broader understanding of how historical inequities continue to shape modern society.

Accessible to general readers and scholars alike, this work stands apart by combining Alabama history, civil rights struggles, and Supreme Court jurisprudence into a single, powerful narrative. It offers both cautionary tales about the fragility of freedom and enduring lessons for today’s social justice advocates.

Explores the conflict between capitalism and tradition in an immigrant community.

A philosophical anthropology of everyday experience, this book is also a deeply informed and thought-provoking reflection on the work of cultural critique. States of Exception looks into a community of immigrants from India living in southern New Jersey—a group to whom the author, as a daughter of two of its members, enjoyed unprecedented access.

Unlike most books about the Civil War, which address individual battles or the war at the national level, States at War: A Reference Guide for Michigan in the Civil War chronicles the actions of an individual state government and its citizenry coping with the War and its ramifications, from transformed race relations and gender roles, to the suspension of habeas corpus, to the deaths of over 10,000 Michigan fathers, husbands, sons, and brothers who had been in action. The book compiles primary source material—including official reports, legislative journals, executive speeches, special orders, and regional newspapers—to provide an exhaustive record of the important roles Michigan and Michiganders had in the War. Though not burdened by marching armies or military occupation like some states to the southeast, Michigan nevertheless had a fascinating Civil War experience that was filled with acute economic anxieties, intense political divisions, and vital contributions on the battlefield. This comprehensive volume will be the essential starting point for all future research into Michigan’s Civil War-era history.
 

Since the 1950s, television flooded the American soundscape with not just pictures but sounds, a constant aural stream infiltrating domestic life. In Stay Tuned, Patrick Sullivan treats network-era television sound not as background noise or auxiliary signal but as a formative texture of aesthetic life in postwar America. He theorizes how television’s sonic forms—asynchronous audiovisuals, noises, affective rhythms, what he collectively terms “network aurality”—trouble traditional aesthetic theory. Stay Tuned takes up critiques of television sound and repurposes them as evidence of a deeper philosophical discomfort: Namely, that television sound does something to aesthetic categories that they weren’t built to handle. From the laugh track to the cartoon “boinks,” from noises to the jingle, Sullivan reads television sounds not as cultural detritus but as formal interventions—forcing a redefinition of what aesthetics means when form is mass-produced, commercial, and built for syndication. What emerges is not just a new theory and history of television sound but a reimagined account of aesthetic experience itself—expanded, recalibrated, and a little wacky.

A road trip through Steinbeck’s America—revisited, reimagined, and reinterpreted.

Steinbeck’s Uneasy America is the first collection of critical scholarship devoted to Travels with Charley in Search of America, John Steinbeck’s best-selling, late-career travel memoir. In 1960, Steinbeck was a renowned man of American letters. Many considered him America’s troubadour of ordinary people, the conscience of the country. But weakened by two small strokes and anxious that he had lost touch with America, he embarked on a cross-country road trip accompanied by his wife’s standard poodle, Charley. Two years later, he published Travels with Charley to popular acclaim and robust sales.

Throughout this narrative, Steinbeck insists that all of our perceptions are “warped” by personality, history, and society. And while this hybrid and experimental book has long been accepted as an accurate account of his journey, journalists and scholars agree that the narrative is part factual, part fiction—America as seen through Steinbeck’s particular “warp.” The work is long overdue for scholarly assessment.

Steinbeck’s Uneasy America explores three main topics. Part 1 explores genre and form to consider the degree to which the work is fiction or nonfiction. Part 2 assesses Steinbeck’s increasingly bleak assessment of America—almost a jeremiad that warns citizens of ecological excess and political apathy. Part 3 focuses on Travels with Charley as a road text, travel adventure, and literary influence.

This volume’s authors offer rich scholarly insights and a wealth of stories, facts, and anecdotes about Steinbeck and the adventures and misadventures he and Charley met on the road. Lively and groundbreaking, the collection both enlightens and enlivens discussions of Steinbeck and of the twentieth-century American book world.
 

Revealing episodes in the life of the elusive writer, as told by acquaintances

This book collects reminiscences by contemporaries, friends, and associates of Stephen Crane that illuminate the life of this often misunderstood and misrepresented writer. Although Crane is widely regarded as a major American author, conclusions about his life, work, and thought remain obscure due to the difficulties in separating fact from fiction. His first biographer recorded mostly vague impressions and, to mythologize his subject, invented a multitude of the episodes and letters used in his account of Crane’s life. Subsequent biographies were either cursory summations or compendiums of verifiable facts. Crane himself was both reclusive and mercurial, protective of his inner life while projecting a variety of personae to suit others.

A flamboyant personality and close friend of writers such as William Dean Howells, Henry James, and Joseph Conrad, Crane made telling impressions on his contemporaries. They often constitute the best assessments of Crane’s own personality and work. The 90 reminiscences gathered here offer a much-needed account of Crane’s life from a variety of viewpoints, as well as important information about the contributors themselves.

Born to a prominent Philadelphia family in 1779, Stephen Decatur at age twenty-five became the youngest man ever to serve as a captain in the U.S. Navy. His intrepid heroism, leadership, and devotion to duty made him a perfect symbol of the aspirations of the growing nation. Leading men to victory in Tripoli, the War of 1812, and the Algerian war of 1815, and coining the phrase “Our country, right or wrong,” Decatur created an enduring legend of bravery, celebrated in poetry, song, paintings, and the naming of dozens of towns—from Georgia to Alabama to Illinois. 

After the War of 1812, Decatur moved to Washington to help direct naval policy. His close friendships with James Madison, John Quincy Adams, and other political leaders soon made him a rising star in national politics. He and his wife Susan made their elegant home on Lafayette Square near the White House a center of Washington society. The capital and the entire nation were shocked in 1820 when Decatur died at the age of forty-one in a duel with a rival navy captain. 

In this carefully researched and well-written biography, historian Robert Allison tells the story of Decatur's eventful life at a time when the young republic was developing its own identity—when the American people were deciding what kind of nation they would become. Although he died prematurely, Decatur played a significant role in the shaping of that national identity.

Stephen Douglas and the old Union lived out their last years together. It was the most critical time in the life of both the Illinois senator and his country. During most of the period 1857–1861 the American nation could still choose between adjustment of its sectional differences and civil war, and the man they called the Little Giant seemed the one statesman most likely to lead the country onto a course of compromise and reconciliation.

But Douglas’ intense involvement with the American political scene—his great accomplishments in enacting the Compromises of 1850 and 1854, and his victory in the senatorial campaign of 1858—tended at times to disguise a growing alienation from the mainstream of American political life. By 1857 that alienation had reached acute proportions. In part, Douglas fell victim to his own virtues. He sought to be a nationalist in an age of sectionalism; he preached the value of compromise when most Americans questioned its worth.

In other respects, Douglas’ political failures are less excusable. His attempt to convert an apparently amoral attitude toward slavery into a principle—popular sovereignty—found him dismissed by antislavery citizens as immoral and by proslavery citizens as unreliable. For too long, Douglas, professing to “care not” about the future of slavery, overlooked how much Americans could care once their consciences had been aroused or their way of life supposedly threatened.

Douglas failed to win the presidential campaign of 1860 largely because he could satisfy neither the proponents nor the enemies of slavery. Yet if the last years of Douglas’ life were marred by failure, he was not ultimately the tragic figure some historians have suggested. During the campaign of 1860 a profound change began to take place in Stephen Douglas. The outmoded nationalism he had preached for so long began to give way to Unionism. In his eventual support of Lincoln and his defense of the Union, Douglas at last found a policy worthy of his great talents.

Damon Wells first became interested in Stephen Douglas in 1959 after seeing a Broadway dramatization of the Lincoln-Douglas Debates. Later, his studies convinced him that playwright and historian alike were often unfair to Douglas. If Lincoln was to be a hero, then Douglas had to be cast as a villain.

This study fills the need for a fresh and dispassionate look at Douglas and provides a fairer assessment than can be reached by simply endorsing contradictory views of apologists and critics. It places particular emphasis on the Little Giant’s struggle with President James Buchanan, the debates with Lincoln, the presidential campaign of 1860, Douglas’ complex relationship with the South, and a careful analysis of the elusive and at times exasperating principle of popular sovereignty.