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From the introduction of animated film in the early 1900s to the 1950s, ethnic humor was a staple of American-made cartoons. Yet as Christopher Lehman shows in this revealing study, the depiction of African Americans in particular became so inextricably linked to the cartoon medium as to influence its evolution through those five decades. He argues that what is in many ways most distinctive about American animation reflects white animators' visual interpretations of African American cultural expression. 

The first American animators drew on popular black representations, many of which were caricatures rooted in the culture of southern slavery. During the 1920s, the advent of the sound-synchronized cartoon inspired animators to blend antebellum-era black stereotypes with the modern black cultural expressions of jazz musicians and Hollywood actors. When the film industry set out to desexualize movies through the imposition of the Hays Code in the early 1930s, it regulated the portrayal of African Americans largely by segregating black characters from others, especially white females. At the same time, animators found new ways to exploit the popularity of African American culture by creating animal characters like Bugs Bunny who exhibited characteristics associated with African Americans without being identifiably black. 

By the 1950s, protests from civil rights activists and the growing popularity of white cartoon characters led animators away from much of the black representation on which they had built the medium. Even so, animated films today continue to portray African American characters and culture, and not necessarily in a favorable light. 

Drawing on a wide range of sources, including interviews with former animators, archived scripts for cartoons, and the films themselves, Lehman illustrates the intimate and unmistakable connection between African Americans and animation.

An updated edition of a popular study of the Comanche Code Talkers of WWII.

Among the Allied troops who came ashore in Normandy on D-Day were thirteen Comanches in the 4th Infantry Division’s 4th Signal Company. Under German fire they laid communications lines and sent messages in a form never before heard in Europe: coded Comanche. For the rest of World War II, the Comanche Code Talkers played a vital role transmitting orders in a code the Germans never broke. Drawing on interviews with surviving members of the unit, their training officer, and fellow soldiers, as well as archival records, William C. Meadows traces the Comanche Code Talkers from recruitment and training through wartime service and into their postwar lives. He also places their story within the broader history of Native American code talking in the world wars, comparing the Comanche program with the better-known Navajo Code Talkers and examining the military’s use of Native languages for secure communication.

This twenty-fifth anniversary edition adds a new chapter and photographs documenting long-overdue recognition for the Comanche Code Talkers, in the form of congressional medals, museum exhibits, films, and memorials, along with updates in several areas that clarify the development of code talking, add key details of the unit’s history, and highlight the enduring legacy of these soldiers and their linguistic contribution to Allied victory.

Lyric theater in ancien régime France was an eminently political art, tied to the demands of court spectacle. This was true not only of tragic opera (tragédie lyrique) but also its comic counterpart, opéra comique, a form tracing its roots to the seasonal trade fairs of Paris. While historians have long privileged the genre’s popular origins, opéra comique was brought under the protection of the French crown in 1762, thus consolidating a new venue where national music might be debated and defined. 

In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of opéra comique in the turbulent prerevolutionary years. Drawing on both musical and archival evidence, the book presents the history of this understudied genre and unpacks the material structures that supported its rapid evolution at the royally sponsored Comédie-Italienne. Doe demonstrates how comic theater was exploited in, and worked against, the monarchy’s carefully cultivated public image—a negotiation that became especially fraught after the accession of the music-loving queen, Marie Antoinette. The Comedians of the King examines the aesthetic and political tensions that arose when a genre with popular foundations was folded into the Bourbon propaganda machine, and when a group of actors trained at the Parisian fairs became official representatives of the sovereign, or comédiens ordinaires du roi. 

A balanced, sensitive study of the history of comfort women in Singapore during World War II.
 
“Comfort women” or ianfu is the euphemism used by the Japanese military for the women they compelled to do sex work in the Second World War, and has become the term generally used in English to discuss the subject. The role of comfort women in the Japanese empire during World War II remains an important and emotional topic around the world. Most scholarship concentrates on Korean comfort women, with less on their counterparts in Japan, China, and Taiwan, and even less on Southeast Asia. That gap persists despite widespread knowledge of the elaborate series of comfort stations, or comfort houses, that were organized by the Japanese administration across Singapore during the Occupation from 1942 to 1945. So why, the author asks, did no former comfort women from Singapore come forward and tell their stories when others across Asia began to do publicly in the 1990s? 

To understand this silence, this book offers a detailed examination of the sex industry serving the Japanese military during the wartime occupation of Singapore: the comfort stations, managers, procuresses, girls, and women who either volunteered or were forced into service and in many cases sexual slavery. Kevin Blackburn then turns from history to the public presence of the comfort women in Singapore’s memory, including newspapers, novels, plays, television, and touristic heritage sites, showing how comfort women became known in Singapore during the 1990s and 2000s. Bringing great care, balance, and sensitivity to a difficult subject, Blackburn helps to fill an important gap in our understanding of this period.
 

The theory that put victory in the skies.

The Command of the Air presents Giulio Douhet’s groundbreaking argument that air power is the decisive force in modern war. In this classic work of military theory, Douhet defines the revolutionary concept of the “command of the air”—the idea that victory belongs to the nation able to prevent its enemy from flying while striking vital centers deep behind the lines. Through bold logic and vivid examples, the book shows how aviation transformed warfare by bypassing armies and navies entirely, projecting power directly against a nation’s industrial, communications, and civilian infrastructure. 

This edition brings together Douhet’s original 1921 text, his expanded 1927 revision, and subsequent essays, all framed by a rich editors’ introduction. Readers gain insight into his vision of the Independent Air Force, the strategic use of mass bombing, and the technological evolution of modern aircraft. Douhet’s credentials—an Italian general, early aviation commander, and one of history’s most influential air‑power theorists—underscore the authority and ambition behind his ideas. 

Scholars and students of military history, air‑power strategy, national security, and the evolution of modern warfare will find this volume indispensable. It is equally valuable for contemporary defense professionals seeking to understand how concepts such as strategic bombing, total war, and air superiority first took shape.

Working girls' clubs were a flash-point for class antagonisms yet also provided fertile ground for surprising cross-class alliances. Priscilla Murolo's nuanced study charts the shifting points of conflict and consensus between working women and their genteel club sponsors; working women and their male counterparts; and among working women of differing ethnic backgrounds. 

The working girls' club movement lasted from the 1880s, when women poured into the industrial labor force, to the 1920s. Upper-class women initially governed the clubs, and activities converged around standards of "respectability" and the defense and uplift of the character of women who worked for wages. Later, the workers themselves presided over the leadership and shifted the clubs' focus to issues of labor reform, women's rights, and sisterhood across class lines. 

A valuable and lucid study of the club movement, The Common Ground of Womanhood throws new light on broader trends in the history of women's alliances, social reform, gender conventions, and worker organizing.

The Commonwealth of Empire explores the overlooked history of the Bawdwin mining complex in Burma's Northern Shan States, focusing on its development during the British colonial period. Drawing on global and imperial history, author David Baillargeon showcases how industrial-scale mining transformed Bawdwin into a hub of commerce and migration, especially under the Burma Corporation in the early twentieth century. By the 1920s, Bawdwin had become one of the largest industrial sites in the world, staffed by a multinational workforce from South, Southeast, and East Asia, and managed by foreign engineers from the United States and Australia. Known as the “Commonwealth of Namtu” for its diverse workforce, the site exemplifies how colonial and corporate interests overlapped, and how such commercial spaces were shaped, contested, and reimagined locally. In telling the stories of the diverse agents and workers who developed the site and made it their home, The Commonwealth of Empire uncovers how and why a space like Bawdwin has been forgotten over time, interrogating its marginalization in national and regional histories and linking such forgetting to the nature of Britain's colonial project.

Baillargeon argues that recovering such forgotten histories requires moving beyond nation-based frameworks and embracing methods that illuminate the global forces behind colonial enterprises. In doing so, the book offers opportunities to decolonize histories and spaces of occupation that fit uneasily into existing frameworks of empire and nation.

In 1917, shortly after the United States’ declaration of war on Germany, Guy Emerson Bowerman, Jr., enlisted in the American army’s ambulance service. Like other young ambulance drivers—Hemingway, Dos Passos, Cummings, Cowley—Bowerman longed to “see the show.” He was glad to learn that the ambulance units were leaving for France right away.

For seventeen months, until the armistice of November 1918, Bowerman kept an almost daily diary of the war. To read his words today is to live the war with an immediacy and vividness of detail that is astonishing.

Only twenty when he enlisted, Bowerman was an idealistic, if snobbish, young man who exulted that his section was made up mostly of young “Yalies” like himself. But he expected the war to change him, and it did. In the end he writes that he and his compatriots scarcely remember a world at peace. "The old life was gone forever. . ."

Guy Bowerman’s unit was attached to a French infantry division stationed near Verdun. Sent to halt the German drive to Paris in 1918, the division participated in the decisive counterattack of July and tracked the routed Germans through Belgium. Then, “unwarned,” Bowerman and his comrades were “plunged into … a life of peace.” Into this life, he writes, they walked “bewildered,” like “men fearing ambush.”

This remarkable chronicle of one young man’s rite of passage is destined to become a classic in the literature of the Great War.

    Catullus’ life was akin to pulp fiction. In Julius Caesar’s Rome, he engages in a stormy affair with a consul’s wife. He writes her passionate poems of love, hate, and jealousy. The consul, a vehement opponent of Caesar, dies under suspicious circumstances. The merry widow romances numerous young men. Catullus is drawn into politics and becomes a cocky critic of Caesar, writing poems that dub Julius a low-life pig and a pervert. Not surprisingly, soon after, no more is heard of Catullus.
    David Mulroy brings to life the witty, poignant, and brutally direct voice of a flesh-and-blood man, a young provincial in the Eternal City, reacting to real people and events in a Rome full of violent conflict among individuals marked by genius and megalomaniacal passions. Mulroy’s lively, rhythmic translations of the poems are enhanced by an introduction and commentary that provide biographical and bibliographical information about Catullus, a history of his times, a discussion of the translations, and definitions and notes that ease the way for anyone who is not a Latin scholar.

A first-of-its-kind study of Alexander the Great that examines the diverse manifestations and pivotal role of friendship in his campaigns, decisions, and enduring legacy.

Modern scholarship has illuminated nearly every aspect of Alexander the Great’s life and campaigns––but Joseph Roisman turns to a dimension of Alexander’s world that has yet to receive sustained analysis: the structure and function of friendship in the king’s regime. In this first-of-its-kind study, The Complex Friendships of Alexander the Great explores the central role friendship played in Alexander’s social, political, and cultural world. Moving beyond utilitarian perspectives, Roisman shows that friendship with the king involved affective, noninstrumental bonds that shaped his decisions, successes, and failures.

Using Aristotle’s philosophy of friendship as a starting point, Roisman examines the making, breaking, and remaking of bonds with Macedonian companions, including his closest allies, as well as with foreigners encountered during his campaigns. The book concludes with the first comprehensive list of Alexander’s friends drawn from ancient sources. Combining meticulous scholarship with new interpretive insight, this study reevaluates how we understand Alexander the Great’s leadership, social networks, and legacy.