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A literary detective story, a historical survey, and an important contribution to translation studies

This book from Kenneth J. Thomas is both a philological and linguistic analysis of Persian translations and a call for interfaith cooperation. Thomas appraises biblical translation efforts from the fifth to the twenty-first centuries of Persian history when successive translators and groups of translators, sometimes of different faiths, worked to reshape and refine versions of the Bible in the supple Persian language of their times. Restless, impelled, and wide-ranging, this is a story of translations commissioned by shahs, undertaken by Christian and Jewish communities, and produced by teams working outside the country.

Features

• Demonstration of the effects of the lack of a standard Persian vocabulary for key biblical terms on literary style and word choice
• Technical analyses and overviews of Persian biblical translations
• A careful examination of sixteen centuries' worth of Bible translations

Further your understanding of the methods and peculiarities of the ancient Greek translators and revisers of the Hebrew Bible

Loiseau presents examples of Greek translations of verses from the Hebrew Bible that clearly illustrate the influence of Aramaic or Late Hebrew on the semantics of the Septuagint translators. The author postulates that the Greek translators based their translations on Hebrew-Aramaic equivalents maintained as lists or even on proto-targumim such as those found at Qumran, both predecessors of the later Aramaic targumic translations. Loiseau's examples provide convincing explanations for different coincidences occurring between the Greek translations and the interpretative traditions found in the targumim and help elucidate a number of puzzling translations where two Aramaic words that are very similar graphically or phonetically were erroneously interchanged.

Features

• Unique insight into ancient Jewish exegesis
• English summary
• The first extensive illustration of the influence of the Aramaic or Late Hebrew on the Septuagint

Published to commemorate the four hundredth anniversary of the publication of the King James Bible, Manifold Greatness tells the story of the creation and immediate afterlife of the King James translation of the Bible, first published in 1611. Revolutionary at its time, the King James translation quickly became the dominant authorized translation of the Christian Bible in English. There are more than one billion copies in print, making it the best-selling book of all time, and its effect on the English language is incalculable, both in common speech and in literature. 

This accessible and richly illustrated visual history contains eighty color illustrations, including images of rare manuscripts, artifacts, and archival material such as the annotated Bodleian Bishops’ Bible of 1602, pages from the Wycliffite and Tyndale Bibles, and an edition of the Bishop’s Bible owned by Elizabeth I. Eight chapters contributed by leading academics in the field discuss the history of biblical translation, the political background of the project, the Oxford Translators—including Henry Savile, John Rainolds, and John Harmar—and their working milieu, the cultural politics, and the reception and influence of the King James Bible up until the 1769 publication of the Oxford Standard Edition, which was the first revision of the original 1611 translation.  Also included is a look at the later reception of the King James Bible in America, including a chapter specifically on the King James Bible and the Folger Shakespeare Library.

Manifold Greatness brings together key research and documentation to provide a lively and comprehensive visual account to celebrate one of the most important occasions in publishing and modern religious history.

Explore the groundwork for a new commentary series from SBL Press

This book contains verse by verse commentary on selections from the Greek text of the Hebrew Bible known as the Septuagint. Each chapter is from a different bible book, for which there will eventually be a full commentary published in the Society of Biblical Literature Commentary on the Septuagint. The commentary series focuses on the actual process of translation, so its authors try to describe and explain the kinds of decisions the ancient Alexandrian translators made about how to render Hebrew into Greek.

Features

• Translations from and commentary on Genesis, Exodus, Leviticus, Numbers, Esther, Job, and Psalms
Contributions from eight experts on the Septuagint
• Guidelines and procedures used in the production of the translations in the series

Explore the opportunities and challenges of Septuagint studies

Recent research into the Septuagint has revealed numerous examples of modifications of the meaning of the Hebrew text in the course of its translation into Greek. This collection of essays by one of the leading scholars on the Septuagint shows how complex the translation of individual books was, provides reasons for differences between the Hebrew and Greek Bibles, and paves the way for a theology of the Septuagint. Articles introduce the field of Septuagint studies, the problem of the Letter of Aristeas, and the Hellenistic environment and the hermeneutics of Hellenistic Judaism.

Features:

• A methodological discussion of whether and how a theology of the Septuagint can be written
• Essays introducing the field of Septuagint studies and its Hellenistic environment and the hermeneutics of Hellenistic Judaism
• Fifteen English and German essays covering twenty-five years of Septuagint research

Elizabeth Lowe charts her journey to becoming a translator through a series of vignettes relating her life as a “third-culture kid” and living and working abroad in a kaleidoscope of cultures and languages. She lived in Germany as a young child immediately after the Second World War while her father worked in the Nuremberg trials and as a newly married military spouse during the Vietnam War; she lived in Haiti just prior to Papa Doc's consolidation of power, in Brazil when the military dictatorship seized the country in its two-decade vise, at the University of Coimbra, Portugal during Salazar, and Colombia at the height of the guerrilla conflicts, and in Miami during the heyday of the cartels. The book is a reflection on translation as an art, on five decades teaching languages, literatures, and translation, and on her close relationship with writers from the Lusophone world. It explores theoretical aspects of translation as well as practical challenges faced by translators, especially those working in Portuguese literature. Lowe offers intimate insights into the creative process of the writers she translates and her own philosophy of literary translation. 
 

Translating a work of literature from one language to another is an art form, in which the translated work becomes a "conduit" through which the reader of one language may pass into the cultural world of another. For the translator, the process of translation offers an intimate experience of the text that is perhaps unavailable even to the author. And yet, as M. R. Ghanoonparvar observes at the outset of this book, "every translation is inevitably a failure, with occasional moments of success."

In Translating the Garden, Ghanoonparvar allows readers to watch him in the process of translating Shahrokh Meskub's Goftogu dar Bagh(Dialogue in the Garden) from Persian into English. This short philosophical work uses a conversation between a writer and a painter to explore Persian perceptions of art, literature, nature, identity, and spirituality. As he translates the text, Ghanoonparvar discusses the myriad decisions that a literary translator faces, from word choices to the problems of conveying cultural concepts and deciphering authorial intent. He also compares some of his translated passages with those of other translators to highlight the uniqueness of each act of translation. The complete English translation of Dialogue in the Garden rounds out the volume.

A groundbreaking exploration of the Jewish marriage contract and its evolution in English translation

Translating the Ketubah offers a fresh perspective on the ketubah, the Jewish marriage contract. Traditionally composed in Aramaic, ketubot have been examined in other books within the frameworks of Jewish law and Jewish art. Here, however, Benjamin Steiner shows how translations of the ketubah into English helped Jews adapt to changing social and economic circumstances across more than two centuries.

Steiner uses ketubot to trace the intricate relationship between religious law and secular law, the changing status of women within and outside Judaism, and the complex desire of Jews to be both authentically Jewish and fully acculturated. Steiner further shows how ketubah translation aided Jews to achieve different cultural goals. It has been used to uphold rabbinic law in communities where religious affiliation was voluntary to ensure women's economic security. It has also facilitated socialization with non-Jews and addressed perceived crises within the Jewish family.

Through a nuanced analysis of ketubah translations from England and various regions of the United States from the late eighteenth century to the present, Steiner offers a detailed look at how Jews have adapted ancient tradition to meet the challenges and opportunities of different historical contexts. His work sheds new light on the rich history of American and British Jewry.

A prominent avant-garde poet charts both her personal artistic development and the difficulties faced by women writers pursuing innovative paths.

An accomplished and influential poet, Kathleen Fraser has been instrumental in drawing attention to other women poets working outside the mainstream. Translating the Unspeakable gathers eighteen of her essays written over nearly twenty years, combining autobiography and criticism to examine what it means for any artist to innovate instead of following an already traveled path.

In autobiographical passages Fraser tells how her generation was influenced by revolutions in art and philosophy during the early 1960s and how she spent years pursuing idiosyncratic means of rediscovering the poem's terms. By the 1970s her evolving poetics were challenged by questions of gender, until immersion in feminist/modernist scholarship led her to initiate greater dialogue among experimentalist poets. 

Other essays examine modernist women writers, their contemporary successors, and the visual poetics they have practiced. By exploring the work of such poets as H. D., Mina Loy, Lorine Niedecker, and Barbara Guest, Fraser conveys their struggle to establish a presence within accepted poetic conventions and describes the role experimentation plays in helping women overcome self-imposed silence.

All of Fraser's writings explore how the search to find one's own way of speaking into a very private yet historic space—of translating the unspeakable—drives poetic experimentation for women and men alike. This provocative book provides a glimpse into the thought processes of
the poetic mind, enhancing our understanding of innovative writing.