“One of the closest readings we have of how the US imperial community evolved in first half of the twentieth century, an extended moment of expansion, transformation, and (obscured) continuity. . . . Drawing from an impressive array of archives in multiple countries, Imperial Material uses a chorus of historical voices—Euro-American, Filipino, Chamoru, Puerto Rican, Kānaka Maoli—to advance its arguments. The result is a lively, attentive, and revealing new way to understand the American empire and its discontents during a time of global ascent.”
— American Historical Review
“[Akiboh] has written an empirically saturated and fine-grained history of symbolic integration through material culture in the US colonial empire. Her compelling analysis of the role of flags, stamps, and currency in so-called Americanization programs explores the uses of a national iconographic inventory as an analytical lens into the ubiquitous nature of colonialism, its embedded tensions between conflicting political formats of nation and empire, and its creative appropriations and contestations by the colonized.”
— Journal of the Gilded Age and Progressive Era
“Imperial Material is a welcome contribution to studies of the (US) American empire as it stretched globally across the tropics but remained, paradoxically, local at all points, shedding light on the contested relations through which empires communicate materially and symbolically with their subjects while also calling attention to the persistence of US colonial relations in contemporary Pacific and Caribbean settings.”
— Pacific Affairs
“With crisp prose and a sweeping narrative arc, Akiboh offers an original, ambitious, and deeply researched work of scholarship. By focusing on the uses and meanings of US national symbols that were exported to the colonies—flags, stamps, and currency—Akiboh uncovers the quotidian practices that made real the experience of colonialism. These symbols were everyday reminders to colonial subjects that they were living under US rule. And they were never just symbols. As Akiboh compellingly demonstrates, they have been at ‘the center of debates about national identity, inclusion, and exclusion in the US colonial empire.’”
— Sarah Miller-Davenport, Columbia University
“This is terrific scholarship. Akiboh presents a highly original, impressively researched, clearly written, and helpfully illustrated study of the official accoutrements of US imperialism.”
— Bartholomew Sparrow, University of Texas at Austin
“Akiboh’s original and compelling story shows us that empire was as much a matter of stamps, money, and flags as it was about raw colonial domination—and that indeed the latter did not happen without the former. At once seminal and revelatory, this book covers uncharted territory in the historiography of American empire and of empire more broadly.”
— Julian Go, University of Chicago
“In this vividly written history, Akiboh traces ideas and artifacts in motion. Whether saluting the Stars and Stripes, raising a seditious flag, or marking political heroes on the stamps of the independent Philippines, colonized people throughout the Pacific made and remade the meanings of national symbols. Imperial Material boldly demonstrates that at stake in these contests was nothing less than life or death.”
— Christopher Capozzola, Massachusetts Institute of Technology
“Imperial Material is an important, innovative history that examines the crucial role of quotidian objects in effort to foster allegiance or loyalty. Akiboh shows how the imperial fetishization of flags, stamps, and currency reveals imperial insecurity about its reliance on the colonized for the imperial arrangement to work. In turn, the objects serve to foster pride in a newly decolonized nation. A major contribution to our understanding of the affective dimension of US empire.”
— Naoko Shibusawa, Brown University