Writing Underground: Reflections on Samizdat Literature in Totalitarian Czechoslovakia
by Martin Machovec
Karolinum Press, 2019 Paper: 978-80-246-4125-6 | eISBN: 978-80-246-4151-5 Library of Congress Classification PG5007.2.U53M3313 2019
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
In this collection of writings produced between 2000 and 2018, the pioneering literary historian of the Czech underground, Martin Machovec, examines the multifarious nature of the underground phenomenon. After devoting considerable attention to the circle surrounding the band The Plastic People of the Universe and their manager, the poet Ivan M. Jirous, Machovec turns outward to examine the broader concept of the underground, comparing the Czech incarnation not only with the movements of its Central and Eastern European neighbors, but also with those in the world at large. In one essay, he reflects on the so-called Půlnoc Editions, which published illegal texts in the darkest days of the late forties and early fifties. In other essays, Machovec examines the relationship between illegal texts published at home (samizdat) and those smuggled out to be published abroad (tamizdat), as well as the range of literature that can be classified as samizdat, drawing attention to movements frequently overlooked by literary critics. In his final, previously unpublished essay, Machovec examines Jirous’s “Report on the Third Czech Musical Revival” not as a merely historical document, but as literature itself.
AUTHOR BIOGRAPHY
Martin Machovec lectures on Czech literature at Charles University, Prague. He is the editor of Views from the Inside: Czech Underground Literature and Culture (1948–1989), also published by Karolinum Press.
REVIEWS
“Machovec is a leading expert on Czechoslovak underground culture. His essays from the last two decades rely on insider knowledge, an enormous archive, and decades of analytical engagement. They are an indispensable source for any researcher of underground music, literature, and art in Czechoslovakia.”
— Veronika Tuckerová, Harvard University
“The 1970s in Czechoslovakia, seen from the outside, may have seemed something close to what Louis Aragon called a ‘cultural Biafra,’ a wasteland devastated by invasion and occupation, by the shattering of the Prague Spring’s promise of a more open and just society, and by the draconian cultural censorship of the politics of ‘normalization’ that dominated the decade. But seen from the inside, the reality was very different. Under the surface of that bleak landscape, what Václav Havel called ‘the secret life of society’ continued. People who were not beaten down by ‘real socialism’ produced books, music, art, and philosophy that have stood the test of time. Machovec has made it his life's work to ensure that the era of samizdat and underground culture will not only not be forgotten, but will be properly documented, understood, and appreciated by future generations, perhaps even more fully than the people who were living the reality at the time. His essays on the life and times of unofficial culture provide a unique window into what was still possible at a time when nothing seemed possible.”
— Paul Wilson, translator, writer, and former member of The Plastic People of the Universe
TABLE OF CONTENTS
Cover
Contents
1. The Group of Writers Around the Půlnoc Series (1949–1955): a Specific Example of Underground Cultural Activities
2. Underground and “Under-the-ground”
3. Charter 77 and the Underground
4. Ideological Orientation and Political Views and Standpoints of Representatives of Czech Undergroung Culture, 1969-1989 (Underground and Dissidence – Allies or Enemies?)
5. The Theme of “Apocalypse” as a Key Building Block of Underground Literature During the Period of “Normalization”
6. Exploring Modern Art: Czech Underground Rock Musicians
7. The Types and Functions of Samizdat Publications in Czechoslovakia, 1948–1989
8. Three Examples of a Variety of Relations Between Czech Samizdat and “Tamizdat” Book Production of the 1970s and 1980s
9. My Itinerary Has Been Monotonous for Quite a While: Magor’s Swan Songs
10. Report on the Third Czech Musical Revival by Ivan Martin Jirous – Its Origins, Structure and Function
In this collection of writings produced between 2000 and 2018, the pioneering literary historian of the Czech underground, Martin Machovec, examines the multifarious nature of the underground phenomenon. After devoting considerable attention to the circle surrounding the band The Plastic People of the Universe and their manager, the poet Ivan M. Jirous, Machovec turns outward to examine the broader concept of the underground, comparing the Czech incarnation not only with the movements of its Central and Eastern European neighbors, but also with those in the world at large. In one essay, he reflects on the so-called Půlnoc Editions, which published illegal texts in the darkest days of the late forties and early fifties. In other essays, Machovec examines the relationship between illegal texts published at home (samizdat) and those smuggled out to be published abroad (tamizdat), as well as the range of literature that can be classified as samizdat, drawing attention to movements frequently overlooked by literary critics. In his final, previously unpublished essay, Machovec examines Jirous’s “Report on the Third Czech Musical Revival” not as a merely historical document, but as literature itself.
AUTHOR BIOGRAPHY
Martin Machovec lectures on Czech literature at Charles University, Prague. He is the editor of Views from the Inside: Czech Underground Literature and Culture (1948–1989), also published by Karolinum Press.
REVIEWS
“Machovec is a leading expert on Czechoslovak underground culture. His essays from the last two decades rely on insider knowledge, an enormous archive, and decades of analytical engagement. They are an indispensable source for any researcher of underground music, literature, and art in Czechoslovakia.”
— Veronika Tuckerová, Harvard University
“The 1970s in Czechoslovakia, seen from the outside, may have seemed something close to what Louis Aragon called a ‘cultural Biafra,’ a wasteland devastated by invasion and occupation, by the shattering of the Prague Spring’s promise of a more open and just society, and by the draconian cultural censorship of the politics of ‘normalization’ that dominated the decade. But seen from the inside, the reality was very different. Under the surface of that bleak landscape, what Václav Havel called ‘the secret life of society’ continued. People who were not beaten down by ‘real socialism’ produced books, music, art, and philosophy that have stood the test of time. Machovec has made it his life's work to ensure that the era of samizdat and underground culture will not only not be forgotten, but will be properly documented, understood, and appreciated by future generations, perhaps even more fully than the people who were living the reality at the time. His essays on the life and times of unofficial culture provide a unique window into what was still possible at a time when nothing seemed possible.”
— Paul Wilson, translator, writer, and former member of The Plastic People of the Universe
TABLE OF CONTENTS
Cover
Contents
1. The Group of Writers Around the Půlnoc Series (1949–1955): a Specific Example of Underground Cultural Activities
2. Underground and “Under-the-ground”
3. Charter 77 and the Underground
4. Ideological Orientation and Political Views and Standpoints of Representatives of Czech Undergroung Culture, 1969-1989 (Underground and Dissidence – Allies or Enemies?)
5. The Theme of “Apocalypse” as a Key Building Block of Underground Literature During the Period of “Normalization”
6. Exploring Modern Art: Czech Underground Rock Musicians
7. The Types and Functions of Samizdat Publications in Czechoslovakia, 1948–1989
8. Three Examples of a Variety of Relations Between Czech Samizdat and “Tamizdat” Book Production of the 1970s and 1980s
9. My Itinerary Has Been Monotonous for Quite a While: Magor’s Swan Songs
10. Report on the Third Czech Musical Revival by Ivan Martin Jirous – Its Origins, Structure and Function
Selected Bibliography – Discography – Filmography
Underground Music
Documentary Films
Author’s Note
Index of Names
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC