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Arms Uncontrolled
Stockholm International Peace Research Institute
Harvard University Press, 1975

The arms race has become a global phenomenon. Each year the world spends a staggering sum on armaments: total military expenditure is almost equal to the entire national income of the poorer half of mankind; aid given underdeveloped countries is a mere 5 percent of money spent for military purposes; resources devoted to medical research are less than a quarter of those devoted to military research and development. How have military expenditures increased to their present high levels? On what kinds of weapons of destruction is this huge amount of money spent? How successful have plans been to stop escalation?

Informed judicious answers to these questions can be found in Arms Uncontrolled. The authors examine where military money goes, the trade in arms, technology on today's battlefield, antisubmarine warfare, chemical and biological weapons, the birth and growth of strategic nuclear forces, the nuclear deterrence debate, nuclear weapon proliferation, as well as the efforts made so far toward arms control and disarmament. Will the onward rush of military technology end in disaster? Should individuals act to bring pressure on political leaders to change policy? This book informs the general reader without polemics or bias. It is an admirable review, written by two experts, of the recent arms race and the attempts to curb it, from World War II to the recent Vladivostok talks.

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The Army and Democracy
Military Politics in Pakistan
Aqil Shah
Harvard University Press, 2014

Since Pakistan gained independence in 1947, only once has an elected government completed its tenure and peacefully transferred power to another elected government. In sharp contrast to neighboring India, the Muslim nation has been ruled by its military for over three decades. Even when they were not directly in control of the government, the armed forces maintained a firm grip on national politics. How the military became Pakistan’s foremost power elite and what its unchecked authority means for the future of this nuclear-armed nation are among the crucial questions Aqil Shah takes up in The Army and Democracy.

Pakistan’s and India’s armies inherited their organization, training, and doctrines from their British predecessor, along with an ethic that regarded politics as outside the military domain. But Pakistan’s weak national solidarity, exacerbated by a mentality that saw war with India looming around every corner, empowered the military to take national security and ultimately government into its own hands. As the military’s habit of disrupting the natural course of politics gained strength over time, it arrested the development of democratic institutions.

Based on archival materials, internal military documents, and over 100 interviews with politicians, civil servants, and Pakistani officers, including four service chiefs and three heads of the clandestine Inter-Services Intelligence, The Army and Democracy provides insight into the military’s contentious relationship with Pakistan’s civilian government. Shah identifies steps for reforming Pakistan’s armed forces and reducing its interference in politics, and sees lessons for fragile democracies striving to bring the military under civilian control.

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Army and Nation
The Military and Indian Democracy since Independence
Steven I. Wilkinson
Harvard University Press, 2015

At Indian independence in 1947, the country’s founders worried that the army India inherited—conservative and dominated by officers and troops drawn disproportionately from a few “martial” groups—posed a real threat to democracy. They also saw the structure of the army, with its recruitment on the basis of caste and religion, as incompatible with their hopes for a new secular nation.

India has successfully preserved its democracy, however, unlike many other colonial states that inherited imperial “divide and rule” armies, and unlike its neighbor Pakistan, which inherited part of the same Indian army in 1947. As Steven I. Wilkinson shows, the puzzle of how this happened is even more surprising when we realize that the Indian Army has kept, and even expanded, many of its traditional “martial class” units, despite promising at independence to gradually phase them out.

Army and Nation draws on uniquely comprehensive data to explore how and why India has succeeded in keeping the military out of politics, when so many other countries have failed. It uncovers the command and control strategies, the careful ethnic balancing, and the political, foreign policy, and strategic decisions that have made the army safe for Indian democracy. Wilkinson goes further to ask whether, in a rapidly changing society, these structures will survive the current national conflicts over caste and regional representation in New Delhi, as well as India’s external and strategic challenges.

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The Army and the Navajo
The Bosque Redondo Reservation Experiment, 1863-1868
Gerald Thompson
University of Arizona Press, 1976

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Army Ants
Nature’s Ultimate Social Hunters
Daniel J. C. Kronauer
Harvard University Press, 2020

A richly illustrated, captivating study of army ants, nature’s preeminent social hunters.

A swarm raid is one of nature’s great spectacles. In tropical rainforests around the world, army ants march in groups by the thousands to overwhelm large solitary invertebrates, along with nests of termites, wasps, and other ants. They kill and dismember their prey and carry it back to their nest, where their hungry brood devours it. They are the ultimate social hunters, demonstrating the most fascinating collective behavior.

In Army Ants we see how these insects play a crucial role in promoting and sustaining the biodiversity of tropical ecosystems. The ants help keep prey communities in check while also providing nutrition for other animals. Many species depend on army ants for survival, including a multitude of social parasites, swarm-following birds, and flies. And while their hunting behavior, and the rules that govern it, are clearly impressive, army ants display collective behavior in other ways that are no less dazzling. They build living nests, called bivouacs, using their bodies to protect the queen and larvae. The ants can even construct bridges over open space or obstacles by linking to one another using their feet. These incredible feats happen without central coordination. They are the result of local interactions—self-organization that benefits the society at large.

Through observations, stories, and stunning images, Daniel Kronauer brings these fascinating creatures to life. Army ants may be small, but their collective intelligence and impact on their environment are anything but.

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Army Life
From a Soldier's Journal
A. O. Marshall
University of Arkansas Press, 2009
In 1884, when Albert O. Marshall published Army Life, a memoir of his service as a private in the Thirty-Third Illinois Regiment, twenty years had passed since his 1864 discharge. Marshall left the journal untouched at publication, and today it is a journal that is rare in what it is not. This memoir is not a complete story of the Thirty-Third (known as the “Normal Regiment” because many of its soldiers were from Illinois State Normal University), nor is it a complete roster of regiment members, nor a list of killed and wounded. Army Life is not, even, a purely military account written from an officer’s point of view. It is the story of a twenty-year-old private whose engaging writing belies his age but also allows his youth to shine through. Marshall tells of the battles he fought and the games he played, of his friends, fellow soldiers, and officers, and of the regiment’s activities in Missouri and Arkansas, at Vicksburg, and in Louisiana and on the Texas Gulf Coast. Enhanced with careful editing and thorough annotations, this journal Marshall carried faithfully to every mustering out is a rich and important Civil War memoir.
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Army Life of an Illinois Soldier
Including a Day-by-Day Record of Sherman's March to the Sea
Charles W. Wills. Foreword by John Y. Simon
Southern Illinois University Press, 1996

A high-spirited idealist who craved excitement when he enlisted in the Eighth Illinois Volunteers for three months and reenlisted for three years, Charles W. Wills of Canton, Illinois, wrote frequently to his sister Mary Emily Wills and kept a diary of General William T. Sherman’s campaigns during the last year of the war. In the beginning of his service, Wills could boast that his company refused to enlist "roughs." He reported that he and his comrades "drink no liquors and keep ourselves as cleanly as possible.... Almost all are reading or writing, and I defy anyone to find 75 men without any restraint, paying more attention to the Sabbath. . . . Health generally excellent in our company, because we are all careful."

A student and store clerk before enlisting, Wills found that army life "beats clerking." He enlisted as a private at the age of twenty-one and by twenty-four was a major. He had thought he might receive an infantry commission eventually, but when the opportunity arose for promotion to first lieutenant in the Seventh Illinois Cavalry, "cupidity and ambition" caused him to abandon the Eighth, enabling him to hold rank "without so much walking." For a while, though, he seriously rued his lack of action. "Haven’t I a brilliant record," he wrote. "Thirty-three months in service and not a battle." As Simon points out, however, "in the year ahead, Wills would have more than his fill of battles." Battle starved once, his enthusiasm for carnage waned as he marched with Sherman to the sea. Yet Major Wills was impressed by his troops’ "endurance, spirit and recklessness."

Wills matured in the army. He joined solely to preserve the Union, and his early comments on slaves "lacked sympathy, even decency," according to Simon. Later he came to the point where he would arm blacks—in part, with an eye toward gaining rank by leading the new regiments. Yet he was not blind to the anomalies of a slave society.

Wills died in 1883. To preserve his memory, his sister (now Mary Kellogg) printed his diary in 1904. Two years later, Kellogg combined the diary with the letters Wills had written to her earlier in the war. Simon renders this assessment: "Wills had a sparkling, witty style that contrasted sharply with that of both his contemporaries in the field and the seven regimental veterans who compiled their diaries. In assembling this book, Mary E. Kellogg wisely allowed her brother to speak for himself; rarely intruding a comment of her own, excising from his letters home inevitable expressions of concern for his sister and her welfare but leaving intact the sparkling flow of camp gossip and military speculation."

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Army of Hope, Army of Alienation
Culture and Contradiction in the American Army Communities of Cold War Germany
John P. Hawkins
University of Alabama Press, 2004
Seeks to penetrate the logic, social structure, and daily practice of life in American military communities in Germany

Army life has always been known as a life of sacrifice, challenge, and frustration, yet one filled also with deep satisfactions. This is so for the soldiers’ families as much as for the soldiers themselves. Over the years, military and civilian leaders of the US Army have tried to reduce the hardships of military life by creating an array of community services designed to provide social support for soldiers and families and help them live satisfying lives in military communities.
 
Unfortunately, this effort has not been particularly successful, and frustration, dissatisfaction, and alienation persist among soldiers and family member in the US Army communities in Germany. Discontent continues because the underlying sources of alienation in the Army and among its families are highly complex, poorly understood, and therefore hardly addressed by the Army’s quality-of-life programs that are intended to make soldier and family life more bearable.
 
In Army of Hope, Army of Alienation: Culture and Contradiction in the American Army Communities of Cold War Germany, the author seeks to penetrate the logic, social structure, and daily practice of life in the American military communities that lay scattered along the frontier between East and West Germany during the final years of the Cold War. In coming to understand the life and thought of these American soldiers and families, ordinary American citizens can learn much about their military forces and about their own society and culture. In addition, a greater understanding about how people work and live around an institution that is at once so important and yet tasked with a mission so different from that of ordinary pursuits can stimulate social scientists and concerned citizens to think differently about culture, society, and behavior in general.
 
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Army Of Israel
David Bigler
Utah State University Press, 2000

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The Army of Truth
Selected Poems
Henrik Wergeland
University of Wisconsin Press, 2003

One of Norway’s most celebrated literary figures of the nineteenth century, Henrik Wergeland worked tirelessly for the civil rights of Jews in Norway. He used the words and structure of his poetry to enliven the ideals of truth, freedom, and equality. This translated volume, containing several of Wergeland’s most prominent poems, beautifully encapsulates the compelling force of his message, allowing its enduring influence to benefit a wider contemporary audience.

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Army Politics in Cuba, 1898-1958
Louis A., Jr. Perez
University of Pittsburgh Press, 1976
Louis A. Pérez examines the founding of the national army in Cuba, the rise and fall of Cuban army preeminence during the Machado regime, the bizarre army seizure of power in 1933, which resulted in the collapse of the officer corps, and follows the dominance of the army until the revolution of 1958. He shows that the Cuban political order rested on the stability of the army, which itself grew increasingly estranged from national traditions and eventually became the tool of a clique of political leaders, only to fall to rebel forces during the revolution.
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Arnold Newman
At Work
By Roy Flukinger
University of Texas Press, 2013

A driven perfectionist with inexhaustible curiosity about people, Arnold Newman was one of the twentieth century’s greatest and most prolific photographers. In a career that spanned nearly seven decades and produced many iconic works, Newman became renowned for making “pictures of people” (he objected to the term “portraits”) in the places where they worked and lived—the spaces that were most expressive of their inner lives. Refusing the label of “art photographer,” Newman also accepted magazine and advertising commissions and executed them to the same exacting standards that characterized all of his work. He spent countless hours training aspiring photographers, sharing his own vast experience, but allowing them the freedom to experiment and discover.

Rich with materials from Newman’s extensive archive in the Harry Ransom Center at the University of Texas at Austin, Arnold Newman offers unprecedented, firsthand insights into the evolution of the photographer’s creativity. Reproduced here are not only many of Newman’s signature images, but also contact sheets, Polaroids, and work prints with his handwritten notes, which allow us to see the process by which he produced the images. Pages from his copious notebooks and calendars reveal Newman’s meticulous preparation and exhausting schedule. Adsheets and magazine covers from Holiday, LIFE, Newsweek, Look, Esquire, Seventeen, Time, and Sports Illustrated show the range of Newman’s largely unknown editorial work. Roy Flukinger provides a contextual overview of the archive, and Marianne Fulton’s introduction highlights the essential moments in the development of Newman’s life and work.

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Arnold Schoenberg
Mark Berry
Reaktion Books, 2019
The most radical and divisive composer of the twentieth century, Arnold Schoenberg remains a hero to many, and a villain to many others. In this refreshingly balanced biography, Mark Berry tells the story of Schoenberg’s remarkable life and work, situating his tale within the wider symphony of nineteenth- and twentieth-century history.

Born in the Jewish quarter of his beloved Vienna, Schoenberg left Austria for his early career in Berlin as a leading light of Weimar culture, before being forced to flee in the dead of night from Hitler’s Third Reich. He found himself in the United States, settling in Los Angeles, where he would inspire composers from George Gershwin to John Cage. Introducing all of Schoenberg’s major musical works, from his very first compositions, such as the String Quartet in D Major, to his invention of the twelve-tone method, Berry explores how Schoenberg’s revolutionary approach to musical composition incorporated Wagnerian late Romanticism and the brave new worlds of atonality and serialism. Essential reading for anyone interested in the music and history of the twentieth century, this book makes clear Schoenberg changed the history of music forever.
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Arnold Schoenberg
Charles Rosen
University of Chicago Press, 1996
In this lucid, revealing book, award-winning pianist and scholar Charles Rosen sheds light on the elusive music of Arnold Schoenberg and his challenge to conventional musical forms. Rosen argues that Schoenberg's music, with its atonality and dissonance, possesses a rare balance of form and emotion, making it, according to Rosen, "the most expressive music ever written." Concise and accessible, this book will appeal to fans, non-fans, and scholars of Schoenberg, and to those who have yet to be introduced to the works of one of the greatest composers of the twentieth century.

"Arnold Schoenberg is one of the most brilliant monographs ever to be published on any composer, let alone the most difficult master of the present age. . . . Indispensable to anyone seeking to understand the crucial musical ideas of the first three decades."—Robert Craft, New York Review of Books

"What Mr. Rosen does far better than one could reasonably expect in so concise a book is not only elucidate Schoenberg's composing techniques and artistic philosophy but to place them in history."—Donal Henahan, New York Times Book Review

"For the novice and the knowledgeable, Mr. Rosen's book is very important reading, either as an introduction to the master or as a stimulus to rethinking our opinions of him. Mr. Rosen's accomplishment is enviable."—Joel Sachs, Musical Quarterly
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Arnold Schoenberg’s Journey
Allen Shawn
Harvard University Press

Winner of the ASCAP Deems Taylor Award in Concert Music Books

Proposing that Arnold Schoenberg has been more discussed than heard, more tolerated than loved, Allen Shawn puts aside ultimate judgments about Schoenberg’s place in music history to explore the composer’s fascinating world in a series of linked essays—“soundings”—that are both searching and wonderfully suggestive. Approaching Schoenberg primarily from the listener’s point of view, Shawn plunges into the details of some of Schoenberg’s works while at the same time providing a broad overview of his involvements in music, painting, and the history through which he lived.

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Arnold Wesker
Fragments and Visions
Edited by Anne Etienne and Graham Saunders
Intellect Books, 2021
After his death, Arnold Wesker (1932–2016) was hailed as one of the great overlooked figures of British drama. Despite his engagement in British cultural politics of the 1960s and an international career, only a fraction of Wesker’s dramatic output has been thoroughly studied. 

Edited by leading scholars in the field and with contributions from important scholars of postwar theater, this volume considers, for the first time, the whole body of Wesker’s work. It includes chapters on Wesker’s reception in Europe, his representation of and attitude towards women, his relationship to his Jewish origins and identity, and his attitude toward politics and community. Building on existing scholarship, drawing extensively from the Arnold Wesker archive at the Harry Ransom Center at the University of Texas at Austin, and introducing new insights and perspectives, this important new essay collection remedies the recent critical neglect of the dramatist.
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Around Quitting Time
Work and Middle-Class Fantasy in American Fiction
Robert Seguin
Duke University Press, 2001
Virtually since its inception, the United States has nurtured a dreamlike and often delirious image of itself as an essentially classless society. Given the stark levels of social inequality that have actually existed and that continue today, what sustains this at once hopelessly ideological and breathlessly utopian mirage? In Around Quitting Time Robert Seguin investigates this question, focusing on a series of modern writers who were acutely sensitive to the American web of ideology and utopic vision in order to argue that a pervasive middle-class imaginary is the key to the enigma of class in America.
Tracing connections between the reconstruction of the labor process and the aesthetic dilemmas of modernism, between the emergence of the modern state and the structure of narrative, Seguin analyzes the work of Nathanael West, Ernest Hemingway, Willa Cather, John Barth, and others. These fictional narratives serve to demonstrate for Seguin the pattern of social sites and cultural phenomenon that have emerged where work and leisure, production and consumption, and activity and passivity coincide. He reveals how, by creating pathways between these seemingly opposed domains, the middle-class imaginary at once captures and suspends the dynamics of social class and opens out onto a political and cultural terrain where class is both omnipresent and invisible.
Aroung Quitting Time
will interest critics and historians of modern U.S. culture, literary scholars, and those who explore the interaction between economic and cultural forms.
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Around the Absurd
Essays on Modern and Postmodern Drama
Edited by Enoch Brater and Ruby Cohn
University of Michigan Press, 1990
When Martin Esslin published The Theatre of the Absurd in 1961 he caught the pulse of Western drama as it burst into bold and surprising new forms after the Second World War. Around the Absurd is the first book to examine the history, impact, and legacy of that theater. In provocative essays by leading critics from both sides of the Atlantic (including Jan Kott, Herbert Blau, Katharine Worth, Theodore Shank, and Benedict Nightingale), this forum carries forward Esslin's seminal work by surveying the theater terrain both before and after that time. Featuring original studies of Maeterlinck, O'Neill, Ionesco, Beckett, Pinter, Fornes, and the international scene of performance art, this timely collection details the key role of the absurd in the transformation from a modern to a postmodern repertory. Around the Absurd will appeal to scholars, students, and critics of the dramatic arts as well as to the theater-going public
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Around the Day in Eighty Worlds
Politics of the Pluriverse
Martin Savransky
Duke University Press, 2021
In Around the Day in Eighty Worlds Martin Savransky calls for a radical politics of the pluriverse amid the ongoing devastation of the present. Responding to an epoch marked by the history of colonialism and ecological devastation, Savransky draws on the pragmatic pluralism of William James to develop what Savransky calls a “pluralistic realism”—an understanding of the world as simultaneously one and many, ongoing and unfinished, underway and yet to be made. Savransky explores the radical multifariousness of reality by weaving key aspects of James's thought together with divergent worlds and stories: of Magellan's circumnavigation, sorcery in Mozambique, God's felt presence among a group of evangelicals in California, visible spirits in Zambia, and ghosts in the wake of the 2011 tsunami in Japan. Throughout, he experiments with these storied worlds to dramatize new ways of approaching the politics of radical difference and the possibility of transforming reality. By exploring and constructing relations between James's pluralism and the ontological turn in anthropology, Savransky offers a new conceptualization of the pluriverse that fosters modes of thinking and living otherwise.
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Around the Globe
Rethinking Oral History with Its Protagonists
Edited by Miroslav Vanek
Karolinum Press, 2013
In this unusual and important new work, Miroslav Vanek interviews twelve experts on oral history to discuss the medium’s current status within the social sciences in light of recent technology breakthroughs. Around the Globe addresses many of the challenges of oral history, from its inherent subjectivity to whether it should be treated as a discipline or simply a method for research. The interviewees also include their own accounts of how they began to study oral history, giving each section of the book a personal element that makes it a unique handbook for anyone using oral history in their research.  
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Around the Kitchen Table
Métis Aunties' Scholarship
Laura Forsythe
University of Manitoba Press, 2024

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Around the Roman Table
Food and Feasting in Ancient Rome
Patrick Faas
University of Chicago Press, 2005
Craving dolphin meatballs? Can't find a reliable restaurant for boiled parrot? Have a hankering for jellyfish omelettes, sows' wombs in brine, sheep's brain pate, or stuffed mice? Look no further than Around the Roman Table, a unique hybrid cookbook and history lesson. A portrait of Roman society from the vantage point of the dining table, kitchen, and market stalls, Around the Roman Table offers both an account of Roman eating customs and 150 recipes reconstructed for the modern cook.

Faas guides readers through the culinary conquests of Roman invasions—as conquerors pillaged foodstuffs from faraway lands—to the decadence of Imperial Rome and its associated table manners, dining arrangements, spices, seasonings, and cooking techniques. With recipes for such appetizing dishes as chicken galantine with lambs' brains and fish relish, Around the Roman Table is ideal for food aficionados who wish to understand how the desire for power and conquest was manifested in Roman appetites.

"There are many misconceptions about the food of ancient Rome that Faas sets out to correct. The result is half cookbook, half history book and is entirely fascinating to both chef and antiquarian alike."—Washington Times
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Around the Texts of Writing Center Work
An Inquiry-Based Approach to Tutor Education
R. Mark Hall
Utah State University Press, 2017

Around the Texts of Writing Center Work reveals the conceptual frameworks found in and created by ordinary writing center documents. The values and beliefs underlying course syllabi, policy statements, website copy and comments, assessment plans, promotional flyers, and annual reports critically inform writing center practices, including the vital undertaking of tutor education.

In each chapter, author R. Mark Hall focuses on a particular document. He examines its origins, its use by writing center instructors and tutors, and its engagement with enduring disciplinary challenges in the field of composition, such as tutoring and program assessment. He then analyzes each document in the contexts of the conceptual framework at the heart of its creation and everyday application: activity theory, communities of practice, discourse analysis, reflective practice, and inquiry-based learning.

Around the Texts of Writing Center Work approaches the analysis of writing center documents with an inquiry stance—a call for curiosity and skepticism toward existing and proposed conceptual frameworks—in the hope that the theoretically conscious evaluation and revision of commonplace documents will lead to greater efficacy and more abundant research by writing center administrators and students.

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Around the World in 80 Words
A Journey through the English Language
Paul Anthony Jones
University of Chicago Press, 2018
What makes a place so memorable that it survives forever in a word? In this captivating round-the-world tour, Paul Anthony Jones acts as your guide through the intriguing stories of how eighty places became immortalized in the English language. You’ll discover why the origins of turkeys, limericks, Brazil nuts, and Panama hats aren’t quite as straightforward as you might presume. If you’ve never heard of the tiny Czech mining town of Jáchymov—or Joachimsthal, as it was known until the late 1800s—you’re not alone, which makes its claim to fame as the origin of the word “dollar” all the more extraordinary. The story of how the Great Dane isn’t all that Danish makes the list, as does the Jordanian mountain whose name has become a byword for a tantalizing glimpse. We’ll also find out what the Philippines has given to your office inbox, what Alaska has given to your liquor cabinet, and how a speech given by a bumbling North Carolinian gave us a word for impenetrable nonsense.

Surprising, entertaining, and illuminating, this is essential reading for armchair travelers and word nerds. Our dictionaries are full of hidden histories, tales, and adventures from all over the world—if you know where to look.
 
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Around the World with LBJ
My Wild Ride as Air Force One Pilot, White House Aide, and Personal Confidant
By Brigadier General James U. Cross, USAF (retired), with Denise Gamino and Gary Rice
University of Texas Press, 2008

When Lyndon Baines Johnson wanted to go somewhere, there was no stopping him. This dynamic president called for Air Force One as others summon a taxi—at a moment's notice, whatever the hour or the weather. And the man who made sure that LBJ got his ride was General James U. Cross, the president's hand-picked pilot, top military assistant, and personal confidante. One of the few Air Force One pilots to have a position, simultaneously, in the White House, General Cross is also the only member of LBJ's inner circle who has not publicly offered his recollections of the president. In this book, he goes on the record, creating a fascinating, behind-the-scenes portrait of America's complex, often contradictory, always larger-than-life thirty-sixth president.

General Cross tells an engrossing story. In addition to piloting Air Force One around the globe, he served President Johnson in multiple capacities, including directing the Military Office in the White House; managing a secret two-million-dollar presidential emergency fund; supervising the presidential retreat at Camp David, the president's entire transportation fleet, and the presidential bomb shelters; running the White House Mess; hiring White House social aides, including the president's future son-in-law, Charles Robb; and writing condolence letters to the families of soldiers killed in Vietnam. This wide-ranging, around-the-clock access to President Johnson allowed Cross to witness events and share moments that add color and depth to our understanding of America's arguably most demanding and unpredictable president.

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Arousing Sense
Recipes for Workshopping Sensory Experience
Tomie Hahn
University of Illinois Press, 2021
Engaging with sensory experience provides a gateway to the contemplation and cultivation of creativity and ideas. Tomie Hahn's workshopping recipes encourage us to incorporate sensory-rich experiences into our research, creative processes, and understanding of people. The exercises recognize that playfulness allows for a loosening of self while increasing empathy and vulnerability. Their ability to spark sensory endeavors that reach into our deepest core offers potentially profound impacts on art making, research, ethnographic fieldwork, contemplation, philosophical or personal introspections, and many other activities. Designed to be flexible, these living recipes provide an avenue for performative adventures that invite us to improvise in ways suited to our own purposes or settings. Leaders and practitioners enjoy limitless arenas for using the senses for explorations that range from personally transformative to professionally productive to profoundly moving.

User-friendly and practical, Arousing Sense is a guide to how teaching through sensory experience can lead to positive, transformative impact in the classroom and everyday life.

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Arranged Marriage
The Politics of Tradition, Resistance, and Change
Péter Berta
Rutgers University Press, 2023
Arranged Marriage: The Politics of Tradition, Resistance, and Change shows how arranged marriage practices have been undergoing transformation as a result of global and other processes such as the revolution of digital technology, democratization of transnational mobility, or shifting significance of patriarchal power structures. The ethnographically informed chapters not only highlight how the gendered and intergenerational politics of agency, autonomy, choice, consent, and intimacy work in the contexts of partner choice and management of marriage, but also point out that arranged marriages are increasingly varied and they can be reshaped, reinvented, and reinterpreted flexibly in response to individual, family, religious, class, ethnic, and other desires, needs, and constraints. The authors convincingly demonstrate that a nuanced investigation of the reasons, complex dynamics, and consequences of arranged marriages offers a refreshing analytical lens that can significantly contribute to a deeper understanding of other phenomena such as globalization, modernization, and international migration as well as patriarchal value regimes, intergenerational power imbalances, and gendered subordination and vulnerability of women. 
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Arranging and Describing Archives and Manuscripts
Dennis Meissner
Society of American Archivists, 2019
Book 2 in the Archival Fundamentals Series III
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Arranging and Describing Archives and Manuscripts
Dennis Meissner
American Library Association, 2019

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Arranging and Describing Archives and Manuscripts
Kathleen D. Roe
Society of American Archivists, 2005
Kathleen Roe's guide to arranging and describing archival materials provides both practical advice and critical context, creating an important resource for archivists in all walks of their professional lives. The arrangement and description of archival materials has so changed since Fredric M. Miller's 1990 edition of ARRANGING AND DESCRIBING ARCHIVES AND MANUSCRIPTS that it may nearly seem a new practice. Kathleen Roe's thorough and readable revision, however, shows that this critical function of archival work is truly one based on core principles that still hold today. Roe has intermingled the theory and context in which collections are arranged and described with clear and practical instructions on the process, resulting in a work that is richer than an instruction manual, yet equally valuable. The chapter on "The Context of Arrangement and Description" provides a clear discussion of the origins of the practice in Europe and the United States, and moves into an historical overview of developing standards that archivists of all levels will appreciate for its clarity. The lengthy chapter on "The Practice of Arrangement and Description" is complemented by appendices that offer sample scenarios, arrangement patterns, and finding aids. Together, these provide a sturdy foundation for students or novice archivists seeking to hone their processing skills. Just as the importance of arrangement and description to the archivist cannot be overstated, neither can the significance of this text in describing that process. Roe's work will introduce new archivists to the practice as well as refresh the sensibilities of seasoned professionals for years to come.
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Arranging Marriage
Conjugal Agency in the South Asian Diaspora
Marian Aguiar
University of Minnesota Press, 2018

The first critical analysis of contemporary arranged marriage among South Asians in a global context

Arranged marriage is an institution of global fascination—an object of curiosity, revulsion, outrage, and even envy. Marian Aguiar provides the first sustained analysis of arranged marriage as a transnational cultural phenomenon, revealing how its meaning has been continuously reinvented within the South Asian diaspora of Britain, the United States, and Canada. Aguiar identifies and analyzes representations of arranged marriage in an interdisciplinary set of texts—from literary fiction and Bollywood films, to digital and print media, to contemporary law and policy on forced marriage.

Aguiar interprets depictions of South Asian arranged marriage to show we are in a moment of conjugal globalization, identifying how narratives about arranged marriage bear upon questions of consent, agency, state power, and national belonging. Aguiar argues that these discourses illuminate deep divisions in the processes of globalization constructed on a fault line between individualist and collectivist agency and in the process, critiques neoliberal celebrations of “culture as choice” that attempt to bridge that separation. Aguiar advocates situating arranged marriage discourses within their social and material contexts so as to see past reductive notions of culture and grasp the global forces mediating increasingly polarized visions of agency.

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Arras Hanging
The Textile That Determined Early Modern Literature and Drama
Rebecca Olson
University of Delaware Press, 2014
Textiles have long provided metaphors for storytelling: a compelling novel “weaves a tapestry” and we enjoy hearing someone “spin” a tale. To what extent, however, should we take these metaphors seriously? Arras Hanging: The Textile That Determined Early Modern Literature and Drama reveals that in the early modern period, when cloth-making was ubiquitous and high-quality tapestries called arras hangings were the most valuable objects in England, such metaphors were literal. The arras in particular provided a narrative model for writers such as Edmund Spenser and William Shakespeare, who exploited their audience’s familiarity with weaving to engage them in highly idiosyncratic and “hands on” ways. Specifically, undescribed or “blank” tapestries in the period’s fiction presented audiences with opportunities to “see” whatever they desired, and thus weave themselves into the story. Far more than background objects, literary and dramatic arras hangings have much to teach us about the intersections between texts and textiles at the dawn of print, and, more broadly, about the status of visual art in post-Reformation England.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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Arrernte Present, Arrernte Past
Invasion, Violence, and Imagination in Indigenous Central Australia
Diane J. Austin-Broos
University of Chicago Press, 2008
The Arrernte people of Central Australia first encountered Europeans in the 1860s as groups of explorers, pastoralists, missionaries, and laborers invaded their land. During that time the Arrernte were the subject of intense curiosity, and the earliest accounts of their lives, beliefs, and traditions were a seminal influence on European notions of the primitive. The first study to address the Arrernte’s contemporary situation, Arrernte Present, Arrernte Past also documents the immense sociocultural changes they have experienced over the past hundred years.

Employing ethnographic and archival research, Diane Austin-Broos traces the history of the Arrernte as they have transitioned from a society of hunter-gatherers to members of the Hermannsburg Mission community to their present, marginalized position in the modern Australian economy. While she concludes that these wrenching structural shifts led to the violence that now marks Arrernte communities, she also brings to light the powerful acts of imagination that have sustained a continuing sense of Arrernte identity.
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Arrest and Movement
Space and Time in the Representational Art of the Ancient Near East
H. A. Groenewegen Frankfort
Harvard University Press, 1987
The beauty of Egyptian, Babylonian, and Cretan art is shot through with oddity. However much we are fascinated by the ancient works, we find ourselves wondering what precisely the artists meant when they rendered objects and indicated spatial relations the way they did. Arrest and Movement is the only book to analyze pre-Greek art in terms of issues such as space and narrative. It is a landmark book that will bring to students and museum-goers deeper understanding of this eloquent but seemingly eccentric art.
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Arrested Histories
Tibet, the CIA, and Memories of a Forgotten War
Carole McGranahan
Duke University Press, 2010
In the 1950s, thousands of ordinary Tibetans rose up to defend their country and religion against Chinese troops. Their citizen army fought through 1974 with covert support from the Tibetan exile government and the governments of India, Nepal, and the United States. Decades later, the story of this resistance is only beginning to be told and has not yet entered the annals of Tibetan national history. In Arrested Histories, the anthropologist and historian Carole McGranahan shows how and why histories of this resistance army are “arrested” and explains the ensuing repercussions for the Tibetan refugee community.

Drawing on rich ethnographic and historical research, McGranahan tells the story of the Tibetan resistance and the social processes through which this history is made and unmade, and lived and forgotten in the present. Fulfillment of veterans’ desire for recognition hinges on the Dalai Lama and “historical arrest,” a practice in which the telling of certain pasts is suspended until an undetermined time in the future. In this analysis, struggles over history emerge as a profound pain of belonging. Tibetan cultural politics, regional identities, and religious commitments cannot be disentangled from imperial histories, contemporary geopolitics, and romanticized representations of Tibet. Moving deftly from armed struggle to nonviolent hunger strikes, and from diplomatic offices to refugee camps, Arrested Histories provides powerful insights into the stakes of political engagement and the cultural contradictions of everyday life.

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Arresting Citizenship
The Democratic Consequences of American Crime Control
Amy E. Lerman and Vesla M. Weaver
University of Chicago Press, 2014
The numbers are staggering: One-third of America’s adult population has passed through the criminal justice system and now has a criminal record. Many more were never convicted, but are nonetheless subject to surveillance by the state. Never before has the American government maintained so vast a network of institutions dedicated solely to the control and confinement of its citizens.
 
A provocative assessment of the contemporary carceral state for American democracy, Arresting Citizenship argues that the broad reach of the criminal justice system has fundamentally recast the relation between citizen and state, resulting in a sizable—and growing—group of second-class citizens. From police stops to court cases and incarceration, at each stage of the criminal justice system individuals belonging to this disempowered group come to experience a state-within-a-state that reflects few of the country’s core democratic values. Through scores of interviews, along with analyses of survey data, Amy E. Lerman and Vesla M. Weaver show how this contact with police, courts, and prisons decreases faith in the capacity of American political institutions to respond to citizens’ concerns and diminishes the sense of full and equal citizenship—even for those who have not been found guilty of any crime. The effects of this increasingly frequent contact with the criminal justice system are wide-ranging—and pernicious—and Lerman and Weaver go on to offer concrete proposals for reforms to reincorporate this large group of citizens as active participants in American civic and political life.
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Arresting Contagion
Science, Policy, and Conflicts over Animal Disease Control
Alan L. Olmstead and Paul W. Rhode
Harvard University Press, 2015

Over sixty percent of all infectious human diseases, including tuberculosis, influenza, cholera, and hundreds more, are shared with other vertebrate animals. Arresting Contagion tells the story of how early efforts to combat livestock infections turned the United States from a disease-prone nation into a world leader in controlling communicable diseases. Alan Olmstead and Paul Rhode show that many innovations devised in the fight against animal diseases, ranging from border control and food inspection to drug regulations and the creation of federal research labs, provided the foundation for modern food safety programs and remain at the heart of U.S. public health policy.

America’s first concerted effort to control livestock diseases dates to the founding of the Bureau of Animal Industry (BAI) in 1884. Because the BAI represented a milestone in federal regulation of commerce and industry, the agency encountered major jurisdictional and constitutional obstacles. Nevertheless, it proved effective in halting the spread of diseases, counting among its early breakthroughs the discovery of Salmonella and advances in the understanding of vector-borne diseases.

By the 1940s, government policies had eliminated several major animal diseases, saving hundreds of thousands of lives and establishing a model for eradication that would be used around the world. Although scientific advances played a key role, government interventions did as well. Today, a dominant economic ideology frowns on government regulation of the economy, but the authors argue that in this case it was an essential force for good.

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Arresting Development
Comics at the Boundaries of Literature
By Christopher Pizzino
University of Texas Press, 2016

Mainstream narratives of the graphic novel’s development describe the form’s “coming of age,” its maturation from pulp infancy to literary adulthood. In Arresting Development, Christopher Pizzino questions these established narratives, arguing that the medium’s history of censorship and marginalization endures in the minds of its present-day readers and, crucially, its authors. Comics and their writers remain burdened by the stigma of literary illegitimacy and the struggles for status that marked their earlier history.

Many graphic novelists are intensely aware of both the medium’s troubled past and their own tenuous status in contemporary culture. Arresting Development presents case studies of four key works—Frank Miller’s Batman: The Dark Knight Returns, Alison Bechdel’s Fun Home, Charles Burns’s Black Hole, and Gilbert Hernandez’s Love and Rockets—exploring how their authors engage the problem of comics’ cultural standing. Pizzino illuminates the separation of high and low culture, art and pulp, and sophisticated appreciation and vulgar consumption as continual influences that determine the limits of literature, the status of readers, and the value of the very act of reading.

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Arresting Dress
Cross-Dressing, Law, and Fascination in Nineteenth-Century San Francisco
Clare Sears
Duke University Press, 2015
In 1863, San Francisco’s Board of Supervisors passed a law that criminalized appearing in public in “a dress not belonging to his or her sex.” Adopted as part of a broader anti-indecency campaign, the cross-dressing law became a flexible tool for policing multiple gender transgressions, facilitating over one hundred arrests before the century’s end. Over forty U.S. cities passed similar laws during this time, yet little is known about their emergence, operations, or effects. Grounded in a wealth of archival material, Arresting Dress traces the career of anti-cross-dressing laws from municipal courtrooms and codebooks to newspaper scandals, vaudevillian theater, freak-show performances, and commercial “slumming tours.” It shows that the law did not simply police normative gender but actively produced it by creating new definitions of gender normality and abnormality. It also tells the story of the tenacity of those who defied the law, spoke out when sentenced, and articulated different gender possibilities.
 
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Arretium (Arezzo)
Edited by Ingrid Edlund-Berry and Cristiana Zaccagnino
University of Texas Press

A comprehensive examination of the history and excavation of the Etruscan city of Arretium.

Beneath the Italian city of Arezzo lie the remains of Etruscan Arretium. This volume, the first comprehensive treatment of excavations at Arretium, gathers the most up-to-date scholarship on the city and delves into key archaeological discoveries and the stories they tell about life in the Etruscan world.

Chapters explore local history—including the city’s complex political exchanges with Rome—Etruscan religion, Arretium’s role as a center of the arts, and the challenges of excavation amid the bustle of European urban modernity. Editors Ingrid Edlund-Berry and Cristiana Zaccagnino have gathered chapters by expert contributors that detail Arretium’s material culture, including the city’s famed pottery, Arretine ware, which was known across the Mediterranean; terracotta pieces depicting gods and other supernatural beings; and exquisite bronze-work, most notably the piece now known as the Chimera of Arezzo. One of the few Etruscan cities that continued flourishing after the Roman takeover, Arretium proves to be a trove of archaeological riches and of the historical insights they reveal.

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Arrian the Historian
Writing the Greek Past in the Roman Empire
By Daniel W. Leon
University of Texas Press, 2021

During the first centuries of the Roman Empire, Greek intellectuals wrote a great many texts modeled on the dialect and literature of Classical Athens, some 500 years prior. Among the most successful of these literary figures were sophists, whose highly influential display oratory has been the prevailing focus of scholarship on Roman Greece over the past fifty years. Often overlooked are the period’s historians, who spurned sophistic oral performance in favor of written accounts. One such author is Arrian of Nicomedia.

Daniel W. Leon examines the works of Arrian to show how the era's historians responded to their sophistic peers’ claims of authority and played a crucial role in theorizing the past at a time when knowledge of history was central to defining Greek cultural identity. Best known for his history of Alexander the Great, Arrian articulated a methodical approach to the study of the past and a notion of historical progress that established a continuous line of human activity leading to his present and imparting moral and political lessons. Using Arrian as a case study in Greek historiography, Leon demonstrates how the genre functioned during the Imperial Period and what it brings to the study of the Roman world in the second century.

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Arrival
David Roche
University of Texas Press, 2024

A study of Denis Villeneuve’s genre-transcendent film.

In Denis Villeneuve’s Arrival (2016), scientists must decipher the language of and peacefully communicate with aliens who have landed on Earth before the world’s military attacks. In this first book-length study of the film, scholar David Roche argues that it is one of the most important films of this century, and the most brilliant science fiction film since Blade Runner. Roche posits Arrival as a blockbuster with artistic ambitions—an argument supported by the film’s several Academy Award nominations—and looks closely at how the film engages with theoretical questions posed by contemporary film studies and philosophy alike. Each section explores a central aspect of the film: its status as an auteur adaptation; its relation to the science fiction genre; its themes of communication on narrative and meta-narrative levels; its aesthetics of time and space; and the political and ethical questions it raises. Ultimately, Roche declares Arrival a unique, multifaceted experience in the world of hard science fiction films, placing it in context with works like 2001: A Space Odyssey, Close Encounters of the Third Kind, and Contact while also examining how it bridges the gap between genre and art house cinema.

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The Arrival
Daniel Simko
Four Way Books, 2009
Poet and translator Daniel Simko emigrated with his parents to the U.S.A. and lived here until his death, aged 45, in 2004. Steeped in the traditions of European art, Simko remained reticent about publishing. Thanks to his literary executor, Carolyn Forché, this first collection, in the language Simko grew up into, showcases his gift for the unexpected, exact phrase. The Arrival maps a haunting choreography of travel, memory, and the body so gently you will feel you have been carrying this book around with you all along.
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The Arrival of the Fittest
Biology's Imaginary Futures, 1900–1935
Jim Endersby
University of Chicago Press
In the early twentieth century, varied audiences took biology out of the hands of specialists and transformed it into mass culture, transforming our understanding of heredity in the process.
 
In the early twentieth century communities made creative use of the new theories of heredity in circulation at the time, including the now largely forgotten mutation theory of Hugo de Vries. Science fiction writers, socialists, feminists, and utopians are among those who seized on the amazing possibilities of rapid and potentially controllable evolution. De Vries’s highly respected scientific theory only briefly captured the attention of the scientific community, but its many fans appropriated it for their own wildly imaginative ends. Writers from H.G. Wells and Edith Wharton to Charlotte Perkins Gilman, J.B.S. Haldane, and Aldous Huxley created a new kind of imaginary future, which Jim Endersby calls the biotopia. It took the ambiguous possibilities of biology—utopian and dystopian—and reimagined them in ways that still influence the public’s understanding of the life sciences. The Arrival of the Fittest recovers the fascinating, long-forgotten origins of ideas that have informed works of fiction from Brave New World to the X-Men movies, all while reflecting on the lessons—positive and negative—that this period might offer us.
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ARRIVAL
Poems
Cheryl Boyce-Taylor
Northwestern University Press, 2017
Finalist, 2018 Paterson Poetry Prize 

ARRIVAL is a poetic love story between mother and daughter. The poems are road maps, intertwining generations with a narrative beginning in 1950 with a woman who is pregnant with twins. In her seventh month she delivers a stillborn boy and a baby girl weighing less than two pounds. From there, the evocation of a series of catastrophic family events brings forth Cheryl Boyce-Taylor’s power to strip her readers down to their most vulnerable. Boyce-Taylor is steeped in the narratives of Trinidad and New York City, colored with metaphorical stew-pot images. She revels in her lyrical range as she weaves these poetic retellings of family, place, and identity.
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THE ARRIVALS
A NOVEL
NAOMI GLADISH SMITH
Swedenborg Foundation Publishers, 2004

Flight 785 is bound for London and Brussels, but its passengers are destined to arrive at an unexpected destination. Theirs is a journey that will continue until they each find their true home and, in the process, uncover their innermost being.

Written by Naomi Gladish Smith, The Arrivals will intrigue readers from all walks of life and faiths and provoke discussion. We follow a small group of travelers---a husband and wife on their way to Ireland, a young woman beginning a fellowship at a prestigious British university, business people on their way to various conferences and meetings in Brussels, a minister coming to terms with his wife's desertion and his own fading faith, a small boy going to meet his mother in London---as they slowly unravel the mystery of the afterlife and learn that home is truly where the heart is.

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Arrogant Beggar
Anzia Yezierska
Duke University Press, 1996
The target of intense critical comment when it was first published in 1927, Arrogant Beggar’s scathing attack on charity-run boardinghouses remains one of Anzia Yezierska’s most devastating works of social criticism. The novel follows the fortunes of its young Jewish narrator, Adele Lindner, as she leaves the impoverished conditions of New York’s Lower East Side and tries to rise in the world. Portraying Adele’s experiences at the Hellman Home for Working Girls, the first half of the novel exposes the “sickening farce” of institutionalized charity while portraying the class tensions that divided affluent German American Jews from more recently arrived Russian American Jews.
The second half of the novel takes Adele back to her ghetto origins as she explores an alternative model of philanthropy by opening a restaurant that combines the communitarian ideals of Old World shtetl tradition with the contingencies of New World capitalism. Within the context of this radical message, Yezierska revisits the themes that have made her work famous, confronting complex questions of ethnic identity, assimilation, and female self-realization.
Katherine Stubbs’s introduction provides a comprehensive and compelling historical, social, and literary context for this extraordinary novel and discusses the critical reaction to its publication in light of Yezierska’s biography and the once much-publicized and mythologized version of her life story. Unavailable for over sixty years, Arrogant Beggar will be enjoyed by general readers of fiction and be of crucial importance for feminist critics, students of ethnic literature. It will also prove an exciting and richly rewarding text for students and scholars of Jewish studies, immigrant literature, women’s writing, American history, and working-class fiction.
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Arrow Logic and Multi-Modal Logic
Edited by Maarten Marx, László Pólos, and Michael Masuch
CSLI, 1996
Conceived by Johan van Benthem and Yde Venema, arrow logic started as an attempt to give a general account of the logic of transitions. The generality of the approach provided a wide application area ranging from philosophy to computer science. The book gives a comprehensive survey of logical research within and around arrow logic. Since the natural operations on transitions include composition, inverse and identity, their logic, arrow logic can be studied from two different perspectives, and by two (complementary) methodologies: modal logic and the algebra of relations. Some of the results in this volume can be interpreted as price tags. They show what the prices of desirable properties, such as decidability, (finite) axiomatisability, Craig interpolation property, Beth definability etc. are in terms of semantic properties of the logic. The research program of arrow logic has considerably broadened in the last couple of years and recently also covers the enterprise to explore the border between decidable and undecidable versions of other applied logics. The content of this volume reflects this broadening. The editors included a number of papers which are in the spirit of this generalised research program.
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Arrow Rock
The Story of a Missouri Village
Authorene Wilson Phillips
University of Missouri Press, 2005
Arrow Rock, so named because Native Americans once went there to shape their arrowheads from the flint found along the Missouri River, is a small historic village. Today fewer than one hundred people call Arrow Rock home, but its scenic location and rich history continue to attract thousands of visitors every year.
In June 1804, the Corps of Discovery passed “the big arrow rock,” as William Clark noted in his journal, “a handsome spot for a town . . . the situation is elegant, commanding and healthy, the land about it fine, well-timbered and watered.” Settlers soon arrived, some bringing slaves who developed the large farms; the village that was established grew slowly but saw profits from trade on the river. The beginnings of trade in the far west, the gold rush, and the Civil War all had profound effects on the settlers.
Meanwhile, area residents were having an effect on the world. George Caleb Bingham, who became known as the “Missouri artist,” participated in the founding of the town and built a home there, and Dr. John Sappington, an early resident of Arrow Rock, saved thousands of lives by perfecting a treatment for malaria. Also calling Arrow Rock home were numerous influential politicians, including three governors, M. M. Marmaduke, Claiborne Fox Jackson, and John Sappington Marmaduke.
Life changed after the Civil War, and Arrow Rock changed, too. As railroads and major highways bypassed the town, many people moved away and fewer came through. Arrow Rock provides insight into the progression of history and its effects on one small Missouri town. The story of this village, now a historic site, brings to life the history of America: early days of settlement, an era of prosperity and power for some and incredible hardship for others, wars, a decline, and a rebirth. In addition, the long roll call of those who visited the area provides a history of the opening of the West.
This book will prove valuable to those interested in Missouri history; the developing nation; and the geographical, political, and recreational forces that were at work as so many came and went. Like a visit to Arrow Rock itself, this book allows readers to step back into history and appreciate a time when the river was the highway.
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Arrows in the Dark (Volumes 1 and 2)
David Ben-Gurion, the Yishuv Leadership, and Rescue Attempts during the Holocaust
Tuvia Friling; Translated by Ora Cummings
University of Wisconsin Press, 2005
Arrows in the Dark recounts and analyzes the many efforts of aid and rescue made by the Jewish community of Palestine—the Yishuv—to provide assistance to European Jews facing annihilation by the Nazis. Tuvia Friling provides a detailed account of the activities carried out at the behest of David Ben-Gurion and the Yishuv leadership, from daring attempts to extract Jews from Nazi-occupied territory, to proposals for direct negotiations with the Nazis. Through its rich array of detail and primary documentation, this book shows the wide scope and complexity of Yishuv activity at this time, refuting the idea that Ben-Gurion and the Yishuv ignored the plight of European Jews during the Holocaust.
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Arsenio Rodríguez and the Transnational Flows of Latin Popular Music
David F. García
Temple University Press, 2006
Arsenio Rodríguez was one of the most important Cuban musicians of the twentieth century. In this first scholarly study, ethnomusicologist David F. García examines Rodríguez's life, including the conjunto musical combo he led and the highly influential son montuno style of music he created in the 1940s. García recounts Rodríguez's battle for recognition at the height of "mambo mania" in New York City and the significance of his music in the development of salsa. With firsthand accounts from relatives and fellow musicians, Arsenio Rodríguez and the Transnational Flows of Latin Popular Music follows Rodríguez's fortunes on several continents, speculating on why he never enjoyed wide commercial success despite the importance of his music. García focuses on the roles that race, identity, and politics played in shaping Rodríguez's music and the trajectory of his musical career. His transnational perspective has important implications for Latin American and popular music studies.
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Arsnick
The Student Nonviolent Coordinating Committee in Arkansas
Jennifer Jensen Wallach
University of Arkansas Press, 2011
The Student Nonviolent Coordinating Committee (SNCC) arrived in Arkansas in October 1962 at the request of the Arkansas Council on Human Relations, the state affiliate of the Southern Regional Council. SNCC efforts began with Bill Hansen, a young white Ohioan--already an early veteran of the civil rights movement--who traveled to Little Rock in the early sixties to help stimulate student sit-in movements promoting desegregation. Thanks in large part to SNCC's bold initiatives, most of Little Rock's public and private facilities were desegregated by 1963, and in the years that followed many more SNCC volunteers rushed to the state to set up projects across the Arkansas Delta to help empower local people to take a stand against racial discrimination. In the five short years before it disbanded, the SNCC's Arkansas Project played a pivotal part in transforming the state, yet this fascinating branch of the national organization has barely garnered a footnote in the history of the civil rights movement. This collection serves as a corrective by bringing articles on SNCC's activities in Arkansas together for the first time, by providing powerful firsthand testimonies, and by collecting key historical documents from SNCC's role in the region's emergence from the slough of southern injustice.
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Art & Money
Marc Shell
University of Chicago Press, 1995
In our age of art as investment and of skyrocketing prices at the gallery and the auction house, the study of art and money has become urgent—at least for investors and cultural critics. At the same time, crises in finance have disrupted economic and credit institutions and in turn assumptions about the value of art. Art & Money is a frank, provocative, and entirely unconventional look at two worlds in tandem, focusing on what binds together and drives apart the realms of art and money. Profusely illustrated, it investigates how money becomes (or is) artwork and how artwork comes to assume some of the characteristics of money.

Unlike traditional approaches to the topic, Art & Money is not a study of money and exchange as an artistic "theme." It is also not a study of economics as a context for the history of art. Rather, it is a path-breaking exploration of the internal logic—the set of meanings and values—common to both money and art.

Art & Money provides striking insight into current matters of art collection, counterfeiting, and problems of attribution, into the general relation between word and image, and into controversies over taxation and crises or scandals in the financial world. Shell's historical range is immense, and he fills this study with amusing anecdotes and insights ranging from the relic of the Holy Foreskin to the state's arrest of J. S. G. Boggs, a conceptual artist who draws money. Illustrated with over one hundred halftones and eight color plates, this stunning volume will force a rethinking of our old presumptions about where money ends and art begins.
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Art & Outrage
Provocation, Controversy and the Visual Arts
John A. Walker
Pluto Press, 1998

When art hits the headlines, it is usually because it has caused offence or is perceived by the media to have shock-value. Over the last fifty years many artists have been censored, vilified, accused of blasphemy and obscenity, threatened with violence, prosecuted and even imprisoned. Their work has been trashed by the media and physically attacked by the public.

In Art & Outrage, John A. Walker covers the period from the late 1940s to the 1990s to provide the first detailed survey of the most prominent cases of art that has scandalised. The work of some of Britain’s leading, and less well known, painters and sculptors of the postwar period is considered, such as Richard Hamilton, Bryan Organ, Rachel Whiteread, Reg Butler, Damien Hirst, Jamie Wagg, Barry Flanagan and Antony Gormley. Included are works made famous by the media, such as Carl Andre’s Tate Gallery installation of 120 bricks, Rick Gibson’s foetus earrings, Anthony-Noel Kelly’s cast body-parts sculptures and Marcus Harvey’s portrait of Myra Hindley. Walker describes how each incident emerged, considers the arguments for and against, and examines how each was concluded. While broadly sympathetic to radical contemporary art, Walker has some residual sympathy for the layperson’s bafflement and antagonism. This is a scholarly yet accessible study of the interface between art, society and mass media which offers an alternative history of postwar British art and attitudes.

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Art, Activism, and Oppositionality
Essays from Afterimage
Grant Kester, ed.
Duke University Press, 1998
There is a common perception in the arts today that overtly activist art—often seen to sacrifice an aesthetic pleasure for a subversive one—is no longer in fashion. In bringing together sixteen of the most important essays on activist and community-based art from the pages of Afterimage—one of the most influential journals in the media and visual arts fields for more than twenty-five years—Grant H. Kester demonstrates that activist art, far from being antithetical to the true meaning of the aesthetic, can be its most legitimate expression.

Forging a style of criticism where aesthetic, critical, theoretical, and activist concerns converge, Afterimage has shaped American debates around the politics of visual production and arts education while offering a voice to politically involved artists and scholars. Art, Activism, and Oppositionality insists not only on the continuing relevance of an activist stance to contemporary art practice and criticism, but also on the significance of an engaged art practice that is aligned with social or political activism. With essays that span fifteen years—roughly from Ronald Reagan’s 1980 presidential win to the 1994 Republican victories in Congress, a period marked by waning public support for the arts and growing antagonism toward activist art—Art, Activism, and Oppositionality confronts issues ranging from arts patronage, pedagogy, and the very definitions of art and activism to struggles involving AIDS, reproductive rights, sexuality, and racial identity.

Contributors. Maurice Berger, Richard Bolton, Ann Cvetkovich, Coco Fusco, Brian Goldfarb, Mable Haddock, Grant H. Kester, Ioannis Mookas, Chiquita Mullins Lee, Darrell Moore, Lorraine O’Grady, Michael Renov, Martha Rosler, Patricia Thomson, David Trend, Charles A. Wright Jr., Patricia R. Zimmerman

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Art after Money, Money after Art
Creative Strategies Against Financialization
Max Haiven
Pluto Press, 2018
We like to imagine that money and art are old enemies, but beneath the veneer of creative utopianism is a dark capitalist underbelly. To expose the fraught intersection of art and money, Max Haiven proposes we examine how money is mobilized in art.
            Even as he shows how imaginary money and the so-called “creative economy” extract an artist’s potential, Haiven identifies and assesses a range of creative strategies for mocking, decrypting, hacking, sabotaging, and exiting capitalism through art. Focusing on the ways contemporary artists understand, imagine, and contend with material and immaterial forms of cash, debt, and credit, Haiven reveals the potential for creativity and resistance in a world dominated by financialization.
            Written for artists, activists, and scholars, this book takes seriously the need to understand and resist capitalism in an age of corporate abuse and exploitation.
 
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Art after Philosophy
Boris Pasternak's Early Prose
Elena Glazov-Corrigan
The Ohio State University Press, 2013
Art after Philosophy: Boris Pasternak’s Early Prose, by Elena Glazov-Corrigan, redefines an area in Slavic studies which has suffered from neglect for several decades, namely, Pasternak’s early prose narratives. In her bold new study, Glazov-Corrigan analyzes the conceptual networks of thought Pasternak developed when he turned to literature after abandoning the study of Neo-Kantianism in Marburg during the summer of 1912. This book shows conclusively that Pasternak’s knowledge of philosophy is inseparable from his prose works, even though in his early stories and novellas (1913–1918) philosophical ideas operate neither as discrete textual units nor as micro-elements or clusters of possible signification. In the early Pasternak, philosophy becomes a narrative art, a large-scale narrative frame, a manner of seeing rather than of constructing reality.
 
After Roman Jakobson’s famous 1935 essay, which characterized the early Pasternak as a “virtuoso of metonymy,” in contrast to the metaphoric Mayakovsky, no other approach has been able to generate comparable scholarly influence. The present study takes up the implicit challenge of this critical impasse. Entering into a debate with Jakobson’s findings, Art after Philosophy illuminates Pasternak’s boldest artistic experiments and suggests to his readers entirely new ways of approaching not only his early but also his later writing.
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Art Against Dictatorship
Making and Exporting Arpilleras Under Pinochet
By Jacqueline Adams
University of Texas Press, 2013

Art can be a powerful avenue of resistance to oppressive governments. During the dictatorship of Augusto Pinochet in Chile, some of the country’s least powerful citizens—impoverished women living in Santiago’s shantytowns—spotlighted the government’s failings and use of violence by creating and selling arpilleras, appliquéd pictures in cloth that portrayed the unemployment, poverty, and repression that they endured, their work to make ends meet, and their varied forms of protest. Smuggled out of Chile by human rights organizations, the arpilleras raised international awareness of the Pinochet regime’s abuses while providing income for the arpillera makers and creating a network of solidarity between the people of Chile and sympathizers throughout the world.

Using the Chilean arpilleras as a case study, this book explores how dissident art can be produced under dictatorship, when freedom of expression is absent and repression rife, and the consequences of its production for the resistance and for the artists. Taking a sociological approach based on interviews, participant observation, archival research, and analysis of a visual database, Jacqueline Adams examines the emergence of the arpilleras and then traces their journey from the workshops and homes in which they were made, to the human rights organizations that exported them, and on to sellers and buyers abroad, as well as in Chile. She then presents the perspectives of the arpillera makers and human rights organization staff, who discuss how the arpilleras strengthened the resistance and empowered the women who made them.

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Art Against the Law
Edited by Rebecca Zorach
School of the Art Institute of Chicago, 2014
In 1968, Chicago made headlines for the ferocity of its police response to protesters at the Democratic National Convention, prompting outrage in the art world. Some artists pulled their shows from the city and called for a boycott until the mayor left office. But others responded artistically, creating new works and even full exhibitions in reaction to the political and social issues raised by the summer’s events.

Despite the city's sometimes notorious political and social history, art practices that challenge authority have thrived in Chicago. Art Against the Law examines the creative tactics of the city’s activist artists and their ways of addressing the broad definitions of the law—from responses to excessive policing to inequities in public policy. These include creative forms of protest, rebellion against the law through illegal art practices, and using the political system itself as an art medium to alter existing laws. The essays and conversations in this volume also address the boundaries between art and creative activism and question whether lines should be drawn at all. Through these texts and interviews, Art Against the Law proves that creative imagination can be formidable in challenging the status quo.

Art Against the Law is part of the new Chicago Social Practice History series, edited by Mary Jane Jacob and Kate Zeller in the Department of Exhibitions and Exhibition Studies at the School of the Art Institute of Chicago (SAIC).
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Art & Language International
Conceptual Art between Art Worlds
Robert Bailey
Duke University Press, 2016
In Art & Language International Robert Bailey reconstructs the history of the conceptual art collective Art & Language, situating it in a geographical context to rethink its implications for the broader histories of contemporary art. Focusing on its international collaborations with dozens of artists and critics in and outside the collective between 1969 and 1977, Bailey positions Art & Language at the center of a historical shift from Euro-American modernism to a global contemporary art. He documents the collective’s growth and reach, from transatlantic discussions on the nature of conceptual art and the establishment of distinct working groups in New York and England to the collective’s later work in Australia, New Zealand, and Yugoslavia. Bailey also details its publications, associations with political organizations, and the internal power struggles that precipitated its breakdown. Analyzing a wide range of artworks, texts, music, and films, he reveals how Art & Language navigated between art worlds to shape the international profile of conceptual art. Above all, Bailey underscores how the group's rigorous and interdisciplinary work provides a gateway to understanding how conceptual art operates as a mode of thinking that exceeds the visual to shape the philosophical, historical, and political.
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Art and Anarchy
Edgar Wind
Northwestern University Press, 1985
Will works of the imagination ever regain the power they once had to challenge and mould society and the individual? This was the question posed by Edgar Wind's influential Reith Lectures delivered in 1960 and later expanded into his book Art and Anarchy. The book examines the various forces that have fashioned the modern view of the art, from mechanization and fear of intellect to connoisseurship and—perhaps the fundamental weakness of our age—the dispassionate acceptance of art. In the course of his discussion, Wind surveyed a wide range of topics in the history of painting, literature, music, and the plastic arts from the Renaissance to modern times.
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Art and Answerability
Early Philosophical Essays
By M. M. Bakhtin
University of Texas Press, 1990

Art and Answerability contains three of Mikhail Bakhtin's early essays from the years following the Russian Revolution, when Bakhtin and other intellectuals eagerly participated in the debates, lectures, demonstrations, and manifesto writing of the period. Because they predate works that have already been translated, these essays—"Art and Answerability," "Author and Hero in Aesthetic Activity," and "The Problem of Content, Material, and Form in Verbal Art"—are essential to a comprehensive understanding of Bakhtin's later works. A superb introduction by Michael Holquist sets out the major themes and concerns of the three essays and identifies their place in the canon of Bakhtin's work and in intellectual history. The introduction, together with Vadim Liapunov's scholarly gloss, makes these essays accessible to students as well as scholars.

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Art and Archaeology of Challuabamba, Ecuador
By Terence Grieder
University of Texas Press, 2009

Challuabamba (chī-wa-bamba)—now a developing suburb of Cuenca, the principal city in the southern highlands of Ecuador—has been known for a century as an ancient site that produced exceptionally fine pottery in great quantities. Suspecting that Challuabamban ceramics might provide a link between earlier, preceramic culture and later, highly developed Formative period art, Terence Grieder led an archaeological investigation of the site between 1995 and 2001. In this book, he and the team of art historians and archaeologists who excavated at Challuabamba present their findings, which establish the community's importance as a center in a network of trade and artistic influence that extended to the Amazon River basin and the Pacific Coast.

Art and Archaeology of Challuabamba, Ecuador presents an extensive analysis of ceramics dating to 2100-1100 BC, along with descriptions of stamps and seals, stone and shell artifacts, burials and their offerings, human remains, and zooarchaeology. Grieder and his coauthors demonstrate that the pottery of Challuabamba fills a gap between early and late Formative styles and also has a definite connection with later highland styles in Peru. They draw on all the material remains to reconstruct the first clear picture of Challuabamba's prehistory, including agriculture and health, interregional contacts and exchange, red-banded incised ware and ceramic production, and shamanism and cosmology.

Because southern Ecuador has received relatively little archaeological study, Art and Archaeology of Challuabamba, Ecuador offers important baseline data for what promises to be a key sector of the prehistoric Andean region.

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The Art and Archaeology of Pashash
By Terence Grieder
University of Texas Press, 1978

Among the vast treasures discovered in Peru since its conquest by Pizarro, only a small fraction has been excavated scientifically. The Art and Archaeology of Pashash is an account of the discovery and excavation of one of the richest Pre-Columbian burials ever scientifically excavated in Peru. The tomb and its offerings unearthed at Pashash, in the northern Andes, provide new perspectives on the cultural meaning of Andean funerary treasure.

About A.D. 500 the flexed body of an aristocrat was wrapped in cloth and set in a small tomb sealed by a heavy stone. Three separate offerings were put in place during the construction of the funerary temple above the tomb. Near the body were placed about fifty large gold pins with elaborately sculptured heads, the most important set of Peruvian metalwork scientifically recorded in context. Decorated pottery also accompanied the body. Beneath the doorway to the temple chamber above the tomb a second offering was placed, composed of vessels modeled as jaguars, snakes, and dragonlike combinations of the two, with other fine pottery, unfired clay bowls, and stone bowls. The images in this offering represented the theology of a shamanistic religion. A third offering of broken ritual vessels was placed in the earth fill just before the temple floor was built.

This collection of several hundred works of art found together and dated by radiocarbon, related to a stratigraphic sequence for the site as a whole, makes possible a unique history of the art of this highland Andean region. Grieder describes the phases of development and the symbolism of the previously little-known Recuay style of pottery and attributes many works to individuals, illuminating the role of artists and their relations with their patrons. Among the author's discoveries is evidence of the use of potters' wheels and lathes to make ceramic and stone vessels and ritual objects, reversing the long-held contention that these tools were unknown in Pre-Columbian America.

The Art and Archaeology of Pashash will be valuable to specialists in Andean archaeology as well as to those interested in the art and culture of Pre-Columbian America.

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Art and Archaeology of Pre-Columbian Cuba
Ramon Dacal Moure
University of Pittsburgh Press, 1997

Art and Archaeology of Pre-Columbian Cuba presents a number of works, sixteen reproduced in color, by pre-Columbian artists from the archipelago, covering three millennia of human life in Cuba.

Living under difficult conditions, the first Cubans sculpted their emotions, fears, and hopes on stone, shell, wood, and bones.  Much of their art has not previously been available either within or outside of the Caribbean.  Ramon Dacal Moure and Manuel Rivero de la Calle describe and interpret the two kinds of prehistoric art found on the island: that of original settlers, the Ciboneys, and that of the Tainos, who had largely replaced the Ciboneys by the time of Columbus.

More than one hundred photographs culled for Cuban museums and collections reveal the superb artistry of the Ciboney and Taino cultures.  Idols and amulets carved of stone, coral, and wood; shell masks; stone axes; petroglyphs and pictographs are among the art works never before seen outside of Cuba.

Art and Archaeology of Pre-Columbian Cuba is the first report of archaeological findings in Cuba since 1959 and the first synthesis of Cuban prehistoric art and archaeology since Mark Harrington’s Cuba Before Columbus, published in 1921.  Since 1959, Cuban archaeologists have been isolated from research being carried out on other islands in the region, just as other scientists have been unable to work on Cuba or communicate easily with their Cuban colleagues.

While popular interest in and scholarly knowledge of prehistoric art and archaeology have grown in recent years, the Caribbean has been neglected, and Cuba especially.  Through Art and Archaeology of Pre-Columbian Cuba, archaeologists and other professionals as well as general readers will come to admire and respect the talent visible in these examples of aboriginal art.

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The Art and Archaeology of the Moche
An Ancient Andean Society of the Peruvian North Coast
Edited by Steve Bourget and Kimberly L. Jones
University of Texas Press, 2008

Renowned for their monumental architecture and rich visual culture, the Moche inhabited the north coast of Peru during the Early Intermediate Period (AD 100-800). Archaeological discoveries over the past century and the dissemination of Moche artifacts to museums around the world have given rise to a widespread and continually increasing fascination with this complex culture, which expressed its beliefs about the human and supernatural worlds through finely crafted ceramic and metal objects of striking realism and visual sophistication.

In this standard-setting work, an international, multidisciplinary team of scholars who are at the forefront of Moche research present a state-of-the-art overview of Moche culture. The contributors address various issues of Moche society, religion, and material culture based on multiple lines of evidence and methodologies, including iconographic studies, archaeological investigations, and forensic analyses. Some of the articles present the results of long-term studies of major issues in Moche iconography, while others focus on more specifically defined topics such as site studies, the influence of El Niño/Southern Oscillation on Moche society, the nature of Moche warfare and sacrifice, and the role of Moche visual culture in decoding social and political frameworks.

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The Art and Architecture of the Texas Missions
By Jacinto Quirarte
University of Texas Press, 2002

Winner, Presidio La Bahia Award, Sons of the Republic of Texas

Built to bring Christianity and European civilization to the northern frontier of New Spain in the seventeenth and eighteenth centuries...secularized and left to decay in the nineteenth century...and restored in the twentieth century, the Spanish missions still standing in Texas are really only shadows of their original selves. The mission churches, once beautifully adorned with carvings and sculptures on their façades and furnished inside with elaborate altarpieces and paintings, today only hint at their colonial-era glory through the vestiges of art and architectural decoration that remain.

To paint a more complete portrait of the missions as they once were, Jacinto Quirarte here draws on decades of on-site and archival research to offer the most comprehensive reconstruction and description of the original art and architecture of the six remaining Texas missions—San Antonio de Valero (the Alamo), San José y San Miguel de Aguayo, Nuestra Señora de la Purísima Concepción, San Juan Capistrano, and San Francisco de la Espada in San Antonio and Nuestra Señora del Espíritu Santo in Goliad. Using church records and other historical accounts, as well as old photographs, drawings, and paintings, Quirarte describes the mission churches and related buildings, their decorated surfaces, and the (now missing) altarpieces, whose iconography he extensively analyzes. He sets his material within the context of the mission era in Texas and the Southwest, so that the book also serves as a general introduction to the Spanish missionary program and to Indian life in Texas.

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Art and Artifact in Austen
Anna Battigelli
University of Delaware Press, 2020
Jane Austen distinguished herself with genius in literature, but she was immersed in all of the arts. Austen loved dancing, played the piano proficiently, meticulously transcribed piano scores, attended concerts and art exhibits, read broadly, wrote poems, sat for portraits by her sister Cassandra, and performed in theatricals. For her, art functioned as a social bond, solidifying her engagement with community and offering order. And yet Austen’s hold on readers’ imaginations owes a debt to the omnipresent threat of disorder that often stems—ironically—from her characters’ socially disruptive artistic sensibilities and skill. Drawing from a wealth of recent historicist and materialist Austen scholarship, this timely work explores Austen’s ironic use of art and artifact to probe selfhood, alienation, isolation, and community in ways that defy simple labels and acknowledge the complexity of Austen’s thought.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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Art and Cartography
Six Historical Essays
Edited by David Woodward
University of Chicago Press, 1987
The contributors—Svetlana Alpers, Samuel Y. Edgerton, Jr., Ulla Ehrensvard, Juergen Schulz, James A. Welu, and David Woodward—examine the historical links between art and cartography from varied perspectives.
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Art and Contemporaneity
Edited by Frank Ruda and Jan Voelker
Diaphanes, 2015
Art is often said to be timeless, but specific works of art always take place within time and maintain a dynamic balance between their conditions of production and reception.
           
Art and Contemporaneity features contributions from leading scholars, including Alain Badiou and Alexander García Düttmann, who bring theories of aesthetic philosophy to bear on one of the most crucial questions about contemporary art: how do works of art come to exist within and in relation to time? A specific temporality of an artwork emerges from the material and political conditions of its production. But works of art also forge new relationships to time in their reception, which are continually superimposed upon layers of history. With a broad range of perspectives, Art and Contemporaneity offers a sustained reflection on the relationship between art and time, and it will appeal to those interested in both the theory and practice of contemporary art.
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The Art and Craft of International Environmental Law
Daniel Bodansky
Harvard University Press, 2010

International environmental law is often closer to home than we know, affecting the food we eat, the products we buy, and even the air we breathe. Drawing on more than two decades of experience as a government negotiator, consultant, and academic, Daniel Bodansky brings a real-world perspective on the processes by which international environmental law develops, and influences the behavior of state and non-state actors.

In self-contained chapters that offer a clear guide to a complex field, Bodansky answers fundamental questions about how international environmental law works. What role can law play in addressing global environmental challenges such as climate change, ozone depletion, and loss of biodiversity? How do environmental problems come onto the international agenda? What are the obstacles to international cooperation, and what can international environmental law do to address them? How do international rules develop? How are they put into practice and what makes them effective?

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The Art and Craft of Natural Dyeing
Traditional Recipes for Modern Use
J.N. Liles
University of Tennessee Press, 1990
"This is the most comprehensive manual written on natural dyes since the early 1800s.  Jim Liles has rescued ancient skills from near-extinction and shared them in a book that will inspire, challenge, and guide the modern dyer."—Rita Buchanan, author of A Weaver's Garden, and editor of the new Brooklyn Botanic Gardens Handbook on Natural Dyes
" . . . a must for every dyer.  The recipes are explicit and detailed as to success and failure."—Mary Frances Davidson

For several thousand years, all dyes were of animal, vegetable, or mineral origin, and many ancient civilizations possessed excellent dye technologies.  The first synthetic dye was produced in 1856, and the use of traditional dyes declined rapidly thereafter.  By 1915 few non-synthetics were used by industry or craftspeople.   The craft revivals of the 1920s explored traditional methods of natural dyeing to some extent, particularly with wool, although the great eighteenth- and nineteenth-century dye manuals, which recorded the older processes, remained largely forgotten.  

In The Art and Craft of Natural Dyeing, J. N. Liles consolidates the lore of the older dyers with his own first-hand experience to produce both a history of natural dyes  and a practical manual for using pre–synthetic era processes on all the natural fibers--cotton, linen, silk, and wool.  A general section on dyeing and mordanting and a glossary introduce the beginner to dye technology. In subsequent chapters, Liles summarizes the traditional dye methods available for each major color group.  Scores of recipes provide detailed instructions on how to collect ingredients--flowers, weeds, insects, wood, minerals--prepare the dyevat,  troubleshoot, and achieve specific shades.

The book will appeal not only to beginning and veteran dyers but to students of restorations and reconstruction as well as to craftspeople--spinners, quilters, weavers, knitters, and other textile artists--interested in natural dyes for their beauty and historical authenticity.

The Author: J. N. Liles is professor of zoology at the University of Tennessee, Knoxville.  He has taught at Arrowmont School and other regional craft schools and has exhibited his work at the Arrowmont School, the Southern Highland Handicraft Guild Folk Art Center, and the Carol Reece Museum.
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The Art and Craft of Teaching
Margaret Morganroth Gullette
Harvard University Press, 1984

A concise and lively guide for college and university teachers, this collection of essays provides insights and solid advice for beginners as well as more experienced teachers. For the past eight years, the Harvard–Danforth Center for Teaching and Learning has been organizing programs that seek to improve university instruction. As part of these programs, the Center sponsors a faculty seminar on teaching lead by noted Harvard Professor C. Roland Christensen. The authors of this book—teachers in a wide variety of academic fields—were all participants in the seminar. In writing the book together, they drew on the Center’s resources and on their combined store of skills, techniques, and attitudes.

Topics include preparing for the first day of class, delivering good lectures, leading effective discussions, using the rhythms of the semester, teaching essay writing, grading and evaluation, and learning how to become a better teacher. The authors offer workable solutions for problems that every instructor faces and suggest strategies that will enrich the classroom experience for both teachers and students.

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Art and Curiosity Cabinets of the Late Renaissance
A Contribution to the History of Collecting
Julius von Schlosser
J. Paul Getty Trust, The, 2021

For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English.

Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now.
 
This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.

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Art and Democracy in Post-Communist Europe
Piotr Piotrowski
Reaktion Books, 2012

When the Iron Curtain fell in 1989, Eastern Europe saw a new era begin, and the widespread changes that followed extended into the world of art. Art and Democracy in Post-Communist Europe examines the art created in light of the profound political, social, economic, and cultural transformations that occurred in the former Eastern Bloc after the Cold War ended. Assessing the function of art in post-communist Europe, Piotr Piotrowski describes the changing nature of art as it went from being molded by the cultural imperatives of the communist state and a tool of political propaganda to autonomous work protesting against the ruling powers.

Piotrowski discusses communist memory, the critique of nationalism, issues of gender, and the representation of historic trauma in contemporary museology, particularly in the recent founding of contemporary art museums in Bucharest, Tallinn, and Warsaw. He reveals the anarchistic motifs that had a rich tradition in Eastern European art and the recent emergence of a utopian vision and provides close readings of many artists—including Ilya Kavakov and Krzysztof Wodiczko—as well as Marina Abramovic’s work that responded to the atrocities of the Balkans. A cogent investigation of the artistic reorientation of Eastern Europe, this book fills a major gap in contemporary artistic and political discourse.
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Art And Engagement
Arnold Berleant
Temple University Press, 1993

In this book Arnold Berleant develops a bold alternative to the eighteenth-century aesthetic of disinterestedness. Centering on the notion of participatory engagement in the appreciation of art, he explores its appearance in art and in aesthetic perception, especially during the past century. Aesthetic engagement becomes a key, both on historical and theoretical grounds, to making intelligible our experiences with both contemporary and classical arts. In place of the traditional aesthetic that enjoins the appreciator to adopt a contemplative attitude, distancing the art object in order to ensure its removal from practical uses, Art and Engagement examines the ways in which art entices us into intimate participation in its workings.

Beginning with the historical and theoretical underpinnings of the idea of engagement, Berleant focuses on how engagement works as a force in different arts. Successive chapters pursue its influence in landscape painting, architecture and environmental design, literature, music, dance, and film.

Art and Engagement argues forcefully for the originality and power of aesthetic perception. Demolishing the conceptual barriers erected by the Western world’s limiting tradition, the book discloses the condition of engagement that has always been present when our aesthetic encounters have been most effective and suggests a new direction for aesthetic inquiry.

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Art and Eskimo Power
The Life and Times of Alaskan Howard Rock
Lael Morgan
University of Alaska Press, 2008
At Howard Rock's birth, a shaman predicted that he would become a great man. Born in 1911 in a sod igloo in Point Hope, an ancient Eskimo village, Howard became an accomplished artist and crusading newspaper editor who helped to defend his people from a controversial Atomic Energy Commission proposal to excavate a harbor near his native village with an atomic blast. Art and Eskimo Power chronicles the life of this influential and artist, editor, and founder of the Tundra Times—under whose leadership the newspaper helped to organize Alaska’s native people to press their aboriginal land claims before Congress, which ultimately led to their being awarded over $1 billion and 40 million acres.
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Art and Freedom
E. E. Sleinis
University of Illinois Press, 2002

What does a life with art offer that a life without art does not? Art and Freedom asserts that the fundamental point of the enterprise of art is the creation and delivery of values that are not singularly available in the nonart world.

E. E. Sleinis discusses visual art, literature, music, theater, and other art forms, arguing that as art both liberates and provides new points of focus and awareness, the art enterprise depends on a positive freeing from the nonart world, rather than on mere addition to it.

Art and Freedom introduces a novel classificatory system for representation, expression, and formalist theories of art. Sleinis argues that a characteristic defect of contemporary theories of art is their neglect of the issue of value. Challenging these reductive, formalist notions of art, he emphasizes the potential, and the need, for art to evolve and make progress in ways comparable to the sciences, albeit on a very different model.

A smart blend of incisive commentary and illuminating philosophy, Art and Freedom provides a useful context for transforming a sometimes baffling medium into a means of fostering personal growth and creating and sharing values.

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Art and Freedom of Speech
Randall P. Bezanson
University of Illinois Press, 2009

This book analyzes the broad range of Supreme Court cases that concern the protection of art and free speech under the First Amendment. Finding that debates about free expression (whether in speech or art) swirl around sex and cultural blasphemy, Randall P. Bezanson tracks and interprets the Court's decisions on film, nude dancing, music, painting, and other visual expressions.

Showing how the Court has dealt with judgments of art, quality, meaning, and how to distinguish types of speech and expression, Bezanson explores issues as diverse as homosexuality in the Boy Scouts, gay and lesbian parade floats, 2 Live Crew's alleged copyright infringement, National Endowment for the Arts grants and diversity, dangerous art, and screenings of the film Carnal Knowledge. In considering the transformative meaning of art, the importance of community judgments, and the definition of speech in Court rulings, Bezanson focuses on the fundamental questions underlying the discussion of art as protected free speech: What are the boundaries of art? What are the limits on the government's role as supporter and "patron" of the arts? And what role, if any, may core social values of decency, respect, and equality play in limiting the production or distribution of art?

Accessibly written and evocatively argued, Art and Freedom of Speech explores these questions and concludes with the argument that, for legal purposes, art should be absolutely free under the First Amendment--in fact, even more free than other forms of speech.

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The Art and Government Service of Francesco di Bartolomeo Alfei (c. 1421 - c. 1495)
Visual Propaganda and Undercover Agency for the Republic of Siena
Anabel Thomas
Amsterdam University Press, 2023
In 1454 the Sienese painter Francesco di Bartolomeo Alfei faced litigation from the Mercanzia in Siena for defaulting on a contract from one of the leading Franciscan confraternities in the city. Two fellow Sienese artists, Giovanni di Paolo and Sano di Pietro, had recently completed a new altarpiece for the same entity. Anabel Thomas considers how the two commissions were linked and questions why Francesco di Bartolomeo Alfei’s brief to fresco the confraternity chapel remained unfinished. In a wide ranging analysis of mainly unpublished records, focussing on the artist’s association with key members of Sienese society, fellow artisans and government officials, Thomas concludes that Francesco di Bartolomeo Alfei might have honoured his contract had he not become immersed in the military strategy, diplomacy and visual propaganda of the Republic of Siena. +
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The Art and Iconography of Late Post-Classic Central Mexico
Elizabeth Hill Boone
Harvard University Press, 1982

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Art and Imagination
A Study in the Philosophy of Mind
Roger Scruton
St. Augustine's Press, 2015
This book presents a theory of aesthetic judgment and appreciation in the spirit of modern empiricism. There are three parts: the first deals with questions of philosophical logic, the second with questions in the philosophy of mind, and the third with questions in the philosophy of art. Thus the argument advances from a theory of aesthetic judgment (and in particularly of “aesthetic description”) to a theory of aesthetic appreciation, and thence to an account of the nature and value of art. 
       Scruton examines and rejects various attempts made by recent philosophers to demarcate the realm of aesthetic judgment. He argues that the logic of aesthetic judgment does not suffice to distinguish what is “aesthetic” from what is not, for aesthetic judgments must be explained in terms of the conditions for their acceptance rather than the conditions for their truth. These “acceptance conditions” can be understood only if we first know what is meant by aesthetic experience. This theory attempts to show how aesthetic experience can be regarded as autonomous, even though it is intimately connected with ordinary experience, and is indeed dependent on ordinary experience for its full description.
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The Art and Imagination of W. E. B. DuBois
Arnold Rampersad
Harvard University Press, 1976

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Art and Intellect in the Philosophy of Étienne Gilson
Francesca Aran Murphy
University of Missouri Press, 2004
In Art and Intellect in the Philosophy of Étienne Gilson, Francesca Aran Murphy tells the story of this French philosopher’s struggle to reconcile faith and reason. In his lifetime, Gilson often stood alone in presenting Saint Thomas Aquinas as a theologian, one whose philosophy came from his faith. Today, Gilson’s view is becoming the prevalent one. Murphy provides us with an intellectual biography of this Thomist leader throughout the stages of his scholarly development.
 
Murphy covers more than a half century of Gilson’s life while reminding readers of the political and social realities that confronted intellectuals of the early twentieth century. She shows the effects inner-church politics had on Gilson and his contemporaries such as Alfred Loisy, Lucien Lévy Bruhl, Charles Maurras, Henri de Lubac, Marie-Dominique Chenu, and Jacques Maritain, while also contextualizing Gilson’s own life and thoughts in relation to these philosophers and theologians. 
 
            These great thinkers, along with Gilson, continue to be sources of important intellectual debate among scholars, as do the political periods through which Gilson’s story threads—World Wars I and II, the rise and fall of Fascism, and the political upheavals of Europe. By placing Gilson’s twentieth-century Catholic life against a dramatic background of opposed political allegiances, clashing spiritualities, and warring ideas of philosophy, this book shows how rival factions each used their own interpretations of Thomas Aquinas to legitimate their conceptions of the Catholic Church.        In Art and Intellect in the Philosophy of Étienne Gilson, Murphy shows Gilson’s early openness to the artistic revolution of the Cubist and the Expressionist movements and how his love of art inspired his existential theology. She demonstrates the influence that Henri Bergson continued to have on Gilson and how Gilson tried to bring together the intellectual, Dominican side of Christianity with the charismatic, experiential Franciscan side.
 
Murphy concludes with a chapter on issues inspired by the Gilsonist tradition as developed by recent thinkers. This volume makes an original contribution to the study of Gilson, for the first time providing an organic and synthetic treatment of this major spiritual philosopher of modern times.           
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Art and Its Geographies
Configuring Schools of Art in Europe (1550-1815)
Ingrid Vermeulen
Amsterdam University Press

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The Art and Life of Merritt Dana Houghton in the Northern Rockies, 1878-1919
by Michael A. Amundson
University of Wyoming Press, 2022
Between 1891 and 1915, pen-and-ink artist Merritt Dana Houghton made over 200 bird’s-eye sketches of towns, ranches, mines, businesses, historic sites, and animals in Wyoming, northern Colorado, Montana, Idaho, and Washington state. Historian Michael A. Amundson brings these many views together for the first time in these pages.
 
This lavishly illustrated biography details Houghton’s life and work from his birth in Michigan in 1846 to his death in 1919 in Spokane through extensive genealogical records, newspaper accounts, and his illustrations—including historic ranches and bird’s-eye views of Fort Collins, Colorado; Dillon, Montana; and Spokane, Washington and the only known illustrations of long-lost places like Pearl, Colorado, and Rambler, Wyoming. Also included is reproduction of a four-foot-by-eight-foot view of Sheridan, Wyoming and a sixty-image sample portfolio of his best-preserved illustrations organized by type.
 
Houghton’s work depicts the infrastructure of the new settler society that was remaking the West in the late nineteenth century and early twentieth century, and Amundson demonstrates how Houghton’s vision of the American West remains active today.
 
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Art and Objecthood
Essays and Reviews
Michael Fried
University of Chicago Press, 1998
Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains twenty-seven pieces, including the influential introduction to the catalog for Three American Painters, the text of his book Morris Louis, and the renowned "Art and Objecthood." Originally published between 1962 and 1977, they continue to generate debate today. These are uncompromising, exciting, and impassioned writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture.

Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg’s account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theater, hence artistically self-defeating.

For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he went on to write. The result is a book that is simply indispensable for anyone concerned with modernist painting and sculpture and the task of art criticism in our time.
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Art and Ocean Objects of Early Modern Eurasia
Shells, Bodies, and Materiality
Anna K Grasskamp
Amsterdam University Press, 2021
During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized shells’ shapes and surfaces. Defining China and Europe as spaces entangled with South and Southeast Asian sites of knowledge production, source and supply between 1500 and 1700, the book understands oceanic goods and maritime networks as transcending and subverting territorial and topographical boundaries. It also links the study of globally connected port cities to local ecologies of oceanic exploitation and creative practices.
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Art and Politics
Between Purity and Propaganda
Joes Segal
Amsterdam University Press, 2016
In Art and Politics, Segal explores the collision of politics and art in seven enticing essays. The book explores the position of art and artists under a number of different political regimes of the twentieth and twenty-first centuries, traveling around the world to consider how art and politics have interacted and influenced each other in different conditions. Joes Segal takes you on a journey to the Third Reich, where Emil Nolde supported the regime while being called degenerate; shows us Diego Rivera creating Marxist murals in Mexico and the United States for anti-Marxist governments and clients; ties Jackson Pollock's drip paintings in their Cold War context to both the FBI and the CIA; and considers the countless images of Mao Zedong in China as unlikely witnesses of radical political change.
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Art and Politics
Psychoanalysis, Ideology, Theatre
Walter A. Davis
Pluto Press, 2006
This book explores the complex relationship between art and politics. Walter A. Davis uses his extensive knowledge of psychoanalysis to develop a philosophical critique of the impact that the current political climate is having on all artistic endeavor. He uses examples from a wide variety of fields, including the theater and popular culture, to show how true artistic freedom of expression is under threat from the ideological constraints imposed by contemporary capitalism.



Starting with an analysis of the censorship of the play My Name is Rachel Corrie, which was withdrawn from production by a major New York theater due to a political pressure, Davis shows how all art that challenges the mainstream is either suppressed or distorted to suit the politics of our time---one that will not recognize the truth of human experience and the disorder at the heart of all civilization.

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Art and Postcapitalism
Aesthetic Labour, Automation and Value Production
Dave Beech
Pluto Press, 2019
Artistic labour was exemplary for Utopian Socialist theories of 'attractive labour', and Marxist theories of 'nonalienated labour', but the rise of the anti-work movement and current theories of 'fully automated luxury communism' have seen art topple from its privileged place within the left's political imaginary as the artist has been reconceived as a prototype of the precarious 24/7 worker. Art and Postcapitalism argues that art remains essential for thinking about the intersection of labour, capitalism and postcapitalism not insofar as it merges work and pleasure but as an example of noncapitalist production. Reassessing the contemporary politics of work by revisiting debates about art, technology and in the nineteenth and twentieth century, Dave Beech challenges the aesthetics of labour in John Ruskin, William Morris and Oscar Wilde with a value theory of the supersession of capitalism that sheds light on the anti-work theory by Silvia Federici, Andre Gorz, Kathi Weeks and Maurizio Lazzarato, as well as the technological Cockayne of Srnicek and Williams and Paul Mason. Formulating a critique of contemporary postcapitalism, and developing a new understanding of art and labour within the political project of the supersession of value production, this book is essential for activists, scholars and anyone interested in the real and imagined escape routes from capitalism.
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Art and Postcapitalism
Aesthetic Labour, Automation and Value Production
Dave Beech
Pluto Press, 2019
Artistic labour was exemplary for Utopian Socialist theories of 'attractive labour', and Marxist theories of 'nonalienated labour', but the rise of the anti-work movement and current theories of 'fully automated luxury communism' have seen art topple from its privileged place within the left's political imaginary as the artist has been reconceived as a prototype of the precarious 24/7 worker. Art and Postcapitalism argues that art remains essential for thinking about the intersection of labour, capitalism and postcapitalism not insofar as it merges work and pleasure but as an example of noncapitalist production. Reassessing the contemporary politics of work by revisiting debates about art, technology and in the nineteenth and twentieth century, Dave Beech challenges the aesthetics of labour in John Ruskin, William Morris and Oscar Wilde with a value theory of the supersession of capitalism that sheds light on the anti-work theory by Silvia Federici, Andre Gorz, Kathi Weeks and Maurizio Lazzarato, as well as the technological Cockayne of Srnicek and Williams and Paul Mason. Formulating a critique of contemporary postcapitalism, and developing a new understanding of art and labour within the political project of the supersession of value production, this book is essential for activists, scholars and anyone interested in the real and imagined escape routes from capitalism.
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Art and Religion in Eighteenth-Century Europe
Nigel Aston
Reaktion Books, 2009
Eighteenth-century Europe witnessed monumental upheavals in both the Catholic and Protestant faiths and the repercussions rippled down to the churches’ religious art forms. Nigel Aston now chronicles here the intertwining of cultural and institutional turmoil during this pivotal century.

            The sustained popularity of religious art in the face of competition from increasingly prevalent secular artworks lies at the heart of this study. Religious art staked out new spaces of display in state institutions, palaces, and private collections, the book shows, as well as taking advantage of patronage from monarchs such as Louis XIV and George III, who funded religious art in an effort to enhance their monarchial prestige. Aston also explores the motivations and exhibition practices of private collectors and analyzes changing Catholic and Protestant attitudes toward art. The book also examines purchases made by corporate patrons such as charity hospitals and religious confraternities and considers what this reveals about the changing religiosity of the era as well.
 
An in-depth historical study, Art and Religion in Eighteenth-Century Europe will be essential for art history and religious studies scholars alike.
 
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The Art and Science of Negotiation
Howard Raiffa
Harvard University Press, 1982

Whether you are selling a house, closing a business deal, settling a divorce, arbitrating a labor dispute, or trying to hammer out an international treaty, Howard Raiffa’s new book will measurably improve your negotiating skills.

Although it is a sophisticated self-help book—directed to the lawyer, labor arbitrator, business executive, college dean, diplomat—it is not cynical or Machiavellian: Raiffa emphasizes problems and situations where, with the kinds of skills he aims to develop, disputants can achieve results that are beneficial to all parties concerned. Indeed, he argues that the popular “zero-sum” way of thinking, according to which one side must lose if the other wins, often makes both sides worse off than they would be when bargaining for joint mutual gains.

Using a vast array of specific cases and clear, helpful diagrams, Raiffa not only elucidates the step-by-step processes of negotiation but also translates this deeper understanding into practical guidelines for negotiators and “intervenors.” He examines the mechanics of negotiation in imaginative fashion, drawing on his extensive background in game theory and decision analysis, on his quarter-century of teaching nonspecialists in schools of business and public policy, on his personal experiences as director of an international institute dealing with East/West problems, and on the results of simulated negotiation exercises with hundreds of participants.

There are popular books on the art of winning and scholarly books on the science of negotiation, but this is the first book to bridge the two currents. Shrewd, accessible, and engagingly written, it shows how a little analysis sprinkled with a touch of art can work to the advantage of any negotiator.

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The Art and Science of Screenwriting
Second Edition
Philip Parker
Intellect Books, 2006
In an age where many see screenwriters as the storytellers of the new century and everyone appears to be trying to write a screenplay, this book provides the framework for you to write a great screenplay. It goes beyond the concerns of act structure and the merits of story-driven – as opposed to character-driven – screenplays to tackle the real complexities of writing a compelling screenplay.

This second edition contains:
• the different layouts for film, television, documentary and corporate screenplays
• a detailed analysis of what is required from a premise, an outline, a step outline, a treatment and a first draft
• a simple stage by stage guide to the inevitable re-write
• tips on finding an agent.

This new approach to writing for film and television covers everything from finding an idea to writing a finished screenplay. The author's framework, 'A Creative Matrix', brings together all the elements of screenplay writing - from story, character, theme, and dramatic structure to plot, genre, tone and style in an understandable way that is easy to follow. His analysis includes illustrating what comprises a good thriller, identifying the different types of sit-com, and showing the qualities of a screen romance that both works and convinces.

The author uses examples from across European, American and World Cinema, as well as television, and this revised edition now contains a comprehensive index.
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Art and Social Movements
Cultural Politics in Mexico and Aztlán
Edward J. McCaughan
Duke University Press, 2012
Art and Social Movements offers a comparative, cross-border analysis of the role of visual artists in three social movements from the late 1960s through the early 1990s: the 1968 student movement and related activist art collectives in Mexico City, a Zapotec indigenous struggle in Oaxaca, and the Chicano movement in California. Based on extensive archival research and interviews, Edward J. McCaughan explores how artists helped to shape the identities and visions of a generation of Mexican and Chicano activists by creating new visual discourses.

McCaughan argues that the social power of activist artists emanates from their ability to provoke people to see, think, and act in innovative ways. Artists, he claims, help to create visual languages and spaces through which activists can imagine and perform new collective identities and forms of meaningful citizenship. The artists' work that he discusses remains vital today—in movements demanding fuller democratic rights and social justice for working people, women, ethnic communities, immigrants, and sexual minorities throughout Mexico and the United States. Integrating insights from scholarship on the cultural politics of representation with structural analyses of specific historical contexts, McCaughan expands our understanding of social movements.

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Art and Society in a Highland Maya Community
The Altarpiece of Santiago Atitlán
By Allen J. Christenson
University of Texas Press, 2001
A study of a major piece of modern Mayan religious art.
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Art and the Academy in the Nineteenth Century
Rafael Cardoso Denis
Rutgers University Press, 2000

"Intellectually broad and carefully grounded in fundamental issues affecting the time, role, and place of the academy in society, this collection explores the ways in which art and tradition are either maintained or rearticulated late in the Victorian Era. Art and the Academy forges a distinctive new way to look at the broad range of academic creativity against a complex network of changing social patterns." -Gabriel P. Weisberg, department of art history, University of Minnesota

Throughout the nineteenth century, academies functioned as the main venues for the teaching, promotion, and display of art. Contemporary scholars have, for the most part, denigrated academic art, calling it formulaic, unoriginal, and repetitious. The contributors to Art and the Academy in the Nineteenth Century challenge this entrenched notion and consider how academies worldwide have represented an important system of artistic preservation and transmission. Their essays eschew easy binaries that have reigned in academia for over half a century and that simply oppose the avant-garde to academism.

The essayists uncover the institutional structures and artistic practices of academies in England, France, Germany, and Brazil. Investigating artistic protocols across national and cultural boundaries, the scholars examine the relationship between artistic training and cultural identity. Their essays provide new insights into the ways in which institutions of art helped shape the nineteenth century's view of itself as an age of civilization amidst the turmoil of rapid social and cultural change. With an engaging mix of works by leading scholars, Art and the Academy will be essential reading for anyone interested in the artistic, cultural, and social history of the nineteenth century.

Rafael Cardoso Denis is adjunct professor (visiting) at the Escola Superior de Desenho Industrial (Universidade do Estado do Rio de Janeiro). Colin Trodd is senior lecturer in art history at the University of Sunderland.

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Art and the Christian Intelligence in St. Augustine
Robert J. O'Connell
Harvard University Press, 1978

Although it is widely acknowledged that St. Augustine was a consummate artist as well as a great philosopher, and that he was deeply concerned with art, beauty and human values, relatively little attention has been paid to his theory of aesthetics. Now a distinguished Augustine scholar turns to this important subject and offers a book that is at once engaging, comprehensive and complete.

Father O'Connell begins with a paradox: how could so dedicated a literary artist propose, at times, a theory of art that amounts to the banishment of art? In attempting to answer this and other important questions, the author's purpose is not merely to recount but to retrieve St. Augustine's views. He suggests that Augustine's need to understand, and by understanding to exorcise, art's spell on him provides a key to all the philosophical and theological questions that absorbed him. Seen in this light, St. Augustine's aesthetic may lie at the very heart of his philosophy.

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Art and the Crisis of Marriage
Edward Hopper and Georgia O'Keeffe
Vivien Green Fryd
University of Chicago Press, 2002
Between the two world wars, middle-class America experienced a "marriage crisis" that filled the pages of the popular press. Divorce rates were rising, birthrates falling, and women were entering the increasingly industrialized and urbanized workforce in larger numbers than ever before, while Victorian morals and manners began to break down in the wake of the first sexual revolution.

Vivien Green Fryd argues that this crisis played a crucial role in the lives and works of two of America's most familiar and beloved artists, Georgia O'Keeffe (1887-1986) and Edward Hopper (1882-1967). Combining biographical study of their marriages with formal and iconographical analysis of their works, Fryd shows how both artists expressed the pleasures and perils of their relationships in their paintings. Hopper's many representations of Victorian homes in sunny, tranquil landscapes, for instance, take on new meanings when viewed in the context of the artist's own tumultuous marriage with Jo and the widespread middle-class fears that the new urban, multidwelling homes would contribute to the breakdown of the family. Fryd also persuasively interprets the many paintings of skulls and crosses that O'Keeffe produced in New Mexico as embodying themes of death and rebirth in response to her husband Alfred Stieglitz's long-term affair with Dorothy Norman.

Art and the Crisis of Marriage provides both a penetrating reappraisal of the interconnections between Georgia O'Keeffe's and Edward Hopper's lives and works, as well as a vivid portrait of how new understandings of family, gender, and sexuality transformed American society between the wars in ways that continue to shape it today.
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