The Dome of the Rock, the beautiful Muslim shrine in the walled Old City of Jerusalem, was fully restored to its original state in the last half-century. Thus, this structure, sited on the third holiest spot on earth for Muslims, is at once a product of the seventh century and almost entirely the work of our own times--a paradox in keeping with the complexities and contradictions of history and religion, architecture and ideology that define this site.
This book tells the story of the Dome of the Rock, from the first fateful decades of its creation--on the esplanade built in the fourth decade B.C.E. for the Second Jewish Temple--to its engulfment in the clashes of the Crusades and the short-lived Christianization of all of Jerusalem, to its modern acquisition of different and potent meanings for Muslim, Christian, and Jewish cultures.
Oleg Grabar's presentation combines what we know of the building with the views of past observers and with the broader historical, cultural, and aesthetic implications of the monument. Primarily it is as a work of art that the Dome of the Rock stands out from these pages, understood for the quality that allows it to transcend the constrictions of period and perhaps even those of faith and culture. Finally, Grabar grapples with the question this monumental work of art so eloquently poses: whether the pious requirements of a specific community can be reconciled with universal aesthetic values.
The issue of immigration is one of the most hotly debated topics in the national arena, with everyone from right-wing pundits like Sarah Palin to alternative rockers like Zack de la Rocha offering their opinion. The traditional immigrant narrative that gained popularity in the nineteenth and twentieth centuries continues to be used today in describing the process of the “Americanization” of immigrants. Yet rather than acting as an accurate representation of immigrant experiences, this common narrative of the “American Dream” attempts to ideologically contain those experiences within a story line that promotes the idea of achieving success through hard work and perseverance.
In Domestic Disturbances, Irene Mata dispels the myth of the “shining city on the hill” and reveals the central truth of hidden exploitation that underlies the great majority of Chicana/Latina immigrant stories. Influenced by the works of Latina cultural producers and the growing interdisciplinary field of scholarship on gender, immigration, and labor, Domestic Disturbances suggests a new framework for looking at these immigrant and migrant stories, not as a continuation of a literary tradition, but instead as a specific Latina genealogy of immigrant narratives that more closely engage with the contemporary conditions of immigration. Through examination of multiple genres including film, theatre, and art, as well as current civil rights movements such as the mobilization around the DREAM Act, Mata illustrates the prevalence of the immigrant narrative in popular culture and the oppositional possibilities of alternative stories.
In the seventeenth century most English households had gardens. These gardens were not merely ornamental; even the most elaborate and fashionable gardens had areas set aside for growing herbs, fruit, vegetables, and flowers for domestic use. Meanwhile, more modest households considered a functional garden to be a vital tool for the survival of the house and family. The seventeenth century was also a period of exciting introductions of plants from overseas, which could be used in all manner of recipes.
Using manuscript household manuals, recipe books, and printed herbals, The Domestic Herbal takes the reader on a tour of the productive garden and of the various parts of the house—kitchens and service rooms, living rooms and bedrooms—to show how these plants were used for cooking and brewing, medicines and cosmetics, in the making and care of clothes, and to keep rooms fresh, fragrant, and decorated. Recipes used by seventeenth-century households for preparations such as flower syrups, snail water, and wormwood ale are also included. A brief herbal gives descriptions of plants both familiar and less known to today’s readers, including the herbs used for common tasks like dyeing and brewing, and those that held a particular cultural importance in the seventeenth century. Featuring exquisite colored illustrations from John Gerard’s herbal book of 1597 as well as prints, archival material, and manuscripts, this book provides an intriguing and original focus on the domestic history of Stuart England.
The 1970s revealed a number of infamous and sometimes illegal practices used by federal law enforcement agencies to monitor political dissent in the United States. In the aftermath of Watergate the revelation of serious abuses created distrust of virtually all domestic intelligence operations and led to vigorous efforts at reform.
Richard E. Morgan emphasizes the importance of guarding against an overreaction to the disclosures of the mid-1970s. While acknowledging the need for many of the recent reforms that seek to establish accountability, guarantee privacy, and protect dissent, he cautions against limitations on domestic intelligence gathering that could seriously hamper government's ability to prevent crime, particularly terrorism.
Domestic Intelligence has several major objectives: to trace the way in which government agencies became involved with domestic intelligence gathering; to review the controversies and abuses associated with these agencies, especially the FBI, the CIA, and the NSA; to discuss the constitutionality of domestic intelligence collection; to review intelligence reforms adopted; and to suggest additional reforms.
This volume is concerned with the tension between the need to protect privacy and political dissent and the need for the government to protect the community. Morgan concludes that intelligence operations aimed at anticipating criminal activity are necessary in a complex, highly vulnerable society, and that these operations can be conducted responsibly with proper guidelines and oversight mechanisms.
In looking at the remarkable proliferation of democracies since 1974, this volume offers important insight into the challenges and opportunities that democracy faces in the twenty-first century. Distinguished contributors detail difficulties that democracies face from within and how they deal with them. Among the contemporary threats to democracy emanating from internal sources are tensions arising over technology and its uses; ethnic, religious, and racial distinctions; and disparate access to resources, education, and employment. A democratically elected government can behave more or less democratically, even when controlling access to information, using legal authority to aid or intimidate, and applying resources to shape the conditions for the next election. With elections recently disputed in the United States, Mexico, Lebanon, and the Ukraine, debates about the future of democracy are inescapably debates about what kind of democracy is desired.
Contributors are W. Lance Bennett, Bruce Bimber, Jon Fraenkel, Brian J. Gaines, Bernard Grofman, Wayne V. McIntosh, Peter F. Nardulli, Mark Q. Sawyer, Stephen Simon, Paul M. Sniderman, and Jack Snyder.
Domestic Violence and the Law in Colonial and Postcolonial Africa reveals the ways in which domestic space and domestic relationships take on different meanings in African contexts that extend the boundaries of family obligation, kinship, and dependency. The term domestic violence encompasses kin-based violence, marriage-based violence, gender-based violence, as well as violence between patrons and clients who shared the same domestic space. As a lived experience and as a social and historical unit of analysis, domestic violence in colonial and postcolonial Africa is complex.
Using evidence drawn from Sub-saharan Africa, the chapters explore the range of domestic violence in Africa’s colonial past and its present, including taxation and the insertion of the household into the broader structure of colonial domination.
African histories of domestic violence demand that scholars and activists refine the terms and analyses and pay attention to the historical legacies of contemporary problems. This collection brings into conversation historical, anthropological, legal, and activist perspectives on domestic violence in Africa and fosters a deeper understanding of the problem of domestic violence, the limits of international human rights conventions, and local and regional efforts to address the issue.
"An exciting and powerful collection that eloquently critiques some of the current thinking in domestic violence and raises key concerns for advocates and scholars working in the area."—Sujata Warrier, president, board of directors, Manavi: An organization for South Asian women
"Sokoloff has assembled an impressive array of authors who challenge us to ‘think outside of our contemporary domestic violence box.’"—Angela M. Moore Parmley, chief, violence and victimization research division, National Institute of Justice
This groundbreaking anthology reorients the field of domestic violence research by bringing long-overdue attention to the structural forms of oppression in communities marginalized by race, ethnicity, religion, sexuality, or social class.
Reprints of the most influential recent work in the field as well as more than a dozen newly commissioned essays explore theoretical issues, current research, service provision, and activism among Latinos, African Americans, Asian Americans, Jewish Americans, and lesbians. The volume rejects simplistic analyses of the role of culture in domestic violence by elucidating the support systems available to battered women within different cultures, while at the same time addressing the distinct problems generated by that culture. Together, the essays pose a compelling challenge to stereotypical images of battered women that are racist, homophobic, and xenophobic.
The most up-to-date and comprehensive picture of domestic violence available, this anthology is an essential text for courses in sociology, criminology, social work, and women’s studies. Beyond the classroom, it provides critical information and resources for professionals working in domestic violence services, advocacy, social work, and law enforcement.
Domestications traces a genealogy of American global engagement with the Global South since World War II. Hosam Aboul-Ela reads American writers contrapuntally against intellectuals from the Global South in their common—yet ideologically divergent—concerns with hegemony, world domination, and uneven development. Using Edward Said’s Culture and Imperialism as a model, Aboul-Ela explores the nature of U.S. imperialism’s relationship to literary culture through an exploration of five key terms from the postcolonial bibliography: novel, idea, perspective, gender, and space.
Within this framework the book examines juxtapositions including that of Paul Bowles’s Morocco with North African intellectuals’ critique of Orientalism, the global treatment of Vietnamese liberation movements with the American narrative of personal trauma in the novels of Tim O’Brien and Hollywood film, and the war on terror’s philosophical idealism with Korean and post-Arab nationalist materialist archival fiction.
Domestications departs from other recent studies of world literature in its emphases not only on U.S. imperialism but also on intellectuals working in the Global South and writing in languages other than English and French. Although rooted in comparative literature, its readings address issues of key concern to scholars in American studies, postcolonial studies, literary theory, and Middle Eastern studies.
Long before the United States became a major force in global affairs, Americans believed in their superiority over others due to their inventiveness, productivity, and economic and social well-being. U.S. expansionists assumed a mandate to “civilize” non-Western peoples by demanding submission to American technological prowess and design. As an integral part of America’s national identity and sense of itself in the world, this civilizing mission provided the rationale to displace the Indians from much of our continent, to build an island empire in the Pacific and Caribbean, and to promote unilateral—at times military—interventionism throughout Asia. In our age of “smart bombs” and mobile warfare, technological aptitude remains preeminent in validating America’s global mission.
Michael Adas brilliantly pursues the history of this mission through America's foreign relations over nearly four centuries from North America to the Philippines, Vietnam, and the Persian Gulf. The belief that it is our right and destiny to remake foreign societies in our image has endured from the early decades of colonization to our current crusade to implant American-style democracy in the Muslim Middle East.
Dominance by Design explores the critical ways in which technological superiority has undergirded the U.S.’s policies of unilateralism, preemption, and interventionism in foreign affairs and raised us from an impoverished frontier nation to a global power. Challenging the long-held assumptions and imperatives that sustain the civilizing mission, Adas gives us an essential guide to America’s past and present role in the world as well as cautionary lessons for the future.
What is colonialism and what is a colonial state? Ranajit Guha points out that the colonial state in South Asia was fundamentally different from the metropolitan bourgeois state which sired it. The metropolitan state was hegemonic in character, and its claim to dominance was based on a power relation in which persuasion outweighed coercion. Conversely, the colonial state was non-hegemonic, and in its structure of dominance coercion was paramount. Indeed, the originality of the South Asian colonial state lay precisely in this difference: a historical paradox, it was an autocracy set up and sustained in the East by the foremost democracy of the Western world. It was not possible for that non-hegemonic state to assimilate the civil society of the colonized to itself. Thus the colonial state, as Guha defines it in this closely argued work, was a paradox--a dominance without hegemony.
Dominance without Hegemony had a nationalist aspect as well. This arose from a structural split between the elite and subaltern domains of politics, and the consequent failure of the Indian bourgeoisie to integrate vast areas of the life and consciousness of the people into an alternative hegemony. That predicament is discussed in terms of the nationalist project of anticipating power by mobilizing the masses and producing an alternative historiography. In both endeavors the elite claimed to speak for the people constituted as a nation and sought to challenge the pretensions of an alien regime to represent the colonized. A rivalry between an aspirant to power and its incumbent, this was in essence a contest for hegemony.
Lamana’s redefinition of the order of things reveals that, contrary to the conquerors’ accounts, what the Spanairds achieved was a “domination without dominance.” This conclusion undermines common ideas of Spanish (and Western) superiority. It shows that casting order as a by-product of military action rests on a pervasive fallacy: the translation of military superiority into cultural superiority. In constant dialogue with critical thinking from different disciplines and traditions, Lamana illuminates how this new interpretation of the conquest of the Incas revises current understandings of Western colonialism and the emergence of still-current global configurations.
Translated by Fray Angelico Chavez, Edited by Ted J. Warner
Western History
The chronicle of Fray Francisco Atanasio Domínguez and Fray Silvestre Vélez de Escalante’s most remarkable 1776 expedition through the Rocky Mountains, the eastern Great Basin, and the Colorado Plateau to inventory new lands for the Spanish crown and to find a route from Santa Fe to Monterey, California.
Escalante’s journal wonderfully describes every detail of the rugged and scenic country through which they journeyed, along the qualities and customs of its inhabitants. Working as far north as present-day Provo, Utah, the expedition finally returned south. An approaching severe winter and mishaps among the maze of the Grand Canyon forced the party to return to Santa Fe by way of the Hopi pueblos.
This journal provides a fascinating account of over a thousand miles of wilderness exploration.
Pedro Martínez. Sammy Sosa. Manny Ramírez. By 2000, Dominican baseball players were in every Major League clubhouse, and regularly winning every baseball award. In 2002, Omar Minaya became the first Dominican general manager of a Major League team. But how did this codependent relationship between MLB and Dominican talent arise and thrive?
In his incisive and engaging book, Dominican Baseball, Alan Klein examines the history of MLB's presence and influence in the Dominican Republic, the development of the booming industry and academies, and the dependence on Dominican player developers, known as buscones. He also addresses issues of identity fraud and the use of performance-enhancing drugs as hopefuls seek to play professionally.
Dominican Baseball charts the trajectory of the economic flows of this transnational exchange, and the pride Dominicans feel in their growing influence in the sport. Klein also uncovers the prejudice that prompts MLB to diminish Dominican claims on legitimacy. This sharp, smartly argued book deftly chronicles the uneasy and often contested relations of the contemporary Dominican game and industry.
Brett Whalen explores the compelling belief that Christendom would spread to every corner of the earth before the end of time. During the High Middle Ages—an era of crusade, mission, and European expansion—the Western followers of Rome imagined the future conversion of Jews, Muslims, pagans, and Eastern Christians into one fold of God’s people, assembled under the authority of the Roman Church.
Starting with the eleventh-century papal reform, Whalen shows how theological readings of history, prophecies, and apocalyptic scenarios enabled medieval churchmen to project the authority of Rome over the world. Looking to Byzantium, the Islamic world, and beyond, Western Christians claimed their special place in the divine plan for salvation, whether they were battling for Jerusalem or preaching to unbelievers. For those who knew how to read the signs, history pointed toward the triumph and spread of Roman Christianity.
Yet this dream of Christendom raised troublesome questions about the problem of sin within the body of the faithful. By the late thirteenth and fourteenth centuries, radical apocalyptic thinkers numbered among the papacy’s most outspoken critics, who associated present-day ecclesiastical institutions with the evil of Antichrist—a subversive reading of the future. For such critics, the conversion of the world would happen only after the purgation of the Roman Church and a time of suffering for the true followers of God.
This engaging and beautifully written book offers an important window onto Western religious views in the past that continue to haunt modern times.
The legacy of the Roman emperor Augustus and the culture of his age was profound and immediately evident after his death in 14 CE. His first four successors based their claims to rule on kinship with him, thus establishing the Julio-Claudian dynasty (14–68 CE), and plied an evolving form of the Principate, the political arrangement Augustus carved out for himself. His building and restoration programs gave the city an “Augustan” appearance that remained relatively unchanged throughout subsequent reigns. And, among literary luminaries of his age, figures such as Horace and Ovid left an indelible mark on the poetic practices of future generations while Virgil insinuated himself still more deeply into the Roman psyche. But it was after the reigns of Augustus’ own descendants, oddly enough, that we witness the most spirited and thoroughgoing engagement with the Augustan past; during the reign of the emperor Domitian, the third and last ruler of the subsequent Flavian dynasty (81–96 CE), there was a veritable Augustan renaissance.
This volume represents the first book-length treatment of the reception of Augustus and his age during the reign of Domitian. Its thirteen chapters, authored by an international group of scholars, offer readers a glimpse into the fascinating history and culture of Domitian’s Rome and its multifaceted engagement with the Augustan past. Combining material and literary cultural approaches and covering a diverse range of topics—art, architecture, literature, history, law—the studies in this volume capture the rich complexity of the Augustan legacy in Domitian’s Rome while also revising our understanding of Domitian’s own legacy. Far from being the cruel tyrant history has made him out to be, Domitian emerges as a studious, thoughtful cultivator of the Augustan past who helped shape an age that not only took inspiration from that past, but managed to rival it.
Don Isaac Abravanel (1437–1508) was one of the great inventors of Jewish modernity. A merchant, banker, and court financier, a scholar versed in both Jewish and Christian writings, a preacher and exegete, a prominent political actor in royal entourages and Jewish communities, Abravanel was one of the greatest leaders and thinkers of Iberian Jewry in the aftermath of the expulsion of 1492. This book, the first new intellectual biography of Abravanel in twenty years, depicts his life in three cultural milieus—Portugal, Castile, and post-expulsion Italy—and analyzes his major literary accomplishments in each period. Abravanel was a traditionalist with innovative ideas, a man with one foot in the Middle Ages and the other in the Renaissance. An erudite scholar, author of a monumental exegetical opus that is still studied today, and an avid book collector, he was a transitional figure, defined by an age of contradictions. Yet, it is these very contradictions that make him such an important personality for understanding the dawn of Jewish modernity.
No one would have blamed Donald Seldin for running away. When he arrived at Southwestern Medical College in 1951, it was a collection of hastily repurposed military shacks creaking in the wind. On practically day one he became chair of the department of medicine—when the only other full-time professors departed.
By the time he stepped down thirty-six years later, Seldin had transformed a sleepy medical college into the University of Texas Southwestern Medical Center—a powerhouse of research and patient care and an anchor of the city of Dallas. Raymond Greenberg, a physician-scholar, tells Seldin's story of perseverance and intellectual triumph. Drawing on interviews with Seldin's trainees and colleagues—and on Seldin's own words—Greenberg chronicles the life of the Brooklyn boy who became one of Texas's foremost citizens and taught decades of men and women to heal. A pioneering nephrologist, Seldin devoted his career to developing the specialty; educating students, residents, and fellows; caring for patients; and nurturing basic research.
Seldin was a wildcatter in the best sense. He declined the comfortable prestige of Harvard and Yale and instead embraced a worthy challenge with an unflagging sense of mission. Graceful and richly detailed, The Maestro of Medicine captures an inspiring life of achievement and service.
The University of Arkansas Press Award for Arabic Literature in Translation, 1997
In this, the first Nubian novel ever translated, Awad Shalali, a Nubian worker in modern Egypt, dreams of Dongola—the capital of medieval Nubia, now lost to the flood waters of the Aswan High Dam. In Dongola, the Nubians reached their zenith. They defeated and dominated Upper Egypt, and their archers, deadly accurate in battle, were renowned as “the bowman of the glance.
Helima, Awad’s wife, must deal with the reality of today’s Nubia, a poverty-stricken bottomland. Men like Awad now work in Cairo for good wages while the women remain at home in squalor, dominated by the Islam of their conquerors and ignorant of the glory now covered by the Nile’s water. Left to tend Awad’s sick mother and his dying country, Halima grows despondent and learns the truths behind the Upper Egyptian lyric: “Time, you are a traitor—what have you done with my love?
Through his characters’ pain and suffering, Idris Ali paints in vibrant detail, with wit and a keen sense of history’s absurdities, the story of cultures and hearts divided, of lost lands, impossible dreams, and abandoned lives.
Though donkeys have historically been among our most useful domesticated animals—from plowing fields to navigating difficult terrain—they have been much maligned in popular culture and given very little respect. So much so, that their perceived qualities of stupidity and stubbornness have made their way into the language of insult. But in Donkey, Jill Bough champions this humble creature, proving that after 10,000 years of domestication, this incredibly hard-working animal deserves our appreciation.
Bough reveals the animal’s historic significance in Ancient Egypt, where it was once highly regarded—even worshipped. However, this elevated status did not endure in Ancient Greece and Rome, where donkeys were denigrated, ridiculed, and abused. Since that time, donkeys have continued to be associated with the poorest and most marginalized in human societies. All that time and all over the world, donkeys continue to be used for innumerable tasks, and even today, donkeys are considered to be one of the best draught animals in developing nations, where they continue to make a vital contribution. Bough rounds out her account with a look at the variety of social, cultural, and religious meanings that donkeys have embodied, especially in literature and art.
With accounts that are both fascinating and touching, this cultural history of the donkey will inspire a new respect and admiration for this essential creature.
For psychotherapist, painter, feminist, filmmaker, writer, and disability activist Harilyn Rousso, hearing well-intentioned people tell her, "You're so inspirational!" is patronizing, not complimentary.
In her empowering and at times confrontational memoir, Don't Call Me Inspirational, Rousso, who has cerebral palsy, describes overcoming the prejudice against disability--not overcoming disability. She addresses the often absurd and ignorant attitudes of strangers, friends, and family.No longer willing to accept naval blockades, the impressment of American seamen, and seizures of American ships and cargos, the United States declared war on Great Britain. The aim was to frighten Britain into concessions and, if that failed, to bring the war to a swift conclusion with a quick strike at Canada. But the British refused to cave in to American demands, the Canadian campaign ended in disaster, and the U.S. government had to flee Washington, D.C., when it was invaded and burned by a British army.
By all objective measures, the War of 1812 was a debacle for the young republic, and yet it was celebrated as a great military triumph. The American people believed they had won the war and expelled the invader. Oliver H. Perry became a military hero, Francis Scott Key composed what became the national anthem and commenced a national reverence for the flag, and the U.S.S. Constitution, "Old Ironsides," became a symbol of American invincibility. Every aspect of the war, from its causes to its conclusion, was refashioned to heighten the successes, obscure the mistakes, and blur embarrassing distinctions, long before there were mass media or public relations officers in the Pentagon.
In this entertaining and meticulously researched book by America's leading authority on the War of 1812, Donald R. Hickey dispels the many misconcep-tions that distort our view of America's second war with Great Britain. Embracing military, naval, political, economic, and diplomatic analyses, Hickey looks carefully at how the war was fought between 1812 and 1815, and how it was remembered thereafter. Was the original declaration of war a bluff? What were the real roles of Canadian traitor Joseph Willcocks, Mohawk leader John Norton, pirate Jean Laffite, and American naval hero Lucy Baker? Who killed the Shawnee chief Tecumseh and who shot the British general Isaac Brock? Who actually won the war, and what is its lasting legacy? Hickey peels away fantasies and embellishments to explore why cer-tain myths gained currency and how they contributed to the way that the United States and Canada view themselves and each other.
Barbara bore his children and took on a crucial job as his booking agent when the agent he was using failed to obtain show dates for the group. Female booking agents were non-existent at that time but she persevered and went on to become the first female booking agent on Music Row. She also endured years of physical and emotional abuse at Martin's hands. With courage and candor, Barbara tells of the suffering and traces the hard-won personal growth she found inside motherhood and her work. Her vivid account of Martin's explosive personality and torment over his exclusion from the Grand Ole Opry fill in the missing details on a career renowned for being stormy. Barbara also shares her own journey, one of good humor and proud achievements, and filled with fond and funny recollections of the music legends and ordinary people she met, befriended, and represented along the way.
Straightforward and honest, Don't Give your Heart to a Rambler is a woman's story of the world of bluegrass and one of its most colorful, conflicted artists.
Could you forgive the murderer of your husband? Your mother? Your son?
Families of murder victims are often ardent and very public supporters of the death penalty. But the people whose stories appear in this book have chosen instead to forgive their loved ones’ murderers, and many have developed personal relationships with the killers and have even worked to save their lives. They have formed a nationwide group, Murder Victims’ Families for Reconciliation (MVFR), to oppose the death penalty.
MVFR members are often treated as either saints or lunatics, but the truth is that they are neither. They are ordinary people who have responded to an extraordinary and devastating tragedy with courage and faith, choosing reconciliation over retribution, healing over hatred. Believing that the death penalty is a form of social violence that only repeats and perpetuates the violence that claimed their loved one’s lives, they hold out the hope of redemption even for those who have committed the most hideous crimes.
Weaving third-person narrative with wrenching first-hand accounts, King presents the stories of ten MVFR members. Each is a heartrending tale of grief, soul searching, and of the challenge to choose forgiveness instead of revenge. These stories, which King sets in the context of the national discussion over the death penalty debate and restorative versus retributive justice, will appeal not only to those who oppose the death penalty, but also to those who strive to understand how people can forgive the seemingly unforgivable.
While postwar British cinema and the British new wave have received much scholarly attention, the misunderstood period of the 1970s has been comparatively ignored. Don’t Look Now uncovers forgotten but richly rewarding films, including Nicolas Roeg’s Don’t Look Now and the films of Lindsay Anderson and Barney Platts-Mills. This volume offers insight into the careers of important filmmakers and sheds light on the genres of experimental film, horror, rock and punk films, as well as representations of the black community, shifts in gender politics, and adaptations of television comedies. The contributors ask searching questions about the nature of British film culture and its relationship to popular culture, television, and the cultural underground.
Many people dream of "someday buying a small quaint place in the country, to own two cows and watch the birds," in the words of Texas ranchwoman Amanda Spenrath Geistweidt. But only a few are cut out for the unrelenting work that makes a family ranching operation successful. Don't Make Me Go to Town presents an eloquent photo-documentary of eight women who have chosen to make ranching in the Texas Hill Country their way of life. Ranging from young mothers to elderly grandmothers, these women offer vivid accounts of raising livestock in a rugged land, cut off from amenities and amusements that most people take for granted, and loving the hard lives they've chosen.
Rhonda Lashley Lopez began making photographic portraits of Texas Hill Country ranchwomen in 1993 and has followed their lives through the intervening years. She presents their stories through her images and the women's own words, listening in as the ranchwomen describe the pleasures and difficulties of raising sheep, Angora goats, and cattle on the Edwards Plateau west of Austin and north of San Antonio. Their stories record the struggles that all ranchers face—vagaries of weather and livestock markets, among them—as well as the extra challenges of being women raising families and keeping things going on the home front while also riding the range. Yet, to a woman, they all passionately embrace family ranching as a way of life and describe their efforts to pass it on to future generations.
“Friend, asshole, angel, mutant,” singer-songwriter Vic Chesnutt “came along and made us gross and broken people seem . . . I dunno, cooler, I guess.” A quadriplegic who could play only simple chords on his guitar, Chesnutt recorded seventeen critically acclaimed albums before his death in 2009, including About to Choke, North Star Deserter, and At the Cut. In 2006, NPR placed him in the top five of the ten best living songwriters, along with Bob Dylan, Tom Waits, Paul McCartney, and Bruce Springsteen. Chesnutt’s songs have also been covered by many prominent artists, including Madonna, the Smashing Pumpkins, R.E.M., Sparklehorse, Fugazi, and Neutral Milk Hotel.
Kristin Hersh toured with Chesnutt for nearly a decade and they became close friends, bonding over a love of songwriting and mutual struggles with mental health. In Don’t Suck, Don’t Die, she describes many seemingly small moments they shared, their free-ranging conversations, and his tragic death. More memoir than biography, Hersh’s book plumbs the sources of Chesnutt’s pain and creativity more deeply than any conventional account of his life and recordings ever could. Chesnutt was difficult to understand and frequently difficult to be with, but, as Hersh reveals him, he was also wickedly funny and painfully perceptive. This intimate memoir is essential reading for anyone interested in the music or the artist.
In December 1993, gaming changed forever. id Software's seminal shooter DOOM was released, and it shook the foundations of the medium. Daniel Pinchbeck brings together the complete story of DOOM for the first time.
This book takes a look at the early days of first-person gaming and the video game studio system. It discusses the prototypes and the groundbreaking technology that drove the game forward and offers a detailed analysis of gameplay and level design. Pinchbeck also examines DOOM's contributions to wider gaming culture, such as online multiplay and the modding community, and the first-person gaming genre, focusing on DOOM's status as a foundational title and the development of the genre since 1993. Pinchbeck draws extensively from primary data: from the game itself, from the massive fan culture surrounding the title, and from interviews with the developers who made it. This book is not only the definitive work on DOOM but a snapshot of a period of gaming history, a manifesto for a development ethos, and a celebration of game culture at its best.
To understand more deeply the tragic events of September 11, 2001, it is critical to know Afghanistan’s recent and turbulent past. Doomed inAfghanistan provides a first-hand account of how failed diplomacy led to an Islamic fundamentalist victory in a war-torn country, and subsequently, to a Taliban takeover and a home for Osama bin Laden’s Al Qaeda terrorist network.
In April of 1992, Phillip Corwin was part of a United Nations team in Afghanistan whose mission was to help ensure the transfer of power from the Soviet-installed communist regime of President Najibullah to an interim government (that would prepare for elections). Without the support of the Soviet Union, Najibullah’s regime crumbled, and he was convinced to resign in favor of a national unity government, with the understanding that he would be evacuated to a neutral country (India). Due to a series of miscalculations and machinations, the U.N.’s diplomatic mission failed. Kabul fell to groups of mujahiddin before Najibullah could be evacuated. The inability of the various mujahiddin factions to unite led to their eventual defeat by the Taliban, who four years later routed Najibullah from his safe haven at the U.N. compound, and executed him.
Corwin gives a vivid account of the seminal event of Najibullah’s failed evacuation and the frenzied negotiations that were unable to forestall the anarchy and chaos that followed.
A picturesque peninsula with 298 miles of Lake Michigan shoreline, state parks, forests, and cozy inns, Door County is one of the Midwest’s prime tourist attractions. Magill Weber explores the many recreational opportunities available to visitors, including secret spots known only to locals and longtime seasonal residents. Wisconsin native Janet Mrazek contributes 125 detailed and easy-to-follow maps. With suggestions of more than 150 scenic hikes, biking and paddling routes, end-of-the-road beaches, lighthouses, and wildlife-watching sites, and descriptions of the local flora and fauna, Door County Outdoors is the ultimate guide for active travelers and nature enthusiasts.
With its magnificent forests, bluffs, and shoreline and its breathtaking views of Green Bay and Lake Michigan, Door County’s Peninsula State Park is one of the Midwest’s most popular attractions. Established in 1909, it was Wisconsin’s second state park and a key to pioneering efforts to build a state park system that would be the envy of the nation.
Door County’s Emerald Treasure explores the rich history of the park land, from its importance to Native Americans and early European settlers through the twentieth century. Bill Tishler engagingly relates the role of conservationists and progressives in establishing the state park, its growing popularity for tourism and recreation, and efforts to protect the park’s resources from a variety of threats. Tishler also tells a larger story of Americans’ intimate relationship with the land around them and the challenge to create accessible public spaces that preserve the natural environment.
Robert Pruter's classic look at black doowop in the Windy City moves from street corners to South Side clubs to the studios at Chess Records to recapture the doowop scene of the 1950s. Pruter combines long-lost material from fanzines to the Chicago Defender with in-depth interviews to chronicle legendary African American vocal groups like the Flamingos, the Moonglows, the Spaniels, and the El Dorados. But Pruter also delves into the neighborhood scene that produced the likes of the Quintones and Five Chimes, and returns non-recording acts to their rightful place in Chicago music history.
Rich with detail and including an irreplaceable discography, Doowop offers doowop obsessives and fans of early rock 'n' roll and R&B a must-have look at the genre.
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