A SCHOLARLY BOOK REPOSITORY
Engaging with Spinoza’s insistence on the centrality of the passions as the site of the creative and productive forces shaping society, this collection critiques the impulse to transcendence and regimes of mastery, exposing universal values as illusory. Spinoza Now pursues Spinoza’s challenge to abandon the temptation to think through the prism of death in order to arrive at a truly liberatory notion of freedom. In this bold endeavor, the essays gathered here extend the Spinozan project beyond the disciplinary boundaries of philosophy to encompass all forms of life-affirming activity, including the arts and literature. The essays, taken together, suggest that “Spinoza now” is not so much a statement about a “truth” that Spinoza’s writings can reveal to us in our present situation. It is, rather, the injunction to adhere to the attitude that affirms both necessity and impossibility.
Contributors: Alain Badou, École Normale Supérieure; Mieke Bal, Amsterdam School for Cultural Analysis; Cesare Casarino, U of Minnesota; Justin Clemens, U of Melbourne; Simon Duffy, U of Sydney; Sebastian Egenhofer, U of Basel; Alexander García Düttmann, Goldsmiths, U of London; Arthur Jacobson, Yeshiva U; A. Kiarina Kordela, Macalester College; Michael Mack, U of Nottingham; Warren Montag, Occidental College; Antonio Negri; Christopher Norris, U of Cardiff, Wales; Anthony Uhlmann, U of Western Sydney.
Every day, 40,000 commuters cross the U.S. Mexico border at Tijuana San Diego to go to work. Untold numbers cross illegally. Since NAFTA was signed into law, the border has become a greater obstacle for people moving between countries. Transnational powers have exerted greater control over the flow of goods, services, information, and people.
Mexican Voices of the Border Region examines the flow of people, commercial traffic, and the development of relationships across this border. Through first-person narratives, Laura Velasco Ortiz and Oscar F. Contreras show that since NAFTA, Tijuana has become a dynamic and significant place for both nations in terms of jobs and residents. The authors emphasize that the border itself has different meanings whether one crosses it frequently or not at all. The interviews probe into matters of race, class, gender, ethnicity, place, violence, and political economy as well as the individual's sense of agency.
Seamus Heaney, Denis Donoghue, William Pritchard, Marilyn Butler, Harold Bloom, and many others have praised Helen Vendler as one of the most attentive readers of poetry. Here, Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. As she did in The Art of Shakespeare’s Sonnets, she serves as an incomparable guide, considering both stylistic and imaginative features of the poems.
In selecting these poems for commentary Vendler chooses to exhibit many aspects of Dickinson’s work as a poet, “from her first-person poems to the poems of grand abstraction, from her ecstatic verses to her unparalleled depictions of emotional numbness, from her comic anecdotes to her painful poems of aftermath.” Included here are many expected favorites as well as more complex and less often anthologized poems. Taken together, Vendler’s selection reveals Emily Dickinson’s development as a poet, her astonishing range, and her revelation of what Wordsworth called “the history and science of feeling.”
In accompanying commentaries Vendler offers a deeper acquaintance with Dickinson the writer, “the inventive conceiver and linguistic shaper of her perennial themes.” All of Dickinson’s preoccupations—death, religion, love, the natural world, the nature of thought—are explored here in detail, but Vendler always takes care to emphasize the poet’s startling imagination and the ingenuity of her linguistic invention. Whether exploring less familiar poems or favorites we thought we knew, Vendler reveals Dickinson as “a master” of a revolutionary verse-language of immediacy and power. Dickinson: Selected Poems and Commentaries will be an indispensable reference work for students of Dickinson and readers of lyric poetry.
The University of Chicago Press, in collaboration with Casa Ricordi, has undertaken to publish the first critical edition of the complete works of Giuseppe Verdi. The series, based exclusively on original sources, is the only one to present authentic versions of all of the composer’s works; together with his operas, the critical edition presents his songs, his choral music and sacred pieces, and his string quartet and other instrumental works.
The Works of Giuseppe Verdi will be an invaluable standard reference work—a necessary acquisition for all music libraries and a joy to own for all lovers of opera. The new series of study scores presents an adaptation of each critical edition that provides scholars with an affordable and portable option for exploring Verdi’s oeuvre. The study scores have been designed to distinguish editors’ marks from Verdi’s own notations while remaining clear enough for use in performance. The introduction to each score discusses the work’s sources, composition, and performance history, as well as performance practices, instrumentation, and problems of notation. The newest editions of the study scores examine two of Verdi’s three-act operas: La traviata and Rigoletto.
This critical edition presents the 1854 version as the main score, and also makes available for the first time in full score the original 1853 settings of the revised pieces. For this edition Fabrizio della Seta used not only the composer's autograph and many secondary sources, but also Verdi's previously unknown sketches. These sketches helped corroborate the original readings and illuminate the work's compositional stages. The editor's wide-ranging introduction traces the opera's genesis, sources, performance history and practices, and a detailed critical commentary discusses source problems and ambiguities.
First of the widely celebrated and sumptuously illustrated series, this book reveals in intimate detail what life was really like in the ancient world. Behind the vast panorama of the pagan Roman empire, the reader discovers the intimate daily lives of citizens and slaves—from concepts of manhood and sexuality to marriage and the family, the roles of women, chastity and contraception, techniques of childbirth, homosexuality, religion, the meaning of virtue, and the separation of private and public spaces.
The emergence of Christianity in the West and the triumph of Christian morality with its emphasis on abstinence, celibacy, and austerity is startlingly contrasted with the profane and undisciplined private life of the Byzantine Empire. Using illuminating motifs, the authors weave a rich, colorful fabric ornamented with the results of new research and the broad interpretations that only masters of the subject can provide.
The African Renaissance and the Afro-Arab Spring addresses the often unspoken connection between the powerful call for a political-cultural renaissance that emerged with the end of South African apartheid and the popular revolts of 2011 that dramatically remade the landscape in Egypt, Libya, and Tunisia. Looking between southern and northern Africa, the transcontinental line from Cape to Cairo that for so long supported colonialism, its chapters explore the deep roots of these two decisive events and demonstrate how they are linked by shared opposition to legacies of political, economic, and cultural subjugation. As they work from African, Islamic, and Western perspectives, the book’s contributors shed important light on a continent’s difficult history and undertake a critical conversation about whether and how the desire for radical change holds the possibility of a new beginning for Africa, a beginning that may well reshape the contours of global affairs.
In a segregated society in which black scholars, writers, and artists could find few ways to reach an audience, journalism was a means of dispersing information to communities throughout the United States. The black press has offered incisive critiques of such issues as racism, identify, class, and economic injustice, but that contribution to public discourse has remained largely unrecognized until now. The original essays in this volume broaden our understanding of the “public sphere” and show how marginalized voices attempted to be heard in the circles of debate and dissent that existed in their day.
The Black Press progresses chronologically from slavery to the impact and implications of the Internet to reveal how the press’s content and its very form changed with evolving historical and cultural conditions in America. The first papers fought for rights for free blacks in the North. The early twentieth-century black press sought to define itself and its community amidst American modernism. Writers in the 1960s took on the task of defining revolution in that decade’s ferment. It was not been until the mid-twentieth century that African American cultural study began to achieve intellectual respectability.
The Black Press addresses the production, distribution, regulation, and reception of black journalism in order to illustrate a more textured public discourse, one that exchanges ideas not just within the black community, but also within the nation at large. The essays demonstrate that the black press redefined class, restaged race and nationhood, and reset the terms of public conversation, providing a fuller understanding of not just African American culture, but also the varied cultural battles fought throughout our country’s history.
Le Capital de Sergueï Eisenstein (1927-1928) est un fantôme à plus d’un titre: bien que le film n’ait jamais été réalisé, il a néanmoins hanté l'imagination de nombreux cinéastes, historiens et écrivains jusqu’à aujourd’hui et même récemment avec les Nouvelles de l’Antiquité idéologique : Marx – Eisenstein – Le Capital d’Alexander Kluge. De plus, sa première matérialisation publique – un fragment d’une dizaine de pages issu des carnets du réalisateur – était marquée par ce qui demeurait absent : les images et le matériau de travail d’Eisenstein.
La Danse des valeurs ambitionne d’invoquer à nouveaux frais le fantôme du Capital mais en se fondant cette fois-ci sur l’ensemble de son corps d’archives. Cette « instruction visuelle à la méthode dialectique », selon les mots-mêmes d’Eisenstein, comprend plus de 500 pages de notes, de dessins, de coupures de presse, de diagrammes d’expression, de plans d’articles, de négatifs d’Octobre, de réflexions théoriques et de longues citations. La Danse des valeurs explore la nécessité formelle qui sous-tend les choix d’Eisenstein dans le Capital. Sa lecture fait valoir que sa complexité visuelle ainsi que son efficacité épistémique résident précisément dans l’état de son matériau : une danse de thèmes hétérogènes et de fragments disparates, un flux non-linéaire, provisoire et inarticulé.
Les séquences visuelles d’archives, publiées ici pour la première fois en France, ne sont pas bâties à titre de simples illustrations, mais en tant qu’arguments à part entière, donnant à voir ce qui se joue pour Eisenstein dans le Capital : une théorisation visuelle de la valeur. Une lecture des archives d’Eisenstein, dans leur logique interne, permet non seulement de reconstituer des éléments morphologiques présents dans le concept de valeur chez Marx, mais également de théoriser une crise plus fondamentale de la représentation politique, un présent qui s’étend de son contexte contemporain jusqu’à nos jours. Mettant en œuvre un procédé morphologique sans équivoque, les séquences de montage d’Eisenstein produisent une sorte de plus-value qui leur est propre, un excès sémiotique qui brasse les matériaux et présente les corps dans une danse analogue à la « danse » des « conditions pétrifiées » de Marx. C’est dans ce langage polymorphe et « diffus » – associé au stream of consciousness de l’Ulysse de Joyce – qu’Eisenstein perçoit le potentiel critique et affectif d’un cinéma à venir.
Isolating himself from anyone who might help him understand what he’s feeling, he channels his fury into his javelin, getting better and better until he is a local champion. But his success is fleeting, as wholly confused and caught up in his own anger, he ends up betraying and humiliating his friends. The Javelin Thrower is the story of an erotic education turned tragic, poisoned by the darkness running through Mussolini’s Italy.
A small-time farmer living in central Italy in the 1960s is the keeper of a great truth: that people are machines built by other beings who are machines themselves. Our true destiny is to build ever better machines so that society can become a techno-utopia in which friendship can be established among all people on earth. These ideas bring him into conflict with everyone, especially his wife, against whom he is accused of ill-treatment. His quest takes him to Rome, where he presents his truth, hoping it will bring him worldwide recognition. Behind his poetical reveries and unfathomable scientific notions lies the disturbing fragility of a lone, paranoid, and deluded man in conflict with everyone, including himself.
Paolo Volponi’s unique novel The World Machine examines the relationship between rural life and the modern city, as well as the subversive idealism of a society still firmly anchored in the past, dominated by the Church, and unable to grasp the need for change.
Writen in a clear style and replete with illustrations which help make the mathematical ideas visible, Number and Time is a piece of original scholarship which introduces a view of how "mind" connects with "matter" at the most fundamental level.
Like Faulkner before him, Tennessee Williams gave universal appeal to southern characters and settings. His major plays, from Cat on a Hot Tin Roof and The Glass Menagerie to A Streetcar Named Desire and Night of the Iguana, continue to capture America's popular imagination, a significant legacy. Though he died in 1983, only recently have Williams's papers become available to the public, bringing to light a number of intriguing discoveries—letters, drafts, and several unpublished and unproduced plays. These recent developments make a reassessment of Williams's life and work both timely and needed.
The essays in this collection originated as presentations at the 27th annual Alabama Symposium on English and American Literature at The University of Alabama in 1999. The book addresses a wide range of topics, among them the influence of popular culture on Williams's plays, and, in turn, his influence on popular culture; his relationship to Hollywood and his struggles with censorship, Hollywood standards, and the competing vision of directors such as Elia Kazan; his depictions of gender and sexuality; and issues raised by recently discovered plays.
Anyone interested in American literature and drama will find this collection of fresh, accessible essays a rewarding perspective on the life, work, and legacy of one of the bright stars of American theatre.
No book on the emergence of Los Angeles, today a metropolis of more than four million people, has been more influential or elusive than this volume by Anton Wagner. Originally published in German in 1935 as Los Angeles: Werden, Leben und Gestalt der Zweimillionenstadt in Südkalifornien, it is one of the earliest geographical investigations of a city understood as a series of layered landscapes. Wagner demonstrated that despite its geographical disadvantages, Los Angeles grew rapidly into a dominant urban region, bolstered by agriculture, real estate development, transportation infrastructure, tourism, the oil and automobile industries, and the film business. Although widely reviewed upon its initial publication, his book was largely forgotten until reintroduced by architectural historian Reyner Banham in his 1971 classic Los Angeles: The Architecture of Four Ecologies.
This definitive translation is annotated by Edward Dimendberg and preceded by his substantial introduction, which traces Wagner's biography and intellectual formation in 1930s Germany and contextualizes his work among that of other geographers. It is an essential work for students, scholars, and curious readers interested in urban geography and the rise of Los Angeles as a global metropolis.
“This fine new translation by Timothy Grundy of Anton Wagner's Los Angeles with Edward Dimendberg's lucidly probing introduction constitutes a major contribution to urban history and our understanding of one of the world's most enigmatic and significant cities.”
—Thomas S. Hines, Research Professor of History and Architecture and Urban Design, UCLA
“Edward Dimendberg has done a remarkable job bringing Anton Wagner's classic study of Los Angeles to a wider readership. This landmark publication will enable many strands of urban scholarship to enter into dialogue for the first time.”
—Matthew Gandy, Professor of Geography, University of Cambridge, and author of Natura Urbana: Ecological Constellations in Urban Space (2022)
“Anton Wagner was a prescient and troubling historical figure. Nearly a century ago, with his camera in hand, he walked Los Angeles in fervent exploration of metropolitan growth. This beautiful and expert book takes Wagner every bit as seriously as he took Los Angeles.”
—William Deverell, Director, Huntington-USC Institute on California and the West
"Anton Wagner’s geographic and ethnographic history of the urbanization of Los Angeles has long been unavailable to English-speaking readers. This early study, accompanied by Edward Dimendberg’s comprehensive introduction, will be of interest to all who, like Reyner Banham, admire its impressive scholarship and firsthand account of a city and ecology already in the throes of dynamic transformation."
—Joan Ockman, Vincent Scully Visiting Professor of Architectural History, Yale School of Architecture
"Encompassing copious photographs, insightful commentary, and thorough reconstruction of Wagner’s life and times, this new translation of Anton Wagner’s Los Angeles provides the missing link in scholarship about the metropolis during the early twentieth century. Its continuing relevance and controversial edge will appeal to urban researchers and college students beyond Southern California."
—Michael Dear, Professor Emeritus of City & Regional Planning, University of California, Berkeley
"Scholars of Los Angeles, or any city, must rejoice at this first proper English-language publication of Wagner's brilliant, if problematic, urban studies masterpiece. The edition is made accessible and relevant by Edward Dimendberg's indispensable prefatory material and contextualization."
—Roger Keil, Professor of Environmental and Urban Change, York University
“Finally translating this fascinating book into English fills an important gap in our historical knowledge of Los Angeles and its interpretation. Edward Dimendberg's invaluable introduction situates Anton Wagner in a comprehensive intellectual context. Of more than merely historical interest, this in-depth picture of Los Angeles in 1933 is essential reading for anyone interested in cities.”
—Margaret Crawford, Professor of Architecture, University of California, Berkeley
“This key text from 1935 for understanding Los Angeles urbanism is finally available in an excellent English translation by Timothy Grundy. Revelatory introductory essays by Anthony Vidler and Edward Dimendberg explain how German geographer (and later Nazi Party member) Anton Wagner was able to map and conceptualize the radical originality of this archetypal American metropolis in ways that deeply influenced Reyner Banham and so many subsequent writers on the city.”
—Robert Fishman, Taubman College of Architecture and Planning, University of Michigan
"Expertly annotated by Edward Dimendberg, Anton Wagner’s book on the growth of Los Angeles, which first appeared in German in 1935, is a landmark study in the history of urbanization. At the same time, it can be read as an example of transnational and comparative history, in which an observer from one country commented on developments in another. This volume will interest historians of the modern city, both in America and in Germany."
—Andrew Lees, Distinguished Professor of History Emeritus, Rutgers University
“Blending his wide knowledge and his acute wit, Edward Dimendberg has meticulously reconstructed the genesis of a forgotten doctoral thesis, which had remained unread for more than eighty years, despite its acknowledgement by Reyner Banham. This pioneering scholarly study of the Southern Californian metropolis is now available for the first time in English, inscribed with subtlety in both its German and its American contexts on the basis of thorough investigations.”
—Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts, New York University
"This is the odyssey of a book written and published in 1930s Nazi Germany, forgotten after the war, and rediscovered by Reyner Banham in the ‘70s. Los Angeles is a seminal text of modern architectural history and confronts readers in the present with the paradox of an unknown classic.“
—Wolfgang Schivelbusch, author of The Railway Journey
“Finally, a translation of Anton Wagner’s Los Angeles, with extensive notes and a superb and deeply researched introduction by Edward Dimendberg, has arrived. It turns out that it was worth the wait. This volume is not only an important historic document, but a still-unrivaled portrait of a great city.”
—Robert Bruegmann, Distinguished Professor Emeritus of Art History, Architecture, and Urban Planning at the University of Illinois at Chicago and author of Sprawl: A Compact History
"Scholars of Los Angeles can rejoice that Anton Wagner’s legendary study of early 1930s Los Angeles is at last available in a masterful translation, with a luminous introduction by Edward Dimendberg that captures Wagner’s analytical brilliance as well as his troubling politics and racial views. An essential addition to any library of Southern California."
—Louis S. Warren, W. Turrentine Jackson Professor of Western U.S. History, University of California, Davis
“Anton Wagner’s study provides an invaluable and frequently perceptive window into the evolution of Los Angeles during the early twentieth century, showing how human agency transformed regional resources into a booming major city. The translation is immensely enhanced by Edward Dimendberg’s skillful provision of context, including fascinating intellectual history.”
—Stephen Bell, Professor of Geography and History, UCLA
"Los Angeles: The Development, Life, and Structure of the City of Two Million in Southern California has always had an elusive presence in the conversation about the explosive growth of the Southern California metropolis at the beginning of the twentieth century: an arcane text known to exist, but only accessible to very few. This expert first translation in English almost ninety years after it originally appeared in German is prefaced by a complex and engaging introduction by Edward Dimendberg that situates the original study in a multidisciplinary conversation. It elucidates the many ways this landmark essay on Los Angeles’s urban geography was not only filtered into subsequent scholarship on the city—Reyner Banham’s iconic Los Angeles: The Architecture of Four Ecologies in particular—but also how it resonates with contemporary debates about cities as complex social organisms. This book will be essential reading not only for historians of Los Angeles but for those interested in the theorization of the modern metropolis more broadly. That the volume editor addresses Wagner’s problematic views on race and territorial conquest front and center, within their historic context, only adds to the significance of this undertaking."
—Martino Stierli, The Philip Johnson Chief Curator of Architecture and Design, The Museum of Modern Art, New York
The neighborhoods of Fifth Ward, Fourth Ward, Third Ward, and the Southside of Houston, Texas, gave birth to Houston rap, a vibrant music scene that has produced globally recognized artists such as Geto Boys, DJ Screw, Pimp C and Bun B of UGK, Fat Pat, Big Moe, Z-Ro, Lil’ Troy, and Paul Wall. Lance Scott Walker and photographer Peter Beste spent a decade documenting Houston’s scene, interviewing and photographing the people—rappers, DJs, producers, promoters, record label owners—and places that give rap music from the Bayou City its distinctive character. Their collaboration produced the books Houston Rap and Houston Rap Tapes.
This second edition of Houston Rap Tapes amplifies the city’s hip-hop history through new interviews with Scarface, Slim Thug, Lez Moné, B L A C K I E, Lil’ Keke, and Sire Jukebox of the original Ghetto Boys. Walker groups the interviews into sections that track the different eras and movements in Houston rap, with new photographs and album art that reveal the evolution of the scene from the 1970s to today’s hip-hop generation. The interviews range from the specifics of making music to the passions, regrets, memories, and hopes that give it life. While offering a view from some of Houston’s most marginalized areas, these intimate conversations lay out universal struggles and feelings. As Willie D of Geto Boys writes in the foreword, “Houston Rap Tapes flows more like a bunch of fellows who haven’t seen each other for ages, hanging out on the block reminiscing, rather than a calculated literary guide to Houston’s history.”
Whether or not theatre arose from ritual and/or religion, from prehistory to the present there have been clear and vital connections among the three. Ritual, Religion, and Theatre, volume 21 of the annual journal Theatre Symposium, presents a series of essays that explore the intricate and vital relationships that exist, historically and today, between these various modes of expression and performance.
The essays in this volume discuss the stage presence of the spiritual meme; ritual performance and spirituality in The Living Theatre; theatricality, themes, and theology in James Weldon Johnson’s God’s Trombones; Jordan Harrison’s Act a Lady and the ritual of queerness; Gerpla and national identity in Iceland; confession in Hamlet and Measure for Measure; Christian liturgical drama; Muslim theatre and performance; cave rituals and the Brain’s Theatre; and other, more general issues.
Edited by E. Bert Wallace, this latest publication by the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory.
CONTRIBUTORS
Cohen Ambrose / David Callaghan / Gregory S. Carr
Matt DiCintio / William Doan / Tom F. Driver / Steve Earnest
Jennifer Flaherty / Charles A. Gillespie / Thomas L. King
Justin Kosec / Mark Pizzato / Kate Stratton
The finest essays from the newest generation of critics and poet-critics are gathered together in this volume documenting the growth in readership and awareness of avant-garde poetries.
This collection demonstrates the breadth and openness of the field of avant-garde poetry by introducing a wide range of work in poetics, theory, and criticism from emerging writers. Examining the directions innovative poetry has taken since the emergence and success of the Language movement, the essays discuss new forms and the reorientation of older forms of poetry in order to embody present and ongoing involvements. The essays center around four themes: the relation between poetics and contemporary cultural issues; new directions for avant-garde practices; in-depth explorations of current poets and their predecessors; and innovative approaches to the essay form or individual poetics.
Diverging from the traditional, linear argumentative style of academic criticism, many of the essays in this collection instead find critical forms more subtly related to poetry. Viewed as a whole, the essays return to a number of shared issues, namely poetic form and the production of present-day poetry. While focusing on North American poetry, the collection does reference the larger world of contemporary poetics, including potential biases and omissions based on race and ethnicity.
This is cutting-edge criticism at its finest, essential reading for students and scholars of avant-garde poetry, of interest to anyone interested in contemporary American literature and poetry.
In this collection of twelve essays, Gregory Waller balances detailed studies of both popular films (Night of the Living Dead, The Exorcist, and Halloween) and particularly problematic films (Don't Look Now and Eyes of Laura Mars) with discussions of such central thematic preoccupations as the genre's representation of violence and female victims, its reflexivity and playfulness, and its ongoing redefinition of the monstrous and the normal.
In addition, American Horrors includes a filmography of movies and telefilms and an annotated bibliography of books and articles about horror since 1968.
This new textbook gathers an international roster of top security studies scholars to provide an overview of Asia-Pacific’s international relations and pressing contemporary security issues. It is a suitable introduction for undergraduate and masters students' use in international relations and security studies courses. Merging a strong theoretical component with rich contemporary and historical empirical examples, Asia-Pacific Security examines the region's key players and challenges as well as a spectrum of proposed solutions for improving regional stability. Major topics include in-depth looks at the United States' relationship with China; Security concerns presented by small and microstates, the region's largest group of nations; threats posed by terrorism and insurgency; the region's accelerating arms race and the potential for an Asian war; the possible roles of multilateralism, security communities, and human security as part of solutions to regional problems.
"Hanes Walton, Donald Deskins, and Sherman Puckett have produced a highly impressive collection and valuable contribution to the literature on American electoral politics. This work is indispensable for academic libraries, political scientists, historians, and serious students of American government."
---Immanuel Ness, Professor, Department of Political Science, Brooklyn College, City University of New York
"Massive amounts of information about presidential elections which are not readily available elsewhere. Unprecedented coverage in one volume of every single American presidential election."
---James Gimpel, Professor of Government, University of Maryland
"This is an extraordinary research endeavor; the most comprehensive set of aggregate election data ever assembled. Painstakingly researched, this color-coded volume presents data for every presidential election from 1789 to 2008. Unlike most, the wide ranging narrative for this atlas identifies racial patterns in the vote. Everyone who studies or is interested in presidential elections should have this impressive collection of statistical data in their libraries. A visual gem for the digital age."
---Robert Smith, Professor of Political Science, San Francisco State University
"Presidential Elections, 1789-2008 is a genuine tour de force that captures in an extremely accessible and comprehensive way the electoral geography of America's presidential elections, from Washington to Obama. An invaluable addition to the library of all those interested in presidential elections and U.S. politics."
---Marion Orr, Frederick Lippitt Professor of Public Policy and Professor of Political Science, Brown University
"This volume sets an extraordinarily high standard in scholarship, completeness, description, and explanation of our political process. It has been said that all politics are local, but never before has this been demonstrated with such clarity and panache, using the simple method of standardized tables summarizing voting, then showing state and county breakdowns of the numbers, greatly strengthened by beautiful full-color maps and cartograms. Every scholar of politics and democracy will benefit from the work laid out in this volume."
---Keith Clarke, Professor of Geography, University of California, Santa Barbara
Presidential Elections is an almanac of the popular vote in every presidential election in American history, analyzed at the county level with histories of each campaign, graphs, and stunning four-color maps. Most Americans are familiar with the crude red state/blue state maps used by commentators and campaign strategists---and even, for want of an alternative, by many academics. In providing a higher-resolution view of voting behavior the authors of this new volume enable examination of local and regional political trends that are invisible in state-level aggregations.
Presidential Elections will enable scholars to more subtly analyze voting behavior, campaigns, and presidential politics; commentators will use it to analyze trends and trace the historical evolution of new coalitions and voting blocs; strategists will use it to plan campaigns and mobilize constituencies. Presidential Elections will become the standard almanac on the subject: a required resource for academic and public libraries, as well as for scholars, consultants, and pundits nationwide.
Donald R. Deskins, Jr., is a political geographer and Emeritus Professor of Sociology and a former Associate Dean of the Horace H. Rackham School of Graduate Studies at the University of Michigan.
Hanes Walton, Jr., is Professor of Political Science at the University of Michigan. He also holds positions as Senior Research Scientist at the Center for Political Studies and as a faculty member in the Center for Afroamerican and African Studies.
Although ridiculed by contemporaries for his apparent lack of control over formal party politics and the national committee, Johnson excelled at leading the Democratic Party’s policy agenda. While a senator and as president, Johnson advocated for—and secured—liberal social welfare and civil rights legislation, forcing the party to break with its Southern tradition of elitism, conservatism, and white supremacy. In a way, Johnson set the terms for the continuing partisan battle because, by countering the Democrats’ new ideology, the Republican Party also underwent a transformation.
Jing Wang has selected provocative examples of this new school of writing, which gained prominence in the late 1980s. Contradicting many long-cherished beliefs about Chinese writers—including the alleged tradition of writing as a political act against authoritarianism—these stories make a dramatic break from conventions of modern Chinese literature by demonstrating an irreverence toward history and culture and by celebrating the artificiality of storytelling. Enriched by the work of a distinguished group of translators, this collection presents an aesthetic experience that may have outraged many revolutionary-minded readers in China, but one that also occupies an important place in the canon of Chinese literature. China’s Avant-Garde Fiction brings together a group of exceptional writers (including Raise the Red Lantern author Su Tong) to the attention of an English-speaking audience.
This book will be enjoyed by those interested in Chinese literature, culture, and society—particularly readers of contemporary fiction.
Contributors. Bei Cun, Can Xue, Gei Fei, Ma Yuan, Su Tong, Sun Ganlu, Yu Hua
Translators. Eva Shan Chou, Michael S. Duke, Howard Goldblatt, Ronald R. Janssen, Andrew F. Jones, Denis C. Mair, Victor H. Mair, Caroline Mason, Beatrice Spade, Kristina M. Torgeson, Jian Zhang, Zhu Hong
The first book of scholarship devoted to the issue of how black women are depicted on reality television, Real Sister offers an even-handed consideration of the genre. The book’s ten contributors—black female scholars from a variety of disciplines—provide a wide range of perspectives, while considering everything from Basketball Wives to Say Yes to the Dress. As regular viewers of reality television, these scholars are able to note ways in which the genre presents positive images of black womanhood, even as they catalog a litany of stereotypes about race, class, and gender that it tends to reinforce.
Rather than simply dismissing reality television as “trash,” this collection takes the genre seriously, as an important touchstone in ongoing cultural debates about what constitutes “trashiness” and “respectability.” Written in an accessible style that will appeal to reality TV fans both inside and outside of academia, Real Sister thus seeks to inspire a more nuanced, thoughtful conversation about the genre’s representations and their effects on the black community.
Editors Rob Warden and Steven Drizin—leaders in the field of wrongful convictions—have gathered articles about some of the most critical accounts of false confessions in the U.S. justice system from more than forty authors, including Sydney H. Schanberg, Christine Ellen Young, Alex Kotlowitz, and John Grisham. Many of the pieces originally appeared in leading magazines and newspapers, including the New York Times, The Nation, the New Yorker, and the Los Angeles Times.
By grouping the cases into categories—including brainwashing, fabrication, mental fragility, police force, and unrequited innocence—the editors demonstrate similarities between cases, thereby refuting the perception that false confessions represent individual tragedies rather than a systemic flaw in the justice system. These incidents are not isolated; they are, in fact, related, and more shocking for it. But the authors of the articles excerpted, adapted, and reprinted in this collection want more for their subjects than outrage; they want to fuel change in the practices and standards that illicit false confessions in the first place. To this end, Warden and Drizin include an illuminating introduction to each category and recommendations for policy changes that would reduce false confessions. They also include a postscript for each case, providing legal updates and additional information.
Archaeologists, anthropologists, and folklorists working in the Southeast have always recognized the region’s social diversity; indeed, the central purpose of these disciplines is to study peoples overlooked by the mainstream. Yet the ability to define and trace the origins of a collective social identity—the means by which individuals or groups align themselves, always in contrast to others—has proven to be an elusive goal. Here, editors Gregory A. Waselkov and Marvin T. Smith champion the relational identification and categorical identification processes, taken from sociological theory, as effective analytical tools.
Taking up the challenge, the contributors have deployed an eclectic range of approaches to establish and inform an overarching theme of identity. Some investigate shell gorgets, textiles, shell trade, infrastructure, specific sites, or plant usage. Others focus on the edges of the Mississippian world or examine colonial encounters between Europeans and native peoples. A final chapter considers the adaptive malleability of historical legend in the telling and hearing of slave narratives.
Pontiac, Sequoyah, Geronimo, Sitting Bull, Chief Joseph, and Chief Seattle. These legendary names are familiar even to the uninitiated in Native American history, yet the life stories of these great spiritual leaders have been largely unknown.
In this, his last book, internationally celebrated author Frank Waters makes vivid the poignant, humorous, and tragic stories of these neglected and heroic Native Americans. From the brilliant tactical abilities of famed warriors to the eloquent oratory of indigenous philosophers, poets, and statesmen, the profiles in Brave Are My People help correct this error of omission.
Now in paperback, Brave Are My People represents a major contribution to Water’s remarkable literary work.
Published in 1995, Mississippian Communities and Households, edited by J. Daniel Rogers and Bruce D. Smith, was a foundational text that advanced southeastern archaeology in significant ways and brought household-level archaeology to the forefront of the field. Reconsidering Mississippian Communitiesand Households revisits and builds on what has been learned in the years since the Rogers and Smith volume, advancing the field further with the diverse perspectives of current social theory and methods and big data as applied to communities in Native America from the AD 900s to 1700s and from northeast Florida to southwest Arkansas.
Watts Malouchos and Betzenhauser bring together scholars researching diverse Mississippian Southeast and Midwest sites to investigate aspects of community and household construction, maintenance, and dissolution. Thirteen original case studies prove that community can be enacted and expressed in various ways, including in feasting, pottery styles, war and conflict, and mortuary treatments.
The fact that this distinction has been so persistent makes it an important area of study. Head and Heart: Perspectives from Religion and Psychology takes an inter-disciplinary approach, linking the thinking of theologians and philosophers with theory and research in present-day psychology. The tradition of using framing questions that have been developed in theology and philosophy can now be brought into dialogue with scientific approaches developed within cognitive psychology and neuroscience. Though these scientific approaches have not generally used the terms “head” and “heart,” they have arrived at a similar distinction in other ways. There is a notable convergence upon the realization that humans have two modes of cognition at their disposal that correspond to “head” and “heart.” The time is therefore ripe to bring the approaches of theology and science in to dialogue—an important dialogue that has been heretofore neglected.
•Munawar Anees on Islam
•B.V. Subbarayappa on Hinduism
•Trinh Xuan Thuan on Buddhism
•Heup Young Kim on Asian Christianity
In the tradition of the "Under 40" collections popularized by magazines such as the New Yorker and Granta, but with greater stakes and greater differences between the previous generation of writers and this new one, Wild Mustard seeks to change how North American readers think of Vietnam. Escaping the common fixation on the Vietnam War and its aftermath, these stories reflect the movement and dynamism of the young Vietnamese who locate themselves amid the transnational encounters and proliferating identities of a global economy.
Has our system of checks and balances between the three branches of our federal government undergone changes for good or ill over the years since the Constitution was set as the cornerstone of our nation? How stand our political traditions, our personal freedoms, our purported equality, our sense of governance "of, by, and for the people"? Are we the democratic nation we set out to be, or do we have a distance to go to achieve this ideal? Alternatively, is approaching a democratic ideal desirable today in the light of the smaller, more integrated, and dangerous world in which we live?
Is This Any Way to Run a Democratic Government? examines the theory and practice of American democracy and the dichotomy that currently exists between them. The contributors assess both the reasons—and the consequences—of this division between the theory of democracy and how it is played out in actuality. Focusing on the here and now, this book is about the institutions, process, and politics of government: how well they work; whether they meet the criteria for a viable democratic system; and the extent to which they contribute to good public policy.
As we begin the 21st century, with rancorous political partisanship and threats to domestic security and tranquility at an all-time high, Is This Any Way to Run a Democratic Government? asks us to think seriously about the state of our much-heralded democracy, and whether or not our political system can respond to the pressing needs of a new era without jeopardizing the basic values and beliefs that underlie its very foundation.
The story of Alabama's governors has been often bizarre, occasionally inspiring, but never dull. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his administrative office and refused to give it up when voters failed to reelect him. A 20th-century governor, an alumnus of Yale, married his first cousin and served as an officer in the Ku Klux Klan.
This collection of biographical essays, written by 34 noted historians and political scientists, chronicles the foibles and idiosyncrasies, in and out of office, of those who have served as the state's highest elected official. It also describes their courage; their meaningful policy initiatives; their accomplishments and failures; the complex factors that led to their actions or inaction; and the enormous consequences of their choices on the state's behalf.
Taken together, the essays provide a unified history of the state, with its recurring themes of race, federal-state relations, economic development, taxation, and education. Alabama Governors is certain to become an invaluable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history and politics of the state.
This collection of biographical essays, written by thirty-four noted historians and political scientists, chronicles the times, careers, challenges, leadership, and legacies of the fifty-seven men and one woman who have served as the state's highest elected official. The book is organized chronologically into six sections that cover Alabama’s years as a US territory and its early statehood, the 1840s through the Civil War and Reconstruction, the late nineteenth-century Bourbon era, twentieth-century progressive and wartime governors, the Civil Rights era and George Wallace’s period of influence, and recent chief executives in the post-Wallace era.
The political careers of these fifty-eight individuals reflect the story of Alabama itself. Taken together, these essays provide a unified history of the state, with its recurring themes of race, federal-state relations, tensions between north and south Alabama, economic development, taxation, and education.
Alabama Governors expertly delineates the decisions and challenges of the chief executives, their policy initiatives, their accomplishments and failures, and the lasting impact of their terms. The book also includes the true and sometimes scandalous anecdotes that pepper Alabama’s storied history. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his office and refused to give it up when voters failed to reelect him. A twentieth-century governor, an alumnus of Yale, served as an officer in the Ku Klux Klan.
This entirely updated and revised edition includes enlarged and enhanced images of each governor. Published as Alabama prepares for its sixty-fourth gubernatorial election, Alabama Governors is certain to become a valuable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history of Alabama politics.
The inspiring letters of philosopher, mystic, and freedom fighter Simone Weil to her family, presented for the first time in English.
Now in the pantheon of great thinkers, Simone Weil (1909–1943) lived largely in the shadows, searching for her spiritual home while bearing witness to the violence that devastated Europe twice in her brief lifetime. The letters she wrote to her parents and brother from childhood onward chart her intellectual range as well as her itinerancy and ever-shifting preoccupations, revealing the singular personality at the heart of her brilliant essays.
The first complete collection of Weil’s missives to her family, A Life in Letters offers new insight into her personal relationships and experiences. The letters abound with vivid illustrations of a life marked by wisdom as much as seeking. The daughter of a bourgeois Parisian Jewish family, Weil was a troublemaking idealist who preferred the company of miners and Russian exiles to that of her peers. An extraordinary scholar of history and politics, she ultimately found a home in Christian mysticism. Weil paired teaching with poetry and even dabbled in mathematics, as evidenced by her correspondence with her brother, André, who won the Kyoto Prize in 1994 for the famed Weil Conjectures.
A Life in Letters depicts Simone Weil’s thought taking shape amid political turmoil, as she describes her participation in the Spanish struggle against fascism and in the transatlantic resistance to the Nazis. An introduction and notes by Robert Chenavier contextualize the letters historically and intellectually, relating Weil’s letters to her general body of writing. This book is an ideal entryway into Weil’s philosophical insights, one for both neophytes and acolytes to treasure.
The Germans claimed that Theresienstadt was "the town the Führer gave the Jews," and they temporarily transformed it into a Potemkin village for an International Red Cross visit in June 1944, the only Nazi camp opened to outsiders. But the Germans lied. Theresienstadt was a holding pen for Jews to be shipped east to annihilation camps.
While famous and infamous figures and historical events flit across the pages, they form the background for Pavel's life. Assigned to the now-famous Czech boys' home, L417, Pavel served as editor of the magazine Ne?ar. Relationships, sports, the quest for food, and a determination to continue their education dominate the boys' lives. Pavel's father and brother were deported in September 1944; he turned thirteen (the age for his bar mitzvah) in November of that year, and he grew in his ability to express his observations and reflect on them. A Boy in Terezín registers the young boy's insights, hopes, and fears and recounts a passage into maturity during the most horrifying of times.
Phenomenology, the philosophical method that seeks to uncover the taken-for-granted presuppositions, habits, and norms that structure everyday experience, is increasingly framed by ethical and political concerns. Critical phenomenology foregrounds experiences of marginalization, oppression, and power in order to identify and transform common experiences of injustice that render “the familiar” a site of oppression for many. In Fifty Concepts for a Critical Phenomenology, leading scholars present fresh readings of classic phenomenological topics and introduce newer concepts developed by feminist theorists, critical race theorists, disability theorists, and queer and trans theorists that capture aspects of lived experience that have traditionally been neglected. By centering historically marginalized perspectives, the chapters in this book breathe new life into the phenomenological tradition and reveal its ethical, social, and political promise. This volume will be an invaluable resource for teaching and research in continental philosophy; feminist, gender, and sexuality studies; critical race theory; disability studies; cultural studies; and critical theory more generally.
In many respects Florida remains the forgotten state of the Confederacy. Journalist Horace Greeley once referred to Florida in the Civil War as the “smallest tadpole in the dirty pool of secession.” Although it was the third state to secede, Florida’s small population and meager industrial resources made the state of little strategic importance. Because it was the site of only one major battle, it has, with a few exceptions, been overlooked within the field of Civil War studies.
During the Civil War, more than fifteen thousand Floridians served the Confederacy, a third of which were lost to combat and disease. The Union also drew the service of another twelve hundred white Floridians and more than a thousand free blacks and escaped slaves. Florida had more than eight thousand miles of coastline to defend, and eventually found itself with Confederates holding the interior and Federals occupying the coasts—a tenuous state of affairs for all. Florida’s substantial Hispanic and Catholic populations shaped wartime history in ways unique from many other states. Florida also served as a valuable supplier of cattle, salt, cotton, and other items to the blockaded South.
A Forgotten Front: Florida during the Civil War Era provides a much-needed overview of the Civil War in Florida. Editors Seth A. Weitz and Jonathan C. Sheppard provide insight into a commonly neglected area of Civil War historiography. The essays in this volume examine the most significant military engagements and the guerrilla warfare necessitated by the occupied coastline. Contributors look at the politics of war, beginning with the decade prior to the outbreak of the war through secession and wartime leadership and examine the period through the lenses of race, slavery, women, religion, ethnicity, and historical memory.
An insightful exploration of the gap between human realities and engrained ideals, Revising Eternity sheds light on how Latter-day Saint men view and experience marriage today.
Exploring the intersection of spirituality and materiality, Mesoamerican Ritual Economy will be of interest to all scholars studying how worldview and belief motivate economic behavior. The authors consider a diverse set of Mesoamerican cultural patterns in order to investigate the ways in which ritual and economic practices influenced each other in the operation of communities, small-scale societies, and state-level polities. Contributors include: Sarah B. Barber, Frances F. Berdan, Karla L. Davis-Salazar, Barbara W. Fash, William L. Fash, Antonia E. Foias, Arthur A. Joyce, Brigitte Kovacevich, Ben A. Nelson, Enrique Rodríguez-Alegría, Katherine A. Spielmann, John M. Watanabe, E. Christian Wells.
"No student of black history should overlook Crusade for Justice."—William M. Tuttle, Jr., Journal of American History
"Besides being the story of an incredibly courageous and outspoken black woman in the face of innumerable odds, the book is a valuable contribution to the social history of the United States and to the literature of the women's movement as well."—Elizabeth Kolmer, American Quarterly
"[Wells was] a sophisticated fighter whose prose was as thorough as her intellect."—Walter Goodman, New York Times
"An illuminating narrative of a zealous, race-conscious, civic- and church-minded black woman reformer, whose life story is a significant chapter in the history of Negro-White relations."—Thelma D. Perry, Negro History Bulletin
Ida B. Wells is an American icon of truth telling. Born to slaves, she was a pioneer of investigative journalism, a crusader against lynching, and a tireless advocate for suffrage, both for women and for African Americans. She co-founded the NAACP, started the Alpha Suffrage Club in Chicago, and was a leader in the early civil rights movement, working alongside W. E. B. Du Bois, Madam C. J. Walker, Mary Church Terrell, Frederick Douglass, and Susan B. Anthony.
This engaging memoir, originally published 1970, relates Wells’s private life as a mother as well as her public activities as a teacher, lecturer, and journalist in her fight for equality and justice. This updated edition includes a new foreword by Eve L. Ewing, new images, and a new afterword by Ida B. Wells’s great-granddaughter, Michelle Duster.
Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh
This collection of essays brings together diverse approaches to the analysis of Native American culture in the protohistoric period
For most Native American peoples of the Southeast, almost two centuries passed between first contact with European explorers in the 16th century and colonization by whites in the 18th century—a temporal span commonly referred to as the Protohistoric period. A recent flurry of interest in this period by archaeologists armed with an improved understanding of the complexity of culture contact situations and important new theoretical paradigms has illuminated a formerly dark time frame.
This volume pulls together the current work of archaeologists, historians, and anthropologists to demonstrate a diversity of approaches to studying protohistory. Contributors address different aspects of political economy, cultural warfare, architecture, sedentism, subsistence, foods, prestige goods, disease, and trade. From examination of early documents by René Laudonnière and William Bartram to a study of burial goods distribution patterns; and from an analysis of Caddoan research in Arkansas and Louisiana to an interesting comparison of Apalachee and Powhatan elites, this volume ranges broadly in subject matter. What emerges is a tantalizingly clear view of the protohistoric period in North America.
During these years, West and Johnson knew virtually everyone in New York's artistic, intellectual, and political circles. Their friends included Langston Hughes, Zora Neale Hurston, Carl Van Vechten, Richard Wright, Arna Bontemps, Claude McKay, and many others. West moved easily between the bohemian milieu of her artistic soul mates and the bourgeois, respectable soirees of prominent social and political figures.
In this book, Professors Mitchell and Davis provide a carefully researched profile of West and her circle that serves as an introduction to a well-edited, representative collection of her out-of-print, little-known, or unpublished writings, supplemented by many family photographs. The editors document West's "womanist" upbringing and her relationships with her mother, Rachel Benson West, and other strong-minded women, including her longtime companion Marian Minus.
The volume includes examples of West's probing social criticism in the form of WPA essays and stories, as well as her interviews with Southern migrants. A centerpiece of the book is her unpublished novella, Where the Wild Grape Grows, which explores with grace and gentle irony the complex relationship of three retired women living on Martha's Vineyard. Several of West's exquisitely observed nature pieces, published over a span of twenty years in the Vineyard Gazette, are also reprinted.
Both realism and justice demand that efforts to conserve biological diversity address human needs as well. The most promising hope of accomplishing such a goal lies in locally based conservation efforts -- an approach that seeks ways to make local communities the beneficiaries and custodians of conservation efforts.
Natural Connections focuses on rural societies and the conservation of biodiversity in rural areas. It represents the first systematic analysis of locally based efforts, and includes a comprehensive examination of cases from around the world where the community-based approach is used. The book provides:
- an overview of community-based conservation in the context of the debate over sustainable development, poverty, and environmental decline
- case studies from the developed and developing worlds -- Indonesia, Peru, Australia, Zimbabwe, Costa Rica, the United Kingdom -- that present detailed examples of the locally based approach to conservation
- a review of the principal issues arising from community-based programs
- an agenda for future action
Distilled from Arkansas: A Narrative History, the definitive work on the subject since its original publication in 2002, Arkansas: A Concise History is a succinct one-volume history of the state from the prehistory period to the present. Featuring four historians, each bringing his or her expertise to a range of topics, this volume introduces readers to the major issues that have confronted the state and traces the evolution of those issues across time.
After a brief review of Arkansas’s natural history, readers will learn about the state’s native populations before exploring the colonial and plantation eras, early statehood, Arkansas’s entry into and role in the Civil War, and significant moments in national and global history, including Reconstruction, the Gilded Age, the Progressive Era, the Elaine race massacre, the Great Depression, both world wars, and the Civil Rights Movement. Linking these events together, Arkansas: A Concise History offers both an understanding of the state’s history and a perspective on that history’s implications for the political, economic, and social realities of today.
Arkansas: A Narrative History is a comprehensive history of the state that has been invaluable to students and the general public since its original publication. Four distinguished scholars cover prehistoric Arkansas, the colonial period, and the nineteenth and twentieth centuries and incorporate the newest historiography to bring the book up to date for 2012.
A new chapter on Arkansas geography, new material on the civil rights movement and the struggle over integration, and an examination of the state’s transition from a colonial economic model to participation in the global political economy are included. Maps are also dramatically enhanced, and supplemental teaching materials are available.
“No less than the first edition, this revision of Arkansas: A Narrative History is a compelling introduction for those who know little about the state and an insightful survey for others who wish to enrich their acquaintance with the Arkansas past.”
—Ben Johnson, from the Foreword
The threat of biological weapons has never attracted as much public attention as in the past five years. Current concerns largely relate to the threat of weapons acquisition and use by rogue states or by terrorists. But the threat has deeper roots—it has been evident for fifty years that biological agents could be used to cause mass casualties and large-scale economic damage. Yet there has been little historical analysis of such weapons over the past half-century.
Deadly Cultures sets out to fill this gap by analyzing the historical developments since 1945 and addressing three central issues: Why have states continued or begun programs for acquiring biological weapons? Why have states terminated biological weapons programs? How have states demonstrated that they have truly terminated their biological weapons programs?
We now live in a world in which the basic knowledge needed to develop biological weapons is more widely available than ever before. Deadly Cultures provides the lessons from history that we urgently need in order to strengthen the long-standing prohibition of biological weapons.
This book concentrates on the gender gap in voting--the difference in the proportion of women and men voting for the same candidate. Evident in every presidential election since 1980, this polling phenomenon reached a high of 11 percentage points in the 1996 election. The contributors discuss the history, complexity, and ways of analyzing the gender gap; the gender gap in relation to partisanship; motherhood, ethnicity, and the impact of parental status on the gender gap; and the gender gap in races involving female candidates. Voting the Gender Gap analyzes trends in voting while probing how women's political empowerment and gender affect American politics and the electoral process.
Contributors are Susan J. Carroll, Erin Cassese, Cal Clark, Janet M. Clark, M. Margaret Conway, Kathleen A. Dolan, Laurel Elder, Kathleen A. Frankovic, Steven Greene, Leonie Huddy, Mary-Kate Lizotte, Barbara Norrander, Margie Omero, and Lois Duke Whitaker.
Annette White-Parks offers the first full-length biography of the woman now remembered as North America's first published Asian writer. White-Parks reveals an author who defied the in vogue style of "yellow peril" literature to show Chinatowns and their inhabitants as complex, feeling human beings. Her insider's sympathy focused in particular on Chinese American women and children. Confronted with social divisions and discrimination, Sui Sin Far experimented with trickster characters and irony, sharing the coping mechanisms used by other writers who struggled to overcome the marginalization forced on them because of their race, gender, or class.
Hayden White borrows the title for The Practical Past from philosopher Michael Oakeshott, who used the term to describe the accessible material and literary-artistic artifacts that individuals and institutions draw on for guidance in quotidian affairs. The Practical Past, then, forms both a summa of White’s work to be drawn upon and a new direction in his thinking about the writing of history.
White’s monumental Metahistory: The Historical Imagination in Nineteenth-Century Europe (1973) challenged many of the commonplaces of professional historical writing and wider assumptions about the ontology of history itself. It formed the basis of his argument that we can never recover “what actually happened”in the past and cannot really access even material culture in context. Forty years on, White sees “professional history" as falling prey to narrow specialization, and he calls upon historians to take seriously the practical past of explicitly “artistic” works, such as novels and dramas, and literary theorists likewise to engage historians.
Fortunately, there are many sites open to the public where the remnants of the past are visible, either in their original location or in nearby museum exhibits. Few things are more inspiring than walking among the Malchow Mounds, packed so tightly it is hard to tell where one ends and the other begins. Strolling around downtown Des Moines is a lot more interesting when you are aware of the mounds, Indian villages, and the fort that once stood there. And, although you can’t visit the Wanampito site, you can see the splendid seventeenth-century artifacts excavated from it at Heery Woods State Park.
For people who want to experience Iowa’s archaeological heritage first hand, this one-of-a-kind guidebook shows the way to sixty-eight important sites. Many are open to visitors or can be seen from a public location; others, on private land or no longer visible on the landscape, live on through artifact displays. The guide also includes a few important sites that are not open to visitors because these places have unique stories to tell. Sites of every type, from every time period, and in every corner of the state are featured. Whether you have a few hours to indulge your curiosity or are planning a road trip across the state, this guide will take you to places where Iowa’s deep history comes to life.
Desegregating Comics assembles a team of leading scholars to explore how debates about the representation of Blackness shaped both the production and reception of Golden Age comics. Some essays showcase rare titles like Negro Romance and consider the formal innovations introduced by Black comics creators like Matt Baker and Alvin Hollingsworth, while others examine the treatment of race in the work of such canonical cartoonists as George Herriman and Will Eisner. The collection also investigates how Black fans read and loved comics, but implored publishers to stop including hurtful stereotypes. As this book shows, Golden Age comics artists, writers, editors, distributors, and readers engaged in heated negotiations over how Blackness should be portrayed, and the outcomes of those debates continue to shape popular culture today.
New techniques in osteology have yielded findings on Maya diet and health that challenge the ecological model of collapse. This benchmark collection of essays defined the state of Mayan skeletal studies. Its coverage spans the formative through colonial periods, with a geographic focus on the Maya lowlands of northern Guatemala, Belize, and western Honduras. Bringing together for the first time a broad spectrum of bioarchaeologists and revealing remarkable data on Maya genetic relationship, demographic, and diseases, the collection covers divers topics such as osteological, dental, bone chemistry, and DNA analyses. The diet and health status of Maya populations is a major theme, especially in relation to social status, gender, and the historical problem of the "collapse."
The Allied landings on the coast of Normandy on June 6, 1944, have assumed legendary status in the annals of World War II. But in overly romanticizing D-day, Olivier Wieviorka argues, we have lost sight of the full picture. Normandy offers a balanced, complete account that reveals the successes and weaknesses of the titanic enterprise.
In addition to describing the landings with precision and drama, Wieviorka covers the planning and diplomatic background, Allied relationships, German defensive preparations, morale of the armies, economics and logistics, political and military leaders, and civilians’ and soldiers’ experience of the fighting. Surprisingly, the landing itself was not the slaughter the general staff expected. The greater battle for Normandy—waged on farmland whose infamous hedgerows, the bocage, created formidable obstacles—took a severe toll not only in lives lost, but on the survivors who experienced this grueling ordeal.
D-day, Wieviorka notes, was a striking accomplishment, but it was war, violent and cruel. Errors, desertions, rivalries, psychological trauma, self-serving motives, thefts, and rapes were all part of the story. Rather than diminishing the Allied achievement, this candid book underscores the price of victory and acknowledges the British, American, and Canadian soldiers who dashed onto the Normandy beaches not as demigods, but as young men.
Works of genre fiction are a source of enjoyment, read during cherished leisure time and in incidental moments of relaxation. This original book takes readers inside popular genres of fiction, including crime, fantasy, and romance, to reveal how personal tastes, social connections, and industry knowledge shape genre worlds. Attuned to both the pleasure and the profession of producing genre fiction, the authors investigate contemporary developments in the field—the rise of Amazon, self-publishing platforms, transmedia storytelling, and growing global publishing conglomerates—and show how these interact with older practices, from fan conventions to writers’ groups.
Sitting at the intersection of literary studies, genre studies, fan studies, and studies of the book and publishing cultures, Genre Worlds considers how contemporary genre fiction is produced and circulated on a global scale. Its authors propose an innovative theoretical framework that unfolds genre fiction’s most compelling characteristics: its connected social, industrial, and textual practices. As they demonstrate, genre fiction books are not merely texts; they are also nodes of social and industrial activity involving the production, dissemination, and reception of the texts.
Mary Lincoln is a lightning rod for controversy. Stories reveal widely different interpretations, and it is impossible to write a definitive version of her life that will suit everyone. The thirteen engaging essays in this collection introduce Mary Lincoln’s complex nature and show how she is viewed today.
The authors’ explanations of her personal and private image stem from a variety of backgrounds, and through these lenses—history, theater, graphic arts, and psychiatry—they present their latest research and assessments. Here they reveal the effects of familial culture and society on her life and give a broader assessment of Mary Lincoln as a woman, wife, and mother. Topics include Mary’s childhood in Kentucky, the early years of her marriage to Abraham, Mary’s love of travel and fashion, the presidential couple’s political partnership, and Mary’s relationship with her son Robert.
The fascinating epilogue meditates on Mary Lincoln’s universal appeal and her enigmatic personality, showcasing the dramatic differences in interpretations. With gripping prose and in-depth documentation, this anthology will capture the imagination of all readers.
Univeristy Press Books for Public and Secondary Schools 2013 edition
A history of contemporary rhetoric, Visions and Revisions: Continuity and Change in Rhetoric and Composition examines the discipline’s emergence and development from the rise of new rhetoric in the late 1960s through the present. Editor James D. Williams has assembled nine essays from leading scholars to trace the origins of new rhetoric and examine current applications of genre studies, the rhetoric of science, the rhetoric of information, and the influence of liberal democracy on rhetoric in society.
Given the field’s diversity, a historical sketch cannot adopt a single perspective. Part one of Visions and Revisions therefore offers the detailed reminiscences of four pioneers in new rhetoric, while the essays in part two reflect on a variety of issues that have influenced (and continue to influence) current theory and practice. In light of the recent shift in focus of scholarly investigation toward theory, Williams’s collection contextualizes the underlying tension between theory and practice while stressing instruction of students as the most important dimension of rhetoric and composition today. Together, these chapters from some of the most influential scholars in the field provide a range of perspectives on the state of rhetoric and composition and illuminate the discipline’s development over the course of the last forty years.
Contributors to this volume include Patricia Fortuny Loret de Mola, Carol Girón Solórzano, Silvia Irene Palma, Lúcia Ribeiro, Mirian Solfs Lizama, José Claúdio Souza Alves, Timothy J. Steigenga, Manuel A. Vásquez, and Philip J. Williams.
Banished from the Massachusetts Bay Colony for his refusal to conform to Puritan religious and social standards, Roger Williams established a haven in Rhode Island for those persecuted in the name of the religious establishment. He conducted a lifelong debate over religious freedom with distinguished figures of the seventeenth century, including Puritan minister John Cotton, Massachusetts governor John Endicott, and the English Parliament.
James Calvin Davis gathers together important selections from Williams’s public and private writings on religious liberty, illustrating how this renegade Puritan radically reinterpreted Christian moral theology and the events of his day in a powerful argument for freedom of conscience and the separation of church and state. For Williams, the enforcement of religious uniformity violated the basic values of Calvinist Christianity and presumed upon God’s authority to speak to the individual conscience. He argued that state coercion was rarely effective, often causing more harm to the church and strife to the social order than did religious pluralism.
This is the first collection of Williams’s writings in forty years reaching beyond his major work, The Bloody Tenent, to include other selections from his public and private writings. This carefully annotated book introduces Williams to a new generation of readers.
Banished from the Massachusetts Bay Colony for his refusal to conform to Puritan religious and social standards, Roger Williams established a haven in Rhode Island for those persecuted in the name of the religious establishment. He conducted a lifelong debate over religious freedom with distinguished figures of the seventeenth century, including Puritan minister John Cotton, Massachusetts governor John Endicott, and the English Parliament.
James Calvin Davis gathers together important selections from Williams’s public and private writings on religious liberty, illustrating how this renegade Puritan radically reinterpreted Christian moral theology and the events of his day in a powerful argument for freedom of conscience and the separation of church and state. For Williams, the enforcement of religious uniformity violated the basic values of Calvinist Christianity and presumed upon God’s authority to speak to the individual conscience. He argued that state coercion was rarely effective, often causing more harm to the church and strife to the social order than did religious pluralism.
This is the first collection of Williams’s writings in forty years reaching beyond his major work, The Bloody Tenent, to include other selections from his public and private writings. This carefully annotated book introduces Williams to a new generation of readers.
Williamson argues that suburbia has historically been a site of great experimentation and is currently primed for exciting changes. Today, dead malls, aging office parks, and blighted apartment complexes are being retrofitted into walkable, sustainable communities. Williamson shows how to expand this trend, highlighting promising design strategies and tactics.
She provides a broad vision of suburban reform based on the best schemes submitted in Long Island's highly successful "Build a Better Burb" competition. Many of the design ideas and plans operate at a regional scale, tackling systems such as transit, aquifer protection, and power generation. While some seek to fundamentally transform development patterns, others work with existing infrastructure to create mixed-use, shared networks.
Designing Suburban Futures offers concrete but visionary strategies to take the sprawl out of suburbia, creating a vibrant, new suburban form. It will be especially useful for urban designers, architects, landscape architects, land use planners, local policymakers and NGOs, citizen activists, students of urban design, planning, architecture, and landscape architecture.
Intrepid explorers Kenneth M. Wills and L. J. Davenport divide Alabama into eleven geographic regions that feature state parks and preserves, national monuments and forests, wildlife management areas, Nature Conservancy and Forever Wild properties, botanical gardens and arboreta, as well as falls, caverns, and rock cliffs. Exploring Wild Alabama provides detailed site entries to one hundred and fifty destinations. Each section is beautifully illustrated with color photographs and area maps.
Exploring Wild Alabama includes a large state map and numerous local topographic maps to help readers locate each site. Individual site entries include
· written directions to each site and GPS coordinates;
· engaging notes about the ecology, landscape features, and local species of plants and animals of the sites; and
· international recreation symbols for hiking, fishing, boating, camping, hunting, and other fun outdoor activities.
Wills and Davenport guide travelers to Alabama jewels such as Sand Mountain’s Chitwood Barrens, which harbors the rare Green Pitcher Plant and other exotic botanical species; Blowing Springs Cave in Lauderdale County, named for the cool air and the clear spring flowing out of the cave opening; Jackson Prairies in the Lime Hills region; and Booker’s Mill in Conecuh County, offering diverse habitats and historic structures.
Long a favorite destination for outdoor sports enthusiasts, Alabama is fast becoming a major “ecotourism” destination, with thousands of travelers discovering the state’s unsung natural treasures. Exploring Wild Alabama will be used and trusted by anyone who loves the outdoors—birders, botanists, cave explorers, cyclists, hunters, fishermen, rock climbers, canoeists, teachers, and other outdoor enthusiasts.
This is the first collective scholarly effort at situating René Girard in relation to the Western philosophical tradition. Volume 1 features chapters on Plato, Augustine of Hippo, Niccolò Machiavelli, Thomas Hobbes, Blaise Pascal, Baruch Spinoza, Jean-Jacques Rousseau, Adam Smith, Immanuel Kant, Georg Wilhelm Friedrich Hegel, Friedrich Wilhelm Joseph Schelling, Alexis de Tocqueville, Søren Kierkegaard, and René Girard.
More than 600 letters and interviews providing information about Abraham Lincoln's prepolitical and prelegal careers are included in this volume, a priceless collection never before available in one place.
Women to whom Lincoln proposed marriage, political allies and adversaries, judges and fellow attorneys, longtime comrades, erstwhile friends--all speak out here in words first gathered by William H. Herndon, Lincoln's law partner, between 1865 and 1890. Historian David Herbert Donald has called Herndon's materials "the basic source for Abraham Lincoln's early years."
Some of those Herndon questioned were illiterate; others could read but barely write. Completion of this undertaking took the editors to three major collections for the mammoth task of transcribing documents that often were nearly illegible.
Invaluable to Lincoln scholars and intriguing to anyone curious about Lincoln and his times, the book includes an introduction, scholarly annotations, a registry of the informants, and a detailed topical index.
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture.
This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976.
The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste.
The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer.
The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Does religion promote political mobilization? Are individuals motivated by their faith to focus on issues of social justice, personal morality, or both? What is the relationship between religious conviction and partisanship? Does religious identity reinforce or undermine other political identifications like race, ethnicity, and class?
The answers to these questions are hardly monolithic, varying between and within major American religious groups. With an electoral climate increasingly shaped by issues of faith, values, and competing moral visions, it is both fascinating and essential to examine the religious and political currents within America's major religious traditions.
J. Matthew Wilson and a group of prominent religion and politics scholars examine these topics and assess one question central to these issues: How does faith shape political action in America's diverse religious communities? From Pews to Polling Places seeks to cover a rich mosaic of religious and ethnic perspectives with considerable breadth by examining evangelical Christians, the religious left, Catholics, Mormons, African Americans, Latinos, Jews, and Muslims. Along with these groups, the book takes a unique look at the role of secular and antifundamentalist positions, adding an even wider outlook to these critical concerns.
The contributors demonstrate how different theologies, histories, and social situations drive distinct conceptualizations of the relationship between religious and political life. At the same time, however, the book points to important commonalities across traditions that can inform our discussions on the impact of religion on political life. In emphasizing these similarities, the authors explore the challenges of political mobilization, partisanship, and the intersections of religion and ethnicity.
From New Zealand to Japan, Taiwan to Hawaii, this innovative volume presents essays, poems, and memoirs by prominent Asia/Pacific writers that resist appropriation by transnational capitalism through the articulation of autonomous local identities and counter-histories of place and community. In addition, cultural critics spanning several locations and disciplines deconstruct representations—particularly those on film and in novels—that perpetuate Asia/Pacific as a realm of EuroAmerican fantasy.
This collection, a much expanded edition of boundary 2, offers a new perception of the Asia/Pacific region by presenting the Pacific not as a paradise or vast emptiness, but as a place where living, struggling peoples have constructed contemporary identities out of a long history of hegemony and resistance. Asia/Pacific as Space of Cultural Production will prove stimulating to readers with an interest in the Asia/Pacific region, and to scholars in the fields of Asian, American, Pacific, postcolonial, and cultural studies.
Contributors. Joseph P. Balaz, Chris Bongie, William A. Callahan, Thomas Carmichael, Leo Ching, Chiu Yen Liang (Fred), Chungmoo Choi, Christopher L. Connery, Arif Dirlik, John Fielder, Miriam Fuchs, Epeli Hau`ofa, Lawson Fusao Inada, M. Consuelo León W., Katharyne Mitchell, Masao Miyoshi, Steve Olive, Theophil Saret Reuney, Peter Schwenger, Subramani, Terese Svoboda, Jeffrey Tobin, Haunani-Kay Trask, John Whittier Treat, Tsushima Yuko, Albert Wendt, Rob Wilson
Ranging across issues involving film, literature, and theory, as well as history, politics, economics, sociology, and anthropology, these deeply interdisciplinary essays explore the interwoven forces of globalism and localism in a variety of cultural settings, with a particular emphasis on the Asia-Pacific region. Powerful readings of the new image culture, transnational film genre, and the politics of spectacle are offered as is a critique of globalization as the latest guise of colonization. Articles that unravel the complex links between the global and local in terms of the unfolding narrative of capital are joined by work that illuminates phenomena as diverse as "yellow cab" interracial sex in Japan, machinic desire in Robocop movies, and the Pacific Rim city. An interview with Fredric Jameson by Paik Nak-Chung on globalization and Pacific Rim responses is also featured, as is a critical afterword by Paul Bové.
Positioned at the crossroads of an altered global terrain, this volume, the first of its kind, analyzes the evolving transnational imaginary—the full scope of contemporary cultural production by which national identities of political allegiance and economic regulation are being undone, and in which imagined communities are being reshaped at both the global and local levels of everyday existence.
Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados.
Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.
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