A SCHOLARLY BOOK REPOSITORY
Bronze winner, Foreword Book of the Year, Writing Guides
The eleven essays presented by editor Joseph Bristow pay renewed attention to the achievements of such legendary writers as Oscar Wilde, John Davidson, Ernest Dowson, Lionel Johnson, and W.B. Yeats, whose careers have always been associated with the 1890s. This book also explores the lesser-known but equally significant advances made by notable women poets, including Michael Field, Amy Levy, Charlotte Mew, Alice Meynell, A. Mary F. Robinson, and Graham R. Tomson.
The Fin-de-Siecle Poem brings together innovative research on poetry that has been typecast as the attenuated Victorianism that was rejected by Modernism. The contributors underscore the remarkable innovations made in English poetry of the 1880s and 1890s and show how woman poets stood shoulder-to-shoulder with their better-known male contemporaries.Joseph Bristow is professor of English at the University of California, Los Angeles, where he edits the journal Nineteenth-Century Literature. His recent books include The Cambridge Companion to Victorian Poetry, Oscar Wilde: Contextual Conditions, and the variorum edition of Oscar Wilde's The Picture of Dorian Gray.
Finding a Clear Path intertwines literature, agriculture, and ecology as author Jim Minick takes the reader on many journeys, allowing you to float on a pond, fly with a titmouse, gather ginseng, and grow the lowly potato. The reader visits monarch butterflies and morel mushrooms, encountering beavers, black snakes, and bloodroot along the way. Using his background as a blueberry farmer, gardener and naturalist, Minick explores the Appalachian region and also introduces information that can be appreciated from a scientific point of view, explaining, for example, the ears of an owl, or the problems with the typical Christmas tree. Reading this collection of essays invites you to search for ways to better understand and appreciate this marvelous world, opening paths for journeys of your own.
Approaching the study of literature as a unique form of the philosophy of language and mind—as a study of how we produce nonsense and imagine it as sense—this is a book about our human ways of making and losing meaning. Brett Bourbon asserts that our complex and variable relation with language defines a domain of meaning and being that is misconstrued and missed in philosophy, in literary studies, and in our ordinary understanding of what we are and how things make sense. Accordingly, his book seeks to demonstrate how the study of literature gives us the means to understand this relationship.
The book itself is framed by the literary and philosophical challenges presented by Joyce’s Finnegans Wake and Wittgenstein’s Philosophical Investigations. With reference to these books and the problems of interpretation and meaning that they pose, Bourbon makes a case for the fundamental philosophical character of the study of literature, and for its dependence on theories of meaning disguised as theories of mind. Within this context, he provides original accounts of what sentences, fictions, non-fictions, and poems are; produces a new account of the logical form of fiction and of the limits of interpretation that follow from it; and delineates a new and fruitful domain of inquiry in which literature, philosophy, and science intersect.
While Betty Crocker is often associated with 1950s happy homemaking, she originally belonged to a different generation. Created in 1921 as a “friend to homemakers” for the Washburn Crosby Company (a forerunner to General Mills) in Minneapolis, her purpose was to answer consumer mail. “She” was actually the women of the Home Service Department who signed Betty’s name. Eventually, Betty Crocker’s local radio show on WCCO expanded, and audiences around the nation tuned her in, tried her money-saving recipes, and wrote Betty nearly 5,000 fan letters per day. In Finding Betty Crocker, Susan Marks offers an utterly unique look at the culinary and marketing history of America’s First Lady of Food.
Susan Marks is a writer/producer/director with her own production company, Lazy Susan Productions.
A native of Beiderbecke’s hometown of Davenport, Iowa, Wolfe grew up seeing Bix’s iconic portrait on everything from posters to parking garages. He never heard his music, though, until cast to play a bit part in an Italian biopic filmed in Davenport. Then, after writing a newspaper review of a book about Beiderbecke, Wolfe unexpectedly received a letter from the late musician's nephew scolding him for getting a number of facts wrong. This is where Finding Bix begins: in Wolfe's good-faith attempt to get the facts right.
What follows, though, is anything but straightforward, as Wolfe discovers Bix Beiderbecke to be at the heart of furious and ever-timely disputes over addiction, race and the origins of jazz, sex, and the influence of commerce on art. He also uncovers proof that the only newspaper interview Bix gave in his lifetime was a fraud, almost entirely plagiarized from several different sources. In fact, Wolfe comes to realize that the closer he seems to get to Bix, the more the legend retreats.
An examination of sculpture and authorship in eighteenth-century Quito that documents Caspicara as a participant in the innovative artistic production of the city’s workshops and its widespread commerce of polychrome sculptures.
Who is Caspicara? Nothing is known of Caspicara’s life, and not a single sculpture has been documented as his work. Yet traditional histories laud him as a prolific Indigenous sculptor in eighteenth-century Quito who created exquisite polychrome figures and became a national artistic icon. Drawing on extensive archival, historical, and object research, Susan Verdi Webster peels away layers of historiographical fabrication to reveal what we do and do not know about Caspicara and his work.
Rather than a solitary master, Caspicara collaborated with other, largely Indigenous artists in Quito’s protoindustrial workshops, manufacturing sculptures now credited to him alone. The high quality of Quito sculptures produced by anonymous artists turned the city into a hub of far-flung commerce in religious icons. The art world and post-independence Ecuadorians have lionized the one named sculptor, Caspicara, according to the Western model of the artist-genius, amplifying the market for works bearing his name and creating a national hero on par with European masters. Lost in this process were the artists themselves. Webster returns to their world, detailing their methods and labor and, for the first time, documenting a sculpture made by Caspicara.
“[A] spirited and deeply researched project…. [Benkemoun’s] affection for her subject is infectious. This book gives a satisfying treatment to a woman who has been confined for decades to a Cubist’s limited interpretation.” — Joumana Khatib, The New York Times
Merging biography, memoir, and cultural history, this compelling book, a bestseller in France, traces the life of Dora Maar through a serendipitous encounter with the artist’s address book.
In search of a replacement for his lost Hermès agenda, Brigitte Benkemoun’s husband buys a vintage diary on eBay. When it arrives, she opens it and finds inside private notes dating back to 1951—twenty pages of phone numbers and addresses for Balthus, Brassaï, André Breton, Jean Cocteau, Paul Éluard, Leonor Fini, Jacqueline Lamba, and other artistic luminaries of the European avant-garde.
After realizing that the address book belonged to Dora Maar—Picasso’s famous “Weeping Woman” and a brilliant artist in her own right—Benkemoun embarks on a two-year voyage of discovery to learn more about this provocative, passionate, and enigmatic woman, and the role that each of these figures played in her life.
Longlisted for the prestigious literary award Prix Renaudot, Finding Dora Maar is a fascinating and breathtaking portrait of the artist.
This work received support from the French Ministry of Foreign Affairs and the Cultural Services of the French Embassy in the United States through their publishing assistance program.
For years, Federico García Lorca’s lecture on duende has been a source of insight for writers and performers, including Ted Hughes, Nick Cave, Patti Smith, and Amanda Gorman.
Duende: Play and Theory not only provides a path into Lorca’s poetics and the arts of Spain; it is one of the strangest, most compelling accounts of inspiration ever offered by a poet. Contrasting the demon called duende with the Angel and the Muse, Lorca describes a mysterious telluric, diabolical current, an irreducible “it,” that can draw the best from both performer and audience.
This new translation by Christopher Maurer, based on a thoroughly revised edition of the Spanish original of 1933, also included in this volume, offers a more accurate and fully annotated version of the lecture, with an introduction by eminent philologist José Javier León. Drawing on a deep knowledge of flamenco, and correcting decades of discussion about duende and its supposed origins in Spanish folklore and popular speech, León shows to what extent the concept of duende—understood as the imp of artistic inspiration—was the playful, yet deadly serious, invention of Lorca himself.
Lorca’s bravura performance of duende is foreshadowed here with a bilingual version—the most complete ever—of his other major text on inspiration, “Imagination, Inspiration, Evasion,” in which he calls for greater freedom in poetry as if searching for duende and its “constant baptism of newly created things.”
Following his death in 1955, Einstein’s brain was removed and preserved, but has never been fully or systematically studied. In fact, the sections are not even all in one place, and some are mysteriously unaccounted for! In this compelling tale, Frederick E. Lepore delves into the strange, elusive afterlife of Einstein’s brain, the controversy surrounding its use, and what its study represents for brain and/or intelligence studies.
Carefully reacting to the skepticism of 21st century neuroscience, Lepore more broadly examines the philosophical, medical, and scientific implications of brain-examination. Is the brain simply a computer? If so, how close are we to artificially creating a human brain? Could scientists create a second Einstein? This “biography of a brain” attempts to answer these questions, exploring what made Einstein’s brain anatomy exceptional, and how “found” photographs--discovered more than a half a century after his death--may begin to uncover the nature of genius.
Just as the formative experiences of Baby Boomers were colored by such things as the war in Vietnam, the 1960s, and a dramatic increase in their opportunities for individual expression, so Post-Boomers have grown up in less structured households with working (often divorced) parents. These childhood experiences leave them craving authentic spiritual experience, rather than entertainment, and also cause them to question institutions. Flory and Miller develop a typology that captures four current approaches to the Christian faith and argue that this generation represents a new religious orientation of "expressive communalism," in which they seek spiritual experience and fulfillment in community and through various expressive forms of spirituality, both private and public.
"Shall a man be dragged back to Slavery from our Free Soil, without an open trial of his right to Liberty?" —Handbill circulated in Milwaukee on March 11, 1854
In Finding Freedom, Ruby West Jackson and Walter T. McDonald provide readers with the first narrative account of the life of Joshua Glover, the runaway slave who was famously broken out of jail by thousands of Wisconsin abolitionists in 1854. Employing original research, the authors chronicle Glover's days as a slave in St. Louis, his violent capture and thrilling escape in Milwaukee, his journey on the Underground Railroad, and his 33 years of freedom in rural Canada.
While Jackson and McDonald demonstrate how the catalytic "Glover incident" captured national attention—pitting the proud state of Wisconsin against the Supreme Court and adding fuel to the pre-Civil War fire—their primary focus is on the ordinary citizens, both black and white, with whom Joshua Glover interacted. A bittersweet story of bravery and compassion, Finding Freedom provides the first full picture of the man for whom so many fought, and around whom so much history was made.
"Shall a man be dragged back to Slavery from our Free Soil, without an open trial of his right to Liberty?" —Handbill circulated in Milwaukee on March 11, 1854
In Finding Freedom, Ruby West Jackson and Walter T. McDonald provide readers with the first narrative account of the life of Joshua Glover, the runaway slave who was famously broken out of jail by thousands of Wisconsin abolitionists in 1854. Employing original research, the authors chronicle Glover's days as a slave in St. Louis, his violent capture and thrilling escape in Milwaukee, his journey on the Underground Railroad, and his 33 years of freedom in rural Canada.
While Jackson and McDonald demonstrate how the catalytic "Glover incident" captured national attention—pitting the proud state of Wisconsin against the Supreme Court and adding fuel to the pre-Civil War fire—their primary focus is on the ordinary citizens, both black and white, with whom Joshua Glover interacted. A bittersweet story of bravery and compassion, Finding Freedom provides the first full picture of the man for whom so many fought, and around whom so much history was made.
"Shall a man be dragged back to Slavery from our Free Soil, without an open trial of his right to Liberty?" —Handbill circulated in Milwaukee on March 11, 1854
In Finding Freedom, Ruby West Jackson and Walter T. McDonald provide readers with the first narrative account of the life of Joshua Glover, the runaway slave who was famously broken out of jail by thousands of Wisconsin abolitionists in 1854. Employing original research, the authors chronicle Glover's days as a slave in St. Louis, his violent capture and thrilling escape in Milwaukee, his journey on the Underground Railroad, and his 33 years of freedom in rural Canada.
While Jackson and McDonald demonstrate how the catalytic "Glover incident" captured national attention—pitting the proud state of Wisconsin against the Supreme Court and adding fuel to the pre-Civil War fire—their primary focus is on the ordinary citizens, both black and white, with whom Joshua Glover interacted. A bittersweet story of bravery and compassion, Finding Freedom provides the first full picture of the man for whom so many fought, and around whom so much history was made.
This book is also freely available online as an open access digital edition.
Essayist Catharine Savage Brosman explores the relationship of human beings to their environment, traveling from American deserts to dense European urban settings. Whether sipping wine in a Parisian café, partying with the jet set in Aspen, or contemplating the arid desert West that she loves, Brosman inhabits these settings, and many others, with a sense of adventure and discovery. To read these essays is to enjoy the company of a lively, thoughtful, original mind. Brosman’s "higher ground" is that place we all seek, where we can find and express our own best selves.
Finding Italy explores the journey of the Romans’ ancestor Aeneas and his fellow Trojans from their old home, Troy, to their new country, Italy, narrated in Vergil’s epic poem Aeneid. K. F. B. Fletcher argues that a main narrative theme is patriotism, specifically the problem of how one comes to love one’s new country. The various directions Aeneas receives throughout the first half of the poem are meant to create this love, explaining both to Aeneas and to Vergil’s readers how they should respond to the new, unified Italy synonymous with Rome. These directions come from the gods, or from people close to Aeneas who have divine connections, and they all serve to instill an emotional connection to the land, creating a mental image of Italy that tells him far more about his destination than merely its location, and ultimately making him fall in love with Italy enough to fight for it soon after his arrival. The poem thus dramatizes the birth of nationalism, as Italy is only a concept to Aeneas throughout his trip; these directions do not describe Italy as it is at the time of Aeneas’ journey, but as an ideal to be realized by Aeneas and his descendants, reaching its final, perfect form under Augustus Caesar.
Finding Italy provides a very detailed reading of the directions Aeneas receives by situating them within their relevant contexts: ancient geography, Greek colonization narratives, prophecy, and ancient views of wandering. Vergil draws on all of these concepts to craft instructions that create in Aeneas an attachment to Italy before he ever arrives, a process that dramatizes a key emotional problem in the late first century BCE in the wake of the Social and Civil Wars: how to balance the love of one's modest birthplace with the love of Rome, the larger city that now encompasses it.
With a focus squarely on the Midwest, Wendy Bilen pieces together the history of her grandmother, Josie Broadhead, born in 1911 and raised on the North Dakota prairie. Josie married a Wisconsin farmer and moved to a large dairy farm outside La Crosse; along the way she began taking in people in need of a home: ". . . beggars and drunks and children of drunks, mentally ill children and children with mentally ill parents. Brothers and cousins and sisters and in-laws and strangers."
By taking on these challenges that no one else wanted, Josie left an almost mythical legacy. Years after Josie's death, Bilen embarks on a journey to unearth Josie's story and quickly realizes that the search is about her, too. As she discovers her grandmother's complicated nature ("a woman proud and humble, loving and unaffectionate, strict and visionary, joyful and troubled, a woman held together by contradictions like an arch and its capstone"), she learns much about herself and her own choices. And as she breathes life into Josie and her family, friends, and neighbors, the author evokes a powerful sense of place of small towns and farms, of prairie, of Josie's home, all of which feel both fresh and satisfyingly familiar.
Much more than mere memoir or family history, this dual story about Bilen's journey illuminates the surprising ways our lives intersect with our ancestors'. An extraordinary story about a seemingly ordinary woman, Finding Josie will inspire readers to explore their own family history in their own way.
In this first extensive study of contemporary Hawaiian literature, Brandy Nalani McDougall examines a vibrant selection of fiction, poetry, and drama by emerging and established Hawaiian authors, including Haunani-Kay Trask, John Dominis Holt, Imaikalani Kalahele, and Victoria Nalani Kneubuhl. At the center of the analysis is a hallmark of Hawaiian aesthetics—kaona, the intellectual practice of hiding and finding meaning that encompasses the allegorical, the symbolic, the allusive, and the figurative.
With a poet’s attention to detail, McDougall interprets examples of kaona, guiding readers through olelo no'eau (proverbs), mo‘olelo (literature and histories), and mooku'auhau (genealogies) alongside their contemporary literary descendants, unveiling complex layers of Hawaiian identity, culture, history, politics, and ecology.
Throughout, McDougall asserts that “kaona connectivity” not only carries bright possibilities for connecting the present to the past, but it may also ignite a decolonial future. Ultimately, Finding Meaning affirms the tremendous power of Indigenous stories and genealogies to give activism and decolonization movements lasting meaning.
With its roots in the Spanish verb querer—“to want, to love”—the term querencia has been called untranslatable but has come to mean a place of safety and belonging, that which we yearn for when we yearn for home. In this striking essay collection, Harrison Candelaria Fletcher shows that querencia is also a state of being: the peace that arises when we reconcile who we are. A New Mexican of mixed Latinx and white ethnicity, Candelaria Fletcher ventures into the fault lines of culture, landscape, and spirit to discover the source of his lifelong hauntings. Writing in the persona of coyote, New Mexican slang for “mixed,” he explores the hyphenated elements within himself, including his whiteness. Blending memory, imagination, form, and language, each essay spirals outward to investigate, accept, and embrace hybridity. Ultimately, Finding Querencia offers a new vocabulary of mixed-ness, a way to reconcile the crosscurrents of self and soul.
Centering on the relationship between Quaker colonists and the Lenape people, Finding Right Relations explores the contradictory position of the Quakers as both egalitarian, pacifist people, and as settler colonists. This book explores major challenges to Quaker beliefs and resulting relations with American Indians from the mid-seventeenth century to the late nineteenth century. It shows how the Quakers not only failed to prevent settler colonial violence against American Indians but also perpetuated it. It provides historical examples such as the French and Indian War, the massacre of the Conestoga Indians, and the American Indian boarding schools to explore the power of colonialism to corrupt even those colonists with a belief system rooted in social justice.
While this truth rubs against Quaker identity as pacifists and socially conscious, justice-minded people, the authors address how facing these truths provide ways forward for achieving restitution for the harms of the past. This book offers a path to truth telling that is essential to the healing process.
Before incarceration, many at Amache had been farmers, gardeners, or nursery workers. Between 1942 and 1945, they applied their horticultural expertise to the difficult high plains landscape of southeastern Colorado. At Amache they worked to form microclimates, reduce blowing sand, grow better food, and achieve stability and preserve community at a time of dehumanizing dispossession. In this book archaeologist Bonnie J. Clark examines botanical data like seeds, garden-related artifacts, and other material evidence found at Amache, as well as oral histories from survivors and archival data including personal letters and government records, to recount how the prisoners of Amache transformed the harsh military setting of the camp into something resembling a town. She discusses the varieties of gardens found at the site, their place within Japanese and Japanese American horticultural traditions, and innovations brought about by the creative use of limited camp resources.
The gardens were regarded by the incarcerees as a gift to themselves and to each other. And they were also, it turns out, a gift to the future as repositories of generational knowledge where a philosophical stance toward nature was made manifest through innovation and horticultural skill. Framing the gardens and gardeners of Amache within the larger context of the incarceration of Japanese Americans and of recent scholarship on displacement and confinement, Finding Solace in the Soil will be of interest to gardeners, historical archaeologists, landscape archaeologists, cultural anthropologists, and scholars of Japanese American history and horticultural history.
In these wide-ranging personal essays, Richman travels interior roads through fear, kindness, ignorance, darkness, wildness, compassion, solitude, loneliness, and more—always asking how external geography informs our internal geography. From the monsoonal rains in the carved slot canyons of the Escalante to the eroticism of dirt on skin in a remote slice of the Grand Canyon; from the defiance of academic authority to the curled, arthritic fingers of her mother and grandmothers, Richman sinks into the realities that make us human and fallible and blessed.
Inspired by masters of the traditional personal essay such as E.B. White and M.F.K. Fisher, Richman adds a unique, deeply intimate—and often humorous—voice to the concurrence of human experience. Like a desert stream, human meaning meanders before coming to rest. Richman’s authentic voice illuminates the place where internal and external landscapes merge into meaning. Time with these genuine, inclusive pieces is time well spent.
A woman’s heartrending search for her sister
Advancing with the suspense and deft reportage of the true-crime genre and fueled by the poignancy of a literary memoir, Finding Susan is Molly Hurley Moran’s pointed exploration of the disappearance of her sister and her family’s descent into the surreal world of psychics and detectives they once dismissed as the stuff of Lifetime movies.
Susan Hurley Harrison disappeared from upscale Ruxton, Maryland on August 5, 1994. Her body was discovered in the woods of northern Maryland two years later and her death was ruled a homicide. Although Susan’s case drew substantial media attention—including a spot on Unsolved Mysteries—no one, to date, has ever been charged with her murder. In piecing together a mosaic of Susan’s final years, Moran grew to believe her sister was a victim of domestic violence.
An academic by trade, Moran employs a scholar’s precision and razor-sharp feminist analysis in this valiant effort to come to terms with Susan’s life and death and to understand her sister in a way she did not when she was alive. “Finding” Susan refers to both the search for Susan's body and the search for the formative forces of her life.
Mirroring elements of high-profile cases from Laci Peterson to Nicole Brown Simpson, Finding Susan is one woman’s chronicle of loss and remembrance that arrestingly details the helplessness experienced by families of missing persons and calls critical attention to our alarming blindness to domestic abuse. Including appendixes of domestic violence resources, Finding Susan serves as a guide for concerned family members and friends of at-risk women to help identify the warning signs of domestic abuse. Thirty-six illustrations are a powerful complement to the volume.
Much has been written about the Little Rock School Crisis of 1957, but very little has been devoted to the following year—the Lost Year, 1958–59—when Little Rock schools were closed to all students, both black and white. Finding the Lost Year is the first book to look at the unresolved elements of the school desegregation crisis and how it turned into a community crisis, when policymakers thwarted desegregation and challenged the creation of a racially integrated community and when competing groups staked out agendas that set Arkansas’s capital on a path that has played out for the past fifty years.
In Little Rock in 1958, 3,665 students were locked out of a free public education. Teachers’ lives were disrupted, but students’ lives were even more confused. Some were able to attend schools outside the city, some left the state, some joined the military, some took correspondence courses, but fully 50 percent of the black students went without any schooling. Drawing on personal interviews with over sixty former teachers and students, black and white, Gordy details the long-term consequences for students affected by events and circumstances over which they had little control.
“Fifty years ago segregationists trying to keep black students out of Little Rock Central High inadvertently broke up one of the country’s greatest football dynasties. . . . Wait a minute. . . . Who said you can’t have a high school football team just because you don’t have a high school? Canceling football, Faubus decreed, would be ‘a cruel and unnecessary blow to the children.’ O.K. then, everyone agreed. Play ball!”
—“Blinded by History,” Sports Illustrated
By considering the development of feminism through an analysis of public space, Enke expands and revises the historiography of second-wave feminism. She suggests that the movement was so widespread because it was built by people who did not identify themselves as feminists as well as by those who did. Her focus on claims to public space helps to explain why sexuality, lesbianism, and gender expression were so central to feminist activism. Her spatial analysis also sheds light on hierarchies within the movement. As women turned commercial, civic, and institutional spaces into sites of activism, they produced, as well as resisted, exclusionary dynamics.
How can I tell if something is in the public domain? This is the central question addressed daily by the Copyright Review Management System (CRMS) project. It is a special question and one essential to the social bargain that society has struck with authors and rights holders.
It is also a deceptively simple question. There should be a straightforward answer, especially for books. It should be easy to know when something is—or is not—subject to copyright. And yet, in an age of absolute fluidity of media and medium, even plain old books can be highly complex embodiments of copyright. We need to make it easier to ascertain whether a work is in the public domain. If the rights of copyright holders are to be respected and valued as part of the social bargain, the public domain as a matter of copyright law should be ascertainable and enjoyed
.
Given this complexity, consider the determination of the copyright status of a given creative work as a design problem. How do we move the copyright status of works in the collections of our libraries, museums, and archives from confusion and uncertainty to clarity and opportunity? Working over a span of nearly eight years, the University of Michigan Library received three grants from the Institute of Museum and Library Services (IMLS) to generously fund CRMS, a cooperative effort by partner research libraries to identify books in the public domain in HathiTrust. The Toolkit is a resource that aims to allow others to understand and replicate the work done by CRMS.
Combining over forty years of experience as a practicing psychiatrist with an insider’s perspective of current psychiatric practice, Dr. Robert Taylor provides invaluable guidance to persons considering psychiatric treatment or contemplating a change of doctor in an effort to find better treatment. Cautioning readers against settling for a psychiatrist who views psychodrugs as the treatment, Dr. Taylor provides specific suggestions for avoiding the growing number of psychiatrists who write scripts automatically.
In recent decades, psychiatric care has been overly reliant on psychodrugs. Patient diagnoses are being seriously questioned. Finding the Right Psychiatrist encourages people to seek care from a complete psychiatrist—one able and willing to pursue matters of mind and brain/body, rather than settling on psychodrugs as the main treatment.
Throughout the book, readers learn about the proper uses and limits of psychiatric diagnosis. Dr. Taylor carefully outlines an individualized approach to psychiatric care guided more by a patient’s particular problems and situation than by diagnoses that often mislead more than help. He provides a realistic appraisal of psychiatric medications: what they can and cannot do as well, a discussion of mind work tools, traits of effective psychiatrists, suggestions for how to deal with common insurance company obstacles, and an explanation of the confusing politics of psychiatry.
An indispensable resource for anyone seeking psychiatric help or tasked with advising someone of what to look for in a doctor, Finding the Right Psychiatrist gives hope and guidance to those searching for complete and personalized care.
View a three minute video of Dr. Robert L. Taylor speaking about Finding the Right Psychiatrist.
Environment, craft, and meaning in the work of Appalachian instrument makers.
How can the craft of musical instrument making help reconnect people to place and reenchant work in Appalachia? How does the sonic search for musical tone change relationships with trees and forests? Following three craftspeople in the mountain forests of Appalachia through their processes of making instruments, Finding the Singing Spruce considers the meanings of work, place, and creative expression in drawing music from wood.
Jasper Waugh-Quasebarth explores the complexities and contradictions of instrument-making labor, which is deeply rooted in mountain forests and expressive traditions but also engaged with global processes of production and consumption. Using historical narratives and sensory ethnography, among other approaches, he finds that the craft of lutherie speaks to the past, present, and future of the region’s work and nature.
An innovative study of how a prescient poet imagined ecology and embodiment
Larry Eigner (1927–1996) wrote thousands of poems in his lifetime, despite profound physical limitations caused by cerebral palsy. Using only the thumb and index finger of his right hand, Eigner generated a torrent of urgent and rich language, participating in vital correspondences as well as publishing widely in literary magazines and poetry journals.
While Eigner wrote before the emergence of ecopoetics, his poetry reflected a serious engagement with scientific writing and media, including Rachel Carson’s seminal Silent Spring. Eigner was writing about environmental disasters and climate change long before such concerns took on a moral incumbency. Similarly, Eigner was ahead of his time in his exploration of disability. The field of disability studies has expanded rapidly in the new millennium. Eigner was not an overtly biographical poet, at least as far as his physical limitations were concerned, but his poetry spoke volumes on the idea of embodiment in all its forms.
Finding the Weight of Things: Larry Eigner’s Ecrippoetics is the first full-length study of Eigner’s poetry, covering his entire career from the beginning of his mature work in the 1950s to his last poems of the 1990s. George Hart charts where Eigner’s two central interests intersect, and how their interaction fueled his work as a poet-critic—one whose work has much to tell us about the ecology and embodiment of our futures. Hart sees Eigner’s overlapping concerns for disability, ecology, and poetic form as inextricable, and coins the phrase ecrippoetics here to describe Eigner’s prescient vision.
Moving decade by decade through this period, Richard W. Judd unveils a cache of commentary from intellectuals, critics, and journalists to demonstrate the dynamism in the idea of nature, as Americans defined and redefined the organic world around them amidst shifting intellectual, creative, and political forces. This book tells the captivating story of one writer's rise from obscurity to fame through a cultural reappraisal of the work he left behind.
“Ambitious, fast-paced, fact-filled, and accessible.”
—Science
“A compelling case for why achieving the right balance of time with our families…is vital to the economic success and prosperity of our nation… A must read.”
—Maria Shriver
From backyard barbecues to the blogosphere, working men and women across the country are raising the same worried question: How can I get ahead at my job while making sure my family doesn’t suffer? A visionary economist who has looked at the numbers behind the personal stories, Heather Boushey argues that resolving the work–life conflict is as vital for us personally as it is essential economically. Finding Time offers ingenious ways to help us carve out the time we need, while showing businesses that more flexible policies can actually make them more productive.
“Supply and demand curves are suddenly ‘sexy’ when Boushey uses them to prove that paid sick days, paid family leave, flexible work schedules, and affordable child care aren’t just cutesy women’s issues for families to figure out ‘on their own time and dime,’ but economic issues affecting the country at large.”
—Vogue
“Boushey argues that better family-leave policies should not only improve the lives of struggling families but also boost workers’ productivity and reduce firms’ costs.”
—The Economist
Melting sea ice and rumbling volcanoes. Sled dogs racing through unnamed valleys.
These were the images that came to mind when Molly Rettig moved to Fairbanks, Alaska to work as a reporter at the local newspaper. An avid environmentalist, she couldn’t wait to explore the vast, untamed spaces that had largely been paved over on the east coast. But when her 72-year-old neighbor, Clutch, invites her on a tour of his gold mine—an 800-foot tunnel blasted into the side of his house–she begins to question many of her ideas about Alaska, and about herself.
In Finding True North, Rettig takes us on a gripping journey through Alaska's past that brings alive the state's magnificent country and its quirky, larger-than-life characters. She meets a trapper who harvests all she needs from the land, a bush pilot who taught himself how to fly, and an archaeologist who helped build an oil pipeline through pristine wilderness. While she learns how airplanes, mines, and oil fields have paved the way for newcomers like herself, she also stumbles upon a bigger question: what has this quest for Alaska’s natural resources actually cost, and how much more is at stake?
This is a book about all the ways wild places teach us about ourselves. Rettig writes both playfully and honestly about how one place can be many things to many people—and how all of it can be true.
"[Taylor] describes changing definitions of art as much as he describes art itself, and he shows how the shifting forms of patronage affected the forms of art. He analyzes artists' associations . . . and he shows how museums and schools have expanded the audience for art. In short, he places artists and their work in cultural context. This treatment of the social history of art is the most original and intriguing aspect of Taylor's sketch."—Journal of American History
"This is a brilliantly subtle book. It builds with one insight after another, and suddenly the reader finds that a whole new way of looking at American art is being proposed. . . . After decades of thinking and looking and teaching, Dr. Taylor has written it all down. This work will become a classic interpretation almost overnight."—Peter Marzio, director, Corcoran Gallery of Art
"Interest in American art is unlikely to abate. . . . Mr. Taylor's short book is an invaluable guide through this activity and to its traditions."—Neil Harris, Wall Street Journal
A coming-of-age tale told from the perspective of Nigeria’s Generation X, caught amid the throes of a nascent pro-democracy movement, demoralizing corruption, and campus violence.
Ewaen is a Nigerian teenager, bored at home in Warri and eager to flee from his parents’ unhappy marriage and incessant quarreling. When Ewaen is admitted to the University of Benin, he makes new friends who, like him, are excited about their newfound independence. They hang out in parking lots, trading gibes in pidgin and English and discovering the pleasures that freedom affords them. But when university strikes begin and ruthlessly violent confraternities unleash mayhem on their campus, Ewaen and his new friends must learn to adapt—or risk becoming the confras' next unwilling recruits.
In his trademark witty, colloquial style, critically acclaimed author Eghosa Imasuen presents everyday Nigerian life against the backdrop of the pro-democracy riots of the 1980s and 1990s, the lost hopes of June 12 (Nigeria’s Democracy Day), and the terror of the Abacha years. Fine Boys is a chronicle of time, not just in Nigeria, but also for its budding post-Biafran generation.
As he clears out his parents’ house, Philipp, a photographer, comes across an object that has played a major role in his parents’ lives. Herta and Georg made a fine couple when they first met. Their son imagines the early days of their relationship and remembers how his father was forced to flee across the inner-German border to the West. When Herta and Philipp joined him a few days later, this could have signaled the start of a new era of happiness, but the seeds of their separation had already been sown. In gentle, probing prose, Gert Loschütz describes how Philipp gradually unravels the paradoxical nature of his parents’ relationship: it was love that destroyed their love. To his astonishment, Philipp discovers that Herta and Georg had been in contact all those years in a way they kept secret even from one another.
Set in a fictional town, at a fictional school, Linda N. Masi’s debut novel, Fine Dreams, rewrites myth and history. Framed by a ghost’s first-person narrative, the book centers on four young friends, the stars of their school’s track team. While studying for exams, they are kidnapped and taken to a terrorist encampment. Two are claimed as “wives” by their captors, one is forced to wear a suicide vest, and each is subjected to appalling violence and terror. While their stories resonate with a widely publicized 2014 abduction, these four young women could have been taken in any of the many incidents that have plagued the Nigerian people for years.
Even though they are abducted and abused by men in power and forced to survive in a dark place like Persephone, Masi’s protagonists offer new endings for Persephone’s story. In Masi’s telling, these resilient young women recover their dreams and hopes to live in daylight once again. No matter where they travel or where they stay, they gain self-determination and reclaim their dreams.
Ray Didinger opens his lively memoir Finished Business with the Philadelphia Eagles’ upset win in Super Bowl LII. When the Eagles finally hoist the Lombardi Trophy, Didinger does his best to straddle the emotions of a working reporter and a long-suffering Philly fan. His ability to do that is why he has built up such a loyal following.
Didinger began following the Eagles as a kid, hanging out in his grandfather’s bar in Southwest Philadelphia. He spent his summers at the team's training camp in Hershey. It was there he met his idol, flanker Tommy McDonald. He would later write a play, Tommy and Me, about their friendship and his efforts to see McDonald enshrined in the Pro Football Hall of Fame.
Didinger has been covering the Eagles as a newspaper columnist or TV analyst since 1970. Over the years, he wrote sports for the Philadelphia Bulletin and the Philadelphia Daily News. He later produced Emmy Award–winning documentaries for NFL Films before transitioning to sports talk radio and TV analysis.
In five decades, across multiple media platforms, he has interviewed everyone from Hank Aaron, Wayne Gretzky, Muhammad Ali, Julius Erving, Jack Nicklaus, to Mike Schmidt, as well as writing film scripts for Hollywood stars such as Bruce Willis and Alec Baldwin. He went to the White House with the U.S. Olympic team and even explored the bizarre world of professional wrestling.
His stories, told in his familiar, breezy style, capture his enthusiasm for sports and his affection for the fans who still mourn the pennant that eluded the Phillies in 1964. Didinger has become synonymous with Philadelphia sports, and his memoir is as passionate as an autumn Sunday at Lincoln Financial Field.
This collection of plays comes from one of Chile’s finest voices of the voiceless: Juan Radrigán. A history marked by personal and political hardship has equipped Radrigán to tell the stories of those his nation left behind. Seven years old when his father abandoned his family, he was forced to work from an early age. As an adult, he worked as a manual laborer during a very dark time for Chile: the demise of Salvador Allende and the rise of General Augusto Pinochet. In a time of torture, exile, and political “disappearances,” his plays stood as quietly powerful anti-regime statements that mourned the country’s loss. Translator Ana Elena Puga’s introduction places Radrigán’s work in its historical and cultural context and provides ample background for the six pieces.
The first work, Testimonies to the Deaths of Sabina, features a fruit seller who may lose her livelihood after she is accused of some mysterious infraction; but she doesn’t know what she has done—if she has truly done anything. The Beasts tells the story of three sisters living in the wilderness who, fearing they have been completely abandoned, devise a means of ultimate escape. Funeral Drums for Lambs and Wolves comes in three parts: Isabel Banished in Isabel, a monologue of a woman left to go mad alone; Without Apparent Motive, a monologue by a murderer who laments the spread of violence; and the dialogue The Guest, a confrontational piece that speaks directly to the spectators, implicating them in their silent, passive tolerance of Pinochet. The title play, Radrigán’s 1981 masterpiece, speaks directly to the specter of the many “disappeared” victims of the military regime.
Included are graded introductions, examples, and exercises suitable for individual study as well as formal courses. These take advantage of widely-tested lexc and xfst applications that are just becoming available for noncommercial use via the Internet.
Finland and Europe was first published in 1982. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In 1808 the Grand Duchy of Finland, part of the Swedish kingdom since the thirteenth century, was invaded and in 1809 annexed by Russia -- events which took place within the context of the Napoleonic wars but whose significance was obscure to most Finns and to the outside world as well. During the nineteenth century Finnish national identity grew and Finland began to play a role in European politics. This book traces the course of Finnish involvement in European affairs from the time when it became an autonomous Grand Duchy within the Russian Empire down to the First World War. Juhani Paasivirta's analysis is centered upon eleven international crises, including the Russian annexation of Finland, the fall of Napoleon, two revolutions in Poland, the revolutions of 1848, the Franco-Prussian War and the Paris Commune, the Russo-Turkish and Russo-Japanese wars, and the outbreak of the First World War.
Paasivirta writes from two vantage points: he records the reactions to these events in Finland, across a broad social and economic spectrum, and the attitudes towards the 'Finnish situation' in Sweden, England, France, and Germany. Finland's relationship with Russia, and her necessarily realistic regard for the security of the Russian Empire were important matters faced by Finnish leaders; Paasivirta shows how this delicate relation collapsed, making way for a course that led to Finnish independence in 1917.
Finland in the Twentieth Century was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Finland's search for a national identity is the underlying theme of this book. A small nation, geographically isolated and linguistically distinct from its neighbors, Finland has long maintained close ties with Sweden and also has had to come to terms with a powerful eastern neighbor, the Soviet Union. D.G. Kirby opens his history with a description of Finland at the turn of the century, when it was a Grand Duchy in the Russian Empire, and traces its emergence as an independent state with the collapse of the Empire in 1917. He examines the new republic's struggle for survival—and identity—after the civil war of 1918, which left a legacy of political instability through the interwar years.
Finland's complex political history is closely tied to its external relations. Kirby describes the evolution of Finnish foreign policy from the period when Finland and the Soviet Union were distrustful and then warring neighbors down to the present policy of friendship and cooperation which grew out of the treaty of 1948. The book closes with an account of Finland's international and domestic status in the Kekkonen era.
Throughout, Kirby provides a substantial socio-economic background to round out his political and diplomatic themes. He also brings to the English-language readers the results of modern Finish historical research. Since historians have played a key role in Finland as interpreters of the nation's recent past, his analysis of their debates helps clarify the ways in which Finland has developed as an independent state in the twentieth century.
Roger Connah's latest book, Finland, explores the culture and democratic spirit of a country whose buildings carry the indelible markings of Finland's political and physical climate. Nearly all of the country's buildings were constructed after 1917, when Finland gained its independence from Russia. The resulting architecture—often springing from hugely popular public competitions—is emphatically democratic in structure and usage. Finland's extreme northern latitudes, for their part, have given rise to buildings with an acute sensitivity to the physical environment and to the delicate interplay of light and shadow.
From museums to schools to subsidized housing developments, Connah's Finland is an important survey of the country's architecture. Fully illustrated and with detailed examinations of many of the Finnish master architects—including Alvar Aalto—it is also a valuable contribution to the studies of modern architecture and Nordic history.
Who are the Finland-Swedes? Defined as citizens of Finland with a Swedish mother tongue, many know these people as “Swede- Finns” or simply “Swedes.” This book, the first ever to focus on this ethnolinguistic minority living in Michigan, examines the origins of the Finland-Swedes and traces their immigration patterns, beginning with the arrival of hundreds in the United States in the 1860s. A growing population until the 1920s, when immigration restrictions were put in place, the Finland-Swedes brought with them unique economic, social, cultural, religious, and political institutions, explored here in groundbreaking detail. Drawing on archival, church, and congregational records, interviews, and correspondence, this book paints a vivid portrait of Finland-Swedish life in photographs and text, and also includes detailed maps that show the movement of this group over time. The latest title in the Discovering the Peoples of Michigan series even includes a sampling of traditional Finland-Swedish recipes.
In Finns in Michigan Gary Kaunonen probes the intricacies of immigration, labor, and ideology among the members of this intriguing and historically important ethnic group. He skillfully traces the evolution of a vibrant, diverse, dramatic, and at times deeply quarrelsome people who left an indelible mark on the state's history.
Kaunonen examines the many schisms and splits that define the course of Finnish social life in Michigan. Michigan's Finns flocked to diverse cultural organizations that span a broad ideological spectrum. This book examines an extraordinarily wide range of organizations, including religious institutions, temperance societies, working-class political and labor groups, the cooperative movement, and a nationalist association of Finns.
Finns in Michigan is a study of the contributions of Michigan's Finns in the workplace, in society, and in cultural life. Unlike previous, sometimes mythologized, histories of the Finns in Michigan, Kaunonen's rendition strives to be a more accurate representation of "the good, the bad, and the other" activities of a group he calls "possibly America's most diverse family."
From mining to logging to farming, Finns played an important role in the early development of Wisconsin. Although their immigration to the state came later than that of most other groups, their contributions proved just as significant. Finns pride themselves for their sisu, a Finnish term which, roughly translated, means fortitude or perseverance, especially in the face of adversity. They needed their strength of character to help them face the difficult task of building a new life in a new land. Many Finns arriving in Wisconsin, unable to own land at home, hoped to establish themselves as small independent farmers in the new land. They settled mainly in northern Wisconsin, due to jobs and land available there.
This book traces the history of Finnish settlement in Wisconsin, from the large concentrations of Finns in the northern region, to the smaller "Little Finlands" created in other areas of the state. Revised and expanded, this new edition contains the richly detailed story of one Finnish woman, told in her own words, of her hardships and experiences in traveling to a new country and her resourcefulness and strength in adapting to a new culture and building a new life.
A comprehensive look at the current state of research on fin and limb evolution and development, this volume addresses a wide range of subjects—including growth, structure, maintenance, function, and regeneration. Divided into sections on evolution, development, and transformations, the book begins with a historical introduction to the study of fins and limbs and goes on to consider the evolution of limbs into wings as well as adaptations associated with specialized modes of life, such as digging and burrowing. Fins into Limbs also discusses occasions when evolution appears to have been reversed—in whales, for example, whose front limbs became flippers when they reverted to the water—as well as situations in which limbs are lost, such as in snakes.
With contributions from world-renowned researchers, Fins into Limbs will be a font for further investigations in the changing field of evolutionary developmental biology.
In 2005 Michael Ignatieff left his life as a writer and professor at Harvard University to enter the combative world of politics back home in Canada. By 2008, he was leader of the country’s Liberal Party and poised—should the governing Conservatives falter—to become Canada’s next Prime Minister. It never happened. Today, after a bruising electoral defeat, Ignatieff is back where he started, writing and teaching what he learned.
What did he take away from this crash course in political success and failure? Did a life of thinking about politics prepare him for the real thing? How did he handle it when his own history as a longtime expatriate became a major political issue? Are cynics right to despair about democratic politics? Are idealists right to hope? Ignatieff blends reflection and analysis to portray today’s democratic politics as ruthless, unpredictable, unforgiving, and hyper-adversarial.
Rough as it is, Ignatieff argues, democratic politics is a crucible for compromise, and many of the apparent vices of political life, from inconsistency to the fake smile, follow from the necessity of bridging differences in a pluralist society. A compelling account of modern politics as it really is, the book is also a celebration of the political life in all its wild, exuberant variety.
Fire and Desire offers a penetrating look at the black independent film movement during the silent period. Gaines traces the profound influence that D. W. Griffith's racist epic The Birth of a Nation exerted on black filmmakers such as Oscar Micheaux, the director of the newly recovered Within Our Gates. Beginning with What Happened in the Tunnel, a movie that played with race and sex taboos by featuring the first interracial kiss in film, Gaines also explores the cinematic constitution of self and other through surprise encounters: James Baldwin sees himself in the face of Bette Davis, family resemblance is read in Richard S. Robert's portrait of an interracial family, and black film pioneer George P. Johnson looks back on Micheaux.
Given the impossibility of purity and the co-implication of white and black, Fire and Desire ultimately questions the category of "race movies" itself.
Fire and Ink brings together, for the first time in one volume, politically engaged writing by poets, fiction writers, and essayists. Including many of our finest writers—Martín Espada, Adrienne Rich, June Jordan, Patricia Smith, Gloria Anzaldúa, Sharon Olds, Arundhati Roy, Sonia Sanchez, Carolyn Forche, Chitra Banerjee Divakaruni, Alice Walker, Linda Hogan, Gary Soto, Kim Blaeser, Minnie Bruce Pratt, Li-Young Lee, and Jimmy Santiago Baca, among others—this is an indispensable collection.
This groundbreaking anthology marks the emergence of social action writing as a distinct field within creative writing and literature. Featuring never-before-published pieces, as well as reprinted material, Fire and Ink is divided into ten sections focused on significant social issues, including identity, sexuality and gender, the environment, social justice, work, war, and peace. The pieces can often be gripping, such as “Frame,” in which Adrienne Rich confronts government and police brutality, or Chris Abani’s “Ode to Joy,” which documents great courage in the face of mortal danger.
Fire and Ink serves as a wonderful reader for a wide range of courses, from composition and rhetoric classes to courses in ethnic studies, gender studies, American studies, and even political science, by facing a past that was often accompanied by injustice and suffering. But beyond that, this collection teaches us that we all have the power to create a more equitable and just future.
Written in Iceland by an unknown author about 1280, Njáls saga has been called the greatest work of vernacular prose fiction from the European Middle Ages. Allen's finely written and perceptive study is one of the first in English to offer a critical examination of the text.
With political intrigue, environmental tragedy, and such figures as Rachel Carson and E. O. Wilson, The Fire Ant Wars is a grippingly perceptive tale of changing social attitudes and scientific practices. Tracing the political and scientific eradication campaigns, Joshua Buhs's bracing study uses the saga as a means to consider twentieth-century American concepts of nature and environmental stewardship. In telling the story, Buhs explores how human concepts of nature evolve and how these ideas affect the natural and social worlds.
Spotlighting a particular issue to discuss larger questions of science, public perceptions, and public policy—from pre-environmental awareness to the activist years of the early environmental movement—The Fire Ant Wars will appeal to historians of science, environmentalists, and biologists alike.
Walter Tschinkel's passion for fire ants has been stoked by over thirty years of exploring the rhythm and drama of Solenopsis invicta's biology. Since South American fire ants arrived in Mobile, Alabama, in the 1940s, they have spread to become one of the most reviled pests in the Sunbelt.
In Fire Ants Tschinkel provides not just an encyclopedic overview of S. invicta--how they found colonies, construct and defend their nests, forage and distribute food, struggle among themselves for primacy, and even relocate entire colonies--but a lively account of how research is done, how science establishes facts, and the pleasures and problems of a scientific career.
Between chapters detailed enough for experts but readily accessible to any educated reader, "interludes" provide vivid verbal images of the world of fire ants and the people who study them. Early chapters describe the several failed, and heavily politically influenced, eradication campaigns, and later ones the remarkable spread of S. invicta's "polygyne" form, in which nests harbor multiple queens and colonies reproduce by "budding." The reader learns much about ants, the practice of science, and humans' role in the fire ant's North American success.
Drawing on the participants in two landmark conferences held at the University of Missouri and the City University of New York, this first of two volumes finds myriad new perspectives on the Missouri Crisis. Celebrating Missouri’s bicentennial the scholarly way, with fresh research and unsparing analysis, this eloquent collection of essays from distinguished historians gives the epochal struggle over Missouri statehood its due as a major turning point in American history.
Contributors include the editors, Christa Dierksheide, David N. Gellman, Sarah L. H. Gronningsater, Robert Lee, Donald Ratcliffe, Andrew Shankman, Anne Twitty, John R. Van Atta, and David Waldstreicher.
Drawn from the of participants in two landmark conferences held at the University of Missouri and the City University of New York, those who contributed original essays to this second of two volumes—a group that includes young scholars and foremost authorities in the field—answer the Missouri “Question,” in bold fashion, challenging assumptions both old and new in the long historiography by approaching the event on its own terms, rather than as the inevitable sequel of the flawed founding of the republic or a prequel to its near destruction.
This second volume of A Fire Bell in the Past features a foreword by Daive Dunkley. Contributors include Dianne Mutti Burke, Christopher Childers, Edward P. Green, Zachary Dowdle, David J. Gary, Peter Kastor, Miriam Liebman, Matthew Mason, Kate Masur, Mike McManus, Richard Newman, and Nicholas Wood.
The structure of most virgin forests in the western United States reflects a past disturbance history that includes forest fire. James K. Agee, an expert in the emergent field of fire ecology, analyzes the ecological role of fire in the creation and maintenance of natural western forests, focusing primarily on forest stand development patterns. His discussion of the natural fire environment and the environmental effects of fire is applicable to a wide range of temperate forests.
On April 21, 1930—Easter Monday—some rags caught fire under the Ohio Penitentiary’s dry and aging wooden roof, shortly after inmates had returned to their locked cells after supper. In less than an hour, 320 men who came from all corners of Prohibition-era America and from as far away as Russia had succumbed to fire and smoke in what remains the deadliest prison disaster in United States history.
Within 24 hours, moviegoers were watching Pathé’s newsreel of the fire, and in less than a week, the first iteration of the weepy ballad “Ohio Prison Fire” was released. The deaths brought urgent national and international focus to the horrifying conditions of America’s prisons (at the time of the fire, the Ohio Penitentiary was at almost three times its capacity). Yet, amid darkening world politics and the first years of the Great Depression, the fire receded from public concern.
In Fire in the Big House, Mitchel P. Roth does justice to the lives of convicts and guards and puts the conflagration in the context of the rise of the Big House prison model, local and state political machinations, and American penal history and reform efforts. The result is the first comprehensive account of a tragedy whose circumstances—violent unrest, overcrowding, poorly trained and underpaid guards, unsanitary conditions, inadequate food—will be familiar to prison watchdogs today.
“ In this beautifully and intelligently written book, Ferguson not only reports on some of the intellectual tremors jolting the world of thinking women and men, but also considers the basic questions with penetrating analysis, yet at a very readable level. . . . An excellent book.” —Choice
Heralded for its readability and scholarship, The Fire in the Equations offers a fascinating discussion of scientific discoveries and their impact on our beliefs. The book’s title is derived from Dr. Stephen Hawking’s pondering, “What is it that breathes fire into the equations and makes a universe for them to describe?”
Originally published in the U.S. in 1995, it provides an excursion through new theories of quantum physics and cosmology, ranging from the nature of time, the big bang, the “unreasonable effectiveness” of mathematics, laws of nature, and their possible relation to God, chaos theory, black holes, Heisenberg’s uncertainty principle, particle physics, Darwin's theory of evolution, and the role of God in all these equations. It even raises such questions as “how God might answer prayers” from the point of view of physics.
While she gives no absolute answers, Kitty Ferguson takes the reader through a world of paradoxes and improbabilities, explaining how believing in a pre-determined universe and free will as a theory of human behavior is possible. She concludes that what we know about science doesn't necessarily make God inevitable, but does not rule God out either.
From Buddy Holly and the Crickets to the Flatlanders, Terry Allen, and Natalie Maines, Lubbock, Texas, has produced songwriters, musicians, and artists as prolifically as cotton, conservatives, and windstorms. While nobody questions where the conservatives come from in a city that a recent nonpartisan study ranked as America's second most conservative, many people wonder why Lubbock is such fertile ground for creative spirits who want to expand the boundaries of thought in music and art. Is it just that "there's nothing else to do," as some have suggested, or is there something in the character of Lubbock that encourages creativity as much as conservatism?
In this book, Christopher Oglesby interviews twenty-five musicians and artists with ties to Lubbock to discover what it is about this community and West Texas in general that feeds the creative spirit. Their answers are revealing. Some speak of the need to rebel against conventional attitudes that threaten to limit their horizons. Others, such as Joe Ely, praise the freedom of mind they find on the wide open plains. "There is this empty desolation that I could fill if I picked up a pen and wrote, or picked up a guitar and played," he says. Still others express skepticism about how much Lubbock as a place contributes to the success of its musicians. Jimmie Dale Gilmore says, "I think there is a large measure of this Lubbock phenomenon that is just luck, and that is the part that you cannot explain."
As a whole, the interviews create a portrait not only of Lubbock's musicians and artists, but also of the musical community that has sustained them, including venues such as the legendary Cotton Club and the original Stubb's Barbecue. This kaleidoscopic portrait of the West Texas music scene gets to the heart of what it takes to create art in an isolated, often inhospitable environment. As Oglesby says, "Necessity is the mother of creation. Lubbock needed beauty, poetry, humor, and it needed to get up and shake its communal ass a bit or go mad from loneliness and boredom; so Lubbock created the amazing likes of Jimmie Dale Gilmore, Butch Hancock, Terry Allen, and Joe Ely."
In a compelling history of the Jewish community in New York during four decades of mass immigration, Tony Michels examines the defining role of the Yiddish socialist movement in the American Jewish experience.
The movement, founded in the 1880s, was dominated by Russian-speaking intellectuals, including Abraham Cahan, Mikhail Zametkin, and Chaim Zhitlovsky. Socialist leaders quickly found Yiddish essential to convey their message to the Jewish immigrant community, and they developed a remarkable public culture through lectures and social events, workers’ education societies, Yiddish schools, and a press that found its strongest voice in the mass-circulation newspaper Forverts.
Arguing against the view that socialism and Yiddish culture arrived as Old World holdovers, Michels demonstrates that they arose in New York in response to local conditions and thrived not despite Americanization, but because of it. And the influence of the movement swirled far beyond the Lower East Side, to a transnational culture in which individuals, ideas, and institutions crossed the Atlantic. New York Jews, in the beginning, exported Yiddish socialism to Russia, not the other way around.
The Yiddish socialist movement shaped Jewish communities across the United States well into the twentieth century and left an important political legacy that extends to the rise of neoconservatism. A story of hopeful successes and bitter disappointments, A Fire in Their Hearts brings to vivid life this formative period for American Jews and the American left.
As she builds a lyric portrait of her own family, Oka interrogates how migration, economic exploitation, patriarchal violence, and a legacy of political repression shape the beauties and limitations of familial love and obligation. Woven throughout are speculative experiments that intervene in the popular apocalyptic narratives of our time with the wit of an unassimilable other.
Oka’s speakers mourn, labor, argue, digress, avenge, and fail, but they do not retreat. Born of conflicts public and private, this collection is for anyone interested in what it means to engage the multitudes within ourselves.
Sacred chants are Ada Franklin’s power and her medicine. By saying them, she can remove warts, stanch bleeding, and draw the fire from burns. At age twenty, her reputation as a faith healer defines her in her rural Pennsylvania community. But on the day in 1953 that her family’s barn is consumed by flame, her identity as a healer is upended. The heat, the roar of the blaze, and the bellows of the trapped cows change Ada. For the first time, she fears death and—for the first time—she doubts God. With her belief goes her power to heal. Then Ada meets an agnostic named Will Burk and his pet raven, Cicero.
Fire Is Your Water is acclaimed memoirist Jim Minick’s first novel. Built on magical realism and social observation in equal measure, it never gives way to sentimentality and provides an insider’s glimpse into the culture of Appalachia. A jealous raven, a Greek chorus of one, punctuates the story with its judgments on the characters and their actions, until a tragic accident brings Ada and Will together in a deeper connection.
Drawing on correspondence both between and within the Forest Service and the major timber industry associations, newspaper articles, articles from industry outlets, and policy documents from the late 1800s through the present, Hudson shows how the US forest industry, under the constraint of profitability, pushed the USFS away from private industry regulation and toward fire exclusion, eventually changing national forest policy into little more than fire policy.
More recently, the USFS has attempted to move beyond the policy of complete fire suppression. Interviews with public land managers in the Pacific Northwest shed light on the sources of the agency's struggles as it attempts to change the way we understand and relate to fire in the West.
Fire Management in the American West will be of great interest to environmentalists, sociologists, fire managers, scientists, and academics and students in environmental history and forestry.
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