Civil Service Law was first published in 1939. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The Effect of an Unconstitutional Statute was first published in 1935. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The essays collectively explore the shifting dynamics and power relations between the civic coalitions that pursue the Winter Olympics and the social movements that oppose their efforts. The contributors look at specific Games impacted by dissent and probe the issues that swirled around failed and withdrawn bids. In addition, contributions on the contemporary Olympics describe current or future bids while delving into the campaigns demanding host nations pay attention to economic, social, humanitarian, and environmental concerns.
A first-of-its-kind collection, Winters of Discontent profiles the wide range of activists and social movements that have organized against the Winter Olympics.
Until very recently, almost all books on infancy assumed basic infant immaturity. Remarkably, as Tiffany Field shows in her survey of recent research, investigators are discovering that infants possess sophisticated perceptual skills, such as hearing, even before birth. Newborns can sense touch and motion, discriminate tastes and smells, recognize their mother's voice, and imitate facial expressions. In fact, the newborn is an active learner, looking, reaching, sucking, and grimacing from its first moments in its new environment.
Field provides a readable account of our current knowledge about infant development. She looks at the emergence of sensorimotor and cognitive skills, which play an important role in social and emotional development in the months following birth as the infant experiences the world. In a chapter with important implications for working mothers, Field reviews the literature on infants in nursery and daycare programs, countering negative assessments with studies that show an enhancement of infants' social interaction in good care settings. In the concluding chapter, she pays particular attention to infants at risk because of disease (including AIDS), maternal drug use, prematurity, or maternal depression, and describes possible intervention strategies. The bibliography provides an invaluable summary of significant primary reference papers for professional researchers, students, and parents.
These eighteen essays span more than thirty years of Lavina Fielding Anderson’s concerns about and reflections on issues of inclusiveness in the Church of Jesus Christ of Latter-day Saints, including her own excommunication for “apostasy” in 1993, followed by twenty-five years of continued attendance at weekly LDS ward meetings. Written with a taste for irony and an eye for documentation, the essays are timeless snapshots of sometimes controversial issues, beginning with official resistance to professionally researched Mormon history in the 1980s. They underscore unanswered questions about gender equality and repeatedly call attention to areas in which the church does not live up to its better self. Compassionately and responsibly, it calls Anderson’s beloved religion back to its holiest nature.
Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image? An in-depth pictorial study of blind schoolchildren in Mexico, Look at me draws attention to (and distinctions between) the activity of sight and the consciousness of form.
Combining aspects of his earlier, acclaimed street work with an innovative approach to portraiture, Chicago-based photographer Jed Fielding has concentrated closely on these children’s features and gestures, probing the enigmatic boundaries between surface and interior, innocence and knowing, beauty and grotesque. Design, composition, and the play of light and shadow are central elements in these photographs, but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding’s sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative, joyful participation with the children, he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness.
Fielding’s work achieves what only great art, and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. Look at me contains more than sixty arresting images from which we often want to look away, but into which we are nevertheless drawn by their deep humanity and palpable tenderness. This is a monograph of uncommon significance by an important American photographer.
Despite declining stocks worldwide and increasing health risks, artisanal whaling remains a cultural practice tied to nature’s rhythms. The Wake of the Whale presents the art, history, and challenge of whaling in the Caribbean and North Atlantic, based on a decade of award-winning fieldwork.
Sightings of pilot whales in the frigid Nordic waters have drawn residents of the Faroe Islands to their boats and beaches for nearly a thousand years. Down in the tropics, around the islands of St. Vincent and the Grenadines, artisanal whaling is a younger trade, shaped by the legacies of slavery and colonialism but no less important to the local population. Each culture, Russell Fielding shows, has developed a distinct approach to whaling that preserves key traditions while adapting to threats of scarcity, the requirements of regulation, and a growing awareness of the humane treatment of animals.
Yet these strategies struggle to account for the risks of regularly eating meat contaminated with methylmercury and other environmental pollutants introduced from abroad. Fielding considers how these and other factors may change whaling cultures forever, perhaps even bringing an end to this way of life.
A rare mix of scientific and social insight, The Wake of the Whale raises compelling questions about the place of cultural traditions in the contemporary world and the sacrifices we must make for sustainability.
Publication of this book was supported, in part, by a grant from Furthermore: a program of the J. M. Kaplan Fund.
Female Gladiators is the first book to examine legal and social battles over the right of women to participate with men in contact sports. The impetus to begin legal proceedings was the 1972 enactment of Title IX, which prohibited discrimination in educational settings, but it was the Equal Protection Clause of the U.S. Constitution and the equal rights amendments of state constitutions that ultimately opened doors. Despite court rulings, however, many in American society resisted—and continue to resist—allowing girls in dugouts and other spaces traditionally defined as male territories.
Inspired, women and girls began to demand access to the contact sports which society had previously deemed too strenuous or violent for them to play. When the leagues continued to bar girls simply because they were not boys, the girls went to court. Sarah K. Fields's Female Gladiators is the only book to examine the legal and social battles over gender and contact sport that continue to rage today.
One of the most important theologians of the modern era, Karl Rahner is best known for his efforts to make Christianity credible in light of the intellectual questions of modern culture. Stephen M. Fields, SJ, now explains how Rahner developed his metaphysics as a creative synthesis of Thomism and the modern philosophical tradition. Focusing on Rahner's core concept of the Realsymbol, which posits all beings as symbolic, Fields establishes the place of the Realsymbol in philosophical theories of the symbol. He particularly concentrates on those key aspects of Rahner's metaphysics-his theories of finite realities and language—that have received insufficient attention.
By examining a wide range of Rahner's works in the context of twelve medieval, modern, and contemporary thinkers, Fields locates the origins of this seminal thinker's metaphysics to an extent never before attempted. He notes the correlations that exist between the Realsymbol and such work as Aquinas's theory of the sacraments, Goethe's and Hegel's dialectics, Moehler's view of religious language, and Heidegger's aesthetics.
Through this analysis, Fields reveals the structural core of Rahner's metaphysics and shows how art, language, knowledge, religious truth, and reality in general are all symbolic. Being as Symbol opens new perspectives on this important thinker and positions him in the broader spectrum of philosophical thought.
After World War II, American organizations launched efforts to improve the lives of foreign children, from war orphans in Europe and Japan to impoverished youth in the developing world. Providing material aid, education, and emotional support, these programs had a deep humanitarian underpinning. But they were also political projects. Sara Fieldston’s comprehensive account Raising the World shows that the influence of child welfare agencies around the globe contributed to the United States’ expanding hegemony. These organizations filtered American power through the prism of familial love and shaped perceptions of the United States as the benevolent parent in a family of nations.
The American Friends Service Committee, Foster Parents’ Plan, and Christian Children’s Fund, among others, sent experts abroad to build nursery schools and orphanages and to instruct parents in modern theories of child rearing and personality development. Back home, thousands of others “sponsored” overseas children by sending money and exchanging often-intimate letters. Although driven by sincere impulses and sometimes fostering durable friendships, such efforts doubled as a form of social engineering. Americans believed that child rearing could prevent the rise of future dictators, curb the appeal of communism, and facilitate economic development around the world.
By the 1970s, child welfare agencies had to adjust to a new world in which American power was increasingly suspect. But even as volunteers reconsidered the project of reshaping foreign societies, a perceived universality of children’s needs continued to justify intervention by Americans into young lives across the globe.
Surface Structure provides a complete and up-to-date exposition of a major variant of the Chomskian theory of language: the so-called Revised Extended Standard Theory. Robert Fiengo presents the theory in a clear and succinct way and shows how many of the leading ideas in the theory can be deepened and strengthened. It is Fiengo's central thesis that there is a syntactic level—surface structure—which constitutes the interface between syntactic, lexical, morphological and semantic components of the grammar. This thesis is defended across a broad range of problems in English grammar, resulting in a significant increase in the empirical coverage of the theory.
Although not a polemical work, Fiengo's book addresses many of the current controversies in linguistics and presents a rationale for guiding choices among competing theories. At a time when linguistic theories appear to be diverging in an explosive fashion, this lucid and current discussion is precisely what is needed.
Eskimo Essays introduces the reader to important aspects of the ideology and practice of the Yup’ik Eskimos of western Alaska, past and present. The essays point the way toward a fuller recognition of how Yup’ik Eskimos differ from the popular Western image of the Eskimo that was born largely without reference to Yup’ik reality. By describing the reality of Yup’ik life, Eskimo Essays extends our understanding of Esimos in general and Yup’ik Eskimos in particular.
Ann Fienup-Riordan argues that Western observers have simultaneously naturalized Eskimos as paragons of simplicity and virtue and Western imperialism. This process has often ignored Eskimo concepts of society, history, and personhood. An original assumption of similarity to Western society has profoundly affected the current Euro-American view of Eskimo history and action. Non-natives have taken an idealized Western individual, dressed that person up in polar garb, and then assumed they understood the garment’s maker. The result is a presentation of Eskimo society that often tells us more about the meaning we seek in our own. Moreover, modern Eskimos have risen to the challenge and to some extent become what we have made them.
Bridging the gap between informed scholarships and popular concepts, Fienup-Riordan provides a compelling and fresh presentation of Yup’ik life—cosmology, the missionary experience, attitudes toward conservation, Eskimo art, the legal system, warfare, and ceremonies.
Mission of Change is an oral history describing various types of change—political, social, cultural, and religious—as seen through the eyes of Father Astruc and Paul Dixon, non-Natives who dedicated their lives to working with the Yup’ik people. Their stories are framed by the an analytic history of regional changes, together with current anthropological theory on the nature of cultural change and the formation of cultural identity. The book presents a subtle and emotionally moving account of the region and the roles of two men, both of whom view issues from a Catholic perspective yet are closely attuned to and involved with changes in the Yup’ik community.
The Constitution has governed the United States since 1789, but many Americans are not aware of the structural rules that govern the oldest democracy in the world. Important public policy challenges require a knowledgeable, interested citizenry able to address the issues that represent the rich pageantry of American society. Issues such as climate change, national debt, poverty, pandemics, income inequality, and more can be addressed sufficiently if citizens play an active role in their own republic. Collectively, citizens are vulnerable to exploitation and manipulation if we place limits on our individual political knowledge. A more informed, engaged citizenry can best rise to the great policy challenges of contemporary society and beyond.
Brian L. Fife provides readers with essential information on all aspects of American politics, showing them how to use political knowledge to shape the future of the republic. Activist citizens are the key to making the United States a more vibrant democracy. Fife equips citizens and would-be citizens with the tools and understanding they need to engage fully in the political process. At the end of each chapter, he analyzes why citizenship matters and how citizens can use that chapter’s material in their own lives. Fife also provides readers with a citizen homework section that presents web links to further explore issues raised in each chapter.
Renowned as a great scholar, teacher, and legal historian, Frederic William Maitland (1850-1906) advanced the cause of legal history, opposing the idea that legal history was law and not history, yet believing in the advantage of legal training.
He was Downing Professor of Law at Cambridge, helped to found the Selden Society, and himself edited Henry de Bracton's Notebook and four Year Books of Edward II. With Sir Frederick Pollock he wrote the brilliant work that is still a standard, The History of English Law before the Time of Edward I. He edited Memoranda de Parliamento, and wrote Domesday Book and Beyond, Township and Borough, and Roman Canon Law as well as many papers on legal history and law. His lectures on Equity, on The Forms of Action at Common Law, and on Constitutional History of England were published after his death.
C. H. S. Fifoot has written this biography of Maitland with care and devotion in a style that is lucid and eloquent. He traces the origin and development of Maitland's works, using them to reveal the man himself and his qualities of mind and spirit. Mr. Fifoot places his subject in the context not only of his age, but also of his family and friends. He has drawn on Maitland's letters as well as unpublished letters of his friends, private papers, manuscripts, and recollections, much of which would otherwise have perished. The many quotations of Maitland he has incorporated are delightful and revealing.
This is a political biography of one of the 20th century’s most emblematic left-wing figures - Salvador Allende, who was president of Chile until he was ousted by General Pinochet in a US-supported coup in 1973.
Victor Figueroa Clark guides us through Allende's life and political project, answering some of the most frequently asked questions. Was he a revolutionary or a reformist? A bureaucrat or inspirational democrat? Clark argues that Allende and the Popular Unity Party created a unique fusion which was both revolutionary and democratic.
The process led by Allende was a symbol of hope for the left during his short time in power. Forty years on, and with left governments back in power across Latin America, this book looks back at the man and the process in order to draw vital lessons for the left in Latin America and around the world today.
Winner, MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies
Mapping literature from Spanish-speaking sub-Saharan African and Afro-Latinx Caribbean diasporas, Decolonizing Diasporas argues that the works of diasporic writers and artists from Equatorial Guinea, Puerto Rico, the Dominican Republic, and Cuba offer new worldviews that unsettle and dismantle the logics of colonial modernity. With women of color feminisms and decolonial theory as frameworks, Yomaira C. Figueroa-Vásquez juxtaposes Afro-Latinx and Afro-Hispanic diasporic artists, analyzing work by Nelly Rosario, Juan Tomás Ávila Laurel, Trifonia Melibea Obono, Donato Ndongo, Junot Díaz, Aracelis Girmay, Loida Maritza Pérez, Ernesto Quiñonez, Christina Olivares, Joaquín Mbomio Bacheng, Ibeyi, Daniel José Older, and María Magdalena Campos-Pons. Figueroa-Vásquez’s study reveals the thematic, conceptual, and liberatory tools these artists offer when read in relation to one another.
Decolonizing Diasporas examines how themes of intimacy, witnessing, dispossession, reparations, and futurities are remapped in these works by tracing interlocking structures of oppression, including public and intimate forms of domination, sexual and structural violence, sociopolitical and racial exclusion, and the haunting remnants of colonial intervention. Figueroa-Vásquez contends that these diasporic literatures reveal violence but also forms of resistance and the radical potential of Afro-futurities.
This study centers the cultural productions of peoples of African descent as Afro-diasporic imaginaries that subvert coloniality and offer new ways to approach questions of home, location, belonging, and justice.
The ethnographic focus is a former undocumented fish market that at one time employed both Portuguese and Cape Verdean women. Both groups eventually sought work in low-wage professions as maids, nannies, and restaurant-kitchen help. The visibility of poor Portuguese women as domestics was thought to undermine the appearance of Portuguese modernity; by contrast, the association of poor African women with domestic work confirmed it. Fikes argues that we can better understand how Portugal interpreted its economic absorption into the EU by attending to the different directions in which working-poor Portuguese and Cape Verdean women were routed in the mid-1990s and by observing the character of the new work relationships that developed among them. In Managing African Portugal, Fikes pushes for a study of migrant phenomena that considers not only how the enactment of citizenship by the citizen manages the migrant, but also how citizens are simultaneously governed through their uptake and assumption of new EU citizen roles.
Francesco Filelfo (1398–1481), one of the great scholar-poets of the Italian Renaissance, was the principal humanist working in Lombardy in the middle of the Quattrocento and served as court poet to the Visconti and Sforza dukes of Milan. His long life saw him as busy with politics, diplomacy, and intrigue as with literature and scholarship, leaving him very often on the run from rival factions—and even from hired assassins. The first Latin poet of the Renaissance to explore the expressive potential of Horatian meters, Filelfo adapted the traditions of Augustan literature to address personal and political concerns in his own day.
The Odes, completed in the mid-1450s, constitute the first complete cycle of Horatian odes since classical antiquity and are a major literary achievement. Their themes include war, just rule, love, exile, patronage, and friendship as well as topical subjects like the plague’s grim effects on Milan.
This volume is the first publication of the Latin text since the fifteenth century and the first translation into English.
These are the recollections of Alexandre—of his life, his death-in-life, and his ultimate death, as they are played out against the mobile tapestry of the valley where he was born. The valley itself, in the backlands of the state of Bahia, Brazil, alternates at different stages in Alexandre’s consciousness between reality and symbol. It swings from a harsh regional specificity to become the panorama of all human life, its endless, eroding wind the devouring hostility of all environments and its pain the pain of every human being in the face of his own brutality and that of others.
Throughout the novel Alexandre’s mind ranges from sharp awareness, through hallucination, to oblivion (“a man dies while alive,” says Jeronimo, his mentor), and back again as he experiences the violent, obtuse phenomena of life in the valley—his universe and ours. This latter-day Lazarus leaves the resisting hills and black sky once only, hounded by the valley dwellers who believe he has murdered his wife, her father, and her brother. Yet despite his awareness of the horror of the valley and his intuition of something beyond it, it is precisely his contact with the gentler existence to which he escapes that forces Alexandre to recognize his nature for what it is. Turning his back on a greater and more varied range of feeling and experience, he chooses the narrow ferocity of the valley, to which he returns to die the final death for which the earlier deaths have prepared him.
An eye-opening examination of the ties between American gun culture and white male supremacy from the American Revolution to today.
One-third of American adults—approximately 86 million people—own firearms. This is not just for protection or hunting. Although many associate gun-centric ideology with individualist and libertarian traditions in American political culture, Race, Rights, and Rifles shows that it rests on an equally old but different foundation. Instead, Alexandra Filindra shows that American gun culture can be traced back to the American Revolution when republican notions of civic duty were fused with a belief in white male supremacy and a commitment to maintaining racial and gender hierarchies.
Drawing on wide-ranging historical and contemporary evidence, Race, Rights, and Rifles traces how this ideology emerged during the Revolution and became embedded in America’s institutions, from state militias to the National Rifle Association (NRA). Utilizing original survey data, Filindra reveals how many White Americans —including those outside of the NRA’s direct orbit—embrace these beliefs, and as a result, they are more likely than other Americans to value gun rights over voting rights, embrace antidemocratic norms, and justify political violence.
As narrow, nationalist views of patriotic allegiance have become widespread and are routinely invoked to justify everything from flag-waving triumphalism to xenophobic bigotry, the concept of a nonnationalist patriotism has vanished from public conversation. Taking Liberties is a study of what may be called patriotism without borders: a nonnational form of loyalty compatible with the universal principles and practices of democracy and human rights, respectful of ethnic and cultural diversity, and, overall, open-minded and inclusive.
Moving beyond a traditional study of Polish dramatic literature, Halina Filipowicz turns to the plays themselves and to archival materials, ranging from parliamentary speeches to polemical pamphlets and verse broadsides, to explore the cultural phenomenon of transgressive patriotism and its implications for society in the twenty-first century.
In addition to recovering lost or forgotten materials, the author builds an innovative conceptual and methodological framework to make sense of those materials. The result is not only a significant contribution to the debate over the meaning and practice of patriotism, but a masterful intellectual history.
The subjects treated in this symposium have one major characteristic in common, that they have recently, or relatively recently, enjoyed high popularity among readers. Also, they have received from substantial to torrents of comment.
This detailed interpretive guide explains the forces that created Utah's unforgettable scenery, while providing road logs of highways and major backroads through the Grand Staircase of the Colorado Plateau.
Where in Utah can you find a fossilized ant hill that is at least fifty million years old? Do you know the location of an ancient beach that disappeared along with the dinosaurs that strolled it? Find out in The Geology of the Parks, Monuments, and Wildlands of Southern Utah.
This fascinating and authoritative guide belongs on the dashboard or in the backpack of every visitor to southern Utah or student of its natural history. More than sixty illustrations and nearly three dozen photographs accompany clear explanations of the spectacular geologic features of this landscape, including Capitol Reef, Bryce Canyon, and Zion National Parks, as well as the Grand Staircase-Escalante Monument.
Section I of the volume surveys chronologically the origins of the formations and structural features and the geologic processes that have shaped the Colorado Plateau. Section II provides road logs with mile-by-mile geologic descriptions of key sections of highway traversing this area.
This detailed interpretive guide turns any windshield into a window of opportunity for understanding the forces that created Utah’s unforgettable scenery—whether it be a breathtaking panorama or a dazzling array of fins and fractures, pillars and pedestals, or cliffs and chasms.
In American Waters is the catalog of an exhibition co-organized by Crystal Bridges Museum of American Art in Bentonville, Arkansas, and Peabody Essex Museum in Salem, Massachusetts.
The exhibition and this associated catalog invite visitors to discover the sea as an expansive way to reflect on American culture and environment, learn how coastal and maritime symbols moved inland across the United States, and question what it means to be “in American waters.” Work by Georgia O’Keeffe, Amy Sherald, Kay WalkingStick, Norman Rockwell, Hale Woodruff, Paul Cadmus, Thomas Hart Benton, Jacob Lawrence, Valerie Hegarty, Stuart Davis, and many others is included, along with essays from scholars, critics, and the curators.
The Ghost of Meter: Culture and Prosody in American Free Verse provides a new strategy for interpreting the ways in which metrical patterns contribute to the meaning of poems. Annie Finch puts forth the theory of "the metrical code," a way of tracing the changing cultural connotations of metered verse, especially iambic pentameter. By applying the code to specific poems, the author is able to analyze a writer's relation to literary history and to trace the evolution of modern and contemporary poetries from the forms that precede them.
Poet, translator, and critic Annie Finch is director of the Stonecoast low-residency MFA program at the University of Southern Maine. She is co-editor, with Kathrine Varnes, of An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art, and author of Calendars. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification.
Author bio:
Annie Finch, poet, editor, and critic, has published twenty books of poetry and poetics including Spells: New and Selected Poems, The Body of Poetry: Essays on Women, Form, and the Poetic Self, An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art, A Poet's Craft: A Comprehensive Guide to Making and Sharing Your Poetry, and The Ghost of Meter: Culture and Prosody in American Free Verse. Based in New York, Dr. Finch travels widely to teach and perform her poetry and is the founder of PoetryWitchCommunity.org, where she teaches poetry, meter, and more. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification.
Praise for Annie Finch
“A self-proclaimed ‘postmodern poetess,’ Annie Finch lives up to the moniker, presenting a simultaneously thorough and mercurial array of musings on poetics focusing on form and meter, remaining three beats ahead of the rank-and-file herd of traditional prosodists.”
—Art New England
For beginning or advanced students of poetry focused on the art of structuring a poem, A Poet’s Ear serves as a handbook to writing in numerous fixed forms. Here, Annie Finch’s remarkably in-depth introduction to poetic form in English opens a new and exciting world to contemporary poets. From the basic meters and traditional European forms of the ballad and the sonnet to poetic forms brought to English from worldwide cultures and postmodern forms and techniques, A Poet’s Ear serves as both a survey and a guide to the exploration of poetic form. More diverse and comprehensive than any other form handbook, A Poet’s Ear will be essential to the serious student of poetry.
Poet, translator, and critic Annie Finch is director of the Stonecoast low-residency MFA program at the University of Southern Maine. She is author of The Ghost of Meter: Culture and Prosody in American Free Verse, Eve, and Calendars. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification.
Kathrine Varnes teaches English at the University of Missouri-Columbia. She is the author of the book of poems, The Paragon. Her poems and essays have appeared in many books and journals.
In recent years, the work of Zakes Mda—novelist, painter, composer, theater director and filmmaker—has attracted worldwide critical attention. Gail Fincham’s book examines the five novels Mda has written since South Africa’s transition to democracy: Ways of Dying (1995), The Heart of Redness (2000), The Madonna of Excelsior (2002), The Whale Caller (2005), and Cion (2007). Dance of Life explores how refigured identity is rooted in Mda’s strongly painterly imagination that creates changed spaces in memory and culture. Through a combination of magic realism, African orature, and intertextuality with the Western canon, Mda rejects dualistic thinking of the past and the present, the human and the nonhuman, the living and the dead, the rural and the urban. He imbues his fictional characters with the power to orchestrate a reconfigured subjectivity that is simultaneously political, social, and aesthetic.
As Finchelstein explains, nacionalismo, the right-wing ideology that developed in Argentina, was not the wholesale imitation of Italian fascism that Mussolini wished it to be. Argentine nacionalistas conflated Catholicism and fascism, making the bold claim that their movement had a central place in God’s designs for their country. Finchelstein explores the fraught efforts of nationalistas to develop a “sacred” ideological doctrine and political program, and he scrutinizes their debates about Nazism, the Spanish Civil War, imperialism, anti-Semitism, and anticommunism. Transatlantic Fascism shows how right-wing groups constructed a distinctive Argentine fascism by appropriating some elements of the Italian model and rejecting others. It reveals the specifically local ways that a global ideology such as fascism crossed national borders.
A timely new look at coexisting without assimilating in multicultural cities
If city life is a “being together of strangers,” what forms of being together should we strive for in cities with ethnic and racial diversity? Everyday Equalities seeks evidence of progressive political alternatives to racialized inequality that are emerging from everyday encounters in Los Angeles, Melbourne, Sydney, and Toronto—settler colonial cities that, established through efforts to dispossess and eliminate indigenous societies, have been destinations for waves of immigrants from across the globe ever since.
Everyday Equalities finds such alternatives being developed as people encounter one another in the process of making a home, earning a living, moving around the city, and forming collective actions or communities. Here four leading scholars in critical urban geography come together to deliver a powerful and cohesive message about the meaning of equality in contemporary cities. Drawing on both theoretical reflection and urban ethnographic research, they offer the formulation “being together in difference as equals” as a normative frame to reimagine the meaning and pursuit of equality in today’s urban multicultures.
As the examples in Everyday Equalities indicate, much emotional labor, combined with a willingness to learn from each other, negotiate across differences, and agitate for change goes into constructing environments that foster being together in difference as equals. Importantly, the authors argue, a commitment to equality is not only a hope for a future city but also a way of being together in the present.
The Canals of Mars is a memoir that explores and ponders "weakness," which in Gary Fincke's family was the catch-all term for every possible human flaw-physical, psychological, or spiritual. Fincke grew up near Pittsburgh during the 1950s and 1960s, raised by blue-collar parents for whom the problems that beset people-from alcoholism to nearsightedness to asthma to fear of heights-were nothing but weaknesses.
In a highly engaging style, Fincke meditates on the disappointments he suffered-in his body, his mind, his work-because he was convinced that he had to be "perfect." Anything less than perfection was weakness and no one, he understood from an early age, wants to be weak.
Six of the chapters in the book have been cited in Best American Essays. The chapter that provides the book's title, The Canals of Mars, won a Pushcart Prize and was included in The Pushcart Book of Essays: The Best Essays from a Quarter Century of the Pushcart Prize.
Coal burns underground and destroys a small town. A woman confronts police officers with her pet copperheads. A young girl drinks Drano. A man is banned from his favorite bar.
Within these eleven short stories, Flannery O’Connor Award winner and poet Gary Fincke brings into focus the small struggles of ordinary people. The characters within this collection, from boys and girls to fathers, mothers, and the aging, live in cities, in towns, and in rural areas. Yet, no matter the surroundings, all seem alone within a collective anxiety. Set against extraordinary events, such as the Three Mile Island accident, the Challenger Disaster, and the Kennedy assassination, these stories personalize history through a juxtaposition between large and small tragedies and the unflinching desire to find insight within and redemption from weakness and shortcoming.The narratives throughout Gary Fincke’s sixth collection of short stories contain newsworthy events that are chronicled secondhand: the shooting of a policeman, the murder of a house flipper, the firing of a teacher for punching a violent student, the accidental drowning of a gay man in a flood, and a fire somewhat accidently set by a juvenile smoker in a school.
Despite these surprising events, the narrator of each story is an ordinary person caught up in the action but preoccupied by other things, whether zombie movies, collecting unusual words, the oddity of other people’s sexual habits, or what to do in retirement.
These shocking incidents become both central and peripheral to the narrative, as Fincke portrays the fluctuating emotions and self-protective reflections of fathers, sons, and husbands, creating a world where individuals rarely understand each other, yet still arrive at moments of compassion, tolerance, perseverance, and familial love.
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