Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the small Tuscan town of Borgo San Sepolcro in 1437–1444. Originally standing some six yards high, double-sided, with a splendid gilt frame over the main altar of the local Franciscan church, it was the Rolls Royce of early Renaissance painting. But its myriad figures and scenes tempted the collectors of the nineteenth and twentieth centuries, and today its disassembled panels can be found in twelve museums throughout Europe and the United States.

To produce this landmark volume, experts in art and general history, painting technique and conservation, woodworking, architecture, and liturgy have joined forces across the boundaries of eight different nations. A model of collaboration, it opens new windows onto the creative process of the artist as he confronted a late-medieval church at a crossroad of cultures, the miracle-working body of a holy man, and a community of Franciscan friars breathing the exhilarating air of reform. To confront such challenges, Sassetta raised the most spiritual school of early Italian art, the Sienese, to a higher level of understanding, grace, and splendor.

An NPR Favorite Book of the Year

“Breaks new ground on social and educational questions of great import.”
—Washington Post

“An essential work, humane and candid, that challenges and expands our understanding of the lives of contemporary college students.”
—Paul Tough, author of Helping Children Succeed

“Eye-opening…Brings home the pain and reality of on-campus poverty and puts the blame squarely on elite institutions.”
—Washington Post

“Jack’s investigation redirects attention from the matter of access to the matter of inclusion…His book challenges universities to support the diversity they indulge in advertising.”
—New Yorker

The Ivy League looks different than it used to. College presidents and deans of admission have opened their doors—and their coffers—to support a more diverse student body. But is it enough just to admit these students? In this bracing exposé, Anthony Jack shows that many students’ struggles continue long after they’ve settled in their dorms. Admission, they quickly learn, is not the same as acceptance. This powerfully argued book documents how university policies and campus culture can exacerbate preexisting inequalities and reveals why some students are harder hit than others.

This boldly original book explores the origins, meanings, and forms of women's aggression. Drawing from in-depth interviews with sixty women of different ages and ethnic and class backgrounds--police officers, attorneys, substance abusers, homemakers, artists--Dana Jack provides a rich account of how women explain (or explain away) their own hidden or actual acts of hurt to others. With sensitivity but without sentimentality, Jack gives readers a range of compelling stories of how women channel, either positively or destructively, their own powerful force and of how they resist and retaliate in the face of others' aggression in a society that expects women to be yielding, empathetic, and supportive.

Arguing that aggression arises from failures in relationships, Jack portrays the many forms that women's aggression can take, from veiled approaches used to resist, control, and take vengeance on others, to aggression that reflects despair, to aggression that may be a hopeful sign of new strength. Throughout the book, Jack shows the positive sides of aggression as women struggle with internal and external demons, reconnect with others, and create the courage to stand their ground. This work broadens our understanding of aggression as an interpersonal phenomenon rooted in societal expectations, and offers exciting new approaches for exploring the variations of this vexing human experience.

Dana Crowley Jack offers startling new insights into the roots of female depression as she illuminates why women are far more likely than men to suffer major depression in adulthood. Silencing the Self is the first sweeping overview of depression in women that draws on new understandings of the importance of relationships in women’s lives. Attending closely to what depressed women have to say about their lives, Jack reframes major concepts of depression, freeing them from traditional models that have restricted our ability to listen to women’s perspectives on depression.

Jack weaves these voices of depressed women directly into her discussion, providing new meanings to familiar themes: dependence, pleasing, anger, goodness, low self-esteem. These women clearly articulate a no-win, either/or tension in their lives, a tension between sacrificing their own needs in order to preserve a relationship and acting on their needs and feelings at the risk of losing the relationship. Their stories bring to light the “activity required to be passive”—the way women actively silence themselves in order to cultivate and maintain intimate relationships. To accommodate, they learn to censor themselves, to devalue their experience, to repress anger, to be silent. Examining moral themes in depressed women’s narratives, Jack demonstrates how internalized cultural expectations of feminine goodness affect women’s behavior in relationships and precipitate the plunge into depression. In a brilliant synthesis, Jack draws on myth and fairy tale for metaphors to further the understanding of depressed women.

Silencing the Self makes a major contribution to the psychology of women by drawing from the recent literature on women’s relational self and detailing its relevance to female depression. This insightful approach to the dynamic of female depression forges new pathways to self-change, therapy, and research.

Detectives work the streets--an arena of action, vice, lust, greed, aggression, and violence--to gather shards of information about who did what to whom. They also work the cumbersome machinery of the justice system--semi-military police hierarchies with their endless jockeying for prestige, procedure-driven district attorney offices, and backlogged courts--transforming hard-won street knowledge into public narratives of responsibility for crime. Street Stories, based on years of fieldwork with the New York City Police Department and the District Attorney of New York, examines the moral ambiguities of the detectives' world as they shuttle between the streets and a bureaucratic behemoth.

In piecing together street stories to solve intriguing puzzles of agency and motive, detectives crisscross the checkerboard of urban life. Their interactions in social strata high and low foster cosmopolitan habits of mind and easy conversational skills. And they become incomparable storytellers. This book brims with the truth-is-stranger-than-fiction violence of the underworld and tells about a justice apparatus that splinters knowledge, reduces life-and-death issues to arcane hair-splitting, and makes rationality a bedfellow of absurdity.

Detectives' stories lay bare their occupational consciousness--the cunning and trickery of their investigative craft, their self-images, moral rules-in-use, and judgments about the players in their world--as well as their personal ambitions, sensibilities, resentments, hopes, and fears. When detectives do make cases, they take satisfaction in removing predators from the streets and helping to ensure public safety. But their stories also illuminate dark corners of a troubled social order.

Four bullet-torn bodies in a drug-ridden South Bronx alley. A college boy shot in the head on the West Side Highway. A wild shootout on the streets of Washington Heights, home of New York City's immigrant Dominican community and hub of the eastern seaboard's drug trade. All seemingly separate acts of violence. But investigators discover a pattern to the mayhem, with links to scores of assaults and murders throughout the city.

In this bloody urban saga, Robert Jackall recounts how street cops, detectives, and prosecutors pieced together a puzzle-like story of narcotics trafficking, money laundering, and murders for hire, all centered on a vicious gang of Dominican youths known as the Wild Cowboys. These boyhood friends, operators of a lucrative crack business in the Bronx, routinely pistol-whipped their workers, murdered rivals, shot or slashed witnesses to their crimes, and eventually turned on one another in a deadly civil war. Jackall chronicles the crime-scene investigations, frantic car chases, street arrests at gunpoint, interviews with informants, and knuckle-breaking plea bargaining that culminated in prison terms for more than forty gang members.

But he also tells a cautionary tale--one of a society with irreconcilable differences, fraught with self-doubt and moral ambivalence, where the institutional logics of law and bureaucracy often have perverse outcomes. A society where the forces of order battle not just violent criminals but elites seemingly aligned with forces of disorder: community activists who grab any pretext to further narrow causes; intellectuals who romanticize criminals; judges who refuse to lock up dangerous men; federal prosecutors who relish nailing cops more than crooks; and politicians who pander to the worst of our society behind rhetorics of social justice and moral probity. In such an up-for-grabs world, whose order will prevail?

The African Hebrew Israelites of Jerusalem are often dismissed as a fringe cult for their beliefs that African Americans are descendants of the ancient Israelites and that veganism leads to immortality. But John L. Jackson questions what “fringe” means in a world where cultural practices of every stripe circulate freely on the Internet. In this poignant and sophisticated examination of the limits of ethnography, the reader is invited into the visionary, sometimes vexing world of the AHIJ. Jackson challenges what Clifford Geertz called the “thick description” of anthropological research through a multidisciplinary investigation of how the AHIJ use media and technology to define their public image in the twenty-first century.

Moving far beyond the “modest witness” of nineteenth-century scientific discourse or the “thick descriptions” of twentieth-century anthropology, Jackson insists that Geertzian thickness is an impossibility, especially in a world where the anthropologist’s subject is a self-aware subject—one who crafts his own autoethnography while critically consuming the ethnographer’s offerings. Thin Description takes as its topic a group situated along the fault lines of several diasporas—African, American, Jewish—and provides an anthropological account of how race, religion, and ethnographic representation must be understood anew in the twenty-first century lest we reenact old mistakes in the study of black humanity.

Through more than 150 striking and original images from the John Johnson Collection of Printed Ephemera at the Bodleian Library, Illustrating Empire tells the history of the British Empire from the age of discovery through World War II. This wealth of visual material was used to promote, record, and celebrate the development of the Empire, which by 1922 included more than thirteen million square miles—or almost a quarter of the Earth. The captions that accompany the illustrations reveal the narrative of the Empire and unlock the history and meaning behind the images. 

Following a general introduction that provides an overarching discussion of the many facets of the Empire’s long history, the book is structured around eight major themes: emigration and settlement; imperial authority; exploration and knowledge; trade and commerce; travel and communications; popular culture; exhibitions and jubilees; and politics. Along the way, Illustrating Empire examines the significance of media in conveying and creating ideas about empire and the non-European world. It also provides a clear summary of debates regarding the significance of empire in British culture. 

This informative and accessible visual history represents a significant contribution to the literature on culture and empire and will be an engaging and useful source of historical information for general readers and scholars alike.

Teaching Mindful Writers introduces new writing teachers to a learning cycle that will help students become self-directed writers through planning, practicing, revising, and reflecting. Focusing on the art and science of instructing self-directed writers through major writing tasks, Brian Jackson helps teachers prepare students to engage purposefully in any writing task by developing the habits of mind and cognitive strategies of the mindful writer.

Relying on the most recent research in writing studies and learning theory, Jackson gives new teachers practical advice about setting up writing tasks, using daily writing, leading class discussions, providing feedback, joining teaching communities, and other essential tools that should be in every writing teacher’s toolbox. Teaching Mindful Writers is a timely, fresh perspective on teaching students to be self-directed writers.

In the eyes of many white Americans, North and South, the Negro did not have a culture until the Emancipation Proclamation. With few exceptions, serious collecting of Negro folklore by whites did not begin until the Civil War—and it was to be another four decades before black Americans would begin to appreciate their own cultural heritage. Few of the earlier writers realized that they had observed and recorded not simply a manifestation of a particular way of life but also a product peculiarly American and specifically Negro, a synthesis of African and American styles and traditions.

The folksongs, speech, beliefs, customs, and tales of the American Negro are discussed in this anthology, originally published in 1967, of thirty-five articles, letters, and reviews from nineteenth-century periodicals. Published between 1838 and 1900 and written by authors who range from ardent abolitionist to dedicated slaveholder, these articles reflect the authors’ knowledge of, and attitudes toward, the Negro and his folklore. From the vast body of material that appeared on this subject during the nineteenth century, editor Bruce Jackson has culled fresh articles that are basic folklore and represent a wide range of material and attitudes. In addition to his introduction to the volume, Jackson has prefaced each article with a commentary. He has also supplied a supplemental bibliography on Negro folklore.

If serious collecting of Negro folklore had begun by the middle of the nineteenth century, so had exploitation of its various aspects, particularly Negro songs. By 1850 minstrelsy was a big business. Although Jackson has considered minstrelsy outside the scope of this collection, he has included several discussions of it to suggest some aspects of its peculiar relation to the traditional. The articles in the anthology—some by such well-known figures as Joel Chandler Harris, George Washington Cable, Thomas Wentworth Higginson, John Mason Brown, and Antonin Dvorak—make fascinating reading for an observer of the American scene. This additional insight into the habits of thought and behavior of a culture in transition—folklore recorded in its own context—cannot but afford the thinking reader further understanding of the turbulent race problems of later times and today.

Trundling along in essentially the same form for some 220 million years, turtles have seen dinosaurs come and go, mammals emerge, and humankind expand its dominion. Is it any wonder the persistent reptile bested the hare? In this engaging book physiologist Donald Jackson shares a lifetime of observation of this curious creature, allowing us a look under the shell of an animal at once so familiar and so strange.

Here we discover how the turtle’s proverbial slowness helps it survive a long, cold winter under ice. How the shell not only serves as a protective home but also influences such essential functions as buoyancy control, breathing, and surviving remarkably long periods without oxygen, and how many other physiological features help define this unique animal. Jackson offers insight into what exactly it’s like to live inside a shell—to carry the heavy carapace on land and in water, to breathe without an expandable ribcage, to have sex with all that body armor intervening.

Along the way we also learn something about the process of scientific discovery—how the answer to one question leads to new questions, how a chance observation can change the direction of study, and above all how new research always builds on the previous work of others. A clear and informative exposition of physiological concepts using the turtle as a model organism, the book is as interesting for what it tells us about scientific investigation as it is for its deep and detailed understanding of how the enduring turtle “works.”

No Texas Ranger memoir has captured the public's imagination like Joaquin Jackson's One Ranger. Readers thrilled to Jackson's stories of catching criminals and keeping the peace across a wide swath of the Texas-Mexico border—and clamored for more. Now in One Ranger Returns, Jackson reopens his case files to tell more unforgettable stories, while also giving readers a deeply personal view of what being a Texas Ranger has meant to him and his family.

Jackson recalls his five-year pursuit of two of America's most notorious serial killers, Henry Lee Lucas and Ottis Toole. He sets the record straight about the role of the Texas Rangers during the United Farm Workers strike in the Rio Grande Valley in 1966-1967. Jackson also describes the frustration of trying to solve a cold case from 1938—the brutal murder of a mother and daughter in the lonely desert east of Van Horn. He presents a rogue's gallery of cattle rustlers, drug smugglers, and a teetotaling bootlegger named Tom Bybee, a modest, likeable man who became an ax murderer. And in an eloquent concluding chapter, Jackson pays tribute to the Rangers who have gone before him, as well as those who keep the peace today.

When his picture appeared on the cover of Texas Monthly, Joaquin Jackson became the icon of the modern Texas Rangers. Nick Nolte modeled his character in the movie Extreme Prejudice on him. Jackson even had a speaking part of his own in The Good Old Boys with Tommy Lee Jones. But the role that Jackson has always played the best is that of the man who wears the silver badge cut from a Mexican cinco peso coin—a working Texas Ranger. Legend says that one Ranger is all it takes to put down lawlessness and restore the peace—one riot, one Ranger. In this adventure-filled memoir, Joaquin Jackson recalls what it was like to be the Ranger who responded when riots threatened, violence erupted, and criminals needed to be brought to justice across a wide swath of the Texas-Mexico border from 1966 to 1993.

Jackson has dramatic stories to tell. Defying all stereotypes, he was the one Ranger who ensured a fair election—and an overwhelming win for La Raza Unida party candidates—in Zavala County in 1972. He followed legendary Ranger Captain Alfred Y. Allee Sr. into a shootout at the Carrizo Springs jail that ended a prison revolt—and left him with nightmares. He captured "The See More Kid," an elusive horse thief and burglar who left clean dishes and swept floors in the houses he robbed. He investigated the 1988 shootings in Big Bend's Colorado Canyon and tried to understand the motives of the Mexican teenagers who terrorized three river rafters and killed one. He even helped train Afghan mujahedin warriors to fight the Soviet Union.

Jackson's tenure in the Texas Rangers began when older Rangers still believed that law need not get in the way of maintaining order, and concluded as younger Rangers were turning to computer technology to help solve crimes. Though he insists, "I am only one Ranger. There was only one story that belonged to me," his story is part of the larger story of the Texas Rangers becoming a modern law enforcement agency that serves all the people of the state. It's a story that's as interesting as any of the legends. And yet, Jackson's story confirms the legends, too. With just over a hundred Texas Rangers to cover a state with 267,399 square miles, any one may become the one Ranger who, like Joaquin Jackson in Zavala County in 1972, stops one riot.

This study may be the most sophisticated statistical study of legislative voting now in print. The author asks why legislators, especially U.S. senators, vote as they do. Are they influenced by their constituencies, party, committee leaders, the President? By taking a relatively short time span, the years 1961 to 1963, the author is able to give us answers far beyond any we have had before, and some rather surprising ones at that.

Constituencies played a different, but more important role in senators' voting than earlier studies have shown. Senators appeared to be responding both to the opinion held by their constituents on different issues and to the intensity with which these opinions were held. On the interrelation of constituencies and party, Mr. Jackson finds that Republicans and southern Democrats were particularly influenced by their voters.

The clearest cases of leadership influence were among the non-southern members of the Democratic Party. Western Republicans, on the other hand, rejected the leadership of party members for that of committee leaders. Finally, on Presidential leadership, Mr. Jackson shows that John F. Kennedy influenced senators only during the first two years of his administration. All of these findings challenge conventional wisdom and are bound to influence future work in legislative behavior.