Although language teacher preparation programs expose future teachers to a variety of approaches, methods, and techniques, the transition from training environments to real classrooms is not a straightforward one. Navigating the English Language Classroom is designed to bridge the gap between the highly theorized view of the language classroom presented in language teacher preparation programs and the first years of teaching. Written in accessible language and filled with principled pedagogical practices, the chapters can be integrated into any teacher training program. Novice K–12 and post-secondary teachers can turn to Navigating the English Language Classroom as a self-study resource to help them navigate the first few years in their classrooms. 

Each chapter offers context; a case study; common concerns; and concrete, research-based practices that link theory to practice in an easy-to-access manner. Readers will learn how to face several challenges, including:

• lesson planning and delivery
• classroom assessment
• integrating technology into the classroom
• using corpora in the classroom
• establishing a professional identity

The product of long-concealed FBI surveillance documents, Dangerous Friendship chronicles a history of Martin Luther King Jr. that the government kept secret from the public for years. The book reveals the story of Stanley Levison, a well-known figure in the Communist Party–USA, who became one of King’s closest friends and, effectively, his most trusted adviser. Levison, a Jewish attorney and businessman, became King’s pro bono ghostwriter, accountant, fundraiser, and legal adviser. This friendship, however, created many complications for both men. Because of Levison’s former ties to the Communist Party, FBI director J. Edgar Hoover launched an obsessive campaign, wiretapping, tracking, and photographing Levison relentlessly. By association, King was labeled as “a Communist and subversive,” prompting then–attorney general Robert F. Kennedy to authorize secret surveillance of the civil rights leader. It was this effort that revealed King’s sexual philandering and furthered a breakdown of trust between King, Robert F. Kennedy, and eventually President John F. Kennedy. With stunning revelations, this book exposes both the general attitude of the U.S. government toward the privacy rights of American citizens during those difficult years as well as the extent to which King, Levison, and many other freedom workers were hounded by people at the very top of the U.S. security establishment.

Rabbi Ben Kamin has written a definitive personal expression about race, coming of age in the 1960s, a forbidden friendship, and his personal love for Dr. Martin Luther King Jr. This is a story that spans a four-decade search for a lost high school chum, a deep misunderstanding, and a coming to terms with an America painfully evolving from the blood of MLK to the promise of Barack Obama.
     The book is a remembrance of Kamin's life at Cincinnati's notorious Woodward High School, a microcosm of the 1960s and of America itself, as well as detailing Kamin's search-for Clifton, for America, for the key to understanding what race relations really are in the United States. Simultaneously, it is the story of the emerging rabbi's search for the legacy of his spiritual mentor, Dr. Martin Luther King Jr., taking Kamin from Cincinnati to Cleveland to Memphis to New Orleans and other points, and constantly bringing him home to his friend Clifton and "the heaving hallways" of that high school.

For more than twenty years now, Blair Kamin of the Chicago Tribune has explored how architecture captures our imagination and engages our deepest emotions. A winner of the Pulitzer Prize for criticism, Kamin treats his subjects not only as works of art but also as symbols of the cultural and political forces that inspire them. Terror and Wonder gathers the best of Kamin’s writings from the past decade along with new reflections on an era framed by the destruction of the World Trade Center and the opening of the world’s tallest skyscraper.

Assessing ordinary commercial structures as well as head-turning designs by some of the world’s leading architects, Kamin paints a sweeping but finely textured portrait of a tumultuous age torn between the conflicting mandates of architectural spectacle and sustainability. For Kamin, the story of our built environment over the past ten years is, in tangible ways, the story of the decade itself. Terror and Wonder considers how architecture has been central to the main events and crosscurrents in American life since 2001: the devastating and debilitating consequences of 9/11 and Hurricane Katrina; the real estate boom and bust; the use of over-the-top cultural designs as engines of civic renewal; new challenges in saving old buildings; the unlikely rise of energy-saving, green architecture; and growing concern over our nation’s crumbling infrastructure.

A prominent cast of players—including Santiago Calatrava, Frank Gehry, Helmut Jahn, Daniel Libeskind, Barack Obama, Renzo Piano, and Donald Trump—fills the pages of this eye-opening look at the astounding and extraordinary ways that architecture mirrors our values—and shapes our everyday lives.

For more than a decade, Pulitzer Prize-winning Chicago Tribune architecture critic Blair Kamin has been writing fiery, intelligent essays on the state of contemporary architecture. His subjects range from high-rises to highways, parks to public housing, Frank Lloyd Wright to Frank Gehry. Why Architecture Matters collects the best of Kamin's acclaimed columns, offering both a look at America's foremost architectural city and a taste of Kamin's penetrating, witty style of critique.

Winner, 2014 AWSS Best Book in Slavic/East European/Eurasian Women's Studies

In Russian culture, the archetypal mother is noble and self-sacrificing. In Women with a Thirst for Destruction, however, Jenny Kaminer shows how this image is destabilized during periods of dramatic rupture in Russian society, examining in detail the aftermath of three key moments in the country’s history: the emancipation of the serfs in 1861, the Russian Revolution of 1917, and the fall of the Communist regime in 1991. She explores works both familiar and relatively unexamined: Leo Tolstoy’s Anna Karenina, Mikhail Saltykov-Shchedrin’s The Golovlev Family, Fyodor Gladkov’s Cement, and Liudmila Petrushevskaia’s The Time: Night, as well as a late Soviet film (Vyacheslav Krishtofovich’s Adam’s Rib, 1990) and media coverage of the Chechen conflict. Kaminer’s book speaks broadly to the mutability of seemingly established cultural norms in the face of political and social upheaval.

From an Eastern nation on the global periphery to a European neoliberal democracy enmeshed in transnational networks, Poland has experienced a dramatic transformation in the last century. Polish Media Art in an Expanded Field uses the lens—and mirror—of media art to think through the politics of a postsocialist “New Europe,” where artists are negotiating the tension between global cosmopolitanism and national self-enfranchisement. Situating Polish media art practices in the context of Poland’s aesthetic traditions and political history, Aleksandra Kaminska provides an important contribution to site-specific histories of media art. Polish Media Art demonstrates how artists are using and reflecting upon technology as a way of entering into larger civic conversations around the politics of identity, place, citizenship, memory, and heritage. Building on close readings of artworks that serve as case studies, as well as interviews with leading artists, scholars, and curators, this is the first full-length study of Polish media art.

Born in 1755 on a small Caribbean island to unmarried parents, Alexander Hamilton did not enjoy the privileges of wealth or heredity by which so many of his contemporaries advanced to the highest levels of power. Yet Hamilton's natural ability and ambition earned him prevailing influence in the American Revolution and the government created thereafter, eventually securing his place in the pantheon of America's founders.

Editor John P. Kaminski has gathered a remarkable collection of quotations by and about Alexander Hamilton that paint for us a nuanced portrait of a complex man. Through his own words and the words of his contemporaries -- including the man who killed him in a duel, Aaron Burr -- we can gain a better understanding of this fascinating man who rose from anonymity on a small Caribbean island to the corridors of power.

Perhaps no other person could ever achieve the preeminent position in American history and culture occupied by George Washington. Born in 1732, Washington’s life–long commitment to self-improvement and discipline helped him become a legend in his own lifetime. Whether as a statesman, military man, or America’s first president, Washington created a legacy that has scarcely diminished in over two centuries. Yet the passage of time and the superlatives reserved for Washington have knit together and made it difficult to find the real man. Historian and editor John P. Kaminski has amassed an extraordinary body of quotations by and about George Washington that brings us closer to the essence of this great leader. This collection paints an intricate picture of the man who Henry 'Lighthorse' Lee of Virginia eulogized as: "First in war, first in peace, first in the hearts of his countrymen."

A Word Portrait of an American Founder.

America has had few political thinkers who have rivalled James Madison. The son of a wealthy planter, Madison was an unhealthy child and was beset by physical infirmities throughout his long life, and grew into a cerebral man. Madison left Virginia to attend the College of New Jersey, but returned to his native state after completing his studies. Though he aspired to be a college professor, Madison instead went into public service and became one of the most influential, guiding voices of the Founding Era. Madison’s Virginia Plan would be used as a blueprint for the Constitutional Convention, where the Articles of Confederation would be replaced with a new Constitution that bore traces of Madison’s influence throughout. 

Editor John Kaminski has gathered a remarkable collection of quotations by and about James Madison for the third installment of his Word Portraits of America’s Founders series. Through these words by and about Madison, we learn more about one of the country’s most influential Founding Fathers, who held a lifelong commitment to liberty and opposed oppression.
 

This is the third and final volume documenting Rhode Island's public and private debates about the Constitution. This documentary series is a research tool of remarkable power, an unrivaled reference work for historical and legal scholars, librarians, and students of the Constitution. The volumes are encyclopedic, consisting of manuscript and printed documents-contemporary newspapers, broadsides, and pamphlets-compiled from hundreds  of sources, copiously annotated, thoroughly indexed, and often accompanied  by microfiche supplements.
 Pulitzer Prize-winning historian Michael Kammen has noted that The Documentary History of the Ratification of the Constitution series "will be of enduring value centuries hence" and described it as "one of the most interesting documentary publications we have ever had."  The American Bar Association Journal has stated, "Each new volume now fills another vital part of the mosaic of national history."

This is the fifth and final volume documenting New York State's ratification of the Constitution. This particular volume includes the complete record of the state ratifying convention. In addition to the official journal and the proceedings and debates of the convention, the volume contains many documents never before published, including the voluminous notes of the secretary of the convention and several of the convention delegates, the correspondence of delegates and spectators at the convention, and the rich newspaper commentaries describing the day-by-day events in the convention. For the first time, historians will be able to see how the New York convention - dominated by a two-thirds majority of Antifederalists - came to adopt the Constitution. This documentary series is a research tool of remarkable power, an unrivaled work for historical and legal scholars, librarians, and students of the Constitution.

This is the first of three volumes documenting Rhode Island's public and private debates about the Constitution. This documentary series is a research tool of remarkable power, an unrivaled reference work for historical and legal scholars, librarians, and students of the Constitution. The volumes are encyclopedic, consisting of manuscript and printed documents-contemporary newspapers, broadsides, and pamphlets-compiled from hundreds  of sources, copiously annotated, thoroughly indexed, and often accompanied  by microfiche supplements.  Pulitzer Prize-winning historian Michael Kammen has noted that The Documentary History of the Ratification of the Constitution series "will be of enduring value centuries hence" and described it as "one of the most interesting documentary publications we have ever had."  The American Bar Association Journal has stated, "Each new volume now fills another vital part of the mosaic of national history."

This is the second of three volumes documenting Rhode Island's public and private debates about the Constitution. This documentary series is a research tool of remarkable power, an unrivaled reference work for historical and legal scholars, librarians, and students of the Constitution. The volumes are encyclopedic, consisting of manuscript and printed documents-contemporary newspapers, broadsides, and pamphlets-compiled from hundreds  of sources, copiously annotated, thoroughly indexed, and often accompanied  by microfiche supplements.
 Pulitzer Prize-winning historian Michael Kammen has noted that The Documentary History of the Ratification of the Constitution series "will be of enduring value centuries hence" and described it as "one of the most interesting documentary publications we have ever had."  The American Bar Association Journal has stated, "Each new volume now fills another vital part of the mosaic of national history."

This is the first of two volumes documenting Maryland’s public and private debates about the Constitution. This documentary series is a research tool of remarkable power, an unrivaled reference work for historical and legal scholars, librarians, and students of the Constitution.

This is the first of two volumes documenting Maryland’s public and private debates about the Constitution. This documentary series is a research tool of remarkable power, an unrivaled reference work for historical and legal scholars, librarians, and students of the Constitution.

Poetry and prose by Spanish women presented here in both English and Spanish.

A dazzling sampler, Water Lilies brings to light a rich and until now largely invisible version of Spanish literary history. These hard-to-find works, most translated for the first time, are printed on facing pages in Spanish and English and located within a critical, biographical, and historical overview.

Here are five centuries of writing by Spanish women, the unknown recovered from obscurity, the well-known seen as they rarely have been-in the context of a women’s literary history. Some of these writers, like Rosalía de Castro in “The Bluestockings” and Teresa de Cartagena in Wonder at the Work of God, question the relationship between the woman writer and the act of writing. Some, like the poet Carolina Coronado in “The Twin Geniuses: Sappho and Saint Teresa of Jesus,” overtly seek a literary tradition. Others, like Saint Teresa in her Life and Luisa Sigea in her poetry, provide touchstones for women in search of such a tradition.Legends and stories of women’s friendships, the inconstancy of men, and the love of God; Spain’s first autobiographical text; secular and religious poetry from medieval through recent times; an excerpt from one of the few chivalresque novels written by a woman; a full-length Golden Age comedia: this is the wide range of works Water Lilies comprises. Brought together for the first time, the writers articulate their resistance to, and their complicity in, a literary history that, until now, has tried to exclude them.

Poetry. Winner of the 2002 Dorset Prize, and recipient of the Ruth Lilly Fellowship, Ilya Kaminsky is a recent Russian immigrant and rising poetic star. Despite the fact that he is a non-native speaker, Kaminksy's sense of rhythm and lyic surpasses that of most contemporary poets in the English language. This magical, musical book of poems draws readers into its unforgettable heart, and Carolyn Forché wrties simply "I'm in awe of his gifts."

Editors Ilya Kaminsky and Katherine Towler have gathered conversations with nineteen of America’s leading poets, reflecting upon their diverse experiences with spirituality and the craft of writing. Bringing together poets who are Christian, Buddhist, Jewish, Muslim, Pagan, Native American, Wiccan, agnostic, and otherwise, this book offers frank and thoughtful consideration of themes too often polarized and politicized in our society. Participants include Li-Young Lee, Jane Hirshfield, Carolyn Forché, Gerald Stern, Christian Wiman, Joy Harjo, and Gregory Orr, and others, all wrestling with difficult questions of human existence and the sources of art.

Some women attack and harm men who abuse them. Social norms, law, and films all participate in framing these occurrences, guiding us in understanding and judging them. How do social, legal, and cinematic conventions and mechanisms combine to lead us to condemn these women or exonerate them? What is it, exactly, that they teach us to find such women guilty or innocent of, and how do they do so?

Through innovative readings of a dozen movies made between 1928 and 2001 in Europe, Japan, and the United States, Orit Kamir shows that in representing “gender crimes,” feature films have constructed a cinematic jurisprudence, training audiences worldwide in patterns of judgment of women (and men) in such situations. Offering a novel formulation of the emerging field of law and film, Kamir combines basic legal concepts—murder, rape, provocation, insanity, and self-defense—with narratology, social science methodologies, and film studies.

Framed not only offers a unique study of law and film but also points toward new directions in feminist thought. Shedding light on central feminist themes such as victimization and agency, multiculturalism, and postmodernism, Kamir outlines a feminist cinematic legal critique, a perspective from which to evaluate the “cinematic legalism” that indoctrinates and disciplines audiences around the world. Bringing an original perspective to feminist analysis, she demonstrates that the distinction between honor and dignity has crucial implications for how societies construct women, their social status, and their legal rights. In Framed, she outlines a dignity-oriented, honor-sensitive feminist approach to law and film.

Following World War II the American government and philanthropic foundations fundamentally remade American universities into sites for producing knowledge about the world as a collection of distinct nation-states. As neoliberal reforms took hold in the 1980s, visions of the world made popular within area studies and international studies found themselves challenged by ideas and educational policies that originated in business schools and international financial institutions. Academics within these institutions reimagined the world instead as a single global market and higher education as a commodity to be bought and sold. By the 1990s, American universities embraced this language of globalization, and globalization eventually became the organizing logic of higher education. In Making the World Global Isaac A. Kamola examines how the relationships among universities, the American state, philanthropic organizations, and international financial institutions created the conditions that made it possible to imagine the world as global. Examining the Center for International Studies, Harvard Business School, the World Bank, the Social Science Research Council, and NYU, Kamola demonstrates that how we imagine the world is always symptomatic of the material relations within which knowledge is produced.

Is there evidence of children in the archaeological record? Some would answer no, that "subadults" can only be distinguished when there is osteological confirmation. Others might suggest that the reason children don’t exist in prehistory is because no one has looked for them, much as no one had looked for women in the same context until recently.

Focusing on the Southwest, contributors to this volume attempt to find some of those children, or at least show how they might be found. They address two issues: what was the cultural construction of childhood? What were childrens' lives like?

Determining how cultures with written records have constructed childhood in the past is hard enough, but the difficulty is magnified in the case of ancient Puebloan societies. The contributors here offer approaches from careful analysis of artifacts and skeletal remains to ethnographic evidence in rock art. Topics include ceramics and evidence of child manufacture and painting, cradleboards, evidence of child labor, and osteological evidence of health conditions.
 

Stephen Kampa’s poems are witty and restless in their pursuit of an intelligent modern faith. They range from a four-line satire of office inspirational posters to a lengthy meditation on the silence of God. The poems also revel in the prosodic possibilities of English’shigh and low registers: a twenty–one line homageto Lord Byron that turns on three rhymes (one of which is “eisegesis”); a sestina whose end words include “sentimental,” “Marseilles,” and “Martian;” sapphics on the death of Ray Charles; and intricately modulated stanzas on the 1931 Spanish–language movie version of Dracula.

Despite the metaphysical seriousness, there is alwaysan undercurrent of stylistic levity — a panoply of puns, comic rhymes, and loving misquotations of canonical literature — that suggests comedy and tragedy are inextricably bound in human experience.

This book presents a critical application of semiotic models to Greek tragic space. It thus reappraises certain aspects of the tragic texts themselves by illuminating the semantics of space, that is, the ways in which space may contribute to the creation of meaning. After the formulation of a working model appropriate to the examination of space in Greek tragedy, an analysis of the proposed categories of tragic space follows. The architectural space of tragedy is then examined with particular reference to the ways in which it finds expression in the Theatre of Dionysus in Athens. Drawing widely on the works of Aeschylus, Sophocles and Euripedes, the focus turns to the interactions between the proposed categories of tragic space.

The modern political tumult of Nicaragua includes revolution, dictatorship, and social movements. LGBTQ Politics in Nicaragua explores the untold stories of the LGBTQ community of Nicaragua and its role in the recent political history of the country.

Karen Kampwirth is a renowned scholar of the Nicaraguan Revolution, who has been writing at the intersection of gender and politics for decades. In this chronological telling of the last fifty years of political history in Nicaragua, Kampwirth deploys a critical new lens: understanding politics from the perspective of the country’s LGBTQ community. Kampwirth details the gay and lesbian guerrillas in the 1960s and 1970s, Nicaragua’s first openly gay television wizard in the 1980s, and the attempts by LGBTQ revolutionaries to create a civil rights movement and the subsequent squashing of that movement by the ruling Sandinista party. She analyzes the shifting political alliances, the rise of strong feminist and LGBTQ movements in Nicaragua, and the attempts by the administration of Daniel Ortega to co-opt and control these movements.

Ultimately, this is a story of struggle and defeat, progress and joy. This timely book provides a well-documented review of LGBTQ politics in modern Nicaragua, helping us to see the Sandinista Revolution and its ongoing aftermath in a new light.
 

In many Latin American countries, guerrilla struggle and feminism have been linked in surprising ways. Women were mobilized by the thousands to promote revolutionary agendas that had little to do with increasing gender equality. They ended up creating a uniquely Latin American version of feminism that combined revolutionary goals of economic equality and social justice with typically feminist aims of equality, nonviolence, and reproductive rights.

Drawing on more than two hundred interviews with women in Nicaragua, El Salvador, and the Mexican state of Chiapas, Karen Kampwirth tells the story of how the guerrilla wars led to the rise of feminism, why certain women became feminists, and what sorts of feminist movements they built. Feminism and the Legacy of Revolution: Nicaragua, El Salvador, Chiapas explores how the violent politics of guerrilla struggle could be related to the peaceful politics of feminism. It considers the gains, losses, and internal conflicts within revolutionary women’s organizations.

Feminism and the Legacy of Revolution challenges old assumptions regarding revolutionary movements and the legacy of those movements for the politics of daily life. It will appeal to a broad, interdisciplinary audience in political science, sociology, anthropology, women’s studies, and Latin American studies as well as to general readers with an interest in international feminism.

Where does the university begin and the "outside" end? How has literature become established as a separate domain within the university? Demonstrating that these questions of division are intricately related, Peggy Kamuf explores the space that the university devotes to the study of literature.

Kamuf begins by analyzing the complex history of literary study within the modern university, critically reading developments from the French Revolution through the nineteenth century and beyond in Europe. She then turns to one of the most troubling works in the American literary canon—Melville's The Confidence-Man—to show how academic literary history has avoided confronting the implications of works in which meaning is never solely confined within a past. By engaging a future readership to which it applies for credit, Kamuf argues, literature cannot serve as a stable object of study. It locates, rather, a site of "the university in deconstruction."

Ranging from disciplinary histories of literature to our current culture wars, Kamuf offers a fascinating critique of academic literary study.

Fresh water has become scarce and will become even more so in the coming years, as continued population growth places ever greater demands on the supply of fresh water. At the same time, options for increasing that supply look to be ever more limited. No longer can we rely on technological solutions to meet growing demand. What we need is better management of the available water supply to ensure it goes further toward meeting basic human needs. But better management requires that we both understand the history underlying our current water regulation regime and think seriously about what changes to the law could be beneficial.

For Golden Rules, Mark Kanazawa draws on previously untapped historical sources to trace the emergence of the current framework for resolving water-rights issues to California in the 1850s, when Gold Rush miners flooded the newly formed state. The need to circumscribe water use on private property in support of broader societal objectives brought to light a number of fundamental issues about how water rights ought to be defined and enforced through a system of laws. Many of these issues reverberate in today’s contentious debates about the relative merits of government and market regulation. By understanding how these laws developed across California’s mining camps and common-law courts, we can also gain a better sense of the challenges associated with adopting new property-rights regimes in the twenty-first century.

Kandel's memoir is a powerful picture of a young American woman's struggle to reconcile her new marriage with the realities of living in East Africa.

Newly-wed Kandel and her Dutch husband move to Zambia, living in a village so remote it takes an eight-hour canoe ride to reach.

In Migrant Sites, Dalia Kandiyoti presents a compelling corrective to the traditional immigrant and melting pot story. This original and wide-ranging study embraces Jewish, European, and Chicana/o and Puerto Rican literatures of migration and diasporization through the literary works of Abraham Cahan, Willa Cather, Estela Portillo Trambley, Sandra Cisneros, Piri Thomas, and Ernesto Quiñonez. The author offers a transformed understanding of the ways in which the sense of place shapes migration imaginaries in U.S. writing. Place is a crucial category, one that along with race, class, and gender, has a profound impact in shaping migration and diaspora identities and storytelling. Migrant Sites highlights enclosure as a prominent sense of place and translocality as its counterpart in diaspora experiences created in fiction. Repositioning national literature as diaspora literature, the author shows that migrant legacies such as colonialism, empire, borders, containment, and enclosure are part of the American story and constitute the “diaspora sense of place.”

These days, we take for granted that our computer screens—and even our phones—will show us images in vibrant full color. Digital color is a fundamental part of how we use our devices, but we never give a thought to how it is produced or how it came about.
           
Chromatic Algorithms reveals the fascinating history behind digital color, tracing it from the work of a few brilliant computer scientists and experimentally minded artists in the late 1960s and early ‘70s through to its appearance in commercial software in the early 1990s. Mixing philosophy of technology, aesthetics, and media analysis, Carolyn Kane shows how revolutionary the earliest computer-generated colors were—built with the massive postwar number-crunching machines, these first examples of “computer art” were so fantastic that artists and computer scientists regarded them as psychedelic, even revolutionary, harbingers of a better future for humans and machines. But, Kane shows, the explosive growth of personal computing and its accompanying need for off-the-shelf software led to standardization and the gradual closing of the experimental field in which computer artists had thrived.
           
Even so, the gap between the bright, bold presence of color onscreen and the increasing abstraction of its underlying code continues to lure artists and designers from a wide range of fields, and Kane draws on their work to pose fascinating questions about the relationships among art, code, science, and media in the twenty-first century.

By the mid-1960s, New American poets and Underground filmmakers had established a vibrant community. Allen Ginsberg, John Ashbery, Robert Duncan, Robert Creeley, and Frank O’Hara joined Kenneth Anger, Stan Brakhage, Robert Frank, Alfred Leslie, and Andy Warhol to hang out, make films, read poems, fight censorship, end racism, and shut down the Vietnam War. Their personal, political, and artistic collaborations led them to rethink the moving picture and the lyric, resulting in an extraordinary profusion of poetry/film hybrids.

Drawing on unpublished correspondences and personal interviews with key figures in the innovative poetry and film communities, Daniel Kane’s stunningly erudite and accessible work not only provides a fresh look at avant-garde poetry and film but also encourages readers to rethink the artistic scenes of the 1960s and today. We Saw the Light will reframe the very way we talk about how film influences poetry and force us to think anew about the radical ways in which art is created and in turn influences subsequent work.

In Conspicuous Bodies: Provincial Belief and the Making of Joyce and Rushdie, Jean Kane re-examines the literature of James Joyce and Salman Rushdie from a post-secularist perspective, arguing that their respective religions hold critical importance in their works. Though Joyce and Rushdie were initially received as cosmopolitans, both authors subsequently reframed their public images and aligned themselves instead with a provincial religious identity, which emphasized the interconnections between religious devotion and embodiment. At the same time, both Joyce and Rushdie managed to resist the doctrinal content of their religions.
 
Conspicuous Bodies presents Joyce as a founder and Rushdie as an inheritor of a distinctive discourse of belief about the importance of physical bodies and knowledge in religious practice. In doing so, it moves the reception of Joyce and Rushdie away from what previous critics have emphasized—away from questions of aesthetics and from  a narrow understanding of belief—and instead questions the assumption that belief should be segregated from matters of physicality and knowledge. Kane reintroduces the concept of spiritual embodiment in order to expand our understanding of what counts as spiritual agency in non-western and minority literatures.

This collection of poetry is inspired by the author’s lineage as an Iñupiaq Eskimo woman with family from King Island and Mary’s Igloo, Alaska. The poems’ syncopated cadences and evocative images bring to life the exceptional physical and cultural conditions of the Arctic and sub-Arctic that have been home to her ancestors for tens of thousands of years, while the poems’ speakers refer to an indigenous identity that has become increasingly plural.

The author’s perspective as a Native person affords her unique insight into the relationship with place and self, which she applies in her consideration of the arctic landscape and to questions of adaptation and resilience. Kane’s work refers to the Inupiaq oral tradition, and while in some poems she continues to revisit, rewrite, and revise traditional narratives that are suited to the lyric form, she moves beyond narrative retelling, honoring the legacy of imagination that has sustained Inupiaq people for millennia.

Winner of the 2012 Donald Hall Prize in Poetry
Selected by Arthur Sze

Hyperboreal originates from diasporas. It attempts to make sense of change and to prepare for cultural, climate, and political turns that are sure to continue. The poems originate from the hope that our lives may be enriched by the expression of and reflection on the cultural strengths inherent to indigenous culture. It concerns King Island, the ancestral home of the author's family until the federal government's Bureau of Indian Affairs forcibly and permanently relocated its residents. The poems work towards the assembly of an identity, both collective and singular, that is capable of looking forward from the recollection and impact of an entire community's relocation to distant and arbitrary urban centers. Through language, Hyperboreal grants forum to issues of displacement, lack of access to traditional lands and resources and loss of family that King Island people—and all Inuit—are contending with.

Milk Black Carbon works against the narratives of dispossession and survival that mark the contemporary experience of many indigenous people, and Inuit in particular. In this collection, autobiographical details – motherhood, marriage, extended family and its geographical context in the rapidly changing arctic – negotiate arbitrary landscapes of our perplexing frontiers through fragmentation and interpretation of conventional lyric expectations.

Arranged in four parts--each associated with a particular Louisiana city--the poems in Rhythm & Booze trace the hardships and uncertainties, as well as the moments of unexpected sublimity, of a life lived in a continuous struggle between fresh starts and destructive old patterns.
 
Mirroring the music of New Orleans, Kane's poems combine traditional form with improvisational flourishes. Rhythm & Booze charts her progress as she undertakes a number of journeys, from youth to experience, from blues bars to college classrooms, from city to country, from chaos to something approaching peace.
 

AIDS Alibis tackles the cultural landscape upon which AIDS, often accompanied by poverty, drug addiction, and crime, proliferates on a global scale. Stephanie Kane layers stories of individuals and events -- from Chicago to Belize City, to cyberspace -- to illustrate the paths of HIV infection and the effects of environment, government intervention, and social mores. Linking ordinary yet kindred lives in communities around the globe, Kane challenges the assumptions underlying the use of police and courts to solve health problems.

The stories reveal the dynamics that determine how the policy decisions of white-collar health care professionals actually play out in real life. By focusing on life-changing social problems, the narratives highlight the contradictions between public health and criminal law. Look at how HIV has transformed our social consciousness, from intimate touch to institutional outreach. But, Kane argues, these changes are dwarfed by the United States's refusal to stop the war on drugs, in effect misdirecting resources and awareness.

AIDS Alibis combines empirical and interpretive methods in a path-breaking attempt to recognize the extent to which coercive institutional practices are implicated in HIV transmission patterns. Kane shows how th e virus feeds on the politics of inequality and indifference, even as it exploits the human need for intimacy and release.

Where fresh water appears to be abundant and generally accessible, chronic pollution may be relatively ignored as a public issue. Yet there are those whose lives, livelihoods, and traditions are touched directly by the destructive albeit essential relationship between humans and water. 

In her passionate and persuasively argued Where Rivers Meet the Sea, Stephanie Kane compares two cities and nations—Salvador, Brazil and Buenos Aires, Argentina—as she tells the stories of those who organize in the streets, petition the courts, and challenge their governments to implement and enforce existing laws designed to protect springs, lakes, harbors, and rivers.

Illuminating the complex and distinctive cultural forces in the South Atlantic that shape conflicts and collaborations pertaining to particular waterfront settings, Kane shows the dilemmas, inventiveness, and persistence that provide the foundation for environmental and social justice movements writ large.

Spanning from the early nineteenth century to today, this intellectual history examines the work of Latino writers who explored the major philosophic and political themes of their day, including the meaning and implementation of democracy, their democratic and cultural rights under U.S. dominion, their growing sense of nationhood, and the challenges of slavery and disenfranchisement of women in a democratic republic that had yet to realize its ideals.

Over the course of two centuries, these Latino or Hispanic intellectuals were natural-born citizens of the United States, immigrants, or political refugees. Many of these intellectuals, whether citizens or not, strove to embrace and enliven such democratic principles as freedom of speech and of the press, the protection of minorities in the Bill of Rights and in subsequent laws, and the protection of linguistic and property rights, among many others, guaranteed by treaties when the United States incorporated their homelands into the Union.

The first six chapters present the work of lesser-known historical figures—most of whom have been consistently ignored by Anglo- and Euro-centric history and whose works have been widely inaccessible until recently—who were revolutionaries, editors of magazines and newspapers, and speechmakers who influenced the development of a Latino consciousness. The last three chapters deal with three foundational figures of the Chicano Movement, the last two of whom either subverted the concept of nationhood or went beyond it to embrace internationalism in an outreach to humanity as a whole.

Latinos and Nationhood sheds new light on the biographies of Félix Varela, José Alvarez de Toledo y Dubois, Francisco Ramírez, Tomás Rivera, Rolando Hinojosa-Smith, and Gloria E. Anzaldúa, among others.

In Compositional Subjects Laura Hyun Yi Kang explores the ways that Asian/American women have been figured by mutually imbricated modes of identity formation, representation, and knowledge production. Kang’s project is simultaneously interdisciplinary scholarship at its best and a critique of the very disciplinary formations she draws upon.
The book opens by tracking the jagged emergence of “Asian American women” as a distinct social identity over the past three decades. Kang then directs critical attention to how the attempts to compose them as discrete subjects of consciousness, visibility, and action demonstrate a broader, ongoing tension between socially particularized subjects and disciplinary knowledges. In addition to the shifting meanings and alignments of “Asian,” “American,” and “women,”  the book examines the discourses, political and economic conditions, and institutional formations that have produced Asian/American women as generic authors, as visibly desirable and desiring bodies, as excludable aliens and admissible citizens of the United States, and as the proper labor for transnational capitalism. In analyzing how these enfigurations are constructed and apprehended through a range of modes including autobiography, cinematography, historiography, photography, and ethnography, Kang directs comparative attention to the very terms of their emergence as Asian/American women in specific disciplines.
Finally, Kang concludes with a detailed examination of selected literary and visual works by Korean women artists located in the United States and Canada, works that creatively and critically contend with the problematics of identification and representation that are explored throughout the book. By underscoring the forceful and contentious struggles that animate all of these compositional gestures, Kang proffers Asian/American women as a vexing and productive figure for cultural, political and epistemological critique.

Honorable Mention, 2021 SSAWW Book Award

The Once and Future Muse presents the first major study of the life and work of Dominican-born bilingual American poet and translator Rhina P. Espaillat (b. 1932). Beginning with her literary celebrity as the youngest poet ever inducted into the Poetry Society of America, it traces her relative obscurity after 1952 when she married and took on family and employment responsibilities, to her triumphant return to the poetry spotlight decades later when she reclaimed her former prestige with a series of award-winning poetry collections.

The authors define Espaillat's place in American letters with attention to her formalist aesthetics, Hispanic Caribbean immigrant background, poetic community building, bilingual ethos, and domestically minded woman-of-color feminism. Addressing the temporality of her oeuvre—her publishing before and after the splitting of American literature into distinct ethnic segments—this work also highlights the demands that the social transformations of the 1960s placed on literary artists, critics, and readers alike.

In 1950 Velma Johnston, a shy Nevada ranch wife, came upon a horse trailer leaking blood. When she discovered the destination of the trailer and its occupants—a trio of terrified and badly injured wild horses—she launched a crusade that eventually reached the halls of Congress and changed the way westerners regard and treat the bands of mustangs and burros that roam their region.

Wild horses have been a subject of bitter controversy in the West for decades. To some, they are symbols of the West’s wild, free heritage. To others, they are rapacious grazers that destroy habitat and compete with domestic livestock and indigenous wildlife for scanty food and water. For years, free-ranging horses and burros were rounded up and shipped to slaughterhouses to be killed and turned into pet food. This practice provided an income for the “mustangers” who trapped and sold them, but it also involved horrendous cruelty and abuse of the animals.

Velma Johnston, who became known as “Wild Horse Annie,” undertook to stop the removal of wild horses and burros from US public lands and protect them from the worst aspects of mustanging. Her campaign attracted nationwide attention, as it led her from her rural Nevada County to state offices and finally to Washington, DC. Author Alan J. Kania worked closely with Johnston for seven years, and his biography provides unique insight into Wild Horse Annie’s life and her efforts to save the West’s wild horse herds through the passage of protective legislation.

Why do crimes and accidents earn more news coverage than development and policy issues affecting thousands of people? Filled with revealing interviews with both journalists and city officials, Making Local News is the first comprehensive look at how the economic motives of media owners, professional motives of journalists, and the strategies of media-wise politicians shape the news we see and hear, thereby influencing urban policy.

"Making Local News by Phyllis Kaniss . . . is significant. . . . If we can continue to get smarter about that which journalism leaves out or distorts in its coverage of politics, we may eventually get smarter about politics itself."—Mitchell Stephens, The Philadelphia Inquirer View

"A convincing analysis of the factors and forces which color how and why local issues do, or do not, become newsworthy." —Michael H. Ebner, Journal of Interdisciplinary History

"This work serves as a reminder of the importance of a medium that is often overlooked until economic realities threaten its very existence." —Choice

"Kaniss is truly a pioneer in the study of local news."—Susan Herbst, Contemporary Sociology

The most famous couple in Wisconsin politics, "Fighting Bob" La Follette and his wife, Belle Case La Follette, come to life in the pages of the newest addition to the Badger Biographies series for young readers. In an accessible format that includes historic images, a glossary of terms, and sidebars explaining political concepts, students learn about Progressive politics and reform in the early 20th century through the experiences of this pioneering couple.

The father of "Progressive politics," Bob La Follette was famous for digging in his heels when it came to reforming government corruption. He also gained a reputation for fiery speeches on the campaign trail and on the Senate floor. Belle La Follette was political in her own right. The first woman to graduate from the University of Wisconsin's Law School, she was an advocate for world peace and an agitator for the women's vote. She was also Bob's most trusted political advisor. Together, the couple raised a family and fought for the changes they believed would make the world a better place.

Cordelia Harvey: Civil War Angel tells the story of an iconic figure from Wisconsin’s Civil War history. As the wife of a promising young governor, Cordelia Harvey seemed destined for great things. Then tragedy struck: her husband, Louis Harvey, drowned, and Cordelia found herself widowed and alone. Like Louis had, Cordelia cared deeply about the Wisconsin soldiers fighting in the Civil War, and she jumped at a job offer from the new governor: working as the sanitary agent for Wisconsin. In this position, Cordelia could fight for the well-being of the state’s men and boys wounded in battle.

 

Young readers will follow Cordelia on her travels up and down the Mississippi to visit Wisconsin soldiers in military hospitals. In her efforts to make sure soldiers were well cared for, Cordelia wrote to the governor about their need for wholesome food, clean supplies, and fresh air. Eventually, she would travel to Washington to plead with President Lincoln for a Soldier’s Home hospital in Wisconsin. When Cordelia returned home after the war, she continued her humanitarian work by starting an orphanage for the children of fallen Civil War soldiers.
 
Cordelia Harvey: Civil War Angel includes sidebars on medical care, early nursing, and military prisons. A timeline, glossary of terms, and suggestions for activities and discussion round out this spirited narrative.

From boyhood adventures to the creation of visionary buildings like the Guggenheim Museum, Frank Lloyd Wright and His New American Architecture chronicles the vibrant life of one of the world's most famous architects.

Wright's love of architecture was nurtured early on-from paintings of European cathedrals hung in his childhood room; to "Froebel Gifts" building blocks, which he crafted into crude structures; to long walks near the Wisconsin River, where his mother pointed out patterns and colors in nature. Wright also learned, from summers spent on his uncle's Spring Green farm, that adversity is part of life. And perhaps this helped him weather a life beset with both tragedy and triumph.

Wright's prolific career spanned more than 70 years, and he created more than 1,100 designs. Author Bob Kann brings readers into the eccentric stories behind some of Wright's landmark buildings. Find out about Wright's Oak Park home, known to locals as "the house with a tree growing through it;" the Robie House, which is shaped like a battleship; and Fallingwater, which is built on a waterfall. Learn how Wright successfully built the Imperial Hotel in Tokyo to withstand earthquakes, and how the Johnson Wax Building and Guggenheim Museum set new standards in institutional architecture.

Joyce Westerman grew up on a farm in Pleasant Prairie, Wisconsin. As a kid, she cleaned the barn, picked vegetables, and helped her father cut down trees. But what she really loved to do was play baseball. Joyce played ball at recess and with friends whenever she could. She even joined her aunt’s adult softball team when she was only twelve.

As Joyce got older, she went to work at a factory in Kenosha. But when World War II broke out, she got a chance to try out for the All American Girls Professional Baseball League. Women from all over the country signed up to show off their skills. Only a few were good enough, and Joyce was one of them. For eight years, Joyce travelled around the United Stated playing ball, winning the league championship in her last season.

This addition to the Badger Biographies series for young readers tells the story of a woman who lived her dream of becoming a professional athlete. In a time when women had few opportunities for careers, and next to none in professional sports, Joyce and her teammates showed that women have what it takes.

Cindy Bentley: Spirit of a Champion celebrates the life of one of Wisconsin's most inspirational leaders and activists. Born with an intellectual disability as the result of fetal alcohol syndrome, Cindy Bentley spent much of her childhood at the Southern Wisconsin Center for the Developmentally Disabled. No one expected her to learn the skills necessary to live on her own. To everyone's surprise, including her own, she did that and much more.

Focusing on Seventeenth-Century English political philosophy and Nineteenth-Century American culture, Mark Kann challenges the widely-held view that American political institutions are grounded in the primacy of individualism. Liberal thinkers have long been concerned that men are too passionate and selfish to exercise individual rights without causing social chaos. Kann demonstrates how a desperate search to answer the man question began to revolutionize gender relations He examines "the other liberal tradition in America" which downplays the value of individualism, elevates the ongoing significance of an "engendered civic virtue," and incorporates classical republicanism into the fabric of modern political discourse.

The author traces the cultural conditioning of the white middle class that produced the ideal of self-sacrificing wives whose lives were devoted to creating a haven for their husbands and a school of virtue for their sons. Upon leaving home, these young men were to be schooled in manliness in the military in order to be capable of assuming positions of power as they were vacated by their fathers’ generation. Thus, in the norms of fatherhood, fraternity, womanhood, and militarism, the male’s individualism was conditioned with a strong dose of civic virtue.