A SCHOLARLY BOOK REPOSITORY
Kraus’s central insight, Linden argues, is that the medial representations of such events have produced less an informed audience than one increasingly unmoved by mass violence. In the second part of the book, Linden explores this insight as he sees it inflected in the writings of Søren Kierkegaard, Walter Benjamin, and Theodor Adorno. This hidden dialogue, Linden claims, offers us a richer understanding of the often-neglected relationship between satire and critical theory writ large.
He was relatively unknown in his lifetime, but Karl Marx’s theories about society, economics, and politics changed the world, led to the Russian Revolution and the formation of the Soviet Union and the creation of the People’s Republic of China, and inspired variants from Leninism and Stalinism to Trotskyism and Maoism. Marx is one of the most influential thinkers of the modern age, but in recent times “Marxism” has become a vague, contestable, and uncertain term. In this concise, accessible book, Paul Thomas casts a clarifying light on Marx’s life and writings, providing a cogent introduction to a contemporary audience.
As much a portrait of his time as a biography of the man, Karl Marx: Greatness and Illusion returns the author of Das Kapital to his nineteenth-century world, before twentieth-century inventions transformed him into Communism’s patriarch and fierce lawgiver. Gareth Stedman Jones depicts an era dominated by extraordinary challenges and new notions about God, human capacities, empires, and political systems—and, above all, the shape of the future.
In the aftermath of the Battle of Waterloo, a Europe-wide argument began about the industrial transformation of England, the Revolution in France, and the hopes and fears generated by these occurrences. Would the coming age belong to those enthralled by the revolutionary events and ideas that had brought this world into being, or would its inheritors be those who feared and loathed it? Stedman Jones gives weight not only to Marx’s views but to the views of those with whom he contended. He shows that Marx was as buffeted as anyone else living through a period that both confirmed and confounded his interpretations—and that ultimately left him with terrible intimations of failure.
Karl Marx allows the reader to understand Marx’s milieu and development, and makes sense of the devastating impact of new ways of seeing the world conjured up by Kant, Hegel, Feuerbach, Ricardo, Saint-Simon, and others. We come to understand how Marx transformed and adapted their philosophies into ideas that would have—through twists and turns inconceivable to him—an overwhelming impact across the globe in the twentieth century.
The first section, "The Structure of Society," contains Marx's writings on the material basis of classes, the basis of the state, and the basis of the family. Among the writings included in this section are Marx's well-known summary from the Preface of A Contribution to a Critique of Political Economy and his equally famous observations on the functional significance of religion in relation to politics.
The second section is titled "The Sweep of Historical Change." The first selection here contains Marx's first statement of the main precapitalist forms of production. The second selection focuses on capitalism, its contradictions, and its impending destruction. Two brief final selections treat the nature of communism, particularly its freedom from the kinds of contradictions that have plagued all earlier forms of societies.
The last section, "The Mechanisms of Change," reproduces several parts of Marx's analysis of the mechanisms by which contradictions develop in capitalism and generate group conflicts. Included is an analysis of competition and its effects on the various classes, a discussion of economic crises and their effects on workers, and Marx's presentation of the historical specifics of the class struggle.
In his comprehensive Introduction to the selections, Professor Smelser provides a biography of Marx, indentifies the various intellectual traditions which formed the background for Marx's writings, and discusses the selections which follow. The editor describes Marx's conception of society as a social system, the differences between functionalism and Marx's theories, and the dynamics of economic and political change as analyzed by Marx.
Karl Marx's materialistic conception of history claimed to account for the past, confidently predicted the future, and made history itself. In analyzing the Marxian theory of social evolution, M. M. Bober closely examines the writings of Marx and his friend, Friedrich Engels, tracing the formulation of the doctrine in Capital, The Poverty of Philosophy, Civil War in France, Revolution and Counter-Revolution, The Communist Manifesto, and other of their voluminous publications. By careful, objective investigation, the author is able to present an accurate interpretation of Marx's economic and historical concepts, and he evaluates the theory in the light of actual historical development.
In the extensive revision of his authoritative study, Bober has taken full account of developments since its first publication. Unknown writings by Marx and Engels recently have been discovered; new voices have been raised in defense of and against Marxian concepts; and economic theory has changed, with the problems of the business cycle and economic calculation assuming greater prominence. Bober's critical analysis of Marx and of his influence make a valuable and timely book, of interest not merely to scholars but also to everyone who is stirred to serious reading by the present conflict of political ideologies.
Despite being one of the most avowedly secular nations in the world, Japan may have more prison chaplains per inmate than any other country, the majority of whom are Buddhist priests. In this groundbreaking study of prison religion in East Asia, Adam Lyons introduces a form of chaplaincy rooted in the Buddhist concept of doctrinal admonition rather than Euro-American notions of spiritual care.
Based on archival research, fieldwork inside prisons, and interviews with chaplains, Karma and Punishment reveals another dimension of Buddhist modernism that developed as Japan’s religious organizations carved out a niche as defenders of society by fighting crime. Between 1868 and 2020, generations of clergy have been appointed to bring religious instruction to bear on a range of offenders, from illegal Christian heretics to Marxist political dissidents, war criminals, and death row inmates. The case of the prison chaplaincy shows that despite constitutional commitments to freedom of religion and separation of religion from state, statism remains an enduring feature of mainstream Japanese religious life in the contemporary era.
The popular book challenging the idea of a model minority, now in paperback!
“How does it feel to be a problem?” asked W. E. B. Du Bois of black Americans in his classic The Souls of Black Folk. A hundred years later, Vijay Prashad asks South Asians “How does it feel to be a solution?” In this kaleidoscopic critique, Prashad looks into the complexities faced by the members of a “model minority”-one, he claims, that is consistently deployed as "a weapon in the war against black America."
On a vast canvas, The Karma of Brown Folk attacks the two pillars of the “model minority” image, that South Asians are both inherently successful and pliant, and analyzes the ways in which U.S. immigration policy and American Orientalism have perpetuated these stereotypes. Prashad uses irony, humor, razor-sharp criticism, personal reflections, and historical research to challenge the arguments made by Dinesh D’Souza, who heralds South Asian success in the U.S., and to question the quiet accommodation to racism made by many South Asians. A look at Deepak Chopra and others whom Prashad terms “Godmen” shows us how some South Asians exploit the stereotype of inherent spirituality, much to the chagrin of other South Asians. Following the long engagement of American culture with South Asia, Prashad traces India’s effect on thinkers like Cotton Mather and Henry David Thoreau, Ravi Shankar’s influence on John Coltrane, and such essential issues as race versus caste and the connection between antiracism activism and anticolonial resistance.
The Karma of Brown Folk locates the birth of the “model minority” myth, placing it firmly in the context of reaction to the struggle for Black Liberation. Prashad reclaims the long history of black and South Asian solidarity, discussing joint struggles in the U.S., the Caribbean, South Africa, and elsewhere, and exposes how these powerful moments of alliance faded from historical memory and were replaced by Indian support for antiblack racism. Ultimately, Prashad writes not just about South Asians in America but about America itself, in the tradition of Tocqueville, Du Bois, Richard Wright, and others. He explores the place of collective struggle and multiracial alliances in the transformation of self and community-in short, how Americans define themselves.
Award-winning author Neil Miller soon tells us that what lay in front of amateur spelunkers Randy Tufts and Gary Tenen was anything but routine. These young men had crawled into a virgin cave, a landscape untouched and unseen for hundreds of thousands of years. In cave terminology, this underground oasis was “living”—water still seeped down the limestone walls, depositing minerals that slowly built up into stunningly beautiful formations.
In a time when countless caves had been destroyed by vandals and looters who had defaced the walls and had broken formations, this pristine discovery was every caver’s dream. While duplicating that moment might seem difficult, this fascinating account of the fight to preserve Kartchner Caverns lends us the same sense of awe and urgency. In an arresting tale spanning the twenty-five-year period in which Tufts and Tenen struggled to protect their find, Miller skillfully weaves together personal interviews, biographical information, political maneuvering, and geological facts. Presented in full color with dazzling photographs showcasing the natural wonder of the caverns, this is an invitation to take in the mysterious, stunning beauty of a cave as if discovering it for the first time.
The triumph of the conservationists and the opening of Kartchner Caverns as a state park are known to anyone who has visited the caves as a tourist. But this narrative offers a chance to go beyond the guidebooks with its revealing look at this unspoiled natural wonder and the science of cave conservation. With as much depth and colorful detail as the caverns themselves, this page-turning account will captivate anyone interested in caves and the preservation of natural wonders.
Kartoon Kings is the first monographic and comprehensive analysis of the graphic artwork of Simon Grennan and Christopher Sperandio. This work showcases a collection of full-color images excerpted from comic book projects, videos, billboards, and more of the artists’ collaborative public contributions created over the past fifteen years. To supplement the images an interview with the artists by Kristina Olson is included, along with essays by Joshua Decter and Paul Krainak. Grennan and Sperandio work together by conspiring about their creative ideas on the Internet. Their teamwork must be done this way because Grennan lives in England, while Sperandio lives in the United States.
More of Sperandio and Grennan’s work can be seen at www.kartoonkings.com.
Roy Bedichek spent most of his life working in the educational field in Texas, but his main interest was always the great outdoors. His first book, Adventures with a Texas Naturalist, was published when he was almost seventy, and his second, Karánkaway Country, appeared three years later. Both were the result of a lifetime of exploring a beloved land, of searching observation, of discussion, debate, wide reading, and reflection. Long out of print, Karánkaway Country is now available in a handsome second edition with a new Foreword by W. W. Newcomb, Jr.
Karánkaway Country focuses on the natural history of a strip of coastal prairie lying roughly between Corpus Christi and Galveston and once inhabited by the poorly known and much maligned Karankawa Indians. It serves as home base for an exposition of Bedichek's philosophy, providing a convenient local setting for richly tailored essays on wildlife, soil, human skin, and a variety of other topics suggested by a wide-ranging intellect. Bedichek's philosophy, if it can be reduced to a few words, is essentially that humans must learn to live on peaceful and conciliatory terms with our natural environment.
In 2002, nuclear-armed adversaries India and Pakistan mobilized for war over the long-disputed territory of Kashmir, sparking panic around the world. Drawing on extensive firsthand experience in the contested region, Sumantra Bose reveals how the conflict became a grave threat to South Asia and the world and suggests feasible steps toward peace.
Though the roots of conflict lie in the end of empire and the partition of the subcontinent in 1947, the contemporary problem owes more to subsequent developments, particularly the severe authoritarianism of Indian rule. Deadly dimensions have been added since 1990 with the rise of a Kashmiri independence movement and guerrilla war waged by Islamist groups. Bose explains the intricate mix of regional, ethnic, linguistic, religious, and caste communities that populate Kashmir, and emphasizes that a viable framework for peace must take into account the sovereignty concerns of India and Pakistan and popular aspirations to self-rule as well as conflicting loyalties within Kashmir. He calls for the establishment of inclusive, representative political structures in Indian Kashmir, and cross-border links between Indian and Pakistani Kashmir. Bose also invokes compelling comparisons to other cases, particularly the peace-building framework in Northern Ireland, which offers important lessons for a settlement in Kashmir.
The Western world has not fully appreciated the desperate tragedy of Kashmir: between 1989 and 2003 violence claimed up to 80,000 lives. Informative, balanced, and accessible, Kashmir is vital reading for anyone wishing to understand one of the world's most dangerous conflicts.
At the outset the Kaskaskia tribe, along with Jesuit missionaries and French traders, settled near the confluence of the Kaskaskia and Mississippi rivers, about sixty miles south of modern-day St. Louis. The town quickly became the largest French town and most prosperous settlement in the Illinois Country. After French control ended, Kaskaskia suffered under corrupt British and then inept American rule. In the 1790s the town revived and became the territorial capital, and in 1818 it became the first state capital. Along the way Kaskaskia was beset by disasters: crop failures, earthquakes, tornadoes, floods, epidemics, and the loss of the capital-city title to Vandalia. Likewise, human activity and industry eroded the river’s banks, causing the river to change course and eventually wash away the settlement. All that remains of the state’s first capital today is a village several miles from the original site.
MacDonald and Waters focus on the town’s growth, struggles, prosperity, decline, and obliteration, providing an overview of its domestic architecture to reveal how its residents lived. Debunking the notion of a folklore tradition about a curse on the town, the authors instead trace those stories to late nineteenth-century journalistic inventions. The result is a vibrant, heavily illustrated, and highly readable history of Kaskaskia that sheds light on the entire early history of Illinois.
“The Illinois Habitant,” writes Natalia Maree Belting, “was a gay soul; he seemed shockingly carefree to later, self-righteous puritans from the American colonies. He danced on Sunday after mass, was passionately attached to faro and half a dozen other card games, and played billiards at all hours. He gossiped long over a friendly pipe and congenial mug of brandy in the half-dusk of his porch or in the noisy tavern.”
First published in 1948, Kaskaskia under the French Regime is a social and economic history of French Kaskaskia from 1703 to 1765. Using a readable, journalistic style, Belting brings to life the prairie terrain, the Kaskaskia mission, early architecture, building methods and materials, the beginnings of government, domestic tools and utensils, commerce, and the social customs of the pioneer.
In 1703, Kaskaskia was little more than a mission station in Illinois territory inhabited by a few French traders, their Indian wives, and a priest. Later in the century, the settlement became a flourishing French village filled with rows of low one-story French-style houses lining the streets. But the unique native and French bonds began when the explorers Louis Joliet and Pierre Marquette discovered a peaceful tribe, the Kaskaskia, while journeying along the Illinois River.
This historic friendship grew into a unique colonial culture, the remnants which can be seen through numerous primary source documents. Belting draws on and translates from eighteenth century French the Kaskaskia Manuscripts, in which French notaries recorded parish marriage contracts, property transactions (including slave sales), and estate inventories. She also examines the papers of the Marquis de Vaudreuil, among them the most complete census ever conducted in French Illinois, which provides a household-by-household enumeration of the population. What results is a comprehensive depiction of the lives and livelihood of French settlers in colonial Illinois.
Katherine Anne Porter - American Writers 28 was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In 1920, an unknown journalist named Katherine Anne Porter first sojourned in Mexico. When she left her "familiar country" for the last time in 1931, she was the celebrated author of Flowering Judas and Other Stories and had accumulated a wealth of experiences and impressions that would inspire numerous short stories, essays, and reviews, as well as the opening section of her only novel, Ship of Fools.
In this perceptive study of Porter's Mexican experiences, Thomas Walsh traces the important connections between those events and her literary works. Separating fact from the fictions that Porter constantly created about her life, he follows the active role that she played in Mexican political and intellectual life—even to the discovery of a plot to overthrow the Mexican government, which eventually figured in Flowering Judas.
Most important, Walsh discerns how the great swings between depression and elation that characterized Porter's emotional life influenced her alternating visions of Mexico. In such works as "Xochimilco," Porter saw Mexico as an earthly Eden where hopes for a better society could be realized, but in other stories, including "The Fiesta of Guadalupe," she depicts Mexico as a place of hopeless oppression for the native peoples.
Mexico, Porter once said, gave her back her Texas past. Given the unhappiness of that past, her feelings toward Mexico would always be ambivalent, but her Mexican experiences influenced all her subsequent works to some degree, even those pieces not specifically Mexican in setting. Walsh's study, then, is an essential key for anyone seeking greater understanding of the life or works of Katherine Anne Porter.
Katherine Anne Porter Remembered is a collection of reminiscences and memoirs by contemporaries, friends, and associates of Porter offering a revealing and intimate portrait of the elusive and complex American writer.
From a fractured and vagabond girlhood in Texas, Porter led a wildly itinerant life that took her through five marriages, innumerable love affairs, and homes in Colorado, New York, Paris, Mexico, Louisiana, California, and Maryland. With very little formal education, she grew through sheer force of will to become a major American writer of short stories and the author of several books including Flowering Judas and other stories; Ship of Fools; Pale Horse; Pale Ride; Noon Wine; and The Collected Stories of Katherine Anne Porter, which won both the Pulitzer Prize and the National Book Award.
Because of Porter’s own dissembling and half-truths about her life, as well as the numerous factual errors that persist in biographical entries and literary dictionaries, a complete and accurate portrait of her life has been hard to establish. The 63 reminiscences gathered in this book paint a vivid portrait of Porter and are testaments to her extraordinary beauty, her gift for mesmerizing and charming audiences and friends, her yearnings for a lasting home, her delusions about love, the astonishing range and scope of her reading, her sharp tongue and vindictiveness, and her final paranoid renunciations of friends and family. Along the way, Porter formed friendships with Eudora Welty, Elizabeth Hardwick, Flannery O’Connor, and Cleanth Brooks whose remembrances of her are included in this volume.
Founder of the first self-supporting African American dance company, Dunham relied on her fieldwork as an anthropologist to fundamentally change modern dance. She shaped new dance techniques and introduced other cultures to U.S. and European audiences by fusing Caribbean and African-based movement with ballet and modern dance. Her revolutionary approaches to dance and its greater connection to the world have influenced a generation of dancers, theatrical performers, and scholars. She believes that dance involves the development of an entire person and the rituals and traditions of dance are integral to the study of culture. Throughout her career she has been a living model of the socially responsible artist working to whet cultural appetites and combat social injustice.
Joyce Aschenbrenner's multifaceted portrait blends personal observations based on her own interactions with Dunham, archival documents, and interviews with Dunham's colleagues, students, and members of the Katherine Dunham Dance Company.
Integrating these sources, Aschenbrenner characterizes the social, familial, and cultural environment of Dunham's upbringing and the intellectual and artistic community she embraced at the University of Chicago that laid the groundwork for her development as a dancer, anthropologist, and humanitarian. The book vividly depicts Dunham's and her dancers' touring experiences and includes detailed descriptions of her community cultural and educational programs in East St. Louis.
This book attempts to analyze a major part of Mansfield's fiction, concentrating on an analysis of the various textures, themes, and issues, plus the point of view virtuosity that she accomplished in her short lifetime (34 years). Many of her most famous works, such as "Prelude" and "Bliss," are explicated, along with many of her less famous and unfinished stories.
To the extent that she is popularly known, Katherine Parr (1512–48) is the woman who survived King Henry VIII as his sixth and last wife. She merits far greater recognition, however, on several other fronts. Fluent in French, Italian, and Latin, Parr also began, out of necessity, to learn Spanish when she ascended to the throne in 1543. As Henry’s wife and queen of England, she was a noted patron of the arts and music and took a personal interest in the education of her stepchildren, Princesses Mary and Elizabeth and Prince Edward. Above all, Parr commands interest for her literary labors: she was the first woman to publish under her own name in English in England.
For this new edition, Janel Mueller has assembled the four publications attributed to Parr—Psalms or Prayers, Prayers or Meditations, The Lamentation of a Sinner, and a compilation of prayers and Biblical excerpts written in her hand—as well as her extensive correspondence, which is collected here for the first time. Mueller brings to this volume a wealth of knowledge of sixteenth-century English culture. She marshals the impeccable skills of a textual scholar in rendering Parr’s sixteenth-century English for modern readers and provides useful background on the circumstances of and references in Parr’s letters and compositions. Given its scope and ambition, Katherine Parr: Complete Works and Correspondence will be an event for the English publishing world and will make an immediate contribution to the fields of sixteenth-century literature, reformation studies, women’s writing, and Tudor politics.
Closed to the outside world until 1951 and trapped in a medieval time warp, Kathmandu is, as Bell argues, a jewel of the art world, a carnival of sexual license, a hotbed of communist revolution, a paradigm of failed democracy, a case study in bungled western intervention, and an environmental catastrophe. In important ways, Kathmandu’s rapid modernization can be seen as an extreme version of what is happening in other traditional societies. Bell also discusses the ramifications of the recent Nepal earthquake.
A comprehensive look at a top global destination, Kathmandu is an entertaining and accessible chronicle for anyone eager to learn more about this fascinating city.
Winner of the Bancroft Prize
Louisiana Endowment for the Humanities Book of the Year
A Publishers Weekly Book of the Year
“The main thrust of Horowitz’s account is to make us understand Katrina—the civic calamity, not the storm itself—as a consequence of decades of bad decisions by humans, not an unanticipated caprice of nature.”
—Nicholas Lemann, New Yorker
Hurricane Katrina made landfall in New Orleans on August 29, 2005, but the decisions that caused the disaster can be traced back nearly a century. After the city weathered a major hurricane in 1915, its Sewerage and Water Board believed that developers could safely build housing near the Mississippi, on lowlands that relied on significant government subsidies to stay dry. When the flawed levee system failed, these were the neighborhoods that were devastated.
The flood line tells one important story about Katrina, but it is not the only story that matters. Andy Horowitz investigates the response to the flood, when policymakers made it easier for white New Orleanians to return home than for African Americans. He explores how the profits and liabilities created by Louisiana’s oil industry have been distributed unevenly, prompting dreams of abundance and a catastrophic land loss crisis that continues today.
“Masterful…Disasters have the power to reveal who we are, what we value, what we’re willing—and unwilling—to protect.”
—New York Review of Books
“If you want to read only one book to better understand why people in positions of power in government and industry do so little to address climate change, even with wildfires burning and ice caps melting and extinctions becoming a daily occurrence, this is the one.”
—Los Angeles Review of Books
In 1868, Jacob Kaufmann, the nineteen-year-old son of a German farmer, stepped off a ship onto the shores of New York. His brother Isaac soon followed, and together they joined an immigrant community of German Jews selling sewing items to the coal miners and mill workers of western Pennsylvania. After opening merchant tailor shops in Pittsburgh’s North and South sides, the Kaufmann brothers caught the wave of a new type of merchandising—the department store—and launched what would become their retail dynasty with a downtown storefront at Fifth Avenue and Smithfield Street. In just two decades, Jacob and his brothers had ascended Pittsburgh’s economic and social ladder, rising from hardscrabble salesmen into Gilded Age multimillionaires.
Generous and powerful philanthropists, the Kaufmanns left an indelible mark on the city and western Pennsylvania. From Edgar and Liliane’s famous residence, the Frank Lloyd Wright masterpiece called Fallingwater, to the Kaufmann clock, a historic landmark that inspired the expression “meet me under the clock,” to countless fond memories for residents and shoppers, the Kaufmann family made important contributions to art, architecture, and culture. Far less known are the personal tragedies and fateful ambitions that forever shaped this family, their business, and the place they called home. Kaufmann’s recounts the story of one of Pittsburgh’s most beloved department stores, pulling back the curtain to reveal the hardships, triumphs, and complicated legacy of the prominent family behind its success.
Kawsay Vida is a course book and interactive multimedia program for the teaching and learning of the Quechua language from beginner to advanced levels. The course book is based on contemporary Bolivian Quechua, while the multimedia program contains a section on Bolivian Quechua (beginner to intermediate levels) and a section on southern Peruvian Quechua (advanced level). The book provides a practical introduction to spoken Quechua through the medium of English, while the multimedia program offers a choice of English or Spanish as the medium of instruction. The video clips introduce us to Quechua speakers in the valleys of Northern Potosí (Bolivia) and Cuzco (Peru), giving a sense of immediacy that the printed page cannot achieve, and highlighting the social and cultural settings in which the language is spoken. The multimedia program is available for both PC and Macintosh platforms.
The book contains twenty-two units of study. As students work through these, cross-references take them to relevant sections of the multimedia program. The Bolivian and Peruvian Quechua sections of the multimedia program are divided into thematically and grammatically ordered modules, which introduce users to different aspects of Andean life, while progressing language learning in a structured way. Users engage with the audio, video, and visual material contained in the program through a range of interactive exercises, which reinforce listening and comprehension skills. Once familiarity with the language is acquired, the multimedia program may be used independently from the book.
<p>Kay Boyle shared the first issue of <i>This Quarter</i> with Gertrude Stein and Ernest Hemingway, expressed her struggles with poetry to William Carlos Williams and voiced warm admiration to Katherine Anne Porter, fled WWII France with Max Ernst and Peggy Guggenheim, socialized with the likes of James Joyce, Marcel Duchamp, and Samuel Beckett, and went to jail with Joan Baez. The letters in this first-of-its-kind collection, authorized by Boyle herself, bear witness to a transformative era illuminated by genius and darkened by Nazism and the Red Scare. Yet they also serve as milestones on the journey of a woman who possessed a gift for intense and enduring friendship, a passion for social justice, and an artistic brilliance that earned her inclusion among the celebrated figures in her ever-expanding orbit.
In Kayak Girl a young child learns to cope with serious loss by focusing on something larger than herself. After Jana’s mother dies, she becomes withdrawn. Her grandfather, a carver, pays the girl a visit and finds her unresponsive to his care. He carves a figure of a girl in a kayak and asks Jana to promise that she will watch for the figure after he releases it upriver. Through the following seasons, Jana goes to the river daily and finds strength in the positive memories from her short time with her mother, even as she imagines the distant kayak girl’s struggles. Eventually, they are reunited, and Jana’s spirit is revived. Throughout the book, watercolor illustrations take readers to a magical place along an Alaska river and demonstrate the power of memory and a sense of place in the natural world.
“An excellent resource on major industries in Kazakhstan.”—Byrganym Aitimova, Minister of Education and Science, the Republic of Kazakhstan
Against the historical background of distinctly Russian progressive cultural and scientific movements, the authors define affinities between Malevich's work and other nonpolitical revolutions: relativity and quantum theory in physics; the work of Roman Jakobson and the "Prague School" in linguistics; and the exploration of language in the writings of the poet Velimir Khlebnikov. They situate the artist within the fundamental epistemological shift from nineteenth-century objectivity to an all-pervasive modernist subjectivity, relying upon Malevich's contribution to illustrate the ways cultural production is mediated through various modes of transmission.
Towards the end of the nineteenth century in East Prussia, a woman named Kazimira strolls the remote shores of the Baltic Sea, bringing home bits of amber that wash up on the beach. Her husband Antas is the region’s best carver, and he catches the attention of Moritz Hirschberg, owner of a nearby amber factory. Antas rises through the ranks, but Kazimira has the best ideas for processing and cutting the stones. Although establishing a new mine on such shifting terrain is hazardous, the venture finally pays off. It brings success, but envy and resentment swiftly follow, as antisemitism and nationalism sweep across the German Empire. Kazimira soon learns she must go her own way, as the Hirshbergs are expelled and World War I shatters her son. Three decades later, at the end of World War II, she becomes the last witness of German war crimes committed on West Beach, formerly a place of prosperity and progress.
At the dawn of the twenty-first century in Russia, a woman named Nadia operates an excavator in a massive open-pit amber mine until she is told to go sell trinkets alongside all the other shopgirls. In alternating passages weaving together vastly different eras across the span of a century and a half, Svenja Leiber’s Kazimira tells the story of the largest amber-mining operation in history, and its lasting effects expose pressing questions: Where do hatred and violence come from? What happens when life is declared worthless? Beginning with Kazimira and her bold struggle for self-determination, this saga follows five generations of women who envision an alternative world.
From the first battle at Bull Run to the surrender of Lee's army at Appomattox four years later, only one federal infantry brigade experienced the entire Civil War as a cohesive unit. While most units were composed of regiments from different states that were disbanded after three years, the First New Jersey Brigade was the enduring exception.
Despite the group's remarkable coherency, it started as many military units did during the early stages of the war-a disorganized ragtag outfit that was poorly trained and ill-prepared for battle. This quickly changed, however, with the appointment of General Philip Kearny in the fall of 1861. Kearny transformed the troops, making them among the most disciplined and effective commands in the Army of the Potomac. A series of notable victories earned the soldiers an impressive reputation and, with it, thousands of others voluntarily came forward to enlist. Even when they suffered heavy losses, the New Jersey regiments fought exceptionally well and served key roles in dozens of battles, including the Peninsula, Seven Days, Second Bull Run, Antietam, Chancellorsville, Wilderness, Spotsylvania, Cold Harbor, Early's Valley, and the Petersburg Campaigns.
In Kearny's Own, Bradley M. Gottfried weaves together compelling accounts of battles fought with a wealth of letters and diaries to tell the story of this famous brigade from a uniquely personal perspective. The hopes, fears, and sorrows of the men come through vividly as accounts reveal how civilians were physically and emotionally transformed into soldiers. Primary sources also provide insight to what the war meant to the men who fought for the Union.
Fourteen maps illustrate the battles and marches, while detailed appendices include statistical breakdowns of losses and outline the fates of the men whose letters and diaries are used as sources. In this first book published on the subject, Gottfried not only provides a long-overdue history of the First New Jersey Brigade, he offers a human window into the turbulent and trying experiences of war.
Filling a major gap in the critical canon, Keaton’s Classic Shorts: Beyond the Laughter chronicles the rapid growth in the filmmaker’s understanding of what makes both comedy and film successful. Keaton developed his major themes in these nineteen silent short films shot between 1920 and 1923, creating his persona “Buster” with his trademark stone face. These short films clearly indicate Keaton’s love of the camera and his concern for composition, symmetry, and images that delight the eye and startle the mind.
Oldham reconstructs each of these rarely seen films to enable the reader to “watch” Keaton’s performance, devoting a separate chapter to each. She analyzes each film’s strengths, weaknesses, and prevalent themes and threads. She also enables readers to plumb the depths of what seems to be surface comedy through philosophical, biographical, historical, and critical commentary, thus linking the shorts together into a cohesive study of Buster Keaton’s growth through his three-year independent venture as a filmmaker. Beyond the laughter and beyond the great stone face, Oldham presents a treasure of cinema comedy and a unique philosophy of life as captured by a great filmmaker.
"Motion has given us a new Keats, one who is skinned alive, a genius who wrote in a single month all the poems we cherish, a victim who was tormented by the best doctors of the age. . . . This portrait, stripped of its layers of varnish and restored to glowing colours, should last us for another generation."—Edmund White, The Observer Review
"Keats's letters fairly leap off the page. . . . [Motion] listens for the 'freely associating inquiry and incomparable verve and dash,' the 'headlong charge,' of Keats's jazzlike improvisations, which give us, like no other writing in English, the actual rush of a man thinking, a mind hurtling forward unpredictably and sweeping us along."—Morris Dickstein, New York Times Book Review
"Scrupulous and eloquent."—Gregory Feeley, Philadelphia Inquirer
John and George Keats—Man of Genius and Man of Power, to use John’s words—embodied sibling forms of the phenomenon we call Romanticism. George’s 1818 move to the western frontier of the United States, an imaginative leap across four thousand miles onto the tabula rasa of the American dream, created in John an abysm of alienation and loneliness that would inspire the poet’s most plangent and sublime poetry. Denise Gigante’s account of this emigration places John’s life and work in a transatlantic context that has eluded his previous biographers, while revealing the emotional turmoil at the heart of some of the most lasting verse in English.
In most accounts of John’s life, George plays a small role. He is often depicted as a scoundrel who left his brother destitute and dying to pursue his own fortune in America. But as Gigante shows, George ventured into a land of prairie fires, flat-bottomed riverboats, wildcats, and bears in part to save his brothers, John and Tom, from financial ruin. There was a vital bond between the brothers, evident in John’s letters to his brother and sister-in-law, Georgina, in Louisville, Kentucky, which run to thousands of words and detail his thoughts about the nature of poetry, the human condition, and the soul. Gigante demonstrates that John’s 1819 Odes and Hyperion fragments emerged from his profound grief following George’s departure and Tom’s death—and that we owe these great works of English Romanticism in part to the deep, lasting fraternal friendship that Gigante reveals in these pages.
In 1819, the poet John Keats wrote six poems that would become known as the Great Odes. Some of them—“Ode to a Nightingale,” “To Autumn”—are among the most celebrated poems in the English language. Anahid Nersessian here collects and elucidates each of the odes and offers a meditative, personal essay in response to each, revealing why these poems still have so much to say to us, especially in a time of ongoing political crisis. Her Keats is an unflinching antagonist of modern life—of capitalism, of the British Empire, of the destruction of the planet—as well as a passionate idealist for whom every poem is a love poem.
The book emerges from Nersessian’s lifelong attachment to Keats’s poetry; but more, it “is a love story: between me and Keats, and not just Keats.” Drawing on experiences from her own life, Nersessian celebrates Keats even as she grieves him and counts her own losses—and Nersessian, like Keats, has a passionate awareness of the reality of human suffering, but also a willingness to explore the possibility that the world, at least, could still be saved. Intimate and speculative, this brilliant mix of the poetic and the personal will find its home among the numerous fans of Keats’s enduring work.
Over the past one hundred years, the Balinese have been challenged by colonial occupation, political turbulence, and, most recently, tourism. In response, they have come to rely on the idea of “Kebalian,” or Balinese-ness. Kebalian is likened to a tree whose roots are religion (agama), the trunk is tradition (adat), and the fruits, Balinese culture (budaya). To understand how this sense of Balinese-ness came to be, Michel Picard examines the dialogues that the Balinese have engaged in both among themselves and with outsiders by conducting over a hundred interviews with Balinese opinion leaders, officials, and religious reformers. A key throughline in the construction of Kebalian is what Picard identifies as a twofold process of “religionization” and “Hinduization.” This process began with the first years of the incorporation of Bali into the Dutch East Indies and became more urgent with Indonesia’s independence. Kebalian today encompasses the tension between those Balinese eager to defend their customary ritual practices and advocates of Hinduism who deny that such local traditions qualify as agama. Kebalian presents a fascinating picture of religious change, identities in motion, and culture. Scholars of religion, cultural change, and Southeast Asian area studies will find this to be a fascinating and important book.
The remains from Skhul, Qafzeh, Amud, and Kebara caves in Israel provide evidence for the possible contemporaneity and eventual replacement of several distinct hominin populations over time: early Archaic-Modern humans by Neanderthals, and Neanderthals by Modern humans. Kebara Cave, which dates to 65,000 to 48,000 years ago, is well known for its Neanderthal remains and marvelously preserved archaeological record. Dense concentrations of fireplaces and ash lenses and rich assemblages of stone tools, animal bones, and charred plant remains testify to repeated and intensive use of the cave by late Middle Paleolithic foragers.
This second and final volume of the Kebara Cave site report presents findings from nine years of excavation and analysis of the archaeology, paleontology, human remains, and lithic industries from the Middle and Upper Paleolithic periods. Its full documentation of the daily activities of the cave’s Neanderthal inhabitants clearly indicates behavioral patterns generally attributed only to Modern humans. The two volumes on Kebara Cave provide a cornerstone for the story of humankind in a critical geographic region: the continental crossroads between Africa and Eurasia in the Levant.
The Levantine corridor sits at the continental crossroads of Africa and Eurasia, making it a focal point for scientific inquiry into the emergence of modern humans and their relations with Neanderthals. The recent excavations at Kebara Cave in Israel, undertaken by an international, interdisciplinary team of researchers, has provided data crucial for understanding the cognitive and behavioral differences between archaic and modern humans.
In this first of two volumes, the authors discuss site formation processes, subsistence strategies, land-use patterns, and intrasite organization. Hearths and faunal remains reveal a dynamic and changing settlement system during the late Mousterian period, when Kebara Cave served as a major encampment. The research at Kebara Cave allows archaeologists to document the variability observed in settlement, subsistence, and technological strategies of the Late Middle and early Upper Paleolithic periods in the Levant.
Baldwin examines the many types of craft in use, the different methods of locomotion, and the art of navigation on uncharted rivers full of hidden obstacles. But he never loses sight of the picturesque aspects of his subject, especially the boatmen themselves-a tribe of rugged and fearless men whose colorful lives are described in great detail.
The Keelboat Age on Western Waters is a segment cut from the history of the frontier, showing the overwhelming importance of river transportation in the development of the West. The rivers were great arteries, carrying a restless people into a new land. The keelboatman and his craft did much to build a nation.
Issues of ecology--both as they appear in the works of nature writers and in the works of literary writers for whom place and the land are central issues--have long been of interest to literary critics, and have given rise over the last two decades to the now firmly established field of ecocriticism. The essays in this volume, written by art historians and literary critics, seek to bring the study of American art into the expanding discourse of ecocriticism.
A Keener Perception offers a series of case studies on topics ranging from John White's watercolors of the Carolina landscape executed during Sir Walter Raleigh's 1585 Roanoke expedition to photographs by environmental activist Eliot Porter. Rather than merely resurrect past instances of ecologically attuned art, this volume features essays that resituate many canonical figures, such as Thomas Eakins, Aaron Douglas, and Thomas Cole, in an ecocritical light by which they have yet to be viewed. Studying such artists and artworks through an ecocritical lens not only provides a better understanding of these works and the American landscape, but also brings a new interpretive paradigm to the field of art history--a field that many of these critics believe would do well to embrace environmental concerns as a vital area of research.
In highlighting the work of scholars who bring ecological agendas to their study of American art, as well as providing models for literary scholars who might like to better incorporate the visual arts into their own scholarship and teaching, A Keener Perception is truly a landmark collection--timely, consequential, and controversial.
Like its mysterious name, Keenie Meenie Services escaped definition and to this day has evaded sanctions. Now explosive new evidence - only recently declassified - exposes the extent of these war crimes, and the British government's tacit support for the company's operations. Including testimonies from SAS veterans, spy chiefs and diplomats, we hear from key figures battle-hardened by the Troubles in Northern Ireland and the Iranian Embassy siege. Investigative journalist Phil Miller asks, who were these mercenaries: heroes, terrorists, freedom fighters or war criminals?
This book presents the first ever comprehensive case against Keenie Meenie Services, providing long overdue evidence on the crimes of the people who make a killing from killing.
The poems in The Keep are influenced by art, by paintings, by “thinking about abstraction and figuration and the space between, beauty apprehended and lost, the divine apprehended and lost.” Emily Wilson's poems are also saturated with nature; from “the great oaks emptying, russet, gusseted” to “the caribou mov[ing] through us beyond numerous,” each image connects the natural world of tides and marshes and forests to the human world of documentation and preservation. The image of the keep as a place of safety and as a kind of prison also informs this very strong collection.
Stories include: Treats for Barney, Fingers, Fork, or Spoon?, Just One Bite, & Sundaes for Breakfast.
Age Level: 5-6
Grade Level: Beginning First
Reading level: C-D/4-7
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
Stories include: The Farmer’s Market, Our Garden, The Running Girl, & Please and Thank You.
Age Level: 5-6
Grade Level: Beginning First
Reading level: D-E/6-8
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
Stories include: Gingerbread Girl, Making a Peanut Butter and Jelly Sandwich, Keeping Warm, & Let’s Pretend.
Age Level: 5-6
Grade Level: Beginning First
Reading level: C-D/3-5
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
Stories include: My Happy Heart; Just Like Me; Staying Safe; and Always Brush Your Teeth.
Age Level: 5-6
Grade Level: Beginning First
Reading level: D-E/5-8
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
Stories include: Spring, Summer, Fall, & Winter.
Stories include: Spring, Summer, Fall, & Winter.
Age Level: 5/6
Grade Level: Kindergarten
Reading level: not leveled
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
This set of four books offers engaging stories that combine features of early literacy learning while exploring weather-related concepts from Common Core State Standards and Next Generation Science Standards.
Stories include: May, Rain, December, & Is It Hot or Cold?.
Age Level: 5/6
Grade Level: Kindergarten
Reading level: not leveled
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
Stories include: A New House; Scary Noises; Night Games; and Digging for Dinner.
Age Level: 7-8
Grade Level: Late First/Beginning Second
Reading level: E-G/8-12
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
Stories include: The Best Birthday Present; Be Careful!; Trapped; and Where Is Papa?
Age Level: 7-8
Grade Level: Late First/Beginning Second
Reading level: G-H/12-14
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
Stories include: Balloons, The Farm, Dinosaurs, & Traffic.
Age Level: 3-5
Grade Level: preK-Kindergarten
Reading level: A-B/1-2
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
Stories include: Jack and Jill; Old Mother Hubbard; Humpty Dumpty; & One, Two, Buckle My Shoe.
Age Level: 3-5
Grade Level: preK-Kindergarten
Reading level: not leveled
KEEP BOOKS digital editions include text features and design elements that give beginning readers what they need to start reading on their own with high interest titles that they can easily manage.
Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings.
The free online edition of this open-access book is available at www.getty.edu/publications/keepitmoving/ and includes zoomable figures and videos. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
Marian Alexander Spencer was born in 1920 in the Ohio River town of Gallipolis, Ohio, one year after the “Red Summer” of 1919 that saw an upsurge in race riots and lynchings. Following the example of her grandfather, an ex-slave and community leader, Marian joined the NAACP at thirteen and grew up to achieve not only a number of civic leadership firsts in her adopted home city of Cincinnati, but a legacy of lasting civil rights victories.
Of these, the best known is the desegregation of Cincinnati’s Coney Island amusement park. She also fought to desegregate Cincinnati schools and to stop the introduction of observers in black voting precincts in Ohio. Her campaign to raise awareness of industrial toxic-waste practices in minority neighborhoods was later adapted into national Superfund legislation.
In 2012, Marian’s friend and colleague Dot Christenson sat down with her to record her memories. The resulting biography not only gives us the life story of remarkable leader but encapsulates many of the twentieth century’s greatest struggles and advances. Spencer’s story will prove inspirational and instructive to citizens and students alike.
In the first legal history of this federal trial, Dean Strang shows how the case laid the groundwork for a fundamentally different strategy to stifle radical threats, and had a major role in shaping the modern Justice Department. As the trial unfolded, it became an exercise of raw force, raising serious questions about its legitimacy and revealing the fragility of a criminal justice system under great external pressure.
Keep Your Airspeed Up: The Story of a Tuskegee Airman is the memoir of an African American man who, through dedication to his goals and vision, overcame the despair of racial segregation to great heights, not only as a military aviator, but also as an educator and as an American citizen.
Unlike other historical and autobiographical portrayals of Tuskegee airmen, Harold H. Brown’s memoir is told from its beginnings: not on the first day of combat, not on the first day of training, but at the very moment Brown realized he was meant to be a pilot. He revisits his childhood in Minneapolis where his fascination with planes pushed him to save up enough of his own money to take flying lessons. Brown also details his first trip to the South, where he was met with a level of segregation he had never before experienced and had never imagined possible.
During the 1930s and 1940s, longstanding policies of racial discrimination were called into question as it became clear that America would likely be drawn into World War II. The military reluctantly allowed for the development of a flight-training program for a limited number of African Americans on a segregated base in Tuskegee, Alabama. The Tuskegee Airmen, as well as other African Americans in the armed forces, had the unique experience of fighting two wars at once: one against Hitler’s fascist regime overseas and one against racial segregation at home.
Colonel Brown fought as a combat pilot with the 332nd Fighter Group during World War II, and was captured and imprisoned in Stalag VII A in Moosburg, Germany, where he was liberated by General George S. Patton on April 29, 1945. Upon returning home, Brown noted with acute disappointment that race relations in the United States hadn’t changed. It wasn’t until 1948 that the military desegregated, which many scholars argue would not have been possible without the exemplary performance of the Tuskegee Airmen.
Drawing on research at the NFL Films Archive and the Pro Football Hall of Fame and interviews with media pioneer Steve Sabol and others, Travis Vogan shows how NFL Films has constructed a consistent, romanticized, and remarkably visible mythology for the National Football League. The company packages football as a visceral and dramatic sequence of violent, beautiful, graceful, and heroic gridiron battles. Historically proven formulas for presentation--such as the dramatic voiceovers once provided by John Facenda's baritone, the soaring scores of Sam Spence's rousing background music, and the epic poetry found in Steve Sabol's scripts--are still used today.
From the Vincent Price-narrated Strange but True Football Stories to the currently running series Hard Knocks, NFL Films distinguishes the NFL from other sports organizations and from other media and entertainment. Vogan tells the larger story of the company's relationship with and vast influence on our culture's representations of sport, the expansion of sports television beyond live game broadcasts, and the emergence of cable television and Internet sports media.
Keepers of the Flame: NFL Films and the Rise of Sports Media presents sports media as an integral facet of American popular culture and NFL Films as key to the transformation of professional football into the national obsession commonly known as America's Game.
As Michael Quentin Morton recounts, the region now known as the UAE likely began as a trading post between Mesopotamia and Oman, and since that time has been the stage of important economic and cultural exchanges. It has seen the rise and fall of a thriving pearl industry, piracy, invasions and wars, and the arrival of the oil age that would make it one of the richest countries on earth. Since the early 1970s, when seven sheikhs agreed to enter into a union, it has been a sovereign nation, carrying on the resourceful spirit—with resplendent fervor—that the brutally inhospitable landscape has long demanded of the people. Ultimately, Morton shows that the country is not only rich in oil and money but in an extraordinarily deep history and culture.
Water has long been the object of political ambition and conflict. Recent history is full of leaders who tried to harness water to realize national dreams. Yet the people who most need water-farmers, rural villages, impoverished communities-are too often left, paradoxically, with desiccated fields, unfulfilled promises, and refugee status.
It doesn't have to be this way, according to Fred Pearce. A veteran science news correspondent, Pearce has for over fifteen years chronicled the development of large-scale water projects like China's vast Three Gorges dam and India's Sardar Sarovar. But, as he and numerous other authors have pointed out, far from solving our water problems, these industrial scale projects, and others now in the planning, are bringing us to the brink of a global water crisis.
Pearce decided there had to be a better way.
To find it, he traveled the globe in search of alternatives to mega-engineering projects. In Keepers of the Spring, he brings back intriguing stories from people like Yannis Mitsis, an ethnic Greek Cypriot, who is the last in his line to know the ways and whereabouts of a network of underground tunnels that have for centuries delivered to farming communities the water they need to survive on an arid landscape. He recounts the inspiring experiences of small-scale water stewards like Kenyan Jane Ngei, who reclaimed for her people a land abandoned by her government as a wasteland. And he tells of many others who are developing new techniques and rediscovering ancient ones to capture water for themselves.
In so doing, Pearce documents that these "keepers" are not merely isolated examples, but collectively constitute an entire alternative tradition of working with natural flows rather than trying to reengineer nature to provide water for human needs.
The solution to our water problems, he finds, may not lie in new technologies-though they will play a role-but in recovering ancient traditions, using water more efficiently, and better understanding local hydrology. Are these approaches adequate to serve the world's growing populations? The answer remains unclear. But we ignore them at our own peril.
This new edition brings Thiel's story into the twenty-first century, recounting his work monitoring wolves as they spread to central Wisconsin, conflicts of wolves with landowners and recreationalists, changes in state and federal policies, the establishment of a state wolf-hunting season in 2012, and Thiel's forecast for the future of wolves in Wisconsin.
Agrarian reforms transformed the Mexican countryside in the late twentieth century but without, in many cases, altering fundamental power relationships. This study of the Tehuacán Valley in the state of Puebla highlights different strategies to manipulate the local implementation of federal government programs. With their very differing successes in the struggle to regain and maintain control of land and water rights, these strategies raise important questions about the meaning of the phrase "locally controlled development."
Because Mexico is dependent on irrigation for 45 percent of its cash crop production, national policy has focused on developing vast government controlled and financed irrigation systems. In the Tehuacán Valley, however, the inhabitants have developed a complex irrigation system without government aid or supervision. Yet, in contrast to most parts of Mexico, water rights can be bought and sold as a commodity, leading to accumulation, stratification, and emergence of a regional elite whose power is based on ownership of land and water. The analysis provides an important contribution to the understanding of local control.
The findings of this study will be important to a wide audience involved in the study of irrigation, local agricultural systems, and the interplay between local power structures and the national government in developing countries. The book also presents unique material on gravity-fed, horizontal wells, known as qanat in the Middle East, which had been unknown in the literature on Latin America before this book.
America’s racial problems aren’t going away any time soon. Keepin’ It Real will serve as a marker of the arguments we’re having right now, and an argument for the changes we need to make to become the better nation we’ve long imagined ourselves to be.
In Keeping an Open Door, Duke chancellor (1982-1985) and president (1985-1993) Keith Brodie and coauthor Leslie Banner recount what it was like to lead Duke during an era of change for research universities across the country: how Brodie reached some of his most controversial decisions, including the “Black Faculty Initiative”; his strategy for precluding abuse in Division I athletics at Duke; how his training as a psychiatrist shaped his leadership style and influenced how he dealt with trustees, deans, faculty, and students; and the avenues of power still open to today’s university presidents. The history and feeling of life on the Duke campus during the Brodie era are vividly evoked in photographs and key speeches introduced by the former president’s personal recollections.
Keeping an Open Door provides an insider’s view of issues critical to modern research universities and will interest anyone concerned with the history and future of higher education.
Two of the essays examine the antagonism between Christianity and utilitarianism in postrevolutionary French economics and the rising influence of the materialism of the market vis-à-vis the declining authority of the Roman Catholic Church in eighteenth-century Europe. Other topics explored include the work of the great American neoclassicist Frank Knight, the combination of utility analysis and Christian principles among the “clerical economists” in America, and the effect of a crisis of personal faith on the theories of the English philosopher and economist Henry Sidgwick.
The human rights regime is one of modernity's great civilizing triumphs. From the formal promulgation of the Universal Declaration of Human Rights in 1948 to the subsequent embrace of this declaration by the newly independent states of Africa, human rights have emerged as the primary discourse of global politics and as an increasingly prominent category in the international and domestic legal system. But throughout their history, human rights have endured sustained attempts at disenfranchisement.
In this provocative study, Linda Hogan defends human rights language while simultaneously reenvisioning its future. Avoiding problematic claims about shared universal values, Hogan draws on the constructivist strand of political philosophy to argue for a three-pronged conception of human rights: as requirements for human flourishing, as necessary standards of human community, and as the basis for emancipatory politics. In the process, she shows that it is theoretically possible and politically necessary for theologians to keep faith with human rights. Indeed, the Christian tradition—the wellspring of many of the ethical commitments considered central to human rights—must embrace its vital role in the project.
Eleanor Roosevelt called her one of the most influential women in America. Among the earliest and most assertive members of the Book-of-the-Month Club selection committee, Dorothy Canfield Fisher helped define literary taste in America for more than three decades. She helped shape the careers of such great writers as Pearl Buck, Isak Dinesen, and Richard Wright. A best-selling author herself, Fisher was also a deeply committed social activist. In Keeping Fires Night and Day, Mark J. Madigan collects much of Fisher's copious correspondence. With letters to Willa Cather, W.E.B. Du Bois, Albert Einstein, Robert Frost, Margaret Mead, James Thurber, and E.B. White, he documents Fisher's personal and professional life and career in a way that no biography could. Set against the American historical and cultural landscape from 1900 to 1958, these letters offer a firsthand account of one of the twentieth century's most remarkable women.
While Fisher's novels treated such conventional subjects as marriage and domestic life, her own life was anything but conventional. When her best-selling novels made her the chief breadwinner in her marriage, her husband, John Fisher, quietly assumed the role of secretary and editor of her work. Fluent in five languages, Dorothy Canfield Fisher founded a Braille press in France and introduced the educational methods of Dr. Maria Montessori to the United States. She became a pioneering advocate of adult education and served as the first woman on the Vermont Board of Education.
In letters to friends, fans, and colleagues, Fisher discussed her homelife, her work, and the world around her. Her passions and concerns-revealed in her correspondence with wit and poignancy-include the "New Woman' and the suffrage movement, racial discrimination and the emergence of the NAACP, the development of the national education system, two world wars, the depression, and the influence of book clubs in the literary market-place.
Dorothy Canfield Fisher "helped twentieth-century American literature to come of age," writes Clifton Fadimon in his Foreward. Yet lasting recognition has eluded her. In Keeping Fires Night and Day the distinctive voice of this gifted, intelligent and spirited woman is heard once again.
“After saying our good-byes to friends and neighbors, we all got in the cars and headed up the hill and down the road toward a future in Ohio that we hoped would be brighter,” Otis Trotter writes in his affecting memoir, Keeping Heart: A Memoir of Family Struggle, Race, and Medicine.
Organized around the life histories, medical struggles, and recollections of Trotter and his thirteen siblings, the story begins in 1914 with his parents, Joe William Trotter Sr. and Thelma Odell Foster Trotter, in rural Alabama. By telling his story alongside the experiences of his parents as well as his siblings, Otis reveals cohesion and tensions in twentieth-century African American family and community life in Alabama, West Virginia, and Ohio.
This engaging chronicle illuminates the journeys not only of a black man born with heart disease in the southern Appalachian coalfields, but of his family and community. It fills an important gap in the literature on an underexamined aspect of American experience: the lives of blacks in rural Appalachia and in the nonurban endpoints of the Great Migration. Its emotional power is a testament to the importance of ordinary lives.
Keeping Hold of Justice focuses on a select range of encounters between law and colonialism from the early nineteenth century to the present. It emphasizes the nature of colonialism as a distinctively structural injustice, one which becomes entrenched in the social, political, legal, and discursive structures of societies and thereby continues to affect people’s lives in the present. It charts, in particular, the role of law in both enabling and sustaining colonial injustice and in recognizing and redressing it. In so doing, the book seeks to demonstrate the possibilities for structural justice that still exist despite the enduring legacies and harms of colonialism. It puts forward that these possibilities can be found through collaborative methodologies and practices, such as those informing this book, that actively bring together different disciplines, peoples, temporalities, laws and ways of knowing. They reveal law not only as a source of colonial harm but also as a potential means of keeping hold of justice.
This book is a fascinating re-creation of the lives of women in the time of great social change that followed the end of the French and Indian War in western Pennsylvania. Many decades passed before a desolate and violent frontier was transformed into a stable region of farms and towns. Keeping House: Women’s Lives in Western Pennsylvania, 1790-1850 tells how the daughters, wives, and mothers who crossed the Allegheny Mountains responded and adapted to unaccustomed physical and psychological hardships as they established lives for themselves and their families in their new homes.
Intrigued by late eighteenth and early nineteenth-century manuscript cookbooks in the collection of the Historical Society of Western Pennsylvania, Virginia Bartlett wanted to find out more about women living in the region during that period. Quoting from journals, letters, cookbooks, travelers’ accounts - approving and critical - memoirs, documents, and newspapers, she offers us voices of women and men commenting seriously and humorously on what was going on around them.
The text is well-illustrated with contemporaneous art-- engravings, apaintings, drawings, and cartoons. Of special interest are color and black-and-white photographs of furnishings, housewares, clothing, and portraits from the collections of the Historical Society of Western Pennsylvania.
This is not a sentimental account. Bartlett makes clear how little say women had about their lives and how little protection they could expect from the law, especially on matters relating to property. Their world was one of marked contrasts: life in a log cabin with bare necessities and elegant dinners in the homes of Pittsburgh’s military and entrepreneurial elite; rural women in homespun and affluent Pittsburgh ladies in imported fashions. When the book begins, families are living in fear of Indian attacks; as it ends, the word “shawling” has come into use as the polite term for pregnancy, referring to women’s attempt to hide their condition with cleverly draped shawls. The menacing frontier has given way to American-style gentility.
An introduction by Jack D. Warren, University of Virginia, sets the scene with a discussion of the early peopling of the region and places the book within the context of women’s studies.
Keeping Oregon Green is a new history of the signature accomplishments of Oregon’s environmental era: the revitalization of the polluted Willamette River, the Beach Bill that preserved public access to the entire coastline, the Bottle Bill that set the national standard for reducing roadside litter, and the nation’s first comprehensive land use zoning law. To these case studies is added the largely forgotten tale of what would have been Oregon’s second National Park, intended to preserve the Oregon Dunes as one of the country’s first National Seashores.
Through the detailed study of the historical, political, and cultural contexts of these environmental conflicts, Derek Larson uncovers new dimensions in familiar stories linked to the concepts of “livability” and environmental stewardship. Connecting events in Oregon to the national environmental awakening of the 1960s and 1970s, the innovative policies that carried Oregon to a position of national leadership are shown to be products of place and culture as much as politics. While political leaders such as Tom McCall and Bob Straub played critical roles in framing new laws, the advocacy of ordinary citizens—farmers, students, ranchers, business leaders, and factory workers—drove a movement that crossed partisan, geographic, and class lines to make Oregon the nation’s environmental showcase of the 1970s.
Drawing on extensive archival research and source materials, ranging from poetry to congressional hearings, Larson’s compelling study is firmly rooted in the cultural, economic, and political history of the Pacific Northwest. Essential reading for students of environmental history and Oregon politics, Keeping Oregon Green argues that the state’s environmental legacy is not just the product of visionary leadership, but rather a complex confluence of events, trends, and personalities that could only have happened when and where it did.
Develop a keener ear for Paul’s rhetorical strategy
Patterson uses cognitive metaphor theory to trace the apostle Paul’s use of metaphors from the Jewish sacrificial system in his moral counsels to the Philippians and the Corinthians. In these letters, Paul moves from the known (the practice of sacrifice) to the unknown (how to live in accord with the life, death, and resurrection of Jesus Christ). Patterson illustrates that the significant sacrificial metaphors in 1 Corinthians and Philippians are not derived from Jewish sacrifices of atonement, but rather from the Passover and sacrifices of thanksgiving. Attention to these metaphors demonstrates that imagery drawn from these sacrifices shapes the overall moral counsel of the letters, reveals more varied and nuanced interpretations of sacrificial references in Paul’s letters, and sheds light on Paul’s continuity with Jewish cultic practice.
Features
- Clarification of the strategic function of metaphors as a means of establishing an imaginative framework for ethical deliberation
- Evidence of Paul’s active processes of theological reflection
- Exploration of the intertwining of Jewish cultic practice with the rhetoric of moral commitment within early Christian churches
In Keeping the Wild, a group of prominent scientists, writers, and conservation activists responds to the Anthropocene-boosters who claim that wild nature is no more (or in any case not much worth caring about), that human-caused extinction is acceptable, and that “novel ecosystems” are an adequate replacement for natural landscapes. With rhetorical fists swinging, the book’s contributors argue that these “new environmentalists” embody the hubris of the managerial mindset and offer a conservation strategy that will fail to protect life in all its buzzing, blossoming diversity.
With essays from Eileen Crist, David Ehrenfeld, Dave Foreman, Lisi Krall, Harvey Locke, Curt Meine, Kathleen Dean Moore, Michael Soulé, Terry Tempest Williams and other leading thinkers, Keeping the Wild provides an introduction to this important debate, a critique of the Anthropocene boosters’ attack on traditional conservation, and unapologetic advocacy for wild nature.
When archaeologist Aaron Keeler finds himself transported eighteen years backward in time, he becomes swept up in a strangely illicit liaison with his younger wife. A brilliant musician, Violet is captivated by the attentive, “weathered” version of her husband. The Aaron she recently married—an American expat—has become distant, absorbed by his excavation of a prehistoric site at Kilmartin Glen on Scotland’s west coast, where he will soon make the discovery that launches his career. As Aaron travels back and forth across the span of nearly two decades, with time passing in both worlds, he faces a threat to his revelatory dig, a crisis with the older Violet—mother of his two young children—and a sudden deterioration of his health. Meanwhile, Violet’s musical performances take on a resonance related to the secrets the two are uncovering in both time frames. With their children and Aaron’s lives at risk, he and Violet try to repair the damage before it’s too late.
Could something as simple and seemingly natural as falling into step have marked us for evolutionary success? In Keeping Together in Time one of the most widely read and respected historians in America pursues the possibility that coordinated rhythmic movement--and the shared feelings it evokes--has been a powerful force in holding human groups together.As he has done for historical phenomena as diverse as warfare, plague, and the pursuit of power, William H. McNeill brings a dazzling breadth and depth of knowledge to his study of dance and drill in human history. From the records of distant and ancient peoples to the latest findings of the life sciences, he discovers evidence that rhythmic movement has played a profound role in creating and sustaining human communities. The behavior of chimpanzees, festival village dances, the close-order drill of early modern Europe, the ecstatic dance-trances of shamans and dervishes, the goose-stepping Nazi formations, the morning exercises of factory workers in Japan--all these and many more figure in the bold picture McNeill draws. A sense of community is the key, and shared movement, whether dance or military drill, is its mainspring. McNeill focuses on the visceral and emotional sensations such movement arouses, particularly the euphoric fellow-feeling he calls "muscular bonding." These sensations, he suggests, endow groups with a capacity for cooperation, which in turn improves their chance of survival.
A tour de force of imagination and scholarship, Keeping Together in Time reveals the muscular, rhythmic dimension of human solidarity. Its lessons will serve us well as we contemplate the future of the human community and of our various local communities.
Kathryn is near the end of her life and is losing her memories: travels, husbands, a storm of keepsakes. As Gina Franco unleashes that storm and as Kathryn's flood of memories washes over us, we know at once that we are in the hands of a truly gifted poet. "The Keepsake Storm" is the culmination of a verse cycle that probes the depths of the heart—a meditation on the meaning of life in a difficult world. Drawing on a rich tradition of storytelling in Latino literature, Franco explores the transformative power of compassion as she addresses themes of cultural alienation, lost family roots, and the uncertain resiliency of the self. In writing that blends rapture, vision, and mystery, Franco calls on a multiplicity of voices and a prodigious command of forms to explore the underlying rhythms of life, finding poetry even in the imperfect transmissions of e-mail:
"I was happy to get your letter. I had a rough day.
My step-mom had a breakdown and is in a hospitol.
I don't understand all the why's of it. She has paranoia
scetsafrinia. (and I know that is spelled totally
wrong). I don't blame myself I just didn't see it coming."
By reaffirming the power of self-awareness, history, and place, Franco reaches out to all who struggle to find meaning in times of trouble or self-doubt. The Keepsake Storm is a personal journey through many lives that is nothing less than a celebration—and a reassessment—of American consciousness.
The stories span generations and cultures and shed a rare light on the living conditions of Native Americans in Michigan in the early 1900s. They recount Keewaydinoquay's education in the public schools, illuminate the role Christianity played in Native American culture, and reveal the importance of maintaining traditional customs.
Keewaydinoquay was one of the very few Native American women who was steeped both in the ancient folkways of her people as well as erudite in the American university system. Ultimately she wove her native tradition and university learning together into a unique perspective that helped people understand the importance of nature and the human spirit.
Keewaydinoquay Peschel was Lecturer of Ethnobotany and Philosophy of the Western Great Lakes Indians at the University of Wisconsin. She is the author of several books, including Blue Berry: First Fruit of the Anishinaabeg. She passed over in 1999. Lee Boisvert attended the University of Michigan as a member of the Residential College from 1967 to 1969, and was awarded a Bachelor in Science in Sociology with double minors in Native American Studies and Gerontology by Central Michigan University in 1993.
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