A SCHOLARLY BOOK REPOSITORY
Looking at philosophy, sociology, critical theory, art, architecture and literature, The Situationist International is an up-to-date and comprehensive survey of the SI and its thought. Leading thinkers analyze the SI's interdisciplinary challenges, its roots in the artistic avant-garde and the traditional workers' movements, its engagement with the problems of postcolonialism and issues of gender and sexuality.
Including contributions from key thinkers, including Anselm Jappe and Michael Lowy, as well as new and upcoming scholars, The Situationist International unpacks the complexity of a group that has come to define radical politics and culture in the postwar period.
"Scott's brief characterizations are as important to Six Days in Marapore as the basic plot . . . This is not primarily a novel of India, but rather more of frightened foreigners living there at the end of their era."—New York Times
"Intense, abrasive, the many conflicts and telltale stigmata of Hindu and Moslem, white and off white, give this its uncertain temper and certain suspense."—Kirkus Reviews
Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge’s thoughts on art, art-making, and the studio.
Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of “drawing lessons.”
Incorporating elements of graphic design and ranging freely from discussions of Plato’s cave to the Enlightenment’s role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms—and deceptions—through which we construct meaning in the world.
A Financial Times Best Book of the Year
A Fortune Best Book of the Year
A ProMarket Best Political Economy Book of the Year
An essential guide to the intractable public debates about the virtues and vices of economic globalization, cutting through the complexity to reveal the fault lines that divide us and the points of agreement that might bring us together.
Globalization has lifted millions out of poverty. Globalization is a weapon the rich use to exploit the poor. Globalization builds bridges across national boundaries. Globalization fuels the populism and great-power competition that is tearing the world apart.
When it comes to the politics of free trade and open borders, the camps are dug in, producing a kaleidoscope of claims and counterclaims, unlikely alliances, and unexpected foes. But what exactly are we fighting about? And how might we approach these issues more productively? Anthea Roberts and Nicolas Lamp cut through the confusion with an indispensable survey of the interests, logics, and ideologies driving these intractable debates, which lie at the heart of so much political dispute and decision making. The authors expertly guide us through six competing narratives about the virtues and vices of globalization: the old establishment view that globalization benefits everyone (win-win), the pessimistic belief that it threatens us all with pandemics and climate change (lose-lose), along with various rival accounts that focus on specific winners and losers, from China to America’s Rust Belt.
Instead of picking sides, Six Faces of Globalization gives all these positions their due, showing how each deploys sophisticated arguments and compelling evidence. Both globalization’s boosters and detractors will come away with their eyes opened. By isolating the fundamental value conflicts—growth versus sustainability, efficiency versus social stability—driving disagreement and showing where rival narratives converge, Roberts and Lamp provide a holistic framework for understanding current debates. In doing so, they showcase a more integrative way of thinking about complex problems.
A Financial Times Book of the Year
A Fortune Book of the Year
“This book compels us to change our position, move out of our comfort zone, and see the world differently.”—Branko Milanovic, author of Capitalism, Alone
“A very smart book…not just about globalization, but also about the power and importance of narrative…Highly recommended.”—Anne-Marie Slaughter, CEO, New America
“An indispensable guide to how and why many people have abandoned the old, time-tested ways of thinking about politics and the economy. This is the book the world needs to read now.”—Richard Baldwin, author of The Great Convergence
When it comes to the politics of free trade and open borders, the camps are clear, producing a kaleidoscope of claims and counterclaims. But what exactly are we fighting about? Anthea Roberts and Nicolas Lamp cut through the confusion and mudslinging with an indispensable survey of the interests, logics, and ideologies driving these seemingly intractable arguments.
Instead of picking sides, Six Faces of Globalization guides us through six competing narratives about the virtues and vices of globalization, giving each position its due and showing how each deploys sophisticated arguments and compelling evidence. Both globalization’s boosters and detractors will come away with their eyes opened. By isolating the fundamental value conflicts driving disagreement—growth versus sustainability, efficiency versus social stability—and showing where rival narratives converge, this book provides an invaluable framework for understanding ongoing debates and finding a way forward.
Six Generations Here: A Farm Family Remembers
by Marjorie L. McLellan, with an essay by Kathleen Neils Conzen and a foreword by Dan Freas
Discover the story of the Krueger family, as images of farm, family, and landscape reveal the struggles of rural immigrant life in Wisconsin. Drawing on snapshots, memorabilia, and interviews, Six Generations Here brings together the voices of the past and the present to create a distinctive portrait of Wisconsin farm life.
Leaving their German home in 1851, the Kruegers came to America for economic opportunity. But like other immigrant families, they struggled to make ends meet. Only with the whole family helping out did they manage to get their Watertown farm up and running. By the turn of the century, they had achieved a life of middle-class comfort in the midst of the rigors of dairy farming. Over the generations, the Kruegers incorporated their past traditions with the needs of the present, adapting to the challenges of rural American life and, when necessary, breaking from the past. Despite these changes, their commitment to hard work and family persisted, shaped their identity, and ensured their success.
Through photographs, documents, and family stories, the Kruegers left a deep history of who they were and how they sought to be remembered. Follow their family through six generations as they compile a rich and varied record of Wisconsin life.
With poems selected and translated by one of the preeminent translators of our day, this bilingual collection of 112 sonnets by six Spanish-language masters of the form ranges in time from the seventeenth to the twentieth centuries and includes the works of poets from Spanish America as well as poets native to Spain. Willis Barnstone’s selection of sonnets and the extensive historical and biographical background he supplies serve as a compelling survey of Spanish-language poetry that should be of interest both to lovers of poetry in general and to scholars of Spanish-language literature in particular.
Following an introductory examination of the arrival of the sonnet in Spain and of that nation’s poetry up to Francisco de Quevedo, Barnstone takes up his six masters in chronological turn, preceding each with an essay that not only presents the sonneteer under discussion but also continues the carefully delineated history of Spanish-language poetry. Consistently engaging and informative and never dull or pedantic, these essays stand alone as appreciations—in the finest sense of that word—of some of the greatest poets ever to write. It is, however, Barnstone’s subtle, musical, clear, and concise translations that form the heart of this collection. As Barnstone himself says, "In many ways all my life has been some kind of preparation for this volume."
Italo Calvino, one of the world's best storytellers, died on the eve of his departure for Harvard, where he was to deliver the Charles Eliot Norton Lectures in 1985-86. Reticent by nature, he was always reluctant to talk about himself, but he welcomed the opportunity to talk about the making of literature. In the process of devising his lectures--his wife recalls that they were an "obsession" for the last year of his life--he could not avoid mention of his own work, his methods, intentions, and hopes. This book, then, is Calvino's legacy to us: those universal values he pinpoints for future generations to cherish become the watchword for our appreciation of Calvino himself.
What about writing should be cherished? Calvino, in a wonderfully simple scheme, devotes one lecture (a memo for his reader) to each of five indispensable literary values. First there is "lightness" (leggerezza), and Calvino cites Lucretius, Ovid, Boccaccio, Cavalcanti, Leopardi, and Kundera--among others, as always--to show what he means: the gravity of existence has to be borne lightly if it is to be borne at all. There must be "quickness," a deftness in combining action (Mercury) with contemplation (Saturn). Next is "exactitude," precision and clarity of language. The fourth lecture is on "visibility," the visual imagination as an instrument for knowing the world and oneself. Then there is a tour de force on "multiplicity," where Calvino brilliantly describes the eccentrics of literature (Elaubert, Gadda, Musil, Perec, himself) and their attempt to convey the painful but exhilarating infinitude of possibilities open to humankind.
The sixth and final lecture - worked out but unwritten - was to be called "Consistency." Perhaps surprised at first, we are left to ponder how Calvino would have made that statement, and, as always with him, the pondering leads to more. With this book Calvino gives us the most eloquent, least defensive "defense of literature" scripted in our century - a fitting gift for the next millennium.
Esther Calvino has supervised the preparation of this book. She is Italo Calvino's Argentinian-born wife and a translator for several international organizations. Among Calvino's best-known works of fiction are Invisible Cities, Cosmicomics, The Baron in the Trees, if on a winter's night a traveler, and Mr. Palomar.
A thief-turned-saint, killed by an insult. A rabbi burning down his world in order to save it. A man who lost his sanity while trying to fathom the origin of the universe. A beautiful woman battling her brother’s and her husband’s egos to preserve their family. Stories such as these enliven the pages of the Talmud, the great repository of ancient wisdom that is one of the sacred texts of the Jewish people. Comprised of the Mishnah, the oral law of the Torah, and the Gemara, a multigenerational metacommentary on the Mishnah dating from between 3950 and 4235 (190 and 475 CE), the Talmud presents a formidable challenge to understand without scholarly training and study. But what if one approaches it as a collection of tales with surprising relevance for contemporary readers?
In Six Memos from the Last Millennium, critically acclaimed novelist Joseph Skibell reads some of the Talmud’s tales with a storyteller’s insight, concentrating on the lives of the legendary rabbis depicted in its pages to uncover the wisdom they can still impart to our modern age. He unifies strands of stories that are scattered throughout the Talmud into coherent narratives or “memos,” which he then analyzes and interprets from his perspective as a novelist. In Skibell’s imaginative and personal readings, this sacred literature frequently defies our conventional notions of piety. Sometimes wild, rude, and even bawdy, these memos from the last millennium pursue a livable transcendence, a way of fusing the mundane hours of earthly life with a cosmic sense of holiness and wonder.
The Berlin Games matched cutting-edge communication technology with compelling sports narrative to draw the blueprint for all future sports broadcasting. A global audience--the largest cohort of humanity ever assembled--enjoyed the spectacle via radio. This still-novel medium offered a "liveness," a thrilling immediacy no other technology had ever matched. Michael J. Socolow's account moves from the era's technological innovations to the human drama of how the race changed the lives of nine young men. As he shows, the origins of global sports broadcasting can be found in this single, forgotten contest. In those origins we see the ways the presentation, consumption, and uses of sport changed forever.
In Six Modern Plagues, Mark Jerome Walters offers us the first book for the general reader that connects these emerging health risks and their ecological origins. Drawing on new research, interviews, and his own investigations, Mark Jerome Walters weaves together a compelling argument: that changes humans have made to the environment, from warming the climate to clearing the forests, have contributed to, if not caused a rising tide of diseases that are afflicting humans and many other species.
According to Mark Jerome Walters, humans are not always innocent bystanders to infectious disease. To the contrary, in the case of many modern epidemics, we are the instigators. Six Modern Plagues, a ground-breaking introduction to the connection between disease and environmental degradation should be read by all those interested in their health and the health of others.
The poems are firmly grounded in concern for the ways in which the elemental powers are at work in the earth and in us: on the surface of our lives, and deeper in the underworld of the coalmines. In McKinney’s poems, the human world is never seen as separate from the natural one.
Six Plays for Children by Aurand Harris brings together a variety of dramatic forms that have enormously enriched the literature of children's theatre in this country and around the world. These works by this respected children's theatre playwright show Harris's great versatility: in the commedia dell'arte of Androcles and the Lion; the musical melodrama Rags to Riches; the sober, absurd comedy Punch and Judy; the realistic historical drama Steal Away Home; the farce Peck's Bad Boy; and the musical review Yankee Doodle. Each of the six plays exhibits a vital theatricality which is sure to win a child's attention and response.
Editor Coleman A. Jennings traces Harris's development as a playwright in a biographical study based on interviews with Harris. This enlightening section treats Harris's philosophy and teaching methods, as well as his creative process.
In five parts, the book first examines the personal essentials demanded by dance. The second part looks at the pitfalls inherent in the act of performing from vanity to self-hatred. The third part, the core of the book, poses six questions: Who? is doing what? to whom? where and when? and why? and against what obstacle? In the fourth part, Nagrin looks at the tools for working on the role, and the fifth part enters into the very act of performing. All of the work is handled in terms of movement alone: no dialogue or scenes from plays are used.
The Six Questions is a companion piece to Nagrin's other works, How To Dance Forever, and Dance and the Specific Image: Improvisation. Together they present an invaluable teaching and learning tool for anyone in love with dance.
In analysis of and personal interviews with Dervis Zaim, Zeki Demirkubuz, Semih Kaplanoglu, Çagan Irmak, Tolga Örnek, and Palme d'Or winner Nuri Bilge Ceylan, Raw draws connections with Turkish theater, art, sculpture, literature, poetry, philosophy, and international cinema. A native of England and a twenty-five-year resident of Turkey, Raw interleaves his film discussion with thoughtful commentary on nationalism, gender, personal identity, and cultural pluralism.
Speaking to the Heart
After a long night up writing poems,a streak of sunlight leapt into my room.
I ran to the yard,
running as if I were a child,
footprints breaking the earth's first dew,
chest brushing softly the short grass.
Earth and sky seeped into me like wine.
Startled,
I saw my heart in the shape of a ploughshare<
resting on the earth's shoulder,
the heart thumping, steadily ploughing into time.
—Lam Thi My Da
In this expanded version, Cawelti revises his analysis of the structural characteristics of the Western novel and film, synthesizing much of the rich discussion of the Western genre that has appeared since The Six-Gun Mystique's original publication. To this structural analysis he adds a new account of the genre's history and its relationship to the myths of the West that have played such an influential role in American history. The Six-Gun Mystique Sequel concludes with an exploration of the continuing influence of Western themes and symbols on many aspects of postmodern American culture, and an assessment of the critical tradition that has developed around the Western genre. The appendices of the book are also revised and expanded to include useful lists of the most important Western novels and films, as well as the best critical and historical studies of different aspects of the genre.
What’s more, writing prompts at the end of the book invite readers to search their own lives for such moments—the kind that could be forgotten but instead are turned, by the gift of perspective and perfectly chosen detail, into treasure. The Six-Minute Memoir encourages people to tell their own stories even if they think they don’t have the kind of story that belongs in a memoir.
Gallup’s 2019 State of the American Workplace Report found that 70 percent of employees are disengaged at work. Why is worker engagement so important? Engaged workers lead to engaged libraries — vibrant institutions that nurture their workers’ dedication, creativity, and innovation so they can serve their communities most effectively. This guide walks library managers and administrators through concrete steps to change their organization’s culture so that it fosters worker engagement, using first-hand accounts from library staff to illustrate both successes and failures. Readers will discover
- why libraries often fall short at hiring good leadership and ways to develop better recruitment strategies moving forward;
- how lack of trust pushes workplace culture towards incivility, hostility, and lower morale, and what library leaders can do to rebuild it;
- methods for using recognition and praise as tools for sustaining a positive work environment;
- the rationale for eliminating annual performance reviews in favor of less formal one-on-one conversations and “just in time” continuous feedback;
- the secrets behind high performing teams, strategies to support dysfunctional teams, and tips on how to develop remote teamwork; and
- why viewing diversity, equity, and inclusion (DEI) as separate from workplace culture is counterproductive, since it is actually the positive result of a strong foundation, with advice on combating the factors that contribute to low retention rates of BIPOC librarians.
Dating back to 1925, when Wallace Wade coached the Crimson Tide to an undefeated season and earned a spot in the Rose Bowl, the driving goal of every University of Alabama football season has been a national championship. A winning team surfaced that very next year, when Hoyt “Wu” Winslett’s squad sealed the national championship at the Rose Bowl for a second time. Winning seasons and bowl games culminating in the coveted crown followed again in 1930, 1934, 1941, 1961, 1964, 1965, 1973, 1978, 1979, 1992, 2009, 2011, 2012, and 2015—more championships than any other college team in the nation.
Sixteen and Counting features a chapter highlighting each of these championship seasons and collects the legendary stories of many of the outstanding coaches and players on the University of Alabama’s championship teams. College football legends such as Wallace Wade, Wu Winslett, Johnny Mack Brown, Pooley Herbert, Frank Thomas, Dixie Howell, Don Hutson, Jimmy Nelson, Holt Rast, Pat Trammel, Sam Bailey, Lee Roy Jordan, Harry Gilmer, Bill Lee, Ken Stabler, Joe Namath, Gary Rutledge, Randy Billingsley, Barry Krauss, Clem Gryska, Gene Stallings, Paul “Bear” Bryant, and, of course, Nick Saban all make prominent appearances.
A seventeenth chapter is included that looks at the uncrowned teams commonly referred to as “the other five,” who were considered national champions by at least one national ranking service at the end of the season. Every glorious milestone and high point in Alabama football history is included here: “Mama called,” the wishbone formation, “The Goal Line Stand,” the Million Dollar Band, the coaching tower, the Davis kicking dynasty, the Notre Dame box, Coach of the Year, Team of the Decade, and two Heisman trophy winners.
“Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form—Sixteenth Modern American Authors—it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains.”—American Studies
All of these teachers have spent their careers teaching multiple sections of writing classes each semester or term, so this book presents readers with an impressive—and perhaps unprecedented—abundance of pedagogical expertise, teaching knowledge, and classroom experience. Sixteen Teachers Teaching is a book filled with joyfulness, wisdom, and pragmatic advice. It has been designed to be a source of inspiration for high school and college English teachers as they go about their daily work in the classroom.
Contributors: Peter Adams, Jeff Andelora, Helane Adams Androne, Taiyon J. Coleman, Renee DeLong, Kathleen Sheerin DeVore, Jamey Gallagher, Shannon Gibney, Joanne Baird Giordano, Brett Griffiths, Holly Hassel, Darin Jensen, Jeff Klausman, Michael C. Kuhne, Hope Parisi, and Howard Tinberg
Between Abraham Lincoln’s election in November 1860 and his departure for Washington three months later, journalist Henry Villard sent scores of dispatches from Springfield, Illinois, to various newspapers describing the president-elect’s doings, quoting or paraphrasing his statements, chronicling events in the Illinois capital, and analyzing the city’s mood. With Sixteenth President-in-Waiting Michael Burlingame has collected all of these dispatches in one insightful and informative volume.
Best known as a successful nineteenth-century railroad promoter and financier, German-born Henry Villard (1835–1900) was also among the most conscientious and able journalists of the 1860s. The dispatches gathered in this volume constitute the most intensive journalistic coverage that Lincoln ever received, for Villard filed stories from the Illinois capital almost daily to the New York Herald, slightly less often to the Cincinnati Commercial, and occasionally to the San Francisco Bulletin.
Lincoln welcomed Villard and encouraged him to ask questions, as he was the only full-time correspondent for out-of-town papers. He spoke with inside sources, such as Lincoln’s private secretaries John G. Nicolay and John Hay, devoted friends like Jesse K. Dubois and Stephen T. Logan, political leaders like Governor Richard Yates, and journalists like William M. Springer and Robert R. Hitt.
Villard boasted that he did Lincoln a service by scaring off would-be office seekers who, fearing to see their names published in newspapers, gave up plans to visit the Illinois capital to badger the president-elect. Villard may have done an even greater service by publicizing Lincoln’s views on the secession crisis.
His little-known coverage of the 1858 Lincoln-Douglas Senate race, translated from the German for the first time, is included as an appendix. At the time Villard was an ardent Douglas supporter, and his reports criticized Lincoln.
Not only informative but also highly readable, Villard’s vivid descriptions of Lincoln’s appearance, daily routine, and visitors, combined with fresh information about Springfielders, state political leaders, and the capital, constitute an invaluable resource.
A richly illustrated architectural “biography” of one of DC’s most important boulevards
Sixteenth Street NW in Washington, DC, has been called the Avenue of the Presidents, Executive Avenue, and the Avenue of Churches. From the front door of the White House, this north-south artery runs through the middle of the District and extends just past its border with Maryland. The street is as central to the cityscape as it is to DC’s history and culture.
In Sixteenth Street NW: Washington, DC’s Avenue of Ambitions, John DeFerrari and Douglas Peter Sefton depict the social and architectural history of the street and immediate neighborhoods, inviting readers to explore how the push and pull between ordinary Washingtonians and powerful elites has shaped the corridor—and the city. This highly illustrated book features notable buildings along Sixteenth Street and recounts colorful stories of those who lived, worked, and worshipped there. Maps offer readers an opportunity to create self-guided tours of the places and people that have defined this main thoroughfare over time.
What readers will find is that both then and now, Sixteenth Street NW has been shaped by a diverse array of people and communities. The street, and the book, feature a range of sites—from Black Lives Matter Plaza to the White House, from mansions and rowhomes to apartment buildings, from Meridian Hill (Malcolm X) Park with its drum circles to Rock Creek Park with its tennis tournaments, and from hotels to houses of worship. Sixteenth Street, NW reveals a cross section of Washington, DC, that shows the vibrant makeup of our nation’s capital.
Contributors to this issue represent a wide range of disciplines, from Latin American studies and sociology to political theory and literary criticism. They bring a global perspective to the social and political legacy of the 1960s, touching on the Caribbean, Latin America, the former USSR, China, and France, as well as the United States. One contributor presents a reexamination of Latin American armed struggles in the 1960s that foregrounds the relatively positive influence of these struggles on present-day Latin American society and politics. Another contributor translates a seminal essay on José Martí written by one of Cuba’s foremost intellectuals in the mid-1960s, when the course of the Cuban revolution was still uncertain. Yet another contributor considers the forces that have sought to neutralize the struggles and negate the gains of the African American liberation movement in the 1960s American South.
Contributors. John Beverley, Anthony Bogues, Christopher Connery, Roberto Fernández Retamar, Wlad Godzich, Boris Kagarlitsky, Nina Power, Hortense Spillers, Silvia D. Spitta, Alberto Toscano
Nora Sayre guides us through our nation’s transformation during an explosive decade. She explores the landscapes of the era--student strikes at Harvard and Yale, anti-war veterans, John Birchers, Timothy Leary, Yippies and Aquarians, utopias gone wrong, George McGovern, Spiro Agnew, Richard Nixon, George Wallace, black anger in Watts, the media at work, policemen in college, off-off Broadway, the 1972 Democratic and Republican Conventions, and the rebirth of feminism. Sixties Going on Seventies, nominated for a 1974 National Book Award, is also a chronicle of the shattering of cities, the problems of the left, the momentum of the right--and above all, the authentic voices of the people concerned. Sayre recorded all of these events and personalities in exhilarating prose; her witty observations are remarkably fresh today.
Now back in print, this revised edition contains the best of the original volume and brings the commentary up to date, allowing us to view the period with hindsight from the nineties.
Sixties Rock offers a provocative look at these artists and their innovations in two pivotal rock genres: garage rock and psychedelic music. Delving into everything from harmony to hardware, Michael Hicks shows what makes this music tick and what made it unique in its time. Looking at bands like the Doors, the Rolling Stones, the Yardbirds, and Love, Hicks puts legends and flashes in the pan alike through a rigorous analysis that places their music within rock history while exploring its place in the oft-swirling contexts of the time.
Sixties Sandstorm is not a book about dunes as much as it is a book about people and their government. It chronicles the public meetings, bills, protests, and congressional interactions that led to the signing of the Sleeping Bear Sand Dunes Act in 1970. The Dunes park fight is a case study of the politics, the legislative process, citizen response to the expanded role of government in the 1960s, and the rise of the environmental movement in America during that decade. Since Hart's legislation was made law, millions of Americans have traveled to the Sleeping Bear Sand Dunes National Lakeshore. Few imagine what the area would look like today if not for the efforts of people like Senator Hart. On the other hand, few appreciate the sacrifice of the landowners who-not always willingly-gave up their property in this place where, as one resident put it, "stars are closer to the earth than anywhere else in the world."
“If you remember the Sixties,” quipped Robin Williams, “you weren’t there.” That was, of course, an oblique reference to the mind-bending drugs that clouded perception—yet time has proven an equally effective hallucinogen. This book revisits the Sixties we forgot or somehow failed to witness. In a kaleidoscopic global tour of the decade, Gerard DeGroot reminds us that the “Ballad of the Green Beret” outsold “Give Peace a Chance,” that the Students for a Democratic Society were outnumbered by Young Americans for Freedom, that revolution was always a pipe dream, and that the Sixties belong to Reagan and de Gaulle more than to Kennedy and Dubcek.
The Sixties Unplugged shows how opportunity was squandered, and why nostalgia for the decade has obscured sordidness and futility. DeGroot returns us to a time in which idealism, tolerance, and creativity gave way to cynicism, chauvinism, and materialism. He presents the Sixties as a drama acted out on stages around the world, a theater of the absurd in which China’s Cultural Revolution proved to be the worst atrocity of the twentieth century, the Six-Day War a disaster for every nation in the Middle East, and a million slaughtered Indonesians martyrs to greed.
The Sixties Unplugged restores to an era the prevalent disorder and inconvenient truths that longing, wistfulness, and distance have obscured. In an impressionistic journey through a tumultuous decade, DeGroot offers an object lesson in the distortions nostalgia can create as it strives to impose order on memory and value on mayhem.
The late James M. Cain was a newspaperman, playwright, and novelist. Although best known for his controversial novels (The Postman Always Rings Twice, Double Indemnity, Mildred Pierce, Serenade, The Butterfly, and Past All Dishonor), Cain always considered himself a journalist, a "newpaperman who wrote yarns on the side." The book includes some of Cain's best articles and essays. The material is sometimes serious, sometimes humorous and provides a unique look at 60 years of history.
The Sixty Years' War for the Great Lakes contains twenty essays concerning not only military and naval operations, but also the political, economic, social, and cultural interactions of individuals and groups during the struggle to control the great freshwater lakes and rivers between the Ohio Valley and the Canadian Shield. Contributing scholars represent a wide variety of disciplines and institutional affiliations from the United States, Canada, and Great Britain.
Collectively, these important essays delineate the common thread, weaving together the series of wars for the North American heartland that stretched from 1754 to 1814. The war for the Great Lakes was not merely a sideshow in a broader, worldwide struggle for empire, independence, self-determination, and territory. Rather, it was a single war, a regional conflict waged to establish hegemony within the area, forcing interactions that divided the Great Lakes nationally and ethnically for the two centuries that followed.
The landscape of this novel in stories—Joseph Cardinale’s first book-length work of fiction—is as familiar as childhood yet beguilingly surreal. The question of whether or not the child in the first fiction and the man in the last story are the same person—and whether any person is the same from one moment to the next—is perhaps the book’s main question.
In prose as spare as it is meticulous, The Size of the Universe conjures an elegant labyrinth of time, space, and memory, in which a wavering self, a self on the verge of becoming nothing, seeks a safe haven from the throes of near-religious ecstasy. It is a debut work that is inviting, perplexing, and bold.
But does it matter that California's 32 million people have the same number of Senate votes as Wyoming's 480,000? Frances Lee and Bruce Oppenheimer systematically show that the Senate's unique apportionment scheme profoundly shapes legislation and representation. The size of a state's population affects the senator-constituent relationship, fund-raising and elections, strategic behavior within the Senate, and, ultimately, policy decisions. They also show that less populous states consistently receive more federal funding than states with more people. In sum, Lee and Oppenheimer reveal that Senate apportionment leaves no aspect of the institution untouched.
This groundbreaking book raises new questions about one of the key institutions of American government and will interest anyone concerned with issues of representation.
During his illustrious career he was a .340 hitter, twice achieving the rare feat of hitting more than .400. His 257 hits in 1920 is still the record for the “modern” era. Considered by many to be one of the game’s most skillful first basemen, he was the first at his position to be inducted into the National Baseball Hall of Fame. Yet unlike many of his peers who became household names, Sisler has faded from baseball’s collective consciousness.
Now in The Sizzler, this “legendary player without a legend” gets the treatment he deserves. Rick Huhn presents the story of one of baseball’s least appreciated players and studies why his status became so diminished. Huhn argues that the answer lies somewhere amid the tenor of Sisler’s times, his own character and demeanor, the kinds of individuals who are chosen as our sports heroes, and the complex definition of fame itself.
In a society obsessed with exposing the underbellies of its heroes, Sisler’s lack of a dark side may explain why less has been written about him than others. Although Sisler was a shy, serious sort who often shunned publicity, his story is filled with its own share of controversy and drama, from a lengthy struggle among major-league moguls for his contractual rights—a battle that helped change the structure of organized baseball forever—to a job-threatening eye disorder he developed during the peak of his career and popularity.
By including excerpts from Sisler’s unpublished memoir, as well as references to the national and international events that took place during his heyday, Huhn reveals the full picture of this family man who overcame great obstacles, stood on high principles, and left his mark on a game he affected in a positive way for fifty-eight years.
"Intellectually deft and lively to read, Skate Life is an important addition to the literature on youth cultures, contemporary masculinity, and the role of media in identity formation."
---Janice A. Radway, Northwestern University, author of Reading the Romance: Women, Patriarchy, and Popular Literature
"With her elegant research design and sophisticated array of anthropological and media studies approaches, Emily Chivers Yochim has produced one of the best books about race, gender, and class that I have read in the last ten years. In a moment where celebratory studies of youth, youth subcultures, and their relationship to media abound, this book stands as a brilliantly argued analysis of the limitations of youth subcultures and their ambiguous relationship to mainstream commercial culture."
---Ellen Seiter, University of Southern California
"Yochim has made a valuable contribution to media and cultural studies as well as youth and American studies by conducting this research and by coining the phrase 'corresponding cultures,' which conceptualizes the complex and dynamic processes skateboarders employ to negotiate their identities as part of both mainstream and counter-cultures."
---JoEllen Fisherkeller, New York University
Skate Life examines how young male skateboarders use skate culture media in the production of their identities. Emily Chivers Yochim offers a comprehensive ethnographic analysis of an Ann Arbor, Michigan, skateboarding community, situating it within a larger historical examination of skateboarding's portrayal in mainstream media and a critique of mainstream, niche, and locally produced media texts (such as, for example, Jackass, Viva La Bam, and Dogtown and Z-Boys). The book uses these elements to argue that adolescent boys can both critique dominant norms of masculinity and maintain the power that white heterosexual masculinity offers. Additionally, Yochim uses these analyses to introduce the notion of "corresponding cultures," conceptualizing the ways in which media audiences both argue with and incorporate mediated images into their own ideas about identity. In a strong combination of anthropological and media studies approaches, Skate Life asks important questions of the literature on youth and provides new ways of assessing how young people create their identities.
Emily Chivers Yochim is Assistant Professor in the Department of Communication Arts, Allegheny College.
Cover design by Brian V. Smith
Northwestern Plains prehistory and early history as told by human bones is vivid and dramatic. The skeletal and burial record spans thousands of years, a wide geographic expanse, and contains important evidence of human existence in this vast region of North America. This book helps clarify the emerging picture.
Most of the contributions assembled here were initially presented as part of a symposium at the Plains Conference in Oklahoma City in 2003. Twenty-one preeminent scholars, working across many fields within bioarchaeology and skeletal biology—including paleopathology, dental pathology, and human osteology—bring their expertise to bear not only on prehistoric Native American burials, but on numerous other case studies. They look at specific Wyoming samples of pioneer-era burials, Indian War–era casualties, historic Chinese burials, and remains from the Benick Ranch and the Korell-Bordeaux sites. Reports on Crow Indian mummies from Montana and military burials from Missouri and Nebraska continue the exploration into recent historic times.
Human burials provide a rich source of information about people’s lives—who they were, what activities they pursued, and how they may have participated in rituals of death and mourning. This volume is an authoritative statement on both the skeletal biology and bioarchaeology of the entire Northwestern Plains.
A Skeleton Plays Violin comprises the final volume in a trilogy of works by Trakl published by Seagull Books. This selection gathers Trakl’s early, middle, and late work, none of it published in book form during his lifetime. The work here ranges widely, from his haunting prose pieces to his darkly beautiful poems documenting the first bloody weeks of World War I on the Eastern Front.
Book Three of Our Trakl—the series that began with Trakl’s first book Poems and his posthumously published Sebastian Dreaming—also includes translations of unpublished poems and significant variants. Interpolated throughout this comprehensive and chronological selection is a biographical essay that provides more information about Trakl’s gifted and troubled life, especially as it relates to his poetry, as well as the necessary context of his relationship with his favorite sibling, his sister Grete, whose role as a muse to her brother is still highly controversial. Trakl’s life was mysterious and fascinating, a fact reflected in his work. A Skeleton Plays Violin should not be missed.
After fifteen years of full participation in a church that is open not only to skeptics but also to gay men and lesbians, blacks and Jews, where members are invited to critique Sunday sermons, and where hymns are rewritten to reflect feminist concerns, Kelley found that his agnosticism remained but his skepticism about church participation had disappeared. Modern urban life can be a sterile, isolating experience. Yet in St. Mark's Kelley discovered a place of vibrant community, honest inquiry, and support over the hard places in life.
An eminent pioneer of modern protein chemistry looks back on six decades in biochemical research and education to advance stimulating thoughts about science—how it is practiced, how it is explained, and how its history is written. Taking the title of his book from Robert Boyle’s classic, The Sceptical Chymist (1661), and Joseph Needham’s The Sceptical Biologist (1929), Joseph Fruton brings his own skeptical vision to bear on how chemistry and biology interact to describe living systems.
Scientists, philosophers, historians, and sociologists will seize upon the questions Fruton raises: What is the nature of the tension between the chemical and the biological sciences? What are the roots and future direction of molecular biology? What is the proper place of expert scientists in the historiography of science? How does the “scientific method” really work in practice? These and many other topics are fair game for this author’s wise critiques. In a stimulating final chapter, Fruton analyzes the evolution of key terms and symbols—the conceptual underpinnings used in the biochemical literature.
The problems Mates discusses are: the Liar paradox and Russell's Antinomy of the class of all nonself-membered classes; the problem of determinism and moral responsibility; and the existence of the external world. Clearly written and effectively organized, the book will be an excellent text for advanced students.
A clarion call for a new approach to feminist thought
In this major work, Carolyn Dever considers the ambivalence or outright hostility many feminists feel toward theory, arguing that a fundamental skepticism toward abstraction has been vital to the development of the movement.
Dever analyzes the politics of feminist theory by looking at its popular, activist, and academic modes, from the liberation movements of the 1970s to gender and queer studies now. Using key moments in the history of modern feminism-consciousness-raising, best-selling books like Sexual Politics by Kate Millett and The Women’s Room by Marilyn French, and media representations of women’s struggle for equality—Dever outlines heated debates over psychoanalysis, sexuality, and activism. The abstract and the grounded converge in discussions about the relationship between the feminist mind and the feminist body and in the preoccupation, both uneasy and utopian, with lesbian sexuality. Powerful, illuminating, and galvanizing, Skeptical Feminism traces the strategies the women’s movement has used to make theory matter—and points toward a new, politically engaged approach to feminist thought.
The two general essays that frame Skeptical Music make Bromwich's aesthetic commitments clear. In "An Art without Importance," published here for the first time, Bromwich underscores the trust between author and reader that gives language its subtlety and depth, and makes the written word adequate to the reality that poetry captures. For Bromwich, understanding the work of a poet is like getting to know a person; it is a kind of reading that involves a mutual attraction of temperaments. The controversial final essay, "How Moral Is Taste?," explores the points at which aesthetic and moral considerations uneasily converge. In this timely essay, Bromwich argues that the wish for excitement that poetry draws upon is at once primitive and irreducible.
Skeptical Music most notably offers incomparable readings of individual poets. An essay on the complex relationship between Hart Crane and T. S. Eliot shows how the delicate shifts of tone and shading in their work register both affinity and resistance. A revealing look at W. H. Auden traces the process by which the voice of a generation changed from prophet to domestic ironist. Whether discussing heroism in the poetry of Wallace Stevens, considering self-reflection in the poems of Elizabeth Bishop, or exploring the battle between the self and its images in the work of John Ashbery, Skeptical Music will make readers think again about what poetry is, and even more important, why it still matters.
Aryeh Botwinick argues for the recovery of a radical democratic tradition that emphasizes the role of individual participation in the development and control of social and political institutions. Such involvement implies philosophical skepticism—the assumption that the truth about what is the best course of action cannot be known with certainty and that, therefore, every person’s opinion has an equal claim to be considered. The crucial stumbling block to reappropriating this radical egalitarian tradition is the supposed unviability of a consistent skepticism. In an effort to chart a new course of philosophical inquiry into political matters, Botwinick grapples with the formulation of a consistent version of skepticism, claiming that it provides "a continually renewing impetus for the expansion of political participation."
Twentieth-century philosophers have, for the most part, opted for some version of mitigated skepticism, which, the author argues, "has blinded them to the radical political implications of skepticism." Underscoring a pattern of convergence between Anglo-American and Continental philosophy, Botwinick proposes a number of strategies to rehabilitate the rationality of participatory democratic political institutions by articulating an acceptable version of consistent skepticism.
He begins by laying out his own vision of the key principles of classical liberalism: respect for the autonomy of the individual, a strong system of private property rights, the voluntary exchange of labor and possessions, and prohibitions against force or fraud. Nonetheless, he not only recognizes but insists that state coercion is crucial to safeguarding these principles of private ordering and supplying the social infrastructure on which they depend. Within this framework, Epstein then shows why limited government is much to be preferred over the modern interventionist welfare state.
Many of the modern attacks on the classical liberal system seek to undermine the moral, conceptual, cognitive, and psychological foundations on which it rests. Epstein rises to this challenge by carefully rebutting each of these objections in turn. For instance, Epstein demonstrates how our inability to judge the preferences of others means we should respect their liberty of choice regarding their own lives. And he points out the flaws in behavioral economic arguments which, overlooking strong evolutionary pressures, claim that individual preferences are unstable and that people are unable to adopt rational means to achieve their own ends. Freedom, Epstein ultimately shows, depends upon a skepticism that rightly shuns making judgments about what is best for individuals, but that also avoids the relativistic trap that all judgments about our political institutions have equal worth.
A brilliant defense of classical liberalism, Skepticism and Freedom will rightly be seen as an intellectual landmark.
Major thinkers grapple with the challenge of this renowned liberal thinker.
As one of liberal theory’s most important gadflies, Richard Flathman has during the past four decades produced a significant body of work that is iconoclastic, idiosyncratic, and increasingly influential. Flathman criticizes liberal theory’s role in justifying a politics of governance that has drifted substantially from liberalism’s central commitments to individuality and freedom. It is this challenge, and its implications for the future of liberal theory, that brings together the diverse and distinguished authors of this volume. Topics include the relationships between theory and practice, skepticism and knowledge, individuality and egoism, negative and positive freedom, Hobbes and liberalism, as well as the uneasy connections among liberalism, feminism, and democratic politics.
Contributors: Ronald Beiner, U of Toronto; Jane Bennett, Goucher; William E. Connolly, Johns Hopkins; Peter Digeser, U of California, Santa Barbara; Richard Friedman, SUNY, Buffalo; Nancy J. Hirschmann, Cornell; George Kateb, Princeton; Patrick Neal, U of Vermont; Anne Norton, U of Pennsylvania; Richard Tuck, Harvard; Jeremy J. Waldron, Columbia; Linda Zerilli, Northwestern.
Sketch for a Self-Analysis is the ultimate outcome of Bourdieu’s lifelong preoccupation with reflexivity. Vehemently not an autobiography, this unique book is instead an application of Bourdieu’s theories to his own life and intellectual trajectory; along the way it offers compelling and intimate insights into the most important French intellectuals of the time—including Foucault, Sartre, Aron, Althusser, and de Beauvoir—as well as Bourdieu’s own formative experiences at boarding school and his moral outrage at the colonial war in Algeria.
Throughout his life, the great Swiss playwright and novelist Max Frisch (1911–1991) kept a series of diaries, or sketchbooks, as they came to be known in English. First published in English translation in the 1970s, these sketchbooks played a major role in establishing Frisch as, according to the New York Times, “the most innovative, varied and hard-to-categorize of all major contemporary authors.” His diaries, said the Times, “read like novels and his best novels are written like diaries.”
Now Seagull Books presents the first unabridged English translation of Sketchbooks, 1946–1949 in a new translation by Simon Pare. This edition reinstates material omitted from the 1977 edition, including a screenplay for an unmade film. In this first volume, which covers the years 1946 to 1949, Frisch chronicles the intellectual and material situation in postwar Europe from the vantage point of a citizen of a neutral, German-speaking country. His notes on travels to the scarred cities of Germany, to Austria, France, Italy, Prague, Wroclaw, and Warsaw paint a complex and stimulating picture of a continent emerging from the rubble as new fault lines are drawn between East and West. As Frisch completes his final architectural projects and garners early success as a writer, he reflects on theater, language, and writing, and he sketches the outlines of plays, including The Fire Raisers and Count Öderland.
Whatever experience he chronicles in the sketchbook—whether it’s a Bastille Day party, an Italian fish market, or a tightrope display amid the ruins of Frankfurt or an afternoon by Lake Zurich with Bertolt Brecht, to take just a few examples—his keen dramatist’s eye immerses the reader in the setting while also probing the deeper significance and motivations underlying the scene. This new translation will serve to draw out the immediacy and contemporary quality of Frisch’s observations from the shadow of his status as a classic author, bringing his work to life for a new audience.
By the time Swiss author Max Frisch published the second volume of his diaries or sketchbooks, he had achieved international recognition as a writer and dramatist. In this volume, he develops his version of the literary diary as a mosaic of musings on architecture and writing, travelogue, autobiography, and political insight. He considers Cold War tensions as well as the civil rights and anti–Vietnam War movements in the United States. Now middle-aged himself, he looks squarely at men’s evolving attitude to life, love, sex, women, and status. And for all the idyllic descriptions of his new home in Berzona, Frisch becomes increasingly critical of his native Switzerland, in particular the crackdowns on left-wingers and protestors, and receives abuse for his stance. Based on the second German edition that reinstated material that had been removed from the original 1972 version, this fresh and definitive translation brings an important mid-twentieth-century European classic back to life.
Mary Gordon Duffee's father, Matthew Duffee was born in Ireland and immigrated to Tuscaloosa, Alabama in 1823. In Tuscaloosa he operated a popular tavern, and he later bought a resort hotel at Blount Springs. Mary Duffee was born in Alabama in 1840 and spent many summers with her family at the resort. It was the journey to and from Blount Springs that inspired Duffee's best-known work, Sketches of Alabama, which originally appeared as fifty-nine articles in the Birmingham Weekly Iron Age in 1886 and 1887. She also contributed articles to several out-of-state newspapers, wrote guide books, advertising copy, and poetry. She died in 1920. This collection contains typescripts of some of Mary Gordon Duffee's Iron Age columns "Sketches of Alabama," manuscripts of seven of Duffee's poems, a typed biographical sketch of Duffee, undated, and Duffee's obituary from the Birmingham Age-Herald.
A lively report of travels in early nineteenth-century Texas and Louisiana and a fascinating account of the discovery, exploration, and settlement of those areas is presented in the work of this ebullient young French dramatist and journalist who traveled to Louisiana in 1837 and to Texas in 1839.
Frédéric Gaillardet, an alert and talented writer of the romantic school, was lured away for a decade from a successful career in Paris to satisfy his wanderlust and to seek inspiration on the American frontier. During that time he visited the American Southwest, and he talked with many personages there—men like Sam Houston, Mirabeau B. Lamar, and Achille Murat. His character sketches of these men add zest to the book, as do the facets of Gaillardet's own personality and life displayed in these pages.
Gaillardet's reports of his travels were published in various French-language newspapers of the time; a few were incorporated into the author's posthumous memoirs. His opinions, as recorded in his writings, exerted undeniable influence in the French decision to recognize Texas; one of his theses was that the Republic of Texas might become a curb, rather than a stepping stone, to an expanding United States. Despite Gaillardet's historical importance, however, none of these chapters has ever appeared before in English translation.
This collection was gathered from several sources: the Journal des Débats, the Constitutionnel, the Courrier des États-Unis, and Gaillardet's memoirs, entitled L'Aristocratie en Amérique.
The latter chapters concentrate on the career of a prominent Louisiana lawyer, politician, and diplomat, Pierre Soulé, whose much maligned name Gaillardet repeatedly and stoutly defended. A less favorable treatment of Soulé, contained in Fanny Calderón de la Barca's Attaché in Madrid, is reprinted in the appendix to aid the reader in judging the accuracy of Gaillardet's analysis of this arresting figure.
Copious footnotes to clarify the text have been added by the translator. His introduction presents a biographical sketch of Gaillardet, together with a careful analysis of the book, which has been translated lucidly and vividly.
This book is the first anthology of the autobiographical writings of Peter Randolph, a prominent nineteenth-century former slave who became a black abolitionist, pastor, and community leader.
Randolph’s story is unique because he was freed and relocated from Virginia to Boston, along with his entire plantation cohort. A lawsuit launched by Randolph against his former master’s estate left legal documents that corroborate his autobiographies.
Randolph's writings give us a window into a different experience of slavery and freedom than other narratives currently available and will be of interest to students and scholars of African American literature, history, and religious studies, as well as those with an interest in Virginia history and mid-Atlantic slavery.
A writer and former ski jumper facing a terminal diagnosis takes one more leap—into a past of soaring flights and broken family bonds
A brilliant ski jumper has to be fearless—Jon Bargaard remembers this well. His memories of daring leaps and risks might be the key to the book he’s always wanted to write: a novel about his family, beginning with Pops, once a champion ski jumper himself, who also took Jon and his younger brother Anton to the heights. But Jon has never been able to get past the next, ruinous episode of their history, and now that he has received a terrible diagnosis, he’s afraid he never will.
In a bravura performance, Peter Geye follows Jon deep into the past he tried so hard to leave behind, telling the story he spent his life escaping. It begins with a flourish, his father and his hard-won sweetheart fleeing Chicago, and a notoriously ruthless gangster, to land in North Minneapolis. That, at least, was the tale Jon heard, one that becomes more and more suspect as he revisits the events that eventually tore the family in two, sending his father to prison, his mother to the state hospital, and placing himself, a teenager, in charge of thirteen-year-old Anton. Traveling back and forth in time, Jon tells his family’s story—perhaps his last chance to share it—to his beloved wife Ingrid, circling ever closer to the truth about those events and his own part in them, and revealing the perhaps unforgivable violence done to the brothers’ bond.
The dream of ski jumping haunts Jon as his tale unfolds, daring time to stop just long enough to stick the landing. As thrilling as those soaring flights, as precarious as the Bargaard family’s complicated love, as tender as Jon’s backward gaze while disease takes him inexorably forward, Peter Geye’s gorgeous prose brings the brothers to the precipice of their relationship, where they have to choose: each other, or the secrets they’ve held so tightly for so long.
Walking in the footsteps of bank robbers and grave diggers, desperadoes and Native Americans, beer brewers and child brides, Capus uncovers story after story of adventure, violence, and exploration. Near Salt Wells, Nevada, he learns the story of a luckless inventor whose corpse was discovered frozen in the desert, an icicle hanging from its nose. In Skidoo, California, he tells us of a brawling bartender, Hootch Simpson, who was hanged twice—once by a mob, once by the law—before being beheaded during his autopsy. And in Flagstaff, Arizona, Capus traces the long-lost origins of Route 66, as a narrow, isolated trail for Edward Fitzgerald Beale’s Camel Corps.
Packed with period detail, and told with a verve and enthusiasm to rival Pecos Bill, the stories in Skidoo are sure to enchant any lover of Western tales or America’s wild history.
Skijoring is the exciting sport of being pulled on skis by one or more dogs in harness. With 200 pages and more than 75 photos and illustrations, Skijor With Your Dog is the first full-length volume written for those interested in this simple, enjoyable Scandinavian sport. In this book you will find: how to teach your dog to pull, what equipment you need, how to include children, racing tips and how to train for competition, and how to camp and travel with dogs.
Designed for easy reading, this practical guide to skijoring is a must for anyone interested in dogs, skiing, and winter fun.
Skijoring, or being pulled on skis by a dog in harness, is a great sport in which almost everyone—and almost any breed of dog—can participate. It requires little beyond a pair of skis and a dog with a desire to pull. The second edition of this popular and practical guide to the sport covers what equipment is needed, how to teach a dog to pull, and how to work with your dog year-round. Although it is geared toward beginners, Skijor with Your Dog offers plenty of useful information for experienced skijorers as well, including racing tips, how to involve children, how to camp and travel with dogs, and how to train for competition. The book also covers canicross, bikejoring, and other ways to work with dogs when there’s no snow.With this book in hand, readers will have all the information they need to begin enjoying the outdoors with their dogs in a whole new way.
Students are reading on screens more than ever—how can we teach them to be better digital readers?
Smartphones, laptops, tablets: college students are reading on-screen all the time, and digital devices shape students’ understanding of and experiences with reading. In higher education, however, teachers rarely consider how digital reading experiences may have an impact on learning abilities, unless they’re lamenting students’ attention spans or the distractions available to students when they’re learning online.
Skim, Dive, Surface offers a corrective to these conversations—an invitation to focus not on losses to student learning but on the spectrum of affordances available within digital learning environments. It is designed to help college instructors across the curriculum teach digital reading in their classes, whether they teach face-to-face, fully online, or somewhere in between. Placing research from cognitive psychology, neuroscience, learning science, and composition in dialogue with insight from the scholarship of teaching and learning, Jenae Cohn shows how teachers can better frame, scaffold, and implement effective digital reading assignments. She positions digital reading as part of a cluster of literacies that students should develop in order to communicate effectively in a digital environment.
Ostfeld and Yadon surveyed over 1,300 people about their political views, including party affiliation, their opinions on welfare, and the importance of speaking English in the U.S. The authors created a matrix grounded in their “Roots of Race” framework, which predicts the relationship between skin color and political attitudes for each ethnoracial group based on the blurriness of the group’s boundaries and historical levels of privilege. They draw upon three distinct measures of skin color to conceptualize the relationship between skin color and political views: “Machine-Rated Skin Color,” measured with a light-reflectance meter; “Self-Assessed Skin Color,” using the Yadon-Ostfeld Skin Color Scale; and “Skin Color Discrepancy,” the difference between one’s Machine-Rated and Self-Assessed Skin Color.
Ostfeld and Yadon examine patterns that emerge among these measures, and their relationships with life experiences and political stances. Among Latinos, a group with relatively blurry group boundaries and low levels of historical privilege, the authors find a robust relationship between political views and Self-Assessed Skin Color. Latinos who overestimate the lightness of their skin color are more likely to hold conservative views on current racialized political issues, such as policing. Latinos who overestimate the darkness of their skin color, on the other hand, are more likely to hold liberal political views. As America’s major political parties remain divided on issues of race, this suggests that for Latinos, self-reported skin color is used as a means of aligning oneself with valued political coalitions.
African Americans, another group with low levels of historical privilege but with more clearly defined group boundaries, demonstrated no significant relationship between skin color and political attitudes. Thus, the lived experiences associated with being African American appeared to supersede the differences in life experiences due to skin color.
Whites, a group with more historical privilege and increasingly blurry group boundaries, showed a clear relationship between machine-assessed skin color and attitudes on political issues. Those with darker Machine-Rated Skin Color are more likely to hold conservative views, suggesting that they are responding to the threat of losing their privilege in a multicultural society.
At a time when the U.S. is both more diverse and politically divided, Skin Color, Power, and Politics in Americais a timely account of the ways in which skin color and politics are intertwined.
Written by some of the nation's leading thinkers on race and colorism, these essays ask whether skin tone differentiation is imposed upon communities of color from the outside or is an internally-driven process aided and abetted by community members themselves. They also question whether the stratification process is the same for African Americans, Hispanics, and Asian Americans.
Skin Deep addresses such issues as the relationship between skin tone and self esteem, marital patterns, interracial relationships, socioeconomic attainment, and family racial identity and composition. The essays also grapple with emerging issues such as biracialism, color-blind racism, and 21st century notions of race.
The collection blends original and classic essays to reveal the interconnections among art, literature, public policy, the history of medicine, and theories about sexuality with regard to bodies that are both black and female. Contributors include Rachel Adams, Elizabeth Alexander, Lisa Collins, Bridgette Davis, Lisa E.Farrington, Anne Fausto-Sterling, Beverly Guy-Sheftall, Evelynn Hammonds, Terri Kapsalis, Jennifer L. Morgan, Siobhan B. Somerville, Kimberly Wallace-Sanders, Carla Williams, and Doris Witt.
Skin Deep, Spirit Strong: The Black Female Body in American Culture will appeal to both the academic reader attempting to integrate race into discussion about the female body and to the general reader curious about the history of black female representation.
Kimberly Wallace-Sanders is Assistant Professor, Graduate Institute of Liberal Arts and Institute of Women's Studies, Emory University.
Much of intercultural cinema, Marks argues, has its origin in silence, in the gaps left by recorded history. Filmmakers seeking to represent their native cultures have had to develop new forms of cinematic expression. Marks offers a theory of “haptic visuality”—a visuality that functions like the sense of touch by triggering physical memories of smell, touch, and taste—to explain the newfound ways in which intercultural cinema engages the viewer bodily to convey cultural experience and memory. Using close to two hundred examples of intercultural film and video, she shows how the image allows viewers to experience cinema as a physical and multisensory embodiment of culture, not just as a visual representation of experience. Finally, this book offers a guide to many hard-to-find works of independent film and video made by Third World diasporic filmmakers now living in the United States, Great Britain, and Canada.
The Skin of the Film draws on phenomenology, postcolonial and feminist theory, anthropology, and cognitive science. It will be essential reading for those interested in film theory, experimental cinema, the experience of diaspora, and the role of the sensuous in culture.
Deploying feminist and queer approaches to the monstrous body, Halberstam views the Gothic as a broad-based cultural phenomenon that supports and sustains the economic, social, and sexual hierarchies of the time. She resists familiar psychoanalytic critiques and cautions against any interpretive attempt to reduce the affective power of the monstrous to a single factor. The nineteenth-century monster is shown, for example, as configuring otherness as an amalgam of race, class, gender, and sexuality. Invoking Foucault, Halberstam describes the history of monsters in terms of its shifting relation to the body and its representations. As a result, her readings of familiar texts are radically new. She locates psychoanalysis itself within the gothic tradition and sees sexuality as a beast created in nineteenth century literature. Excessive interpretability, Halberstam argues, whether in film, literature, or in the culture at large, is the actual hallmark of monstrosity.
How does the notion of colorblind equality fit with the social and economic realities of black Americans? Challenging the increasingly popular argument that blacks should settle down, stop whining, and get jobs, Skin Trade insists that racism remains America's premier national story and its grossest national product. From Aunt Jemima Pancakes to ethnic Barbie dolls, corporate America peddles racial and gender stereotypes, packaging and selling them to us as breakfast food or toys for our kids.
Moving from the realm of child's play through the academy and the justice system, Ann duCille draws on icons of popular culture to demonstrate that it isn't just race and gender that matter in America but race and gender as reducible to skin color, body structure, and other visible signs of difference. She reveals that Mattel, Inc., uses stereotypes of gender, race, and cultural difference to mark--and market--its Barbie dolls as female, white, black, Asian, and Hispanic. The popularity of these dolls suggests the degree to which we have internalized dominant definitions of self and other.
In a similar move, Skin Trade interrogates the popular discourse surrounding the trial of O. J. Simpson, arguing that much of the mainstream coverage of the case was a racially coded message equally dependent on stereotypes. Focusing on Newsweek and Time in particular, duCille shows how the former All-American was depicted as un-American. She explores other collusions and collisions among race, gender, and capital as well. Especially concerned with superficial distinctions perpetuated within the academic community, the author argues that the academy indulges in its own skin trade in which both race and gender are hot properties.
By turns biting, humorous, and hopeful, Skin Trade is always riveting, full of strange connections and unexpected insights.
This book describes who American skinheads are, how they have developed within larger youth group scenes, their ideas and activities, the role of music in their formation and development, how they have been perceived by the media in America, and what damage they have done in American society. Jack B. Moore focuses on the cultural history of this group in America during the 1980s and suggests that while they were originally a minor distraction on the punk scene, they have grown into a dangerous and far more politically engaged source of hate thought and crime.
Cities are growing at unprecedented rates. Most continue to sprawl into the countryside. Some are only now adopting policies that attempt to control air pollution from vehicles, reduce water pollution from urban runoff, and repair fragmented urban ecosystems. Can good urban design and sound environmental design coincide at a neighborhood level to create healthy communities?
Absolutely, and the strategies presented by Cynthia Girling and Ronald Kellett in Skinny Streets and Green Neighborhoods illustrate how to weave together contemporary thinking in urban planning with open space planning and urban ecology. Drawing from eighteen case studies, these green neighborhoods are the best examples of how the natural environment can play integral roles in neighborhoods.
Green neighborhoods offer a mix of housing types in order to serve a broad cross-section of people with a finely-grained variety of land uses and services, all close to home. In ecologically sound communities, the urban landscape is a functioning part of the whole ecosystem. Wooded areas, meandering streams, wetlands, and open spaces are planned and engineered to clean the air and the water. Skinnier streets and practical pathways weave into a functional, economical network to provide a range of equally good transportation choices, from walking to mass transit, that move people efficiently and economically.
This book moves beyond identifying problems to demonstrate proven methods and models that solve multiple, complex problems in concert. With innovative ideas and practical advice, Skinny Streets and Green Neighborhoods is a guide for today's planners, architects, engineers, and developers to design better neighborhoods and a more natural metropolis.
It’s the early 1990s and Rudy Yellow Shirt and his brother, Mogie, are living on the Pine Ridge Reservation in South Dakota, home of the legendary Oglala Sioux warrior Crazy Horse. Both Vietnam veterans, the men struggle with daily life on the rez. Rudy, a criminal investigator with the Pine Ridge Public Safety Department, must frequently arrest his neighbors and friends, including his brother, who has become a rez wino.
But when Rudy falls and hits his head on a rock while pursuing a suspected murderer, Iktome the trickster enters his brain. Iktome restores Rudy’s youthful sexual vigor—long-lost to years of taking high blood pressure pills—and ignites his desire for political revenge via an alter ego, the “Avenging Warrior.” As the Avenging Warrior, Rudy takes direct action to punish local criminals. In a violent act, he torches the local liquor store, nearly burning Mogie alive while he is hiding on the store’s roof, plotting to steal booze. Although the brothers reconcile before Mogie dies, he leaves the Avenging Warrior with one final mission: go to Mount Rushmore and blow the nose off George Washington’s face.
Louis’s critically acclaimed novel was made into a movie in 2002, directed by Chris Eyre.
Turning to these mysterious anatomical remnants, she finds insight into the lingering questions of loss and the nagging sensations of being incomplete. For instance, in considering the appendix, Wiley finds herself working through her grief after the loss of her father, a sensation that again resurfaces in the face of the moon as she looks to the sky. Testing the boundaries of genre and fighting to expand the limits of perception, the stylized essays of Skull Cathedral embrace the strangeness of life through the lingering peculiarities of the human body. Skull Cathedral, Wiley’s second book of nonfiction, won the 2019 Autumn House Nonfiction Prize.
Turning to these mysterious anatomical remnants, she finds insight into the lingering questions of loss and the nagging sensations of being incomplete. For instance, in considering the appendix, Wiley finds herself working through her grief after the loss of her father, a sensation that again resurfaces in the face of the moon as she looks to the sky. Testing the boundaries of genre and fighting to expand the limits of perception, the stylized essays of Skull Cathedral embrace the strangeness of life through the lingering peculiarities of the human body. Skull Cathedral, Wiley’s second book of nonfiction, won the 2019 Autumn House Nonfiction Prize.
When Philadelphia naturalist Samuel George Morton died in 1851, no one cut off his head, boiled away its flesh, and added his grinning skull to a collection of crania. It would have been strange, but perhaps fitting, had Morton’s skull wound up in a collector’s cabinet, for Morton himself had collected hundreds of skulls over the course of a long career. Friends, diplomats, doctors, soldiers, and fellow naturalists sent him skulls they gathered from battlefields and burial grounds across America and around the world.
With The Skull Collectors, eminent historian Ann Fabian resurrects that popular and scientific movement, telling the strange—and at times gruesome—story of Morton, his contemporaries, and their search for a scientific foundation for racial difference. From cranial measurements and museum shelves to heads on stakes, bloody battlefields, and the “rascally pleasure” of grave robbing, Fabian paints a lively picture of scientific inquiry in service of an agenda of racial superiority, and of a society coming to grips with both the deadly implications of manifest destiny and the mass slaughter of the Civil War. Even as she vividly recreates the past, Fabian also deftly traces the continuing implications of this history, from lingering traces of scientific racism to debates over the return of the remains of Native Americans that are held by museums to this day.
Full of anecdotes, oddities, and insights, The Skull Collectors takes readers on a darkly fascinating trip down a little-visited but surprisingly important byway of American history.
But there’s far more to skunks than their stench, and with this beautifully illustrated entry in Reaktion’s Animal series, Alyce Miller gives these furry scavengers their due. More than being unappreciated, skunks, Miller reveals, have a long history of persecution: killed off as smelly nuisances, they have also been hunted for their fur and, yes, their unique musk, which has found a perhaps unexpected use in perfume. Moving from nature to culture, Miller delves into the long line of skunks that have played parts in literature, film, and folklore, from the antics of Pepe Le Pew to the role of skunks in Native American spiritual beliefs. As growing urban wildlife populations bring humans and skunks ever closer, Miller’s book will help us understand—and appreciate—these beautiful, intriguing, and wholly distinct animals.
In Skunk Hill, archeologist Robert A. Birmingham traces the largely unknown story of this community, detailing the role it played in preserving Native culture through a harsh period of US Indian policy from the 1880s to 1930s. The story’s central focus is the Drum Dance, also known as the Dream Dance or Big Drum, a pan-tribal cultural revitalization movement that swept the Upper Midwest during the Great Suppression, emphasizing Native values and rejecting the vices of the white world. Though the community disbanded by the 1930s, the site, now on the National Register of Historic
Places with two dance circles still visible on the grounds, stands as testimony to the efforts of its members to resist cultural assimilation.
An avid stargazer and astronomy columnist, Hunter covers all the basics—from the Moon, planets, and stars to the history and origins of constellations and selected famous astronomers and events. Emphasis is on naked-eye viewing with an occasional reference to using a pair of binoculars or a small telescope, encouraging beginners to explore the skies while giving them a solid understanding of what they see. Building on his writings for the long-running Sky Spy column, Hunter defines and outlines astronomical terms and how they relate to locating objects in the sky. He weaves in his personal experiences of what he learned about astronomy as a columnist for more than a decade, detailing his mistakes and triumphs to help other would-be astronomers excel in this heavenly hobby.
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