As the patron of travelers, Saint Christopher inspired one of the most popular cults in the medieval era, which spread across Europe and especially the Iberian Peninsula. Artistic renderings of the saint were found near the doors of most Spanish Gothic churches, and paratheatrical representations of Saint Christopher were also commonplace in religious processions. His conversion and martyrdom were often staged between the fifteenth and early eighteenth centuries. 

In the theater, Juan de Benavides’s Vida y muerte de San Cristóbal is one of two known comedias dealing with the saint, but it was heavily censored after its premiere. The immense popularity of St. Christopher and other primitive saints first drew the attention of the Council of Trent in the mid-1500s, when the Catholic Church attempted to suppress the influence of the earlier saints due to their fantastical nature. The stories of these saints were censored, rewritten or even omitted in the post-Tridentine martyrologies. This publication is the first critical edition of the only extant copy of Benavides’s playscript. The circumstances surrounding Benavides’s play continue a dialogue about such important topics as censorship and the influence of the church over artistic production.

Vienna in the Age of Uncertainty traces the vital and varied roles of science through the story of three generations of the eminent Exner family, whose members included Nobel Prize–winning biologist Karl Frisch, the teachers of Freud and of physicist Erwin Schrödinger, artists of the Vienna Secession, and a leader of Vienna’s women’s movement. Training her critical eye on the Exners through the rise and fall of Austrian liberalism and into the rise of the Third Reich, Deborah R. Coen demonstrates the interdependence of the family’s scientific and domestic lives, exploring the ways in which public notions of rationality, objectivity, and autonomy were formed in the private sphere. Vienna in the Age of Uncertainty presents the story of the Exners as a microcosm of the larger achievements and tragedies of Austrian political and scientific life in the late nineteenth and early twentieth centuries. 

Liberalism, in the nineteenth-century sense of the term, came to Austria much later than it came to western Europe, for it was not until the 1840s that the industrial revolution reached the Hapsburg Empire, bringing in its train miserable working conditions and economic upheaval, which created bitter resentment among the working classes and a longing for a Utopia that would cure the ills of mankind.

This new-found liberalism, largely self-contained and uninfluenced by liberal movements outside the empire, centered mainly in the idea of individual freedom and constitutional monarchism. In the end, the revolution failed because the moderates proved too weak to control the radical excesses, and the radicals in growing desperation tried to turn the rebel idea into a democratic and, at the extreme, a republican one. Fear of this extremism finally drove the moderates into the counterrevolutionary camp.

Since the Viennese rebels fought to achieve many of the goals fundamental to democracy, historians have generally tended to idealize the revolutionaries and forget their shortcomings. R. John Rath has sought to evaluate the revolution from the point of view of the political ideologies of 1848 rather than those of the mid-twentieth century. Moreover, he has clearly and objectively stated the case for both the left and the right, pointing out the failures and shortcomings of each.

At its publication, this was the first detailed English-language book on the Viennese Revolution of 1848 in more than a hundred years. The author has not confined himself to the bare bones of history. In his descriptions of the times and lively portrayals of the chief actors of the revolution, he has vividly restaged a drama of an ideal that failed.

Why did the Vietnamese accept certain Chinese institutions and yet explicitly reject others? How did Vietnamese cultural borrowings from China alter the dynamics of traditional relations between Vietnam, Siam, Laos, and Cambodia? How did Vietnam's smaller Southeast Asian environment modify and distort classical East Asian institutions?

Woodside has answered these questions in this well-received political and cultural study. This first real comparison of the civil governments of two traditional East Asian societies on an institution-by-institution basis is now reissued with a new preface.

Why did the Vietnamese accept certain Chinese institutions and yet explicitly reject others? How did Vietnamese cultural borrowings from China alter the dynamics of traditional relations between Vietnam, Siam, Laos, and Cambodia? How did Vietnam’s smaller Southeast Asian environment modify and distort classical East Asian institutions?

Alexander Woodside has answered these questions in this well-received political and cultural study. This first real comparison of the civil governments of two traditional East Asian societies on an institution-by-institution basis is now reissued with a new preface.

In the late 1980s, most of the world still associated Vietnam with resistance and war, hardship, refugees, and a mismanaged planned economy. During the 1990s, by contrast, major countries began to see Vietnam as both a potential partner and a strategically significant actor—particularly in the competition between the United States and an emerging China—and international investors began to see Vietnam as a land of opportunity.

Vietnam remains a Leninist party-state ruled by the Communist Party of Vietnam that has reconciled the supposedly irreconcilable: a one-party system and a market-based economy linked to global value chains. For the Party stability is crucial and, recently, increasing economic openness has been combined with growing political control and repression.

This book, undertaken by scholars from Vietnam, North America, and Europe, focuses on how the country’s governance shapes its politics, economy, social development, and relations with the outside world, as well as on the reforms required if Vietnam is to become a sustainable and modern high-income nation in the coming decades.

Despite the challenges, including systemic ones, the authors remain optimistic about Vietnam’s future, noting the evident vitality of a determined society.

In the late 1980s, most of the world still associated Vietnam with resistance and war, hardship, refugees, and a mismanaged planned economy. During the 1990s, by contrast, major countries began to see Vietnam as both a potential partner and a strategically significant actor—particularly in the competition between the United States and an emerging China—and international investors began to see Vietnam as a land of opportunity.

Vietnam remains a Leninist party-state ruled by the Communist Party of Vietnam that has reconciled the supposedly irreconcilable: a one-party system and a market-based economy linked to global value chains. For the Party stability is crucial and, recently, increasing economic openness has been combined with growing political control and repression.

This book, undertaken by scholars from Vietnam, North America, and Europe, focuses on how the country’s governance shapes its politics, economy, social development, and relations with the outside world, as well as on the reforms required if Vietnam is to become a sustainable and modern high-income nation in the coming decades.

Despite the challenges, including systemic ones, the authors remain optimistic about Vietnam’s future, noting the evident vitality of a determined society.

Haunting questions remain about our involvement in Vietnam. Perhaps the most persistent of these is whether President Kennedy would have ended American involvement in Vietnam if he had lived.

For many Americans, Oliver Stone's film JFK left no doubt that before his assassination Kennedy had determined to quit Vietnam. Yet the historical record offers a more complex answer. In this fresh look at the archival evidence, noted scholars take up the challenge to provide us with their conclusions about the early decisions that put the United States on the path to the greatest American tragedy since the Civil War. The tensions and turmoil that accompanied those decisions reveal the American presidency at the center of a storm of conflicting advice.

The book is divided into four sections. Parts one and two delve into the political and military contexts of the early decisions. Part three raises the intriguing questions of Kennedy's and Johnson's roles in the conflict, particularly the thorny issue of whether Kennedy did, in fact, intend to withdraw from Vietnam and whether Johnson reversed that policy. Part four reveals an uncanny parallel between early Soviet policy toward Hanoi and U.S. policy toward Saigon.

One of the most decorated groups that served in the Vietnam War, Chicanos fought and died in numbers well out of proportion to their percentage of the United States' population. Yet despite this, their wartime experiences have never received much attention in either popular media or scholarly studies. To spotlight and preserve some of their stories, this book presents substantial interviews with Chicano Vietnam veterans and their families that explore the men's experiences in combat, the war's effects on the Chicano community, and the veterans' postwar lives.

Lea Ybarra groups the interviews topically to bring out different aspects of the Chicano vets' experiences. In addition to discussing their involvement in and views on the Vietnam War, the veterans also reflect on their place in American society, American foreign policy, and the value of war. Veterans from several states and different socioeconomic classes give the book a broad-based perspective, which Ybarra frames with sociological material on the war and its impact on Chicanos.

With the Midwest under water, America had a chance to see how effectively it had “improved” its rivers. We’ve straightened and dredged them, revetted and rerouted them, made massive efforts to control them, yet our actions have been less than successful. Too often, physical changes made to a river conflict with natural processes, resulting in damage rather than alleviating it. Applying available knowledge on how rivers form and act could prevent such problems. Luna B. Leopold seeks to organize such knowledge. Widely regarded as the most creative scholar in the field of river morphology, Leopold presents a coherent description of the river, its shape, size, organization, and action, along with a consistent theory that explains much of the observed character of channels.

The laws of physics that govern rivers allow for variations, many of them dictated by random chance. Thus, a river’s adaptation, as Leopold describes it, tends toward the most probable form, the one with the least variance among hydraulic parameters. We see how this probabilistic tendency plays out as Leopold views the river as a whole from headwater to mouth, in the drainage net, in the behavior of meanders, and in aspects of sediment transport.

Grounded in hydraulics, geomorphology, and surveying, as well as in extensive fieldwork on rivers in the eastern and Rocky Mountain states, Leopold’s view of a river is at once technical and personal, providing both a firm foundation for understanding the behavior of rivers—including instructions for getting started in backyard hydrology—and a wealth of firsthand observations by a thoughtful and experienced scientist. It will be of immediate interest and great use as we seek to develop, preserve, and appreciate our most fluid natural resource.

What brought the ape out of the trees, and so the man out of the ape, was a taste for blood. This is how the story went, when a few fossils found in Africa in the 1920s seemed to point to hunting as the first human activity among our simian forebears—the force behind our upright posture, skill with tools, domestic arrangements, and warlike ways. Why, on such slim evidence, did the theory take hold? In this engrossing book Matt Cartmill searches out the origins, and the strange allure, of the myth of Man the Hunter. An exhilarating foray into cultural history, A View to a Death in the Morning shows us how hunting has figured in the western imagination from the myth of Artemis to the tale of Bambi—and how its evolving image has reflected our own view of ourselves.

A leading biological anthropologist, Cartmill brings remarkable wit and wisdom to his story. Beginning with the killer-ape theory in its post–World War II version, he takes us back through literature and history to other versions of the hunting hypothesis. Earlier accounts of Man the Hunter, drafted in the Renaissance, reveal a growing uneasiness with humanity’s supposed dominion over nature. By delving further into the history of hunting, from its promotion as a maker of men and builder of character to its image as an aristocratic pastime, charged with ritual and eroticism, Cartmill shows us how the hunter has always stood between the human domain and the wild, his status changing with cultural conceptions of that boundary.

Cartmill’s inquiry leads us through classical antiquity and Christian tradition, medieval history, Renaissance thought, and the Romantic movement to the most recent controversies over wilderness management and animal rights. Modern ideas about human dominion find their expression in everything from scientific theories and philosophical assertions to Disney movies and sporting magazines. Cartmill’s survey of these sources offers fascinating insight into the significance of hunting as a mythic metaphor in recent times, particularly after the savagery of the world wars reawakened grievous doubts about man’s place in nature.

A masterpiece of humanistic science, A View to a Death in the Morning is also a thoughtful meditation on what it means to be human, to stand uncertainly between the wilderness of beast and prey and the peaceable kingdom. This richly illustrated book will captivate readers on every side of the dilemma, from the most avid hunters to their most vehement opponents to those who simply wonder about the import of hunting in human nature.

Early in its history, anthropology was a visual as well as verbal discipline. But as time passed, visually oriented professionals became a minority among their colleagues, and most anthropologists used written words rather than audiovisual modes as their professional means of communication. Today, however, contemporary electronic and interactive media once more place visual anthropologists and anthropologically oriented artists within the mainstream. Digital media, small-sized and easy-to-use equipment, and the Internet, with its interactive and public forum websites, democratize roles once relegated to highly trained professionals alone. However, having access to a good set of tools does not guarantee accurate and reliable work. Visual anthropology involves much more than media alone.

This book presents visual anthropology as a work-in-progress, open to the myriad innovations that the new audiovisual communications technologies bring to the field. It is intended to aid in contextualizing, explaining, and humanizing the storehouse of visual knowledge that university students and general readers now encounter, and to help inform them about how these new media tools can be used for intellectually and socially beneficial purposes.

Concentrating on documentary photography and ethnographic film, as well as lesser-known areas of study and presentation including dance, painting, architecture, archaeology, and primate research, the book's fifteen contributors feature populations living on all of the world's continents as well as within the United States. The final chapter gives readers practical advice about how to use the most current digital and interactive technologies to present research findings.

“In recent decades, the deficiencies of our system of medical education and medical care have become clearer and more comprehensible to an expanding and highly vocal segment of the public. Many educators share the uneasiness and recognize the need for change.” These words from Dr. John Knowles's Preface define the context of this collection of thought-provoking essays, originally presented in 1966 as a series of lectures sponsored jointly by the Lowell Institute of Boston and Massachusetts General Hospital.

Written by seven men distinguished in the fields of medicine, education, and government, they are addressed to everyone, expert and layman alike, concerned with the quality of medical care in the United States. The ultimate aim of medicine is to enhance the quality of life by the prevention of disease and the comprehensive care of the sick. Technological advances continually provide us with new and better tools, but medicine is plagued by rising costs, inefficient use of facilities and personnel, and critical shortages of manpower. Each author, from his particular point of view, recognizes the need to bring medicine into contact with the social sciences, and presents concrete proposals for government aid and curriculum reform.

In spite of the hopes raised and achievements attained by the “Green Revolution,” the less developed rural countries of the world still must struggle for economic growth. Social scientists now focus on the human dimension of development. They search for change agents—men and women who have the initiative to cast aside traditional techniques and who are willing to introduce modern methods to their communities.

The Village Entrepreneur is a timely update on the new strategy of development. With financial backing from the Ford Foundation and the Indian government, Wayne G. Broehl and his associates undertook a comprehensive study of the village entrepreneur in South India. They interviewed hundreds of rural businessmen and attempted to pinpoint the qualities that distinguished change agents from their tradition-bound comrades. Further, they attempted to define the ways in which these agents can be used as conduits of progress. A significant section of the book describes a pilot program established to engender innovative attitudes. The book also provides a working model that will help apply the concept of change agents to other fields and other countries.

A categorical, but controversial, assumption of this work is that change is the sine qua non of development. Broehl believes that such change will necessarily be both economic and social and is likely to be political as well. Realistically presented and forcefully expressed, his findings are a strong contribution to recent development theory.

In August 1870, during a fair in the isolated French village of Hautefaye, a gruesome murder was committed in broad daylight that aroused the indignation of the entire country. A young nobleman, falsely accused of shouting republican slogans, was savagely tortured for hours by a mob of peasants who later burned him alive. Rumors of cannibalism stirred public fascination, and the details of the case were dramatically recounted in the popular press. While the crime was rife with political significance, the official inquiry focused on its brutality. Justice was swift: the mob’s alleged ringleaders were guillotined at the scene of the crime the following winter.

The Village of Cannibals is a fascinating inquiry by historian Alain Corbin into the social and political ingredients of an alchemy that transformed ordinary people into executioners in nineteenth-century France. Corbin’s chronicle of the killing is significant for the new light it sheds on the final eruption of peasant rage in France to end in murder. No other author has investigated this harrowing event in such depth or brought to its study such a wealth of perspectives.

Corbin explores incidents of public violence during and after the French Revolution and illustrates how earlier episodes in France’s history provide insight into the mob’s methods and choice of victim. He describes in detail the peasants’ perception of the political landscape and the climate of fear that fueled their anxiety and ignited long-smoldering hatreds. Drawing on the minutes of court proceedings, accounts of contemporary journalists, and testimony of eyewitnesses, the author offers a precise chronology of the chain of events that unfolded on the fairground that summer afternoon. His detailed investigation into the murder at Hautefaye reveals the political motivations of the murderers and the gulf between their actions and the sensibilities of the majority of French citizens, who no longer tolerated violence as a viable form of political expression. The book will be welcomed by scholars, students, and general readers for its compelling insights into the nature of collective violence.

In the village of the ghost bells, the church chimes ring—even though the church has no bells. One of the neighbors wants to buy dreams—or is she a dream that someone else is dreaming? Where and why do dreams become nightmares?

These are only some of the fascinating questions raised in Village of the Ghost Bells, Edla Van Steen’s second novel. First published in 1983 as Coraçôes mordidos, the novel tells the story of the would-be utopian community built on an old plantation of the outskirts of São Paulo, Brazil. Its atmosphere is dreamlike, often verging on the supernatural, and strange events signal the transformation of the utopian dream into a nightmare. Ultimately destroyed by greed, corruption, and exploitation, the community becomes a microcosm of the Brazilian socioeconomic system, in which it takes all of a person’s warmth, idealism, passion, and humor to survive the bleak environment.