A cooperative reflection on how to teach art.

How should art be taught? What kind of knowledge should artists absorb? How might an ordinary person become a creature addicted to the creative process? In other words, how can a non-artist become an artist? Such programmatic questions articulated by acclaimed Polish artist Artur Żmijewski were at the heart of the workshop “How to Teach Art?” Żmijewski invited a group of graduate and doctoral students from three Zurich universities—the Swiss Federal Institute of Technology, the University of Zurich, and the Zurich University of the Arts—to collectively reflect on their artistic practices. Over the course of four months, the group met several times a week for hourlong sessions, following individual and collective exercises induced by Żmijewski himself.
 
This book retraces the workshop and its process by showing inconclusive, fragmentary results between theory and practice. How to Teach Art? presents drawings, videos, photographs, 16mm films, and accompanying reflections on the central premise, “How to teach art?”

Power quality is necessary for electrical systems to operate in their intended manner without any deterioration of performance. This book highlights the new emerging challenges of power quality due to the penetration of large-scale renewable energy generation technologies, the advances in nonlinear loads, the increased electricity demands in the deregulated market, and the recent requirements of smart grids that need better hierarchical design with enhanced quality, improved controllability, higher reliability, and security. Novel research that links the past, present and future of electrical power grids from a power quality perspective is also introduced. Topics include power quality definitions; frequency-domain power theory and metering of harmonic pollution responsibility; active and passive harmonic filters; shunt flexible AC transmission; power quality improvement using series FACTS; distributed generation systems; islanding scenario generation algorithm; decentralised voltage control in smart grids; techno-economic issues of power quality; economic robust programming for energy management systems; and future trends in power quality.

In an era of increasing contributions from intermittent renewable resources, energy storage is becoming more important to ensure a resilient and reliable electricity supply. Energy Storage at Different Voltage Levels presents the technology, integration and market aspects of energy storage in the various generation, transmission, distribution, and customer levels of the grid.

Winner of the National Book Critics Circle Award

“Impeccably researched and seductively readable…tells the story of Sam Sharpe’s revolution manqué, and the subsequent abolition of slavery in Jamaica, in a way that’s acutely relevant to the racial unrest of our own time.” —Madison Smartt Bell, author of All Souls’ Rising

The final uprising of enslaved people in Jamaica started as a peaceful labor strike a few days shy of Christmas in 1831. A harsh crackdown by white militias quickly sparked a full-blown revolt, leaving hundreds of plantation houses in smoking ruins. The rebels lost their daring bid for freedom, but their headline-grabbing defiance triggered a decisive turn against slavery.

Island on Fire is a dramatic day-by-day account of these transformative events. A skillful storyteller, Tom Zoellner uses diaries, letters, and colonial records to tell the intimate story of the men and women who rose up and briefly tasted liberty. He brings to life the rebellion’s enigmatic leader, the preacher Samuel Sharpe, and shows how his fiery resistance turned the tide of opinion in London and hastened the end of slavery in the British Empire.

“Zoellner’s vigorous, fast-paced account brings to life a varied gallery of participants…The revolt failed to improve conditions for the enslaved in Jamaica, but it crucially wounded the institution of slavery itself.” —Fergus M. Bordewich, Wall Street Journal

“It’s high time that we had a book like the splendid one Tom Zoellner has written: a highly readable but carefully documented account of the greatest of all British slave rebellions, the miseries that led to it, and the momentous changes it wrought.” —Adam Hochschild, author of Bury the Chains

IEC 61499 is a standard for modelling distributed control systems for use in industrial automation, and is already having an impact on the design and implementation of industrial control systems that involve the integration of programmable logic controllers, intelligent devices and sensors.

According to the national mythology, the United States has long opened its doors to people from across the globe, providing a port in a storm and opportunity for any who seek it. Yet the history of immigration to the United States is far different. Even before the xenophobic reaction against European and Asian immigrants in the late nineteenth century, social and economic interest groups worked to manipulate immigration policy to serve their needs. In A Nation by Design, Aristide Zolberg explores American immigration policy from the colonial period to the present, discussing how it has been used as a tool of nation building.

A Nation by Design argues that the engineering of immigration policy has been prevalent since early American history. However, it has gone largely unnoticed since it took place primarily on the local and state levels, owing to constitutional limits on federal power during the slavery era. Zolberg profiles the vacillating currents of opinion on immigration throughout American history, examining separately the roles played by business interests, labor unions, ethnic lobbies, and nativist ideologues in shaping policy. He then examines how three different types of migration--legal migration, illegal migration to fill low-wage jobs, and asylum-seeking--are shaping contemporary arguments over immigration to the United States.

A Nation by Design is a thorough, authoritative account of American immigration history and the political and social factors that brought it about. With rich detail and impeccable scholarship, Zolberg's book shows how America has struggled to shape the immigration process to construct the kind of population it desires.

In No One's Witness Syd Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan—“No one / bears witness for the / witness”—to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life.

In The Last Good Neighbor Eric Zolov presents a revisionist account of Mexican domestic politics and international relations during the long 1960s, tracing how Mexico emerged from the shadow of FDR's Good Neighbor policy to become a geopolitical player in its own right during the Cold War. Zolov shows how President Adolfo López Mateos (1958–1964) leveraged Mexico's historical ties with the United States while harnessing the left's passionate calls for solidarity with developing nations in a bold attempt to alter the course of global politics. During this period, Mexico forged relationships with the Soviet Bloc, took positions at odds with US interests, and entered the scene of Third World internationalism. Drawing on archival research from Mexico, the United States, and Britain, Zolov gives a broad perspective on the multitudinous, transnational forces that shaped Mexican political culture in ways that challenge standard histories of the period.

A strong visual text that makes research on hospital architecture comprehensible.

This book addresses hospital architecture as a set of interlocked, overlapping spatial and social conditions, identifying ways that hospital spaces work to produce desired outcomes such as greater patient safety, increased care provider communication, and more intelligible corridors.
 
The volume brings together emerging research on hospital environments. Opening with a description of hospital architecture that emphasizes everyday relations, the book examines the patient room and its intervisibility with adjacent spaces, care teams and on-ward support for their work, and the intelligibility of public circulation spaces for visitors. The final chapter moves outside the hospital to describe the current healthcare crisis of the global pandemic. Reflective essays by practicing designers follow each chapter, bringing perspectives from professional practice into the discussion.
 
This volume provides new insights into how to better design hospitals through principles that have been tested empirically. It will become a reference for healthcare planners, designers, architects, and administrators, as well as for readers from sociology, psychology, and other areas of the social sciences.

At five years old, Kristal Brent Zook sat on the steps of a Venice Beach, California, motel trying to make sense of her white father’s abandonment, which left her feeling unworthy of a man’s love and of white protection. Raised by her working-class African American mother and grandmother, Zook was taught not to count on anyone, especially men. Men leave. Men disappoint. In adulthood she became a feminist, activist, and “race woman” journalist in New York City. Despite her professional success, something was missing. Coming to terms with her identity was a constant challenge.

The Girl in the Yellow Poncho is Zook’s coming-of-age tale about what it means to be biracial in America. Throughout, she grapples with in-betweenness while also facing childhood sexual assault, economic insecurity, and multigenerational alcoholism and substance abuse on both the Black and white sides of her family. Her story is one of strong Black women—herself, her cousin, her mother, and her grandmother—and the generational cycles of oppression and survival that seemingly defined their lives.

Setting out on an inner journey that takes her across oceans and continents, Zook tells the story of a little girl who never gives up on love, even long after it seems to have been destroyed. In the end she triumphs, reconciling with her father and mother to create the family of her dreams through forgiveness and sheer force of will. A testament to the power of settling into one’s authentic identity, this book tells a story of a daughter’s lifelong yearning, a mother’s rediscovery of lost love, and the profound power of atonement and faith to heal a broken family.

Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice modern scholars call triangular composition. But is there secret meaning in the triangular arrangements artists used, or just a pleasing symmetry? What do triangles really tell us about the European Renaissance and its most beguiling works of art?

In this book, Rebecca Zorach takes us on a lively hunt for the triangle’s embedded significance. From the leisure pursuits of Egyptian priests to Jacopo Tintoretto’s love triangles, Zorach explores how the visual and mathematical properties of triangles allowed them to express new ideas and to inspire surprisingly intense passions. Examining prints and paintings as well as literary, scientific, and philosophical texts, The Passionate Triangle opens up an array of new ideas, presenting unexpected stories of the irrational, passionate, melancholic, and often erotic potential of mathematical thinking before the Scientific Revolution.

How art played a central role in the design of America’s racial enterprise—and how contemporary artists resist it.
 
Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design.
 
Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons.
 

When he arrived in Moscow in 1851, a young Leo Tolstoy set himself three immediate aims: to gamble, to marry, and to obtain a post. At that time he managed only the first. The writer’s momentous life would be full of forced breaks and abrupt departures, from the death of his beloved parents and tortuous courtship to a deep spiritual crisis and an abandonment of the social class into which he had been born. He also made several attempts to break up with literature, but each time he returned to writing.
 
In this original and comprehensive biography, Andrei Zorin skillfully pieces together the life of one of the greatest novelists of all time. He offers both an innovative account of Tolstoy’s deepest feelings, emotions, and motives, as reflected in his personal diaries and letters, and a brilliant interpretation of his major works, including his celebrated novels on contemporary Russian society, War and Peace and Anna Karenina, and his significant philosophical writings.

The work is today considered to be one of the cornerstones of Hungarian literature, and one of most important works of the seventeenth century of any language, but has been virtually unknown and entirely inaccessible outside of Hungary -- until now.

People in many African communities live within a series of concentric circles when it comes to language. In a small group, a speaker uses an often unwritten and endangered mother tongue that is rarely used in school. A national indigenous language—written, widespread, sometimes used in school—surrounds it. An international language like French or English, a vestige of colonialism, carries prestige, is used in higher education, and promises mobility—and yet it will not be well known by its users.

The essays in Languages in Africa explore the layers of African multilingualism as they affect language policy and education. Through case studies ranging across the continent, the contributors consider multilingualism in the classroom as well as in domains ranging from music and film to politics and figurative language. The contributors report on the widespread devaluing and even death of indigenous languages. They also investigate how poor teacher training leads to language-related failures in education. At the same time, they demonstrate that education in a mother tongue can work, linguists can use their expertise to provoke changes in language policies, and linguistic creativity thrives in these multilingual communities.

Almost a century and a half went into the making of My Eighty Years in Texas. It began as a diary, kept by fifteen-year-old William Physick Zuber after he joined Sam Houston’s Texas army in 1836, hoping he could emulate the heroism of American Revolutionary patriots. Although his hopes were never realized, Zuber recorded the privations, victories, and defeats of armies on the move during the Texas Revolution, the Indian campaigns, and, as he styled it, the Confederate War.

In 1910, at the age of ninety, Zuber began the enormous task of transcribing his diaries and his memories for publication. After his death in 1913, the handwritten manuscript, 1, was placed in the Texas State Archives, where it was used as a reference source by students and scholars of Texas history. Over a half century after Zuber’s death, Janis Boyle Mayfield finally brought his publication plans to fruition.

Zuber details his early zest for learning and his laborious methods of self-education. He tells of the trials of organizing and teaching schools in the sparsely populated plains. He recalls the day-by-day happenings of a private soldier in the Texas army of 1836, the Texas Militia, and the Confederate army—including the mishaps of army life and the encounters with enemies from San Jacinto to Cape Girardeau. After the Civil War, his interest turns to the politics of Reconstruction, the veterans’ pension, and the founding of the Texas Veterans Association.

This is the story of and by an outspoken Texian, complete with his attitudes, principles, and moralizings, and the nineteenth-century style and flavor of his writing.

Included as an appendix is “An Escape from the Alamo,” the account of Moses Rose for which Zuber, who was a prolific writer, was best known. A historiography of the Rose story, a bibliography of Zuber’s published and unpublished writings, annotation, and an introduction are provided by Llerena Friend.

A clear explanation and provocative look at the impact of new technologies on world society. In our complex and multicultural society, racial identity is often as much a matter of family background, economic opportunity, and geographic location as it is determined by skin color or hair texture. And yet study after study is released and reported in the media regarding African American test scores, Asian American social mobility, and the white domination of our political institutions. In short, there is a fundamental disconnect between the nuanced understanding many people have of race and the ways it is studied and quantified by researchers. In this timely and hard-hitting volume, Tukufu Zuberi offers a concise account of the historical connections between the development of the idea of race and the birth of social statistics. Zuberi describes the ways race-differentiated data is misinterpreted in the social sciences and asks essential questions about the ways racial statistics are used: What is the value of knowing the income disparities or differences in crime and incarceration rates, differences in test scores, infant mortality rates, abortion frequencies, or choices of sexual partner between different racial groups? When these data are available, what should the principles be guiding their dissemination, interpretation, and analysis? How does the availability of this information shape public discourse, alter scientific research agendas, inform political decision making, and ultimately influence the very social meaning of racial difference? When statistics are interpreted in a racist manner, no matter how inadvertent the racism may be, the public is exposed to seemingly neutral information that in its effect is anything but neutral. Zuberi argues that statistical analysis can and must be deracialized, and that this deracialization is essential to the goal of achieving social justice for all. He concludes by putting forward a principle of racially conscious social justice, offering an incendiary and necessary correction to the inaccuracies that have plagued this topic at the center of American life. "Zuberi, who was named one of Philadelphia's 76 smartest people by Philadelphia Magazine, has written a brilliant new book, Thicker Than Blood. One of the most powerful claims of the book is that instead of being a fixed biological reality, race is instead a socially produced phenomenon. His point is to show just how vicious-especially through the use of statistics-the notion of race has been when it has been employed to protect the interest of those in power (whites), especially those who say that because race does not exist, racism is not real." Michael Eric Dyson in The Chicago Sun-Times "A call to action and, Zuberi hopes, a precursor to a conversation about the real meaning of race, ethnicity, and political power in America." Time Magazine "Tukufu Zuberi's critical assessment of the analysis of racial data in Thicker Than Blood is a tour de force. His discussion and evaluation of the use of racial statistics in historical and cross-cultural contexts is original and important. I strongly feel that all students and scholars in the social sciences should read this thoughtful book." William Julius Wilson Tukufu Zuberi is professor of sociology and director of the African Census Analysis Project at the University of Pennsylvania. He is the author of Swing Low, Sweet Chariot (1995).

First held in 1987, Jaialdi is the United States’s largest Basque festival and takes place in Boise every five years. Through vivid photography and a recounting of personal interviews with event founders and organizers, Jaialdi: A Celebration of Basque Culture provides a stunning account of how the ancient traditions of these industrious people are showcased through the activities and events of Jaialdi. 
​
Organized and staffed entirely by volunteers, Jaialdi attracts 35,000 to 50,000 visitors from around the world. Attendees enjoy festivities featuring Basque culture, including dancing, music, food, and competitive feats of strength. Photographer Jon C. Hodgson captures the spirit and merriment of the festival in vivid detail, taking readers on a journey into the heart of Basque culture. Coupled with author Nancy Zubiri’s observations from her own attendance at nearly every Jaialdi since 1987, the book reveals how Boise’s Basque community has committed to host the festival and why the celebration remains so popular today. 

The Basque diaspora to the United States began in the late 1800s when these determined immigrants came seeking a new life filled with opportunities. Many were sheepherders who adapted to American life while maintaining their ties to the traditions of the Basque Country. Jaialdi: A Celebration of Basque Culture illuminates how this festival honors these traditions and captures the essence of the ancient Basque people, who are preserving their heritage while embracing life in the twenty-first-century West.

 

Among the least-chronicled aspects of post–World War II European intellectual and cultural history is the story of the Russian intelligentsia after Stalin. Young Soviet veterans had returned from the heroic struggle to defeat Hitler only to confront the repression of Stalinist society. The world of the intelligentsia exerted an attraction for them, as it did for many recent university graduates. In its moral fervor and its rejection of authoritarianism, this new generation of intellectuals resembled the nineteenth-century Russian intelligentsia that had been crushed by revolutionary terror and Stalinist purges. The last representatives of the Russian intelligentsia, heartened by Khrushchev’s denunciation of Stalinism in 1956, took their inspiration from the visionary aims of their nineteenth-century predecessors and from the revolutionary aspirations of 1917. In pursuing the dream of a civil, democratic socialist society, such idealists contributed to the political disintegration of the communist regime.

Vladislav Zubok turns a compelling subject into a portrait as intimate as it is provocative. The highly educated elite—those who became artists, poets, writers, historians, scientists, and teachers—played a unique role in galvanizing their country to strive toward a greater freedom. Like their contemporaries in the United States, France, and Germany, members of the Russian intelligentsia had a profound effect during the 1960s, in sounding a call for reform, equality, and human rights that echoed beyond their time and place.

Zhivago’s children, the spiritual heirs of Boris Pasternak’s noble doctor, were the last of their kind—an intellectual and artistic community committed to a civic, cultural, and moral mission.

Covering the volatile period from 1945 to 1962, Vladislav Zubok and Constantine Pleshakov explore the personalities and motivations of the key people who directed Soviet political life and shaped Soviet foreign policy. They begin with the fearsome figure of Joseph Stalin, who was driven by the dual dream of a Communist revolution and a global empire. They reveal the scope and limits of Stalin’s ambitions by taking us into the world of his closest subordinates, the ruthless and unimaginative foreign minister Molotov and the Party’s chief propagandist, Zhdanov, a man brimming with hubris and missionary zeal. The authors expose the machinations of the much-feared secret police chief Beria and the party cadre manager Malenkov, who tried but failed to set Soviet policies on a different course after Stalin’s death. Finally, they document the motives and actions of the self-made and self-confident Nikita Khrushchev, full of Russian pride and party dogma, who overturned many of Stalin’s policies with bold strategizing on a global scale. The authors show how, despite such attempts to change Soviet diplomacy, Stalin’s legacy continued to divide Germany and Europe, and led the Soviets to the split with Maoist China and to the Cuban missile crisis.

Zubok and Pleshakov’s groundbreaking work reveals how Soviet statesmen conceived and conducted their rivalry with the West within the context of their own domestic and global concerns and aspirations. The authors persuasively demonstrate that the Soviet leaders did not seek a conflict with the United States, yet failed to prevent it or bring it to conclusion. They also document why and how Kremlin policy-makers, cautious and scheming as they were, triggered the gravest crises of the Cold War in Korea, Berlin, and Cuba. Taking us into the corridors of the Kremlin and the minds of its leaders, Zubok and Pleshakov present intimate portraits of the men who made the West fear, to reveal why and how they acted as they did.

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A Times Higher Education Book of the Week

A virulent strain of antifeminism is thriving online that treats women’s empowerment as a mortal threat to men and to the integrity of Western civilization. Its proponents cite ancient Greek and Latin texts to support their claims—from Ovid’s Ars Amatoria to Seneca and Marcus Aurelius—arguing that they articulate a model of masculinity that sustained generations but is now under siege. Not All Dead White Men reveals that some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online.

“A chilling account of trolling, misogyny, racism, and bad history proliferated online by the Alt-Right… Zuckerberg makes a persuasive case for why we need a new, more critical, and less comfortable relationship between the ancient and modern worlds in this important and very timely book.”
—Emily Wilson, translator of The Odyssey

“Explores how ideas about Ancient Greece and Rome are used and misused by antifeminist thinkers today.”
—Time

“Zuckerberg presciently analyzes these communities’…embrace of stoicism as a self-help tool to gain confidence, jobs, and girlfriends. Their adoration of men like Marcus Aurelius, Epictetus, and Ovid…is founded in a limited and distorted interpretation of ancient philosophy…lending heft and authority to sexism and abuse.”
—The Nation

“Traces the application—and misapplication—of classical authors and texts in online communities that see feminism as a threat.”
—Bitch Media

Using classic theories and methodologies, this collection maintains that individuals make political choices by taking into account the views, preferences, evaluations, and actions of other people who comprise their social networks. These include family members, friends, neighbors, and workmates, among others. The volume re-establishes the research of the Columbia School of Electoral Sociology from several decades ago, and contrasts it with rational choice theory and the Michigan School of Electoral Analysis. Written by political scientists with a range of interests, this volume returns the social logic of politics to the heart of political science.

This ethnographic book deals with the emergence of the Wali Pitu (seven saints) tradition and Muslim pilgrimage in Bali, Indonesia. It touches upon the issues of translocal connectivity between Java and Bali, Islam-Hindu relationship, relations between Muslim groups, and questions of authority and authenticity of saint worship tradition. It offers a new perspective on Bali, seeing the island as a site of cultural motion straddling in between Islam and Hinduism with complexities of local figurations, and belongings of ‘Muslim Balinese’. The study also urges the intricate relationship between religion and tourism, between devotion and economy, and shows that the Wali Pitu tradition has facilitated the transgression of spatial and cultural boundaries.

The great Arab singer Asmahan was the toast of Cairo song and cinema in the late 1930s and early 1940s, as World War II approached. She remained a figure of glamour and intrigue throughout her life and lives on today in legend as one of the shaping forces in the development of Egyptian popular culture. In this biography, author Sherifa Zuhur does a thorough study of the music and film of Asmahan and her historical setting.

A Druze princess actually named Amal al-Atrash, Asmahan came from an important clan in the mountains of Syria but broke free from her traditional family background, left her husband, and became a public performer, a role frowned upon for women of the time.

This unique biography of the controversial Asmahan focuses on her public as well as her private life. She was a much sought-after guest in the homes of Egypt's rich and famous, but she was also rumored to be an agent for the Allied forces during World War II.

Through the story of Asmahan, the reader glimpses not only aspects of the cultural and political history of Egypt and Syria between the two world wars, but also the change in attitude in the Arab world toward women as public performers on stage. Life in wartime Cairo comes alive in this illustrated account of one of the great singers of the Arab world, a woman who played an important role in history.

This volume, Volume 1, presents Marggrafe’s stunning biography. Volume 2 consists of a text edition of his astronomical legacy, prepared for the printing press in the 1650s, but only now finalized and published. Georg Marggrafe (1610-1643) is today hailed as the principal author of an influential account of the natural history of Northern Brazil and as compiler of the first accurate map of the area, which is considered as one of the most elegant products of seventeenth-century Dutch cartography. But initial he had the ambition to become known in astronomy. With the support Johan Maurits van Nassau-Siegen, then governor-general of colonial Dutch Brazil, he built in Recife the first European-style astronomical observatory on the South-American continent, where he systematically charted the southern stars. He intended to supplement the famous astronomer Tycho Brahe, who charted the Northern sky half a century before. But Marggrafe’s untimely death (and the negligence of a Leiden professor) prevented the publication of his valuable observations. As a result, Marggrafe did not achieve fame in astronomy, but instead became famous for his equally remarkable other achievements.

An Evangelical Adrift is a theological biography of John Henry Newman (1801-1890) that reconstructs the most formative period in his development: the years between his teenage conversion to evangelicalism in 1816 and the beginning of the Tractarian Movement in 1833. By the early 1830s, Newman had explicitly rejected much of the theology he espoused in the late 1810s and early 1820s, and developed a highly original, deeply personal, and quite radical alternative, whose fundamental notions continued to shape his thought in later life. To date, there is neither a historically accurate nor a theologically sophisticated account of this change: the period in which it occurred is neglected, its significance is overlooked, its nature and content are misrepresented, and its scope is narrowed. Besides being modelled on Newman’s own brief treatment of the period in his autobiographical Apologia pro vita sua (1864), later scholarly accounts are burdened by a persistent assumption that Newman’s catholic sensibility and anti-liberal convictions were constants throughout his life. This assumption was problematized by Frank Turner’s revisionist biography of the Anglican Newman (2002) and the ensuing debate about its reception. Zuijdwegt argues that Turner rightly identified evangelicalism as a key polemical target of the Anglican Newman, but stretched his argument too far by reducing Newman’s self-proclaimed lifelong battle against liberalism as a much later gloss on this earlier history. The present study offers a compelling alternative to both mainline and revisionist interpretations. Based on detailed historical and theological analysis of the whole range of primary sources (including much neglected published and unpublished material), it meticulously reconstructs Newman’s youthful adoption of, gradual departure from, and theological alternative to evangelicalism. Against most mainline studies, it argues that this was a fundamental transformation, affecting nearly every aspect of Newman’s theology. Against Turner and other revisionists, it argues that this change was the product of careful and consistent theological reasoning and reflection, and that anti-liberalism was just as integral to it as anti-evangelicalism.

Is the point of philosophy to transmit beliefs about the world, or can it sometimes have higher ambitions? In this bold study, Karen Zumhagen-Yekplé makes a critical contribution to the “resolute” program of Wittgenstein scholarship, revealing his Tractatus Logico-Philosophicus as a complex, mock-theoretical puzzle designed to engage readers in the therapeutic self-clarification Wittgenstein saw as the true work of philosophy. Seen in this light, Wittgenstein resembles his modernist contemporaries more than might first appear. Like the literary innovators of his time, Wittgenstein believed in the productive power of difficulty, in varieties of spiritual experience, in the importance of age-old questions about life’s meaning, and in the possibility of transfigurative shifts toward the right way of seeing the world. In a series of absorbing chapters, Zumhagen-Yekplé shows how Kafka, Woolf, Joyce, and Coetzee set their readers on a path toward a new way of being. Offering a new perspective on Wittgenstein as philosophical modernist, and on the lives and afterlives of his indirect teaching, A Different Order of Difficulty is a compelling addition to studies in both literature and philosophy.

Power transformers are static devices transferring electrical energy between two circuits with separate systems of alternating voltages, by means of electromagnetic induction. They are used to connect power networks and components with different voltage levels. Transformers are essential components for the transmission, distribution, and utilization of electric power in large power grids, which are facing increasingly demanding requirements for power quality, integration of renewable sources and demand side management. Transformers benefit from the recent technological developments in components, design and construction.

In this compelling interdisciplinary study of what has been called the "century of illegitimacy," Lisa Zunshine seeks to uncover the multiplicity of cultural meanings of illegitimacy in the English Enlightenment. Bastards and Foundlings pits the official legal views on illegitimacy against the actual everyday practices that frequently circumvented the law; it reconstructs the history of social institutions called upon to regulate illegitimacy, such as the London Foundling Hospital; and it examines a wide array of novels and plays written in response to the same concerns that informed the emergence and functioning of such institutions. By recreating the context of the national preoccupation with bastardy, with a special emphasis on the gender of the fictional bastard/foundling, Zunshine offers new readings of "canonical" texts, such as Steele's The Conscious Lovers, Defoe's Moll Flanders, Fielding's Tom Jones, Moore's The Foundling, Colman's The English Merchant, Richardson's Clarissa and Sir Charles Grandison, Burney's Evelina, Smith's Emmeline, Edgewort's Belinda, and Austen's Emma, as well as of less well-known works, such as Haywood's The Fortunate Foundlings, Shebbeare's The Marriage Act, Bennett's The Beggar Girl and Her Benefactors, and Robinson's The Natural Daughter.

Why We Read Fiction offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as “Theory of Mind” and discusses its implications for literary studies. It covers a broad range of fictional narratives, from Richardson’s Clarissa, Dostoyevski’s Crime and Punishment, and Austen’s Pride and Prejudice to Woolf’s Mrs. Dalloway, Nabokov’s Lolita, and Hammett’s The Maltese Falcon. Zunshine’s surprising new interpretations of well-known literary texts and popular cultural representations constantly prod her readers to rethink their own interest in fictional narrative. Written for a general audience, this study provides a jargon-free introduction to the rapidly growing interdisciplinary field known as cognitive approaches to literature and culture.