A SCHOLARLY BOOK REPOSITORY102 start with L start with L
While women's historic exclusion from STEM fields has been receiving increased scrutiny worldwide, women within the Spanish context have been perhaps even more peripheral given the complex sociocultural structures emanating from gender norms and political ideologies dominant in nineteenth- and twentieth-century Spain. Nonetheless, Spanish female cultural producers have long been engaged with science and technology, as expressed in literature, art, film, and other genres. Spanish arts and letters offer diverse representations of the relationships between women, gender, sexuality, race, and STEM fields.
A Laboratory of Her Own studies representations of a diverse range of Spanish women and scientific cultural products from the late nineteenth through the twenty-first centuries. STEM topics include the environment, biodiversity, temporal and spatial theories, medicine and reproductive rights, neuroscience, robotics, artificial intelligence, and quantum physics. These scientific themes and other issues are analyzed in narratives, paintings, poetry, photographs, science fiction, medical literature, translation, newswriting, film, and other forms.
Laboring in the Shadow of Empire: Race, Gender, and Care Work in Portugal examines the everyday lives of an African-descendant care service workforce that labors in an ostensibly “anti-racial” Europe and against the backdrop of the Portuguese colonial empire. While much of the literature on global care work has focused on Asian and Latine migrant care workers, there is comparatively less research that explicitly examines African care workers and their migration histories to Europe. Sociologist Celeste Vaughan Curington focuses on Portugal—a European setting with comparatively liberal policies around family settlement and naturalization for migrants. In this setting, rapid urbanization in the late twentieth century, along with a national push to reconcile work and family, has shaped the growth of paid home care and cleaning service industries. Many researchers focus on informal work settings, where immigrant rights are restricted and many workers are undocumented or without permanent residence status. Curington instead examines workers who have accessed citizenship or permanent residence status and also explores African women’s experiences laboring in care and service industries in the formal market, revealing how deeply colonial and intersectional logics of a racialized and international division of reproductive labor in Portugal render these women “hyper-invisible” and “hyper-visible” as “appropriate” workers in Lisbon.
The American adult education system has become an alternative for school dropouts, with some state welfare policies requiring teen mothers and women without high school diplomas to participate in adult education programs to receive aid. Currently, low-income women of color are more likely to be enrolled in the lowest levels of adult basic education. Very little has been published about women's experiences in these mandatory programs and whether the programs reproduce the conditions that forced women to drop out in the first place.
Lorna Rivera bridges the gap with this important study, the product of ten years' active ethnographic research with formerly homeless women who participated in adult literacy education classes before and after welfare reform. She draws on rich interviews with organizers and participants in the Adult Learners Program at Project Hope, a women's shelter and community development organization in Boston's Dudley neighborhood, one of the poorest in the city.
Analyzing the web of ideological contradictions regarding "work first" welfare reform policies, Rivera argues that poverty is produced and reproduced when women with low literacy skills are pushed into welfare-to-work programs and denied education. She examines how various discourses about individual choice and self-sufficiency shape the purposes of literacy, how low-income women express a sense of personal responsibility for being poor, and how neoliberal ideologies and practices compromise the goals of critical literacy programs. Throughout this study, the voices and experiences of formerly homeless women challenge cultural stereotypes about poor women, showing in personal and structural terms how social and economic forces shape and restrict opportunities for low-income women of color.
In addition to population and industrial censuses, Hutchison culls published and archival sources to illuminate such misconceptions and to reveal how women’s paid labor became a locus of anxiety for a society confronting social problems—both real and imagined—that were linked to industrialization and modernization. The limited options of working women were viewed by politicians, elite women, industrialists, and labor organizers as indicative of a society in crisis, she claims, yet their struggles were also viewed as the potential springboard for reform. Labors Appropriate to Their Sex thus demonstrates how changing norms concerning gender and work were central factors in conditioning the behavior of both male and female workers, relations between capital and labor, and political change and reform in Chile.
This study will be rewarding for those whose interests lie in labor, gender, or Latin American studies; as well as for those concerned with the histories of early feminism, working-class women, and sexual discrimination in Latin America.
Anaïs Nin’s Ladders to Fire interweaves the stories of several women, each emotionally inhibited in her own way: through self-doubt, fear, guilt, moral drift, and distrust. The novel follows their inner struggles to overcome these barriers to happiness and wholeness. The author’s own experiences, as recorded in her famous diaries, supplied the raw material for her fiction. It was her intuitive, experimental, and always original style that transformed one into the other. Nin herself memorably claimed that “it was the fiction writer who edited the diary.”
Ladders to Fire is the first book of Nin’s continuous novel, Cities of the Interior, which also includes Children of the Albatross,The Four-Chambered Heart,A Spy in the House of Love, and Seduction of the Minotaur. These loosely interlinked stories develop the characters and themes established in the first volume, leading slowly toward a resolution of inner turmoil and conflict.
This Swallow Press reissue of Ladders to Fire includes a new introduction by Nin scholar Benjamin Franklin V, as well as Gunther Stuhlmann’s classic foreword to the 1995 edition.
After struggling with her own press and printing her own works, Anaïs Nin succeeded in getting Ladders to Fire accepted and published in 1946. This recognition marked a milestone in her life and career. Admitted into the fellowship of American novelists, she maintained the individuality of her literary style. She resisted realistic writing and drew on the experience and intuitions of her diary to forge a novelistic style emphasizing free association, the language of emotion, spontaneity, and improvisation.
Ladders to Fire is the first volume of Nin’s celebrated series of novels called Cities of the Interior
For Anaïs Nin, her writing and her life were not separable, they were both part of the same experience. She claimed that “is it the fiction writer who edited the diary.”
Anaïs Nin continues to find an audience, whether for her fiction, her diaries, or her own life story, which has enjoyed the attention of biographers and filmmakers. This 1995 reissue of Ladders to Fire has a new cover and foreword.
Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a new society, and a new identity for themselves and for the women who would follow them.
Their adventures were shared with the likes of Theodore Roosevelt and Robert Henri, Edgar Hewett and Charles Lummis, Chief Tawakwaptiwa of the Hopi, and Hostiin Klah of the Navajo. Their journeys took them to Monument Valley and Rainbow Bridge, into Canyon de Chelly, and across the high mesas of the Hopi, down through the Grand Canyon, and over the red desert of the Four Corners, to the pueblos along the Rio Grande and the villages in the mountains between Santa Fe and Taos.
Although their stories converge in the outback of the American Southwest, the saga of Ladies of the Canyons is also the tale of Boston’s Brahmins, the Greenwich Village avant-garde, the birth of American modern art, and Santa Fe’s art and literary colony.
Ladies of the Canyons is the story of New Women stepping boldly into the New World of inconspicuous success, ambitious failure, and the personal challenges experienced by women and men during the emergence of the Modern Age.
George Robb’s pioneering study explores the financial methods, accomplishments, and careers of three generations of women. Plumbing sources from stock brokers’ ledgers to media coverage, Robb reveals the many ways women invested their capital while exploring their differing sources of information, approaches to finance, interactions with markets, and levels of expertise. He also rediscovers the forgotten women bankers, brokers, and speculators who blazed new trails--and sparked public outcries over women’s unsuitability for the predatory rough-and-tumble of market capitalism.
Entertaining and vivid with details, Ladies of the Ticker sheds light on the trailblazers who transformed Wall Street into a place for women’s work.
Anna Morandi Manzolini (1714-74), a woman artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. The Lady Anatomist tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century.
Examining the details of Morandi’s remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna’s famous medical school. Placing Morandi’s work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi’s wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi’s work, The Lady Anatomist is a sophisticated biography of a true visionary.
Vividly recreating the rich texture of medieval life, Gold effectively and eloquently goes beyond a simple equation of social context and representation. In the process. she challenges equally simple judgments of historical periods as being either "good" or "bad" for women.
"[The Lady and the Virgin] presents its findings in a form that should attract students as well as their instructors. The careful and controlled use of so many different kinds of sources . . . offers us a valuable medieval case study in the inner-relationship between the segments of society and its ethos or value system."—Joel T. Rosenthal, The History Teacher
"Something of a tour de force in an interdisciplinary approach to history."—Jo Ann McNamara, Speculum
"[A] well-written, extremely well-researched book. . . . The Lady and the Virgin is useful, readable, and well informed."—R. Howard Bloch, Modern Philology
In Lady Lushes, medical historian Michelle L. McClellan traces the story of the female alcoholic from the late-nineteenth through the twentieth century. She draws on a range of sources to demonstrate the persistence of the belief that alcohol use is antithetical to an idealized feminine role, particularly one that glorifies motherhood. Lady Lushes offers a fresh perspective on the importance of gender role ideology in the formation of medical knowledge and authority.
Born into a middle-class Jewish family in 1932, Lala Weintraub grew up in Lvov, Poland. When the Nazis came, Lala—who had blond hair and blue eyes—survived by convincing them she was a Christian. This book tells her remarkable story. Fiercely determined and greatly aided by her Aryan looks, she managed to convince everyone—German soldiers, interrogators, fellow Poles—that she was a Polish gentile. Within a year after the Germans captured Lvov, many of Lala's family members were missing and presumed dead.
Lala's Story follows her as she moves from town to town, driven by her fear of being discovered. More than a story of survival, this is the story of a young girl's resolute struggle to defy, resist, and ultimately defeat the evil forces pursuing her.
When The Land of Journeys' Ending was first published in 1924, The Literary Reviewwarned, "This book is treacherous, waiting to overwhelm you with its abundant poetry." In it, successful New York author Mary Austin describes the epic journey she undertook in 1923, when left her East Coast home at the age of fifty-five to travel through the southwestern United States, the area where she lived as a child and where she would later retire.
The journey the book describes is a double one. Austin describes her transition from the cosmopolitan North East to the arid and largely unfamiliar land between the Colorado River and the Rio Grande. In telling her own story, Austin also tells the story of those who journeyed there before her-–Native American tribes, Spanish conquistadores, miners, adventurers, and California-bound migrants. The result is both an homage to the magnificence of the desert, mountains, rivers, canyons, plants, and animals of the Southwest and a history of the waves of people who inhabited the region.
Part memoir, part travel narrative, part historical investigation, and part ecological study, The Land of Journeys' Ending is a moving account of a woman coming full circle, finding solace in the broad landscape of her youth.
This book is about lives lived out on the borderlands, lives for which the central interpretative devices of the culture don't quite work. It has a childhood at its centre - my childhood, a personal past - and it is about the disruption of that fifties childhood by the one my mother had lived out before me, and the stories she told about it.'
Intricate and inspiring, this unusual book uses autobiographical elements to depict a mother and her daughter and two working-class childhoods (Burnley in the 1920s, South London in the 1950s) and to find a place for their stories in history and politics, in psychoanalysis and feminism.
'Provocative and quite dazzling in its ambitions. . . Beautifully written, intellectually compelling'.' Judith Walkowitz
--From 500 Great Books by Women; review by Jesse Larsen.
Méndez-Negrete was born in Mexico, in the state of Zacatecas. She recalls a joyous childhood growing up in the midst of Tabasco, a vibrant town filled with extended family. Her father, though, had dreams of acquiring wealth in el norte. He worked sun-up to sun-down in the fields of south Texas. Returning home to Mexico, his pockets full of dollars, he spent evenings drinking and womanizing.
When Méndez-Negrete was eleven, her father moved the family to the United States, where they eventually settled in California’s Santa Clara Valley. There her father began molesting his daughters, viciously beating them and their mother. Within the impoverished immigrant family, the abuse continued for years, until a family friend brought it to the attention of child welfare authorities. Méndez-Negrete’s father was tried, convicted, and imprisoned.
Las hijas de Juan is told chronologically, from the time Méndez-Negrete was a child until she was a young adult trying, along with the rest of her family, to come to terms with her father’s brutal legacy. It is a harrowing story of abuse and shame compounded by cultural and linguistic isolation and a system of patriarchy that devalues the experiences of women and girls. At the same time, Las hijas de Juan is an inspiring tale, filled with strong women and hard-won solace found in traditional Mexican cooking, songs, and storytelling.
The year Emerick turned 38, the suicide of a stranger compelled her to uproot her life and strike out for Alaska, taking a chance on love and home. She learned how to travel in a small yellow kayak along the rugged coast, contending with gales, high seas, and bears. She pondered the different meanings of home from the perspectives of people who were born along Alaska’s coast, the first peoples who had been there for generations, newcomers who chose this place for themselves, and the many who would eventually, inevitably leave. When she married a man from another island, convinced that love would stick, she soon learned that marriage is just as difficult to navigate as the ocean.
Divided into sections detailing the main kayaking strokes, with each stroke serving as metaphor for the lives we all pass through and the tools needed to stay afloat, this eloquent memoir speaks to the human need for connection—connection to place and to our fellow travelers casting their bubbles of light in the depths.
In the early 1870s, when conservative religious thought permeated all aspects of Mexican life, she was one of very few women to gain admission to an extraordinary constellation of male poets, playwrights, and novelists, who were also the publicists and statesmen of the time. She entered this world through her poetry, intellect, curiosity, assertiveness, but her personal life was fraught with tragedy: she had a child out of wedlock by poet Manuel Acuña, who killed himself shortly thereafter. She later married another poet, Agustín Fidencio Cuenca, and had seven other children. All but two of her children died, as did Agustín.
As a penniless young widow facing social rejection, Laura became a teacher and an important force in Mexico’s burgeoning educational reform program. She moved abroad—first to San Francisco, then St. Louis, then Berlin. In these places where she was not known and women had begun to move confidently in the public sphere, she could walk freely, observe, mingle, make friends across many circles, learn, think, and express her opinions. She wrote primarily for a Mexican public and always returned to Mexico because it was her country’s future that she strove to create.
Now, for the first time in English, Mílada Bazant shares with us the trajectory of a leading Mexican thinker who applied the power of the pen to human feeling, suffering, striving, and achievement.
Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.
Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
influence of law on Italian society during the Renaissance,
especially in the spheres of family and women. Kuehn's use
of legal sources along with letters, diaries, and
contemporary accounts allows him to present a compelling
image of the social processes that affected the shape and
function of the law.
The numerous law courts of Italian city-states
constantly devised and revised statutes. Kuehn traces the
permutations of these laws, then examines their use by
Florentines to arbitrate conflict and regulate social
behavior regarding such issues as kinship, marriage,
business, inheritance, illlegitimacy, and gender. Ranging
from one man's embittered denunciation of his father to
another's reaction to his kinsmen's rejection of him as
illegitimate, Law, Family, and Women provides
fascinating evidence of the tensions riddling family life in
Renaissance Florence. Kuehn shows how these same tensions,
often articulated in and through the law, affected women. He
examines the role of the mundualdus—a male legal guardian
for women—in Florence, the control of fathers over their
married daughters, and issues of inheritance by and through
women. An ambitious attempt to reformulate the agenda of
Renaissance social history, Kuehn's work will be of value to
both legal anthropologists and social historians.
Thomas Kuehn is professor of history at Clemson
University.
Leadership from the Margins describes and analyzes the unique leadership styles and challenges facing the women leaders of CSOs in Argentina, Chile, and El Salvador. Based on ethnographic research, Serena Cosgrove's analysis offers a nuanced account of the distinct struggles facing women, and how differences of class, political ideology, and ethnicity have informed their outlook and organizing strategies. Using a gendered lens, she reveals the power and potential of women's leadership to impact the direction of local, regional, and global development agendas.
Bringing together graduates of a women's leadership certificate program at Rutgers University's Institute for Women's Leadership, these essays provide a contrasting picture to assumptions about the current death of feminism, the rise of selfishness and individualism, and the disaffected Millennium Generation. Reflecting on a critical juncture in their lives, the years during college and the beginning of careers or graduate studies, the contributors' voices demonstrate the ways that diverse, young, educated women in the United States are embodying and formulating new models of leadership, at the same time as they are finding their own professional paths, ways of being, and places in the world. They reflect on controversial issues such as gay marriage, gender, racial profiling, war, immigration, poverty, urban education, and health care reform in a post-9/11 era.
Leading the Way introduces readers to young women who are being prepared and empowered to assume leadership roles with men in all public arenas, and to accept equal responsibility for making positive social change in the twenty-first century.
Claudia Cumberbatch Jones was born in Trinidad. In 1924, she moved to New York, where she lived for the next thirty years. She was active in the Communist Party from her early twenties onward. A talented writer and speaker, she traveled throughout the United States lecturing and organizing. In the early 1950s, she wrote a well-known column, “Half the World,” for the Daily Worker. As the U.S. government intensified its efforts to prosecute communists, Jones was arrested several times. She served nearly a year in a U.S. prison before being deported and given asylum by Great Britain in 1955. There she founded The West Indian Gazette and Afro-Asian Caribbean News and the Caribbean Carnival, an annual London festival that continues today as the Notting Hill Carnival. Boyce Davies examines Jones’s thought and journalism, her political and community organizing, and poetry that the activist wrote while she was imprisoned. Looking at the contents of the FBI file on Jones, Boyce Davies contrasts Jones’s own narration of her life with the federal government’s. Left of Karl Marx establishes Jones as a significant figure within Caribbean intellectual traditions, black U.S. feminism, and the history of communism.
Wachman places at the center of this tradition Sylvia Townsend Warner's achievement in undermining the inhibitions that faced women writing about forbidden love. She discusses Warner's use of crosswriting to transpose the otherwise unrepresentable lives of invisible lesbians into narratives about gay men, destabilizing the borders of race, class, and gender and challenging the codes of expression on which imperialist patriarchy and capitalism depended.
One character sands in the Prince’s way—Princess Sophia from Grimm’s lesser known “12 Dancing Princesses.” She’s stable—mostly—but Prince Charming is most definitely not. The good Storyteller and the First Character have tasked Sophia with stopping the Prince from destroying their world, and, by extension, ours.
Barbara Jordan spoke for many Texas women when she told a reporter, "I get from the soil and spirit of Texas the feeling that I, as an individual, can accomplish whatever I want to, and that there are no limits, that you can just keep going, just keep soaring. I like that spirit." Indeed, the sense of limitless possibilities has inspired countless Texas women—sometimes in the face of daunting obstacles—to build lives rich in work, family, friends, faith, and community involvement.
In this collection of interviews conducted by PJ Pierce, twenty-five Texas women ranging in age from 53 to 93 share the wisdom they've acquired through living unconventional lives. Responding to the question "What have you found that really matters about life?" they offer keen insights into motherhood, career challenges, being a minority, marriage and widowhood, anger, assertiveness, managing change, persevering, power, speaking out, fashioning success from failure, writing your own job description, loving a younger man, and recognizing opportunities disguised as disaster—to name only a few of their topics. In her introduction, Pierce describes how she came to write the book and how she chose her subjects to represent a cross-section of career paths and ethnic groups and all geographic areas of Texas. A topical index makes it easy to compare several women's views on a given subject.
Celebrated as the most famous woman in America at the time of her death in 1898, Frances E. Willard was a leading nineteenth-century American temperance and women's rights reformer and a powerful orator. President of Evanston College for Ladies (before it merged with Northwestern University) and then professor of rhetoric and aesthetics and the first dean of women at Northwestern, Willard is best known for leading the Woman's Christian Temperance Union (WCTU), America's largest women's organization. The WCTU shaped both domestic and international opinion on major political, economic, and social reform issues, including temperance, women's rights, and the rising labor movement. In what Willard regarded as her most important and far-reaching reform, she championed a new ideal of a powerful, independent womanhood and encouraged women to become active agents of social change. Willard's reputation as a powerful reformer reached its height with her election as president of the National Council of Women in 1888.
This definitive collection follows Willard's public reform career, providing primary documents as well as the historical context necessary to clearly demonstrate her skill as a speaker and writer who addressed audiences as diverse as political conventions, national women's organizations, teen girls, state legislators, church groups, and temperance advocates. Including Willard's representative speeches and published writings on everything from temperance and women's rights to the new labor movement and Christian socialism, Let Something Good Be Said is the first volume to collect the messages of one of America's most important social reformers who inspired a generation of women to activism.
Winner, Coral Horton Tullis Memorial Prize, Texas State Historical Association, 2012
Liz Carpenter Award for Research in the History of Women, Texas State Historical Association, 2012
When Ann Richards delivered the keynote of the 1988 Democratic National Convention and mocked President George H. W. Bush—“Poor George, he can’t help it. He was born with a silver foot in his mouth”—she instantly became a media celebrity and triggered a rivalry that would alter the course of American history. In 1990, Richards won the governorship of Texas, upsetting the GOP’s colorful rancher and oilman Clayton Williams. The first ardent feminist elected to high office in America, she opened up public service to women, blacks, Hispanics, Asian Americans, gays, and the disabled. Her progressive achievements and the force of her personality created a lasting legacy that far transcends her rise and fall as governor of Texas.
In Let the People In, Jan Reid draws on his long friendship with Richards, interviews with her family and many of her closest associates, her unpublished correspondence with longtime companion Bud Shrake, and extensive research to tell a very personal, human story of Ann Richards’s remarkable rise to power as a liberal Democrat in a conservative Republican state. Reid traces the whole arc of Richards’s life, beginning with her youth in Waco, her marriage to attorney David Richards, her frustration and boredom with being a young housewife and mother in Dallas, and her shocking encounters with Lyndon Johnson and Jimmy Carter. He follows Richards to Austin and the wild 1970s scene and describes her painful but successful struggle against alcoholism. He tells the full, inside story of Richards’s rise from county office and the state treasurer’s office to the governorship, where she championed gun control, prison reform, environmental protection, and school finance reform, and he explains why she lost her reelection bid to George W. Bush, which evened his family’s score and launched him toward the presidency. Reid describes Richards’s final years as a world traveler, lobbyist, public speaker, and mentor and inspiration to office holders, including Hillary Clinton. His nuanced portrait reveals a complex woman who battled her own frailties and a good-old-boy establishment to claim a place on the national political stage and prove “what can happen in government if we simply open the doors and let the people in.”
Inexplicably, the World Health Organization recommended withholding treatment for the majority of HIV-infected individuals in poor countries, and clinical researchers embarked on studies to evaluate inferior treatment approaches even while the pandemic continued to claim the lives of millions of women and children. Why did it take an additional twenty years for international health organizations to recommend the treatment and prevention measures that had had such a profound impact on the pandemic in wealthy countries? The surprising answers are likely to be debated by medical historians and ethicists.
At last, in 2015, came a universal call for treating all HIV-infected individuals with triple-combination antiretroviral drugs. But this can only be accomplished if the mistakes of the past are rectified. The book ends with recommendations on how the pediatric HIV/AIDS epidemic can finally be brought to an end.
Inexplicably, the World Health Organization recommended withholding treatment for the majority of HIV-infected individuals in poor countries, and clinical researchers embarked on studies to evaluate inferior treatment approaches even while the pandemic continued to claim the lives of millions of women and children. Why did it take an additional twenty years for international health organizations to recommend the treatment and prevention measures that had had such a profound impact on the pandemic in wealthy countries? The surprising answers are likely to be debated by medical historians and ethicists.
At last, in 2015, came a universal call for treating all HIV-infected individuals with triple-combination antiretroviral drugs. But this can only be accomplished if the mistakes of the past are rectified. The book ends with recommendations on how the pediatric HIV/AIDS epidemic can finally be brought to an end.
Isabella Andreini (1562–1604) was a commedia dell’arte diva who toured Italy and France as part of the Compagnia dei Comici Gelosi. Letters is a collection of epistles written by Andreini in fictional, anonymous, male, and female voices, a “hermaphroditic” alternation of gender unlike any that had been seen in letter writing to that time. In her letters, Andreini remade the humanistic epistolary genre into a distinctive fusion of literary and dramatic performance. The guise of epistolary intimacy cedes to a knowing artificiality, which allows for the emergence of Andreini’s modern critique of the gendered self as a uniform entity. The collection centers on love and examines—from surprising perspectives—pertinent issues such as death, the birth of a girl, prostitution, patriarchal marital practices, love in old age, courtiership, country and city life, human nature, and defenses and critiques of both sexes.
Approximately 100 letters are published here for the first time, including almost all of the letters to Jane Humphrey and to Mrs. J. Howard Sweetser. The new material is even more extensive than it might appear, for many of the letters previously published were censored when first made public. This volume, designed to accompany Mr. Johnson’s previously published work, the widely acclaimed Poems of Emily Dickinson, assembles all of Emily Dickinson’s letters (with the exception of letters presumably destroyed). The editors present the letters chronologically, with manuscript location, previous publication data, and notes for each letter, together with a general introduction, and biographical notes on recipients of letters.
The notes for each letter identify persons and events mentioned, and the source of literary allusions and quotations is given wherever known. Since Emily Dickinson rarely dated her letters after 1850, the dates for the most part must be conjectured from careful study of handwriting changes and from internal evidence of the letters. Of the 1,150 letters and prose fragments included in this outstanding edition, the text of about 800 derives from Dickinson autographs.
Bigger-than-life, half goddess, half Bette Davis, Mina sends letter after letter to friends and co-conspirators, holding her reader captive through a display of illusion and longing. Juggling quivering vulnerability on one hand and gossip on the other, Mina spoofs and consumes and spews back up demented reembodiments of trash media and high theory alike. It's all fodder for her ravenous libido and "a messy ambiguous place where pathology meets pleasure." Sensuous and captivating, The Letters of Mina Harker describes one woman's struggles finding the right words to explain her desires and fears without confining herself to one identity.
The volume comprises more than three hundred letters written by Ormonde to her husband and family, agents and servants, and friends and clients. Spanning six decades, these letters are meticulously transcribed, edited, and annotated, and the volume includes a substantial scholarly introduction, family trees, a glossary, and other resources.
This edition presents the first full English translation of Erculiani’s book and other relevant texts, bringing to light the cultural context and scientific thought of this unique natural philosopher.
—Jane Tylus
Professor of Italian Studies and vice provost for academic affairs, New York University
The seventy-three surviving letters written by Florentine widow, Alessandra Macinghi Strozzi (c.1406–1471), to her distant sons first appeared in print well over a century ago, but are here translated into English in their entirety for the first time. Whether for the professional historian or for the general reader interested in Renaissance Florence, they constitute a most precious testimony regarding both private and public life in the mid-fifteenth century, with themes ranging from familial relations, motherhood, marriage, and aspects of material culture to the harsh realities of political exile meted out by the Medici to their perceived opponents, these latter including her husband and, subsequently, her sons.
When John Millington Synge and Molly Allgood fell in love, he was thirty-five, she nineteen. Neither knew that he had Hodgkin’s disease, of which he was to die in three years. Synge had already achieved recognition as a playwright—translations of two of his plays had been performed in Berlin and Prague—and he was codirector, with Yeats and Lady Gregory, of the Irish National Theatre Society. Allgood had started her acting career the year before, in the newly opened Abbey Theatre, with a walk-on part in Synge’s Well of the Saints. She had been promoted from crowd scenes to bit parts to lead roles in Riders to the Sea and The Shadow of the Glen. She was still only a member of the company, however, while Synge was a director, whose codirectors disapproved of fraternization. Synge and Allgood also faced the disapproval of two widowed mothers. Barring an occasional holiday trip or company road tour, they could seldom be alone together, except on secret afternoon meetings for long walks in the country. Hence their hundreds of letters.
Molly Allgood’s letters do not survive; they apparently were destroyed when Synge died. But his letters convey her mercurial charm, her openness, her love of life, her impulsiveness, and her temper—as violent as his own. What they convey of him (when he is not reproving her or remonstrating with her, as he does in the early months of their relationship) is the love of nature, the poetic language, the bittersweet irony, the elemental quality of emotion, that we know from the plays. His concern for his craft is seen as he struggles with The Playboy. (“Parts of it are not structurally strong or good. I have been all this time trying to get over weak situations by strong writing, but now I find it won’t do, and I am at my wit’s end.”) Synge was quite unperturbed by the violent outrage and near-riots the play provoked. (“Now we’ll be talked about. We’re an event in the history of the Irish stage,” he wrote cheerily.)
As his illness progresses, following operations in 1907 and 1908, there is great poignancy in the gradual abating of references to marriage plans and in the shift of salutation from “Dearest Changeling” to “My dearest child.” After Synge’s death his friends and biographers discreetly avoided mention of Allgood, who under her stage name of Maire O’Neill became one of the leading actresses of the Irish theater and lived until 1952. His letters to her have not been published before, except for the few quoted in Greene and Stephens’s 1959 biography. A primary source for the study of Synge and the Irish theater movement, the letters include poems inspired by Allgood and extensive information about Abbey Theatre business.
In addition to a biographical introduction, Ann Saddlemyer has included a map of the Wicklow and Dublin areas and numerous photographs of both Synge and Allgood.
Theodore Dreiser led a long and controversial life, almost always pursuing some serious question, and not rarely pursuing women. This collection, the second volume of Dreiser correspondence to be published by the University of Illinois Press, gathers previously unpublished letters Dreiser wrote to women between 1893 and 1945, many of them showing personal feelings Dreiser revealed nowhere else. Here he both preens and mocks himself, natters and scolds, relates his jaunts with Mencken and his skirmishes with editors and publishers. He admits his worries, bemoans his longings, and self-consciously embarks on love letters that are unafraid to smolder and flame. To one reader he sends “Kisses, Kisses, Kisses, for your sweety mouth” and urges his needy requests: “Write me a love-letter Honey girl.” Alongside such amorous play, he often expressed his deepest feelings on philosophical, religious, and social issues that characterize his public writing.
Chronologically arranged and meticulously edited by Thomas P. Riggio, these letters reveal how wide and deep Dreiser’s needs were. Dreiser often discussed his writing in his letters to women friends, telling them what he wanted to do, where he thought he succeeded and failed, and seeking approval or criticism. By turns seductive, candid, coy, and informative, these letters provide an intimate view of a master writer who knew exactly what he was after.
—Reverend John J. Conley, SJ
Knott Professor of Philosophy, Loyola University Maryland
Focusing on the histories of two highly influential groups, the Young Women’s Christian Association of the USA, an interdenominational Protestant organization, and the Maryknoll Sisters, a Roman Catholic religious order, Izzo offers new perspectives on the contributions of these women to transnational social movements, women’s history, and religious studies, as she traces the connections between turn-of-the-century Christian women’s reform culture and liberal and left-wing religious social movements of the 1960s and 1970s. Izzo suggests that shared ethical, theological, and institutional underpinnings can transcend denominational divides, and that strategies for social change often associated with secular feminism have ties to spiritually inspired social movements.
Rooted in the two disciplines, this book draws on the rich tradition of interdisciplinary work in feminist social science scholarship to construct a parallel between the notions that the "personal is political" and "the personal is economic."
Drucilla K. Barker is Professor of Economics and Women's Studies, Hollins University.
Susan F. Feiner is Associate Professor of Economics and Women's Studies, University of Southern Maine.
With all new and updated chapters, the second edition of Liberating Economics examines recent trends in inequality, global indebtedness, crises of care, labor precarity, and climate change. Taking an interdisciplinary and intersectional feminist approach, the new edition places even more emphasis on the ways that gender, race, class, sexuality, and nationality shape the economy. It also highlights the centrality of social reproduction in economic systems and makes connections between the economic circumstances of women in global North and global South. Throughout, the authors reject the idea that there is no alternative to our current neoliberal market economy and offer alternative ways of thinking about and organizing economic systems in order to achieve gender-equitable outcomes.
Written in an accessible and engaging style, this book will be of interest to students and scholars across a range of fields, policymakers, and any reader interested in creating just futures.
The book describes women in Turkish harems, Mughal zenanas, and Japanese geisha houses, as well as in royal palaces and private households and onboard ships. Their stories are drawn from many sources—from captains’ logs, missionary reports, and cannibals’ memoirs to travelers’ letters, traders’ accounts, and reports on prostitutes. From debauched clerics and hog-buggering Pilgrims to sexually-confused cannibals and sodomizing samurai, Licentious Worlds takes history into its darkest corners.
Life, Brazen and Garish offers a fresh take on the epistolary novel, telling the story of a family through the fragmented and disparate perspectives of daughter, mother, and grandmother. Yet even as each woman endures her private struggles with love and betrayal, youth and maturity, knowledge and ignorance, reality and illusion, the Cascadeis forge a solidarity that transcends generations. In turns heartbreaking and laugh-out-loud funny, this novel is a triumph of narrative voice and literary style from one of Italy’s most renowned writers.
Questo libro è stato tradotto grazie a un contributo del Ministero degli Affari Esteri e della Cooperazione Internazionale italiano.
This book has been translated thanks to a contribution from the Italian Ministry of Foreign Affairs and International Cooperation.
A household manager, mother, writer, and friend, Campbell held sway primarily in the domestic sphere, but she was not held captive by it. Her relationship with her husband was founded on a deep sense of partnership conditioned by their strong faith in an all-powerful God. Each of them took on complementary roles according to the perceived natural abilities of their genders: Alexander depended on Selina to manage his property and raise the children while he traveled the country preaching. Campbell outlived her husband by 30 years, and during that time published several newspaper articles and supported new causes, such as women in missions.
In the end, as Long amply demonstrates, Selina Campbell was neither her husband’s shadow nor solely a domestic worker. She was, in her husband’s eyes, a full partner and a “fellow soldier” in the cause of Restoration.
Available in print, eBook, and open access versions, this collection captures decades of exciting developments in the field, making it indispensable reading for courses on modes and media of self-presentation in cultural, gender, and literary studies and feminist theory.
The full extent of Plutarch’s moral educational program remains largely understudied, at least in those aspects pertaining to women and the gendered other. As a result, scholarship on his views on women have differed significantly in their conclusions, with some scholars suggesting that he is overwhelmingly positive towards women and marriage and perhaps even a “precursor to feminism,” and others arguing that he was rather negative on the issue. Like a Captive Bird: Gender and Virtue in Plutarch is an examination of these educational methods employed in Plutarch’s work to regulate the expression of gender identity in women and men. In six chapters, author Lunette Warren analyzes Plutarch’s ideas about women and gender in Moralia and Lives. The book examines the divergences between real and ideal, the aims and methods of moral philosophy and psychagogic practice as they relate to identity formation, and Plutarch’s theoretical philosophy and metaphysics.
Warren argues that gender is a flexible mode of being that expresses a relation between body and soul, and that gender and virtue are inextricably entwined. Plutarch’s expression of gender is also an expression of a moral condition that signifies relationships of power, Warren claims, especially power relationships between the husband and wife. Uncovered in these texts is evidence of a redistribution of power, which allows some women to dominate other women and, in rare cases, men too. Like a Captive Bird offers a unique and fresh interpretation of Plutarch’s metaphysics which centers gender as one of the organizational principles of nature. It is aimed at scholars of Plutarch, ancient philosophy, and ancient gender studies, especially those who are interested in feminist studies of antiquity.
Crushes. Infatuations. Attractions. Unexpected, inexplicable allure. Entanglements steeped in taboo and disruption. In Like Love, nothing is off limits.
In these remarkable essays, Michele Morano explores the pleasures, possibilities, strangeness, and lessons of unconsummated romance. With insight and imagination, Like Love interweaves poignant, humorous episodes from adulthood with the backstory of a young family’s turbulent breakup. When Morano was an adolescent in blue-collar Poughkeepsie, New York, her mother left her father for a woman in an era when LGBTQ parents were widely viewed as “unfit.” Through the turmoil, adolescent Morano paid attention, tucking away the stories that were shaping her and guiding her understanding of love.
Turning romantic clichés inside out and challenging us to rethink our notions about what it means to love, Like Love tells hard and necessary truths about the importance of desire in growing, traveling, mourning, parenting, and figuring out who you are in the world. With precision and depth, Morano explores what it means to find ourselves in relationships that are not quite—but almost—like love.
Winner of the Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame
Winner of the American Book Award, Before Columbus Foundation
Winner of the PEN Oakland–Josephine Miles Award
Winner of the MAAH Stone Book Award
A Pitchfork Best Music Book of the Year
A Rolling Stone Best Music Book of the Year
“Brooks traces all kinds of lines, finding unexpected points of connection…inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening by tracing lineages and calling for more space.”
—New York Times
An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé.
Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry?
Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America’s first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae’s liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians.
With an innovative perspective on the story of Black women in popular music—and who should rightly tell it—Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals.
Winner of the Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame
Winner of the American Book Award, Before Columbus Foundation
Winner of the PEN Oakland–Josephine Miles Award
Winner of the MAAH Stone Book Award
A Pitchfork Best Music Book of the Year
A Rolling Stone Best Music Book of the Year
A Boston Globe Summer Read
“Brooks traces all kinds of lines…inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening.”
—New York Times
“A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyoncé and Janelle Monáe…Connecting the sonic worlds of Black female mythmakers and truth-tellers.”
—Rolling Stone
“A gloriously polyphonic book.”
—Margo Jefferson, author of Negroland
How is it possible that iconic artists like Aretha Franklin and Beyoncé can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio.
Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America’s first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals.
Margaret Charles Smith, a ninety-one-year-old Alabama midwife, has thousands of birthing stories to tell. Sifting through nearly five decades of providing care for women in rural Greene County, she relates the tales that capture the life-and-death struggle of the birthing experience and the traditions, pharmacopeia, and spiritual attitudes that influenced her practice. She debunks images of the complacent southern “granny” midwife and honors the determination, talent, and complexity of midwifery.
Fascinating to read, this book is part of the new genre of writing that recognizes the credibility of midwives who have emerged from their own communities and were educated through apprenticeship and personal experience. Past descriptions of southern black midwives have tended to denigrate their work in comparison with professional established medicine. Believed to be the oldest living (though retired) traditional African American midwife in Alabama, Smith is one of the few who can recount old-time birthing ways. Despite claims that midwives contributed to high infant mortality rates, Smith’s story emphasizes midwives' successes in facing medical challenges and emergencies.
Drawing on Bahktinian and feminist theory, Sawin pushes forward our understanding of the interactive roles of ethnographer and subject and in the process gives us a deeper understanding of folk singer and storyteller Bessie Eldreth and her greatest art, herself.
Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.
Belonging to a union can bring higher wages, fringe benefits, greater job security and, sometimes, training. But unions—still known as "brotherhoods"—often remain rigidly segregated by gender, despite the fact that sexual harassment and discrimination in employment are illegal. Live Wire is an in-depth case study of Local 3 of the International Brotherhood of Electrical Workers, arguably the most powerful and influential building trades local in the United States. Francine Moccio brings to life forty years of public policy failure that has resulted in restricted opportunities for women in skilled blue-collar jobs.
Live Wire is a unique foray into the gender dynamics of one trade and one union in historical depth, based on extensive primary, secondary, and archival research. It contributes much-needed research about sex segregation in blue-collar occupations, particularly in unions and fraternal organizations. And it provides important insights into complex interactions of work, union, and family life.
A study of women’s lives in the public sphere of the ancient city of Pompeii.
Pompeii’s well-preserved remains provide a unique opportunity for the close study of ancient lives. Drawing on statues, inscriptions, graffiti, wall paintings, and the architecture of tombs, sanctuaries, houses, and public spaces, The Lives and Deaths of Women in Ancient Pompeii examines the public lives of women in Pompeii. Art historian Brenda Longfellow explores how historical women of all social backgrounds acted in public and exerted agency on behalf of themselves and others, ultimately finding that female initiatives in Pompeii were not only accepted but desired by the community to a greater extent than has previously been recognized.
Longfellow centers her study on a few key women—including the city’s most notable female patron, Eumachia—and uses them to examine female roles in postmortem commemorations, civic patronage and benefactions, commerce, the priesthood, and the home. By following these individuals, Longfellow examines women’s lives in Pompeii in both abstract and concrete ways, allowing readers to better understand their importance to the city and society. The result is a groundbreaking book that foregrounds the agency of women in everyday Pompeii.
In Lives, Letters, and Quilts: Women and Everyday Rhetorics of Resistance, Vanessa Kraemer Sohan applies a translingual and transmodal framework informed by feminist rhetorical practice to three distinct case studies that demonstrate women using unique and effective rhetorical strategies in political, religious, and artistic contexts. These case studies highlight a diverse set of actors uniquely situated by their race, gender, class, or religion, but who are nevertheless connected by their capacity to envision and recontextualize the seemingly ordinary means and materials available to them in order to effectively persuade others.
The Great Depression provides the backdrop for the first case study, a movement whereby thousands of elderly citizens proselytized and fundraised for a monthly pension plan dreamt up by a California doctor in the hopes of lifting themselves out of poverty. Sohan investigates how the Townsend Plan’s elderly supporters—the Townsendites—worked within and across language, genre, mode, and media to enable them for the first time to be recognized by others, and themselves, as a viable political constituency.
Next, Sohan recounts the story of Quaker minister Eliza P. Kirkbride Gurney who met President Abraham Lincoln in 1862. Their subsequent epistolary exchanges concerning conscientious objectors made such an impression on him that one of her letters was rumored to be in his pocket the night of his assassination. Their exchanges and Gurney’s own accounts of her transnational ministry in her memoir provide useful examples of how, throughout history, women rhetors have adopted and transformed typically underappreciated forms of rhetoric—such as the epideictic—for their particular purposes.
The final example focuses on the Gee’s Bend quiltmakers—a group of African American women living in rural Alabama who repurpose discarded work clothes and other cast-off fabrics into the extraordinary quilts for which they are known. By drawing on the means and materials at hand to create celebrated works of art in conditions of extreme poverty, these women show how marginalized artisans can operate both within and outside the bounds of established aesthetic traditions and communicate the particulars of their experience across cultural and economic divides.
During this period, more women wrote for the public book market and participated in literary culture than ever before. In addition, the rise in convents and female education contributed to a marked increase in texts produced by and about women in religious orders. Vollendorf argues that, in conjunction with Inquisition and legal documents, this wealth of writing offers unprecedented access to women's perspectives on life in early modern Spain, and that those perspectives encompass diverse ethnic backgrounds and class differences. Many of the documents touch on issues of sex and intimacy; others provide new ways of understanding religious practice in the period. Perhaps most important, these writings give a richly textured view of how women reacted to the dominant culture's attempts to define, limit, and contain femininity. Vollendorf shows that the texts reflect a shared preoccupation with redefining gender and creating legitimate spaces for women.
As The Lives of Women vividly illustrates, hundreds, if not thousands, of women's stories await rediscovery in archives. The book provides a roadmap for understanding the experiences and concerns of wives, widows, sisters, and daughters who lived in a key moment in the development of the Spanish nation and the Hispanic world. At its core, The Lives of Women argues for a reconceptualization of history, one that will rely on the experiences of women and minorities as much as on the words and actions of kings and conquistadors.
Charlotte Perkins Gilman (1869-1935) was one of the leading intellectuals of the American women's movement in the first two decades of the twentieth century. Moving beyond the struggle for suffrage, Gilman confronted an even larger problem—economic and social discrimination against women. Her book, Women and Economics, published in 1898, was repeatedly printed and translated into seven languages. She was a tireless traveler, lecturer, and writer and is perhaps best known for her dramatic short story, "The Yellow Wallpaper." Gilman's autobiography gives us access to the life of a remarkable and courageous woman.
Originally published in 1935, soon after Gilman's death, The Living of Charlotte Perkins Gilman has been out of print for several years. This edition includes a new introduction by Gilman's noted biographer, Anne J. Lane.
In Taiwan, small-scale subcontracting factories of thirty employees or less make items for export, like the wooden jewelry boxes that Ping-Chun Hsiung made when she worked in six such factories. These factories are found in rice fields and urban areas, front yards and living rooms, mostly employing married women in line with the government slogan that promotes work in the home—"Living Rooms as Factories."
Hsiung studies the experiences of the married women who work in this satellite system of factories, and how their work and family lives have contributed to Taiwan's 9.1 percent GNP growth over the last three decades, the "economic miracle." This vivid portrayal of the dual lives of these women as wives, mothers, daughters-in-law and as manufacturing workers also provides sophisticated analyses of the links between class and gender stratification, family dynamics, state policy, and global restructuring within the process of industrialization.
Hsiung uses ethnographic data to illustrate how, in this system of intersecting capitalist logic and patriarchal practices, some Taiwanese women experience upward mobility by marrying into the owners' family, while others remain home and wage workers. Although women in both groups acknowledge gender inequality, this commonality does not bridge divergent class affiliations. Along with a detailed account of the oppressive labor practices, this book reveals how workers employ clandestine tactics to defy the owners' claims on their labor.
Once associated only with the wealthy and privileged in Latin America, lifelong illnesses are now emerging among a wider cross section of the population as an unfortunate consequence of growing urbanization and increased life expectancy. One of these diseases is the chronic autoimmune disorder lupus erythematosus. Difficult to diagnose and harder still to effectively manage, lupus challenges the very foundations of women’s lives, their real and imagined futures, and their carefully constructed gendered identities. While the illness is validated by medical science, it is poorly understood by women, their families, and their communities, which creates multiple tensions as women attempt to make sense of an unpredictable, expensive, and culturally suspect medically managed illness.
Living with Lupus vividly chronicles the struggles of Ecuadorian women as they come to terms with the experience of debilitating chronic illness. Drawing on years of ethnographic research, Ann Miles sensitively portrays the experiences and stories of Ecuadorian women who suffer with the intractable and stigmatizing disease. She uses in-depth case histories, rich in ethnographic detail, to explore not only how chronic illness can tear at the seams of women’s precarious lives, but also how meanings are reconfigured when a biomedical illness category moves across a cultural landscape. One of the few books that deals with the meanings and experiences of chronic illness in the developing world, Living with Lupus contributes to our understanding of a significant global health transition.
A woman who went West with her husband in the 1840s must have expected hardships and privation, but during the 1940s, when Etta Koch stopped off in Big Bend with her young family and a 23-foot travel trailer in tow, she anticipated no more than a civilized camping trip between her old home in Ohio and a new one in Arizona. It was only when she found herself moving into an old rock house without plumbing or electricity in the new Big Bend National Park that Etta realized, "From the sheltered life of a city girl of moderate circumstances, I too would have to face the reality of frontier living."
In this book based on her journals and letters, Etta Koch and her daughter June Cooper Price chronicle their family's first years (1944-1946) in the Big Bend. Etta describes how her photographer husband Peter Koch became captivated by the region as a place for natural history filmmaking-and how she and their three young daughters slowly adapted to a pioneer lifestyle during his months' long absences on the photo-lecture circuit. In vivid, often humorous anecdotes, she describes making the rock house into a home, getting to know the Park Service personnel and other neighbors, coping with the local wildlife, and, most of all, learning to love the rugged landscape and the hardy individuals who call it home.
Janice Schuetz investigates the felony trials of nine American women from colonial Salem to the present: Rebecca Nurse, tried for witchcraft in 1692; Mary E. Surratt, tried in 1865 for assisting John Wilkes Booth in the assassination of Abraham Lincoln; Lizzie Andrew Borden, tried in 1892 for the ax murder of her father and stepmother; Margaret Sanger, tried in 1915, 1917, and 1929 for her actions in support of birth control; Ethel Rosenberg, tried in 1951 for aiding the disclosure of secrets of the atom bomb to the Soviets; Yvonne Wanrow, tried in 1974 for killing a man who molested her neighbor’s daughter; Patricia Campbell Hearst, tried in 1975 for bank robbery as a member of the Symbionese Liberation Army; Jean Harris, tried in 1982 for killing Herman Tarnower, the Diet Doctor; and Darci Kayleen Pierce, tried in 1988 for kidnapping and brutally murdering a pregnant woman, then removing the baby from the woman’s womb.
In her analysis, Schuetz is careful to define these trials as popular trials. Characteristically, popular trials involve persons, issues, or crimes of social interest that attract extensive public interest and involvement. Such trials make a contribution to the ongoing historical dialogue about the meaning of justice and the legal system, while reflecting the values of the time and place in which they occur.
Schuetz examines the kinds of communication that transpired and the importance of gender in the trials by applying a different current rhetorical theory to each trial text. In every chapter, she explains her chosen interpretive theory, compares that framework with the discourse of the trial, and makes judgments about the meaning of the trial texts based on the interpretive theory.
M. Evelina Galang enters into the lives of the women at Lolas’ House, a community center in metro Manila. She accompanies them to the sites of their abduction and protests with them at the gates of the Japanese embassy. Each woman gives her testimony, and even though the women relive their horror at each telling, they offer their stories so that no woman anywhere should suffer wartime rape and torture.
Lolas’ House is a book of testimony, but it is also a book of witness, of survival, and of the female body. Intensely personal and globally political, it is the legacy of Lolas’ House to the world.
Drawing on personal interviews and rich archival material from the Grand Ole Opry, Kristine M. McCusker examines the gendered politics of the images through the lives and careers of six women performers: Linda Parker, the Girls of the Golden West (Milly and Dolly Good), Lily May Ledford, Minnie Pearl, and Rose Lee Maphis.
These women, usually rather withdrawn from the community, seemed to spring to life in response to this apocryphal story--and to be inspired to tell stories of their own. The tales they shared with Addams in the wake of the Devil Baby were more personal and revealing than any they had previously told her: stories of abusive mates, lost or neglectful children, and endless, ill-paid menial labor endured on behalf of loved ones. In response to these sometimes wrenching conversations, Addams wrote The Long Road of Woman's Memory, an extended musing on the role of memory and myth in women's lives.
As Addams records the difficult recollections of these women she ponders the transformation of their experiences--so debilitating and full of anguish--into memories devoid of rancor and pain. She explores the catalytic function of cautionary tales in reviving older women's sense of agency. Through moving conversations with women who had lost sons on the battlefield, she emphasizes the importance of voicing a female perspective on war. The women's stories, graphically depicting the conditions in which they lived and labored and the purposefulness that sustained them, are gracefully woven together with Addams's insights on the functioning and purpose of memory.
Seen in the context of Addams's personal connection with these diverse women and their stories, her larger efforts to bring about equity and social justice appear all the more courageous and vital. Charlene Haddock Seigfried's new introduction sets Addams's observations in the context of pragmatist and feminist traditions.
Part memoir, part imagined history, this unique personal essay depicts the intimate experience of childhood bereavement, lost love affairs, and the complicated realities of motherhood and marriage. Framed by an extended train journey, author Sophie Ratcliffe turns to the novels, novelists, and heroines who have shaped her emotional and romantic landscapes. She transports us with her to survey the messiness of everyday life, all while reflecting on steam propulsion and pop songs, handbags and honeymoons, Anna Karenina and Anthony Trollope, former lovers and forgotten muses. Frank, funny, tender, and transporting, Loss, A Love Story asks why we fall in, and out, of love—and how we might understand doing so amid the ongoing upheavals and unwritten futures of the twenty-first century.
In the late sixties, Gail Pool and her husband set off for an adventure in New Guinea. He was a graduate student in anthropology; she was an aspiring writer. They prepared, as academics do, by reading, practicing with language tapes, consulting with the nearest thing to experts, and then, excited and optimistic, off they went. But all their research could not prepare them for the reality of life in the jungle. As they warded off gargantuan insects, slogged through seemingly endless mud, and turned on each other in fatigue and frustration, they struggled to somehow connect with their enigmatic hosts, the Baining—a people who showed no desire to be studied.
Sixteen months later they returned home. Despite months of trying, they had not been able to make sense of the Baining’s culture. Worse yet, their lives no longer seemed to make sense. Pool put her journals away. Her husband abandoned the study of anthropology.
Decades later, Pool returned to her journals and found in her jumbled notes the understanding that had eluded her twenty-three–year-old self. Finally, she and her husband returned to New Guinea for a shorter visit and a warm reunion with the tribe that challenged them on so many levels and, Pool now realized, made their journey and lives deeper and richer.
In Lost, medical historian Shannon Withycombe weaves together women’s personal writings and doctors’ publications from the 1820s through the 1910s to investigate the transformative changes in how Americans conceptualized pregnancy, understood miscarriage, and interpreted fetal tissue over the course of the nineteenth century. Withycombe’s pathbreaking research reveals how Americans construed, and continue to understand, miscarriage within a context of reproductive desires, expectations, and abilities. This is the first book to utilize women’s own writings about miscarriage to explore the individual understandings of pregnancy loss and the multiple social and medical forces that helped to shape those perceptions. What emerges from Withycombe’s work is unlike most medicalization narratives.
“Fascinating …With marvelous clarity and depth, Candace Falk illuminates for us an Emma Goldman shaped by her time yet presaging in her life the situation and conflicts of women in our time.” —Tillie Olsen
One of the most famous political activists of all time, Emma Goldman was also infamous for her radical anarchist views and her “scandalous” personal life. In public, Goldman was a firebrand, confidently agitating for labor reform, anarchism, birth control, and women’s independence. But behind closed doors she was more vulnerable, especially when it came to the love of her life.
Love, Anarchy, & Emma Goldman is an account of Goldman’s legendary career as a political activist. But it is more than that—it is a biography that offers an intimate look at how Goldman’s passion for social reform dovetailed with her passion for one man: Chicago activist, hobo king, and red-light district gynecologist Ben Reitman. Candace Falk takes us into the heart of their tumultuous love affair, finding that even as Goldman lectured on free love, she confronted her own intense jealousy.
As director of the Emma Goldman papers, Falk had access to over 40,000 writings by Goldman—including her private letters and notes—and she draws upon these archives to give us a rare insight into this brilliant, complex woman’s thoughts. The result is both a riveting love story and a primer on an exciting, explosive era in American politics and intellectual life.
Winner, 1999 Missouri Conference on History Book Award
This fascinating biography of a marriage in the Gilded Age closely examines the dynamic flow of power, control, and love between Washington blue blood Violet Blair and New Orleans attorney Albert Janin. Based on their voluminous correspondence as well as Violet’s extensive diaries, it offers a thoroughly intimate portrait of a fifty-four-year union which, in many ways, conformed to societal strictures, yet always created its own definition of itself in order to fit the flux of needs of both husband and wife.
Central to their story is Violet’s fierce determination to maintain her autonomy within the patriarchic institution of marriage. An enduring belle who thought, talked, and acted with the assurance and self-confidence of one whose wishes demanded obedience, she rejected the Victorian ideal of women as silent, submissive consorts. Yet her feminism was a private one, not played out on a public stage but kept to the confines of her own daily life and marriage.
With abundant documentary evidence to draw upon, Laas ties this compelling story to broader themes of courtiship behavior, domesticity, gender roles, extended family bonds, elitism, and societal stereotyping. Deeply researched and beautifully written, Love and Power in the Nineteenth Century has the dual virtue of making an important historical contribution while also appealing to a broad popular audience.
"Sarah Bird is a true eccentric, but one with a straightforward gift for explaining the human heart. . . . A Lone Star girl-legend." —Boston Globe
What is it that distinguishes Texas women—the famous Yellow Rose and her descendants? Is it that combination of graciousness and grit that we revere in First Ladies Laura Bush and Lady Bird Johnson? The rapier-sharp wit that Ann Richards and Molly Ivins used to skewer the good ole boy establishment? The moral righteousness with which Barbara Jordan defended the US constitution? An unnatural fondness for Dr Pepper and queso?
In her inimitable style, Sarah Bird pays tribute to the Texas Woman in all her glory and all her contradictions. She humorously recalls her own early bewildered attempts to understand Lone Star gals, from the big-haired, perfectly made-up ladies at the Hyde Park Beauty Salon to her intellectual, quinoa-eating roommates at Seneca House Co-op for Graduate Women. After decades of observing Texas women, Bird knows the species as few others do. A Love Letter to Texas Women is a must-have guide for newcomers to the state and the ideal gift to tell any Yellow Rose how special she is.
Northeast Thailand has seen an increase in marriages between Thai women and farang (Western) men. Often the women are less well off and from rural areas in the country, while the men largely come from the United States and Europe and settle permanently in Thailand. These unions have created a new social class, with distinctive consumption patterns and lifestyles. And they are challenging gender relations and local perceptions of sexuality, marriage, and family.
In Love, Money and Obligation, Patcharin Lapanun offers an exploration of these marriages and their larger effect on Thai communities. Her interviews with women and men engaging in these transnational relationships highlight the complexities of the associations, as they are shaped by love, money, and gender obligations on the one hand and the dynamics of socio-cultural and historical contexts on the other. Her in-depth and even-handed examination highlights the importance of women’s agency and the strength and creativity of people seeking to forge meaningful lives in the processes of social transition and in the face of local and global encounters.
Cairo is a city obsessed with honor and respectability—and love affairs. Sara, a working-class woman, has an affair with a married man and becomes pregnant, only to be abandoned by him; Ayah and Zeid, a respectably engaged couple, argue over whether Ayah’s friend is a prostitute or a virgin; Malak, a European belly dancer who sometimes gets paid for sex, wants to be loved by a man who won’t treat her like a whore just because she’s a dancer; and Alia, a Christian banker who left her abusive husband, is the mistress of a wealthy Muslim man, Haroun, who encourages business by hosting risqué parties for other men and their mistresses.
Set in transnational Cairo over two decades, Love, Sex, and Desire in Modern Egypt is an ethnography that explores female respectability, male honor, and Western theories and fantasies about Arab society. L. L. Wynn uses stories of love affairs to interrogate three areas of classic anthropological theory: mimesis, kinship, and gift. She develops a broad picture of how individuals love and desire within a cultural and political system that structures the possibilities of, and penalties for, going against sexual and gender norms. Wynn demonstrates that love is at once a moral horizon, an attribute that “naturally” inheres in particular social relations, a social phenomenon strengthened through cultural concepts of gift and kinship, and an emotion deeply felt and desired by individuals.
Love’s $weet Return examines the phenomenon of romance fiction, focusing specifically on one of the most successful book publishers in the world, the Canadian-based Harlequin Enterprises. Margaret Jensen details the rise of the company, examines the Harlequin formula, and evaluates the growth and impact of both Harlequin and its competition. She also assesses recent shifts in the content of Harlequins, particularly as they pertain to women's changing roles in society.
Rediscovering Lincoln through the female gaze
Abraham Lincoln belongs to everybody. The women he interacted with helped forge the outstanding moral character of America's greatest president. This unique Abraham Lincoln biography features thirty historical and personal essays, and within them, the stories of more than ninety women, each with their own mini biographies in an appendix. Among them are Lincoln’s friends, clients, and extended family, as well as writers, artists, and—blurring the lines between history and memoir—author Stacy Lynn herself.
As a professional Lincoln scholar and editor, Lynn was often frustrated that male historians often overlooked Lincoln’s love for and friendship with women. Here, she posits a new paradigm—one that, instead of downplaying women, lifts up their interactions with Lincoln.
Lincoln understood the importance of the women in his life, and he put women’s wellbeing at the center of his personal, professional, and political ethos. He was loved by two strong pioneer mothers as well as sisters, friends, nieces, friends’ daughters, and his wife. He served women clients during his long legal career. As president, he met with women, dedicating time to hear their concerns despite the burdens of office. He replied to letters women wrote him. He believed in their capabilities and revolutionized the role of women in the workforce. After Lincoln’s death, women continued to shape his legacy. Mary Lincoln ensured his burial among friends, artist Vinnie Ream sculpted his statue in the US Capitol, and biographer Ida Tarbell provided a nuanced portrayal of his life. Harriet Monroe and Ruth Painter Randall further cemented his place in literature and history.
Lynn presents a fresh perspective on Lincoln, connecting his story to the stories of women and showcasing his kindness, sensitivity, and moral center. She explores how women shaped Lincoln’s inspirational legacy and pays homage to all the women who gave Lincoln to the world. Lynn’s unique blending of history, biography, and her own story reveals the ways in which an emotional connection to the historical figures one studies opens the door to richer human and historical understanding. By inviting readers to feel the past as well as read it, Lynn demonstrates that history matters most when it engages our minds and hearts.
Lives of longing and resilience, searching and belonging in a debut story collection from a memoirist and renowned advocate for change
For a Lucky Tomorrow Buy a Flower Today. Is it true? a prospective customer asks. About the luck? “Absolutely!” Felma says. Flowers, she knows, are all that’s anchored in this world, even if not for long, and like others in these luminous stories, Felma knows what it is to be rootless. In Lucky Tomorrow, Deborah Jiang-Stein presents an unforgettable cast of characters dreaming of redemption, purpose, and connection in a wounded yet beautiful world.
A young girl stuck working at her family’s candy stand. A former priest trapped on a crowded train. A prisoner robbed of the book she’s been writing. A father haunted by his broken family. A woman confined to a psych ward. A reverend caring for her dying housemate. And Felma, a flower vendor, searching for the daughter she gave birth to while in prison, who was swiftly bundled away. Felma’s story leads us in, through, and around the others—a central beating heart for these lives on the fringes, where Jiang-Stein finds a singular, tenacious humanity.
The stories in Lucky Tomorrow move through settings drawn from the path of the author’s own life: Seattle, where she grew up after being born in an Appalachian prison; Tokyo, where she once lived; the Twin Cities, where she currently resides; and the American South, where she travels for much of her advocacy work with women in prison. Pushing the boundaries of genre, Jiang-Stein delicately layers the stories of these outcasts, eccentrics, and visionaries, gathering them in from the shadows with remarkable empathy and candor, laying bare our shared sorrows and joys.
Drawing on widely scattered archives, newspaper accounts, and other sources, Lucretia Mott Speaks unearths the essential speeches and remarks from Mott's remarkable career. The editors have chosen selections representing important themes and events in her public life. Extensive annotations provide vibrant context and show Mott's engagement with allies and opponents. The speeches illuminate her passionate belief that her many causes were all intertwined. The result is an authoritative resource, one that enriches our understanding of Mott's views, rhetorical strategies, and still-powerful influence on American society.
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