Paris at War chronicles the lives of ordinary Parisians during World War II, from September 1939 when France went to war with Nazi Germany to liberation in August 1944. Readers will relive the fearful exodus from the city as the German army neared the capital, the relief and disgust felt when the armistice was signed, and the hardships and deprivations under Occupation. David Drake contrasts the plight of working-class Parisians with the comparative comfort of the rich, exposes the activities of collaborationists, and traces the growth of the Resistance from producing leaflets to gunning down German soldiers. He details the intrigues and brutality of the occupying forces, and life in the notorious transit camp at nearby Drancy, along with three other less well known Jewish work camps within the city.

The book gains its vitality from the diaries and reminiscences of people who endured these tumultuous years. Drake’s cast of characters comes from all walks of life and represents a diversity of political views and social attitudes. We hear from a retired schoolteacher, a celebrated economist, a Catholic teenager who wears a yellow star in solidarity with Parisian Jews, as well as Resistance fighters, collaborators, and many other witnesses.

Drake enriches his account with details from police records, newspapers, radio broadcasts, and newsreels. From his chronology emerge the broad rhythms and shifting moods of the city. Above all, he explores the contingent lives of the people of Paris, who, unlike us, co­uld not know how the story would end.

In an original and evocative journey through modern Paris from the mid-eighteenth century to World War II, Patrice Higonnet offers a delightful cultural portrait of a multifaceted, continually changing city. In examining the myths and countermyths of Paris that have been created and re-created over time, Higonnet reveals a magical urban alchemy in which each era absorbs the myths and perceptions of Paris past, adapts them to the cultural imperatives of its own time, and feeds them back into the city, creating a new environment.

Paris was central to the modern world in ways internal and external, genuine and imagined, progressive and decadent. Higonnet explores Paris as the capital of revolution, science, empire, literature, and art, describing such incarnations as Belle Epoque Paris, the Commune, the surrealists' city, and Paris as viewed through American eyes. He also evokes the more visceral Paris of alienation, crime, material excess, and sensual pleasure.

Insightful, informative, and gracefully written, Paris illuminates the intersection of collective and individual imaginations in a perpetually shifting urban dynamic. In describing his Paris of the real and of the imagination, Higonnet sheds brilliant new light on this endlessly intriguing city.

A comprehensive history of masks in France from the seventeenth to the nineteenth century. 

Masks can conceal, disguise, or protect. They can guard status, inspire delight, or spread fear. They can also betray trust through insincerity, deceit, and hypocrisy. In Paris Concealed, historian James H. Johnson offers a sweeping history of masks both visible and unseen from the time of Louis XIV to the late nineteenth century, exploring the complex roles that masking and unmasking have played in the fashioning of our social selves.
 
Drawing from memoirs, novels, plays, and paintings, Paris Concealed explores the many domains in which masks have been decisive. Beginning in the court of Versailles, Johnson charts the genesis of courtly politesse and its widespread condemnation by Enlightenment philosophers and political thinkers. He describes strategies deployed in the era of the French Revolution for unmasking traitors and later efforts to penetrate criminal disguises through telltale marks on the body. He portrays the disruptive power of masks in public balls and carnivals and, with the coming of modernity, evokes their unsettling presence within the unconscious. 
 
Compellingly written and beautifully illustrated, Paris Concealed lays bare the mask’s transformations, from marking one’s position in a static society to inspiring imagined identities in meritocracies to impeding the elusive search for one’s true self.  To tell the history of masks, Johnson shows, is to tell the history of modern selfhood.

Paris is the most personal of cities. There is a Paris for the medievalist, and another for the modernist—a Paris for expatriates, philosophers, artists, romantics, and revolutionaries of every stripe. James H. S. McGregor brings these multiple perspectives into focus throughout this concise, unique history of the City of Light.

His panorama begins with an ancient Gallic fortress on the Seine, burned to the ground by its own defenders in a vain effort to starve out Caesar’s legions. After ninth-century raids by the Vikings ended, Parisians expanded the walls of their tiny sanctuary on the Ile de la Cité, turning the river’s right bank into a thriving commercial district and the Rive Gauche into a college town. Gothic spires expressed a taste for architectural novelty, matched only by the palaces and pleasure gardens of successive monarchs whose ingenuity made Paris the epitome of everything French. The fires of Revolution threatened all that had come before, but Baron Haussmann saw opportunity in the wreckage. No planned city in the world is more famous than his.

Paris from the Ground Up allows readers to trace the city’s evolution in its architecture and art—from the Roman arena to the Musée d’Orsay, from the Louvre’s defensive foundations to I. M. Pei’s transparent pyramids. Color maps, along with identifying illustrations, make the city accessible to visitors by foot, Metro, or riverboat.

The expansion of the Paris sewer system during the Second Empire and Third Republic was both a technological and political triumph. The sewers themselves were an important cultural phenomenon, and the men who worked in them a source of fascination. Donald Reid shows that observing how such laborers as cesspool cleaners and sewermen present themselves and are represented by others is a way to reflect on the material and cultural foundations of everyday life.

For bourgeois urbanites, the sewer became the repository of latent anxieties about disease, disorder, and anarchy. The sewermen themselves formed a model army of labor in an era of social upheaval in the workplace. They were pioneers both in demanding the right of public servants to unionize and in securing social welfare measures. They were among the first French manual laborers to win the eight-hour day, paid vacations, and other benefits.

Reid transcends traditional categories by bringing together the infrastructure and the cultural supports of society, viewing technocracy and its achievements in technical, political and cultural terms. Historians of modern France, and Francophiles in search of the unusual, will welcome the cultural interfaces of urban history, labor history, and the history of technology his book provides. His text is enlivened by drawings and photographs of the life below Paris streets, and illuminated by references to literary sources such as Hugo's Les Miserables and Giraudoux's The Madwoman of Chaillot.

An innovative history of the fashion industry, focusing on the connections between Paris and New York, art and finance, and design and manufacturing.

Fashion is one of the most dynamic industries in the world, with an annual retail value of $3 trillion and globally recognized icons like Coco Chanel, Christian Dior, and Yves Saint Laurent. How did this industry generate such economic and symbolic capital?

Focusing on the roles of entrepreneurs, designers, and institutions in fashion’s two most important twentieth-century centers, Paris to New York tells the history of the industry as a negotiation between art and commerce. In the late nineteenth century, Paris-based firms set the tone for a global fashion culture nurtured by artistic visionaries. In the burgeoning New York industry, however, the focus was on mass production. American buyers, trend scouts, and designers crossed the Atlantic to attend couture openings, where they were inspired by, and often accused of counterfeiting, designs made in Paris. For their part, Paris couturiers traveled to New York to understand what American consumers wanted and to make deals with local manufacturers for whom they designed exclusive garments and accessories. The cooperation and competition between the two continents transformed the fashion industry in the early and mid-twentieth century, producing a hybrid of art and commodity.

Véronique Pouillard shows how the Paris–New York connection gave way in the 1960s to a network of widely distributed design and manufacturing centers. Since then, fashion has diversified. Tastes are no longer set by elites alone, but come from the street and from countercultures, and the business of fashion has transformed into a global enterprise.

Did barristers as a professional group support the French Revolution, or were they most often “in flight from politics”? A close inquiry into the Order of Barristers at Paris—the largest and most important in France, with over six hundred members in 1789—reveals that the vast majority within the Order did not support the Revolution. Unsympathetic to the ideal of the nation asserted by the National Assembly, most members of the Order instead remained loyal to the traditional corporate paradigm that the National Assembly had specifically repudiated. Dismayed by the abolition of their Order, they were disillusioned with the Revolution even before the advent of the Terror, which, along with the arbitrariness of the Directory, deepened their disaffection. The manner in which Bonaparte ultimately restored the Order in 1811 completed their alienation from the Revolution and, as a result, they warmly welcomed the return of the Bourbons in 1814.

This investigation not only revises what historians have long thought of the attitude of barristers toward the French Revolution, but also offers insights into the corporate character of Old Regime society and how the Revolution affected it. Fitzsimmons’s study suggests that many propertied commoners during the Revolution were not politically engaged, that they were not necessarily associated with a party or cause simply because of their place within a set of social relationships. Most of the barristers to the Parlement simply reacted timidly to events and yearned for an ideal that was irretrievably lost, tending to view the Revolution more in terms of an end than of a beginning.

What can one man accomplish, even a great man and brilliant scientist? Although every town in France has a street named for Louis Pasteur, was he alone able to stop people from spitting, persuade them to dig drains, influence them to undergo vaccination? Pasteur’s success depended upon a whole network of forces, including the public hygiene movement, the medical profession (both military physicians and private practitioners), and colonial interests. It is the operation of these forces, in combination with the talent of Pasteur, that Bruno Latour sets before us as a prime example of science in action.

Latour argues that the triumph of the biologist and his methodology must be understood within the particular historical convergence of competing social forces and conflicting interests. Yet Pasteur was not the only scientist working on the relationships of microbes and disease. How was he able to galvanize the other forces to support his own research? Latour shows Pasteur’s efforts to win over the French public—the farmers, industrialists, politicians, and much of the scientific establishment.

Instead of reducing science to a given social environment, Latour tries to show the simultaneous building of a society and its scientific facts. The first section of the book, which retells the story of Pasteur, is a vivid description of an approach to science whose theoretical implications go far beyond a particular case study. In the second part of the book, “Irreductions,” Latour sets out his notion of the dynamics of conflict and interaction, of the “relation of forces.” Latour’s method of analysis cuts across and through the boundaries of the established disciplines of sociology, history, and the philosophy of science, to reveal how it is possible not to make the distinction between reason and force. Instead of leading to sociological reductionism, this method leads to an unexpected irreductionism.

Paul Lafargue, the disciple and son-in-law of Karl Marx, helped to found the first French Marxist party in 1882. Over the next three decades, he served as the chief theoretician and propagandist for Marxism in France. During these years, which ended with the dramatic suicides of Lafargue and his wife, French socialism, and the Marxist party within it, became a significant political force.

In an earlier volume, Paul Lafargue and the Founding of French Marxism, 1842-1882, Leslie Derfler emphasized family identity and the origin of French Marxism. Here, he explores Lafargue's political strategies, specifically his break with party co-founder Jules Guesde in the Boulanger and Dreyfus episodes and over the question of socialist-syndicalist relations. Derfler shows Lafargue's importance as both political activist and theorist. He describes Lafargue's role in the formulation of such strategies as the promotion of a Second Workingmen's International, the pursuit of reform within the framework of the existent state but opposition to any socialist participation in nonsocialist governments, and the subordination of trade unionism to political action. He emphasizes Lafargue's pioneering efforts to apply Marxist methods of analysis to questions of anthropology, aesthetics, and literary criticism.

Despite the crucial part they played in the social and political changes of the past century and the heritage they left, the first French Marxists are not widely known, especially in the English-speaking world. This important critical biography of Lafargue, the most audacious of their much maligned theorists, enables us to trace the options open to Marxist socialism as well as its development during a critical period of transition.

Paul Lafargue, disciple and son-in-law of Karl Marx, was among the most important persons giving organized political expression to Marxism in France. He helped found both the first French collectivist party and the first French Marxist party. He was the first Marxist to sit in the French legislature and for three decades served as the chief theoretician and propagandist for Marxism in France. With his wife, Laura, he translated the Communist Manifesto and other works, introducing and applying Marxist thought in France.

Demonstrating an almost seamless web between intellectual and family history, Leslie Derfler relates ideas and family identity in this account of the first forty years of Paul Lafargue’s life. Lafargue, like his famous father-in-law, called for ideological purity and demanded total hostility to anarchists and reformists. He insisted on economic determinism, the primacy of the concept of the class struggle, and the theory of surplus value. But he made his own contributions as well, particularly in his insistence on rejecting the domination of bourgeois values. Lafargue’s most famous pamphlet, The Right To Be Lazy, showed the advantages that labor could derive by rejecting the bourgeois work ethic. An intellectual of power, he pioneered in the application of Marxist methods of analysis to questions of anthropology, aesthetics, and literary criticism.

Born in Cuba of mixed racial descent, Lafargue joined in demonstrations as a medical student in Paris in the 1860s and was forced into exile. Resuming his studies in London, he became a fixture in the Marx household until he married Laura Marx and moved to Paris. There he worked to expand the influence of the International Workingmen’s Association, but fled to Spain following the general repression after the fall of the Paris Commune. He continued his efforts on behalf of Marxism in Spain and then for ten years in London before returning to France, where he helped to found the new Marxist Parti Ouvrier Français, in 1882.

“The modern European state has lived upon a reservoir of soldiers and electors provided by the peasantry, but the peasants have remained the object of politics and not its master,” states Suzanne Berger. One of the few political scientists and students of the modernization process to look at the peasant-state relationship in the old nations of Europe, Berger explores the impact of mass organization on the politics of the peasants.

“One might have predicted,” she writes, “that as peasants became involved in local cooperative and syndical associations, their participation in the politics of the national community would have increased.” The results of her research show, however, that between 1911 and 1967 peasant participation in a wide range of rural associations did not significantly contribute to their integration into the national political system. Why have changes in rural society had so little impact on the peasant's political role?

In considering this question, the author compares peasant organizations in Finistere and Côtes-du-Nord, two backward agricultural departments in western France. Although the social and economic structures of these areas were essentially the same, different types of organizations mobilized the peasants. In Finistere, corporative associations separated the countryside from the currents of national political life. As a result, party politics in Finistere became stagnant, and peasant electors voted in 1967 as they had in the first quarter of the century. In Côtes-du-Nord, on the other hand, the forces that organized the peasants were political parties, and they involved the countryside in national politics. It is this involvement that, according to the author, has contributed to a politicization of local communities and resulted in radical political change.

Antiquarian, lawyer, and cat lover Nicolas Fabri de Peiresc (1580–1637) was a “prince” of the Republic of Letters and the most gifted French intellectual in the generation between Montaigne and Descartes. From Peiresc’s study in Aix-en-Provence, his insatiable curiosity poured forth in thousands of letters that traveled the Mediterranean, seeking knowledge of matters mundane and exotic. Mining the remarkable 70,000-page archive of this Provençal humanist and polymath, Peter N. Miller recovers a lost Mediterranean world of the early seventeenth century that was dominated by the sea: the ceaseless activity of merchants, customs officials, and ships’ captains at the center of Europe’s sprawling maritime networks. Peiresc’s Mediterranean World reconstructs the web of connections that linked the bustling port city of Marseille to destinations throughout the Western Mediterranean, North Africa, the Levant, and beyond.

“Peter Miller’s reanimation of Peiresc, the master of the Mediterranean, is the best kind of case study. It not only makes us appreciate the range and richness of one man’s experience and the originality of his thought, but also suggests that he had many colleagues in his deepest and most imaginative inquiries. Most important, it gives us hope that their archives too will be opened up by scholars skillful and imaginative enough to make them speak to us.”
—Anthony Grafton, New York Review of Books

In a book addressing those interested in the transformation of monarchy into the modern state and in intersections of gender and political power, Katherine Crawford examines the roles of female regents in early modern France.

The reigns of child kings loosened the normative structure in which adult males headed the body politic, setting the stage for innovative claims to authority made on gendered terms. When assuming the regency, Catherine de Médicis presented herself as dutiful mother, devoted widow, and benign peacemaker, masking her political power. In subsequent regencies, Marie de Médicis and Anne of Austria developed strategies that naturalized a regendering of political structures. They succeeded so thoroughly that Philippe d’Orleans found that this rhetoric at first supported but ultimately undermined his authority. Regencies demonstrated that power did not necessarily work from the places, bodies, or genders in which it was presumed to reside.

While broadening the terms of monarchy, regencies involving complex negotiations among child kings, queen mothers, and royal uncles made clear that the state continued regardless of the king—a point not lost on the Revolutionaries or irrelevant to the fate of Marie-Antoinette.

This first thorough biography of the gifted Pierre Boulez interrelates four major aspects of his professional life: as composer, as conductor, as polemicist for new music, and as musico-political entrepreneur. Lively, intimate, and knowledgeable, it will fascinate concertgoers and students of contemporary music, and will be an especially valuable handbook for those who own recordings of the music. Dominique Jameux develops a comprehensive life history of Boulez, marking all the milestones. We observe the composer at study and at work: the relationship—personal and intellectual—between Boulez and Messiaen; the organization of the Domaine Musical concerts for performance of avant-garde music as well as the launching of IRCAM, an institute for experiments with new musical techniques; Boulez’s teaching experiences, particularly at Darmstadt and Harvard; his discussions with other composers; and his seasons as conductor of the New York Philharmonic, of the BBC Symphony, and of Wagner at Bayreuth.

Many major artistic names figure in this story—Messiaen, Cage, Stockhausen, Maderna, the conductor Rene Leibowitz, the actor Jean-Louis Barrault, as well as several great performers. In Part II, Jameux discusses in detail twelve representative compositions, ranging from the flute sonatina of 1946 to Répons. Throughout the preparation of this book, Jameux had the advantage of interviews with Boulez, along with many informal meetings; the result of the author’s direct contact with his subject is a lucid and reliable introduction to the music, ideas, and activities of one of the leading musical thinkers and doers of our day.

Often referred to as the Newton of France, Pierre Simon Laplace has been called the greatest scientist of the late eighteenth and early nineteenth centuries. He affirmed the stability of the solar system and offered a powerful hypothesis about its origins. A skillful mathematician and popular philosopher, Laplace also did pioneering work on probability theory, in devising a method of inverse probabilities associated with his classic formulation of physical determinism in the universe. With Lavoisier and several younger disciples, he also made decisive advances in chemistry and mathematical physics.

Roger Hahn, who has devoted years to researching Laplace's life, has compiled a rich archive of his scientific correspondence. In this compact biography, also based in part on unpublished private papers, Hahn follows Laplace's journey from would-be priest in the provinces to Parisian academician, popularizer of science during the French Revolution, religious skeptic, and supporter of Napoleon. By the end of his life, Laplace had become a well-rewarded dean of French science.

In this first full-length biography, Hahn illuminates the man in his historical setting. Elegantly written, Pierre Simon Laplace reflects a lifetime of thinking and research by a distinguished historian of science on the fortunes of a singularly important figure in the annals of Enlightenment science.

The eleven books of poetry by Venantius Fortunatus include well-loved hymns, figure poems, epigrams on miracles, and elegies in the voices of abandoned or exiled women. The sixth-century poet began his career in northern Italy before moving to Gaul, where he wrote for the remainder of his life—praising kings and elites of the Merovingian dynasty and describing the natural scenery and society of his adopted homeland during the transition from late antiquity to the early Middle Ages. In his lively and inventive style, Fortunatus also addressed verses to religious figures such as his patron Gregory of Tours and to holy women such as Radegund, founder of the Convent of the Holy Cross in Poitiers, and Agnes, the convent’s first abbess.

Fortunatus’s imaginative metaphors and wry, self-mocking humor ensure his place in the canon of Christian Latin poets. This volume presents for the first time in English translation all of his poetry, apart from a single long saint’s life in verse.

“We are given a vivid sense of how songs were circulated and performed on the streets of Paris…Darnton has opened up another rich vein of research in the eighteenth century.” —Times Literary Supplement

In spring 1749, François Bonis, a medical student in Paris, found himself unexpectedly hauled off to the Bastille for distributing an “abominable poem about the king.” So began the Affair of the Fourteen, a police crackdown on ordinary citizens for unauthorized poetry recitals. Why was the official response to these poems so intense?

In this captivating book, Robert Darnton follows the poems as they passed through several media: copied on scraps of paper, dictated from one person to another, memorized and declaimed to an audience. But the most effective dispersal occurred through music, when poems were sung to familiar tunes. Lyrics often referred to current events or revealed popular attitudes toward the royal court. The songs provided a running commentary on public affairs, and Darnton brilliantly traces how the lyrics fit into song cycles that carried messages through the streets of Paris during a period of rising discontent. He uncovers a complex communication network, illuminating the way information circulated in a semi-literate society.

This lucid and entertaining book reminds us of both the importance of oral exchanges in the history of communication and the power of “viral” networks long before our internet age.

World War II was over, Western Europe was rebuilding, and laborers were in short supply. The masses of foreign workers recruited to fill the gap presented, or so it seemed to their host countries, a temporary solution—but then the guests opted to stay. How have these permanent visitors fitted into Western European societies, where xenophobia and liberalism coexist in an uneasy balance? Have such marginalized groups developed any recognizable forms of political participation?

This book, a rare account of political activity among these immigrants, reveals the extent of their impact on and interaction with the policies and politics of their adopted countries. Comparing France and Switzerland, and focusing on four cities, Patrick Ireland tests various existing explanations of how and why immigrant political participation has taken certain forms: homeland-oriented, geared toward the country of origin; institutional, conducted through regularly accorded channels in the host society; or confrontational, developed outside legal and favored channels.

Through extensive research and interviews, Ireland finds that national and local institutional frameworks, rather than the immigrants' ethnic origins or class status, determine the form their political mobilization takes. He shows how indigenous trade unions, political parties, and other institutions have acted as gatekeepers, controlling access to avenues of political participation, and describes the ways in which immigrants have availed themselves of the different opportunities in each institutional context. Documenting changes from one generation to the next, his account identifies distinctive forms of political activity that have evolved in recent years.

There can scarcely be a greater tribute to the vitality of the Fifth Republic's democracy than this monumental work. A searching analysis of how the will of the voters is translated into authoritative political decision making, this book not only uncovers political truths about contemporary France but also provides a model for the study of other popular forms of government.

The authors set out to find an answer to the perplexing question of how representative government operates in France in the seemingly unstable context of multiparties. By interviewing voters as well as legislators in 1967 and in 1968 after the great upheaval, and by monitoring policies of the National Assembly from 1967 to 1973, the authors test relationships between public opinion and decision making. They are able to sort out the abiding political cues that orient the French voter, to establish the normal electoral processes, to gauge the nature of mass perceptions of the political options available to voters, and to interpret the strikes, riots, and demonstrations of 1968 as a channel of communication parallel to the electoral process itself.

Lucid in style, methodologically sophisticated, and often comparative in approach, Political Representation in France is a seminal work for political scientists, sociologists, and historians.

Pont-de-Montvert is a small and shrunken Protestant village in an isolated part of the Cévennes mountains of Southern France. In 1700, the village was a complicated world where some fifteen hundred landless peasants, yeomen peasants, artisans, bourgeois, and nobles had unequal rights, unequal responsibilities, and different perceptions of politics. Today, Pont-de-Montvert is a much smaller, classless society, where social differences have little to do with politics and are due more to personal worth than to inherited wealth or status.

In the seventeenth century, both rich and poor of Pont-de-Montvert had their own politics; one century later, at the time of the French Revolution, the political differences had vanished though the social ones remained. During the nineteenth century, the social structure was transformed, as were its connections with politics.

In this book, P. L.-R. Higonnet explains these changes and describes the conditions of life for different people at different times in a village that is both a part of France and a world unto itself.

A radical reconceptualization of modernism, this book traces the appearance of the modern artist to the Paris of the 1830s and links the emergence of an enduring modernist aesthetic to the fleeting forms of popular culture. Contrary to conventional views of a private self retreating from history and modernity, Popular Bohemia shows us the modernist as a public persona parodying the stereotypes of commercial mass culture. Here we see how the modern artist—alternately assuming the roles of the melodramatic hero, the urban flâneur, the female hysteric, the tribal primitive—created his own version of an expressive, public modernity in opposition to an increasingly repressive and conformist bourgeois culture. And here we see how a specifically modern aesthetic culture in nineteenth-century Paris came about, not in opposition to commercial popular culture, but in close alliance with it.

Popular Bohemia revises dominant historical narratives about modernism from the perspective of a theoretically informed cultural history that spans the period between 1830 and 1914. In doing so, it reconnects the intellectual history of avant-garde art with the cultural history of bohemia and the social history of the urban experience to reveal the circumstances in which a truly modernist culture emerged.

The story of Paris in the 1930s seems straightforward enough, with the Popular Front movement leading toward the inspiring 1936 election of a leftist coalition government. The socialist victory, which resulted in fundamental improvements in the lives of workers, was then derailed in a precipitous descent that culminated in France's capitulation before the Nazis in June 1940. Yet no matter how minutely recounted, this "straight story" clarifies only the political activity behind which turbulent cultural currents brought about far-reaching changes in everyday life and the way it is represented.

In this book, Dudley Andrew and Steven Ungar apply an evocative "poetics of culture" to capture the complex atmospherics of Paris in the 1930s. They highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film—technologies that converged with efforts among writers (Gide, Malraux, Céline), artists (Renoir, Dalí), and other intellectuals (Mounier, de Rougemont, Leiris) to respond to the decade's crises.

Their analysis takes them to expositions and music halls, to upscale architecture and fashion sites, to traditional neighborhoods, and to overseas territories, the latter portrayed in metropolitan exhibits and colonial cinema. Rather than a straight story of the Popular Front, they have produced something closer to the format of an illustrated newspaper whose multiple columns represent the breadth of urban life during this critical decade at the end of the Third French Republic.

We assume that words are posted (mailed or, in another sense, positioned) to communicate with others, to bridge distance and “wish you were here.” But Vincent Kaufmann discovers in his chosen letter writers the urgency not to communicate, to keep their correspondents away and, as it were, posted. The writer avoids real-life dialogue by way of letters, which then become proving grounds for the work to come. Whatever their intellectual, biographical, or aesthetic value—compare Flaubert’s passionate dogmatizing to Baudelaire’s peevish nagging for money—letters teach writers how to appreciate the sound of their own voice and how to make a workable literary space. Distance gives the relentless letter writer the chance to become a writer. Kaufmann, with Lacan, says that what characterizes the literary text is the ability to get beyond a particular other to address the Other, which must be no one in particular.

Kaufmann features several European writers, all of them avidly concerned about the destination of speech when it passes into writing. Among them: Kafka, obsessions spilling over, adoring his fiancee for her emptiness; Proust, master of suffering, with his interminable health bulletins, cancellations, and condolences; Flaubert, an extraordinary letter writer, abandoning his mistress for the more seductive Emma Bovary; Baudelaire, determined in squalor, writing letters almost exclusively about his debts, as if to practice the art of escape and defiance; Mallarmé, patron saint of littérateurs, whose vaunted Book disappears into salons and letters; Artaud, speaker in tongues, who wildly searched for authenticity through letters.

Unending attention has been devoted to these important writers, but they seem new again when viewed in Kaufmann’s epistolary mirror. What they share is a taste, or need, for distance and perversion; we see them becoming “inhuman” in order to textualize their lives. They are all modernists, and the definition of Modernism is thereby deepened. This book—rich in anecdote and humor—escorts literary theory into the no-man’s-land stretching between the life and the word.

In the wake of the French Revolution, as attempts to restore political stability to France repeatedly failed, a group of concerned intellectuals identified a likely culprit: the prevalent sensationalist psychology, and especially the flimsy and fragmented self it produced. They proposed a vast, state-run pedagogical project to replace sensationalism with a new psychology that showcased an indivisible and actively willing self, or moi. As conceived and executed by Victor Cousin, a derivative philosopher but an academic entrepreneur of genius, this long-lived project singled out the male bourgeoisie for training in selfhood. Granting everyone a self in principle, Cousin and his disciples deemed workers and women incapable of the introspective finesse necessary to appropriate that self in practice.

Beginning with a fresh consideration of the place of sensationalism in the Old Regime and the French Revolution, Jan Goldstein traces a post-Revolutionary politics of selfhood that reserved the Cousinian moi for the educated elite, outraged Catholics and consigned socially marginal groups to the ministrations of phrenology. Situating the Cousinian moi between the fragmented selves of eighteenth-century sensationalism and twentieth-century Freudianism, Goldstein suggests that the resolutely unitary self of the nineteenth century was only an interlude tailored to the needs of the post-Revolutionary bourgeois order.

Lucien Febvre’s magisterial study of sixteenth century religious and intellectual history, published in 1942, is at long last available in English, in a translation that does it full justice. The book is a modern classic. Febvre, founder with Marc Bloch of the journal Annales, was one of France’s leading historians, a scholar whose field of expertise was the sixteenth century. This book, written late in his career, is regarded as his masterpiece. Despite the subtitle, it is not primarily a study of Rabelais; it is a study of the mental life, the mentalité, of a whole age.

Febvre worked on the book for ten years. His purpose at first was polemical: he set out to demolish the notion that Rabelais was a covert atheist, a freethinker ahead of his time. To expose the anachronism of that view, he proceeded to a close examination of the ideas, information, beliefs, and values of Rabelais and his contemporaries. He combed archives and local records, compendia of popular lore, the work of writers from Luther and Erasmus to Ronsard, the verses of obscure neo-Latin poets. Everything was grist for his mill: books about comets, medical texts, philological treatises, even music and architecture. The result is a work of extraordinary richness of texture, enlivened by a wealth of concrete details—a compelling intellectual portrait of the period by a historian of rare insight, great intelligence, and vast learning.

Febvre wrote with Gallic flair. His style is informal, often witty, at times combative, and colorful almost to a fault. His idiosyncrasies of syntax and vocabulary have defeated many who have tried to read, let alone translate, the French text. Beatrice Gottlieb has succeeded in rendering his prose accurately and readably, conveying a sense of Febvre’s strong, often argumentative personality as well as his brilliantly intuitive feeling for Renaissance France.

Prophets and Patrons is the first detailed account of the emergence of sociology and related social sciences in France. It emphasizes three social and intellectual groupings in the period from 1880 to 1914: the social statisticians who grew out of governmental ministries, the Durkheimians who were consistently housed in the university, and the "international sociologists" around René Worms, in neither ministries nor the university.

Unlike most histories of ideas, Prophets and Patrons portrays the institutional developments that encouraged, discouraged, and rechanneled different styles of research. To understand these developments, a sociological analysis of the French university system is presented. At its center are the patrons (generally Sorbonne professors) who served as informal linkages for the entire system. Around them developed clusters of researchers and teachers throughout France. The workings of this system of relations, analyzed here for the first time, are crucial to understanding the French university.

The university is also immersed in the political and ideological currents of the Latin Quarter. Thus Clark's investigation of conflicting elements of French culture and social structure helps illuminate his analysis of the university. This study will be invaluable to social scientists, intellectual historians, and students of French culture and comparative education.

It is commonly agreed that the history of France at the end of the eighteenth century was influenced powerfully, at times decisively, by collective interests and group actions. Yet, as Philip Dawson shows, this consensus has been the foundation of endless scholarly argument over the purposes of group actions and their effects on economic, political, and intellectual life, the accuracy of facts reported, the validity of different methods of analysis, and the significance of the whole topic for previous and subsequent human experience. In probing these questions, this monograph contributes research findings to the historical controversy over the political motives and conduct of the upper bourgeoisie during the French Revolution.

Chosen for study is a well-defined occupational group near the pinnacle of the bourgeoisie, the 2700 judicial officeholders in the bailliages and sénéchaussées--royal courts from which appeals were taken to the parlements. These lower-court magistrates were generally well-to-do and esteemed personages in the provincial bourgeoisie, who could potentially be drawn to either side in a political struggle between nobility and bourgeoisie. They constituted more than 20 percent of the bourgeois representation in the Estates General of 1789. Revolutionary legislation abolished their offices, but many of them remained active in politics even under the revolutionary republic.

Dawson makes use of a variety of manuscript materials pertinent to the magistrates as he treats their activities as members of corporate groups before 1790 and follows many of them as individuals through the revolutionary years to 1795. In part, the book is based on biographical data relating to 230 magistrates--all who were in office in the provinces of Burgundy and Poitou at the outbreak of the revolution.

By the end of 1789, the author concludes, most of the magistrates came to accept revolutionary change because alternative courses of action had been made more unacceptable to them. It was their support that helped to make possible the revolutionary process itself. "They were not the leaders of the revolutionary bourgeoisie. Before 1789, they had been in the highest rank of the bourgeoisie and they remained a notable part of it, but most of them had come to support revolution hesitantly, cautiously, with moderation and many a backward glance."

As the driving force behind the Allied effort in World War I, France willingly shouldered the heaviest burden. In this masterful book, Robert Doughty explains how and why France assumed this role and offers new insights into French strategy and operational methods.

French leaders, favoring a multi-front strategy, believed the Allies could maintain pressure on several fronts around the periphery of the German, Austrian, and Ottoman empires and eventually break the enemy's defenses. But France did not have sufficient resources to push the Germans back from the Western Front and attack elsewhere. The offensives they launched proved costly, and their tactical and operational methods ranged from remarkably effective to disastrously ineffective.

Using extensive archival research, Doughty explains why France pursued a multi-front strategy and why it launched numerous operations as part of that strategy. He also casts new light on France's efforts to develop successful weapons and methods and the attempts to use them in operations.

An unparalleled work in French or English literature on the war, Pyrrhic Victory is destined to become the standard account of the French army in the Great War.