A deadly continental struggle, the Thirty Years War devastated seventeenth-century Europe, killing nearly a quarter of all Germans and laying waste to towns and countryside alike. Peter Wilson offers the first new history in a generation of a horrifying conflict that transformed the map of the modern world.

When defiant Bohemians tossed the Habsburg emperor’s envoys from the castle windows in Prague in 1618, the Holy Roman Empire struck back with a vengeance. Bohemia was ravaged by mercenary troops in the first battle of a conflagration that would engulf Europe from Spain to Sweden. The sweeping narrative encompasses dramatic events and unforgettable individuals—the sack of Magdeburg; the Dutch revolt; the Swedish militant king Gustavus Adolphus; the imperial generals, opportunistic Wallenstein and pious Tilly; and crafty diplomat Cardinal Richelieu. In a major reassessment, Wilson argues that religion was not the catalyst, but one element in a lethal stew of political, social, and dynastic forces that fed the conflict.

By war’s end a recognizably modern Europe had been created, but at what price? The Thirty Years War condemned the Germans to two centuries of internal division and international impotence and became a benchmark of brutality for centuries. As late as the 1960s, Germans placed it ahead of both world wars and the Black Death as their country’s greatest disaster.

An understanding of the Thirty Years War is essential to comprehending modern European history. Wilson’s masterful book will stand as the definitive account of this epic conflict.

For a map of Central Europe in 1618, referenced on page XVI, please visit this book’s page on the Harvard University Press website.

An intimate retelling of Lyndon B. Johnson’s politics and presidency by one of his closest advisors.

Horace Busby was one of LBJ’s most trusted advisors; their close working and personal relationship spanned twenty years. In The Thirty-First of March he offers an indelible portrait of a president and a presidency at a time of crisis. From the aftereffects of the Kennedy assassination, when Busby was asked by the newly sworn-in president to sit by his bedside during his first troubled nights in office, to the concerns that defined the Great Society—civil rights, the economy, social legislation, housing, and the Vietnam War—Busby not only articulated and refined Johnson's political thinking, he also helped shape the most ambitious, far-reaching legislative agenda since FDR's New Deal.

Here is Johnson the politician, Johnson the schemer, Johnson who advised against JFK’s choice of an open limousine that fateful day in Dallas, and Johnson the father, sickened by the deaths of young men fighting and dying in Vietnam on his orders. The Thirty-first of March is a rare glimpse into the inner sanctum of Johnson's presidency, as seen through the eyes of one of the people who understood him best.

In 1712, the Kangxi emperor published Imperial Poems on the Mountain Estate for Escaping the Heat (Yuzhi Bishu shanzhuang shi) to commemorate his recently completed summer palace. Through his perceptions of thirty-six of its most scenic views, his poems and descriptions present an unusually intimate self-portrait of the emperor at the age of sixty that reflected the pleasures of his life there as well as his ideals as the ruler of the Qing Empire. Kangxi was closely involved in the production of the book and ordered several of his outstanding court artists—the painter Shen Yu and the engravers Zhu Gui and Mei Yufeng—to produce woodblock prints of the Thirty-Six Views, which set a new standard for topographical illustration. He also ordered Matteo Ripa, an Italian missionary serving as a court-artist, to translate these images into the medium of copperplate engraving, which introduced this technique to China. Ripa’s hybridized interpretations soon began to circulate in Europe and influenced contemporary aesthetic debates about the nature and virtues of the Chinese garden. This artistic collaboration between a Chinese emperor and a western missionary-artist thus marked a significant moment in intercultural imagination, production, and transmission during an earlier phase of globalization.

A Financial Times Book of the Year
A Foreign Affairs Book of the Year
A Spectator Book of the Year

“A landmark contribution to the study of these epochal events.”
—Times Literary Supplement

“Brilliantly researched and written…casts a careful eye upon the ghastly events that took place in the final decades of the Ottoman empire, when its rulers decided to annihilate their Christian subjects…Hitler and the Nazis gleaned lessons from this genocide that they then applied to their own efforts to extirpate Jews.”
—Jacob Heilbrun, The Spectator

Between 1894 and 1924, three waves of violence swept across Anatolia, targeting the region’s Christian minorities. By 1924, the Armenians, Assyrians, and Greeks, once nearly a quarter of the population, had been reduced to 2 percent. Most historians have treated these waves as distinct, isolated events, and successive Turkish governments presented them as an unfortunate sequence of accidents. The Thirty-Year Genocide is the first account to show that all three were actually part of a single, continuing, and intentional effort to wipe out Anatolia’s Christian population. Despite the dramatic swing from the Islamizing autocracy of the sultan to the secularizing republicanism of the post–World War I period, the nation’s annihilationist policies were remarkably constant, with continual recourse to premeditated mass killing, homicidal deportation, forced conversion, and mass rape. And one thing more was a constant: the rallying cry of jihad. While not justified under the teachings of Islam, the killing of two million Christians was effected through the calculated exhortation of the Turks to create a pure Muslim nation.

“A subtle diagnosis of why, at particular moments over a span of three decades, Ottoman rulers and their successors unleashed torrents of suffering.”
—Bruce Clark, New York Times Book Review

The burgeoning field of disability studies has recently emerged within the humanities and social sciences and, as a result, disability is no longer seen as the biological condition of an individual body but as a complex product of social, political, environmental, and biological discourses. The groundbreaking essays of This Abled Body engage biblical studies in conversation with the wider field of disability studies. They explore the use of the conceptual category “disability” in biblical and Near Eastern texts and examine how conceptions of disability become a means of narrating, interpreting, and organizing human life. Employing diverse approaches to biblical criticism, scholars explore methodological issues and specific texts related to physical and cognitive disabilities. Responses to the essays by established disability activists and academics working in the social sciences and humanities conclude the volume. The contributors are Martin Albl, Hector Avalos, Bruce C. Birch, Carole R. Fontaine, Thomas Hentrich, Nicole Kelley, Janet Lees, Sarah J. Melcher, David Mitchell, Jeremy Schipper, Sharon Snyder, Holly Joan Toensing, Neal H. Walls, and Kerry H. Wynn.

To live in an Alaska of the mind is to map the imagined cartography of winter on all that is physical. To dwell perpetually in a symbolic cold, and to emerge, with grace, unscathed. This book questions what it means to live and love in such a buried season. This Alaska interrogates all that emotional and physical intimacy cannot salvage or keep warm. Death and dreams are at the very center of this book. But life — and all it entails and circles and loses and loves — is at its heart.

2005 — Best Book Translation Prize – New England Council of Latin American Studies

Gabriela Mistral and Victoria Ocampo were the two most influential and respected women writers of twentieth-century Latin America. Mistral, a plain, self-educated Chilean woman of the mountains who was a poet, journalist, and educator, became Latin America's first Nobel Laureate in 1945. Ocampo, a stunning Argentine woman of wealth, wrote hundreds of essays and founded the first-rate literary journal Sur. Though of very different backgrounds, their deep commitment to what they felt was "their" America forged a unique intellectual and emotional bond between them.

This collection of the previously unpublished correspondence between Mistral and Ocampo reveals the private side of two very public women. In these letters (as well as in essays that are included in an appendix), we see what Mistral and Ocampo thought about each other and about the intellectual and political atmosphere of their time (including the Spanish Civil War, World War II, and the dictatorships of Latin America) and particularly how they negotiated the complex issues of identity, nationality, and gender within their wide-ranging cultural connections to both the Americas and Europe.

A collection of essays on the mysteries of the body from one of Italy’s leading postwar communist intellectuals.

Politician, translator, and journalist Rossana Rossanda was the most important female left-wing intellectual in post-war Italy. Central to the Italian Communist Party’s cultural wing during the 1950s and ’60s, she left an indelible mark on the life of the mind. The essays in this volume, however, bring together Rossanda’s reflections on the body—how it ages, how it is gendered, what it means to examine one’s own body. The product of a decades-long dialogue with the Italian women’s movement (above all with Lea Melandri, a vital feminist writer who provides an afterword to the current volume), these essays represent an honest and raw meeting between communist and feminist thought. Ranging from reflections on her own hands through to Chinese cinema, from figures such as the Russian cross-dressing soldier Nadezhda Durova to the Jacobin revolutionary Theroigne de Mericourt, here we see Rossanda’s fierce intellect and extraordinary breadth of knowledge applied to the body as a central question of human experience.

2024 Weatherford Award Winner, Nonfiction

This Book Is Free and Yours to Keep presents a captivating collection of letters and artwork by people in prison that highlights the crucial work done by the Appalachian Prison Book Project (APBP), a nonprofit that provides books to incarcerated people in West Virginia, Virginia, Tennessee, Kentucky, Ohio, and Maryland. Through the words of people directly impacted by the criminal punishment system, the collection provides uncommon insight into reading practices and everyday life in prisons and jails while being an inspiration for prison book projects, prison reform, and abolition.

Simultaneously communicating the vital importance of access to books and education, and conveying the power of community, the letters sent to APBP by incarcerated people spark conversations about race, poverty, and incarceration and shed light on the movement for accountability for state violence. This Book Is Free and Yours to Keep elucidates the violence and neglect perpetuated by carceral systems and offers a way forward based on solidarity and collaboration.

One woman’s enlightening trek through the natural histories, cultural stories, and present perils of thirteen national monuments, from Maine to Hawaii—now available in paperback

This land is your land. When it comes to national monuments, the sentiment could hardly be more fraught. Gold Butte in Nevada, Organ Mountains–Desert Peaks in New Mexico, Katahdin Woods and Waters in Maine, Cascade–Siskiyou in Oregon and California: these are among the thirteen natural sites McKenzie Long visits in This Contested Land, an eye-opening exploration of the stories these national monuments tell, the passions they stir, and the controversies surrounding them today.

 

Starting amid the fragrant sagebrush and red dirt of Bears Ears National Monument on the eve of the Trump Administration’s decision to reduce the site by 85 percent, Long climbs sandstone cliffs, is awed by Ancestral Pueblo cliff dwellings and is intrigued by 4,000-year-old petroglyphs. She hikes through remote pink canyons recently removed from the boundary of Grand Staircase–Escalante, skis to a backcountry hut in Maine to view a truly dark night sky, snorkels in warm Hawaiian waters to plumb the meaning of marine preserves, volunteers near the most contaminated nuclear site in the United States, and witnesses firsthand the diverse forms of devotion evoked by the Rio Grande. In essays both contemplative and resonant, This Contested Land confronts an unjust past and imagines a collaborative future that bears witness to these regions’ enduring Indigenous connections. 

 

From hazardous climate change realities to volatile tensions between economic development and environmental conservation, practical and philosophical issues arise as Long seeks the complicated and often overlooked—or suppressed—stories of these incomparable places. Her journey, mindfully undertaken and movingly described, emphasizes in clear and urgent terms the unique significance of, and grave threats to, these contested lands.

“A wondrously limpid testament to the pleasures of reading.” —Steven Poole, The Guardian

Six incandescent lectures on literature from the patron saint of mirrors, metafiction, and infinite libraries.

For more than thirty years, Jorge Luis Borges’s Norton Lectures went unpublished. Recorded at Harvard in 1967 and 1968, the tapes gathered dust in a library vault until their discovery after his death. It was a twist that the author of Labyrinths would have relished. This volume assembles the recovered materials, offering a priceless window into the Argentinian master’s lifelong love affair with the English language.

This Craft of Verse captures the cadences, candor, wit, and erudition of one of the twentieth century’s enduring literary voices. Though his avowed topic is poetry, Borges explores subjects ranging from prose forms—especially the novel—to literary history, translation theory, and philosophical aspects of communication writ large. Borges here draws on a wide range of literary examples—modern and medieval English, Spanish, French, Italian, German, Greek, Latin, Arabic, Hebrew, and Chinese. He brings characteristic eloquence and inexhaustible enthusiasm to readings of Plato, the Old Norse kenningar, Byron, Poe, Chesterton, Joyce, and Frost, as well as translations of Homer, the Bible, and the Rubáiyát of Omar Khayyám.

Whether discussing metaphor, the origins of verse, or his own “poetic creed,” Borges gives a performance as entertaining as it is intellectually engaging. A lesson in the love of literature and the making of a unique artistic sensibility, This Craft of Verse is a sustained encounter with one of the writers whose place in the twentieth century will be forever remembered.

Through a twist of fate that the author of Labyrinths himself would have relished, these lost lectures given in English at Harvard in 1967–1968 by Jorge Luis Borges return to us now, a recovered tale of a life-long love affair with literature and the English language. Transcribed from tapes only recently discovered, This Craft of Verse captures the cadences, candor, wit, and remarkable erudition of one of the most extraordinary and enduring literary voices of the twentieth century. In its wide-ranging commentary and exquisite insights, the book stands as a deeply personal yet far-reaching introduction to the pleasures of the word, and as a first-hand testimony to the life of literature.

Though his avowed topic is poetry, Borges explores subjects ranging from prose forms (especially the novel), literary history, and translation theory to philosophical aspects of literature in particular and communication in general. Probably the best-read citizen of the globe in his day, he draws on a wealth of examples from literature in modern and medieval English, Spanish, French, Italian, German, Greek, Latin, Arabic, Hebrew, and Chinese, speaking with characteristic eloquence on Plato, the Norse kenningar, Byron, Poe, Chesterton, Joyce, and Frost, as well as on translations of Homer, the Bible, and the Rubáiyát of Omar Khayyám.

Whether discussing metaphor, epic poetry, the origins of verse, poetic meaning, or his own “poetic creed,” Borges gives a performance as entertaining as it is intellectually engaging. A lesson in the love of literature and in the making of a unique literary sensibility, this is a sustained encounter with one of the writers by whom the twentieth century will be long remembered.

On the verge of maturity--where parents are distant or absent, friendships are often more accidental than deliberate, and restless angst is common--Anthony Varallo's adolescent protagonists dissect the world, and their place in it, with keen perception. This Day in History deftly collects their moments of discovery. “There's a feeling I get whenever I enter an unfamiliar house, as if a secret inventory has been handed to me, and I am made to understand that the sofa cushions are stained underneath, the coffee table nursing one gimp leg, the books along the bookcase stolen from summer rental, and the dining room table used only for Christmas and taxes,” the narrator confesses in the first of Varallo's twelve stories. Here, a birthday party for an unpopular classmate reveals an adult world both familiar and utterly strange. In subsequent stories a young girl longs to be a part of her best friend's family, only to discover the family is less than ideal; two sisters recall the childhood houses they grew up--and apart--in, places inseparable from each woman's notion of the other; and a mother and son set off on a bold and hopeless errand, their suburban neighborhood momentarily transformed into a stage.As these children stand on the brink of adulthood, unsure how to move forward, striving to make sense of the world around them, they often discover that the distance between themselves and others is no nearly so great as first imagined. Funny, sad, and hopeful, Varallo's stories make a gentle argument for connection and community and, in doing so, seek to extend our sympathy toward the world.

An exciting and accurate portrayal of the military action in the southern colonies that led to a new American nation.

Following up the success of his 1777: The Year of the Hangman about the northern theaters of the American Revolutionary War, historian John Pancake now cover the war in the South, from General Clinton's attack on Charleston in the spring of 1780 to Cornwallis's surrender at Yorktown in October 1781. 

Pancake expertly takes the reader back and forth between British and American headquarters to provide a brisk and sharp view from both sides of the conflict. His artful analysis also adds insights to the familiar narrative of the British losing because of their mistakes, American victory thanks to tenacity (particularly in the person of southern Continental forces commander Nathanael Greene), and British failure to overcome logistical problems of geography. Readers enjoy Pancake's wide-ranging knowledge of military history as applied to the Revolution as where, for example, he cites that tests conducted by the US Navy in World War II demonstrated that gun crews that were 100 percent efficient in training lost 35 percent of their efficiency in their first performance in combat. 

Pancake has a writer's eye for telling details, and he creates characters sketches of the main players in the conflict that readers will always remember. This Destructive War includes a number of figures as well as detailed maps of the region where battle took place. General readers as well as scholars and students of the American Revolution will welcome anew this classic, definitive study of the campaign in the Carolinas.

Standing on the Edmund Pettus Bridge in Selma, Alabama, in 2017, photographer William Abranowicz was struck by the weight of historical memory at this hallowed site of one of the civil rights movement's defining episodes: 1965's “Bloody Sunday,” when Alabama police officers attacked peaceful marchers. To Abranowicz’s eye, Selma seemed relatively unchanged from its apperance in the photographs Walker Evans made there in the 1930s. That, coupled with an awareness of renewed voter suppression efforts at state and federal levels, inspired Abranowicz to explore the living legacy of the civil and voting rights movement through photographing locations, landscapes, and individuals associated with the struggle, from Rosa Parks and Harry Belafonte to the barn where Emmett Till was murdered.

The result is This Far and No Further, a collection of photographs from Abranowicz's journey through the American South. Through symbolism, metaphor, and history, he unearths extraordinary stories of brutality, heroism, sacrifice, and redemption hidden within ordinary American landscapes, underscoring the crucial necessity of defending—and exercising—our right to vote at this tenuous moment for American democracy.

A multicultural saga, This Fierce Blood follows three generations of women in the Sylte family.

In rural late-nineteenth-century New England, Wilhelmina Sylte is a settler starting a family with her Norwegian immigrant husband. When she forms an inexplicable connection with a mountain lion and her cubs living near their farm, Mina grapples with divided loyalties and the mysterious bond she shares with the animals.

In 1927 in southern Colorado, Josepa is accused of witchcraft by a local priest for using the healing practices passed down from her Native mother. Fighting for her family’s reputation and way of life, Sepa finds strength in worldly and otherworldly sources.

When Magdalena, an ecologist, inherits her great-grandmother Wilhelmina’s Vermont property, she and her astrophysicist husband decide to turn the old farm into a summer science camp for teens. As Magda struggles with both personal and professional responsibilities, the boundary between science and myth begins to blur.

Rich in historical and cultural detail, This Fierce Blood combines magical realism with themes of maternal ancestral inheritance, and also explores the ways Hispano/Indigenous traditions both conflicted and wove together, shaping the distinctive character of the American Southwest. Readers of Téa Obreht and Ruth Ozeki will find much to admire in this debut novel.

In This Flame Within Manijeh Moradian revises conventional histories of Iranian migration to the United States as a post-1979 phenomenon characterized by the flight of pro-Shah Iranians from the Islamic Republic and recounts the experiences of Iranian foreign students who joined a global movement against US imperialism during the 1960s and 1970s. Drawing on archival evidence and in-depth interviews with members of the Iranian Students Association, Moradian traces what she calls “revolutionary affects”—the embodied force of affect generated by experiences of repression and resistance—from encounters with empire and dictatorship in Iran to joint organizing with other student activists in the United States. Moradian theorizes “affects of solidarity” that facilitated Iranian student participation in a wide range of antiracist and anticolonial movements and analyzes gendered manifestations of revolutionary affects within the emergence of Third World feminism. Arguing for a transnational feminist interpretation of the Iranian Student Association’s legacy, Moradian demonstrates how the recognition of multiple sources of oppression in the West and in Iran can reorient Iranian diasporic politics today.

"In May 2000 I was fired from my job as a reporter on a finance newsletter because of an obsession with a video game.

It was the best thing that ever happened to me.”

So begins this story of personal redemption through the unlikely medium of electronic games. Quake, World of Warcraft, Eve Online, and other online games not only offered author Jim Rossignol an excellent escape from the tedium of office life. They also provided him with a diverse global community and a job—as a games journalist.

Part personal history, part travel narrative, part philosophical reflection on the meaning of play, This Gaming Life describes Rossignol’s encounters in three cities: London, Seoul, and Reykjavik. From his days as a Quake genius in London’s increasingly corporate gaming culture; to Korea, where gaming is a high-stakes televised national sport; to Iceland, the home of his ultimate obsession, the idiosyncratic and beguiling Eve Online, Rossignol introduces us to a vivid and largely undocumented world of gaming lives.

Torn between unabashed optimism about the future of games and lingering doubts about whether they are just a waste of time, This Gaming Life also raises important questions about this new and vital cultural form. Should we celebrate the “serious” educational, social, and cultural value of games, as academics and journalists are beginning to do? Or do these high-minded justifications simply perpetuate the stereotype of games as a lesser form of fun? In this beautifully written, richly detailed, and inspiring book, Rossignol brings these abstract questions to life, immersing us in a vibrant landscape of gaming experiences.

“We need more writers like Jim Rossignol, writers who are intimately familiar with gaming, conversant in the latest research surrounding games, and able to write cogently and interestingly about the experience of playing as well as the deeper significance of games.”
—Chris Baker, Wired

“This Gaming Life is a fascinating and eye-opening look into the real human impact of gaming culture. Traveling the globe and drawing anecdotes from many walks of life, Rossignol takes us beyond the media hype and into the lives of real people whose lives have been changed by gaming. The results may surprise you.”
—Raph Koster, game designer and author of A Theory of Fun for Game Design

“Is obsessive video gaming a character flaw? In This Gaming Life, Jim Rossignol answers with an emphatic ‘no,’ and offers a passionate and engaging defense of what is too often considered a ‘bad habit’ or ‘guilty pleasure.’”
—Joshua Davis, author of The Underdog

“This is a wonderfully literate look at gaming cultures, which you don't have to be a gamer to enjoy. The Korea section blew my mind.”
—John Seabrook, New Yorker staff writer and author of Flash of Genius and Other True Stories of Invention

digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.

In this unflinching, dramatic adventure, modern-day wildland firefighters and cattle rustlers struggle for survival in a changing western landscape. Braiding the stories of two firefighters (Morgan and Jeremy) and an abrasive laundromat custodian turned cattle-rustling grandmother (Jacklynn), This Here Is Devil’s Work is a fiery ride through the small towns of Nevada and Montana and the rugged expanse that connects them.

A twelve-year veteran of the fireline, Morgan believes he knows what his teenage half-brother (Jeremy) needs to do to shrug off boyhood: spend a single season fighting forest fires to earn money for auto mechanic school. But when Jeremy joins the Ruby Mountain Hotshots and earns the respect and admiration of their fire boss (Bailey), Morgan must battle his own demons before they destroy him.

Meanwhile, life hasn’t been easy on Jacklynn—she longs to escape the small town in Montana where she has lived her whole life and reunite with her daughter and grandson in Tucson. Jacklynn wants to make up for a lifetime of missteps by protecting the boy and making sure her daughter stays on course. On the same day that an attractive stranger waltzes into her life, an opportunity for life-changing money presents itself in the form of a dozen pregnant heifers. The only trouble is, they aren’t hers—not yet, anyway.

Morgan and Jacklynn’s paths cross when lightning ignites a blaze in the untamed Montana wilderness, and their choices force each other into
the fury.

Set against the backdrop of wildfires raging across the West and the firefighters who continue to put their lives on the line, This Here Is Devil’s Work explores how love and loneliness can sour, and how they can eventually lead to desperate and self-destructive acts even for those people we consider heroic. 

Documents how initial Mapuche-Spanish alliances were built and how they were destroyed by increasingly powerful slave-trading elites operating like organized crime families
 
The history of Spanish presence in the Americas is usually viewed as a one-sided conquest. In This Incurable Evil: Mapuche Resistance to Spanish Enslavement, 1598–1687, Eugene C. Berger provides a major corrective in the case of Chile. For example, in the south, indigenous populations were persistent in their resistance against Spanish settlement. By the end of the sixteenth century, Spanish aspirations to conquer the entire Pacific Coast were dashed at least twice by armed resistance from the Mapuche peoples. By 1600, the Mapuche had killed two Spanish governors and occupied more than a dozen Spanish towns. Chile’s colonial future was quite uncertain.

As Berger documents, for much of the seventeenth century it seemed that there could be peace along the Spanish-Mapuche frontier. Through trade, intermarriage, and even mutual distrust of Dutch and English pirates, the Mapuche and the Spanish began to construct a colonial entente. However, this growing alliance was obliterated by the “incurable evil,” an ever-expanding enslavement of Mapuches, and one which prompted a new generation of Mapuche resistance. This trade saw Mapuche rivals, neutrals, and even friends placed in irons and forced to board ships in Valdivia and Concepción or to march northward along the Andes. The Mapuche labored in the gold mines of La Serena, in urban workshops in Lima, in the silver mines of Potosí, or on the thousands of haciendas in between and would never return to their homes. With this tragic betrayal, Chile was left a more corrupt, violent, and polarized place, which would cause deep wounds for centuries.
 

August is an insatiable month. Whether it is a dry spell, drought, or simply parched with want, or filled with thunderstorm, deluge, destruction of property or ideals, it is the place of scarcity or cloudburst, beginnings, or endings. The month of August is the focal point of what this author describes as insatiable. In these poems, she identifies the numerous places in our human experience where we face insatiability, where we are ravenous with desire for greatness, passionate for education, even if, like Vesalius, we get it wrong. We lust after partners we cannot have; yearn for true love; we are voracious for sex. We fall in love with language, buttons, umbrellas, light, and silence. We live in agony and rage at the death of a loved one, or even obsession with a child lost in the mountains whose body is never found. We are insatiable in religious belief, even when it drains us of our time, our creativity, even our own souls. Our appetites direct our lives even if we think we have a foundation of basic beliefs to keep us afloat. In these poems, what we know and what we think we know come down to a thin string of possibility.

Biology until recently has been the neglected stepchild of science, and many educated people have little grasp of how biology explains the natural world. Yet to address the major political and moral questions that face us today, we must acquire an understanding of their biological roots. This magisterial new book by Ernst Mayr will go far to remedy this situation. An eyewitness to this century's relentless biological advance and the creator of some of its most important concepts, Mayr is uniquely qualified to offer a vision of science that places biology firmly at the center, and a vision of biology that restores the primacy of holistic, evolutionary thinking.

As he argues persuasively, the physical sciences cannot address many aspects of nature that are unique to life. Living organisms must be understood at every level of organization; they cannot be reduced to the laws of physics and chemistry. Mayr's approach is refreshingly at odds with the reductionist thinking that dominated scientific research earlier in this century, and will help to redirect how people think about the natural world.

This Is Biology can also be read as a "life history" of the discipline--from its roots in the work of Aristotle, through its dormancy during the Scientific Revolution and its flowering in the hands of Darwin, to its spectacular growth with the advent of molecular techniques. Mayr maps out the territorial overlap between biology and the humanities, especially history and ethics, and carefully describes important distinctions between science and other systems of thought, including theology. Both as an overview of the sciences of life and as the culmination of a remarkable life in science, This Is Biology will richly reward professionals and general readers alike.

Debates about the nature of the Enlightenment date to the eighteenth century, when Imanual Kant himself addressed the question, “What is Enlightenment?” The contributors to this ambitious book offer a paradigm-shifting answer to that now-famous query: Enlightenment is an event in the history of mediation. Enlightenment, they argue, needs to be engaged within the newly broad sense of mediation introduced here—not only oral, visual, written, and printed media, but everything that intervenes, enables, supplements, or is simply in between. 

With essays addressing infrastructure and genres, associational practices and protocols, this volume establishes mediation as the condition of possibility for enlightenment. In so doing, it not only answers Kant’s query; it also poses its own broader question: how would foregrounding mediation change the kinds and areas of inquiry in our own epoch? This Is Enlightenment is a landmark volumewith the polemical force and archival depth to start a conversation that extends across the disciplines that the Enlightenment itself first configured.

Modeled after the BBC, the Palestine Broadcasting Service was launched in 1936 to serve as the national radio station of Mandate Palestine, playing a pivotal role in shaping the culture of the emerging middle class in the region. Despite its significance, the PBS has become nearly forgotten by scholars of twentieth-century Middle Eastern studies. Drawn extensively from British and Israeli archival sources, “This Is Jerusalem Calling” traces the compelling history of the PBS’s twelve years of operation, illuminating crucial aspects of a period when Jewish and Arab national movements simultaneously took form.

Andrea L. Stanton describes the ways in which the mandate government used broadcasting to cater to varied audiences, including rural Arab listeners, in an attempt to promote a “modern” vision of Arab Palestine as an urbane, politically sophisticated region. In addition to programming designed for the education of the peasantry, religious broadcasting was created to appeal to all three main faith communities in Palestine, which ultimately may have had a disintegrating, separatist effect. Stanton’s research brings to light the manifestation of Britain’s attempts to prepare its mandate state for self-governance while supporting the aims of Zionists. While the PBS did not create the conflict between Arab Palestinians and Zionists, the service reflected, articulated, and magnified such tensions during an era when radio broadcasting was becoming a key communication tool for emerging national identities around the globe.

This Is Not For You tells the story of activist and photographer Richard Brown, a Black Portlander who has spent decades working to bridge the divide between police and the Black community. His memoir brings readers with him into the streets with fellow activists, into squad cars with the rank-and-file, and to regular meetings with mayors and police chiefs. There are very few people doing the kind of work Richard Brown has done. And that, as he sees it, is a big problem.

The book finds Brown approaching his eightieth birthday and reflecting on his life. As he recalls his childhood in 1940s Harlem, his radicalization in the newly desegregated Air Force, and his decades of activism in one of America’s whitest cities, he questions how much longer he’ll do this work, and he wonders who, if anyone, will take his place.

This is a book about how and why to become an engaged, activist citizen, and how activists can stay grounded, no matter how deeply they immerse themselves in the work. It also offers an intimate, firsthand look at policing: what policing is and could be, how civilians can have a say, and how police can and should be responsive to and inclusive of civilian voices. This Is Not For You speaks on every page about being Black in America: about Black pride; Black history, art, and culture; and the experience of resisting white supremacy. It also stands as a much-needed counternarrative to Portlandia, telling a different story about the city and who has shaped it.

Over fifty percent of royalties earned on this book will be donated to organizations working on behalf of Black Portlanders.

This Is Not Your Country by Amin Ahmad won the G. S. Sharat Chandra Prize from BkMk Press, selected by Stephanie Powell Watts. America has upended the lives of these Indian immigrants: a doctor addicted to the adrenaline rush of the ER, a genius computer programmer who always gets fired, a high-level bureaucrat outshone by his young wife, a teenage runaway, and a lonely livery driver who befriends a troupe of street acrobats. As they desperately seek solace in love, sex, and status, they discover that the journey to real belonging is much stranger than they had ever imagined.
 
Stories in This Is Not Your Country have appeared in such places as The Missouri Review, Slice, and Asian American Literary Review.
 

A range of genres, rooted in local impulses, reaching global audiences; a main prop of commercial culture and an art form open to aspirants and fans from every background: About the vast and diverse topic of pop, scholars and critics, journalists and musicians have much to say, but rarely to each other. A crossover venture begun at Seattle's Experience Music Project, this book captures the academic and the critical, the musical and the literary in an impromptu dialogue that suggests the breadth and vitality of pop inquiry today.

This Is Pop illustrates what can happen when the best of scholarship, criticism, and pop's inherent unruliness intersect. Robert Christgau and Gary Giddins, pivotal critics, encounter Simon Frith and Robert Walser, pioneers in the study of popular music. Luc Sante and Geoffrey O'Brien write about sound with the same prose elegance they apply to noir or New York streetlife. Musicians Carrie Brownstein and Sarah Dougher, both active in the riot grrl and rock scenes of the Pacific Northwest, examine how audience responses affect their craft. John Darnielle, of the Mountain Goats and the idiosyncratic zine Last Plane to Jakarta, attends to the web postings of hair metal fans. From film tracks to Merle Travis, from Ray Davies to rock infighting, from indie poetry to the Carly Simon Principle of pop sincerity, this book reflects the welter of ambition, style, and meaning that draw us to pop in the first place. The result is a collection as cluttered with treasures as a good music store.

The remarkable life story of Ella Jenkins, “The First Lady of Children’s Music.”
 
Ella Jenkins was one of the most influential musicians of the twentieth century. Her songs “You’ll Sing a Song and I’ll Sing a Song” and “Who Fed the Chickens?” are classics in the world of children’s music. In a career spanning more than sixty years, she recorded forty albums, won a lifetime-achievement Grammy, and became the best-selling individual artist in the history of Smithsonian Folkways Records, the independent label that played a significant role in the 1960s folk revival movement and introduced listeners to Woody Guthrie and Pete Seeger. During her remarkable career, Jenkins joined forces with twentieth-century luminaries such as Odetta, Big Bill Broonzy, Armando Peraza, Bayard Rustin, and Fred Rogers. Despite her wide-reaching influence on children’s music, Ella Jenkins’s sonic civil rights activism isn’t widely known today.
 
Based on dozens of interviews and access to Ella Jenkins’s personal archives, Gayle F. Wald’s This Is Rhythm shares how Jenkins, a “rhythm specialist” with no formal musical training, became the most prolific and significant American children’s musician of the twentieth century, creating a beloved catalog of songs grounded in values of community-building, antiracism, and cultural pluralism. Wald traces how the daughter of southern migrants translated the music of her own Black girlhood on the South Side of Chicago into a form of civil rights activism—a musical education that empowered children by introducing them to Black history, African diasporic rhythms, and a participatory, community-centered approach to music. Wald also discusses how, beginning in 1961, Jenkins built a life with a female partner who supported her materially and emotionally. Although Jenkins did not talk publicly about her sixty-three-year relationship, she opened up to Wald, offering insight into how a “private” Black woman in the public eye negotiated sexuality in an era before gay and lesbian liberation movements. Throughout her career, her innovative music found its way into thousands of community centers, classrooms, and concert venues, and her “call-and-response” method has influenced and empowered generations of children and adults. 

A beautifully written tribute to Ella Jenkins’s legacy, this biography illustrates her impact on children’s music and expands our understanding of folk music’s relationship with social justice. Jenkins used music to build a new world in which children—and adults—are encouraged to listen to each other’s distinct rhythms.

The territory of Napa County, California, contains more than grapevines. The deepest roots belong to Wappo-speaking peoples, a group whose history has since been buried by the stories of Spanish colonizers, Californios (today's Latinos), African Americans, Chinese immigrants, and Euro Americans. Napa's history clearly is one of co-existence; yet, its schoolbooks tell a linear story that climaxes with the arrival of Euro Americans. In "This Land was Mexican Once," Linda Heidenreich excavates Napa's subaltern voices and histories to tell a complex, textured local history with important implications for the larger American West, as well.

Heidenreich is part of a new generation of scholars who are challenging not only the old, Euro-American depiction of California, but also the linear method of historical storytelling—a method that inevitably favors the last man writing. She first maps the overlapping histories that comprise Napa's past, then examines how the current version came to dominate—or even erase—earlier events. So while history, in Heidenreich's words, may be "the stuff of nation-building," it can also be "the stuff of resistance." Chapters are interspersed with "source breaks"—raw primary sources that speak for themselves and interrupt the linear, Euro-American telling of Napa's history. Such an inclusive approach inherently acknowledges the connections Napa's peoples have to the rest of the region, for the linear history that marginalizes minorities is not unique to Napa. Latinos, for instance, have populated the American West for centuries, and are still shaping its future. In the end, "This Land was Mexican Once" is more than the story of Napa, it is a multidimensional model for reflecting a multicultural past.

This book investigates the way that corporations are strategically shaping children to be under-aged hyperconsumers as well as the submissive employees and uncritical citizens of the future.

Sharon Beder shows how marketers and advertisers are targeting ever younger children in a relentless campaign, transforming children's play into a commercial opportunity and taking advantage of childish anxieties. 

Beder investigates the corporate relations and ideals that infiltrate every aspect of our lives. She presents an alarming picture of how a child's social development -- through education, health care and nutrition -- has become an ordered conveyor belt of consumerist conditioning. Focusing on education in particular, Beder explains how businesses are taking control of more and more aspects of schooling, not only for profit but to erode state schooling and promote business values. Similarly, she shows how 'difficult' children are taught from an early age that pharmaceuticals can be used to discipline them or to make them 'happy'.

What happens when a place is so beautiful that everyone wants to go there—and then they stay? 
This book explores a phenomenon occurring around Michigan’s Great Lakes and other high-demand scenic locations across the country: natural landscapes are undergoing profound human and climatological change as people pick up their lives and move to bucolic locations. The Grand Traverse region in northwest lower Michigan has been one of the most impacted regions in the state, with the population increase accelerated by the pandemic and climate change. The impact of this growth is explored through field observations and interviews involving dozens of born-and-raised locals, “boomerangers” (those who grew up, left, then returned), and relocators. The author explores the tensions between newcomers and “natives.” Interviewees include tourist industry leaders, conservationists, business owners, public safety officials, tribal members, Sleeping Bear Dunes National Lakeshore officials, and more. These voices characterize the region’s diverse views, providing insight into how one of the most popular vacation destinations in the country is attempting to balance environmental preservation with an influx of people. Northwest lower Michigan’s story of transformation, as tradition collides with progress, holds many lessons and will resonate with everyone who has ever lived in or visited such an enchanting place and dreams of calling it home.

Conceived of as a way to commemorate Missouri’s bicentennial of statehood, this unique work presents the perspective of Gary Kremer, one of the Show-Me State’s foremost historians, as he ponders why history played out as it did over the course of the two centuries since Missouri’s admittance to the Union. In the writing of what is much more than a survey history, Kremer, himself a fifth-generation Missourian, infuses the narrative with his vast knowledge and personal experiences, even as he considers what being a Missourian has meant—across the many years and to this day—to all of the state’s people, and how the forces of history—time, place, race, gender, religion, and class—shaped people and determined their opportunities and choices, in turn creating collective experiences that draw upon the past in an attempt to make sense of the present and plan for the future.
 
Key elements of the book include the centrality of race to the Missouri experience—from the time Missourians began to seek statehood in 1817 all the way up to the Black Lives Matter movement of the 21st century—as well as ongoing tensions created by the urban-rural divide and struggle to define the proper role of government in society. 
 

In This Precious Life, liturgist Alden Solovy presents prayers, poetry, and meditations inspired by encounters with God. The first part draws from divine moments in our sacred texts, mostly the Torah but also the Prophets and the Writings. Using a contemporary voice, Solovy imagines these holy moments as experienced by our biblical ancestors so we can reclaim them as our own. The second part focuses on sacred moments in our daily lives, connections with the Divine that occur simply because we are human beings created in God's image. Equally suited to individual reflection and group prayer, the book completes a trilogy with This Grateful Heart and This Joyous Soul.

While trying to drum up additional work, down-on-his-luck handyman Don Lank spies an imitation Tiffany lamp shining in the front window of a house. He offers the elderly widow who answers the door $800 for it—knowing he can sell it to a dealer for several hundred dollars more than that. Only the lamp turns out to be real—and worth at least $15,000. 

Feeling both delighted by and guilty about his good fortune, Don returns most of the money to the original owner, Millie Prall. He also offers to make a few repairs around her deteriorating house—making it easier and safer for her to navigate the space in the wake of her husband's death. As Millie’s dementia worsens, Don finds his life more and more enmeshed with hers, driving her to medical appointments, shopping for her groceries, cooking her meals, handling her finances, and increasingly overseeing her care—while simultaneously trying to repair his relationships with his father, his ex-wife, and his stepkids.

In this quietly mesmerizing novel, no one, including the protagonist, is ever entirely sure of their motivations. Existing in the liminal spaces between altruism and greed, This Room Is Made of Noise deftly explores the shades of gray that lie between our desires and our demons.

Best known for her novels about the Canadian prairie, Margaret Laurence began her career writing about West Africa. Based on her experience living with her husband on the Gold Coast (now Ghana) in the years just before independence, This Side Jordan confronts issues of race relations, sexism, and colonial exploitation.

An exploration of what it means when we say something is beautiful.

Bringing together ideas of beauty from both Eastern and Western philosophy, François Jullien challenges the assumptions underlying our commonly agreed-upon definition of what is beautiful and offers a new way of beholding art. Jullien argues that the Western concept of beauty was established by Greek philosophy and became consequently embedded within the very structure of European languages. And due to its relationship to language, this concept has determined ways of thinking about beauty that often go unnoticed or unchecked in discussions of Western aesthetics. Moreover, through globalization, Western ideals of beauty have even spread to cultures whose ancient traditions are based upon radically different aesthetic foundations; yet, these cultures have adopted such views without question and without recognizing the cultural assumptions they contain.

A heart-wrenching story about love, loss, sex, friendship between women, and the universal struggle to come to terms with death.

Just before the outbreak of the July 2006 war in Lebanon, a middle-aged woman named Nahla has gone missing. Distraught, besieged, and without any leads, Nahla’s dearest friends—Suad, Azizeh, Hoda, Nadine, and the narrator Alawiya—band together to console one another. They reminisce about the better days of their youth, lifetimes of romantic turmoil, the trouble with love, and their inescapable confrontation with death. Unsure whether Nahla has been killed in the fighting, fled the country, or disappeared into the oblivion of Alzheimer’s, Alawiya pieces together Nahla’s intimate past, simultaneously illuminating the jagged history of modern Lebanon. Through searching discussions with Nahla’s closest confidante Suad, tenacious investigation, and an imaginative effort to reconstruct the life of another, Alawiya might just find a way to bring Nahla back.

In This Thing Called Love, celebrated Lebanese novelist Alawiya Sobh takes the war between Israel and Hizballah as the backdrop for a heart-wrenching story about love, loss, sex, friendship between women, and the universal struggle to come to terms with mortality.

Winner of the John H. Dunning Prize, American Historical Association
Winner of the Stuart L. Bernath Book Prize, Society for Historians of American Foreign Relations
Winner of the James H. Broussard Best First Book Prize, Society for Historians of the Early American Republic
Winner of the North Jersey Civil War Round Table Book Award
Finalist for the Harriet Tubman Prize, Lapidus Center for the Historical Analysis of Transatlantic Slavery

When the United States emerged as a world power in the years before the Civil War, the men who presided over the nation’s triumphant territorial and economic expansion were largely southern slaveholders. As presidents, cabinet officers, and diplomats, slaveholding leaders controlled the main levers of foreign policy inside an increasingly powerful American state. This Vast Southern Empire explores the international vision and strategic operations of these southerners at the commanding heights of American politics.

“At the close of the Civil War, more than Southern independence and the bones of the dead lay amid the smoking ruins of the Confederacy. Also lost was the memory of the prewar decades, when Southern politicians and pro-slavery ambitions shaped the foreign policy of the United States in order to protect slavery at home and advance its interests abroad. With This Vast Southern Empire, Matthew Karp recovers that forgotten history and presents it in fascinating and often surprising detail.”
—Fergus Bordewich, Wall Street Journal

“Matthew Karp’s illuminating book This Vast Southern Empire shows that the South was interested not only in gaining new slave territory but also in promoting slavery throughout the Western Hemisphere.”
—David S. Reynolds, New York Review of Books