Europe’s imperial projects were often predicated on a series of legal and scientific distinctions that were frequently challenged by the reality of social and sexual interactions between the colonized and the colonizers.When Emmanuelle Saada discovered a 1928 decree defining the status of persons of mixed parentage born in French Indochina—the métis—she found not only a remarkable artifact of colonial rule, but a legal bombshell that introduced race into French law for the first time. The decree was the culmination of a decades-long effort to resolve the “métis question”: the educational, social, and civil issues surrounding the mixed population. Operating at the intersection of history, anthropology, and law, Empire’s Children reveals the unacknowledged but central role of race in the definition of French nationality.

Through extensive archival work in both France and Vietnam, and a close reading of primary and secondary material from the Pacific islands and sub-Saharan and North Africa, Saada has created in Empire’s Children an original and compelling perspective on colonialism, law, race, and culture from the end of the nineteenth century until decolonization.

For dozens of developing countries, the financial upheavals of the 1980s have set back economic development by a decade or more. Poverty in those countries has intensified as they struggle under the burden of an enormous external debt. In 1988, more than six years after the onset of the crisis, almost all the debtor countries were still unable to borrow in the international capital markets on normal terms. Moreover, the world financial system has been disrupted by the prospect of widespread defaults on those debts. Because of the urgency of the present crisis, and because similar crises have recurred intermittently for at least 175 years, it is important to understand the fundamental features of the international macroeconomy and global financial markets that have contributed to this repeated instability.

This project on developing country debt, undertaken by the National Bureau of Economic Research, provides a detailed analysis of the ongoing developing country debt crisis. The project focuses on the middle-income developing countries, particularly those in Latin America and East Asia, although many lessons of the study should apply as well to other, poorer debtor countries. The project analyzes the crisis from two perspectives, that of the international financial system as a whole (volume 1) and that of individual debtor countries (volumes 2 and 3).

For dozens of developing countries, the financial upheavals of the 1980s have set back economic development by a decade or more. Poverty in those countries has intensified as they struggle under the burden of an enormous external debt. In 1988, more than six years after the onset of the crisis, almost all the debtor countries were still unable to borrow in the international capital markets on normal terms. Moreover, the world financial system has been disrupted by the prospect of widespread defaults on those debts. Because of the urgency of the present crisis, and because similar crises have recurred intermittently for at least 175 years, it is important to understand the fundamental features of the international macroeconomy and global financial markets that have contributed to this repeated instability.

This project on developing country debt, undertaken by the National Bureau of Economic Research, provides a detailed analysis of the ongoing developing country debt crisis. The project focuses on the middle-income developing countries, particularly those in Latin America and East Asia, although many lessons of the study should apply as well to other, poorer debtor countries. The project analyzes the crisis from two perspectives, that of the international financial system as a whole (volume 1) and that of individual debtor countries (volumes 2 and 3).

This second volume contains lengthy and detailed case studies of four Latin American nations—Argentina, Bolivia, Brazil, and Mexico—providing a wealth of comparative data and new statistics on the general economic development of each nation. The authors explore the various factors that contributed to the debt crisis in each country and analyze how the crisis was managed once it had taken hold. Trenchant economic analyses are enchanced by assessments of the stark political realities behind the policy choices facing each nation.

For dozens of developing countries, the financial upheavals of the 1980s have set back economic development by a decade or more. Poverty in those countries have intensified as they struggle under the burden of an enormous external debt. In 1988, more than six years after the onset of the crisis, almost all the debtor countries were still unable to borrow in the international capital markets on normal terms. Moreover, the world financial system has been disrupted by the prospect of widespread defaults on those debts. Because of the urgency of the present crisis, and because similar crises have recurred intermittently for at least 175 years, it is important to understand the fundamental features of the international macroeconomy and global financial markets that have contributed to this repeated instability.

Developing Country Debt and the World Economy contains nontechnical versions of papers prepared under the auspices of the project on developing country debt, sponsored by the National Bureau of Economic Research. The project focuses on the middle-income developing countries, particularly those in Latin America and East Asia, although many lessons of the study should apply as well to other, poorer debtor countries. The contributors analyze the crisis from two perspectives, that of the international financial system as a whole and that of individual debtor countries.

Studies of eight countries—Argentina, Bolivia, Brazil, Indonesia, Mexico, the Philippines, South Korea, and Turkey—explore the question of why some countries succumbed to serious financial crises while other did not. Each study was prepared by a team of two authors—a U.S.-based research and an economist from the country under study. An additional eight papers approach the problem of developing country debt from a global or "systemic" perspective. The topics they cover include the history of international sovereign lending and previous debt crises, the political factors that contribute to poor economic policies in many debtor nations, the role of commercial banks and the International Monetary Fund during the current crisis, the links between debt in developing countries and economic policies in the industrialized nations, and possible new approaches to the global management of the crisis.

For dozens of developing countries, the financial upheavals of the 1980s have set back economic development by a decade or more. Poverty in those countries has intensified as they struggle under the burden of an enormous external debt. In 1988, more than six years after the onset of the crisis, almost all the debtor countries were still unable to borrow in the international capital markets on normal terms. Moreover, the world financial system has been disrupted by the prospect of widespread defaults on those debts. Because of the urgency of the present crisis, and because similar crises have recurred intermittently for at least 175 years, it is important to understand the fundamental features of the international macroeconomy and global financial markets that have contributed to this repeated instability.

This project on developing country debt, undertaken by the National Bureau of Economic Research, provides a detailed analysis of the ongoing developing country debt crisis. The project focuses on the middle-income developing countries, particularly those in Latin America and East Asia, although many lessons of the study should apply as well to other, poorer debtor countries. The project analyzes the crisis from two perspectives, that of the international financial system as a whole (volume 1) and that of individual debtor countries (volumes 2 and 3).

This third volume contains lengthy and detailed case studies of four very different Asian countries—Turkey, Indonesia, Korea, and the Philippines.

The notion that fundamental equations governing the motions of physical systems are invariant under the time reversal transformation (T) has been an important, but often subliminal, element in the development of theoretical physics. It serves as a powerful and useful tool in analyzing the structure of matter at all scales, from gases and condensed matter to subnuclear physics and the quantum theory of fields. The assumption of invariance under T was called into question, however, by the 1964 discovery that a closely related assumption, that of CP invariance (where C is charge conjugation and P is space inversion), is violated in the decay of neutral K mesons.

In The Physics of Time Reversal, Robert G. Sachs comprehensively treats the role of the transformation T, both as a tool for analyzing the structure of matter and as a field of fundamental research relating to CP violation. For this purpose he reformulates the definitions of T, P, and C so as to avoid subliminal assumptions of invariance. He summarizes the standard phenomenology of CP violation in the K-meson system and addresses the question of the mysterious origin of CP violation. Using simple examples based on the standard quark model, Sachs summarizes and illustrates how these phenomenological methods can be extended to analysis of future experiments on heavy mesons. He notes that his reformulated approach to conventional quantum field theory leads to new questions about the meaning of the transformations in the context of recent theoretical developments such as non-Abelian gauge theories, and he suggests ways in which these questions may lead to new directions of research.

Politics and Science in Wartime brings together a team of internationally known scholars who compare science and its practices in the Third Reich to that in other wartime nations. Their nuanced conclusions on topics ranging from scientific mobilization and purges to the ethics of scientific practice offer new perspectives on science under extreme political conditions.

Peter Sacks draws upon his life as an expatriate as well as upon his early years in South Africa, including his time spent in the military, to create a remarkably powerful book of poetry. At turns meditative and narrative, Sacks is unafraid to lay bare in vivid imagery his sense of both personal and historical losses, and his commitment to the works of mourning and of cultural repair. Even the love poems emerge from this book with the impress of both bittersweet aspiration and regret.

On Metaphor, a collection of fourteen essays by eminent philosophers, literary critics, theologians, art historians, and psychologists, illustrates and explores a striking phenomenon in modern intellectual history: the transformation of metaphor from a specialized concern of rhetoricians and literary critics to a central concept in the study of human understanding. These lively and provocative essays probe the nature, function, and meaning of metaphor and collectively demonstrate the multidisciplinary implications of the concept.

Because of its comprehensive scope, the volume is useful both as a resource for those interested in contemporary philosophy and theories of language and as a text for courses in such areas as the philosophy of language, critical theory, and the philosophy of knowledge. Originally published as a special issue of Critical Inquiry, the present collection includes two new contributions by Max Black and Nelson Goodman, along with a comprehensive index to the work.

In Autolexical Syntax, Jerrold M. Sadock argues for a radical departure from the derivational model of grammar that has prevailed in linguistics for thirty years. He offers an alternative theory in which the various components of grammar—in particular syntax, semantics, and morphology—are viewed as fully autonomous descriptive devices for various parallel dimensions of linguistic representation. The lexicon in this theory forges the connection between autonomous representations in that a typical lexeme plays a role in all three of the major components of the grammar.

Sadock's principal innovation is the postulation of a uniform set of interface conditions that require the several orthogonal representations of a single natural language expression to match up in certain ways. Through a detailed application of his theory to the twin morphosyntactic problems of cliticization and incorporation, Sadock shows that very straightforward accounts are made possible by the nonderivational model. He demonstrates the empirical success of these accounts by examining more than two dozen morphosyntactic problems in almost as many languages.

Autolexical Syntax will be of interest to those in the fields of theoretical grammar, particularly concerned with the problems of morphology and syntax, as well as philosophers of language, logicians, lexicographers, psychologists of language, and computer scientists.

The Newberry Library in Chicago possesses one of the most distinguished collections of medieval and Renaissance manuscript books in North America. Based on two major private collections of the late nineteenth century—those of Henry Probasco and Edward E. Ayer—and scrupulously added to in this century, the holdings include late medieval bibles and breviaries, books of hours and books of homilies, and seminal texts on astronomy.

Some of the books, such as those from the libraries of Philip the Good and Anne of Brittany, are beautifully illuminated. But the collection also includes an unusual array of "typical" medieval books, chosen not for their beauty but for their paleographical, codicological, and textual interest. Such codices include an eleventh-century Carthusian monk, and numerous books of hours adapted for feminine use. Paul Saenger has painstakingly identified the text, illumination, physical structure, and provenance for each of the more than 200 books in the collection to provide an exemplary guide to literate culture in the late Middle Ages.

This catalogue, carefully researched and handsomely illustrated, will be an invaluable resource for historians, art historians, paleographers, bibliographers, and collectors.

This edition includes a new foreword by Diane Johnson, author of the best-selling novels Le Divorce and L’Affaire.

 

“The second book is now out, and so is the verdict. Sagan’s novel Un Certain Sourire, written in two months, is the new literary sensation of Paris.”—Time

 

“Miss Sagan is a technician of the highest order, working with exceptional economy and elegance in the tradition of Colette and Benjamin Constant.”—Atlantic

 

 

“The reader is given the feeling of having opened a young girl’s intimate diary by mistake. But whoever put such a diary down?—especially when the author is as sensitive, experienced, gifted and freshly talented as Mlle. Sagan!”—San Francisco Examiner

 

“[Sagan’s] style is honest, direct, and her dialogue true. But for her sake let’s hold back those invidious comparisons. Colette indeed! She might turn out to be Sagan.”—Saturday Review

Thucydides' classic work on the history of the Peloponnesian War is the root of Western conceptions of history—including the idea that Western history is the foundation of everyone else's. Here, Marshall Sahlins takes on Thucydides and the conceptions of history he wrought with a groundbreaking new book that shows what a difference an anthropological concept of culture can make to the writing of history.

Sahlins begins by confronting Thucydides' account of the Peloponnesian War with an analogous "Polynesian War," the fight for the domination of the Fiji Islands (1843-55) between a great sea power (like Athens) and a great land power (like Sparta). Sahlins draws parallels between the conflicts with an eye to their respective systems of power and sovereignty as well as to Thucydides' alternation between individual (Pericles, Themistocles) and collective (the Athenians, the Spartans) actors in the making of history. Characteristic of most histories ever written, this alternation between the agency of "Great Men" and collective entities leads Sahlins to a series of incisive analyses ranging in subject matter from Bobby Thomson's "shot heard round the world" for the 1951 Giants to the history-making of Napoleon and certain divine kings to the brouhaha over Elián Gonzalez. Finally, again departing from Thucydides, Sahlins considers the relationship between cultural order and historical contingency through the recounting of a certain royal assassination that changed the course of Fijian history, a story of fratricide and war worthy of Shakespeare.

In this most convincing presentation yet of his influential theory of culture, Sahlins experiments with techniques for mixing rich narrative with cultural explication in the hope of doing justice at once to the actions of persons and the customs of people. And he demonstrates the necessity of taking culture into account in the creation of history—with apologies to Thucydides, who too often did not.

"The main thrust of this book is to deliver a major critique of materialist and rationalist explanations of social and cultural forms, but the in the process Sahlins has given us a much stronger statement of the centrality of symbols in human affairs than have many of our 'practicing' symbolic anthropologists. He demonstrates that symbols enter all phases of social life: those which we tend to regard as strictly pragmatic, or based on concerns with material need or advantage, as well as those which we tend to view as purely symbolic, such as ideology, ritual, myth, moral codes, and the like. . . ."—Robert McKinley, Reviews in Anthropology

When Western scholars write about non-Western societies, do they inevitably perpetuate the myths of European imperialism? Can they ever articulate the meanings and logics of non-Western peoples? Who has the right to speak for whom? Questions such as these are among the most hotly debated in contemporary intellectual life. In How "Natives" Think, Marshall Sahlins addresses these issues head on, while building a powerful case for the ability of anthropologists working in the Western tradition to understand other cultures.

In recent years, these questions have arisen in debates over the death and deification of Captain James Cook on Hawai'i Island in 1779. Did the Hawaiians truly receive Cook as a manifestation of their own god Lono? Or were they too pragmatic, too worldly-wise to accept the foreigner as a god? Moreover, can a "non-native" scholar give voice to a "native" point of view? In his 1992 book The Apotheosis of Captain Cook, Gananath Obeyesekere used this very issue to attack Sahlins's decades of scholarship on Hawaii. Accusing Sahlins of elementary mistakes of fact and logic, even of intentional distortion, Obeyesekere portrayed Sahlins as accepting a naive, enthnocentric idea of superiority of the white man over "natives"—Hawaiian and otherwise. Claiming that his own Sri Lankan heritage gave him privileged access to the Polynesian native perspective, Obeyesekere contended that Hawaiians were actually pragmatists too rational and sensible to mistake Cook for a god.

Curiously then, as Sahlins shows, Obeyesekere turns eighteenth-century Hawaiians into twentieth-century modern Europeans, living up to the highest Western standards of "practical rationality." By contrast, Western scholars are turned into classic custom-bound "natives", endlessly repeating their ancestral traditions of the White man's superiority by insisting Cook was taken for a god. But this inverted ethnocentrism can only be supported, as Sahlins demonstrates, through wholesale fabrications of Hawaiian ethnography and history—not to mention Obeyesekere's sustained misrepresentations of Sahlins's own work. And in the end, although he claims to be speaking on behalf of the "natives," Obeyesekere, by substituting a home-made "rationality" for Hawaiian culture, systematically eliminates the voices of Hawaiian people from their own history.

How "Natives" Think goes far beyond specialized debates about the alleged superiority of Western traditions. The culmination of Sahlins's ethnohistorical research on Hawaii, it is a reaffirmation for understanding difference.

Marshall Sahlins centers these essays on islands—Hawaii, Fiji, New Zealand—whose histories have intersected with European history. But he is also concerned with the insular thinking in Western scholarship that creates false dichotomies between past and present, between structure and event, between the individual and society. Sahlins's provocative reflections form a powerful critique of Western history and anthropology.

In this pithy two-part essay, Marshall Sahlins reinvigorates the debates on what constitutes kinship, building on some of the best scholarship in the field to produce an original outlook on the deepest bond humans can have. Covering thinkers from Aristotle and Lévy- Bruhl to Émile Durkheim and David Schneider, and communities from the Maori and the English to the Korowai of New Guinea, he draws on a breadth of theory and a range of ethnographic examples to form an acute definition of kinship, what he calls the “mutuality of being.” Kinfolk are persons who are parts of one another to the extent that what happens to one is felt by the other. Meaningfully and emotionally, relatives live each other’s lives and die each other’s deaths.

 

In the second part of his essay, Sahlins shows that mutuality of being is a symbolic notion of belonging, not a biological connection by “blood.” Quite apart from relations of birth, people may become kin in ways ranging from sharing the same name or the same food to helping each other survive the perils of the high seas. In a groundbreaking argument, he demonstrates that even where kinship is reckoned from births, it is because the wider kindred or the clan ancestors are already involved in procreation, so that the notion of birth is meaningfully dependent on kinship rather than kinship on birth. By formulating this reversal, Sahlins identifies what kinship truly is: not nature, but culture.

Your smile.
There wasn't one.
You never smiled.

Born in Tehran but living in Germany, the eminent writer SAID has suffered two forms of exile. Forced to leave Iran for political reasons, he was also separated from his mother shortly after his birth when his parents divorced. At the age of forty-three, however, SAID received word that his mother was traveling abroad and wanted to see him. Landscapes of a Distant Mother is the account of their wrenching reunion. A memoir of longing and loss, the book offers a haunting portrait of a son's broken relationship with his mother and the Islamic dictatorship that shadows both their lives.

Landscapes of a Distant Mother gives English-speaking readers an introduction to one of Europe's most important immigrant writers. Unsentimental and spare, the book chronicles the discomfiting sensation of viewing one's mother as a stranger and all the psychological implications of their mutual disappointment. SAID's distance from his mother—whom he describes almost clinically, with her "particular way of speaking, the style laced with religious formulas, inclined to emotionalism, self-pity and expletives"—becomes a measure of the alienation he feels from everything around him. His book gives voice to the full meaning of modern exile—its political force, profound sadness, and perpetual yearning.

It has been said that how a society treats its least well-off members speaks volumes about its humanity. If so, our treatment of the mentally ill suggests that American society is inhumane: swinging between overintervention and utter neglect, we sometimes force extreme treatments on those who do not want them, and at other times discharge mentally ill patients who do want treatment without providing adequate resources for their care in the community.

Focusing on overinterventionist approaches, Refusing Care explores when, if ever, the mentally ill should be treated against their will. Basing her analysis on case and empirical studies, Elyn R. Saks explores dilemmas raised by forced treatment in three contexts—civil commitment (forced hospitalization for noncriminals), medication, and seclusion and restraints. Saks argues that the best way to solve each of these dilemmas is, paradoxically, to be both more protective of individual autonomy and more paternalistic than current law calls for. For instance, while Saks advocates relaxing the standards for first commitment after a psychotic episode, she also would prohibit extreme mechanical restraints (such as tying someone spread-eagled to a bed). Finally, because of the often extreme prejudice against the mentally ill in American society, Saks proposes standards that, as much as possible, should apply equally to non-mentally ill and mentally ill people alike.

Mental health professionals, lawyers, disability rights activists, and anyone who wants to learn more about the way the mentally ill are treated—and ought to be treated—in the United States should read Refusing Care.

Current and Mesons is the most recent publication in the Chicago Lectures in Physics series. The book presents Professor Sakurai's introduction to a new field of elementary particle physics which has become increasingly important in the past few years. It is based on a course given to his advanced graduate students in theoretical high-energy physics at the University of Chicago.

The author begins with a brief review of SU (3). The major topics then treated are the divergence condition and current commutation relations, vector meson universality, PCAC and the Goldberger-Treiman relation, soft pion processes, and asymptotic symmetries and spectral-function sum rules. The book concludes with a discussion of notation and of normalization convention.

Professor Sakurai's work deals with topics on which much of current discussion on the theory of elementary particles is focused. The material is designed for the advanced student who is seriously interested in doing original work, and as such provides a much needed introduction to the present literature in the field.

2004 winner of the Robert E. Park Book Award from the Community and Urban Sociology Section (CUSS) of the American Sociological Association

Although the death of the small town has been predicted for decades, during the 1990s the population of rural America actually increased by more than three million people. In this book, Sonya Salamon explores these rural newcomers and the impact they have on the social relationships, public spaces, and community resources of small town America.

Salamon draws on richly detailed ethnographic studies of six small towns in central Illinois, including a town with upscale subdivisions that lured wealthy professionals as well as towns whose agribusinesses drew working-class Mexicano migrants and immigrants. She finds that regardless of the class or ethnicity of the newcomers, if their social status differs relative to that of oldtimers, their effect on a town has been the same: suburbanization that erodes the close-knit small town community, with especially severe consequences for small town youth. To successfully combat the homogenization of the heartland, Salamon argues, newcomers must work with oldtimers so that together they sustain the vital aspects of community life and identity that first drew them to small towns.

An illustration of the recent revitalization of interest in the small town, Salamon's work provides a significant addition to the growing literature on the subject. Social scientists, sociologists, policymakers, and urban planners will appreciate this important contribution to the ongoing discussion of social capital and the transformation in the study and definition of communities.

María de San José Salazar (1548-1603) took the veil as a Discalced ("barefoot") Carmelite nun in 1571, becoming one of Teresa of Avila's most important collaborators in religious reform and serving as prioress of the Seville and Lisbon convents. Within the parameters of the strict Catholic Reformation in Spain, María fiercely defended women's rights to define their own spiritual experience and to teach, inspire, and lead other women in reforming their church.

María wrote this book as a defense of the Discalced practice of setting aside two hours each day for conversation, music, and staging of religious plays. Casting the book in the form of a dialogue, María demonstrates through fictional conversations among a group of nuns during their hours of recreation how women could serve as very effective spiritual teachers for each other. The book includes one of the first biographical portraits of Teresa and Maria's personal account of the troubled founding of the Discalced convent at Seville, as well as her tribulations as an Inquisitional suspect. Rich in allusions to women's affective relationships in the early modern convent, Book for the Hour of Recreation also serves as an example of how a woman might write when relatively free of clerical censorship and expectations.

A detailed introduction and notes by Alison Weber provide historical and biographical context for Amanda Powell's fluid translation.

The most Jewish of gospels in its contents and yet the most anti-Jewish in its polemics, the Gospel of Matthew has been said to mark the emergence of Christianity from Judaism. Anthony J. Saldarini overturns this interpretation by showing us how Matthew, far from proclaiming the replacement of Israel by the Christian church, wrote from within Jewish tradition to a distinctly Jewish audience.

Recent research reveals that among both Jews and Christians of the first century many groups believed in Jesus while remaining close to Judaism. Saldarini argues that the author of the Gospel of Matthew belonged to such a group, supporting his claim with an informed reading of Matthew's text and historical context. Matthew emerges as a Jewish teacher competing for the commitment of his people after the catastrophic loss of the Temple in 70 C.E., his polemics aimed not at all Jews but at those who oppose him. Saldarini shows that Matthew's teaching about Jesus fits into first-century Jewish thought, with its tradition of God-sent leaders and heavenly mediators.

In Saldarini's account, Matthew's Christian-Jewish community is a Jewish group, albeit one that deviated from the larger Jewish community. Contributing to both New Testament and Judaic studies, this book advances our understanding of how religious groups are formed.

Item #176: A fire drill. No, not an exercise in which occupants of a building practice leaving the building safely. A drill which safely emits a bit of fire, the approximate shape and size of a drill bit.
 
Item #74: Enter a lecture class in street clothes. Receive loud phone call. Shout “I NEED TO GO, THE CITY NEEDS ME!” Remove street clothes to reveal superhero apparel. Run out for the good of the land.
 
Item #293: Hypnotizing a chicken seems easy, but if the Wikipedia article on the practice is to be believed, debate on the optimal method is heated. Do some trials on a real chicken and submit a report . . . for science of course.
 
Item #234: A walking, working, people-powered but preferably wind-powered Strandbeest.
 
Item #188: Fattest cat. Points per pound.
 
The University of Chicago’s annual Scavenger Hunt (or “Scav”) is one of the most storied college traditions in America. Every year, teams of hundreds of competitors scramble over four days to complete roughly 350 challenges. The tasks range from moments of silliness to 1,000-mile road trips, and they call on participants to fully embrace the absurd. For students it is a rite of passage, and for the surrounding community it is a chance to glimpse the lighter side of a notoriously serious university.

We Made Uranium! shares the stories behind Scav, told by participants and judges from the hunt’s more than thirty-year history. The twenty-three essays range from the shockingly successful (a genuine, if minuscule, nuclear reaction created in a dorm room) to the endearing failures (it’s hard to build a carwash for a train), and all the chicken hypnotisms and permanent tattoos in between. Taken together, they show how a scavenger hunt once meant for blowing off steam before finals has grown into one of the most outrageous annual traditions at any university. The tales told here are absurd, uplifting, hilarious, and thought-provoking—and they are all one hundred percent true.

This collection extends the boundaries of global feminism to include Islamic women. Challenging Orientalist assumptions of Muslim women as victims of Islam, these essays focus on women's negotiations for identity, power, and agency as participants in religious, cultural and nationalist movements. This book gathers Signs essays on women in the Middle East, South Asia, and the Diaspora to explore how women negotiate identities and attempt to gain political, economic, and legal rights.

This collection shows Islam to be a diverse set of variable practices and beliefs shaped by region, nation, ethnicity, sect, and class, as well as by responses to many cultural and economic processes. In examining women's participation in religious and nationalist projects, these critics debate controversial issues: Does Islamic feminism provide an alternative, revolutionary paradigm to Eurocentric liberal humanism and western feminism? Is Islam more oppressive to women than the modern secular state? How are the lives and texts of Arab and Muslim women constructed for local or western consumption? These essays expose the shortcomings of the secularist assumptions of many recent feminist analyses, which continue to treat religion in general and fundamentalism in particular as a tool of oppression used against women, rather than as a viable form of feminist agency producing contradictory effects for its participants.

The essays in this book first appeared in Signs: Journal of Women in Culture and Society.

Contributors:

S. M. Shamsul Alam
Amal Amireh
Mary Elaine Heglund
Shahnaz Khan
Anouar Majid
Val Moghadam
Julia Peteet
Elora Shehabbudin
Gabriele vom Bruck.

Longtime manuscript editor and Chicago Manual of Style guru Carol Fisher Saller has negotiated many a standoff between a writer and editor refusing to compromise on the “rights” and “wrongs” of prose styling. Saller realized that when these sides squared off, it was often the reader who lost. In her search for practical strategies for keeping the peace, The Subversive Copy Editor was born. Saller’s ideas struck a chord, and the little book with big advice quickly became a must-have reference for copy editors everywhere.

In this second edition, Saller adds new chapters, on the dangers of allegiance to outdated grammar and style rules and on ways to stay current in language and technology. She expands her advice for writers on formatting manuscripts for publication, on self-editing, and on how not to be “difficult.” Saller’s own gaffes provide firsthand (and sometimes humorous) examples of exactly what not to do. The revised content reflects today’s publishing practices while retaining the self-deprecating tone and sharp humor that helped make the first edition so popular. Saller maintains that through carefulness, transparency, and flexibility, editors can build trust and cooperation with writers.

The Subversive Copy Editor brings a refreshingly levelheaded approach to the classic battle between writers and editors. This sage advice will prove useful and entertaining to anyone charged with the sometimes perilous task of improving the writing of others.

Boldly contesting recent scholarship, Sallis argues that
The Birth of Tragedy is a rethinking of art at the
limit of metaphysics. His close reading focuses on the
complexity of the Apollinian/Dionysian dyad and on the
crossing of these basic art impulses in tragedy.

"Sallis effectively calls into question some commonly
accepted and simplistic ideas about Nietzsche's early
thinking and its debt to Schopenhauer, and proposes
alternatives that are worth considering."—Richard
Schacht, Times Literary Supplement

This volume represents the first sustained effort to relate Derrida's work to the Western philosophical tradition from Plato to Heidegger. Bringing together twelve essays by twelve leading Derridean philosophers and an important paper by Derrida previously unpublished in English, the collection retrieves the significance of deconstruction for philosophy.

By applying the tools of deconstruction to crucial texts of German Idealism, John Sallis reveals the suppressed but essential role of imagination in even the most ambitious attempts to represent pure reason.

Sallis focuses on certain operations of "spacing" in metaphysics—textual lapses and leaps in which reason is displaced or suspended or abridged. In the project of establishing priority of reason, such operations can appear only in disguise, and Sallis reveals the play of imagination and metaphor that masks them. Concentrating on what has been called the closure of metaphysics, he examines texts in which the suppression of spacing would be carried out most rigorously, texts in which even metaphysics itself is seen as only an errant roaming, a spacing that must still be secured, to be replaced by a pure space of truth. And yet, in these very texts Sallis identifies outbreaks of spacing that would disrupt the tranquil space of reason. Rather than closure, he finds an opening of reason to imagination.

Sallis's reading of a metaphorical system in the Critique of Pure Reason reveals a fissuring and historicizing of what would otherwise be called pure reason. Next he traces in Fichte's major work as well as in several lesser-known texts a decentering from reason to imagination, which he characterizes as a power of hovering between opposites and beyond being. Sallis then returns to the Critique of Pure Reason to expose, in relation to the famous question of the common root of reason and sensibility, a certain eccentricity of reason. Proceeding to the Critique of Judgment, he traces a divergence of sublime nature away from that supersensible space of reason to which Kant would otherwise assimilate it—a withdrawal toward an abyss. Finally, Sallis turns to Hegel's Encyclopedia, supplementing his reading with previously unknown notes from Hegel's lectures on those sections dealing with imagination; his reading of those sections serves to expose, within the most rigorous reduction of spacing in the history of metaphysics, an irrepressible and disseminative play of imagination.

In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between image and subject. At the same time, recent cinematic photography has stretched the concept of photography and raised questions about its truth value as a documentary medium. Despite this situation, photography remains a stubbornly substantive form of evidence: referenced by artists, filmmakers, and writers as a powerful emblem of truth, photography has found its home in other media at precisely the moment of its own material demise.

By examining this idea of photography as articulated in literature, film, and the graphic novel, Daguerreotypes demonstrates how photography secures identity for figures with an otherwise unstable sense of self. Lisa Saltzman argues that in many modern works, the photograph asserts itself as a guarantor of identity, whether genuine or fabricated. From Roland Barthes’s Camera Lucida to Ridley Scott’s Blade Runner, W. G. Sebald’s Austerlitz to Alison Bechdel’s Fun Home—we find traces of photography’s “fugitive subjects” throughout contemporary culture. Ultimately, Daguerreotypes reveals how the photograph, at once personal memento and material witness, has inspired a range of modern artistic and critical practices.

In an ancient account of painting’s origins, a woman traces the shadow of her departing lover on the wall in an act that anticipates future grief and commemoration. Lisa Saltzman shows here that nearly two thousand years after this story was first told, contemporary artists are returning to similar strategies of remembrance, ranging from vaudevillian silhouettes and sepulchral casts to incinerated architectures and ghostly processions. 

Exploring these artists’ work, Saltzman demonstrates that their methods have now eclipsed painting and traditional sculpture as preeminent forms of visual representation. She pays particular attention to the groundbreaking art of Krzysztof Wodiczko, who is known for his projections of historical subjects; Kara Walker, who creates powerful silhouetted images of racial violence in American history; and Rachel Whiteread, whose work centers on making casts of empty interior spaces. Each of the artists Saltzman discusses is struggling with the roles that history and memory have come to play in an age when any historical statement is subject to question and doubt. In identifying this new and powerful movement, she provides a framework for understanding the art of our time.

Cabdrivers and their yellow taxis are as much a part of the cityscape as the high-rise buildings and the subway. We hail them without thought after a wearying day at the office or an exuberant night on the town. And, undoubtedly, taxi drivers have stories to tell—of farcical local politics, of colorful passengers, of changing neighborhoods and clandestine shortcuts. No one knows a city’s streets—and thus its heart—better than its cabdrivers. And from behind the wheel of his taxi, Dmitry Samarov has seen more of Chicago than most Chicagoans will hope to experience in a lifetime.

An artist and painter trained at the School of the Art Institute of Chicago, Samarov began driving a cab in 1993 to make ends meet, and he’s been working as a taxi driver ever since. In Hack: Stories from a Chicago Cab, he recounts tales that will delight, surprise, and sometimes shock the most seasoned urbanite. We follow Samarov through the rhythms of a typical week, as he waits hours at the garage to pick up a shift, ferries comically drunken passengers between bars, delivers prostitutes to their johns, and inadvertently observes drug deals. There are long waits with other cabbies at O’Hare, vivid portraits of street corners and their regular denizens, amorous Cubs fans celebrating after a game at Wrigley Field, and customers who are pleasantly surprised that Samarov is white—and tell him so. Throughout, Samarov’s own drawings—of his fares, of the taxi garage, and of a variety of Chicago street scenes—accompany his stories. In the grand tradition of Nelson Algren, Saul Bellow, Mike Royko, and Studs Terkel, Dmitry Samarov has rendered an entertaining, poignant, and unforgettable vision of Chicago and its people.

With increasing numbers of children suffering emotional, educational, and social failure on entering school, the years from five to seven have returned to prominence in developmental psychology. This volume collects state of the art research on child behavior in the school transition years.

Leading researchers in neurology, sociology, anthropology, education, and psychology assess what is now commonly known as the five to seven year shift. They consider how development is influenced by changes in neurobiological subsystems; cognition, emotion, and self-concept; concerns with peers and families; and school and cultural practices. They find that important transitions in behavior and environment do take place in this period, and are best described in terms of the qualitative increase in complexity due to interactions among ecological systems.

This volume increases our understanding of both child development and the study and treatment of children at home and at school. It will interest researchers, clinicians, and students of psychology and education.

Since 2006, Venezuela has had the highest homicide rate in South America and one of the highest levels of gun violence in the world. Former president Hugo Chávez, who died in 2013, downplayed the extent of violent crime and instead emphasized rehabilitation. His successor, President Nicolás Maduro, took the opposite approach, declaring an all-out war on crime (mano dura). What accounts for this drastic shift toward more punitive measures?
 
In Deadline, anthropologist Robert Samet answers this question by focusing on the relationship between populism, the press, and what he calls “the will to security.” Drawing on nearly a decade of ethnographic research alongside journalists on the Caracas crime beat, he shows how the media shaped the politics of security from the ground up. Paradoxically, Venezuela’s punitive turn was not the product of dictatorship, but rather an outgrowth of practices and institutions normally associated with democracy. Samet reckons with this apparent contradiction by exploring the circulation of extralegal denuncias (accusations) by crime journalists, editors, sources, and audiences. Denuncias are a form of public shaming or exposé that channels popular anger against the powers that be. By showing how denuncias mobilize dissent, Deadline weaves a much larger tale about the relationship between the press, popular outrage, and the politics of security in the twenty-first century.

Modes of Uncertainty offers groundbreaking ways of thinking about danger, risk, and uncertainty from an analytical and anthropological perspective. Our world, the contributors show, is increasingly populated by forms, practices, and events whose uncertainty cannot be reduced to risk—and thus it is vital to distinguish between the two. Drawing the lines between them, they argue that the study of uncertainty should not focus solely on the appearance of new risks and dangers—which no doubt abound—but also on how uncertainty itself should be defined, and what the implications might be for policy and government.
             
Organizing contributions from various anthropological subfields—including economics, business, security, humanitarianism, health, and environment—Limor Samimian-Darash and Paul Rabinow offer new tools with which to consider uncertainty, its management, and the differing modes of subjectivity appropriate to it. Taking up policies and experiences as objects of research and analysis, the essays here seek a rigorous inquiry into a sound conceptualization of uncertainty in order to better confront contemporary problems. Ultimately, they open the way for a participatory anthropology that asks crucial questions about our contemporary state. 

For over fifty years numerous public intellectuals and social theorists have insisted that community is dead. Some would have us believe that we act solely as individuals choosing our own fates regardless of our surroundings, while other theories place us at the mercy of global forces beyond our control. These two perspectives dominate contemporary views of society, but by rejecting the importance of place they are both deeply flawed. Based on one of the most ambitious studies in the history of social science, Great American City argues that communities still matter because life is decisively shaped by where you live.

 

To demonstrate the powerfully enduring impact of place, Robert J. Sampson presents here the fruits of over a decade’s research in Chicago combined with his own unique personal observations about life in the city, from Cabrini Green to Trump Tower and Millennium Park to the Robert Taylor Homes. He discovers that neighborhoods influence a remarkably wide variety of social phenomena, including crime, health, civic engagement, home foreclosures, teen births, altruism, leadership networks, and immigration. Even national crises cannot halt the impact of place, Sampson finds, as he analyzes the consequences of the Great Recession and its aftermath, bringing his magisterial study up to the fall of 2010.

 

Following in the influential tradition of the Chicago School of urban studies but updated for the twenty-first century, Great American City is at once a landmark research project, a commanding argument for a new theory of social life, and the story of an iconic city.

Universal equality is a treasured political concept in France, but recent anxiety over the country’s Muslim minority has led to an emphasis on a new form of universalism, one promoting loyalty to the nation at the expense of all ethnic and religious affiliations. This timely book offers a fresh perspective on the debate by showing that French equality has not always demanded an erasure of differences. Through close and contextualized readings of the way that major novelists, philosophers, filmmakers, and political figures have struggled with the question of integrating Jews into French society, Maurice Samuels draws lessons about how the French have often understood the universal in relation to the particular.

Samuels demonstrates that Jewish difference has always been essential to the elaboration of French universalism, whether as its foil or as proof of its reach. He traces the development of this discourse through key moments in French history, from debates over granting Jews civil rights during the Revolution, through the Dreyfus Affair and Vichy, and up to the rise of a “new antisemitism” in recent years. By recovering the forgotten history of a more open, pluralistic form of French universalism, Samuels points toward new ways of moving beyond current ethnic and religious dilemmas and argues for a more inclusive view of what constitutes political discourse in France.
 

Winner of the 2015 Hiett Prize in the Humanities. 

Sometimes it seems like you need a PhD just to open a book of philosophy. We leave philosophical matters to the philosophers in the same way that we leave science to scientists. Scott Samuelson thinks this is tragic, for our lives as well as for philosophy. In The Deepest Human Life he takes philosophy back from the specialists and restores it to its proper place at the center of our humanity, rediscovering it as our most profound effort toward understanding, as a way of life that anyone can live. Exploring the works of some of history’s most important thinkers in the context of the everyday struggles of his students, he guides us through the most vexing quandaries of our existence—and shows just how enriching the examined life can be.

           
Samuelson begins at the beginning: with Socrates, working his most famous assertion—that wisdom is knowing that one knows nothing—into a method, a way of approaching our greatest mysteries. From there he springboards into a rich history of philosophy and the ways its journey is encoded in our own quests for meaning. He ruminates on Epicurus against the sonic backdrop of crickets and restaurant goers in Iowa City. He follows the Stoics into the cell where James Stockdale spent seven years as a prisoner of war. He spins with al-Ghazali first in doubt, then in the ecstasy of the divine. And he gets the philosophy education of his life when one of his students, who authorized a risky surgery for her son that inadvertently led to his death, asks with tears in her eyes if Kant was right, if it really is the motive that matters and not the consequences. Through heartbreaking stories, humanizing biographies, accessible theory, and evocative interludes like “On Wine and Bicycles” or “On Zombies and Superheroes ,” he invests philosophy with the personal and vice versa. The result is a book that is at once a primer and a reassurance—that the most important questions endure, coming to life in each of us. 

 

It’s right there in the Book of Job: “Man is born unto trouble as the sparks fly upward.” Suffering is an inescapable part of the human condition—which leads to a question that has proved just as inescapable throughout the centuries: Why? Why do we suffer? Why do people die young? Is there any point to our pain, physical or emotional? Do horrors like hurricanes have meaning?
 
In Seven Ways of Looking at Pointless Suffering, Scott Samuelson tackles that hardest question of all. To do so, he travels through the history of philosophy and religion, but he also attends closely to the real world we live in. While always taking the question of suffering seriously, Samuelson is just as likely to draw lessons from Bugs Bunny as from Confucius, from his time teaching philosophy to prisoners as from Hannah Arendt’s attempts to come to terms with the Holocaust. He guides us through the arguments people have offered to answer this fundamental question, explores the many ways that we have tried to minimize or eliminate suffering, and examines people’s attempts to find ways to live with pointless suffering. Ultimately, Samuelson shows, to be fully human means to acknowledge a mysterious paradox: we must simultaneously accept suffering and oppose it. And understanding that is itself a step towards acceptance.
 
Wholly accessible, and thoroughly thought-provoking, Seven Ways of Looking at Pointless Suffering is a masterpiece of philosophy, returning the field to its roots—helping us see new ways to understand, explain, and live in our world, fully alive to both its light and its darkness.

In 1975, German readers were introduced to the Rheinlandschaften, a collection of stunning images of the Rhineland captured in the first half of the twentieth century by photographer August Sander (1876–1964). This fresh edition, now in English, brings Sander’s work to a new audience and into our own time.

These photographs showcase a variety of scenes, from a sunrise over Cologne to the slopes of the Rhine valley. The Rhine River flows through many of these pictures, its dynamic curves and lively current leading the eye through an intriguing mix of natural and urban landscapes. A new essay by art historian Wolfgang Kemp provides context for Sander’s work while introducing his contemporaries, including the writer Hans Ludwig Mathar and the painter Franz M. Jansen. Also explored are the ties between Sander’s landscapes and his portrait photography, which is celebrated worldwide. Crucially, Kemp highlights the need to consider the Rhineland’s unique political situation in the 1920s and 1930s for any discussion of Sander’s artistic approach.

Shining welcome light on the full range of Sander’s practice, this book offers a glorious journey through the landscapes that most affected him.

Roots of Reform offers a sweeping revision of our understanding of the rise of the regulatory state in the late nineteenth century. Sanders argues that politically mobilized farmers were the driving force behind most of the legislation that increased national control over private economic power. She demonstrates that farmers from the South, Midwest, and West reached out to the urban laborers who shared their class position and their principal antagonist—northeastern monopolistic industrial and financial capital—despite weak electoral support from organized labor.

Based on new evidence from legislative records and other sources, Sanders shows that this tenuous alliance of "producers versus plutocrats" shaped early regulatory legislation, remained powerful through the populist and progressive eras, and developed a characteristic method of democratic state expansion with continued relevance for subsequent reform movements.

Roots of Reform is essential reading for anyone interested in this crucial period of American political development.

The Sonia Shankman Orthogenic School has won worldwide recognition for its treatment of emotionally disturbed children. The school and its continuing work at the University of Chicago have been chronicled in Bruno Bettelheim's now classic books Love Is Not Enough (1950), Truants from Life (1955), The Empty Fortress (1967), and A Home for the Heart (1972).
A Greenhouse for the Mind continues the story of the school, focusing on how its teachers and counselors create an educational environment in which children will want and be able to learn. Jacquelyn Seevak Sanders worked closely with Bettelheim for thirteen years as a counselor and assistant principal and since 1973 has been director of the Orthogenic School. She offers her interpretation of Bettelheim's vision of a healing world for children, as well as her own ideas and new perspectives from the last decade.

In a warm and anecdotal style, Sanders relates the experiences and overarching theoretical principles that have shaped the school and its curriculum. She describes how the staff, schedules, and physical appearance of the school have been developed to create a stable and safe place to learn; how teachers confront their own emotional vulnerability; how the staff accepts the children themselves while disciplining unacceptable behavior; and how the attention of the inattentive can be gained. She chronicles the successes and setbacks of the staff in developing a curriculum that includes reading, science, and physical education, and she exemplifies the school's principles and practices through a story of an imaginary student's educational development.

In addition to her experience at the Orthogenic School, Sanders has worked with teachers at all levels from nursery schools to universities, and in A Greenhouse for the Mind she passes on what she has learned about educating difficult children—principles that have been helpful to both disturbed children in a unique setting and more typical children in ordinary settings. Her attention to the role of emotions in the learning process adds an often neglected dimension to traditional cognitive and instructional approaches.

From fjords to mountains, schools of herring to herds of reindeer, Scandinavia is rich in astonishing natural beauty. Less well known, however, is that it is also rich in languages. Home to seven languages, Scandinavia has traditionally been understood as linguistically bifurcated between its five Germanic languages (Danish, Norwegian, Swedish, Icelandic, and Faroese) and its two Finno-Ugric ones (Finnish and Sámi). In The Languages of Scandinavia, Ruth H. Sanders takes a pioneering approach: she considers these Seven Sisters of the North together.

While the two linguistic families that comprise Scandinavia’s languages ultimately have differing origins, the Seven Sisters have coexisted side by side for millennia. As Sanders reveals, a crisscrossing of names, territories, and even to some extent language genetics—intimate language contact—has created a body of shared culture, experience, and linguistic influences that is illuminated when the story of these seven languages is told as one. Exploring everything from the famed whalebone Lewis Chessmen of Norse origin to the interactions between the Black Death and the Norwegian language, The Languages of Scandinavia offers profound insight into languages with a cultural impact deep-rooted and far-reaching, from the Icelandic sagas to Swedish writer Stieg Larsson’s internationally popular Millennium trilogy. Sanders’s book is both an accessible work of linguistic scholarship and a fascinating intellectual history of language.

What species occur where, and why, and why some places harbor more species than others are basic questions for ecologists. Some species simply live in different places: fish live underwater; birds do not. Adaptations follow: most fish have gills; birds have lungs. But as Patterns in Nature reveals, not all patterns are so trivial.

Travel from island to island and the species change. Travel along any gradient—up a mountain, from forest into desert, from low tide to high tide on a shoreline —and again the species change, sometimes abruptly. What explains the patterns of these distributions? Some patterns might be as random as a coin toss. But as with a coin toss, can ecologists differentiate associations caused by a multiplicity of complex, idiosyncratic factors from those structured by some unidentified but simple mechanisms? Can simple mechanisms that structure communities be inferred from observations of which species associations naturally occur? For decades, community ecologists have debated about whether the patterns are random or show the geographically pervasive effect of competition between species. Bringing this vigorous debate up to date, this book undertakes the identification and interpretation of nature’s large-scale patterns of species co-occurrence to offer insight into how nature truly works.

Patterns in Nature explains the computing and conceptual advances that allow us to explore these issues. It forces us to reexamine assumptions about species distribution patterns and will be of vital importance to ecologists and conservationists alike.

In early twentieth-century China, age-old traditions of homosocial and homoerotic relationships between women suddenly became an issue of widespread public concern. Discussed formerly in terms of friendship and sisterhood, these relationships came to be associated with feminism, on the one hand, and psychobiological perversion, on the other—a radical shift whose origins have long been unclear.

In this first ever book-length study of Chinese lesbians, Tze-lan D. Sang convincingly ties the debate over female same-sex love in China to the emergence of Chinese modernity. As women's participation in social, economic, and political affairs grew, Sang argues, so too did the societal significance of their romantic and sexual relations. Focusing especially on literature by or about women-preferring women, Sang traces the history of female same-sex relations in China from the late imperial period (1600-1911) through the Republican era (1912-1949). She ends by examining the reemergence of public debate on lesbians in China after Mao and in Taiwan after martial law, including the important roles played by globalization and identity politics.

"In the gallery of what might be called the martyrs of thought, the image of Galileo recanting before the Italian Inquisition stirs the minds of educated modern men second only to the picture of Socrates drinking the Hemlock. That image of Galileo is out of focus . . . because it has been distorted by three centuries of rationalist prejudice and clerical polemics. To refocus it clearly, within the logic of its own time . . . de Santillana has written The Crime of Galileo, a masterly intellectual whodunit which traces not the life but the mental footsteps of Galileo on his road to personal tragedy."—Time

In his Duino Elegies, Rainer Maria Rilke suggests that animals enjoy direct access to a realm of being—the open—concealed from humans by the workings of consciousness and self-consciousness. In his own reading of Rilke, Martin Heidegger reclaims the open as the proper domain of human existence but suggests that human life remains haunted by vestiges of an animal-like relation to its surroundings. Walter Benjamin, in turn, was to show that such vestiges—what Eric Santner calls the creaturely—have a biopolitical aspect: they are linked to the processes that inscribe life in the realm of power and authority. 

Santner traces this theme of creaturely life from its poetic and philosophical beginnings in the first half of the twentieth century to the writings of the enigmatic German novelist W. G. Sebald. Sebald’s entire oeuvre, Santner argues, can be seen as an archive of creaturely life. For Sebald, the work on such an archive was inseparable from his understanding of what it means to engage ethically with another person’s history and pain, an engagement that transforms us from indifferent individuals into neighbors. 

An indispensable book for students of Sebald, On Creaturely Life is also a significant contribution to critical theory.

In On the Psychotheology of Everyday Life, Eric Santner puts Sigmund Freud in dialogue with his contemporary Franz Rosenzweig in the service of reimagining ethical and political life. By exploring the theological dimensions of Freud's writings and revealing unexpected psychoanalytic implications in the religious philosophy of Rosenzweig's masterwork, The Star of Redemption, Santner makes an original argument for understanding religions of revelation in therapeutic terms, and offers a penetrating look at how this understanding suggests fruitful ways of reconceiving political community.

Santner's crucial innovation in this new study is to bring the theological notion of revelation into a broadly psychoanalytic field, where it can be understood as a force that opens the self to everyday life and encourages accountability within the larger world. Revelation itself becomes redefined as an openness toward what is singular, enigmatic, even uncanny about the Other, whether neighbor or stranger, thereby linking a theory of drives and desire to a critical account of sociality. Santner illuminates what it means to be genuinely open to another human being or culture and to share and take responsibility for one's implication in the dilemmas of difference.

By bringing Freud and Rosenzweig together, Santner not only clarifies in new and surprising ways the profound connections between psychoanalysis and the Judeo-Christian tradition, he makes the resources of both available to contemporary efforts to rethink concepts of community and cross-cultural communication.

"The king is dead. Long live the king!" In early modern Europe, the king's body was literally sovereign—and the right to rule was immediately transferrable to the next monarch in line upon the king's death. In The Royal Remains, Eric L. Santner argues that the "carnal" dimension of the structures and dynamics of sovereignty hasn't disappeared from politics. Instead, it migrated to a new location—the life of the people—where something royal continues to linger in the way we obsessively track and measure the vicissitudes of our flesh.
 
Santner demonstrates the ways in which democratic societies have continued many of the rituals and practices associated with kingship in displaced, distorted, and usually, unrecognizable forms. He proposes that those strange mental activities Freud first lumped under the category of the unconscious—which often manifest themselves in peculiar physical ways—are really the uncanny second life of these "royal remains," now animated in the body politic of modern neurotic subjects. Pairing Freud with Kafka, Carl Schmitt with Hugo von Hofmannsthal,and Ernst Kantorowicz with Rainer Maria Rilke, Santner generates brilliant readings of multiple texts and traditions of thought en route to reconsidering the sovereign imaginary. Ultimately, The Royal Remains locates much of modernity—from biopolitical controversies to modernist literary experiments—in this transition from subjecthood to secular citizenship.
 
This major new work will make a bold and original contribution to discussions of politics, psychoanalysis, and modern art and literature.

Galileo never set foot on the Iberian Peninsula, yet, as Enrique García Santo-Tomás unfolds in The Refracted Muse, the news of his work with telescopes brought him to surprising prominence—not just among Spaniards working in the developing science of optometry but among creative writers as well.
 
While Spain is often thought to have taken little notice of the Scientific Revolution, García Santo-Tomás tells a different story, one that reveals Golden Age Spanish literature to be in close dialogue with the New Science. Drawing on the work of writers such as Cervantes, Lope de Vega, Calderón de la Barca, and Quevedo, he helps us trace the influence of science and discovery on the rapidly developing and highly playful genre of the novel. Indeed, García Santo-Tomás makes a strong case that the rise of the novel cannot be fully understood without taking into account its relationship to the scientific discoveries of the period.

Nearly two hundred years ago, Mary Wollstonecraft wrote what is considered to be the first major work of feminist political theory: A Vindication of the Rights of Women. Much has been written about this work, and about Wollstonecraft as the intellectual pioneer of feminism, but the actual substance and coherence of her political thought have been virtually ignored. Virginia Sapiro here provides the first full-length treatment of Wollstonecraft's political theory.

Drawing on all of Wollstonecraft's works and treating them thematically rather than sequentially, Sapiro shows that Wollstonecraft's ideas about women's rights, feminism, and gender are elements of a broad and fully developed philosophy, one with significant implications for contemporary democratic and liberal theory. The issues raised speak to many current debates in theory, including those surrounding interpretation of the history of feminism, the relationship between liberalism and republicanism in the development of political philosophy, and the debate over the canon. For political scientists, most of whom know little about Wollstonecraft's thought, Sapiro's book is an excellent, nuanced introduction which will cause a reconsideration of her work and her significance both for her time and for today's concerns. For feminist scholars, Sapiro's book offers a rounded and unconventional analysis of Wollstonecraft's thought.

Written with considerable charm and verve, this book will be the starting point for understanding this important writer for years to come.

Ask anyone to picture a bird or a fish and a series of clear images will immediately come to mind. Ask the same person to picture plankton and most would have a hard time conjuring anything beyond a vague squiggle or a greyish fleck. This book will change that forever.

Viewing these creatures up close for the first time can be a thrilling experience—an elaborate but hidden world truly opens up before your eyes. Through hundreds of close-up photographs, Plankton transports readers into the currents, where jeweled chains hang next to phosphorescent chandeliers, spidery claws jut out from sinuous bodies, and gelatinous barrels protect microscopic hearts. The creatures’ vibrant colors pop against the black pages, allowing readers to examine every eye and follow every tentacle. Jellyfish, tadpoles, and bacteria all find a place in the book, representing the broad scope of organisms dependent on drifting currents.

Christian Sardet’s enlightening text explains the biological underpinnings of each species while connecting them to the larger living world. He begins with plankton’s origins and history, then dives into each group, covering ctenophores and cnidarians, crustaceans and mollusks, and worms and tadpoles. He also demonstrates the indisputable impact of plankton in our lives. Plankton drift through our world mostly unseen, yet they are diverse organisms that form ninety-five percent of ocean life. Biologically, they are the foundation of the aquatic food web and consume as much carbon dioxide as land-based plants. Culturally, they have driven new industries and captured artists’ imaginations.

While scientists and entrepreneurs are just starting to tap the potential of this undersea forest, for most people these pages will represent uncharted waters. Plankton is a spectacular journey that will leave readers seeing the ocean in ways they never imagined.

In a provocative reassessment of one of the quintessential figures of early modern science, Rose-Mary Sargent explores Robert Boyle's philosophy of experiment, a central aspect of his life and work that became a model for mid- to late seventeenth-century natural philosophers and for many who followed them.

Sargent examines the philosophical, legal, experimental, and religious traditions—among them English common law, alchemy, medicine, and Christianity—that played a part in shaping Boyle's experimental thought and practice. The roots of his philosophy in his early life and education, in his religious ideals, and in the work of his predecessors—particularly Bacon, Descartes, and Galileo—are fully explored, as are the possible influences of his social and intellectual circle. Drawing on the full range of Boyle's published works, as well as on his unpublished notebooks and manuscripts, Sargent shows how these diverse influences were transformed and incorporated into Boyle's views on and practice of experiment.

When the Portuguese seafarer Afonso de Albuquerque conquered the bustling port of Malacca in 1511, he effectively gained control of the entire South China Sea spice trade. Although their dominance lasted only 130 years, the Portuguese legacy lies at the heart of a burgeoning tourist attraction on the outskirts of the city, in which performers who believe they are the descendants of swashbuckling Portuguese conquerors encapsulate their "history" in a cultural stage show.

Using historical and ethnographic data, Margaret Sarkissian reveals that this music and dance draws on an eclectic array of influences that span the Portuguese diaspora (one song conjures up images of Lucille Ball impersonating Carmen Miranda on "I Love Lucy"). Ironically, she shows, what began as a literate tradition in the 1950s has now become an oral one so deeply rooted in Settlement life that the younger generation, like the tourists, now see it as an unbroken heritage stretching back almost 500 years. A fascinating case of "orientalism in reverse," D'Albuquerque's Children illuminates the creative ways in which one community has adapted to life in a postcolonial world.

The first historical heroic epic authored by a woman, Scanderbeide recounts the exploits of fifteenth-century Albanian warrior-prince George Scanderbeg and his war of resistance against the Ottoman sultanate. Filled with scenes of intense and suspenseful battles contrasted with romantic episodes, Scanderbeide combines the action and fantasy characteristic of the genre with analysis of its characters’ motivations. In selecting a military campaign as her material and epic poetry as her medium, Margherita Sarrocchi (1560?–1617) not only engages in the masculine subjects of political conflict and warfare but also tackles a genre that was, until that point, the sole purview of men. 

First published posthumously in 1623, Scanderbeide reemerges here in an adroit English prose translation that maintains the suspense of the original text and gives ample context to its rich cultural implications.

That Sartre's study of Flaubert, The Family Idiot, is a towering achievement in intellectual history has never been disputed. Yet critics have argued about the precise nature of this novel, or biography, or "criticism-fiction" which is the summation of Sartre's philosophical, social, and literary thought. Sartre writes, simply, in the preface to the book: "The Family Idiot is the sequel to The Question of Method. The subject: what, at this point in time, can we know about a man? It seemed to me that this question could only be answered by studying a specific case."

"A man is never an individual," Sartre writes, "it would be more fitting to call him a universal singular. Summed up and for this reason universalized by his epoch, he in turn resumes it by reproducing himself in it as singularity. Universal by the singular universality of human history, singular by the universalizing singularity of his projects, he requires simultaneous examination from both ends." This is the method by which Sartre examines Flaubert and the society in which he existed.

Now this masterpiece is being made available in an inspired English translation that captures all the variations of Sartre's style—from the jaunty to the ponderous—and all the nuances of even the most difficult ideas. Volume 1 consists of Part One of the original French work, La Constitution, and is primarily concerned with Flaubert's childhood and adolescence.

Seen by many as the culmination of Sartre's thought and project, and viewed by Sartre himself as an attempt to answer the question, "What, at this point in time, can we know about a man?" this monumental work continues to perplex its fascinated critics and admirers, who have argued about its precise nature. However, as reviews of the first volume in this translation agreed, whatever The Family Idiot may be called—"a dialectic" (Fredric Jameson, New York Times Book Review); "biography, philosophy, or politics? Surely . . . all of these together" (Renee Winegarten, Commentary); "a new form of fiction?" (Victor Brombert, Times Literary Supplement); or simply, "mad, of course" (Julian Barnes, London Review of Books)—its prominent place in intellectual history is indisputable.

Volume 2, consisting of the first book of part 2 of the original French work, takes the reader through Flaubert's adolescence well into his evolution as an artist. Sartre's approach to his complex subject, whether jaunty or ponderous, psychoanalytical or political, is captured in all of its rich variety of Carol Cosman's translation.

Seen by many as the culmination of Sartre's thought and project, and viewed by Sartre himself as an attempt to answer the question, "What, at this point in time, can we know about a man?" this monumental work continues to perplex its fascinated critics and admirers, who have argued about its precise nature. However, as reviews of the first volume in this translation agreed, whatever The Family Idiot may be called—"a dialectic" (Fredric Jameson, New York Times Book Review); "biography, philosophy, or politics? Surely . . . all of these together" (Renee Winegarten, Commentary); "a new form of fiction?" (Victor Brombert, Times Literary Supplement); or simply, "mad, of course" (Julian Barnes, London Review of Books)—its prominent place in intellectual history is indisputable.

Volume 3 consists of "School Years" and "Preneurosis," which are the second and third books of part 2 of the original French work. In vivid detail, Sartre renders Flaubert's secondary-school experiences and relationships: his part in a student rebellion against the faculty, his teenage infatuation with Romantic literature, his friendships and rivalries with his classmates, and the ironies inherent in the schoolboys' bourgeois existence. Sartre then discusses Flaubert's years at law school, where he studied at his father's insistence. This volume also contains Sartre's most sustained analysis of Madame Bovary. Sartre's approach to his complex subject, whether jaunty or judicious, psychoanalytical or political, is captured in all of its rich variety in Carol Cosman's translation.

Seen by many as the culmination of Sartre's thought and project, and viewed by Sartre himself as an attempt to answer the question, "What, at this point in time, can we know about a man?" this monumental work continues to perplex its fascinated critics and admirers, who have argued about its precise nature. However, as reviews of the first volume in this translation agreed, whatever The Family Idiot may be called—"a dialectic" (Fredric Jameson, New York Times Book Review); "biography, philosophy, or politics? Surely . . . all of these together" (Renee Winegarten, Commentary); "a new form of fiction?" (Victor Brombert, Times Literary Supplement); or simply, "mad, of course" (Julian Barnes, London Review of Books)—its prominent place in intellectual history is indisputable.

Volume 4 consists of part three, books one and two, of the original French work. This volume, the fourth in a projected five-volume English-language edition, includes Sartre's discussion of the onset of Flaubert's illness, or neurosis, in 1844, and a significant reading of his L'Education sentimentale.

Sartre's approach to his complex subject, whether jaunty or judicious, psychoanalytic or political, is captured in all of its rich variety in Carol Cosman's translation.

With this volume, the University of Chicago Press completes its translation of a work that is indispensable not only to serious readers of Flaubert but to anyone interested in the last major contribution by one of the twentieth century's greatest thinkers.

That Sartre's study of Flaubert, The Family Idiot, is a towering achievement in intellectual history has never been disputed. Yet critics have argued about the precise nature of this novel or biography or "criticism-fiction" which is the summation of Sartre's philosophical, social, and literary thought. In the preface, Sartre writes: "The Family Idiot is the sequel to Search for a Method. The subject: what, at this point in time, can we know about a man? It seemed to me that this question could only be answered by studying a specific case."

Sartre discusses Flaubert's personal development, his relationship to his family, his decision to become a writer, and the psychosomatic crisis or "conversion" from his father's domination to the freedom of his art. Sartre blends psychoanalysis with a sociological study of the ideology of the period, the crisis in literature, and Flaubert's influence on the future of literature.

While Sartre never wrote the final volume he envisioned for this vast project, the existing volumes constitute in themselves a unified work—one that John Sturrock, writing in the Observer, called "a shatteringly fertile, digressive and ruthless interpretation of these few cardinal years in Flaubert's life."

"A virtuoso perfomance. . . . For all that this book does to make one reconsider his life, The Family Idiot is less a case study of Flaubert than it is a final installment of Sartre's mythology. . . . The translator, Carol Cosman, has acquitted herself brilliantly."—Frederick Brown, New York Review of Books

"A splendid translation by Carol Cosman. . . . Sartre called The Family Idiot a 'true novel,' and it does tell a story and eventually reach a shattering climax. The work can be described most simply as a dialectic, which shifts between two seemingly alternative interpretations of Flaubert's destiny: a psychoanalytic one, centered on his family and on his childhood, and a Marxist one, whose guiding themes are the status of the artist in Flaubert's period and the historical and ideological contradictions faced by his social class, the bourgeoisie."—Fredric Jameson, New York Times Book Review

Jean-Paul Sartre (1906-1980) was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, The Family Idiot, and The Freud Scenario, both published in translation by the University of Chicago Press.

A major event in the history of twentieth-century thought, Notebooks for a Ethics is Jean-Paul Sartre's attempt to develop an ethics consistent with the profound individualism of his existential philosophy.

In the famous conclusion to Being and Nothingness, Sartre announced that he would devote his next philosophical work to moral problems. Although he worked on this project in the late 1940s, Sartre never completed it to his satisfaction, and it remained unpublished until after his death in 1980. Presented here for the first time in English, the Notebooks reveal Sartre at his most productive, crafting a masterpiece of philosophical reflection that can easily stand alongside his other great works.

Sartre grapples anew here with such central issues as "authenticity" and the relation of alienation and freedom to moral values. Exploring fundamental modes of relating to the Other—among them violence, entreaty, demand, appeal, refusal, and revolt—he articulates the necessary transition from individualism to historical consciousness. This work thus forms an important bridge between the early existentialist Sartre and the later Marxist social thinker of the Critique of Dialectical Reason. The Notebooks themselves are complemented here by two additional essays, one on "the good and subjectivity," the other on the oppression of blacks in the United States.

With publication of David Pellauer's lucid translation, English-speaking readers will be able to appreciate this important contribution to moral philosophy and the history of ethics.

Jean-Paul Sartre (1906-1980) was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, The Family Idiot, and The Freud Scenario, both published in translation by the University of Chicago Press.

Truth and Existence, written in response to Martin Heidegger's Essence of Truth, is a product of the years when Sartre was reaching full stature as a philosopher, novelist, playwright, essayist, and political activist. This concise and engaging text not only presents Sartre's ontology of truth but also addresses the key moral questions of freedom, action, and bad faith.

Truth and Existence is introduced by an extended biographical, historical, and analytical essay by Ronald Aronson.

"Truth and Existence is another important element in the recently published links between Sartre's existentialist ontology and his later ethical, political, and literary concerns. . . . The excellent introduction by Aronson will help readers not experienced in reading Sartre."—Choice

"Accompanied by an excellent introduction, this dense, lucidly translated treatise reveals Sartre as a characteristically 20th-century figure."—Publishers Weekly

Jean-Paul Sartre (1906-1980) was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, The Family Idiot, and The Freud Scenario, both published in translation by the University of Chicago Press.

In March of 1980, just a month before Sartre's death, Le Nouvel Observateur published a series of interviews, the last ever given, between the blind and debilitated philosopher and his young assistant, Benny Levy. Readers were scandalized and denounced the interviews as distorted, inauthentic, even fraudulent. They seemed to portray a Sartre who had abandoned his leftist convictions and rejected his most intimate friends, including Simone de Beauvoir. This man had cast aside his own fundamental beliefs in the primacy of individual consciousness, the inevitability of violence, and Marxism, embracing instead a messianic Judaism. No, Sartre's supporters argued, it was his interlocutor, the ex-radical, the orthodox, ultra-right-wing activist who had twisted the words and thought of an ailing Sartre to his own ends. Or had he?

Shortly before his death, Sartre confirmed the authenticity of the interviews and their puzzling content. Over the past fifteen years, it has become the task of Sartre scholars to unravel and understand them. Presented in this fresh, meticulous translation, the interviews are framed by two provocative essays from Benny Levy himself, accompanied by a comprehensive introduction from noted Sartre authority Ronald Aronson. Placing the interviews in proper biographical and philosophical perspective, Aronson demonstrates that the thought of both Sartre and Levy reveals multiple intentions that taken together nevertheless confirm and add to Sartre's overall philosophy. This absorbing volume at last contextualizes and elucidates the final thoughts of a brilliant and influential mind.

Jean-Paul Sartre (1906-1980) was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, The Family Idiot, and The Freud Scenario, both published in translation by the University of Chicago Press.

Frederick Douglass, Harriet Jacobs, W.E.B. DuBois, Zora Neale Hurston, Malcolm X—their words speak firmly, eloquently, personally of the impact of white America on the lives of African-Americans. Black autobiographical discourses, from the earliest slave narratives to the most contemporary urban raps, have each in their own way gauged and confronted the character of white society. For Crispin Sartwell, as philosopher, cultural critic, and white male, these texts, through their exacting insights and external perspective, provide a rare opportunity, a means of glimpsing and gaining access to contents and core of white identity.

There is, Sartwell contends, a fundamental elusiveness to that identity. Whiteness defines itself as normative, as a neutral form of the human condition, marking all other forms of identity as "racial" or "ethnic" deviations. Invisible to itself, white identity seeks to define its essence over and against those other identities, in effect defining itself through opposition and oppression. By maintaining fictions of black licentiousness, violence, and corruption, white identity is able to cast itself as humane, benevolent, and pure; the stereotype fabricates not only the oppressed but the oppressor as well. Sartwell argues that African-American autobiography perceives white identity from a particular and unique vantage point; one that is knowledgeable and intimate, yet fundamentally removed from the white world and thus unencumbered by its obfuscating claims to normativity.

Throughout this provocative work, Sartwell steadfastly recognizes the many ways in which he too is implicated in the formulation and perpetuation of racial attitudes and discourse. In Act Like You Know, he challenges both himself and others to take a long, hard look in the mirror of African-American autobiography, and to find there, in the light of those narratives, the visible features of white identity.

Who reads poetry? We know that poets do, but what about the rest of us?  When and why do we turn to verse?  Seeking the answer, Poetry magazine since 2005 has published a column called “The View From Here,” which has invited readers “from outside the world of poetry” to describe what has drawn them to poetry. Over the years, the incredibly diverse set of contributors have included philosophers, journalists, musicians, and artists, as well as doctors and soldiers, an iron-worker, an anthropologist, and an economist. This collection brings together fifty compelling pieces, which are in turns surprising, provocative, touching, and funny.
 
In one essay, musician Neko Case calls poetry “a delicate, pretty lady with a candy exoskeleton on the outside of her crepe-paper dress.” In another, anthropologist Helen Fisher turns to poetry while researching the effects of love on the brain, “As other anthropologists have studied fossils, arrowheads, or pot shards to understand human thought, I studied poetry. . . . I wasn’t disappointed: everywhere poets have described the emotional fallout produced by the brain’s eruptions.” Even film critic Roger Ebert memorized the poetry of e. e. cummings, and the rapper Rhymefest attests here to the self-actualizing power of poems: “Words can create worlds, and I’ve discovered that poetry can not only be read but also lived out. My life is a poem.” Music critic Alex Ross tells us that he keeps a paperback of The Palm at the End of the Mind by Wallace Stevens on his desk next to other, more utilitarian books like a German dictionary, a King James Bible, and a Macintosh troubleshooting manual.
 
Who Reads Poetry offers a truly unique and broad selection of perspectives and reflections, proving that poetry can be read by everyone. No matter what you’re seeking, you can find it within the lines of a poem.
 

Although the ancient Greeks did not have an anthropology as we know it, they did have an acute interest in human nature, especially questions of difference. What makes men different from women, slaves different from free men, barbarians different from Greeks? Are these differences visible in the body? How can they be classified and explained?

Maria Michela Sassi reconstructs Greek attempts to answer such questions from Homer's day to late antiquity, ranging across physiognomy, ethnography, geography, medicine, and astrology. Sassi demonstrates that in the Greek science of man, empirical observations were inextricably bound up with a prejudiced view of the free Greek male as superior to all others. Thus, because women were assumed to have pale skin from staying indoors too much, Greek biology and medicine sought to explain this feature as an indication of the "cold" nature of women, as opposed to the "hot" constitution of men.

For this English translation, Sassi has rewritten the introduction and updated the text and references throughout, and Sir Geoffrey Lloyd has provided a new foreword.

In this firsthand account of high-risk car and motorcycle racing in Japan, Ikuya Sato shows how affluence and consumerism have spawned various experimental and deviant life-styles among youth. Kamikaze Biker offers an intriguing look at a form of delinquency in a country traditionally thought to be devoid of social problems.

"Ikuya Sato's Kamikaze Biker is an exceptionally fine ethnographic analysis of a recurrent form of Japanese collective youth deviance. . . . Sato has contributed a work of value to a wide range of scholarly audiences."—Jack Katz, Contemporary Sociology

"A must for anyone interested in Japan, juvenile delinquency and/or youth behavior in general, or the impact of affluence on society."—Choice

"The volume provides a sophisticated . . . discussion of changes happening in Japanese society in the early 1980s. As such, it serves as a window on the 1990s and beyond."—Ross Mouer, Asian Studies Review

"Kamikaze Biker is a superlative study, one that might help liberate American social science from the simplistic notion that behavior not directly contributing to economic productivity should be summarily dismissed as 'dangerous' and 'deviant.' "—Los Angeles Times Book Review

This book is the first complete study of the circumstances which led to the building of Castle Howard, one of the greatest and best-known English country houses. It describes how and why Charles Howard, third earl of Carlisle, decided to build it; how the architect Sir John Vanbrugh received his first commission; how the building was paid for and where the money came from; what the original interiors looked like; how the gardens and park were laid out; and the decision taken to build the first classical mausoleum in England, designed by Nicholas Hawksmoor. It relates the physical appearance of the architecture to the hopes, desires and personalities of those involved in the building and makes it possible to look at the house in the way that it was intended to be seen by visitors in the eighteenth century. The Building of Castle Howard should appeal to anyone who is interested in eighteenth-century architecture, in the history of gardens, in country houses, and in a historical detective story of a house which Sir John Vanbrugh was determined should be 'the top seat and garden of England.'

Berlin-based artist Matt Saunders has in recent years captured the art world’s eye with a striking series of hybrid images and animated films produced using techniques from both photography and painting. Using movie stars such as German actress Hertha Thiele and British actor Patrick McGoohan as subjects, Saunders recasts historical film and television images into new discourses about portraiture, iconography, and spectatorship.

 

Matt Saunders: Parallel Plot is both an artist’s book and a catalog that documents and reflects on a 2010 exhibition held at the Renaissance Society at the University of Chicago. Reproducing the stunning artwork from that show, the book also includes two conversations between Saunders and artist Josiah McElheny and an essay by experimental film scholar Bruce Jenkins that tackles the relationship among painting, photography, and film, as well as the dynamics of Saunders’s iconography. Offering insight into Saunders’s sophisticated working methods, this book is an evocative introduction to the work of this intriguing artist and the intertwined histories of film and photography.

World-renowned for its biological diversity and model conservation system, Costa Rica is home to a wide variety of amphibians and reptiles, from the golden toad to the scorpion lizard to the black-headed bushmaster. Jay M. Savage has studied these fascinating creatures for more than forty years, and in The Amphibians and Reptiles of Costa Rica he provides the most comprehensive, up-to-date treatment of their biology and evolution ever produced.

Costa Rica has played, and continues to play, a pivotal role in the study of tropical biology as well as the development of ecotourism and ecoprospecting, in part because more than half of the amphibians and reptiles in Costa Rica are also found elsewhere in Central America. The Amphibians and Reptiles of Costa Rica will be an essential book for a wide audience of nature lovers, naturalists, ecotourists, field biologists, conservationists, government planners, and those interested in Central America more generally.

"Written for the enthusiast as well as for the field researcher, this work is an excellent reference source for each of the 396 species of amphibians and reptiles that can be found in Costa Rica. Includes complete full-color photographs of all known species in the region, as well as maps showing their distribution patterns. . . . A must-have book for any library with interests in this subject area."—J. Elliott, Southeastern Naturalist

Marguerite Yourcenar was born Marguerite de Crayencour in Brussels in 1903. She lost her mother at birth, her native Belgium at the age of six, and was forced to flee her adopted France at twelve. It is little wonder that Yourcenar, whose own early past receded so quickly into personal legend, would one day describe her writing as the "passionate reconstitution , at once detailed and free, of a moment or a man out of the past." One of the most respected writers in the French language, best known as the author of Memoirs of Hadrian and The Abyss, she was awarded countless literary honors, culminating with her election in 1980 to the Académie Française (she was the first woman ever to be so honored). As complex, erudite, and intriguing as her work, Yourcenar's life has resisted its own passionate reconstitution until now, in part because of the writer's deliberate elusiveness, even in her autobiographical trilogy.

Here, in its intricate and often contradictory detail, is Marguerite Yourcenar's story, one in which loss and learning intertwined almost from the first and in which love assumed a strangely paradoxical place. Drawing on letters, diaries, and interviews with Yourcenar's friends, colleagues, and lovers, Josyane Savigneau's biography paints an intimate portrait of an artist who lived according to her own, occasionally contrary, terms: a Frenchwoman ardently in love with her native tongue, yet who lived half her life in New England; an avid seductress of women, who spent nearly forty years with one woman, yet fell in love early and late in her life with two young men; a powerful female writer whose most memorable protagonists were male, from Alexis of her first novel to the later historical characters Hadrian and Zeno. Savigneau weaves these and other contraries of Yourcenar's life into a vibrant and engrossing pattern.

Editor of "Le Monde des Livres," the literary pages of France's most influential newspaper, Savigneau first met Marguerite Yourcenar on assignment in 1984. What began as a professional relationship gradually turned into a friendship. Her personal insights into that life enrich this exhaustively documented text. Following the lead set by Yourcenar in her memoir Dear Departed, the biographer found herself "searching for a truth that is multiple, unstable, evasive, sometimes saddening, and at first glance scandalous but that one cannot approach without often feeling for human beings in all their frailty a certain measure of kinship and, always, a sense of pity." Yourcenar's profound intelligence and sympathy, her foibles and obsessions, her accomplishments and trials: all are revealed here in an uncompromising portrait of an incomparable artist.

The fateful kick of Mrs. O'Leary's cow, the wild flight before the flames, the astonishingly quick rebuilding—these are the well-known stories of the Great Chicago Fire of 1871. But as much as Chicago's recovery from disaster was a remarkable civic achievement, the Great Fire is also the story of a city's people divided and at odds. This is the story that Karen Sawislak tells so revealingly in this book.

In a detailed account, drawn on memoirs, private correspondences, and other documents, Sawislak chronicles years of widespread, sometimes bitter, social and political conflict in the fire's wake, from fights over relief soup kitchens to cries against profiteering and marches on city hall by workers burned out of their homes. She shows how through the years of rebuilding the people of Chicago struggled to define civic order—and the role that "good citizens" would play within it. As they rebuilt, she writes, Chicagoans confronted hard questions about charity and social welfare, work and labor relations, morality, and the limits of state power. Their debates in turn exposed the array of values and interests that different class, ethnic, and religious groups brought to these public discussions.

"Sawislak combines the copious detail of a historian with the vivid portrayals of a storyteller in her investigation of the infamous Chicago fire. . . . Highlighted by historical maps, plates and engravings, with an epilogue and notes, Smoldering City presents an extremely thorough and engaging study of this extraordinary disaster."—Publishers Weekly

An intelligent, engaging, and in-depth reading of the nature of the state and the establishment of the modern political order in the mid-nineteenth century.

Previous studies have covered in great detail how the modern state slowly emerged from the early Renaissance through the seventeenth century, but we know relatively little about the next great act: the birth and transformation of the modern democratic state. And in an era where our democratic institutions are rife with conflict, it’s more important now than ever to understand how our institutions came into being.

Stephen W. Sawyer’s Demos Assembled provides us with a fresh, transatlantic understanding of that political order’s genesis. While the French influence on American political development is well understood, Sawyer sheds new light on the subsequent reciprocal influence that American thinkers and politicians had on the establishment of post-revolutionary regimes in France. He argues that the emergence of the stable Third Republic (1870–1940), which is typically said to have been driven by idiosyncratic internal factors, was in fact a deeply transnational, dynamic phenomenon. Sawyer’s findings reach beyond their historical moment, speaking broadly to conceptions of state formation: how contingent claims to authority, whether grounded in violence or appeals to reason and common cause, take form as stateness.

This wide-ranging book locates the origin of political science in the everyday world of ancient Greek life, thought, and culture. Arlene Saxonhouse contends that the Greeks, confronted by the puzzling diversity of the physical world, sought a force that would unify, constrain, and explain it. This drive toward unity did more than value the mind over the senses: it led the Greeks to play down the very real complexities—particularly regarding women, the family, and sexuality—in both their political and personal lives.

Saxonhouse opens up fresh understandings of such issues as the Greeks' fear of the feminine and their attempts to ignore the demands that gender, reproduction, and the family inevitably make on the individual.

Sayre defines for the first time the apparently diffuse avant-garde art of the past two decades in terms of its distinctly postmodern concerns. The range of arts discussed here encompasses contemporary dance, photography, oral poetics, performance art, and earthworks.

"Sayre has written one of the most intelligent, sensible, and readable accounts of the tenents of Postmodern artmaking published to date."—Jeff Abell, New Art Examiner

"No one can read The Object of Performance without gaining a far better idea than before of what has happened to art, and, in some measure, why. . . . I find this book consistently illuminating."—Arthur C. Danto

Rangelands are vast, making up one quarter of the United States and forty percent of the Earth’s ice-free land. And while contemporary science has revealed a great deal about the environmental impacts associated with intensive livestock production—from greenhouse gas emissions to land and water degradation—far less is known about the historic role science has played in rangeland management and politics. Steeped in US soil, this first history of rangeland science looks to the origins of rangeland ecology in the late nineteenth-century American West, exploring the larger political and economic forces that—together with scientific study—produced legacies focused on immediate economic success rather than long-term ecological well being.

During the late 1880s and early 1890s, a variety of forces—from the Homestead Act of 1862 to the extermination of bison, foreign investment, and lack of government regulation—promoted free-for-all access to and development of the western range, with disastrous environmental consequences. To address the crisis, government agencies turned to scientists, but as Nathan F. Sayre shows, range science grew in a politically fraught landscape. Neither the scientists nor the public agencies could escape the influences of bureaucrats and ranchers who demanded results, and the ideas that became scientific orthodoxy—from fire suppression and predator control to fencing and carrying capacities—contained flaws and blind spots that plague public debates about rangelands to this day. Looking at the global history of rangeland science through the Cold War and beyond, The Politics of Scale identifies the sources of past conflicts and mistakes and helps us to see a more promising path forward, one in which rangeland science is guided less by capital and the state and more by communities working in collaboration with scientists.

Throughout history, humans have searched for paradise. When early Christians adopted the Hebrew Bible, and with it the story of Genesis, the Garden of Eden became an idyllic habitat for all mankind. Medieval Christians believed this paradise was a place on earth, different from this world and yet part of it, situated in real geography and indicated on maps. From the Renaissance through the Enlightenment, the mapping of paradise validated the authority of holy scripture and supported Christian faith. But from the early nineteenth century onwards, the question of the exact location of paradise was left not to theologians but to the layman. And at the beginning of the twenty-first century, there is still no end to the stream of theories on the location of the former Garden of Eden.

Mapping Paradise is a history of the cartography of paradise that journeys from the beginning of Christianity to the present day. Instead of dismissing the medieval belief in a paradise on earth as a picturesque legend and the cartography of paradise as an example of the period’s many superstitions, Alessandro Scafi explores the intellectual conditions that made the medieval mapping of paradise possible. The challenge for mapmakers, Scafi argues, was to make visible a place that was geographically inaccessible and yet real, remote in time and yet still the scene of an essential episode of the history of salvation. Mapping Paradise also accounts for the transformations, in both theological doctrine and cartographical practice, that brought about the decline of the belief in a terrestrial paradise and the emergence of the new historical and regional mapping of the Garden of Eden that began at the time of the Reformation and still continues today.

The first book to show how paradise has been expressed in cartographic form throughout two millennia, Mapping Paradise reveals how the most deeply reflective thoughts about the ultimate destiny of all human life have been molded and remolded, generation by generation.