A SCHOLARLY BOOK REPOSITORY
9644 scholarly books by University of Chicago Press and 179
9644 scholarly books by University of Chicago Press
179 have author last names that start with V have author last names that start with V
179 have author last names that start with V have author last names that start with V
I masnadieri
Melodramma tragico in Four Parts by Andrea Maffei
Giuseppe Verdi
University of Chicago Press, 2000
Composed between October 1846 and the spring of 1847, I masnadieri features a libretto based on Schiller's play Die Raüber (The Robbers). The opera premiered in July 1847 at Her Majesty's Theatre, London, with Jenny Lind as the prima donna. Verdi himself supervised the rehearsals for the premiere, and the original performing parts, which contain annotations made by the players under Verdi's direction and changes made by the composer during the rehearsals, have been preserved at the archives of the Royal Opera House.
The critical edition is the first publication of I masnadieri in full score. Based on the composer's autograph and on important secondary sources such as the performing parts mentioned above, this edition provides scholars and performers alike with unequaled means for interpretation and study of one of Verdi's less well known works. The detailed critical commentary discusses problems and ambiguities in the sources, while a wide-ranging introduction to the score traces the opera's genesis, sources, and performance history and practices.
The critical edition is the first publication of I masnadieri in full score. Based on the composer's autograph and on important secondary sources such as the performing parts mentioned above, this edition provides scholars and performers alike with unequaled means for interpretation and study of one of Verdi's less well known works. The detailed critical commentary discusses problems and ambiguities in the sources, while a wide-ranging introduction to the score traces the opera's genesis, sources, and performance history and practices.
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Nabucodonosor
Dramma lirico in Four Parts by Temistocle Solera
Giuseppe Verdi
University of Chicago Press, 1988
Nabucodonosor, one of the early Verdi operas, is the third work to be published in The Works of Giuseppe Verdi. Following the strict requirements of the series, the edition is based on Verdi's autograph and other authentic sources, and has been reviewed by a distinguished editorial board—Philip Gossett, Julian Budden, Martin Chusid, Francesco Degrada, Ursula Günther, Giorgio Pestelli, and Pierluigi Petrobelli. Nabucodonosor is available as a two-volume set: a full orchestral score and a critical commentary. The score, which has been beautifully bound and autographed, is printed on high-grade paper in an oversized, 10-1/2 x 14-1/2-inch format. The introduction to the score discusses the work's genesis, sources, and performance history as well as performance practices, instrumentation, and problems of notation. The critical commentary, printed in a smaller format, discusses editorial decisions and identifies the sources of alternate readings of the music and libretto.
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Giovanna d'Arco
Dramma lirico in Four Acts by Temistocle Solera
Giuseppe Verdi
University of Chicago Press, 2009
Giovanna d’Arco (Joan of Arc), Verdi’s seventh opera, premiered at La Scala in 1845 to great public success despite sub-par production standards, and modern performances have swept away both audiences and critical reservations when the work is executed with faithfulness to his score. At the heart of this large-scale opera, with its prominent choruses, is the difficult and beautiful part of Joan—simultaneously ethereal soprano and dynamic warrior. The libretto by Temistocle Solera, based in part on Schiller’s play Die Jungfrau von Orleans, omits Joan’s trial for heresy and burning at the stake, ending instead with an offstage battle in which she is mortally wounded leading the French to victory against the English.
This critical edition of Giovanna d’Arco, the first publication in full score, is based on the composer’s autograph score preserved in the archives of Verdi’s publisher, Casa Ricordi. It restores the opera’s original text, which had been heavily censored, and accurately reflects Verdi’s colorful and elaborate musical setting. Editor Alberto Rizzuti’s introduction discusses the opera’s origins, sources, and performance questions, while the critical commentary details editorial problems and solutions.
This critical edition of Giovanna d’Arco, the first publication in full score, is based on the composer’s autograph score preserved in the archives of Verdi’s publisher, Casa Ricordi. It restores the opera’s original text, which had been heavily censored, and accurately reflects Verdi’s colorful and elaborate musical setting. Editor Alberto Rizzuti’s introduction discusses the opera’s origins, sources, and performance questions, while the critical commentary details editorial problems and solutions.
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Messa da Requiem
Critical Edition Study Score
Giuseppe Verdi
University of Chicago Press, 2016
The Works of Giuseppe Verdi is the first critical edition of the composer’s oeuvre. Together with his operas, the series presents his songs, his choral music and sacred pieces, and his string quartet and other instrumental works.
This edition of Messa da Requiem is based on Verdi’s autograph score and other original sources. The appendices include two pieces from the compositional history of the Requiem: an early version of the Libera me, composed in 1869 as part of a collaborative work planned as a memorial to Rossini; and the Liber scriptus, which in the original score of the Manzoni memorial Requiem was composed as a fugue for chorus. The introduction to the score traces the complex compositional and performance histories of the Requiem and discusses the work’s problems of instrumentation and notation, while the critical commentary gives a full description of the sources and an account of all editorial decisions.
This edition of Messa da Requiem is based on Verdi’s autograph score and other original sources. The appendices include two pieces from the compositional history of the Requiem: an early version of the Libera me, composed in 1869 as part of a collaborative work planned as a memorial to Rossini; and the Liber scriptus, which in the original score of the Manzoni memorial Requiem was composed as a fugue for chorus. The introduction to the score traces the complex compositional and performance histories of the Requiem and discusses the work’s problems of instrumentation and notation, while the critical commentary gives a full description of the sources and an account of all editorial decisions.
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Messa da Requiem for the Anniversary of the Death of Manzoni, 22 May 1874
Giuseppe Verdi
University of Chicago Press, 1990
Messa da Requiem is the fourth work to be published in The Works of Giuseppe Verdi. Following the strict requirements of the series, this edition is based on Verdi's autograph and other authentic sources, and has been reviewed by a distinguished editorial board—Philip Gossett (general editor), Julian Budden, Martin Chusid, Francesco Degrada, Ursula Günther, Giorgio Pestelli, and Pierluigi Petrobelli. It is available as a two-volume set: a full orchestral score and a critical commentary. The appendixes include two pieces from the compositional history of the Requiem: an early version of the Libera me, composed in 1869 as part of a collaborative work planned as a memorial to Rossini; and the Liber scriptus, which in the original score of the Manzoni memorial Requiem was composed as a fugue in G minor. The score, which has been beautifully bound and autographed, is printed on high-grade paper in an oversized format. The introduction to the score discusses the work's genesis, instrumentation, and problems of notation. The critical commentary, printed in a smaller format, discusses the editorial decisions and traces the complex compositional history of the Requiem.
[more]
Harlem
The Unmaking of a Ghetto
Camilo José Vergara
University of Chicago Press, 2013
For more than a century, Harlem has been the epicenter of black America, the celebrated heart of African American life and culture—but it has also been a byword for the problems that have long plagued inner-city neighborhoods: poverty, crime, violence, disinvestment, and decay.
Photographer Camilo José Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood’s urban fabric, both the buildings that compose it and the life and culture embedded in them. By repeatedly returning to the same locations over the course of decades, Vergara is able to show us a community that is constantly changing—some areas declining, as longtime businesses give way to empty storefronts, graffiti, and garbage, while other areas gentrify, with corporate chain stores coming in to compete with the mom-and-pops. He also captures the ever-present street life of this densely populated neighborhood, from stoop gatherings to graffiti murals memorializing dead rappers to impersonators honoring Michael Jackson in front of the Apollo, as well as the growth of tourism and racial integration.
Woven throughout the images is Vergara’s own account of his project and his experience of living and working in Harlem. Taken together, his unforgettable words and images tell the story of how Harlem and its residents navigated the segregation, dereliction and slow recovery of the closing years of the twentieth century and the boom and racial integration of the twenty-first century. A deeply personal investigation, Harlem will take its place with the best portrayals of urban life.
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One Hundred and One Poems by Paul Verlaine
A Bilingual Edition
Paul Verlaine
University of Chicago Press, 1999
French poet Paul Verlaine, a major representative of the Symbolist Movement during the latter half of the nineteenth century, was one of the most gifted and prolific poets of his time. Norman Shapiro's superb translations display Verlaine's ability to transform into timeless verse the essence of everyday life and make evident the reasons for his renown in France and throughout the Western world.
"Shapiro's skillfully rhymed formal translations are outstanding." —St. Louis Post-Dispatch "Best Book of 1999"
"Paul Verlaine's rich, stylized, widely-variable oeuvre can now be traced through his thirty years of published volumes, from 1866 to 1896, in a set of luminous new translations by Norman Shapiro. . . . [His] unique translations of this whimsical, agonized music are more than adequate to bring the multifarious Verlaine to a new generation of English speakers." —Genevieve Abravanel, Harvard Review
"Shapiro demonstrates his phenomenal ability to find new rhymes and always follows Verlaine's rhyme schemes." —Carrol F. Coates, ATA Chronicle
"Shapiro's skillfully rhymed formal translations are outstanding." —St. Louis Post-Dispatch "Best Book of 1999"
"Paul Verlaine's rich, stylized, widely-variable oeuvre can now be traced through his thirty years of published volumes, from 1866 to 1896, in a set of luminous new translations by Norman Shapiro. . . . [His] unique translations of this whimsical, agonized music are more than adequate to bring the multifarious Verlaine to a new generation of English speakers." —Genevieve Abravanel, Harvard Review
"Shapiro demonstrates his phenomenal ability to find new rhymes and always follows Verlaine's rhyme schemes." —Carrol F. Coates, ATA Chronicle
[more]
Theater of the Mind
Imagination, Aesthetics, and American Radio Drama
Neil Verma
University of Chicago Press, 2012
For generations, fans and critics have characterized classic American radio drama as a “theater of the mind.” This book unpacks that characterization by recasting the radio play as an aesthetic object within its unique historical context. In Theater of the Mind, Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War.
In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theater on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination.
With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.
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Greece in the Bronze Age
Emily Townsend Vermeule
University of Chicago Press, 1964
From the arrival of the first men in Greece to the fall of the Mycenaean palace-town in the thirteenth century B.C., this work captures the essential qualities of each period of pre-classical civilization: the slow development of the Neolithic culture, the rich and original Early Bronze Age, the fruitful yet tragic encounter between Minoans and Mycenaean Empire. The legacy of Mycenaean religion and art is reviewed, including material found in excavated palaces and their stored wealth of frescoes, carved ivories, silver and gold jewelry, vases, and bronze weapons. The author deals with the invasions of Greece, the growth of a Greek language and some of the problems of Linear B, and the impact of Crete and the East upon the mainstream of Greek development.
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The Greeks
Jean-Pierre Vernant
University of Chicago Press, 1995
What do we mean when we speak of ancient Greeks? A person from the Archaic period? The war hero celebrated by Homer? Or the fourth century "political animal" described by Aristotle? In this book, leading scholars show what it meant to be Greek during the classical period of Greek civilization.
The Greeks offers the most complete portraits available of typical Greek personages from Athens to Sparta, Arcadia, Thessaly and Epirus to the city-states of Asia Minor, to the colonies of the Black Sea, southern Italy, and Sicily. Looking at the citizen, the religious believer, the soldier, the servant, the peasant, and others, they show what—in the Greek relationships with the divine, with nature, with others, and with the self—made him "different" in his ways of acting, thinking, and feeling.
The contributors to this volume are Jean-Pierre Vernant, Claude Mosse, Yvon Garlan, Giuseppe Cambiano, Luciano Canfora, James Redfield, Charles Segal, Oswyn Murray, Mario Vegetti, and Philippe Borgeaud.
The Greeks offers the most complete portraits available of typical Greek personages from Athens to Sparta, Arcadia, Thessaly and Epirus to the city-states of Asia Minor, to the colonies of the Black Sea, southern Italy, and Sicily. Looking at the citizen, the religious believer, the soldier, the servant, the peasant, and others, they show what—in the Greek relationships with the divine, with nature, with others, and with the self—made him "different" in his ways of acting, thinking, and feeling.
The contributors to this volume are Jean-Pierre Vernant, Claude Mosse, Yvon Garlan, Giuseppe Cambiano, Luciano Canfora, James Redfield, Charles Segal, Oswyn Murray, Mario Vegetti, and Philippe Borgeaud.
[more]
A Great and Rising Nation
Naval Exploration and Global Empire in the Early US Republic
Michael A. Verney
University of Chicago Press, 2022
A Great and Rising Nation illuminates the unexplored early decades of the United States’ imperialist naval aspirations.
Conventional wisdom holds that, until the Spanish-American War of 1898, the United States was a feeble player on the world stage, with an international presence rooted in commerce rather than military might. Michael A. Verney’s A Great and Rising Nation flips this notion on its head, arguing that early US naval expeditions, often characterized as merely scientific, were in fact deeply imperialist. Circling the globe from the Mediterranean to South America and the Arctic, these voyages reflected the diverse imperial aspirations of the new republic, including commercial dominance in the Pacific World, religious empire in the Holy Land, proslavery expansion in South America, and diplomatic prestige in Europe. As Verney makes clear, the United States had global imperial aspirations far earlier than is commonly thought.
Conventional wisdom holds that, until the Spanish-American War of 1898, the United States was a feeble player on the world stage, with an international presence rooted in commerce rather than military might. Michael A. Verney’s A Great and Rising Nation flips this notion on its head, arguing that early US naval expeditions, often characterized as merely scientific, were in fact deeply imperialist. Circling the globe from the Mediterranean to South America and the Arctic, these voyages reflected the diverse imperial aspirations of the new republic, including commercial dominance in the Pacific World, religious empire in the Holy Land, proslavery expansion in South America, and diplomatic prestige in Europe. As Verney makes clear, the United States had global imperial aspirations far earlier than is commonly thought.
[more]
A Great and Rising Nation
Naval Exploration and Global Empire in the Early US Republic
Michael A. Verney
University of Chicago Press, 2022
This is an auto-narrated audiobook version of this book.
A Great and Rising Nation illuminates the unexplored early decades of the United States’ imperialist naval aspirations.
Conventional wisdom holds that, until the Spanish-American War of 1898, the United States was a feeble player on the world stage, with an international presence rooted in commerce rather than military might. Michael A. Verney’s A Great and Rising Nation flips this notion on its head, arguing that early US naval expeditions, often characterized as merely scientific, were in fact deeply imperialist. Circling the globe from the Mediterranean to South America and the Arctic, these voyages reflected the diverse imperial aspirations of the new republic, including commercial dominance in the Pacific World, religious empire in the Holy Land, proslavery expansion in South America, and diplomatic prestige in Europe. As Verney makes clear, the United States had global imperial aspirations far earlier than is commonly thought.
A Great and Rising Nation illuminates the unexplored early decades of the United States’ imperialist naval aspirations.
Conventional wisdom holds that, until the Spanish-American War of 1898, the United States was a feeble player on the world stage, with an international presence rooted in commerce rather than military might. Michael A. Verney’s A Great and Rising Nation flips this notion on its head, arguing that early US naval expeditions, often characterized as merely scientific, were in fact deeply imperialist. Circling the globe from the Mediterranean to South America and the Arctic, these voyages reflected the diverse imperial aspirations of the new republic, including commercial dominance in the Pacific World, religious empire in the Holy Land, proslavery expansion in South America, and diplomatic prestige in Europe. As Verney makes clear, the United States had global imperial aspirations far earlier than is commonly thought.
[more]
Science and an African Logic
Helen Verran
University of Chicago Press, 2001
Does 2 + 2 = 4? Ask almost anyone and they will unequivocally answer yes. A basic equation such as this seems the very definition of certainty, but is it?
In this captivating book, Helen Verran addresses precisely that question by looking at how science, mathematics, and logic come to life in Yoruba primary schools. Drawing on her experience as a teacher in Nigeria, Verran describes how she went from the radical conclusion that logic and math are culturally relative, to determining what Westerners find so disconcerting about Yoruba logic, to a new understanding of all generalizing logic. She reveals that in contrast to the one-to-many model found in Western number systems, Yoruba thinking operates by figuring things as wholes and their parts. Quantity is not absolute but always relational. Certainty is derived not from abstract logic, but from cultural practices and associations.
A powerful story of how one woman's investigation in this everday situation led to extraordinary conclusions about the nature of numbers, generalization, and certainty, this book will be a signal contribution to philosophy, anthropology of science, and education.
In this captivating book, Helen Verran addresses precisely that question by looking at how science, mathematics, and logic come to life in Yoruba primary schools. Drawing on her experience as a teacher in Nigeria, Verran describes how she went from the radical conclusion that logic and math are culturally relative, to determining what Westerners find so disconcerting about Yoruba logic, to a new understanding of all generalizing logic. She reveals that in contrast to the one-to-many model found in Western number systems, Yoruba thinking operates by figuring things as wholes and their parts. Quantity is not absolute but always relational. Certainty is derived not from abstract logic, but from cultural practices and associations.
A powerful story of how one woman's investigation in this everday situation led to extraordinary conclusions about the nature of numbers, generalization, and certainty, this book will be a signal contribution to philosophy, anthropology of science, and education.
[more]
Seeing Like a Rover
How Robots, Teams, and Images Craft Knowledge of Mars
Janet Vertesi
University of Chicago Press, 2015
In the years since the Mars Exploration Rover Spirit and Opportunity first began transmitting images from the surface of Mars, we have become familiar with the harsh, rocky, rusty-red Martian landscape. But those images are much less straightforward than they may seem to a layperson: each one is the result of a complicated set of decisions and processes involving the large team behind the Rovers.
With Seeing Like a Rover, Janet Vertesi takes us behind the scenes to reveal the work that goes into creating our knowledge of Mars. Every photograph that the Rovers take, she shows, must be processed, manipulated, and interpreted—and all that comes after team members negotiate with each other about what they should even be taking photographs of in the first place. Vertesi’s account of the inspiringly successful Rover project reveals science in action, a world where digital processing uncovers scientific truths, where images are used to craft consensus, and where team members develop an uncanny intimacy with the sensory apparatus of a robot that is millions of miles away. Ultimately, Vertesi shows, every image taken by the Mars Rovers is not merely a picture of Mars—it’s a portrait of the whole Rover team, as well.
With Seeing Like a Rover, Janet Vertesi takes us behind the scenes to reveal the work that goes into creating our knowledge of Mars. Every photograph that the Rovers take, she shows, must be processed, manipulated, and interpreted—and all that comes after team members negotiate with each other about what they should even be taking photographs of in the first place. Vertesi’s account of the inspiringly successful Rover project reveals science in action, a world where digital processing uncovers scientific truths, where images are used to craft consensus, and where team members develop an uncanny intimacy with the sensory apparatus of a robot that is millions of miles away. Ultimately, Vertesi shows, every image taken by the Mars Rovers is not merely a picture of Mars—it’s a portrait of the whole Rover team, as well.
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Shaping Science
Organizations, Decisions, and Culture on NASA’s Teams
Janet Vertesi
University of Chicago Press, 2020
Drawing on a decade of immersive ethnography with NASA’s robotic spacecraft teams to create a comparative account of two great space missions of the early 2000s, Janet Vertesi uncovers how the social organization of a scientific team affects their scientific practices and results.
In Shaping Science, Janet Vertesi draws on a decade of immersive ethnography with NASA’s robotic spacecraft teams to create a comparative account of two great space missions of the early 2000s. Although these missions featured robotic explorers on the frontiers of the solar system bravely investigating new worlds, their commands were issued from millions of miles away by a very human team. By examining the two teams’ formal structures, decision-making techniques, and informal work practices in the day-to-day process of mission planning, Vertesi shows just how deeply entangled a team’s local organizational context is with the knowledge they produce about other worlds.
Using extensive, embedded experiences on two NASA spacecraft teams, this is the first book to apply organizational studies of work to the laboratory environment in order to analyze the production of scientific knowledge itself. Engaging and deeply researched, Shaping Science demonstrates the significant influence that the social organization of a scientific team can have on the practices of that team and the results they yield.
In Shaping Science, Janet Vertesi draws on a decade of immersive ethnography with NASA’s robotic spacecraft teams to create a comparative account of two great space missions of the early 2000s. Although these missions featured robotic explorers on the frontiers of the solar system bravely investigating new worlds, their commands were issued from millions of miles away by a very human team. By examining the two teams’ formal structures, decision-making techniques, and informal work practices in the day-to-day process of mission planning, Vertesi shows just how deeply entangled a team’s local organizational context is with the knowledge they produce about other worlds.
Using extensive, embedded experiences on two NASA spacecraft teams, this is the first book to apply organizational studies of work to the laboratory environment in order to analyze the production of scientific knowledge itself. Engaging and deeply researched, Shaping Science demonstrates the significant influence that the social organization of a scientific team can have on the practices of that team and the results they yield.
[more]
Palmyra
An Irreplaceable Treasure
Paul Veyne
University of Chicago Press, 2017
Located northeast of Damascus, in an oasis surrounded by palms and two mountain ranges, the ancient city of Palmyra has the aura of myth. According to the Bible, the city was built by Solomon. Regardless of its actual origins, it was an influential city, serving for centuries as a caravan stop for those crossing the Syrian Desert. It became a Roman province under Tiberius and served as the most powerful commercial center in the Middle East between the first and the third centuries CE. But when the citizens of Palmyra tried to break away from Rome, they were defeated, marking the end of the city’s prosperity. The magnificent monuments from that earlier era of wealth, a resplendent blend of Greco-Roman architecture and local influences, stretched over miles and were among the most significant buildings of the ancient world—until the arrival of ISIS. In 2015, ISIS fought to gain control of the area because it was home to a prison where many members of the outlawed Muslim Brotherhood had been held, and ISIS went on to systematically destroy the city and murder many of its inhabitants, including the archaeologist Khaled al-Asaad, the antiquities director of Palmyra.
In this concise and elegiac book, Paul Veyne, one of Palmyra’s most important experts, offers a beautiful and moving look at the history of this significant lost city and why it was—and still is—important. Today, we can appreciate the majesty of Palmyra only through its pictures and stories, and this book offers a beautifully illustrated memorial that also serves as a lasting guide to a cultural treasure.
In this concise and elegiac book, Paul Veyne, one of Palmyra’s most important experts, offers a beautiful and moving look at the history of this significant lost city and why it was—and still is—important. Today, we can appreciate the majesty of Palmyra only through its pictures and stories, and this book offers a beautifully illustrated memorial that also serves as a lasting guide to a cultural treasure.
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Did the Greeks Believe in Their Myths?
An Essay on the Constitutive Imagination
Paul Veyne
University of Chicago Press, 1988
"[Veyne's] present book has some kinship with his sprightly theoretical work Comment on ecrit l'histoire; and he declares that its aim was to provoke reflection on the way our conception of truth is built up and changes over the centuries. . . . The style is brilliant and exhilarating."—Jasper Griffin, Times Literary Supplement
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The Communal Experience
Anarchist and Mystical Communities in Twentieth Century America
Laurence R. Veysey
University of Chicago Press, 1978
The original impulse for groups to separate from society and establish communities of their own was religious. Though the religious side of this drive toward separation remains strong, the last two centuries have seen the appearance of secular communities with a socialist or anarchist orientation. In The Communal Experience, nominated for a National Book Award in 1973, Laurence Veysey explores the close resemblances between the secular and religious forms of cultural radicalism through intensive observation of four little-known communities.
Veysey compares the history of secular communities such as the early Ferrer Colony and Modern School, of Shelton, New Jersey, with contemporary anarchist communities in New York, Vermont, and New Mexico. Religious communes—"Communities of Discipline"—such as the Vedanta monasteries of the early twentieth century are compared with contemporary mystical communities in New Mexico. Distinctions between the anarchist and the mystical groups are most obvious from their approach to communal life. As Veysey shows, anarchist communities are loose, unstructured, voluntaristic; the mystics establish more rigid life-styles, focus on spiritual leaders, and hold community a secondary goal to self-realization. In a new preface written for this Phoenix Edition, he describes his return to a New Mexican mystical community and the changes that have occurred in the six years since his last visit.
Veysey compares the history of secular communities such as the early Ferrer Colony and Modern School, of Shelton, New Jersey, with contemporary anarchist communities in New York, Vermont, and New Mexico. Religious communes—"Communities of Discipline"—such as the Vedanta monasteries of the early twentieth century are compared with contemporary mystical communities in New Mexico. Distinctions between the anarchist and the mystical groups are most obvious from their approach to communal life. As Veysey shows, anarchist communities are loose, unstructured, voluntaristic; the mystics establish more rigid life-styles, focus on spiritual leaders, and hold community a secondary goal to self-realization. In a new preface written for this Phoenix Edition, he describes his return to a New Mexican mystical community and the changes that have occurred in the six years since his last visit.
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The Emergence of the American University
Laurence R. Veysey
University of Chicago Press, 1970
The American university of today is the product of a sudden, mainly unplanned period of development at the close of the nineteenth and the beginning of the twentieth centuries. At that time the university, and with it a recognizably modern style of academic life, emerged to eclipse the older, religiously oriented college. Precedents, formal and informal, were then set which have affected the soul of professor, student, and academic administrator ever since.
What did the men living in this formative period want the American university to become? How did they differ in defining the ideal university? And why did the institution acquire a form that only partially corresponded with these definitions? These are the questions Mr. Veysey seeks to answer.
What did the men living in this formative period want the American university to become? How did they differ in defining the ideal university? And why did the institution acquire a form that only partially corresponded with these definitions? These are the questions Mr. Veysey seeks to answer.
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The Nature and Nurture of Love
From Imprinting to Attachment in Cold War America
Marga Vicedo
University of Chicago Press, 2013
The notion that maternal care and love will determine a child’s emotional well-being and future personality has become ubiquitous. In countless stories and movies we find that the problems of the protagonists—anything from the fear of romantic commitment to serial killing—stem from their troubled relationships with their mothers during childhood. How did we come to hold these views about the determinant power of mother love over an individual’s emotional development? And what does this vision of mother love entail for children and mothers?
In The Nature and Nurture of Love, Marga Vicedo examines scientific views about children’s emotional needs and mother love from World War II until the 1970s, paying particular attention to John Bowlby’s ethological theory of attachment behavior. Vicedo tracks the development of Bowlby’s work as well as the interdisciplinary research that he used to support his theory, including Konrad Lorenz’s studies of imprinting in geese, Harry Harlow’s experiments with monkeys, and Mary Ainsworth’s observations of children and mothers in Uganda and the United States. Vicedo’s historical analysis reveals that important psychoanalysts and animal researchers opposed the project of turning emotions into biological instincts. Despite those substantial criticisms, she argues that attachment theory was paramount in turning mother love into a biological need. This shift introduced a new justification for the prescriptive role of biology in human affairs and had profound—and negative—consequences for mothers and for the valuation of mother love.
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Independent Women
Work and Community for Single Women, 1850-1920
Martha Vicinus
University of Chicago Press, 1985
Martha Vicinus's subject is the middle-class English woman, the first of her sex who could afford to live on her own earnings 'outside heterosexual domesticity or church governance.' She wanted and needed to work. Meticulous, resonant, original, triumphant, Independent Women tells of the efforts and endurance of this Victorian woman; of her courage and the constraints that she rejected, accepted, and created. . . . The independent women are the 'foremothers' of any women today who seeks significant work, emotionally satisfying friendships, and a morally charged freedom."—from the Foreword by Catharine R. Stimpson
"Feminist insight combines with vast research to produce a dramatic narrative. Independent Women chronicles the energetic lives and imaginative communal structures invented by women who 'pioneered new occupations, new living conditions, and new public roles.'"—Lee R. Edwards, Ms.
"Vicinus is to be congratulated for her brave and unflinching portraits of twisted spinsters as well as stolid saints. That she stretches her net up into the '20s and covers the women's suffrage momement is a brilliant stroke, for one may see clearly how it was possible for women to mount such an enormous and successful political campaign."—Jane Marcus, Chicago Tribune Book World
"Vicinus' beautifully written book abounds in rich historical detail and in subtle psychological insights in the character of its protagonists. The author understands the complexities of the interplay between economic and social conditions, cultural values, and the aims and aspirations of individual personalities who act in history. . . . A superb achievement."—Gerda Lerner, Reviews in American History
"Martha Vicinus has with intelligence and energy paved and landscaped the road on which scholars and students of activist women all travel for many years."—Blanche Wiesen Cook, Women's Review of Books
"Independent Women can be read by anyone with an interest in women's history. But for all contemporary women, unconsciously enjoying privileges and freedoms once bought so dearly, this book should be required reading."—Catharine E. Boyd, History
"Feminist insight combines with vast research to produce a dramatic narrative. Independent Women chronicles the energetic lives and imaginative communal structures invented by women who 'pioneered new occupations, new living conditions, and new public roles.'"—Lee R. Edwards, Ms.
"Vicinus is to be congratulated for her brave and unflinching portraits of twisted spinsters as well as stolid saints. That she stretches her net up into the '20s and covers the women's suffrage momement is a brilliant stroke, for one may see clearly how it was possible for women to mount such an enormous and successful political campaign."—Jane Marcus, Chicago Tribune Book World
"Vicinus' beautifully written book abounds in rich historical detail and in subtle psychological insights in the character of its protagonists. The author understands the complexities of the interplay between economic and social conditions, cultural values, and the aims and aspirations of individual personalities who act in history. . . . A superb achievement."—Gerda Lerner, Reviews in American History
"Martha Vicinus has with intelligence and energy paved and landscaped the road on which scholars and students of activist women all travel for many years."—Blanche Wiesen Cook, Women's Review of Books
"Independent Women can be read by anyone with an interest in women's history. But for all contemporary women, unconsciously enjoying privileges and freedoms once bought so dearly, this book should be required reading."—Catharine E. Boyd, History
[more]
Intimate Friends
Women Who Loved Women, 1778-1928
Martha Vicinus
University of Chicago Press, 2004
Intimate Friends offers a fascinating look at the erotic friendships of educated English and American women over a 150-year period, culminating in the 1928 publication of The Well of Loneliness, Radclyffe Hall's scandalous novel of lesbian love. Martha Vicinus explores all-female communities, husband-wife couples, liaisons between younger and older women, female rakes, and mother-daughter affection. Women, she reveals, drew upon a rich religious vocabulary to describe elusive and complex erotic feelings.
Vicinus also considers the nineteenth-century roots of such contemporary issues as homosexual self-hatred, female masculinity, and sadomasochistic desire. Drawing upon diaries, letters, and other archival sources, she brings to life a variety of well known and historically less recognized women, ranging from the predatory Ann Lister, who documented her sexual activities in code; to Mary Benson, the wife of the Archbishop of Canterbury; to the coterie of wealthy Anglo-American lesbians living in Paris.
In vivid and colorful prose, Intimate Friends offers a remarkable picture of women navigating the uncharted territory of same-sex desire.
Vicinus also considers the nineteenth-century roots of such contemporary issues as homosexual self-hatred, female masculinity, and sadomasochistic desire. Drawing upon diaries, letters, and other archival sources, she brings to life a variety of well known and historically less recognized women, ranging from the predatory Ann Lister, who documented her sexual activities in code; to Mary Benson, the wife of the Archbishop of Canterbury; to the coterie of wealthy Anglo-American lesbians living in Paris.
In vivid and colorful prose, Intimate Friends offers a remarkable picture of women navigating the uncharted territory of same-sex desire.
[more]
The Sciences of the Soul
The Early Modern Origins of Psychology
Fernando Vidal
University of Chicago Press, 2011
Fernando Vidal’s trailblazing text on the origins of psychology traces the development of the discipline from its appearance in the late sixteenth century to its redefinition at the end of the seventeenth and its emergence as an institutionalized field in the eighteenth. Originally published in 2011, The Sciences of the Soul continues to be of wide importance in the history and philosophy of psychology, the history of the human sciences more generally, and in the social and intellectual history of eighteenth-century Europe.
[more]
Williwaw
A Novel
Gore Vidal
University of Chicago Press, 2003
A gripping tale of men struggling against nature and themselves, Williwaw was Gore Vidal's first novel, written at nineteen when he was first mate of the U.S. Army freight supply ship stationed in the Aleutian Islands. Here he writes of a ship caught plying the lethal, frigid Arctic waters during storm season. Tensions run high among the edgy crew and uneasy passengers even before the cruel wind that gives the book its title suddenly sweeps down from the mountains. Vividly drawn characters and a compelling murder plot combine to make Williwaw a classic war novel.
[more]
The Queerness of Home
Gender, Sexuality, and the Politics of Domesticity after World War II
Stephen Vider
University of Chicago Press, 2021
Vider uncovers how LGBTQ people reshaped domestic life in the postwar United States.
From the Stonewall riots to the protests of ACT UP, histories of queer and trans politics have almost exclusively centered on public activism. In The Queerness of Home, Stephen Vider turns the focus inward, showing that the intimacy of domestic space has been equally crucial to the history of postwar LGBTQ life.
Beginning in the 1940s, LGBTQ activists looked increasingly to the home as a site of connection, care, and cultural inclusion. They struggled against the conventions of marriage, challenged the gendered codes of everyday labor, reimagined domestic architecture, and contested the racial and class boundaries of kinship and belonging. Retelling LGBTQ history from the inside out, Vider reveals the surprising ways that the home became, and remains, a charged space in battles for social and economic justice, making it clear that LGBTQ people not only realized new forms of community and culture for themselves—they remade the possibilities of home life for everyone.
From the Stonewall riots to the protests of ACT UP, histories of queer and trans politics have almost exclusively centered on public activism. In The Queerness of Home, Stephen Vider turns the focus inward, showing that the intimacy of domestic space has been equally crucial to the history of postwar LGBTQ life.
Beginning in the 1940s, LGBTQ activists looked increasingly to the home as a site of connection, care, and cultural inclusion. They struggled against the conventions of marriage, challenged the gendered codes of everyday labor, reimagined domestic architecture, and contested the racial and class boundaries of kinship and belonging. Retelling LGBTQ history from the inside out, Vider reveals the surprising ways that the home became, and remains, a charged space in battles for social and economic justice, making it clear that LGBTQ people not only realized new forms of community and culture for themselves—they remade the possibilities of home life for everyone.
[more]
The Singer's Needle
An Undisciplined History of Panamá
Ezer Vierba
University of Chicago Press, 2021
The Singer’s Needle offers a bold new approach to the history of twentieth-century Panamá, one that illuminates the nature of power and politics in a small and complex nation. Using novelistic techniques, Vierba explores three crucial episodes in the shaping and erosion of contemporary Panamanian institutions: the establishment of a penal colony on the island of Coiba in 1919, the judicial drama following the murder of President José Antonio Remón Cantera in 1955, and the “disappearance” of a radical priest in 1971. Skillfully blending historical sociology with novelistic narrative and extensive empirical research, and drawing on the works of Michel Foucault among others, Vierba shows the links between power, interpretation, and representation. The result is a book that deftly reshapes conventional methods of historical writing.
[more]
Foundations of High-Energy Astrophysics
Mario Vietri
University of Chicago Press, 2008
Written by one of today’s most highly respected astrophysicists, Foundations of High-Energy Astrophysics is an introduction to the mathematical and physical techniques used in the study of high-energy astrophysics. Here, Mario Vietri approaches the basics of high-energy astrophysics with an emphasis on underlying physical processes as opposed to a more mathematical approach. Alongside more traditional topics, Vietri presents new subjects increasingly considered crucial to understanding high-energy astrophysical sources, including the electrodynamics of cosmic sources, new developments in the theory of standard accretion disks, and the physics of coronae, thick disks, and accretion onto magnetized objects.
The most thorough and engaging survey of high-energy astrophysics available today, Foundations of High-Energy Astrophysics introduces the main physical processes relevant to the field in a rigorous yet accessible way, while paying careful attention to observational issues. Vietri’s book will quickly become a classic text for students and active researchers in astronomy and astrophysics. Those in adjoining fields will also find it a valuable addition to their personal libraries.
The most thorough and engaging survey of high-energy astrophysics available today, Foundations of High-Energy Astrophysics introduces the main physical processes relevant to the field in a rigorous yet accessible way, while paying careful attention to observational issues. Vietri’s book will quickly become a classic text for students and active researchers in astronomy and astrophysics. Those in adjoining fields will also find it a valuable addition to their personal libraries.
[more]
New World Gold
Cultural Anxiety and Monetary Disorder in Early Modern Spain
Elvira Vilches
University of Chicago Press, 2010
The discovery of the New World was initially a cause for celebration. But the vast amounts of gold that Columbus and other explorers claimed from these lands altered Spanish society. The influx of such wealth contributed to the expansion of the Spanish empire, but also it raised doubts and insecurities about the meaning and function of money, the ideals of court and civility, and the structure of commerce and credit. New World Gold shows that, far from being a stabilizing force, the flow of gold from the Americas created anxieties among Spaniards and shaped a host of distinct behaviors, cultural practices, and intellectual pursuits on both sides of the Atlantic.
Elvira Vilches examines economic treatises, stories of travel and conquest, moralist writings, fiction, poetry, and drama to reveal that New World gold ultimately became a problematic source of power that destabilized Spain’s sense of trust, truth, and worth. These cultural anxieties, she argues, rendered the discovery of gold paradoxically disastrous for Spanish society. Combining economic thought, social history, and literary theory in trans-Atlantic contexts, New World Gold unveils the dark side of Spain’s Golden Age.
[more]
Teachers of the People
Political Education in Rousseau, Hegel, Tocqueville, and Mill
Dana Villa
University of Chicago Press, 2017
2016 witnessed an unprecedented shock to political elites in both Europe and America. Populism was on the march, fueled by a substantial ignorance of, or contempt for, the norms, practices, and institutions of liberal democracy. It is not surprising that observers on the left and right have called for renewed efforts at civic education. For liberal democracy to survive, they argue, a form of political education aimed at “the people” is clearly imperative.
In Teachers of the People, Dana Villa takes us back to the moment in history when “the people” first appeared on the stage of modern European politics. That moment—the era just before and after the French Revolution—led many major thinkers to celebrate the dawning of a new epoch. Yet these same thinkers also worried intensely about the people’s seemingly evident lack of political knowledge, experience, and judgment. Focusing on Rousseau, Hegel, Tocqueville, and Mill, Villa shows how reformist and progressive sentiments were often undercut by skepticism concerning the political capacity of ordinary people. They therefore felt that “the people” needed to be restrained, educated, and guided—by laws and institutions and a skilled political elite. The result, Villa argues, was less the taming of democracy’s wilder impulses than a pervasive paternalism culminating in new forms of the tutorial state.
Ironically, it is the reliance upon the distinction between “teachers” and “taught” in the work of these theorists which generates civic passivity and ignorance. And this, in turn, creates conditions favorable to the emergence of an undemocratic and illiberal populism.
In Teachers of the People, Dana Villa takes us back to the moment in history when “the people” first appeared on the stage of modern European politics. That moment—the era just before and after the French Revolution—led many major thinkers to celebrate the dawning of a new epoch. Yet these same thinkers also worried intensely about the people’s seemingly evident lack of political knowledge, experience, and judgment. Focusing on Rousseau, Hegel, Tocqueville, and Mill, Villa shows how reformist and progressive sentiments were often undercut by skepticism concerning the political capacity of ordinary people. They therefore felt that “the people” needed to be restrained, educated, and guided—by laws and institutions and a skilled political elite. The result, Villa argues, was less the taming of democracy’s wilder impulses than a pervasive paternalism culminating in new forms of the tutorial state.
Ironically, it is the reliance upon the distinction between “teachers” and “taught” in the work of these theorists which generates civic passivity and ignorance. And this, in turn, creates conditions favorable to the emergence of an undemocratic and illiberal populism.
[more]
Baroque Personae
Rosario Villari
University of Chicago Press, 1995
The Baroque, which stretched from the end of the sixteenth to the second half of the seventeenth century, is one of the most enigmatic eras in history. In this book, thirteen distinguished scholars develop a portrait of institutions, ideologies, intellectual themes, and social structures as they are reflected in Baroque personae, or characteristic social roles.
Studying the statesman, soldier, financier, secretary, rebel, preacher, missionary, nun, witch, scientist, artist, and bourgeois, the essays depart dramatically from traditional accounts of this era. The statesman, for example, is seen here as the exact opposite of a benevolent man working for the common good; and the soldier is depicted as part of an institution that could be savage and destructive but that also, by the end of the Baroque age, helped shape a more rational relationship with the military and civil society.
The contributors are Rosario Villari, Henry Kamen, Geoffrey Parker, Daniel Dessert, Salvatore S. Nigro, Manuel Morán, José Andrés-Gallego, Adriano Prosperi, Mario Rosa, Brian P. Levack, Paolo Rossi, Giovanni Careri, and James S. Amelang.
Studying the statesman, soldier, financier, secretary, rebel, preacher, missionary, nun, witch, scientist, artist, and bourgeois, the essays depart dramatically from traditional accounts of this era. The statesman, for example, is seen here as the exact opposite of a benevolent man working for the common good; and the soldier is depicted as part of an institution that could be savage and destructive but that also, by the end of the Baroque age, helped shape a more rational relationship with the military and civil society.
The contributors are Rosario Villari, Henry Kamen, Geoffrey Parker, Daniel Dessert, Salvatore S. Nigro, Manuel Morán, José Andrés-Gallego, Adriano Prosperi, Mario Rosa, Brian P. Levack, Paolo Rossi, Giovanni Careri, and James S. Amelang.
[more]
Memoirs of the Life of Henriette-Sylvie de Moliere
A Novel
Madame de Villedieu
University of Chicago Press, 2004
Known as Madame de Villedieu, Marie-Catherine Desjardins (ca. 1640-83) was a prolific writer who played an important role in the evolution of the early modern French novel. One of the earliest women to write for a living, she defied cultural convention by becoming an innovator and appealing to popular tastes through fiction, drama, and poetry.
Memoirs of the Life of Henriette-Sylvie de Molière, a semi autobiographical novel, portrays an enterprising woman who writes the story of her life, a complex tale that runs counter to social expectations and novelistic conventions. A striking work, the story skillfully mixes real events from the author's life with fictional adventures. At a time when few women published, Villedieu's Memoirs is a significant achievement in creating a voice for the early modern woman writer. Produced while the French novel form was still in its infancy, it should be welcomed by any scholar of women's writing or the early development of the novel.
Memoirs of the Life of Henriette-Sylvie de Molière, a semi autobiographical novel, portrays an enterprising woman who writes the story of her life, a complex tale that runs counter to social expectations and novelistic conventions. A striking work, the story skillfully mixes real events from the author's life with fictional adventures. At a time when few women published, Villedieu's Memoirs is a significant achievement in creating a voice for the early modern woman writer. Produced while the French novel form was still in its infancy, it should be welcomed by any scholar of women's writing or the early development of the novel.
[more]
After Pomp and Circumstance
High School Reunion as an Autobiographical Occasion
Vered Vinitzky-Seroussi
University of Chicago Press, 1998
Menacing, nerve-racking, uncomfortably intrusive, the high school reunion has become a dreaded encounter with past and present for many Americans. It is a moment of both heightened self-awareness and public presentation, insisting that we account for ourselves, not merely to our own satisfaction, but to the satisfaction of others as well. For sociologist Vinitzky-Seroussi, the high school reunion presents an ideal forum in which to explore the ongoing construction of identity in American society, and, perhaps, to ascertain just how we have managed to make sense of our lives, from then to now.
As autobiographical occasions, reunions prompt us to examine our own life narratives, the stories we tell ourselves about who we are and how we have come to be that person. But at the same time, they can threaten the integrity of those very stories, subjecting them to the scrutiny of others whose memories of the past and ourselves may be altogether different from our own. Reunions, then, engender a fragile community held together by the resources of a shared past, yet imperiled by the tensions of competing histories. Inevitably—for both those who attend and those who choose not to—the reunion forces a kind of biographical confrontation, an unavoidable and often pivotal engagement between a carefully constructed personal identity and the socially prevalent standards of success and accomplishment.
Though many see in today's culture the gradual demise of personal identity, Vinitzky-Seroussi's carefully researched study reveals something quite different— After Pomp and Circumstance explores a struggle we all experience: the desire to resolve the tension between public conceptions and internal understandings, to maintain a sense of continuity between past and present lives, and to lay claim to both an integrated self and a unified life history.
As autobiographical occasions, reunions prompt us to examine our own life narratives, the stories we tell ourselves about who we are and how we have come to be that person. But at the same time, they can threaten the integrity of those very stories, subjecting them to the scrutiny of others whose memories of the past and ourselves may be altogether different from our own. Reunions, then, engender a fragile community held together by the resources of a shared past, yet imperiled by the tensions of competing histories. Inevitably—for both those who attend and those who choose not to—the reunion forces a kind of biographical confrontation, an unavoidable and often pivotal engagement between a carefully constructed personal identity and the socially prevalent standards of success and accomplishment.
Though many see in today's culture the gradual demise of personal identity, Vinitzky-Seroussi's carefully researched study reveals something quite different— After Pomp and Circumstance explores a struggle we all experience: the desire to resolve the tension between public conceptions and internal understandings, to maintain a sense of continuity between past and present lives, and to lay claim to both an integrated self and a unified life history.
[more]
The Birth of Head Start
Preschool Education Policies in the Kennedy and Johnson Administrations
Maris A. Vinovskis
University of Chicago Press, 2005
One of the most popular and enduring legacies of President Lyndon B. Johnson's Great Society programs, Project Head Start continues to support young children of low-income families-close to one million annually-by providing a range of developmental and educational services. Yet as Head Start reaches its fortieth anniversary, debates over the function and scope of this federal program persist. Although the program's importance is unquestioned across party lines, the direction of its future—whether toward a greater focus on school readiness and literacy or the continuation of a holistic approach-remains a point of contention.
Policymakers proposing to reform Head Start often invoke its origins to justify their position, but until now no comprehensive political history of the program has existed. Maris A. Vinovskis here provides an in-depth look at the nation's largest and best known—yet politically challenged—early education program. The Birth of Head Start sets the record straight on the program's intended aims, documenting key decisions made during its formative years. While previous accounts of Head Start have neglected the contributions of important participants such as federal education officials and members of Congress, Vinovskis's history is the first to consider the relationship between politics and policymaking and how this interaction has shaped the program. This thorough and incisive book will be essential for policymakers and legislators interested in prekindergarten education and will inform future discussions on early intervention services for disadvantaged children.
Policymakers proposing to reform Head Start often invoke its origins to justify their position, but until now no comprehensive political history of the program has existed. Maris A. Vinovskis here provides an in-depth look at the nation's largest and best known—yet politically challenged—early education program. The Birth of Head Start sets the record straight on the program's intended aims, documenting key decisions made during its formative years. While previous accounts of Head Start have neglected the contributions of important participants such as federal education officials and members of Congress, Vinovskis's history is the first to consider the relationship between politics and policymaking and how this interaction has shaped the program. This thorough and incisive book will be essential for policymakers and legislators interested in prekindergarten education and will inform future discussions on early intervention services for disadvantaged children.
[more]
Apocalypse of Truth
Heideggerian Meditations
Jean Vioulac
University of Chicago Press, 2021
We inhabit a time of crisis—totalitarianism, environmental collapse, and the unquestioned rule of neoliberal capitalism. Philosopher Jean Vioulac is invested in and worried by all of this, but his main concern lies with how these phenomena all represent a crisis within—and a threat to—thinking itself.
In his first book to be translated into English, Vioulac radicalizes Heidegger’s understanding of truth as disclosure through the notion of truth as apocalypse. This “apocalypse of truth” works as an unveiling that reveals both the finitude and mystery of truth, allowing a full confrontation with truth-as-absence. Engaging with Heidegger, Marx, and St. Paul, as well as contemporary figures including Giorgio Agamben, Alain Badiou, and Slavoj Žižek, Vioulac’s book presents a subtle, masterful exposition of his analysis before culminating in a powerful vision of “the abyss of the deity.” Here, Vioulac articulates a portrait of Christianity as a religion of mourning, waiting for a god who has already passed by, a form of ever-present eschatology whose end has always already taken place. With a preface by Jean-Luc Marion, Apocalypse of Truth presents a major contemporary French thinker to English-speaking audiences for the first time.
In his first book to be translated into English, Vioulac radicalizes Heidegger’s understanding of truth as disclosure through the notion of truth as apocalypse. This “apocalypse of truth” works as an unveiling that reveals both the finitude and mystery of truth, allowing a full confrontation with truth-as-absence. Engaging with Heidegger, Marx, and St. Paul, as well as contemporary figures including Giorgio Agamben, Alain Badiou, and Slavoj Žižek, Vioulac’s book presents a subtle, masterful exposition of his analysis before culminating in a powerful vision of “the abyss of the deity.” Here, Vioulac articulates a portrait of Christianity as a religion of mourning, waiting for a god who has already passed by, a form of ever-present eschatology whose end has always already taken place. With a preface by Jean-Luc Marion, Apocalypse of Truth presents a major contemporary French thinker to English-speaking audiences for the first time.
[more]
Hearing Happiness
Deafness Cures in History
Jaipreet Virdi
University of Chicago Press, 2020
Weaving together lyrical history and personal memoir, Virdi powerfully examines society’s—and her own—perception of life as a deaf person in America.
At the age of four, Jaipreet Virdi’s world went silent. A severe case of meningitis left her alive but deaf, suddenly treated differently by everyone. Her deafness downplayed by society and doctors, she struggled to “pass” as hearing for most of her life. Countless cures, treatments, and technologies led to dead ends. Never quite deaf enough for the Deaf community or quite hearing enough for the “normal” majority, Virdi was stuck in aural limbo for years. It wasn’t until her thirties, exasperated by problems with new digital hearing aids, that she began to actively assert her deafness and reexamine society’s—and her own—perception of life as a deaf person in America.
Through lyrical history and personal memoir, Hearing Happiness raises pivotal questions about deafness in American society and the endless quest for a cure. Taking us from the 1860s up to the present, Virdi combs archives and museums in order to understand the long history of curious cures: ear trumpets, violet ray apparatuses, vibrating massagers, electrotherapy machines, airplane diving, bloodletting, skull hammering, and many more. Hundreds of procedures and products have promised grand miracles but always failed to deliver a universal cure—a harmful legacy that is still present in contemporary biomedicine.
Weaving Virdi’s own experiences together with her exploration into the fascinating history of deafness cures, Hearing Happiness is a powerful story that America needs to hear.
At the age of four, Jaipreet Virdi’s world went silent. A severe case of meningitis left her alive but deaf, suddenly treated differently by everyone. Her deafness downplayed by society and doctors, she struggled to “pass” as hearing for most of her life. Countless cures, treatments, and technologies led to dead ends. Never quite deaf enough for the Deaf community or quite hearing enough for the “normal” majority, Virdi was stuck in aural limbo for years. It wasn’t until her thirties, exasperated by problems with new digital hearing aids, that she began to actively assert her deafness and reexamine society’s—and her own—perception of life as a deaf person in America.
Through lyrical history and personal memoir, Hearing Happiness raises pivotal questions about deafness in American society and the endless quest for a cure. Taking us from the 1860s up to the present, Virdi combs archives and museums in order to understand the long history of curious cures: ear trumpets, violet ray apparatuses, vibrating massagers, electrotherapy machines, airplane diving, bloodletting, skull hammering, and many more. Hundreds of procedures and products have promised grand miracles but always failed to deliver a universal cure—a harmful legacy that is still present in contemporary biomedicine.
Weaving Virdi’s own experiences together with her exploration into the fascinating history of deafness cures, Hearing Happiness is a powerful story that America needs to hear.
[more]
Hearing Happiness
Deafness Cures in History
Jaipreet Virdi
University of Chicago Press, 2020
This is an auto-narrated audiobook edition of this book.
Weaving together lyrical history and personal memoir, Virdi powerfully examines society’s—and her own—perception of life as a deaf person in America.
At the age of four, Jaipreet Virdi’s world went silent. A severe case of meningitis left her alive but deaf, suddenly treated differently by everyone. Her deafness downplayed by society and doctors, she struggled to “pass” as hearing for most of her life. Countless cures, treatments, and technologies led to dead ends. Never quite deaf enough for the Deaf community or quite hearing enough for the “normal” majority, Virdi was stuck in aural limbo for years. It wasn’t until her thirties, exasperated by problems with new digital hearing aids, that she began to actively assert her deafness and reexamine society’s—and her own—perception of life as a deaf person in America.
Through lyrical history and personal memoir, Hearing Happiness raises pivotal questions about deafness in American society and the endless quest for a cure. Taking us from the 1860s up to the present, Virdi combs archives and museums in order to understand the long history of curious cures: ear trumpets, violet ray apparatuses, vibrating massagers, electrotherapy machines, airplane diving, bloodletting, skull hammering, and many more. Hundreds of procedures and products have promised grand miracles but always failed to deliver a universal cure—a harmful legacy that is still present in contemporary biomedicine.
Weaving Virdi’s own experiences together with her exploration into the fascinating history of deafness cures, Hearing Happiness is a powerful story that America needs to hear.
[more]
The Aeneid
David Virgil
University of Chicago Press, 2017
This volume represents the most ambitious project of distinguished poet David Ferry’s life: a complete translation of Virgil’s Aeneid. Ferry has long been known as the foremost contemporary translator of Latin poetry, and his translations of Virgil’s Eclogues and Georgics have become standards. He brings to the Aeneid the same genius, rendering Virgil’s formal, metrical lines into an English that is familiar, all while surrendering none of the poem’s original feel of the ancient world. In Ferry’s hands, the Aeneid becomes once more a lively, dramatic poem of daring and adventure, of love and loss, devotion and death.
The paperback and e-book editions include a new introduction by Richard F. Thomas, along with a new glossary of names that makes the book even more accessible for students and for general readers coming to the Aeneid for the first time who may need help acclimating to Virgil’s world.
The paperback and e-book editions include a new introduction by Richard F. Thomas, along with a new glossary of names that makes the book even more accessible for students and for general readers coming to the Aeneid for the first time who may need help acclimating to Virgil’s world.
[more]
Smoke-Filled Rooms
A Postmortem on the Tobacco Deal
W. Kip Viscusi
University of Chicago Press, 2002
The 1998 out-of-court settlements of litigation by the states against the cigarette industry totaled $243 billion, making it the largest payoff ever in our civil justice system. Two key questions drove the lawsuits and the attendant settlement: Do smokers understand the risks of smoking? And does smoking impose net financial costs on the states?
With Smoke-Filled Rooms,W. Kip Viscusi provides unexpected answers to these questions, drawing on an impressive range of data on several topics central to the smoking policy debate. Based on surveys of smokers in the United States and Spain, for instance, he demonstrates that smokers actually overestimate the dangers of smoking, indicating that they are well aware of the risks involved in their choice to smoke. And while smoking does increase medical costs to the states, Viscusi finds that these costs are more than financially balanced by the premature mortality of smokers, which reduces their demands on state pension and health programs, so that, on average, smoking either pays for itself or generates revenues for the states.
Viscusi's eye-opening assessment of the tobacco lawsuits also includes policy recommendations that could frame these debates in a more productive way, such as his suggestion that the FDA should develop a rating system for cigarettes and other tobacco products based on their relative safety, thus providing an incentive for tobacco manufacturers to compete among themselves to produce safer cigarettes. Viscusi's hard look at the facts of smoking and its costs runs against conventional thinking. But it is also necessary for an informed and realistic debate about the legal, financial, and social consequences of the tobacco lawsuits.
People making $50,000 or more pay .08 percent of their income in cigarette taxes, but people with incomes of less than $10,000 pay 1.62 percenttwenty times as much. The maintenance crew at the Capitol will bear more of the "sin tax" levied on cigarettes than will members of Congress who voted to boost it.
Cigarettes are not a financial drain to the U.S. In fact, they are self-financing, as a consequence of smokers' premature mortality.
The general public estimates that 47 out of 100 smokers will die from lung cancer because they smoke. Smokers believe that 40 out of 100 will die of the disease. Scientists estimate the actual number of 100 smokers who will die from lung cancer to be between 7 and 13.
With Smoke-Filled Rooms,W. Kip Viscusi provides unexpected answers to these questions, drawing on an impressive range of data on several topics central to the smoking policy debate. Based on surveys of smokers in the United States and Spain, for instance, he demonstrates that smokers actually overestimate the dangers of smoking, indicating that they are well aware of the risks involved in their choice to smoke. And while smoking does increase medical costs to the states, Viscusi finds that these costs are more than financially balanced by the premature mortality of smokers, which reduces their demands on state pension and health programs, so that, on average, smoking either pays for itself or generates revenues for the states.
Viscusi's eye-opening assessment of the tobacco lawsuits also includes policy recommendations that could frame these debates in a more productive way, such as his suggestion that the FDA should develop a rating system for cigarettes and other tobacco products based on their relative safety, thus providing an incentive for tobacco manufacturers to compete among themselves to produce safer cigarettes. Viscusi's hard look at the facts of smoking and its costs runs against conventional thinking. But it is also necessary for an informed and realistic debate about the legal, financial, and social consequences of the tobacco lawsuits.
People making $50,000 or more pay .08 percent of their income in cigarette taxes, but people with incomes of less than $10,000 pay 1.62 percenttwenty times as much. The maintenance crew at the Capitol will bear more of the "sin tax" levied on cigarettes than will members of Congress who voted to boost it.
Cigarettes are not a financial drain to the U.S. In fact, they are self-financing, as a consequence of smokers' premature mortality.
The general public estimates that 47 out of 100 smokers will die from lung cancer because they smoke. Smokers believe that 40 out of 100 will die of the disease. Scientists estimate the actual number of 100 smokers who will die from lung cancer to be between 7 and 13.
[more]
Pushkin's Button
Serena Vitale
University of Chicago Press, 2000
Pushkin's Button recreates the four months of Pushkin's life leading up to the fatal duel in the snow on January 27, 1837. Many theories have been advanced about the death of one of Russia's greatest artists, none of them wholly satisfactory. Serena Vitale has opened the archives and studies the case more closely, and more imaginatively, than anyone before her. Her brilliant detective work unearths fascinating, revealing details, including a button missing from Pushkin's Kamerjunker uniform.
"Pushkin's Button will keep all constituencies of reader fastened to their seats, as they watch Petersburg's lofty denizens leave no moment of the hurtling Pushkin scandal unrecorded or not speculated on."—Monika Greenleaf,Los Angeles Times
"[A] deliciously entertaining whydunit, a book in which every page seduces with a riddle. . . . Vivacious, seductive, original."—Michael Dirda, Washington Post
"A delightful combination of retrograde pleasures (court balls, the demise of a doomed genius) and primary sources. . . . Illuminating."—Richard Lamb, New York Times Book Review
"A book almost impossible to put down."—George Steiner, New Yorker
"Pushkin's Button will keep all constituencies of reader fastened to their seats, as they watch Petersburg's lofty denizens leave no moment of the hurtling Pushkin scandal unrecorded or not speculated on."—Monika Greenleaf,Los Angeles Times
"[A] deliciously entertaining whydunit, a book in which every page seduces with a riddle. . . . Vivacious, seductive, original."—Michael Dirda, Washington Post
"A delightful combination of retrograde pleasures (court balls, the demise of a doomed genius) and primary sources. . . . Illuminating."—Richard Lamb, New York Times Book Review
"A book almost impossible to put down."—George Steiner, New Yorker
[more]
Living without the Dead
Loss and Redemption in a Jungle Cosmos
Piers Vitebsky
University of Chicago Press, 2017
Just one generation ago, the Sora tribe in India lived in a world populated by the spirits of their dead, who spoke to them through shamans in trance. Every day, they negotiated their wellbeing in heated arguments or in quiet reflections on their feelings of love, anger, and guilt.
Today, young Sora are rejecting the worldview of their ancestors and switching their allegiance to warring sects of fundamentalist Christianity or Hinduism. Communion with ancestors is banned as sacred sites are demolished, female shamans are replaced by male priests, and debate with the dead gives way to prayer to gods. For some, this shift means liberation from jungle spirits through literacy, employment, and democratic politics; others despair for fear of being forgotten after death.
How can a society abandon one understanding of reality so suddenly and see the world in a totally different way? Over forty years, anthropologist Piers Vitebsky has shared the lives of shamans, pastors, ancestors, gods, policemen, missionaries, and alphabet worshippers, seeking explanations from social theory, psychoanalysis, and theology. Living without the Dead lays bare today’s crisis of indigenous religions and shows how historical reform can bring new fulfillments—but also new torments and uncertainties.
Vitebsky explores the loss of the Sora tradition as one for greater humanity: just as we have been losing our wildernesses, so we have been losing a diverse range of cultural and spiritual possibilities, tribe by tribe. From the award-winning author of The Reindeer People, this is a heartbreaking story of cultural change and the extinction of an irreplaceable world, even while new religious forms come into being to take its place.
Today, young Sora are rejecting the worldview of their ancestors and switching their allegiance to warring sects of fundamentalist Christianity or Hinduism. Communion with ancestors is banned as sacred sites are demolished, female shamans are replaced by male priests, and debate with the dead gives way to prayer to gods. For some, this shift means liberation from jungle spirits through literacy, employment, and democratic politics; others despair for fear of being forgotten after death.
How can a society abandon one understanding of reality so suddenly and see the world in a totally different way? Over forty years, anthropologist Piers Vitebsky has shared the lives of shamans, pastors, ancestors, gods, policemen, missionaries, and alphabet worshippers, seeking explanations from social theory, psychoanalysis, and theology. Living without the Dead lays bare today’s crisis of indigenous religions and shows how historical reform can bring new fulfillments—but also new torments and uncertainties.
Vitebsky explores the loss of the Sora tradition as one for greater humanity: just as we have been losing our wildernesses, so we have been losing a diverse range of cultural and spiritual possibilities, tribe by tribe. From the award-winning author of The Reindeer People, this is a heartbreaking story of cultural change and the extinction of an irreplaceable world, even while new religious forms come into being to take its place.
[more]
The Libertine's Friend
Homosexuality and Masculinity in Late Imperial China
Giovanni Vitiello
University of Chicago Press, 2011
Delving into three hundred years of Chinese literature, from the mid-sixteenth century to the mid-nineteenth, The Libertine’s Friend uncovers the complex and fascinating history of male homosexual and homosocial relations in the late imperial era. Drawing particularly on overlooked works of pornographic fiction, Giovanni Vitiello offers a frank exploration of the importance of same-sex love and eroticism to the evolution of masculinity in China.
Vitiello’s story unfolds chronologically, beginning with the earliest sources on homoeroticism in pre-imperial China and concluding with a look at developments in the twentieth century. Along the way, he identifies a number of recurring characters—for example, the libertine scholar, the chivalric hero, and the lustful monk—and sheds light on a set of key issues, including the social and legal boundaries that regulated sex between men, the rise of male prostitution, and the aesthetics of male beauty. Drawing on this trove of material, Vitiello presents a historical outline of changing notions of male homosexuality in China, revealing the integral part that same-sex desire has played in its culture.
[more]
From the Enemy's Point of View
Humanity and Divinity in an Amazonian Society
Eduardo Viveiros de Castro
University of Chicago Press, 1992
The Araweté are one of the few Amazonian peoples who have maintained their cultural integrity in the face of the destructive forces of European imperialism. In this landmark study, anthropologist Eduardo Viveiros de Castro explains this phenomenon in terms of Araweté social cosmology and ritual order. His analysis of the social and religious life of the Araweté—a Tupi-Guarani people of Eastern Amazonia—focuses on their concepts of personhood, death, and divinity.
Building upon ethnographic description and interpretation, Viveiros de Castro addresses the central aspect of the Arawete's concept of divinity—consumption—showing how its cannibalistic expression differs radically from traditional representations of other Amazonian societies. He situates the Araweté in contemporary anthropology as a people whose vision of the world is complex, tragic, and dynamic, and whose society commands our attention for its extraordinary openness to exteriority and transformation. For the Araweté the person is always in transition, an outlook expressed in the mythology of their gods, whose cannibalistic ways they imitate. From the Enemy's Point of View argues that current concepts of society as a discrete, bounded entity which maintains a difference between "interior" and "exterior" are wholly inappropriate in this and in many other Amazonian societies.
Building upon ethnographic description and interpretation, Viveiros de Castro addresses the central aspect of the Arawete's concept of divinity—consumption—showing how its cannibalistic expression differs radically from traditional representations of other Amazonian societies. He situates the Araweté in contemporary anthropology as a people whose vision of the world is complex, tragic, and dynamic, and whose society commands our attention for its extraordinary openness to exteriority and transformation. For the Araweté the person is always in transition, an outlook expressed in the mythology of their gods, whose cannibalistic ways they imitate. From the Enemy's Point of View argues that current concepts of society as a discrete, bounded entity which maintains a difference between "interior" and "exterior" are wholly inappropriate in this and in many other Amazonian societies.
[more]
The Education of a Christian Woman
A Sixteenth-Century Manual
Juan Luis Vives
University of Chicago Press, 2000
"From meetings and conversation with men, love affairs arise. In the midst of pleasures, banquets, dances, laughter, and self-indulgence, Venus and her son Cupid reign supreme. . . . Poor young girl, if you emerge from these encounters a captive prey! How much better it would have been to remain at home or to have broken a leg of the body rather than of the mind!" So wrote the sixteenth-century Spanish humanist Juan Luis Vives in a famous work dedicated to Henry VIII's daughter, Princess Mary, but intended for a wider audience interested in the education of women.
Praised by Erasmus and Thomas More, Vives advocated education for all women, regardless of social class and ability. From childhood through adolescence to marriage and widowhood, this manual offers practical advice as well as philosophical meditation and was recognized soon after publication in 1524 as the most authoritative pronouncement on the universal education of women. Arguing that women were intellectually equal if not superior to men, Vives stressed intellectual companionship in marriage over procreation, and moved beyond the private sphere to show how women's progress was essential for the good of society and state.
Praised by Erasmus and Thomas More, Vives advocated education for all women, regardless of social class and ability. From childhood through adolescence to marriage and widowhood, this manual offers practical advice as well as philosophical meditation and was recognized soon after publication in 1524 as the most authoritative pronouncement on the universal education of women. Arguing that women were intellectually equal if not superior to men, Vives stressed intellectual companionship in marriage over procreation, and moved beyond the private sphere to show how women's progress was essential for the good of society and state.
[more]
Stephen Vizinczey
University of Chicago Press
"Gathered here is a selection of the essays [of] the distinguished Hungarian born novelist Stephen Vizinczey. . . . Taken together they have a weight and amplitude of a very high order. . . . What is most impressive about these essays (apart from their range and erudition) is the way that literature and life are so subtly intertwined with each other. The passion for the one is the passion for the other. As it ought to be in criticism, but seldom is."—Mark Le Fanu, The Times (London)
"If a critic's job is to puncture pomposity, deflate over-hyped reputations and ferret out true value, then Vizinczey is master of the art."—Publishers Weekly
"Stephen Vizinczey comes on like a pistol-packing stranger here to root out corruption and remind us of our ideals. He carries the role off with inspired gusto. His boldness and pugnacity are bracing and can be very funny."—Ray Sawhill, Newsweek
"Every piece in the book is good, and many are so good that, after dipping into the middle, I stayed up half of the night, reading with growing amazement and admiration."—Bruce Bebb, Los Angeles Reader
"If a critic's job is to puncture pomposity, deflate over-hyped reputations and ferret out true value, then Vizinczey is master of the art."—Publishers Weekly
"Stephen Vizinczey comes on like a pistol-packing stranger here to root out corruption and remind us of our ideals. He carries the role off with inspired gusto. His boldness and pugnacity are bracing and can be very funny."—Ray Sawhill, Newsweek
"Every piece in the book is good, and many are so good that, after dipping into the middle, I stayed up half of the night, reading with growing amazement and admiration."—Bruce Bebb, Los Angeles Reader
[more]
Stephen Vizinczey
University of Chicago Press
"A cool, comic survey of the sexual education of a young Hungarian, from his first encounter, as a twelve-year-old refugee with the American forces, to his unsatisfactory liaison with a reporter's wife in Canada at the belated end of his youth, when he was twenty-three . . . elegantly erotic, with masses of that indefinable quality, style . . . this has the real stuff of immortality."—B. A. Young, Punch
"A pleasure. Vizinczey writes of women beautifully, with sympathy, tact and delight, and he writes about sex with more lucidity and grace than most writers ever acquire."—Larry McMurtry, Houston Post
"Like James Joyce, who was as far from being a writer of erotica as Dostoevsky, Vizinczey has a refreshing message to deliver: Life is not about sex, sex is about life."—John Podhoretz, Washington Times
"The gracefully written story of a young man growing up among older women . . . although some passages may well arouse the reader, this novel brims with what the courts have termed "redeeming literary merit."—Clarence Petersen, Chicago Tribune
"A funny novel about sex, or rather (which is rarer) a novel which is funny as well as touching about sex . . . elegant, exact and melodious—has style, presence and individuality."—Isabel Quigly, Sunday Telegraph
"The delicious adventures of a young Casanova who appreciates maturity while acquiring it himself. In turn naive, sophisticated, arrogant, disarming, the narrator woos his women and his tale wins the reader."—Polly Devlin, Vogue
"A pleasure. Vizinczey writes of women beautifully, with sympathy, tact and delight, and he writes about sex with more lucidity and grace than most writers ever acquire."—Larry McMurtry, Houston Post
"Like James Joyce, who was as far from being a writer of erotica as Dostoevsky, Vizinczey has a refreshing message to deliver: Life is not about sex, sex is about life."—John Podhoretz, Washington Times
"The gracefully written story of a young man growing up among older women . . . although some passages may well arouse the reader, this novel brims with what the courts have termed "redeeming literary merit."—Clarence Petersen, Chicago Tribune
"A funny novel about sex, or rather (which is rarer) a novel which is funny as well as touching about sex . . . elegant, exact and melodious—has style, presence and individuality."—Isabel Quigly, Sunday Telegraph
"The delicious adventures of a young Casanova who appreciates maturity while acquiring it himself. In turn naive, sophisticated, arrogant, disarming, the narrator woos his women and his tale wins the reader."—Polly Devlin, Vogue
[more]
Stephen Vizinczey
University of Chicago Press
"Brilliantly inventive, written with great flair and shows a deliciously comic and ironic sense of American realities."—Alfred Kazin
"The virtues of [Vizinczey's] style are those he finds in Hungarian poetry: the moody ferocity of a locked-up beast, and also a classic clarity and complete lack of self-indulgence."—Thomas D'Evelyn, Christian Science Monitor
"Shows where the true values lie—not in wealth or the rule of law but in that as yet inviolate sector where a man and woman make love. . . . I was entertained but also deeply moved: here is a novel set bang in the middle of our decadent, polluted, corrupt world that, in some curious way, breathes a kind of desperate hope."—Anthony Burgess, Punch (London)
"Bravo!"—Graham Greene
"The virtues of [Vizinczey's] style are those he finds in Hungarian poetry: the moody ferocity of a locked-up beast, and also a classic clarity and complete lack of self-indulgence."—Thomas D'Evelyn, Christian Science Monitor
"Shows where the true values lie—not in wealth or the rule of law but in that as yet inviolate sector where a man and woman make love. . . . I was entertained but also deeply moved: here is a novel set bang in the middle of our decadent, polluted, corrupt world that, in some curious way, breathes a kind of desperate hope."—Anthony Burgess, Punch (London)
"Bravo!"—Graham Greene
[more]
The New Science of Politics
An Introduction
Eric Voegelin
University of Chicago Press, 1987
"Thirty-five years ago few could have predicted that The New Science of Politics would be a best-seller by political theory standards. Compressed within the Draconian economy of the six Walgreen lectures is a complete theory of man, society, and history, presented at the most profound and intellectual level. . . . Voegelin's [work] stands out in bold relief from much of what has passed under the name of political science in recent decades. . . . The New Science is aptly titled, for Voegelin makes clear at the outset that a 'return to the specific content' of premodern political theory is out of the question. . . . The subtitle of the book, An Introduction, clearly indicates that The New Science of Politics is an invitation to join the search for the recovery of our full humanity."—From the new Foreword by Dante Germino
"This book must be considered one of the most enlightening essays on the character of European politics that has appeared in half a century. . . . This is a book powerful and vivid enough to make agreement or disagreement with even its main thesis relatively unimportant."—Times Literary Supplement
"Voegelin . . . is one of the most distinguished interpreters to Americans of the non-liberal streams of European thought. . . . He brings a remarkable breadth of knowledge, and a historical imagination that ranges frequently into brilliant insights and generalizations."—Francis G. Wilson, American Political Science Review
"This book is beautifully constructed . . . his erudition constantly brings a startling illumination."—Martin Wright, International Affairs
"A ledestar to thinking men who seek a restoration of political science on the classic and Christian basis . . . a significant accomplishment in the retheorization of our age."—Anthony Harrigan, Christian Century
"This book must be considered one of the most enlightening essays on the character of European politics that has appeared in half a century. . . . This is a book powerful and vivid enough to make agreement or disagreement with even its main thesis relatively unimportant."—Times Literary Supplement
"Voegelin . . . is one of the most distinguished interpreters to Americans of the non-liberal streams of European thought. . . . He brings a remarkable breadth of knowledge, and a historical imagination that ranges frequently into brilliant insights and generalizations."—Francis G. Wilson, American Political Science Review
"This book is beautifully constructed . . . his erudition constantly brings a startling illumination."—Martin Wright, International Affairs
"A ledestar to thinking men who seek a restoration of political science on the classic and Christian basis . . . a significant accomplishment in the retheorization of our age."—Anthony Harrigan, Christian Century
[more]
The Ethnobotany of Eden
Rethinking the Jungle Medicine Narrative
Robert A. Voeks
University of Chicago Press, 2018
In the mysterious and pristine forests of the tropics, a wealth of ethnobotanical panaceas and shamanic knowledge promises cures for everything from cancer and AIDS to the common cold. To access such miracles, we need only to discover and protect these medicinal treasures before they succumb to the corrosive forces of the modern world. A compelling biocultural story, certainly, and a popular perspective on the lands and peoples of equatorial latitudes—but true? Only in part. In The Ethnobotany of Eden, geographer Robert A. Voeks unravels the long lianas of history and occasional strands of truth that gave rise to this irresistible jungle medicine narrative.
By exploring the interconnected worlds of anthropology, botany, and geography, Voeks shows that well-intentioned scientists and environmentalists originally crafted the jungle narrative with the primary goal of saving the world’s tropical rainforests from destruction. It was a strategy deployed to address a pressing environmental problem, one that appeared at a propitious point in history just as the Western world was taking a more globalized view of environmental issues. And yet, although supported by science and its practitioners, the story was also underpinned by a persuasive mix of myth, sentimentality, and nostalgia for a long-lost tropical Eden. Resurrecting the fascinating history of plant prospecting in the tropics, from the colonial era to the present day, The Ethnobotany of Eden rewrites with modern science the degradation narrative we’ve built up around tropical forests, revealing the entangled origins of our fables of forest cures.
By exploring the interconnected worlds of anthropology, botany, and geography, Voeks shows that well-intentioned scientists and environmentalists originally crafted the jungle narrative with the primary goal of saving the world’s tropical rainforests from destruction. It was a strategy deployed to address a pressing environmental problem, one that appeared at a propitious point in history just as the Western world was taking a more globalized view of environmental issues. And yet, although supported by science and its practitioners, the story was also underpinned by a persuasive mix of myth, sentimentality, and nostalgia for a long-lost tropical Eden. Resurrecting the fascinating history of plant prospecting in the tropics, from the colonial era to the present day, The Ethnobotany of Eden rewrites with modern science the degradation narrative we’ve built up around tropical forests, revealing the entangled origins of our fables of forest cures.
[more]
LeRoy Neiman
The Life of America’s Most Beloved and Belittled Artist
Travis Vogan
University of Chicago Press, 2024
The untold story of an American hustler who upset the art world and became a pop culture icon, cutting a swath across twentieth-century history and culture.
LeRoy Neiman—the cigar-smoking and mustachioed artist famous for his Playboy illustrations, sports paintings, and brash interviews—stood among the twentieth-century’s most famous, wealthy, and polarizing artists. His stylish renderings of musicians, athletes, and sporting events captivated fans but baffled critics, who accused Neiman of debasing art with pop culture. Neiman cashed in on the controversy, and his extraordinary popularity challenged the norms of what art should be, where it belongs, and who should have access to it.
The story of a depression-era ragamuffin turned army chef turned celebrity artist, Neiman’s life is a rollicking ride through twentieth-century American history, punctuated by encounters with the likes of Muhammad Ali, Frank Sinatra, Joe Namath, and Andy Warhol. In the whirlwind of his life, Neiman himself once remarked that even he didn’t know who he really was—but, he said, the fame and money that came his way made it all worth it. In this first biography of the captivating and infamous man, Travis Vogan hunts for the real Neiman amid the America that made him.
LeRoy Neiman—the cigar-smoking and mustachioed artist famous for his Playboy illustrations, sports paintings, and brash interviews—stood among the twentieth-century’s most famous, wealthy, and polarizing artists. His stylish renderings of musicians, athletes, and sporting events captivated fans but baffled critics, who accused Neiman of debasing art with pop culture. Neiman cashed in on the controversy, and his extraordinary popularity challenged the norms of what art should be, where it belongs, and who should have access to it.
The story of a depression-era ragamuffin turned army chef turned celebrity artist, Neiman’s life is a rollicking ride through twentieth-century American history, punctuated by encounters with the likes of Muhammad Ali, Frank Sinatra, Joe Namath, and Andy Warhol. In the whirlwind of his life, Neiman himself once remarked that even he didn’t know who he really was—but, he said, the fame and money that came his way made it all worth it. In this first biography of the captivating and infamous man, Travis Vogan hunts for the real Neiman amid the America that made him.
[more]
The Scene of Harlem Cabaret
Race, Sexuality, Performance
Shane Vogel
University of Chicago Press, 2009
Harlem’s nightclubs in the 1920s and ’30s were a crucible for testing society’s racial and sexual limits. Normally tacit divisions were there made spectacularly public in the vibrant, but often fraught, relationship between performer and audience. The cabaret scene, Shane Vogel contends, also played a key role in the Harlem Renaissance by offering an alternative to the politics of sexual respectability and racial uplift that sought to dictate the proper subject matter for black arts and letters. Individually and collectively, luminaries such as Duke Ellington, Lena Horne, Langston Hughes, Claude McKay, Wallace Thurman, and Ethel Waters expanded the possibilities of blackness and sexuality in America, resulting in a queer nightlife that flourished in music, in print, and on stage.
Deftly combining performance theory, literary criticism, historical research, and biographical study, The Scene of Harlem Cabaret brings this rich moment in history to life, while exploring the role of nightlife performance as a definitive touchstone for understanding the racial and sexual politics of the early twentieth century.
[more]
Stolen Time
Black Fad Performance and the Calypso Craze
Shane Vogel
University of Chicago Press, 2018
In 1956 Harry Belafonte’s Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US—it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework—black fad performance—for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it—and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself.
[more]
The Life of a Leaf
Steven Vogel
University of Chicago Press, 2012
In its essence, science is a way of looking at and thinking about the world. In The Life of a Leaf, Steven Vogel illuminates this approach, using the humble leaf as a model. Whether plant or person, every organism must contend with its immediate physical environment, a world that both limits what organisms can do and offers innumerable opportunities for evolving fascinating ways of challenging those limits. Here, Vogel explains these interactions, examining through the example of the leaf the extraordinary designs that enable life to adapt to its physical world.
In Vogel’s account, the leaf serves as a biological everyman, an ordinary and ubiquitous living thing that nonetheless speaks volumes about our environment as well as its own. Thus in exploring the leaf’s world, Vogel simultaneously explores our own.
In Vogel’s account, the leaf serves as a biological everyman, an ordinary and ubiquitous living thing that nonetheless speaks volumes about our environment as well as its own. Thus in exploring the leaf’s world, Vogel simultaneously explores our own.
A companion website with demonstrations and teaching tools can be found here: http://www.press.uchicago.edu/sites/vogel/index.html
[more]
Why the Wheel Is Round
Muscles, Technology, and How We Make Things Move
Steven Vogel
University of Chicago Press, 2016
There is no part of our bodies that fully rotates—be it a wrist or ankle or arm in a shoulder socket, we are made to twist only so far. And yet there is no more fundamental human invention than the wheel—a rotational mechanism that accomplishes what our physical form cannot. Throughout history, humans have developed technologies powered by human strength, complementing the physical abilities we have while overcoming our weaknesses. Providing a unique history of the wheel and other rotational devices—like cranks, cranes, carts, and capstans—Why the Wheel Is Round examines the contraptions and tricks we have devised in order to more efficiently move—and move through—the physical world.
Steven Vogel combines his engineering expertise with his remarkable curiosity about how things work to explore how wheels and other mechanisms were, until very recently, powered by the push and pull of the muscles and skeletal systems of humans and other animals. Why the Wheel Is Round explores all manner of treadwheels, hand-spikes, gears, and more, as well as how these technologies diversified into such things as hand-held drills and hurdy-gurdies. Surprisingly, a number of these devices can be built out of everyday components and materials, and Vogel’s accessible and expansive book includes instructions and models so that inspired readers can even attempt to make their own muscle-powered technologies, like trebuchets and ballista.
Appealing to anyone fascinated by the history of mechanics and technology as well as to hobbyists with home workshops, Why the Wheel Is Round offers a captivating exploration of our common technological heritage based on the simple concept of rotation. From our leg muscles powering the gears of a bicycle to our hands manipulating a mouse on a roller ball, it will be impossible to overlook the amazing feats of innovation behind our daily devices.
Steven Vogel combines his engineering expertise with his remarkable curiosity about how things work to explore how wheels and other mechanisms were, until very recently, powered by the push and pull of the muscles and skeletal systems of humans and other animals. Why the Wheel Is Round explores all manner of treadwheels, hand-spikes, gears, and more, as well as how these technologies diversified into such things as hand-held drills and hurdy-gurdies. Surprisingly, a number of these devices can be built out of everyday components and materials, and Vogel’s accessible and expansive book includes instructions and models so that inspired readers can even attempt to make their own muscle-powered technologies, like trebuchets and ballista.
Appealing to anyone fascinated by the history of mechanics and technology as well as to hobbyists with home workshops, Why the Wheel Is Round offers a captivating exploration of our common technological heritage based on the simple concept of rotation. From our leg muscles powering the gears of a bicycle to our hands manipulating a mouse on a roller ball, it will be impossible to overlook the amazing feats of innovation behind our daily devices.
[more]
Sorting Sexualities
Expertise and the Politics of Legal Classification
Stefan Vogler
University of Chicago Press, 2021
In Sorting Sexualities, Stefan Vogler deftly unpacks the politics of the techno-legal classification of sexuality in the United States. His study focuses specifically on state classification practices around LGBTQ people seeking asylum in the United States and sexual offenders being evaluated for carceral placement—two situations where state actors must determine individuals’ sexualities. Though these legal settings are diametrically opposed—one a punitive assessment, the other a protective one—they present the same question: how do we know someone’s sexuality?
In this rich ethnographic study, Vogler reveals how different legal arenas take dramatically different approaches to classifying sexuality and use those classifications to legitimate different forms of social control. By delving into the histories behind these diverging classification practices and analyzing their contemporary reverberations, Vogler shows how the science of sexuality is far more central to state power than we realize.
In this rich ethnographic study, Vogler reveals how different legal arenas take dramatically different approaches to classifying sexuality and use those classifications to legitimate different forms of social control. By delving into the histories behind these diverging classification practices and analyzing their contemporary reverberations, Vogler shows how the science of sexuality is far more central to state power than we realize.
[more]
Water Witching U.S.A.
Evon Z. Vogt
University of Chicago Press, 2000
Despite advanced technology, the practice of water witching—using a forked stick to indicate an underground source of water—persists in both rural and urban areas. Water Witching U.S.A. is a lively look at "dowsing," full of personal accounts, historical background, and data from controlled experiments and a nationwide survey. This study includes a collection of photographs, drawings, and historical woodcuts showing the tools, techniques, and early instances of dowsing, as well as cross-sectional views contrasting the dowser's explanation of groundwater with the geologist's.
[more]
From the Seashore to the Seafloor
An Illustrated Tour of Sandy Beaches, Kelp Forests, Coral Reefs, and Life in the Ocean's Depths
Janet Voight
University of Chicago Press, 2022
An octopus expert and celebrated artist offer a deep dive to meet the enchanting inhabitants of the world’s marine ecosystems.
Have you ever walked along the beach and wondered what kind of creatures can be found beneath the waves? Have you pictured what it would be like to see the ocean not from the shore but from its depths? These questions drive Janet Voight, an expert on mollusks who has explored the seas in the submersible Alvin that can dive some 14,000 feet below the water’s surface. In this book, she partners with artist Peggy Macnamara to invite readers to share her undersea journeys of discovery.
With accessible scientific descriptions, Voight introduces the animals that inhabit rocky and sandy shores, explains the fragility of coral reefs, and honors the extraordinary creatures that must search for food in the ocean’s depths, where light and heat are rare. These fascinating insights are accompanied by Macnamara’s stunning watercolors, which illuminate these ecosystems and other scenes from Voight’s research. Together, they show connections between life at every depth—and warn of the threats these beguiling places and their eccentric denizens face.
Have you ever walked along the beach and wondered what kind of creatures can be found beneath the waves? Have you pictured what it would be like to see the ocean not from the shore but from its depths? These questions drive Janet Voight, an expert on mollusks who has explored the seas in the submersible Alvin that can dive some 14,000 feet below the water’s surface. In this book, she partners with artist Peggy Macnamara to invite readers to share her undersea journeys of discovery.
With accessible scientific descriptions, Voight introduces the animals that inhabit rocky and sandy shores, explains the fragility of coral reefs, and honors the extraordinary creatures that must search for food in the ocean’s depths, where light and heat are rare. These fascinating insights are accompanied by Macnamara’s stunning watercolors, which illuminate these ecosystems and other scenes from Voight’s research. Together, they show connections between life at every depth—and warn of the threats these beguiling places and their eccentric denizens face.
[more]
The Bower
Connie Voisine
University of Chicago Press, 2019
How can a person come to understand wars and hatreds well enough to explain them truthfully to a child? The Bower engages this timeless and thorny question through a recounting of the poet-speaker’s year in Belfast, Northern Ireland, with her young daughter. The speaker immerses herself in the history of Irish politics—including the sectarian conflict known as The Troubles—and gathers stories of a painful, divisive past from museum exhibits, newspapers, neighbors, friends, local musicians, and cabbies. Quietly meditative, brooding, and heart-wrenching, these poems place intimate moments between mother and daughter alongside images of nationalistic violence and the angers that underlie our daily interactions. A deep dive into sectarianism and forgiveness, this timely and nuanced book examines the many ways we are all implicated in the impulse to “protect our own” and asks how we manage the histories that divide us.
[more]
Calle Florista
Connie Voisine
University of Chicago Press, 2015
This World and That One
Sometimes you defy it,
I am not that, watching a stranger
cry like a dog when she thinks she’s alone
at the kitchen window, hands forgotten
under the running tap.
The curtains blow out, flap the other side of the sill.
In you one hole fills another,
stacked like cups.
You remember your hands.
Connie Voisine’s third book of poems centers on the border between the United States and Mexico, celebrating the stunning, severe desert landscape found there. This setting marks the occasion as well for Voisine to explore themes of splitting and friction in both human and political contexts. Whose space is this border, she asks, and what voice can possibly tell the story of this place?
In a wry, elegiac mode, the poems of Calle Florista take us both to the edge of our country and the edge of our faith in art and the world. This is mature work, offering us poems that oscillate between the articulation of complex, private sensibilities and the directness of a poet cracking the private self open—and making it vulnerable to the wider world.
Sometimes you defy it,
I am not that, watching a stranger
cry like a dog when she thinks she’s alone
at the kitchen window, hands forgotten
under the running tap.
The curtains blow out, flap the other side of the sill.
In you one hole fills another,
stacked like cups.
You remember your hands.
Connie Voisine’s third book of poems centers on the border between the United States and Mexico, celebrating the stunning, severe desert landscape found there. This setting marks the occasion as well for Voisine to explore themes of splitting and friction in both human and political contexts. Whose space is this border, she asks, and what voice can possibly tell the story of this place?
In a wry, elegiac mode, the poems of Calle Florista take us both to the edge of our country and the edge of our faith in art and the world. This is mature work, offering us poems that oscillate between the articulation of complex, private sensibilities and the directness of a poet cracking the private self open—and making it vulnerable to the wider world.
[more]
Rare High Meadow of Which I Might Dream
Connie Voisine
University of Chicago Press, 2008
The Bird is Her Reason
There are some bodies that emerge
into desire as a god
rises from the sea, emotion and
memory hang like dripping clothes—this
want is like
entering that heated red
on the mouth of a Delacroix lion,
stalwart, always that red
which makes
my teeth ache and my skin feel
a hand that has never touched me,
the tree groaning outside becomes
a man who knocks on my bedroom window,
edge of red on gold fur,
the horse, the wild
flip of its head, the rake of claws
across its back, the unfocussed,
swallowed eye.
Rare High Meadow of Which I Might Dream is a book haunted by the afterlife of medieval theology and literature yet grounded in distinctly modern quandaries of desire. Connie Voisine’s female speakers reverberate with notes of Marie de France’s tragic heroines, but whereas Marie’s poems are places where women’s longings quickly bloom and die in captivity—in towers and dungeons—Voisine uses narrative to suspend the movement of storytelling. For Voisine, poems are occasions for philosophical wanderings, extended lyrics that revolve around the binding and unbinding of desire, with lonely speakers struggling with the impetus of wanting as well as the necessity of a love affair’s end. With fluency, intelligence, and deeply felt emotional acuity, Rare High Meadow of Which I Might Dream navigates the heady intersection of obsessive love and searing loss.
Praise for Cathedral of the North
“Voisine’s poetry is wholly unsentimental, tactile, and filled with unexpected beauty. She is political in the best sense. . . . A dazzling, brave, and surprising first book.”—Denise Duhamel, Ploughshares
There are some bodies that emerge
into desire as a god
rises from the sea, emotion and
memory hang like dripping clothes—this
want is like
entering that heated red
on the mouth of a Delacroix lion,
stalwart, always that red
which makes
my teeth ache and my skin feel
a hand that has never touched me,
the tree groaning outside becomes
a man who knocks on my bedroom window,
edge of red on gold fur,
the horse, the wild
flip of its head, the rake of claws
across its back, the unfocussed,
swallowed eye.
Rare High Meadow of Which I Might Dream is a book haunted by the afterlife of medieval theology and literature yet grounded in distinctly modern quandaries of desire. Connie Voisine’s female speakers reverberate with notes of Marie de France’s tragic heroines, but whereas Marie’s poems are places where women’s longings quickly bloom and die in captivity—in towers and dungeons—Voisine uses narrative to suspend the movement of storytelling. For Voisine, poems are occasions for philosophical wanderings, extended lyrics that revolve around the binding and unbinding of desire, with lonely speakers struggling with the impetus of wanting as well as the necessity of a love affair’s end. With fluency, intelligence, and deeply felt emotional acuity, Rare High Meadow of Which I Might Dream navigates the heady intersection of obsessive love and searing loss.
Praise for Cathedral of the North
“Voisine’s poetry is wholly unsentimental, tactile, and filled with unexpected beauty. She is political in the best sense. . . . A dazzling, brave, and surprising first book.”—Denise Duhamel, Ploughshares
[more]
Fully Grown
Why a Stagnant Economy Is a Sign of Success
Dietrich Vollrath
University of Chicago Press, 2019
Vollrath challenges our long-held assumption that growth is the best indicator of an economy’s health.
Most economists would agree that a thriving economy is synonymous with GDP growth. The more we produce and consume, the higher our living standard and the more resources available to the public. This means that our current era, in which growth has slowed substantially from its postwar highs, has raised alarm bells. But should it? Is growth actually the best way to measure economic success—and does our slowdown indicate economic problems?
The counterintuitive answer Dietrich Vollrath offers is: No. Looking at the same facts as other economists, he offers a radically different interpretation. Rather than a sign of economic failure, he argues, our current slowdown is, in fact, a sign of our widespread economic success. Our powerful economy has already supplied so much of the necessary stuff of modern life, brought us so much comfort, security, and luxury, that we have turned to new forms of production and consumption that increase our well-being but do not contribute to growth in GDP.
In Fully Grown, Vollrath offers a powerful case to support that argument. He explores a number of important trends in the US economy: including a decrease in the number of workers relative to the population, a shift from a goods-driven economy to a services-driven one, and a decline in geographic mobility. In each case, he shows how their economic effects could be read as a sign of success, even though they each act as a brake of GDP growth. He also reveals what growth measurement can and cannot tell us—which factors are rightly correlated with economic success, which tell us nothing about significant changes in the economy, and which fall into a conspicuously gray area.
Sure to be controversial, Fully Grown will reset the terms of economic debate and help us think anew about what a successful economy looks like.
Most economists would agree that a thriving economy is synonymous with GDP growth. The more we produce and consume, the higher our living standard and the more resources available to the public. This means that our current era, in which growth has slowed substantially from its postwar highs, has raised alarm bells. But should it? Is growth actually the best way to measure economic success—and does our slowdown indicate economic problems?
The counterintuitive answer Dietrich Vollrath offers is: No. Looking at the same facts as other economists, he offers a radically different interpretation. Rather than a sign of economic failure, he argues, our current slowdown is, in fact, a sign of our widespread economic success. Our powerful economy has already supplied so much of the necessary stuff of modern life, brought us so much comfort, security, and luxury, that we have turned to new forms of production and consumption that increase our well-being but do not contribute to growth in GDP.
In Fully Grown, Vollrath offers a powerful case to support that argument. He explores a number of important trends in the US economy: including a decrease in the number of workers relative to the population, a shift from a goods-driven economy to a services-driven one, and a decline in geographic mobility. In each case, he shows how their economic effects could be read as a sign of success, even though they each act as a brake of GDP growth. He also reveals what growth measurement can and cannot tell us—which factors are rightly correlated with economic success, which tell us nothing about significant changes in the economy, and which fall into a conspicuously gray area.
Sure to be controversial, Fully Grown will reset the terms of economic debate and help us think anew about what a successful economy looks like.
[more]
Names and Substance in the Australian Subsection System
C. G. von Brandenstein
University of Chicago Press, 1982
In this volume, which has been hailed as a major breakthrough in understanding the meaning of the elaborate kinship systems currently existing in Australian Aboriginal societies, C. G. von Brandenstein argues that such systems refer to an archaic theory of "world order" common to all these societies. This controversial conclusion is based on native testimony and on a sophisticated linguistic analysis of a vast quantity of data collected by the author and others.
Though the author has restricted the results of his research to Aboriginal Australia, his methodological approach is generalizable. Hence this work will be of importance to specialists in many areas.
Though the author has restricted the results of his research to Aboriginal Australia, his methodological approach is generalizable. Hence this work will be of importance to specialists in many areas.
[more]
Meditations on the Incarnation, Passion, and Death of Jesus Christ
Catharina Regina von Greiffenberg
University of Chicago Press, 2009
Read by Protestants and Catholics alike, Catharina Regina von Greiffenberg (1633–94) was the foremost German woman poet and writer in the seventeenth-century German-speaking world. Privileged by her social station and education, she published a large body of religious writings under her own name to a reception unequaled by any other German woman during her lifetime. But once the popularity of devotional writings as a genre waned, Catharina’s works went largely unread until scholars devoted renewed attention to them in the twentieth century.
For this volume, Lynne Tatlock translates for the first time into English three of the thirty-six meditations, restoring Catharina to her rightful place in print. These meditations foreground women in the life of Jesus Christ—including accounts of women at the Incarnation and the Tomb—and in Scripture in general. Tatlock’s selections give the modern reader a sense of the structure and nature of Catharina’s devotional writings, highlighting the alternative they offer to the male-centered view of early modern literary and cultural production during her day, and redefining the role of women in Christian history.
[more]
Medieval Islam
A Study in Cultural Orientation
Gustave E. von Grunebaum
University of Chicago Press, 1946
From the Preface:
"This book book has grown out of a series of public lectures delivered in the spring of 1945 in the Division of the Humanities of the University of Chicago. It proposes to outline the cultural orientation of the Muslim Middle Ages, with eastern Islam as the center of attention. It attempts to characterize the medieval Muslim's view of himself and his peculiarly defined universe, the fundamental intellectual and emotional attitudes that governed his works, and the mood in which he lived his life. It strives to explain the structure of his universe in terms of inherited, borrowed, and original elements, the institutional framework within which it functioned, and its place in relation to the contemporary Christian world.
"A consideration of the various fields of cultural activity requires an analysis of the dominant interest, the intentions, and, to some extent, the methods of reasoning with which the Muslim approached his special subjects and to which achievement and limitations of achievement are due. Achievements referred to or personalities discussed will never be introduced for their own sake, let alone for the sake of listing the sum total of this civilization's major contributions. They are dealt with rather to evidence the peculiar ways in which the Muslim essayed to understand and to organize his world.
"The plan of the book thus rules out the narration of political history beyond the barest skeleton, but it requires the ascertaining of the exact position of Islam in the medieval world and its significance. This plan also excludes a study of Muslim economy, but it leads to an interpretation of the social structure as molded by the prime loyalties cherished by the Muslim."
[more]
Canons
Robert von Hallberg
University of Chicago Press, 1984
Canon formation: ". . . the traditional dream of ambitious critics. A canon is commonly seen as what other people, once powerful, have made and what should now be opened up, demystified, or eliminated altogether." So writes editor Robert von Hallberg in his introduction. This collection of essays articulates how canons are constructed and examines the ways in which academic canons influence literary thought and instruction. Presenting a wide range of canonical interpretation, the volume includes essays on such themes as Native American literature and the canon, the ideology of canon formation, the history of American poetry anthologies, undoing the canonical economy, the making of the modernist canon, and canon and power in the Hebrew scriptures.
[more]
Lyric Powers
Robert von Hallberg
University of Chicago Press, 2008
The authority of poetry varies from one period to another, from one culture to another. For Robert von Hallberg, the authority of lyric poetry has three sources: religious affirmation, the social institutions of those who speak the idioms from which particular poems are made, and the extraordinary cognition generated by the formal and musical resources of poems. Lyric Powers helps students, poets, and general readers to recognize the pleasures and understand the ambitions of lyric poetry.
To explain why a reader might prefer one kind of poem to another, von Hallberg analyzes—beyond the political and intellectual significance of poems—the musicality of both lyric poetry and popular song, including that of Tin Pan Alley and doo-wop. He shows that poets have distinctive intellectual resources—not just rhetorical resources—for examining their subjects, and that the power of poetic language to generalize, not particularize, is what justly deserves a critic’s attention.
The first book in more than a decade from this respected critic, Lyric Powers will be celebrated as a genuine event by readers of poetry and literary criticism.
To explain why a reader might prefer one kind of poem to another, von Hallberg analyzes—beyond the political and intellectual significance of poems—the musicality of both lyric poetry and popular song, including that of Tin Pan Alley and doo-wop. He shows that poets have distinctive intellectual resources—not just rhetorical resources—for examining their subjects, and that the power of poetic language to generalize, not particularize, is what justly deserves a critic’s attention.
The first book in more than a decade from this respected critic, Lyric Powers will be celebrated as a genuine event by readers of poetry and literary criticism.
[more]
Politics and Poetic Value
Robert von Hallberg
University of Chicago Press, 1987
Literary Intellectuals and the Dissolution of the State
Professionalism and Conformity in the GDR
Robert von Hallberg
University of Chicago Press, 1996
For two generations, writers in the German Democratic Republic enjoyed a massive audience in their own country, a readership dependent on their works for a measure of utopian solace amid the grimness of life under Communism. But after the fall of the Berlin Wall, these writers were abandoned by their readers and stripped of the professional structures that had supported them. Their literary culture destroyed, they were rebuked for compliant service to the discredited state; and some were reviled for collaborating with the East German secret police, the Stasi.
What drove leading thinkers, including those of the avant-garde who publicly embraced intellectual freedom, to serve as government informants? Why were they content to work within a repressive system rather than challenging it outright? This collection of interviews with more than two dozen writers and literary scholars, including several Stasi informants, provides a gripping, often dismaying picture of the motivations, compromises, and illusions of East German intellectual life.
In conversations with Robert von Hallberg, writers such as best-selling novelist Hermann Kant, playwright Christoph Hein, and avant-garde poet-publisher Sascha Anderson talk about their lives and work before the fall of the wall in 1989—about the constraints and privileges of Communist Party membership, experiences of government censorship and self-censorship, and relations with their readers. They reflect on why the possibilities of opposition to the state seemed so limited, and on how they might have found ways to resist more aggressively. Turning to the controversies that have emerged since reunification, including the Stasi scandals involving Anderson and Christa Wolf, they discuss their feelings of complicity and the need for further self-examination. Two interviews with Anderson—one conducted before he was exposed as a Stasi collaborator and one conducted afterward—offer unique insight into the double life led by many writers and scholars in the German Democratic Republic.
What drove leading thinkers, including those of the avant-garde who publicly embraced intellectual freedom, to serve as government informants? Why were they content to work within a repressive system rather than challenging it outright? This collection of interviews with more than two dozen writers and literary scholars, including several Stasi informants, provides a gripping, often dismaying picture of the motivations, compromises, and illusions of East German intellectual life.
In conversations with Robert von Hallberg, writers such as best-selling novelist Hermann Kant, playwright Christoph Hein, and avant-garde poet-publisher Sascha Anderson talk about their lives and work before the fall of the wall in 1989—about the constraints and privileges of Communist Party membership, experiences of government censorship and self-censorship, and relations with their readers. They reflect on why the possibilities of opposition to the state seemed so limited, and on how they might have found ways to resist more aggressively. Turning to the controversies that have emerged since reunification, including the Stasi scandals involving Anderson and Christa Wolf, they discuss their feelings of complicity and the need for further self-examination. Two interviews with Anderson—one conducted before he was exposed as a Stasi collaborator and one conducted afterward—offer unique insight into the double life led by many writers and scholars in the German Democratic Republic.
[more]
The Chemical Age
How Chemists Fought Famine and Disease, Killed Millions, and Changed Our Relationship with the Earth
Frank A. von Hippel
University of Chicago Press, 2020
A dynamic and sweeping history that exposes how humankind’s affinity for pesticides made the modern world possible—while also threatening its essential fabric.
For thousands of years, we’ve found ways to scorch, scour, and sterilize our surroundings to make them safer. Sometimes these methods are wonderfully effective. Often, however, they come with catastrophic consequences—consequences that aren’t typically understood for generations.
The Chemical Age tells the captivating story of the scientists who waged war on famine and disease with chemistry. With depth and verve, Frank A. von Hippel explores humanity’s uneasy coexistence with pests, and how their existence, and the battles to exterminate them, have shaped our modern world. Beginning with the potato blight tragedy of the 1840s, which led scientists on an urgent mission to prevent famine using pesticides, von Hippel traces the history of pesticide use to the 1960s, when Rachel Carson’s Silent Spring revealed that those same chemicals were insidiously damaging our health and driving species toward extinction. Telling the story of these pesticides in vivid detail, von Hippel showcases the thrills and complex consequences of scientific discovery. He describes the invention of substances that could protect crops, the emergence of our understanding of the way diseases spread, the creation of chemicals used to kill pests and people, and, finally, how scientists turned those wartime chemicals on the landscape at a massive scale, prompting the vital environmental movement that continues today.
The Chemical Age is a dynamic, sweeping history that exposes how humankind’s affinity for pesticides made the modern world possible—while also threatening its essential fabric.
For thousands of years, we’ve found ways to scorch, scour, and sterilize our surroundings to make them safer. Sometimes these methods are wonderfully effective. Often, however, they come with catastrophic consequences—consequences that aren’t typically understood for generations.
The Chemical Age tells the captivating story of the scientists who waged war on famine and disease with chemistry. With depth and verve, Frank A. von Hippel explores humanity’s uneasy coexistence with pests, and how their existence, and the battles to exterminate them, have shaped our modern world. Beginning with the potato blight tragedy of the 1840s, which led scientists on an urgent mission to prevent famine using pesticides, von Hippel traces the history of pesticide use to the 1960s, when Rachel Carson’s Silent Spring revealed that those same chemicals were insidiously damaging our health and driving species toward extinction. Telling the story of these pesticides in vivid detail, von Hippel showcases the thrills and complex consequences of scientific discovery. He describes the invention of substances that could protect crops, the emergence of our understanding of the way diseases spread, the creation of chemicals used to kill pests and people, and, finally, how scientists turned those wartime chemicals on the landscape at a massive scale, prompting the vital environmental movement that continues today.
The Chemical Age is a dynamic, sweeping history that exposes how humankind’s affinity for pesticides made the modern world possible—while also threatening its essential fabric.
[more]
Essay on the Geography of Plants
Alexander von Humboldt
University of Chicago Press, 2010
The legacy of Alexander von Humboldt (1769–1859) looms large over the natural sciences. His 1799–1804 research expedition to Central and South America with botanist Aimé Bonpland set the course for the great scientific surveys of the nineteenth century, and inspired such essayists and artists as Emerson, Goethe, Thoreau, Poe, and Church.
The chronicles of the expedition were published in Paris after Humboldt’s return, and first among them was the 1807 “Essay on the Geography of Plants.” Among the most cited writings in natural history, after the works of Darwin and Wallace, this work appears here for the first time in a complete English-language translation. Covering far more than its title implies, it represents the first articulation of an integrative “science of the earth, ” encompassing most of today’s environmental sciences. Ecologist Stephen T. Jackson introduces the treatise and explains its enduring significance two centuries after its publication.
[more]
Views of Nature
Alexander von Humboldt
University of Chicago Press, 2014
While the influence of Alexander von Humboldt (1769–1859) looms large over the natural sciences, his legacy reaches far beyond the field notebooks of naturalists. Humboldt’s 1799–1804 research expedition to Central and South America with botanist Aimé Bonpland not only set the course for the great scientific surveys of the nineteenth century, but also served as the raw material for his many volumes—works of both scientific rigor and aesthetic beauty that inspired such essayists and artists as Emerson, Goethe, Thoreau, Poe, and Frederic Edwin Church.
Views of Nature, or Ansichten der Natur, was Humboldt’s best-known and most influential work—and his personal favorite. While the essays that comprise it are themselves remarkable as innovative, early pieces of nature writing—they were cited by Thoreau as a model for his own work—the book’s extensive endnotes incorporate some of Humboldt’s most beautiful prose and mature thinking on vegetation structure, its origins in climate patterns, and its implications for the arts. Written for both a literary and a scientific audience, Views of Nature was translated into English (twice), Spanish, and French in the nineteenth century, and it was read widely in Europe and the Americas. But in contrast to many of Humboldt’s more technical works, Views of Nature has been unavailable in English for more than one hundred years. Largely neglected in the United States during the twentieth century, Humboldt’s contributions to the humanities and the sciences are now undergoing a revival to which this new translation will be a critical contribution.
Views of Nature, or Ansichten der Natur, was Humboldt’s best-known and most influential work—and his personal favorite. While the essays that comprise it are themselves remarkable as innovative, early pieces of nature writing—they were cited by Thoreau as a model for his own work—the book’s extensive endnotes incorporate some of Humboldt’s most beautiful prose and mature thinking on vegetation structure, its origins in climate patterns, and its implications for the arts. Written for both a literary and a scientific audience, Views of Nature was translated into English (twice), Spanish, and French in the nineteenth century, and it was read widely in Europe and the Americas. But in contrast to many of Humboldt’s more technical works, Views of Nature has been unavailable in English for more than one hundred years. Largely neglected in the United States during the twentieth century, Humboldt’s contributions to the humanities and the sciences are now undergoing a revival to which this new translation will be a critical contribution.
[more]
Political Essay on the Island of Cuba
A Critical Edition
Alexander von Humboldt
University of Chicago Press, 2011
The research Alexander von Humboldt amassed during his five-year trek through the Americas in the early nineteenth-century proved foundational to the fields of botany, geography, and geology. But his visit to Cuba during this time yielded observations that extended far beyond the natural world. Political Essay on the Island of Cuba is a physical and cultural study of the island nation. In it, Humboldt denounces colonial slavery on both moral and economic grounds and stresses the vital importance of improving intercultural relations throughout the Americas.
Humboldt’s most controversial book, Political Essay on the Island of Cuba was banned, censored, and willfully mistranslated to suppress Humboldt’s strong antislavery sentiments. It reemerges here, newly translated from the original two volume French edition, to introduce a new generation of readers to Humboldt’s astonishing multiplicity of scientific and philosophical perspectives. In their critical introduction, Vera Kutzinski and Ottmar Ette emphasize Humboldt’s rare ability to combine scientific rigor with a cosmopolitan consciousness and a deeply felt philosophical humanism. The result is a work on Cuba of historical import that will attract historians of science as well as cultural historians, political scientists, and literary scholars.
[more]
Views of the Cordilleras and Monuments of the Indigenous Peoples of the Americas
A Critical Edition
Alexander von Humboldt
University of Chicago Press, 2013
In 1799, Alexander von Humboldt and Aimé Bonpland set out to determine whether the Orinoco River connected with the Amazon. But what started as a trip to investigate a relatively minor geographical controversy became the basis of a five-year exploration throughout South America, Mexico, and Cuba. The discoveries amassed by Humboldt and Bonpland were staggering, and much of today’s knowledge of tropical zoology, botany, geography, and geology can be traced back to Humboldt’s numerous records of these expeditions.
One of these accounts, Views of the Cordilleras and Monuments of the Indigenous Peoples of the Americas, firmly established Alexander von Humboldt as the founder of Mesoamerican studies. In Views of the Cordilleras—first published in French between 1810 and 1813—Humboldt weaves together magnificently engraved drawings and detailed texts to achieve multifaceted views of cultures and landscapes across the Americas. In doing so, he offers an alternative perspective on the New World, combating presumptions of its belatedness and inferiority by arguing that the “old” and the “new” world are of the same geological age.
This critical edition of Views of the Cordilleras—the second volume in the Alexander von Humboldt in English series—contains a new, unabridged English translation of Humboldt’s French text, as well as annotations, a bibliography, and all sixty-nine plates from the original edition, many of them in color.
[more]
Political Essay on the Kingdom of New Spain, Volume 1
A Critical Edition
Alexander von Humboldt
University of Chicago Press, 2019
Volume 1 of this critical edition includes a note on the text from the Humboldt in English team, an introduction by editors Vera M. Kutzinski and Ottmar Ette, a preface to the first edition by Alexander von Humboldt, and the translation of Volumes 1 and 2 of Humboldt’s Essai politique sur le royaume de de Nouvelle Espagne from 1825 to 1827.
Alexander von Humboldt was the most celebrated modern chronicler of North and South America and the Caribbean, and this translation of his essay on New Spain—the first modern regional economic and political geography—covers his travels across today’s Mexico in 1803–1804. The work canvases natural-scientific and cultural-scientific objects alike, combining the results of fieldwork with archival research and expert testimony.
To show how people, plants, animals, goods, and ideas moved across the globe, Humboldt wrote in a variety of styles, bending and reshaping familiar writerly conventions to keep readers attentive to new inputs. Above all, he wanted his readers to be open-minded when confronted with cultural and other differences in the Americas. Fueled by his comparative global perspective on politics, economics, and science, he used his writing to support Latin American independence and condemn slavery and other forms of colonial exploitation. It is these voluminous and innovative writings on the New World that made Humboldt the undisputed father of modern geography, early American studies, transatlantic cultural history, and environmental studies.
This two-volume critical edition—the third installment in the Alexander von Humboldt in English series—is based on the full text, including all footnotes, tables, and maps, of the second, revised French edition of Essai politique sur le royaume de de Nouvelle Espagne from 1825 to 1827, which has never been translated into English before. Extensive annotations and full-color atlases are available on the series website.
Alexander von Humboldt was the most celebrated modern chronicler of North and South America and the Caribbean, and this translation of his essay on New Spain—the first modern regional economic and political geography—covers his travels across today’s Mexico in 1803–1804. The work canvases natural-scientific and cultural-scientific objects alike, combining the results of fieldwork with archival research and expert testimony.
To show how people, plants, animals, goods, and ideas moved across the globe, Humboldt wrote in a variety of styles, bending and reshaping familiar writerly conventions to keep readers attentive to new inputs. Above all, he wanted his readers to be open-minded when confronted with cultural and other differences in the Americas. Fueled by his comparative global perspective on politics, economics, and science, he used his writing to support Latin American independence and condemn slavery and other forms of colonial exploitation. It is these voluminous and innovative writings on the New World that made Humboldt the undisputed father of modern geography, early American studies, transatlantic cultural history, and environmental studies.
This two-volume critical edition—the third installment in the Alexander von Humboldt in English series—is based on the full text, including all footnotes, tables, and maps, of the second, revised French edition of Essai politique sur le royaume de de Nouvelle Espagne from 1825 to 1827, which has never been translated into English before. Extensive annotations and full-color atlases are available on the series website.
[more]
Political Essay on the Kingdom of New Spain, Volume 2
A Critical Edition
Alexander von Humboldt
University of Chicago Press, 2019
Volume 2 of this critical edition includes the translation of Volumes 3 and 4 of the second, revised French edition of Alexander von Humboldt’s Essai politique sur le royaume de de Nouvelle Espagne from 1825 to 1827 as well as notes, supplements, indexes, and more.
Alexander von Humboldt was the most celebrated modern chronicler of North and South America and the Caribbean, and this translation of his essay on New Spain—the first modern regional economic and political geography—covers his travels across today’s Mexico in 1803–1804. The work canvases natural-scientific and cultural-scientific objects alike, combining the results of fieldwork with archival research and expert testimony.
To show how people, plants, animals, goods, and ideas moved across the globe, Humboldt wrote in a variety of styles, bending and reshaping familiar writerly conventions to keep readers attentive to new inputs. Above all, he wanted his readers to be open-minded when confronted with cultural and other differences in the Americas. Fueled by his comparative global perspective on politics, economics, and science, he used his writing to support Latin American independence and condemn slavery and other forms of colonial exploitation. It is these voluminous and innovative writings on the New World that made Humboldt the undisputed father of modern geography, early American studies, transatlantic cultural history, and environmental studies.
This two-volume critical edition—the third installment in the Alexander von Humboldt in English series—is based on the full text, including all footnotes, tables, and maps, of the second, revised French edition of Essai politique sur le royaume de de Nouvelle Espagne from 1825 to 1827, which has never been translated into English before. Extensive annotations and full-color atlases are available on the series website.
Alexander von Humboldt was the most celebrated modern chronicler of North and South America and the Caribbean, and this translation of his essay on New Spain—the first modern regional economic and political geography—covers his travels across today’s Mexico in 1803–1804. The work canvases natural-scientific and cultural-scientific objects alike, combining the results of fieldwork with archival research and expert testimony.
To show how people, plants, animals, goods, and ideas moved across the globe, Humboldt wrote in a variety of styles, bending and reshaping familiar writerly conventions to keep readers attentive to new inputs. Above all, he wanted his readers to be open-minded when confronted with cultural and other differences in the Americas. Fueled by his comparative global perspective on politics, economics, and science, he used his writing to support Latin American independence and condemn slavery and other forms of colonial exploitation. It is these voluminous and innovative writings on the New World that made Humboldt the undisputed father of modern geography, early American studies, transatlantic cultural history, and environmental studies.
This two-volume critical edition—the third installment in the Alexander von Humboldt in English series—is based on the full text, including all footnotes, tables, and maps, of the second, revised French edition of Essai politique sur le royaume de de Nouvelle Espagne from 1825 to 1827, which has never been translated into English before. Extensive annotations and full-color atlases are available on the series website.
[more]
Criteria for Divisibility
N. N. Vorobyov
University of Chicago Press, 1980
N. N. Vorob'ev's Criteria for Divisibility introduces the high school or early college student to a specific number-theoretic topic and explains the general mathematical structures which underlie the particular concepts discussed. Vorob'ev discusses the ideas of well-ordered sets, partial and linear orderings, equivalence relations, equivalence classes, algorithms, and the relationship between the determinability of algorithms defined on the integers and the well-ordering principle.
All this is done comprehensively with the help of a unique plan for study which encourages the student to skip large sections of the book on first reading and return to them later. The more general and conceptually challenging material appears in small print, so that the student must have a good grasp of the number-theoretic concepts on which the generalizations are based before making the step to generalization. The booklet provides both specific knowledge in a particular field of mathematical investigation and a fine basis on which to continue studies in mathematics.
All this is done comprehensively with the help of a unique plan for study which encourages the student to skip large sections of the book on first reading and return to them later. The more general and conceptually challenging material appears in small print, so that the student must have a good grasp of the number-theoretic concepts on which the generalizations are based before making the step to generalization. The booklet provides both specific knowledge in a particular field of mathematical investigation and a fine basis on which to continue studies in mathematics.
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Androids in the Enlightenment
Mechanics, Artisans, and Cultures of the Self
Adelheid Voskuhl
University of Chicago Press, 2013
The eighteenth century saw the creation of a number of remarkable mechanical androids: at least ten prominent automata were built between 1735 and 1810 by clockmakers, court mechanics, and other artisans from France, Switzerland, Austria, and the German lands. Designed to perform sophisticated activities such as writing, drawing, or music making, these “Enlightenment automata” have attracted continuous critical attention from the time they were made to the present, often as harbingers of the modern industrial age, an era during which human bodies and souls supposedly became mechanized.
In Androids in the Enlightenment, Adelheid Voskuhl investigates two such automata—both depicting piano-playing women. These automata not only play music, but also move their heads, eyes, and torsos to mimic a sentimental body technique of the eighteenth century: musicians were expected to generate sentiments in themselves while playing, then communicate them to the audience through bodily motions. Voskuhl argues, contrary to much of the subsequent scholarly conversation, that these automata were unique masterpieces that illustrated the sentimental culture of a civil society rather than expressions of anxiety about the mechanization of humans by industrial technology. She demonstrates that only in a later age of industrial factory production did mechanical androids instill the fear that modern selves and societies had become indistinguishable from machines.
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Hilma af Klint
A Biography
Julia Voss
University of Chicago Press, 2022
A highly anticipated biography of the enigmatic and popular Swedish painter.
The Swedish painter Hilma af Klint (1862–1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe.
But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic. Like many of the artists at the turn of the twentieth century who developed some version of abstract painting, af Klint studied Theosophy, which holds that science, art, and religion are all reflections of an underlying life-form that can be harnessed through meditation, study, and experimentation. Well before Kandinsky, Mondrian, and Malevich declared themselves the inventors of abstraction, af Klint was working in a nonrepresentational mode, producing a powerful visual language that continues to speak to audiences today. The exhibition of her work in 2018 at the Guggenheim Museum in New York City attracted more than 600,000 visitors, making it the most-attended show in the history of the institution.
Despite her enormous popularity, there has not yet been a biography of af Klint—until now. Inspired by her first encounter with the artist’s work in 2008, Julia Voss set out to learn Swedish and research af Klint’s life—not only who the artist was but what drove and inspired her. The result is a fascinating biography of an artist who is as great as she is enigmatic.
The Swedish painter Hilma af Klint (1862–1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe.
But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic. Like many of the artists at the turn of the twentieth century who developed some version of abstract painting, af Klint studied Theosophy, which holds that science, art, and religion are all reflections of an underlying life-form that can be harnessed through meditation, study, and experimentation. Well before Kandinsky, Mondrian, and Malevich declared themselves the inventors of abstraction, af Klint was working in a nonrepresentational mode, producing a powerful visual language that continues to speak to audiences today. The exhibition of her work in 2018 at the Guggenheim Museum in New York City attracted more than 600,000 visitors, making it the most-attended show in the history of the institution.
Despite her enormous popularity, there has not yet been a biography of af Klint—until now. Inspired by her first encounter with the artist’s work in 2008, Julia Voss set out to learn Swedish and research af Klint’s life—not only who the artist was but what drove and inspired her. The result is a fascinating biography of an artist who is as great as she is enigmatic.
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Enlightenment Portraits
Michel Vovelle
University of Chicago Press, 1997
Enlightenment Portraits permits us to see direct actors in history, people who took an active part in the collective adventures that put the human being at the center of Western civilizations vision of the world: nobles, priests, functionaries, men of letters, artists, and explorers, also soldiers and women.
The Enlightenment's leading figures cast their light in an irregular and unequal way: areas and environments in which new ideas penetrated and took effect alternated with shadowy patches. The fundamental structures of society may have remained stable, but new ways of producing, of being, and of appearing made sometimes abrupt headway. Attitudes toward life, birth, love, marriage and sexuality, and death had begun to change.
The twilight of the Enlightenment came at the end of the eighteenth century, part of a sequence of events of which the French Revolutions was simply the paroxysm.
A subtle and complex study of the Enlightenment, this book allows contemporary readers to reflect on how nineteenth- and twentieth-century scholars have constructed their views on eighteenth-century man.
The Enlightenment's leading figures cast their light in an irregular and unequal way: areas and environments in which new ideas penetrated and took effect alternated with shadowy patches. The fundamental structures of society may have remained stable, but new ways of producing, of being, and of appearing made sometimes abrupt headway. Attitudes toward life, birth, love, marriage and sexuality, and death had begun to change.
The twilight of the Enlightenment came at the end of the eighteenth century, part of a sequence of events of which the French Revolutions was simply the paroxysm.
A subtle and complex study of the Enlightenment, this book allows contemporary readers to reflect on how nineteenth- and twentieth-century scholars have constructed their views on eighteenth-century man.
[more]
Louder Than Bombs
A Life with Music, War, and Peace
Ed Vulliamy
University of Chicago Press, 2020
Part memoir, part reportage, Louder Than Bombs is a story of music from the front lines. Ed Vulliamy, a decorated war correspondent and journalist, offers a testimony of his lifelong passion for music. Vulliamy’s reporting has taken him around the world to cover the Bosnian war, the fall of the Berlin Wall and collapse of Communism, the Iraq wars of 1991 and 2003 onward, narco violence in Mexico, and more, places where he confronted stories of violence, suffering, and injustice. Through it all, Vulliamy has turned to music not only as a reprieve but also as a means to understand and express the complicated emotions that follow.
Describing the artists, songs, and concerts that most influenced him, Vulliamy brings together the two largest threads of his life—music and war. Louder Than Bombs covers some of the most important musical milestones of the past fifty years, from Jimi Hendrix playing “Machine Gun” at the Isle of Wight Festival in 1970 to the Bataclan in Paris under siege in 2015. Vulliamy was present for many of these historic moments, and with him as our guide, we see them afresh, along the way meeting musicians like B. B. King, Graham Nash, Patti Smith, Daniel Barenboim, Gustavo Dudamel, and Bob Dylan. Vulliamy peppers the book with short vignettes—which he dubs 7" singles—recounting some of his happiest memories from a lifetime with music. Whether he’s working as an extra in the Vienna State Opera’s production of Aida, buying blues records in Chicago, or drinking coffee with Joan Baez, music is never far from his mind. As Vulliamy discovers, when horror is unspeakable, when words seem to fail us, we can turn to music for expression and comfort, or for rage and pain. Poignant and sensitively told, Louder Than Bombs is an unforgettable record of a life bursting with music.
Describing the artists, songs, and concerts that most influenced him, Vulliamy brings together the two largest threads of his life—music and war. Louder Than Bombs covers some of the most important musical milestones of the past fifty years, from Jimi Hendrix playing “Machine Gun” at the Isle of Wight Festival in 1970 to the Bataclan in Paris under siege in 2015. Vulliamy was present for many of these historic moments, and with him as our guide, we see them afresh, along the way meeting musicians like B. B. King, Graham Nash, Patti Smith, Daniel Barenboim, Gustavo Dudamel, and Bob Dylan. Vulliamy peppers the book with short vignettes—which he dubs 7" singles—recounting some of his happiest memories from a lifetime with music. Whether he’s working as an extra in the Vienna State Opera’s production of Aida, buying blues records in Chicago, or drinking coffee with Joan Baez, music is never far from his mind. As Vulliamy discovers, when horror is unspeakable, when words seem to fail us, we can turn to music for expression and comfort, or for rage and pain. Poignant and sensitively told, Louder Than Bombs is an unforgettable record of a life bursting with music.
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