A SCHOLARLY BOOK REPOSITORY176 start with B start with B
The book illustrates why disability must be assessed within a particular society’s social, political, and medical context, and also the importance of bringing medical history into conversation with cultural history. A Euro-American-centric disability studies perspective that focuses on disability and oppression, the author contends, risks overlooking the unique situation in a non-Western society like Japan in which disability was constructed to enhance blind people’s power. He explores what it meant to be blind in Japan at that time, and what it says about current frameworks for understanding disability.
The ritual murder accusation is one of a series of myths that fall under the label blood libel, and describes the medieval legend that Jews require Christian blood for obscure religious purposes and are capable of committing murder to obtain it. This malicious myth continues to have an explosive afterlife in the public sphere, where Sarah Palin's 2011 gaffe is only the latest reminder of its power to excite controversy. Blood Libel is the first book-length study to analyze the recent historiography of the ritual murder accusation and to consider these debates in the context of intellectual and cultural history as well as methodology. Hannah R. Johnson articulates how ethics shapes methodological decisions in the study of the accusation and how questions about methodology, in turn, pose ethical problems of interpretation and understanding. Examining recent debates over the scholarship of historians such as Gavin Langmuir, Israel Yuval, and Ariel Toaff, Johnson argues that these discussions highlight an ongoing paradigm shift that seeks to reimagine questions of responsibility by deliberately refraining from a discourse of moral judgment and blame in favor of an emphasis on historical contingencies and hostile intergroup dynamics.
Blue Ice relates the tale of the University of Michigan's hockey program--from its fight to become a varsity sport in the 1920s to its 1996 and 1998 NCAA national championships.
This history of the hockey program profiles the personalities who shaped the program--athletic directors, coaches, and players. From Fielding Yost, who made the decision to build the team a rink with artificial ice before the Depression (which ensured hockey would be played during those lean years), to coaches Joseph Barss, who survived World War I and the ghastly Halifax explosion before becoming the program's first coach, to Red Berenson, who struggled to return his alma mater's hockey team to prominence in the 1980s and 1990s. Players from Eddie Kahn, who scored Michigan's first goal in 1923, to Brendan Morrison, who upon winning the 1996 national championship with his goal said, "This is for all the [Michigan] guys who never had a chance to win it."
Blue Ice also explores the players' exotic backgrounds, from Calumet in the Upper Peninsula to Minnesota's Iron Range to Regina, Saskatchewan; how coach Vic Heygliger launched the NCAA tournament at the glamorous Broadmoor Hotel; and how commissioner Bill Beagan transformed the country's premier hockey conference.
In Blue Ice, fans of hockey will learn the stories behind the curse of the Boston University Terriers, the hockey team's use of the winged helmet, and the unlikely success of Ann Arbor's home-grown talent.
Unlike other sports at the collegiate level, the hockey players at Michigan haven't been motivated by fame or fortune; rather, they came to Michigan get an education and to play the game they loved.
John U. Bacon has won numerous national writing awards and now freelances for Sports Illustrated,Time,ESPN Magazine,and the New York Times, among others.
As editor Radiclani Clytus makes clear in the volume's introductory essay, although Komunyakaa's poetry has its roots in the stylistic innovations of early twentieth-century American modernists, his writing often reflects his understanding that a "black" experience should not particularize the presentation of one's art. This volume, according to the editor, is an attempt to understand Komunyakaa's critical eclecticism within the context of his own words.
Yusef Komunyakaa's books of poetry include I Apologize for the Eyes in My Head, Magic City, Thieves of Paradise, and Neon Vernacular, for which he received the Pulitzer Prize and the Kingsley Tufts Poetry Award in 1994.
"This was really the first time that blues music, especially Chicago/urban blues, was showcased in this way. Sadly, the festivals were not recorded professionally. So Mr. Livingston's photos are the best record of the festivals."
---Michael Jewett, longtime weekday afternoon host of 89.1 Jazz and host of "Blues & Some Uthuh Stuff"
"The photos are works of art. It is great to see photos of musicians such as Buddy Guy and James Cotton looking so young and vibrant. And it is great to see photos of blues legends such as John Lee Hooker, Roosevelt Sykes, Howlin' Wolf, and Son House, who have long since passed away."
---Peter Madcat Ruth, Grammy-winning blues harmonica player
"If Woodstock was one of the Fifty Moments That Changed Rock 'n' Roll History, as honored in Rolling Stone magazine, then the Ann Arbor Blues Festival was the coronation for the blues roots that sired rock to begin with. . . . finally we have this amazing book of Stanley Livingston's priceless images, along with Michael Erlewine's detailed chronology."
---From the foreword by Jim O'Neal, Cofounder, Living Blues Magazine
In 1969 and 1970, the first Ann Arbor Blues Festivals brought together the greatest-ever selection of blues performers---an enormous blues party that seemed to feature every big name in the world of blues.
The Ann Arbor Blues Festival was just that: a festival and celebration of city blues. It helped to mark the discovery of modern blues music (and the musicians who made that music) by a much larger audience. The festival, however, was something more than just a white audience discovering black music.
Never before had such a far-reaching list of performers been assembled, including the grandfathers of southern country blues and the hottest electric bands from Chicago. These groundbreaking festivals were the seed that grew into the Ann Arbor Blues and Jazz Festival, which was continued annually for many years. To name just a few of the dozens of artists who performed at the festival: Luther Allison, John Lee Hooker, Howlin' Wolf, B.B. King, Muddy Waters, Otis Rush, Hound Dog Taylor, Big Mama Thorton, T-Bone Walker, Sippie Wallace, Junior Wells, and Mighty Joe Young.
Stanley Livingston, a professional photographer from Ann Arbor, captured these legendary performances onstage---as well as the goings-on backstage. Livingston's thousands of photographs from these festivals, previously unpublished and known only to a few, are among the finest candid blues shots ever taken. Together with editor and archivist Michael Erlewine's text accompaniments, these photographs, reproduced here as high-quality duotones, comprise a visual history and important keepsake for blues aficionados everywhere.
Stanley Livingston was an award-winning photographer living and working in Ann Arbor until he passed away in 2010, after the book was released.
Michael Erlewine, also from Ann Arbor, is a renowned archivist of popular culture and founder of the All-Music Guide (allmusic.com) and editor of a number of books on blues and jazz.
Cover photo of B.B. King by Stanley Livingston
Among commentators, it had been an unexamined commonplace that the "young" Boccaccio either did not know well or did not understand sufficiently the texts of Dante (even though the "young" Boccaccio is construed as including the thirty-eight-year-old author of the Decameron.) In Boccaccio's Dante and the Shaping Force of Satire, Robert Hollander offers a valuable synthesis of new material and some previously published essays, addressing the question of Dante's influence on Boccaccio, particularly concerning the Commedia and the Decameron.
Hollander reveals that Boccaccio's writings are heavy with reminiscences of the Dante text, which he believed to be the greatest "modern" work. It was Boccaccio's belief that Dante was the only writer who had achieved a status similar to that reserved for the greatest writers of antiquity. Most of these essays try to show how carefully Boccaccio reflects the texts of Dante in the Decameron. Some essays also turn to the question of Boccaccio's allied reading of Ovid, especially the amatory work, as part of his strategy to base his work primarily on these two great authorities as he develops his own vernacular and satiric vision of human foolishness.
Boccaccio's Dante and the Shaping Force of Satire is a welcome addition to the field of Dante studies and to medieval studies in general.
Robert Hollander is Professor in European Literature and Chair, Department of Comparative Literature, Princeton University. He has received the city of Florence's gold medal for work advancing our understanding of Dante.
Bodies and Ruins examines a range of local publications that carried photographic images of German cities destroyed in the air war, images that soon entered the visual memory of World War II. Despite its obvious importance, historians have paid very little attention to the visual representation of the bombing war. This book follows the search for what were considered to be the “right” stories and the “right” pictures of the bombing war in local publications and picture books from 1945 to the present, and is intended for historians as well as general readers interested in World War II, the Allied bombing of German cities, the Holocaust, the history of memory and photographic/visual history.
-Martin F. Norden, University of Massachusetts-Amherst
This groundbreaking collection imagines disabled bodies as "bodies in commotion"-bodies that dance across artistic and discursive boundaries, challenging our understanding of both disability and performance. In the book's essays, leading critics and artists explore topics that range from theater and dance to multi-media performance art, agit-prop, American Sign Language theater, and wheelchair sports. Bodies in Commotion is the first collection to consider the mutually interpretive qualities of these two emerging fields, producing a dynamic new resource for artists, activists, and scholars.
The volume’s contributors draw from rich legacies of theater, performance, and activism in the region, as well as decolonial and intersectional theorizing, to demonstrate the ways that performance practices enable activists to sustain their movements. The chapters engage diverse perspectives from Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, the Dominican Republic, transnational Central America, Peru, Puerto Rico, and Mexico.
Rather than taking an approach that simplifies complexities among states, Bodies on the Front Lines takes seriously the geopolitical stakes of examining Latin America and the Caribbean as a heterogeneous site of nations and networks. In chapters covering this wide geographical area, leading scholars in the fields of theater and performance studies showcase the aesthetic, social, and political work of performance in generating and fortifying gender and sexual activism in the Americas.
Generously and variously illustrated, this volume gathers together the work of literary critics and artists, classicists, art historians, and specialists on the history of the body, who survey the strangeness and variety with which the body has given human beings form. Richard Leppert traces how the representation of little girls responds directly to the cultural anxieties of modernity. René Girard plots how starvation becomes an art form, while Eric Gans surveys the contemporary phenomenon of body modification. Sander Gilman explores aesthetic surgery as a response to human unhappiness. Simon Goldhill discovers in the Roman empire the initial stirrings of institutions that focus on the spectacle of the body, and Cynthia S. Greig provides a glimpse of what the history of photography would look like if male nudes replaced female ones. Marion Jackson details how the different physical existence of the Inuit guides the way they make art. Joseph Grigely transforms aesthetics as usual by focusing on the disabled body, while Tobin Siebers describes the traumatic appeal in both fine art and the media of wounded flesh, whether human or animal.
The Body Aesthetic is a broad exercise in cultural studies and will address a variety of readers, from those interested in detailed, theoretical accounts of the body, to those interested in belles lettres, to those interested in fine art.
Tobin Siebers is Professor of English, University of Michigan.
The book provides a provocative range of topics and perspectives: the absence of physical "otherness" in Ancient Greece, the depiction of the female invalid in Victorian literature, the production of tragic innocence in British and American telethons, the reconstruction of Civil War amputees, and disability as the aesthetic basis for definitions of expendable life within the modern eugenics movement. With this new, secure anchoring in the humanities, disability studies now emerges as a significant strain in contemporary theories of identity and social marginality.
Moving beyond the oversimplication that disabled people are marginalized and made invisible by able-ist assumptions and practices, the contributors demonstrate that representation is founded upon the perpetual exhibition of human anomalies. In this sense, all art can be said to migrate toward the "freakish" and the "grotesque." Such a project paradoxically makes disability the exception and the rule of the desire to represent that which has been traditionally out-of-bounds in polite discourse.
The Body and Physical Difference has relevance across a wide range of academic specialties such as cultural studies, the sociology of medicine, history, literature and medicine, the allied health professions, rehabilitation, aesthetics, philosophical discourses of the body, literary and film studies, and narrative theory.
David T. Mitchell is Assistant Professor of English, Northern Michigan University. Sharon L. Snyder teaches film and literature at Northern Michigan University.
The essays "Where Poems Take Place" and "A Shared Humanity" consider the relation between setting or situation and representation. The psychological roots of narrative are considered in "The Primal Storyteller." But the main interest of these essays is how and why narrative is used as a form. The influence of Robinson Jeffers's style of narrative is argued in "Slip, Shift, and Speed Up: The Influence of Robinson Jeffers's Narrative Syntax." In "The Trace of a Story Line" an argument is made that the poets Philip Levine and Charles Wright employ narration or storytelling in their poetry as a mode of meaning. Other essays consider Donald Davie, Philip Larkin, Herbert Lomas, Louis Simpson, Lyn Hejinian, Tess Gallagher, and Ellen Bryant Voigt.
Mark Jarman's poetry has appeared in many publications, including the American Poetry Review and the New Yorker. He has won the Lenore Marshall/Nation Prize of the Academy of American Poets, a Guggenheim fellowship, and multiple grants from the National Endowment for the Arts. He is Professor of English, Vanderbilt University.
Rather than focusing on canonical American authors who wrote at the time of U.S. imperialism, this book examines abject texts—images of naked savages, corpses, clothed native elites, and uniformed American soldiers—as well as bodies of writing that document the goodwill and violence of American expansion in the Philippine colony. Contributing to the fields of American studies, Asian American studies, and gender studies, the book analyzes the actual archive of the Philippine-American War and how the racialization and sexualization of the Filipino colonial native have always been part of the cultures of America and U.S. imperialism. By focusing on the Filipino native as an abject body of the American imperial imaginary, this study offers a historical materialist optic for reading the cultures of Filipino America.
Praise for Boogaloo:
"From Thomas A. Dorsey and gospel to Sam Cooke and the classic age of boogaloo ('soul') to George Clinton and hip hop, this comprehensive analysis of African-American popular music is a deep and gorgeous meditation on its aesthetics and business."
---Henry Louis Gates, Jr., W.E.B. Du Bois Professor of the Humanities, Harvard
"Surpassingly sympathetic and probing. . . . a panoramic critical survey of black popular music over seventy-five years. . . .There is no book quite like it."
---New York Review of Books
". . . moving, dense, and fascinating. . . ."
---New Yorker
". . . a grand and sweeping survey of the history of soul music in America. . . . one of the best books of music journalism. . . ."
---Publisher's Weekly
". . . a fascinating and often original addition to the extensive literature. . . . an astute and witty account. . . . there is plenty in Boogaloo to set the mind and heart alight, as well as some flashes of brilliance and originality rare in music writing today."
---Times Literary Supplement
Book of the Disappeared confronts worldwide human rights violations of enforced disappearance and genocide and explores the global quest for justice with forceful, outstanding contributions by respected scholars, expert practitioners, and provocative contemporary artists. This profoundly humane book spotlights our historic inhumanity while offering insights for survival and transformation.
The textbook is designed to be used along with Kindred, a novel by Octavia Butler (published by Beacon Press), which tells the story of a young black woman who disappears from her home in 1970s California to save the life of her white slave-owner ancestor in the early nineteenth century. Through the novel and textbook, students learn about nineteenth-century American life, the origins of slavery in America, the conditions under which slaves lived, the Underground Railroad, important historical figures (like Harriet Tubman and Frederick Douglass), and the civil rights movement of the twentieth century.
Each of the six units begins with a preview of the reading and free writing topics, followed by exercises that improve comprehension and vocabulary building. Students use response journals to think about their personal connection with the novel. They are encouraged to discuss different topics and then write about what they've discussed. The Beyond the Novel section in each unit introduces factual background information in which students learn about slavery and other material mentioned in the novel. Puzzles and out-of-class activities are also included at the end of each unit.
A Companion TextforLike Water for Chocolate is made up of six units, each covering two chapters in the novel. Every unit contains a preview section, free writing exercises, a short glossary (to help with Spanish words), comprehension quizzes, vocabulary exercises and summarizing exercises, a section devoted to response journals, and topics for discussion. The "Beyond the Novel" section includes facts about U.S. and Mexican history and folk tales. Illustrations throughout the book help to engage students and offer visual support for reading comprehension.
Borne of the Wind describes the environmental factors necessary for dune creation in an easy-to-understand format, introducing readers to the rich ecology of Michigan's dunes. Each of the distinct types of dunes encountered along the Great Lakes shoreline is explained and illustrated with color photographs and line drawings, while color photographs of the plants and animals found in duneland areas complement the story of these fragile, ever-changing landscapes.
For scholars and enthusiasts alike, Borne of the Wind provides a comprehensive and colorful introduction to one of our finest yet least-understood natural features.
These banks enhance credibility by promoting financial transparency in the local system, improving the quality of banking regulation and supervision, and by serving as private lenders of last resort. Reputable multinational banks provide an enforcement mechanism for publicized economic policies, signaling to international financial markets that the host government is committed to low inflation and stable currency.
Grittersová examines actual changes in government behavior of nations trying to gain legitimacy in international financial markets, and the ways in which perceptions of these nations change in relation to multinational banks. In addition to quantitative analysis of over 80 emerging-market countries, she offers extensive case studies of credibility building in the transition countries of Eastern Europe, Argentina in 2001, and the global financial crisis of 2008. Grittersová illuminates the complex interactions between multinational banks and national policymaking that characterize the process of financial globalization to reveal the importance of market confidence in a world of mobile capital.
Bound Together takes a new look at twentieth-century Turkey, asking what it will take for Turkish women and men to regain their lost freedoms, and what the Turkish case means for the prospects of freedom and democracy elsewhere. Contrasting the country’s field of poetry, where secularization was the joint work of pious and nonpious people, with that of the novel, this book inquires into the nature of western-nonwestern difference.
Turkey’s poets were more fortunate than its novelists for two reasons. Poets were slightly better at developing the idea of the autonomy of art from politics. While piety was a marker of political identity everywhere, poets were better able than novelists to bracket political differences when assessing their peers as the country was bitterly polarized politically and as the century wore on. Second, and more important, poets of all stripes were more connected to each other than were novelists. Their greater ability to find and keep one another in coffeehouses and literary journals made it less likely for prospective cross-aisle partnerships to remain untested propositions.
A Boundless Field takes its title from Walt Whitman's sanguine view of the future of American poetry as he expressed it in "Democratic Vistas," a view that seems all the more pertinent today. During the later twentieth century, poetry in the United States branched out in many directions, ranging from a formalism influenced by New Criticism and a subsequent Neo-Formalism through the New York School and Language Poetry to a postmodern maximalism too diverse to categorize. The essays and reviews collected in this volume take up the work of poets writing in these different areas and writing into the twenty-first century.
Yenser's constant criteria for worthiness of attention include an alertness to the long tradition of English and American poetry, a consistent awareness of the integrity of the poetic line, a simultaneous commitment to verbal play and verbal work, and an implicit acknowledgment of two of Wallace Stevens's declarations: first that all admirable poetry is experimental poetry, and second that at first blush all good poems put up a certain resistance to the reader. Hence the usefulness of "criticism."
Stephen Yenser is Professor of English, University of California, Los Angeles. His poetry has appeared in many publications and to wide acclaim, including the Walt Whitman Award of the American Academy of Poets for his book The Fire in All Things. He is also author of The Consuming Myth: The Work of James Merrill and Circle to Circle: The Poetry of Robert Lowell.
In 1831, Stevens T. Mason was named Secretary of the Michigan Territory at the tender age of 19, two years before he could even vote. The youngest presidential appointee in American history, Mason quickly stamped his persona on Michigan life in large letters. After championing the territory's successful push for statehood without congressional authorization, he would defend his new state's border in open defiance of the country's political elite and then orchestrate its expansion through the annexation of the Upper Peninsula---all before his official election as Michigan's first governor at age 24, the youngest chief executive in any state's history.
The Boy Governor tells the complete story of this dominant political figure in Michigan's early development. Capturing Mason's youthful idealism and visionary accomplishments, including his advocacy for a strong state university and legislating for the creation of the Soo Locks, this biography renders a vivid portrait of Michigan's first governor---his conflicts, his desires, and his sense of patriotism. This book will appeal to anyone with a love of American history and interest in the many, larger-than-life personalities that battled on the political stage during the Jacksonian era.
A Braided Heart provides a friendly, personal, and smart guide to the writing life. It also offers clear and original instruction on craft elements at the forefront of today’s emerging forms in creative nonfiction: from the short-short, to the braided form, to the hermit crab essay. An acknowledged expert in these forms, Brenda Miller gives writers practical advice on how to sustain and invigorate their writing practice, while also encouraging readers to explore their own writing lives.
Over the past two decades, corporations and other commercial entities have used strategic litigation to win more expansive First Amendment protections for commercial speech—from the regulation of advertising to the role corporate interests play in the political process, most recently debated in the Supreme Court case of Citizens United v. Federal Election Commission. Tamara R. Piety, a nationally known critic of commercial and corporate speech, argues that such an expansion of First Amendment speech rights imperils public health, safety, and welfare; the reliability of commercial and consumer information; the stability of financial markets; and the global environment.
Beginning with an evaluation of commonly evoked philosophical justifications for freedom of expression, Piety determines that, while these are appropriate for the protection of an individual’s rights, they should not be applied too literally to commercial expression because the corporate person is not the moral equivalent of the human person. She then gathers evidence from public relations and marketing, behavioral economics, psychology, and cognitive studies to show how overly permissive extensions of First Amendment protections to commercial expression limit governmental power to address some of the major social, economic, and environmental challenges of our time.
“The timeliness of the topic and the provision of original positions are sure to make the book a valuable contribution that should draw much attention.”
—Kevin W. Saunders, Michigan State University
Praise for Breakfast Served:
". . . the essays in this book are engaging, passionate, strange, and unified. Hall has been around a long time, and you can trace the concerns of a generation through the mind of this one man: questions about the diminished scope of poetry, the diminished ambitions of poets, how a poem 'means,' etc. . . . . Criticism . . . is an exercise in sanity, of which these essays are a splendid and useful example."
-Poetry
"A luminous and essential volume about the sensuality of language, its pleasures and sounds."
-Ploughshares
"It is in this merger of a poet's biography and a poem's body that Hall does his best work. . . . [Breakfast Served Any Time All Day] has an undeniably infectious quality to it. Finishing it, you cannot help but want to return to your bookshelf, and read-again or for the first time-the great forgotten poems of our past."
-Nathan Greenwood Thompson, Rain Taxi
-Claire Lyons, The Getty Museum
"Behind these pioneering women lie a wide range of fascinating and inspiring life stories. Though each of their tales is unique, they were all formidable scholars whose important contributions changed the field of archaeology. Kudos to the authors for making their stories and accomplishments known to us all!"
-Jodi Magness, University of North Carolina, Chapel Hill
This book presents twelve fascinating women whose contributions to the development and progress of Old World archaeology---in an area ranging from Italy to Mesopotamia---have been immeasurable. Each essay in this collection examines the life of a pioneer archaeologist in the early days of the discipline, tracing her path from education in the classics to travel and exploration and eventual international recognition in the field of archaeology. The lives of these women may serve as models both for those interested in gender studies and the history of archaeology because in fact, they broke ground both as women and as archaeologists.
The interest inherent in these biographies will reach well beyond defined disciplines and subdisciplines, for the life of each of these exciting and accomplished individuals is an adventure story in itself
In its second edition, Breaking New Ground for SLIFE builds on its model for supporting students who are new to English and may have experienced a disruption in their schooling. The practices presented in this book emerge from the belief that education for students with limited or interrupted formal education, also known as SLIFE, should not be remedial but should build on the students’ prior learning experiences and existing areas of knowledge. This second edition has been significantly updated, informed by recent research in the field, feedback from teachers, and new scholarly treatments of the topic. Breaking New Ground for SLIFE, second edition, explores the MALP approach, highlights how technology can be incorporated into classroom activities, and includes actual MALP projects implemented by MALP-trained teachers of both young and adolescent learners. In addition, the authors provide a newly revised MALP Teacher Planning Checklist.
By reading Breaking New Ground for SLIFE, educators will:
- Learn about the Mutually Adaptive Learning Paradigm (MALP) and how to integrate it into their classrooms
- Discover and learn about the MALP instructional approach and how to use it to develop a project-based curriculum using examples from teachers in the field
Bridging State and Civil Society provides an in-depth study of parts of Central Asia and Afghanistan that remain marginalized from the larger region. As such, the people have developed distinct ways of governing and surviving, sometimes in spite of the state and in part because of informal organizations. Suzanne Levi-Sanchez provides eight case studies, each an independent look at a particular informal organization, but each also part of a larger picture that helps the reader understand the importance and key role that informal organizations play for civil society and the state. Each case explores how informal organizations operate and investigates their structures and interactions with official state institutions, civil society, familial networks, and development organizations. As such, each chapter explores the concepts through a different lens while asking a deceptively simple question: What is the relationship between informal organizations and the state?
Legislative member organizations (LMOs)—such as caucuses in the U.S. Congress and intergroups in the European Parliament—exist in lawmaking bodies around the world. Unlike parties and committees, LMOs play no obvious, predefined role in the legislative process. They provide legislators with opportunities to establish social networks with colleagues who share common interests. In turn, such networks offer valuable opportunities for the efficient exchange of policy-relevant—and sometimes otherwise unattainable—information between legislative offices. Building on classic insights from the study of social networks, the authors provide a comparative overview of LMOs across advanced, liberal democracies. In two nuanced case studies of LMOs in the European Parliament and the U.S. Congress, the authors rely on a mix of social network analysis, sophisticated statistical methods, and careful qualitative analysis of a large number of in-depth interviews.
Each of the contributors is a current or former lecturer at the Warren Wilson College MFA Program for Writers, one of the most highly respected writing programs in the country. Included are essays by Charles Baxter, Robert Boswell, Karen Brennan, Judith Grossman, Ehud Havazelet, C. J. Hribal, Margot Livesey, Michael Martone, Kevin McIlvoy, Pablo Medina, Antonya Nelson, Susan Neville, Richard Russo, Steven Schwartz, Jim Shepard, Joan Silber, Debra Spark, Peter Turchi, and Chuck Wachtel.
Rich with masterful examples and personal anecdotes, these imaginative essays provide hard-earned insight into a writer's work. The book will interest not only those seeking inspiration and guidance to become stronger writers, but also readers of contemporary literary fiction, who will find a number of surprising and original approaches to the writer's work by award-winning practitioners adept at teaching others what they know.
Charles Baxter is author of several novels, including The Feast of Love, Shadow Play, and First Light. and collections of stories including Believers and A Relative Stranger. He teaches writing at the University of Michigan. Peter Turchi is author of the novel The Girls Next Door, a collection of stories, Magician, and a book of non-fiction, The Pirate Prince. He is Director of the MFA Program for Writers, Warren Wilson College.
---Ruth Teer-Tomaselli, UNESCO Chair in Communication for Southern Africa, Culture, Communication and Media Studies, University of KwaZulu-Natal
digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.
Through musicological analyses of works by Gershwin, Bernstein, Copland, Sondheim and others, the author proposes that performance cartography is a versatile methodology for urban theory, and establishes a methodological approach that uses the idea of the map in three ways: as an impetus, a metaphor, and a tool for exploring the city.
Drawing on a millennia of calligraphy theory and history, Brushed in Light examines how the brushed word appears in films and in film cultures of Korea, Japan, Taiwan, Hong Kong, and PRC cinemas. This includes silent era intertitles, subtitles, title frames, letters, graffiti, end titles, and props. Markus Nornes also looks at the role of calligraphy in film culture at large, from gifts to correspondence to advertising. The book begins with a historical dimension, tracking how calligraphy is initially used in early cinema and how it is continually rearticulated by transforming conventions and the integration of new technologies. These chapters ask how calligraphy creates new meaning in cinema and demonstrate how calligraphy, cinematography, and acting work together in a single film. The last part of the book moves to other regions of theory. Nornes explores the cinematization of the handwritten word and explores how calligraphers understand their own work.
This volume contributes to emerging interdisciplinary conversations in higher education about how to refine internationalization in terms of praxis and how to coordinate curricular and pedagogical efforts to achieve meaningful learning outcomes for all students. The chapters provide suggestions for how L2 specialists can reframe their work in their individual programs to help internationalize the entire university in ways that lead to improved learning outcomes for students at different points in their degree programs, including:
- Orientation programs (early arrival on campus, before classes start)
- Language Center contexts (support during studies)
- Volunteer programs for International Teaching Assistants (ITA) and undergraduate students
- Graduate-level writing support structures
- Instructional design (virtual learning spaces)
- Virtual Partner programs (co-curricular)
- Intercultural composition (placement, interdisciplinary collaborations)
"John Tishman is a true pioneer in the Construction Management industry. Through his CM leadership, some of America's most well-known buildings have been brought to successful completion."
---Bruce D'Agostino, president and chief executive, Construction Management Association of America
"Building Tall will provide readers with insights into John Tishman's career as a visionary engineer, landmark builder, and great businessman. Responsible for some of the construction world's most magnificent projects, John is one of the preeminent alumni in the history of Michigan Engineering. His perspectives have helped me throughout my time as dean, and his impact will influence generations of Construction Management professionals and students."
---David C. Munson, Jr., Robert J. Vlasic Dean of Engineering, University of Michigan
In this memoir, University of Michigan graduate John L. Tishman recounts the experiences and rationale that led him to create the entirely new profession now recognized and practiced as Construction Management. It evolved from his work as the construction lead of the "owner/builder" firm Tishman Realty and Construction, and his personal role as hands-on Construction Manager in the building of an astonishing array of what were at the time the world's tallest and most complex projects. These include
- The world's first three 100-story towers---the original "twin towers" of the World Trade Center in Manhattan and the Hancock Tower in Chicago.
- The Epcot Center at Disney World.
- The Renaissance Center in Detroit.
- New York's Madison Square Garden.
Tishman interweaves the stories behind the construction of these and many other important buildings and projects with personal reminiscences of his dealings with Henry Ford, Jr., Disney's Michael Eisner, casino magnate Steve Wynn, and many others into a practical history of the field of Construction Management, which he pioneered.
This book will be of interest not only to a general public interested in the stories and personalities behind many of the most iconic construction projects of the post–World War II period in the United States but to students of engineering and architecture and members of the new field of Construction Management.
"James F. Wilson uncovers fascinating new material on the Harlem Renaissance, shedding light on the oft-forgotten gay and lesbian contributions to the era's creativity and Civil Rights. Extremely well researched, compellingly written, and highly informative."
---David Krasner, author of A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1927
Bulldaggers, Pansies, and Chocolate Babies shines the spotlight on historically neglected plays and performances that challenged early twentieth-century notions of the stratification of race, gender, class, and sexual orientation. On Broadway stages, in Harlem nightclubs and dance halls, and within private homes sponsoring rent parties, African American performers of the 1920s and early 1930s teased the limits of white middle-class morality. Blues-singing lesbians, popularly known as "bulldaggers," performed bawdy songs; cross-dressing men vied for the top prizes in lavish drag balls; and black and white women flaunted their sexuality in scandalous melodramas and musical revues. Race leaders, preachers, and theater critics spoke out against these performances that threatened to undermine social and political progress, but to no avail: mainstream audiences could not get enough of the riotous entertainment.
Many of the plays and performances explored here, central to the cultural debates of their time, had been previously overlooked by theater historians. Among the performances discussed are David Belasco's controversial production of Edward Sheldon and Charles MacArthur's Lulu Belle (1926), with its raucous, libidinous view of Harlem. The title character, as performed by a white woman in blackface, became a symbol of defiance for the gay subculture and was simultaneously held up as a symbol of supposedly immoral black women. African Americans Florence Mills and Ethel Waters, two of the most famous performers of the 1920s, countered the Lulu Belle stereotype in written statements and through parody, thereby reflecting the powerful effect this fictional character had on the popular imagination.
Bulldaggers, Pansies, and Chocolate Babies is based on historical archival research including readings of eyewitness accounts, newspaper reports, songs, and playscripts. Employing a cultural studies framework that incorporates queer and critical race theory, it argues against the widely held belief that the stereotypical forms of black, lesbian, and gay show business of the 1920s prohibited the emergence of distinctive new voices. Specialists in American studies, performance studies, African American studies, and gay and lesbian studies will find the book appealing, as will general readers interested in the vivid personalities and performances of the singers and actors introduced in the book.
James F. Wilson is Professor of English and Theatre at LaGuardia Community College and the Graduate Center of the City University of New York.
—David Krasner, author of A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1927
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