front cover of The Americanist
The Americanist
Daniel Aaron
University of Michigan Press, 2009

“I have read all of Daniel Aaron’s books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own.”

—Harold Bloom

The Americanist is the absorbing intellectual autobiography of Daniel Aaron, who is the leading proponent and practitioner of American Studies. Written with grace and wit, it skillfully blends Daniel Aaron’s personal story with the history of the field he has done so much to create. This is a first-rate book by a first-rate scholar.”

—David Herbert Donald, Professor Emeritus, Harvard University

The Americanist is author and critic Daniel Aaron’s anthem to nearly a century of public and private life in America and abroad. Aaron, who is widely regarded as one of the founders of American Studies, graduated from the University of Michigan, received his Ph.D. from Harvard, and taught for over three decades each at Smith College and Harvard.

Aaron writes with unsentimental nostalgia about his childhood in Los Angeles and Chicago and his later academic career, which took him around the globe, often in the role of America’s accidental yet impartial critic. When Walt Whitman, whom Aaron frequently cites as a touchstone, wrote, “I am large, I contain multitudes,” he could have been describing Daniel Aaron—the consummate erudite and Renaissance individual whose allegiance to the truth always outweighs mere partisan loyalty.

Not only should Aaron’s book stand as a resplendent and summative work from one of the finest thinkers of the last hundred years, it also succeeds on its own as a first-rate piece of literature, on a par with the writings of any of its subjects. The Americanist is a veritable Who’s Who of twentieth-century writers Aaron interviewed, interacted with, or otherwise encountered throughout his life: Ralph Ellison, Robert Frost, Lillian Hellman, Richard Hofstadter, Alfred Kazin, Sinclair Lewis, Malcolm Muggeridge, John Crowe Ransom, Upton Sinclair, Edmund Wilson, Leonard Woolf, and W. B. Yeats, to name only a few.

Aaron’s frank and personal observations of these literary lights make for lively reading. As well, scattered throughout The Americanist are illuminating portraits of American presidents living and passed—miniature masterworks of astute political observation that offer dazzlingly fresh approaches to well-trod subjects.

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front cover of Taking Trade to the Streets
Taking Trade to the Streets
The Lost History of Public Efforts to Shape Globalization
Susan Ariel Aaronson
University of Michigan Press, 2002
In the wake of civil protest in Seattle during the 1999 World Trade Organization meeting, many issues raised by globalization and increasingly free trade have been in the forefront of the news. But these issues are not necessarily new. Taking Trade to the Streets describes how so many individuals and nongovernmental organizations came over time to see trade agreements as threatening national systems of social and environmental regulations. Using the United States as a case study, Susan Ariel Aaronson examines the history of trade agreement critics, focusing particular attention on NAFTA (the North American Free Trade Agreement between Canada, Mexico, and the United States) and the Tokyo and Uruguay Rounds of trade liberalization under the GATT. She also considers the question of whether such trade agreement critics are truly protectionist.
The book explores how trade agreement critics built a fluid global movement to redefine the terms of trade agreements (the international system of rules governing trade) and to redefine how citizens talk about trade. (The "terms of trade" is a relationship between the prices of exports and of imports.) That movement, which has been growing since the 1980s, transcends borders as well as longstanding views about the role of government in the economy. While many trade agreement critics on the left say they want government policies to make markets more equitable, they find themselves allied with activists on the right who want to reduce the role of government in the economy.
Aaronson highlights three hot-button social issues--food safety, the environment, and labor standards--to illustrate how conflicts arise between trade and other types of regulation. And finally she calls for a careful evaluation of the terms of trade from which an honest debate over regulating the global economy might emerge.
Ultimately, this book links the history of trade policy to the history of social regulation. It is a social, political, and economic history that will be of interest to policymakers and students of history, economics, political science, government, trade, sociology, and international affairs.
Susan Ariel Aaronson is Senior Fellow at the National Policy Institute and occasional commentator on National Public Radio's "Morning Edition."
[more]

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Mapping Michel Serres
Niran Abbas
University of Michigan Press, 2005
"Provides an extremely valuable introduction to the work of Michel Serres for an English-speaking audience, as well as offering useful critical approaches for those already familiar with its outlines."
---Robert Harrison, Stanford University [blurb from review pending permission]

The work of Michel Serres---including the books Hermes, The Parasite, The Natural Contract, Genesis, The Troubadour of Knowledge, and Conversations on Science, Culture, and Time---has stimulated readers for years, as it challenges the boundaries of science, literature, culture, language, and epistemology. The essays in Mapping Michel Serres, written by the leading interpreters of his work, offer perspectives from a range of disciplinary positions, including literature, language studies, and cultural theory. Contributors include Maria Assad, Hanjo Berressem, Stephen Clucas, Steven Connor, Andrew Gibson, René Girard, Paul Harris, Marcel Hénaff, William Johnsen, William Paulson, Marjorie Perloff, Philipp Schweighauser, Isabella Winkler, and Julian Yates.
[more]

front cover of The Imaginative Vision of Abdilatif Abdalla’s Voice of Agony
The Imaginative Vision of Abdilatif Abdalla’s Voice of Agony
Abdilatif Abdalla
University of Michigan Press, 2024
The extraordinary Swahili poetry collection Sauti ya Dhiki (Voice of Agony) is a collection of prison poems composed by Abdilatif Abdalla between 1969 and 1972. He originally wrote the poems while incarcerated by the government of Jomo Kenyatta for sedition as a result of his political activism and smuggled them out of prison on scraps of paper. Imaginative Vision is the first complete literary translation into English—translated by the late Kenyan novelist and scholar Ken Walibora Waliaula and edited by Annmarie Drury—of one of the most esteemed and influential collections of Swahili poetry of the twentieth century. 

Yet, Imaginative Vision is also something more. Even as it centers on a literary translation of a singularly beautiful and influential book of poetry, it tells English-language readers the story of that book. Supporting materials illuminate the circumstances of its inception when Abdilatif, aged 22, was arrested and tried. They explore what the volume meant to its first readers and its affiliations with subsequent extraordinary works of prison literature by Alamin Mazrui and Ngũgĩ wa Thiong’o. They trace its links to literary art of the past, including the nineteenth-century poet Muyaka bin Haji, and to writing that followed. And they explain social and historical aspects of the Swahili coastal world that nurtured Abdilatif’s political engagement and stunning verbal art. Under the editorship of scholar, translator, and poet Annmarie Drury, contributors bring insights from their diverse backgrounds to present contextualizing material that illuminates the poems at the heart of this book.
[more]

front cover of No Child Left Behind and the Public Schools
No Child Left Behind and the Public Schools
Scott Abernathy
University of Michigan Press, 2007

“A powerful, detailed, and exceptionally balanced critique of NCLB. It offers some hope for how we might overcome its faults. No legislator or educational expert should be allowed to get away with not reading it—whether to agree or disagree. It’s a must learning experience.”

—Deborah Meier, Senior Scholar and Adjunct Professor, Steinhardt School of Education, New York University, and author of In Schools We Trust

“A concise, highly readable, and balanced account of NCLB, with insightful and realistic suggestions for reform. Teachers, professors, policymakers, and parents—this is the one book about NCLB you ought to read.”

—James E. Ryan, William L. Matheson and Robert M. Morgenthau Distinguished Professor, University of Virginia School of Law

This far-reaching new study looks at the successes and failures of one of the most ambitious and controversial educational initiatives since desegregation—the No Child Left Behind Act of 2001.

NCLB’s opponents criticize it as underfunded and unworkable, while supporters see it as a radical but necessary educational reform that evens the score between advantaged and disadvantaged students. Yet the most basic and important question remains unasked: “Can we ever really know if a child’s education is good?”

Ultimately, Scott Franklin Abernathy argues, policymakers must begin from this question, rather than assuming that any test can accurately measure the elusive thing we call “good” education.

[more]

front cover of School Choice and the Future of American Democracy
School Choice and the Future of American Democracy
Scott Abernathy
University of Michigan Press, 2005
In School Choice and the Future of American Democracy, Scott Franklin Abernathy shows what is lost in the school choice debate. Abernathy looks at parents as citizens who exert power over the educational system through everything from their votes on school budgets to their membership on school boards. Challenging the assumption that public schools will improve when confronted with market-based reforms, Abernathy examines the possibility that public schools will become more disconnected and isolated as civic life is privatized.

"Scott Abernathy takes up big questions and provides answers grounded in the complex reality of policy and politics. School Choice and the Future of American Democracy is a book written for those who understand that the world does not fit the simple explanations too often put forward."
--Clarence Stone, Professor Emeritus, University of Maryland, and Research Professor, George Washington University

"Will school choice revive or eviscerate democratic processes and institutions? Will it narrow or exacerbate the range of educational inequities? This book takes several differently angled slices into these questions and draws intriguing answers."
--Jeffrey R. Henig, Teachers College, Columbia University, and author of Rethinking School Choice: Limits of the Market Metaphor

"Through extensive research and refreshingly impartial analysis, Scott Abernathy probes how the use of market principles to reform public schools affects democratic citizenship. Treating citizens first and foremost as customers, he finds, threatens civic engagement and the well-being of schools, especially in the nation's neediest communities. This thoughtful and balanced appraisal is must-reading for those concerned about the future of American education and democracy."
--Suzanne Mettler, Alumni Associate Professor, Syracuse University, and author of Soldiers to Citizens: The G.I. Bill and the Making of the Greatest Generation

Scott Franklin Abernathy is Assistant Professor of Political Science, University of Minnesota
[more]

front cover of The Feeling of Reading
The Feeling of Reading
Affective Experience and Victorian Literature
Rachel Ablow
University of Michigan Press, 2010

"A terrifically engaging collection of essays, which exemplifies the very best recent work in the history of reading and affect. The distinguished contributors explore ‘the feeling of reading' throughout Victorian literature, showing how a broad range of works---novels, lyrics, critical essays---not only represent but also analyze and evoke the surprisingly varied experience of immersing oneself in a book. It's rare to encounter a collection of such consistently high quality: the feeling of reading it is one of rich and manifold pleasure."
---James Eli Adams, Columbia University

"This gathering of state-of-the-art work generates a convincing and compelling vision of the emerging state of the field."
---Daniel Hack, University of Michigan

The Feeling of Reading is the first collection to address how we think of reading today through a focus on Victorian reading practices and the individual experience of reading in the nineteenth century. It brings together essays from some of the most established writers in the field with contributions from younger scholars to provide new ways of thinking about this definitive moment. The collection moves from the general to the particular: from excavations of the material and intellectual conditions of Victorian reading to the consequences of such excavations in readings of individual texts. All of the contributors engage the crucial critical question of the shaping of readerly feeling. In addition, they address a set of interlocking issues central to understanding Victorian reading: Kate Flint explores the material and social settings of reading; Nicholas Dames and Leah Price consider the concrete realities of books and periodicals; and the consequences of the mass circulation of texts are explored by Flint, John Plotz, and Rachel Ablow. The temporality of consumption appears in the contribution of Dames as well as those of Catherine Robson and Herbert F. Tucker, who also address the implications of meter; and Ablow, Plotz, Stephen Arata, and Garrett Stewart investigate the notion of identification.

Rachel Ablow is Associate Professor at the University at Buffalo, State University of New York.

Cover design and art by Julian Montague

[more]

front cover of Symbolic Objects in Contentious Politics
Symbolic Objects in Contentious Politics
Benjamin Abrams
University of Michigan Press, 2023

When we observe protest marches, striking workers on picket lines, and insurgent movements in the world today, a litany of objects routinely fill our field of vision. Some such objects are ubiquitous the world over, like flags, banners, and placards. Others are situationally unique: Who could have anticipated the historical importance of a flower placed in the barrel of a gun, a flaming torch, a sea of umbrellas, a motorist’s yellow vest, a feather headdress, an AK-47, or a knitted pink hat? This book explores the “stuff” at the heart of protests, revolutions, civil wars, and other contentious political events, with  particular focus on those objects that have or acquire symbolic importance. In the context of “contentious politics” (disruptive political episodes where people try to change societies without going through institutions), certain objects can divide and unite social groups, tell stories, make declarations, spark controversy, and even trigger violent upheavals.

This book draws together scholars from a variety of fields to discuss symbolic objects in contentious politics: their meanings, uses, functions, and social responses. In bringing these phenomena together, this book offers a serious, distinctive, and cohesive theoretical contribution that draws upon diverse scholarly work in order to form the building blocks for future inquiry in the field. The aim is not merely to “close the gap” in the literature, but to create space in the field for further and more fruitful inquiry.

[more]

front cover of Cross Purposes
Cross Purposes
Pierce v. Society of Sisters and the Struggle over Compulsory Public Education
Paula Abrams
University of Michigan Press, 2009

"A definitive study of an extremely important, though curiously neglected, Supreme Court decision, Pierce v. Society of Sisters."
---Robert O'Neil, Professor of Law Emeritus, University of Virginia School of Law

"A careful and captivating examination of a dramatic and instructive clash between nationalism and religious pluralism, and of the ancient but ongoing struggle for control over the education of children and the formation of citizens."
---Richard W. Garnett, Professor of Law and Associate Dean, Notre Dame Law School

"A well-written, well-researched blend of law, politics, and history."
---Joan DelFattore, Professor of English and Legal Studies, University of Delaware

In 1922, the people of Oregon passed legislation requiring all children to attend public schools. For the nativists and progressives who had campaigned for the Oregon School Bill, it marked the first victory in a national campaign to homogenize education---and ultimately the populace. Private schools, both secular and religious, vowed to challenge the law. The Catholic Church, the largest provider of private education in the country and the primary target of the Ku Klux Klan campaign, stepped forward to lead the fight all the way to the U.S. Supreme Court.

In Pierce v. Society of Sisters (1925), the court declared the Oregon School Bill unconstitutional and ruled that parents have the right to determine how their children should be educated. Since then, Pierce has provided a precedent in many cases pitting parents against the state.

Paula Abrams is Professor of Constitutional Law at Lewis & Clark Law School.

[more]

front cover of Value Change in Global Perspective
Value Change in Global Perspective
Paul Abramson
University of Michigan Press, 1995
In this pioneering work, Paul R. Abramson and Ronald Inglehart show that the gradual shift
from Materialist values (such as the desire for economic and physical security) to Post-materialist values (such as the desire for freedom, self-expression, and the quality of life) is in all likelihood a global phenomenon. Value Change in Global Perspective analyzes over thirty years worth of national surveys in European countries and presents the most comprehensive and nuanced discussion of this shift to date. By paying special attention to the way generational replacement transforms values among mass publics, the authors are able to present a comprehensive analysis of the processes through which values change.
In addition, Value Change in Global Perspective analyzes the 1990-91 World Values Survey, conducted in forty societies representing over seventy percent of the world's population. These surveys cover an unprecedentedly broad range of the economic and political spectrum, with data from low-income countries (such as China, India, Mexico, and Nigeria), newly industrialized countries (such as South Korea) and former state-socialist countries in Eastern Europe and the former Soviet Union. This data adds significant new meaning to our understanding of attitude shifts throughout the world.
Value Change in Global Perspective has been written to meet the needs of scholars and students alike. The use of percentage, percentage differences, and algebraic standardization procedures will make the results easy to understand and useful in courses in comparative politics and in public opinion.
Paul R. Abramson is Professor of Political Science, Michigan State University. Ronald Inglehart is Professor of Political Science and Program Director, Institute for Social Research, University of Michigan.
[more]

front cover of The Black Musician and the White City
The Black Musician and the White City
Race and Music in Chicago, 1900-1967
Amy Absher
University of Michigan Press, 2014
Amy Absher’s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s.

Absher’s work diverges from existing studies in three ways: First, she takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community. Second, Absher brings numerous maps to the history, illustrating the relationship between Chicago’s physical lines of segregation and the geography of black music in the city over the years. Third, Absher’s use of archival sources is both extensive and original, drawing on manuscript and oral history collections at the Center for Black Music Research in Chicago, Columbia University, Rutgers’s Institute of Jazz Studies, and Tulane’s Hogan Jazz Archive. By approaching the Chicago black musical community from these previously untapped angles, Absher offers a history that goes beyond the retelling of the achievements of the famous musicians by discussing musicians as a group. In The Black Musician and the White City, black musicians are the leading actors, thinkers, organizers, and critics of their own story.

[more]

front cover of The Taiwan Voter
The Taiwan Voter
Christopher Henry Achen
University of Michigan Press, 2017
The Taiwan Voter examines the critical role ethnic and national identities play in politics, utilizing the case of Taiwan. Although elections there often raise international tensions, and have led to military demonstrations by China, no scholarly books have examined how Taiwan’s voters make electoral choices in a dangerous environment. Critiquing the conventional interpretation of politics as an ideological battle between liberals and conservatives, The Taiwan Voter demonstrates in Taiwan the party system and voters’ responses are shaped by one powerful determinant of national identity—the China factor.

Taiwan’s electoral politics draws international scholarly interest because of the prominent role of ethnic and national identification. While in most countries the many tangled strands of competing identities are daunting for scholarly analysis, in Taiwan the cleavages are powerful and limited in number, so the logic of interrelationships among issues, partisanship, and identity are particularly clear. The Taiwan Voter unites experts to investigate the ways in which social identities, policy views, and partisan preferences intersect and influence each other. These novel findings have wide applicability to other countries, and will be of interest to a broad range of social scientists interested in identity politics.

 
[more]

front cover of Much Ado about Culture
Much Ado about Culture
North American Trade Disputes
Archibald Lloyd Keith Acheson
University of Michigan Press, 2001
In Canada, the audio-visual and print industries are referred to as the cultural industries, whereas the United States calls them the entertainment industries. These language distinctions are accompanied by different domestic policies and political discourses. The United States has relatively open policies toward these activities, while Canada has adopted an inward-looking approach. Failure to integrate cultural industries into NAFTA and WTO has led to trade disputes between Canada and the United States over copyrights, television licensing, violence in media, and discriminatory magazine policy, indicating the need for an agreed-upon process for settling cultural trade disputes.
Much Ado about Culture explores the differing sets of policies--cultural nationalism versus the open option--and the resulting conflicts in the context of technological developments as well as international agreements dealing with trade, investment, copyright, and labor movements. The Canadian cultural industries are examined, from film and television production and distribution to broadcasting, publishing, and sound recording. Several areas of recent conflict, such as Sports Illustrated, Country Music Television, and Borders Books, highlight the types of policies disputed, the process followed, and the conclusions reached. Finally, the authors propose an alternative approach to constraining national cultural policies by international agreement that would allow the gains from openness to be realized while serving legitimate cultural concerns.
Authored by the acknowledged experts on trade disputes in the cultural arena, this book will be essential reading for international economists, policymakers, and lawyers interested in the cultural industries.
Keith Acheson and Christopher Maule are Professors of Economics, Carleton University, Ontario.
[more]

front cover of Small and Medium-Sized Enterprises in the Global Economy
Small and Medium-Sized Enterprises in the Global Economy
Zoltan J. Acs
University of Michigan Press, 1999
Entrepreneurship and globalization are two much-examined forces as we enter the new millennium--yet very little has been published on the intersection of small and medium-sized enterprises (SMEs) and the global economy. To close the gap, this volume delves into the intricate roles and consequences of such businesses on both global and domestic economies.
The first part of the volume provides an overview of the phenomenon of globalization, arguing that entrepreneurial discovery and technological change lead to globalization, which in turn leads to further opportunity for entrepreneurial discovery--no less for SMEs than for multinational corporations. In part two, the essays examine the role of SMEs in the global economy and why they are thriving. Part three reviews the roles of SMEs and innovators and examines their roles in direct foreign investment. Part four explores the role of technological diversity and knowledge spillovers as a way to explain the superior innovative performance of SMEs. Part five looks at the role of SMEs in technology transfer. Finally, part six examines the theoretical and policy implications of the international activities of SMEs, suggesting that policies should aim to reduce the costs in international expansion for SMEs.
This volume will provide the foundation for further study in SMEs and globalization. It will appeal to scholars and students in both international business and economics.
Zoltan J. Acs is Professor of Economics and Finance, University of Baltimore. Bernard Yin Yeung is Professor of International Business, University of Michigan.
[more]

front cover of Old and New New Englanders
Old and New New Englanders
Immigration and Regional Identity in the Gilded Age
Bluford Adams
University of Michigan Press, 2014

In Old and New New Englanders, Bluford Adams provides a reenvisioning of New England’s history and regional identity by exploring the ways the arrival of waves of immigrants from Europe and Canada transformed what it meant to be a New Englander during the Gilded Age. Adams’s intervention challenges a number of long-standing conceptions of New England, offering a detailed and complex portrayal of the relations between New England’s Yankees and immigrants that goes beyond nativism and assimilation. In focusing on immigration in this period, Adams provides a fresh view on New England’s regional identity, moving forward from Pilgrims, Puritans, and their descendants and emphasizing the role immigrants played in shaping the region’s various meanings. Furthermore, many researchers have overlooked the newcomers’ relationship to the regional identities they found here. Adams argues immigrants took their ties to New England seriously. Although they often disagreed about the nature of those ties, many immigrant leaders believed identification with New England would benefit their peoples in their struggles both in the United States and back in their ancestral lands.

Drawing on and contributing to work in immigration history, as well as American, gender, ethnic, and New England studies, this book is broadly concerned with the history of identity construction in the United States while its primary focus is the relationship between regional categories of identity and those based on race and ethnicity. With its interdisciplinary methodology, original research, and diverse chapter topics, the book targets both specialist and nonspecialist readers.

[more]

front cover of Word-Formation in Provencal
Word-Formation in Provencal
Edward Adams
University of Michigan Press, 1913
This volume in the University of Michigan Studies: Humanistic Series is a comprehensive study of the various processes of word formation in the Provençal language. The five major sections of the book cover words formed by adding suffixes; words formed by adding prefixes; parasyntheta (words formed by the simultaneous addition of a prefix and a suffix); other common methods of word formation (e.g., compound words; derivations from one part of speech to another, such as nouns derived from verbs); and hybrid formations created by some combination thereof.
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front cover of The Book of Yeats's Vision
The Book of Yeats's Vision
Romantic Modernism and Antithetical Tradition
Hazard Adams
University of Michigan Press, 1995
In this sequel to his critical study of Yeats's poems, Hazard Adams turns to Yeats's odd, eccentric, comic, and finally serious prose work A Vision. A Vision has long exasperated some readers with its occultist connections and strange, pseudo-geometrical diagrams, and intrigued others with its odd origins and complex thought. Adams argues that the book is of extraordinary interest for its literary merit, its place in intellectual history as an example of romanticism's persistence in modernism, and its oblique defense of poetic fiction-making. Rather than treating the book in terms of its historical and biographical genesis, Adams discusses the finished product as it appeared in 1937, a uniquely woven fictional fabric in which Yeats invents himself as a character. The "technical" sections of A Vision are presented as part of this drama and are illustrated by charts that appeared originally in A Vision and explanatory ones by the author. In addition to his careful reading of the text, Adams shows that A Vision also presents a theory of poetry, art, and myth that goes under the Yeatsian term "antitheticality." This notion, which governs all of the dimensions of A Vision—philosophical, aesthetic, historical, and psychological—is drawn from a tradition stretching back to pre-Socratic ideas of warring opposites, through Giambattista Vico's account of "poetic wisdom" and William Blake's concept of "contraries." The Book of Yeats's Vision is essential reading for literary theorists, students, and scholars of Irish literature, and admirers of Yeats interested in his creative intellectual life.
[more]

front cover of Party Competition and Responsible Party Government
Party Competition and Responsible Party Government
A Theory of Spatial Competition Based Upon Insights from Behavioral Voting Research
James Frolik Adams
University of Michigan Press, 2001
In countries with multiparty political systems, we assume--if the system is going to work--that parties have relatively stable positions on policy, that these positions diverge, and that voters make choices based on policy preferences. Yet much of the research on voter behavior and party competition does not support these assumptions.
In Party Competition, James Adams applies the insights of behavioral research to an examination of the policy strategies that political parties (and candidates) employ in seeking election. He argues that vote-seeking parties are motivated to present policies that appeal to voters, whose bias toward these policies is based in part on reasons that have nothing to do with policy. He demonstrates that this strategic logic has profound implications for party competition and responsible party government.
Adams's innovative fusion of research methodologies presents solutions to issues of policy stability and voter partisanship. His theory's supported by an in-depth analysis of empirical applications to party competition in Britain, France, and the United States in the postwar years.
Party Competition and Responsible Party Government will appeal to readers interested in the study of political parties, voting behavior and elections, as well as to scholars specializing in French, British, and American politics.
James Adams is Assistant Professor of Political Science, University of California, Santa Barbara.
[more]

front cover of Medieval Women and Their Objects
Medieval Women and Their Objects
Jennifer Adams
University of Michigan Press, 2016
The essays gathered in this volume present multifaceted considerations of the intersection of objects and gender within the cultural contexts of late medieval France and England. Some take a material view of objects, showing buildings, books, and pictures as sites of gender negotiation and resistance and as extensions of women’s bodies. Others reconsider the concept of objectification in the lives of fictional and historical medieval women by looking closely at their relation to gendered material objects, taken literally as women’s possessions and as figurative manifestations of their desires.

The opening section looks at how medieval authors imagined fictional and legendary women using particular objects in ways that reinforce or challenge gender roles. These women bring objects into the orbit of gender identity, employing and relating to them in a literal sense, while also taking advantage of their symbolic meanings. The second section focuses on the use of texts both as objects in their own right and as mechanisms by which other objects are defined. The possessors of objects in these essays lived in the world, their lives documented by historical records, yet like their fictional and legendary counterparts, they too used objects for instrumental ends and with symbolic resonances. The final section considers the objectification of medieval women’s bodies as well as its limits. While this at times seems to allow for a trade in women, authorial attempts to give definitive shapes and boundaries to women’s bodies either complicate the gender boundaries they try to contain or reduce gender to an ideological abstraction. This volume contributes to the ongoing effort to calibrate female agency in the late Middle Ages, honoring the groundbreaking work of Carolyn P. Collette.
 

[more]

front cover of Home and Hegemony
Home and Hegemony
Domestic Service and Identity Politics in South and Southeast Asia
Kathleen M. Adams
University of Michigan Press, 2000
In the intimate context of domestic service, power relations take on one of their most personalized forms. Domestic servants and their employers must formulate their political identities in relationship to each other, sometimes reinforcing and sometimes challenging broader social hierarchies such as those based on class, caste or rank, gender, race and ethnicity, nationality, sexual orientation, and kinship relations.
This pathbreaking collection builds on recent examinations of identity in the postcolonial states of South and Southeast Asia by investigating the ways in which domestic workers and their employers come to know and depict one another and themselves through their interactions inside and outside of the home. This setting provides a particularly apt arena for examining the daily negotiations of power and hegemony.
Contributors to the volume, all anthropologists, provide rich ethnographic analyses that avoid a narrow focus on either workers or employers. Rather, they examine systems of power through specific topics that range from the notion of "nurture for sale" to the roles of morality and humor in the negotiation of hierarchy and the dilemmas faced by foreign employers who find themselves in life-and-death dependence on their servants.
With its provocative theoretical and ethnographic contributions to current debates, this collection will be of interest to scholars in Asian studies, women's studies, anthropology, sociology, and cultural studies.
Kathleen M. Adams is Associate Professor of Anthropology, Loyola University of Chicago. Sara Dickey is Associate Professor of Anthropology, Bowdoin College.
[more]

front cover of Politics, Faith, and the Making of American Judaism
Politics, Faith, and the Making of American Judaism
Peter Adams
University of Michigan Press, 2014

In 1862, in the only instance of a Jewish expulsion in America, General Ulysses S. Grant banished Jewish citizens from the region under his military command. Although the order was quickly revoked by President Lincoln, it represented growing anti-Semitism in America. Convinced that assimilation was their best defense, Jews sought to Americanize by shedding distinctive dress, occupations, and religious rituals.

American Jews recognized the benefit and urgency of bridging the divide between Reform and Orthodox Judaism to create a stronger alliance to face the challenges ahead. With Grant’s 1868 presidential campaign, they also realized they could no longer remain aloof from partisan politics. As they became a growing influence in American politics, both political parties courted the new Jewish vote.

Once in office, Grant took notice of the persecution of Jews in Romania and Russia, and he appointed more Jews to office than any president before him. Indeed, Simon Wolf, a Washington lawyer who became one of Grant’s closest advisers, was part of a new generation of Jewish leaders to emerge in the post–Civil War era—thoroughly Americanized, politically mature, and committed to the modernized Judaism of the Reform movement.

In Politics, Faith, and the Making of American Judaism, Peter Adams recounts the history of the American Jewish Community’s assimilation efforts, organization, and political mobilization in the late 19th century, as political and cultural imperatives crafted a new, American brand of Judaism.

[more]

front cover of Roman Political Ideas and Practice
Roman Political Ideas and Practice
F. E. Adcock
University of Michigan Press, 1964
The story unfolds against a background of wars, financial tangles, shifting foreign policy, and personal rivalries. Sir Frank finds the secret of Roman power in the dignity of its great men and the liberty of the small. Though centuries have elapsed since the Caesars, we need not look far to discover in our own day the same conflicts between personal ambition and the dream of peace with dignity that consumed Rome. This book underscores the fragility of all political institutions, including our own.
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front cover of Elites and the Politics of Accountability in Africa
Elites and the Politics of Accountability in Africa
Wale Adebanwi
University of Michigan Press, 2021

Elites and the Politics of Accountability in Africa examines the ways that accountability offers an effective interpretive lens to the social, cultural, and institutional struggles of both the elites and ordinary citizens in Africa. Each chapter investigates questions of power, its public deliberation, and its negotiation in Africa by studying elites through the framework of accountability. The book enters conversations about political subjectivity and agency, especially from ongoing struggles around identities and belonging, as well as representation and legitimacy. Who speaks to whom? And on whose behalf do they speak? The contributors to this volume offer careful analyses of how such concerns are embedded in wider forms of cultural, social, and institutional discussions about transparency, collective responsibility, community, and public decision-making processes. These concerns affect prospects for democratic oversight, as well as questions of alienation, exclusivity, privilege and democratic deficit. The book situates our understanding of the emergence, meaning, and conceptual relevance of elite accountability, to study political practices in Africa. It then juxtaposes this contextualization of accountability in relation to the practices of African elites. Elites and the Politics of Accountability in Africa offers fresh, dynamic, and multifarious accounts of elites and their practices of accountability and locally plausible self-legitimation, as well as illuminating accounts of contemporary African elites in relation to their socially and historicallysituated outcomes of contingency, composition, negotiation, and compromise.

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Continuous Pasts
Frictions of Memory in Postcolonial Africa
Sakiru Adebayo
University of Michigan Press, 2023
In Continuous Pasts, author Sakiru Adebayo claims that the post-conflict fiction of memory in Africa depicts the intricate ways in which the past is etched on bodies and topographies, resonant in silences and memorials, and continuous even in experiences as well as structures of migration. Adebayo argues that the post-conflict fiction of memory in Africa invites critical deliberations on the continuity of the past within the realm of positionality and the domain of subjectivity—that is to say, the past is not merely present; instead, it survives, lives on, and is mediated through the subject positions of victims, perpetrators, as well as secondary and transgenerational witnesses. The book also argues that post-conflict fiction of memory in Africa shows the unfinished business of the past produces fragile regimes of peace and asynchronous temporalities that challenge progressive historicism. It contends that, in most cases in Africa, the post-conflict present is beset with a tight political economy wherein the scramble for survival trumps the ability to imagine a just future among survivors—and that it is precisely this despairing disposition toward the future that some writers of post-conflict fiction attempt to confront in their works. On the whole, Continuous Pasts shows how post-conflict fictions of memory in Africa recalibrate discourses of futurity, solidarity, responsibility, justice, survival, and reconciliation. It also contends that post-conflict fictions of memory in Africa provide the tools for imagining and theorizing a collective African memory. Each text analyzed in the book provides, in very interesting ways, an imaginative possibility and template for how post-independence African countries can ‘remember together’ using what the author describes as an African transnational memory framework.
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Krautrock
German Music in the Seventies
Ulrich Adelt
University of Michigan Press, 2016
Krautrock is a catch-all term for the music of various white German rock groups of the 1970s that blended influences of African American and Anglo-American music with the experimental and electronic music of European composers. Groups such as Can, Popol Vuh, Faust, and Tangerine Dream arose out of the German student movement of 1968 and connected leftist political activism with experimental rock music and, later, electronic sounds. Since the 1970s, American and British popular genres such as indie, post-rock, techno, and hip-hop have drawn heavily on krautrock, ironically reversing a flow of influence krautrock originally set out to disrupt.
 
Among other topics, individual chapters of the book focus on the redefinition of German identity in the music of Kraftwerk, Can, and Neu!; on community and conflict in the music of Amon Düül, Faust, and Ton Steine Scherben; on “cosmic music” and New Age; and on Donna Summer’s and David Bowie’s connections to Germany. Rather than providing a purely musicological or historical account, Krautrock discusses the music as being constructed through performance and articulated through various forms of expressive culture, including communal living, spirituality, and sound.
 
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Queer Nightlife
Kemi Adeyemi
University of Michigan Press, 2021

The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book’s four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?).

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Discourse, Knowledge, and Power in Apuleius’ Metamorphoses
Evelyn Adkins
University of Michigan Press, 2022

In ancient Rome, where literacy was limited and speech was the main medium used to communicate status and identity face-to-face in daily life, an education in rhetoric was a valuable form of cultural capital and a key signifier of elite male identity. To lose the ability to speak would have caused one to be viewed as no longer elite, no longer a man, and perhaps even no longer human. We see such a fantasy horror story played out in the Metamorphoses  or The Golden Ass, written by Roman North African author, orator, and philosopher Apuleius of Madauros—the only novel in Latin to survive in its entirety from antiquity. In the novel’s first-person narrative as well as its famous inset tales such as the Tale of Cupid and Psyche, the Metamorphoses is invested in questions of power and powerlessness, truth and knowledge, and communication and interpretation within the pluralistic but hierarchical world of the High Roman Empire (ca. 100–200 CE).

Discourse, Knowledge, and Power presents a new approach to the Metamorphoses: it is the first in-depth investigation of the use of speech and discourse as tools of characterization in Apuleius’ novel. It argues that discourse, broadly defined to include speech, silence, written text, and nonverbal communication, is the primary tool for negotiating identity, status, and power in the Metamorphoses. Although it takes as its starting point the role of discourse in the characterization of literary figures, it contends that the process we see in the Metamorphoses reflects the real world of the second century CE Roman Empire. Previous scholarship on Apuleius’ novel has read it as either a literary puzzle or a source-text for social, philosophical, or religious history. In contrast, this book uses a framework of discourse analysis, an umbrella term for various methods of studying the social political functions of discourse, to bring Latin literary studies into dialogue with Roman rhetoric, social and cultural history, religion, and philosophy as well as approaches to language and power from the fields of sociology, linguistics, and linguistic anthropology. Discourse, Knowledge, and Power argues that a fictional account of a man who becomes an animal has much to tell us not only about ancient Roman society and culture, but also about the dynamics of human and gendered communication, the anxieties of the privileged, and their implications for swiftly shifting configurations of status and power whether in the second or twenty-first centuries.

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Classics, the Culture Wars, and Beyond
Eric Adler
University of Michigan Press, 2016

Beginning with a short intellectual history of the academic culture wars, Eric Adler’s book examines popular polemics including those by Allan Bloom and Dinesh D’Souza, and considers the oddly marginal role of classical studies in these conflicts. In presenting a brief history of classics in American education, the volume sheds light on the position of the humanities in general.

Adler dissects three significant controversies from the era: the so-called AJP affair, which supposedly pitted a conservative journal editor against his feminist detractors; the brouhaha surrounding Martin Bernal’s contentious Black Athena project; and the dustup associated with Victor Davis Hanson and John Heath’s fire-breathing jeremiad, Who Killed Homer? He concludes by considering these controversies as a means to end the crisis for classical studies in American education. How can the study of antiquity—and the humanities—thrive in the contemporary academy? This book provides workable solutions to end the crisis for classics and for the humanities as well.

This major work also includes findings from a Web survey of American classical scholars, offering the first broadly representative impression of what they think about their discipline and its prospects for the future. Adler also conducted numerous in-depth interviews with participants in the controversies discussed, allowing readers to gain the most reliable information possible about these controversies.

Those concerned about the liberal arts and the best way to educate young Americans should read this book. Accessible and jargon-free, this narrative of scholarly scandals and their context makes for both enjoyable and thought-provoking reading.
 


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Land of Opportunity
One Family's Quest for the American Dream in the Age of Crack
William M. Adler
University of Michigan Press, 2021
Part true crime, part work of urban sociology, Land of Opportunity is a meticulously researched account of the rise and fall of the Chambers brothers, who ran a multi-million-dollar crack cocaine operation in Detroit in the 1980s.   Descended from Arkansas sharecroppers, BJ, Larry, and Willie Chambers moved to Detroit seeking economic opportunity, and built a successful drug empire by applying strict business principles to their trade; their business grossed an estimated $55 million annually until the brothers were sent to prison in 1989.  Reading the Chambers brothers in the context of the fall of the Detroit auto-industry and its impact on the city’s economy and residents, Land of Opportunity demonstrates how for the Chambers brothers, crack dealing was a rational career choice; and through the Chambers brothers’ story, Adler provides bottom-up history of late Second Great Migration, deindustrialization, the War on Drugs, and crack era in both Detroit and the United States.
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Valuing Us All
Feminist Pedagogy and Economics
April Laskey Aerni
University of Michigan Press, 1999
A basic knowledge of economics is critical for making informed decisions in today's world. By offering courses and materials that are more relevant to our students' lives and encouraging more active participation in the discovery of economic concepts and theories, we promote the development of informed citizens.
This volume collects pioneering work on the integration of feminist pedagogy in economics. Part 1 introduces a vision of feminist pedagogy, explains the importance of developing feminist pedagogy in economics, and proposes a model for achieving feminist pedagogy in economics that suggests changes in both course content and teaching methods. Part 2 reveals how current course content is narrowly defined and demonstrates how content can be altered to be more inclusive. Included are an analysis of current textbook treatments and examples of broadening discussions of labor supply models, U.S. poverty, and stereotyping, as well as general overviews of macro- and microeconomic courses. Part 3 reports on current disparities in economics education by gender and provides alternative teaching strategies for correcting this problem, including the service learning, peer review, e-mail discussion lists, case studies, internships, and collaborative learning.
The contributors incorporate their vision of a new pedagogy with important economic concepts emphasizing equity as well as efficiency, cooperation as well as competition, and inter-dependence as well as independence. The volume will be a valuable resource for college faculty teaching economics in the United States, as well as to those teaching in related disciplines who want to design exercises that promote a more inclusive classroom environment through changes in both content and teaching methods.
April Laskey Aerni is Associate Professor of Economics, Nazareth College of Rochester. KimMarie McGoldrick is Associate Professor of Economics, University of Richmond.
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Sartorial Fandom
Fashion, Beauty Culture, and Identity
Elizabeth Affuso
University of Michigan Press, 2023
In recent years, geeks have become chic, and the fashion and beauty industries have responded to this trend with a plethora of fashion-forward merchandise aimed at the increasingly lucrative fan demographic. This mainstreaming of fan identity is reflected in the glut of pop culture T-shirts lining the aisles of big box retailers as well as the proliferation of fan-focused lifestyle brands and digital retailers over the past decade. While fashion and beauty have long been integrated into the media industry with tie-in lines, franchise products, and other forms of merchandise, there has been limited study of fans’ relationship to these items and industries.  

Sartorial Fandom shines a spotlight on the fashion and beauty cultures that undergird fandoms, considering the retailers, branded products, and fan-made objects that serve as forms of identity expression.  This collection is invested in the subcultural and mainstream expression of style and in the spaces where the two intersect. Fan culture is, in many respects, an optimal space to situate a study of style because fandom itself is often situated between the subcultural and the mainstream. Collectively, the chapters in this anthology explore how various axes of lived identity interact with a growing movement to consider fandom as a lifestyle category, ultimately contending that sartorial practices are central to fan expression but also indicative of the primacy of fandom in contemporary taste cultures.
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The Williams Collection of Far Eastern Ceramics
Chinese, Siamese, and Annamese Ceramic Ware Selected from the Collection of Justice and Mrs. G. Mennen Williams in the University of Michigan Museum of Anthropology
Kamer Aga-Oglu
University of Michigan Press, 1972
Kamer Aga-Oglu was curator of the Museum’s Asian collections from 1945 to 1974. An extraordinary scholar, Aga-Oglu singlehandedly transformed the study of Asian ceramics, focusing particularly on understudied Asian trade wares in the Museum’s collections. She described for the first time a whole new range of East Asian ceramics that until then were unknown, even among specialists, and she documented the pre-European movement of these ceramics throughout the Pacific and as far as Turkey and East Africa. Her catalogs of the Williams Collection contain dozens of photographs and detailed descriptions of the pieces.
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The Williams Collection of Far Eastern Ceramics
Tonnancour Section
Kamer Aga-Oglu
University of Michigan Press, 1975
Kamer Aga-Oglu was curator of the Museum’s Asian collections from 1945 to 1974. An extraordinary scholar, Aga-Oglu singlehandedly transformed the study of Asian ceramics, focusing particularly on understudied Asian trade wares in the Museum’s collections. A specialist in Far Eastern art history, she devoted her life’s work to researching the division’s outstanding collection of Asian ceramics. Throughout her entire tenure at the Museum, Kamer Aga-Oglu was the Museum’s only woman curator. Her catalogs of the Williams Collection contain dozens of photographs and detailed descriptions of the pieces.
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Persian Bookbindings of the Fifteenth Century
Mehmet Aga-Oglu
University of Michigan Press, 1935
Because of the lack of systematically treated material from the period preceding the fifteenth century, the publication of an exhaustive study on the historical and artistic development of Persian bookbinding is almost impossible at the present time. It is not the writer's purpose to present here a historical or stylistic study of the subject, but rather to add to already published material additional specimens of artistic value, which may extend the hitherto scanty knowledge concerning the art of Persian bookbinding of the century in question. This book appears as a contribution from the University of Michigan Research Seminary in Islamic Art, which owes its existence to the interest of Dr. Alexander G. Ruthven, President of the University, and Professor John G. Winter, Director of the Division of Fine Arts.
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Mobility, Mobilization, and Counter/Insurgency
The Routes of Terror in an African Context
Daniel E Agbiboa
University of Michigan Press, 2022

In Mobility, Mobilization, and Counter/Insurgency, Daniel Agbiboa takes African insurgencies back to their routes by providing a transdisciplinary perspective on the centrality of mobility to the strategies of insurgents, state security forces, and civilian populations caught in conflict. Drawing on one of the world’s deadliest insurgencies, the Boko Haram insurgency in northeast Nigeria and the Lake Chad region, this well-crafted and richly nuanced intervention offers fresh insights into how violent extremist organizations exploit forms of local immobility and border porosity to mobilize new recruits, how the state’s “war on terror” mobilizes against so-called subversive mobilities, and how civilian populations in transit are treated as could-be terrorists and subjected to extortion and state-sanctioned violence en route. The multiple and intersecting flows analyzed here upend Eurocentric representations of movement in Africa as one-sided, anarchic, and dangerous. Instead, this book underscores the contradictions of mobility in conflict zones as simultaneously a resource and a burden. Intellectually rigorous yet clear, engaging, and accessible, Mobility, Mobilization, and Counter/Insurgency is a seminal contribution that lays bare the neglected linkages between conflict and mobility.

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The Scent of Ancient Magic
Britta K. Ager
University of Michigan Press, 2022
Magic was a fundamental part of the Greco-Roman world. Curses, erotic spells, healing charms, divination, and other supernatural methods of trying to change the universe were everyday methods of coping with the difficulties of life in antiquity. While ancient magic is most often studied through texts like surviving Greco-Egyptian spellbooks and artifacts like lead curse tablets, for a Greek or Roman magician a ritual was a rich sensual experience full of unusual tastes, smells, textures, and sounds, bright colors, and sensations like fasting and sleeplessness. Greco-Roman magical rituals were particularly dominated by the sense of smell, both fragrant smells and foul odors. Ritual practitioners surrounded themselves with clouds of fragrant incense and perfume to create a sweet and inviting atmosphere for contact with the divine and to alter their own perceptions; they also used odors as an instrumental weapon to attack enemies and command the gods. Elsewhere, odiferous herbs were used equally as medical cures and magical ingredients. In literature, scent and magic became intertwined as metaphors, with fragrant spells representing the dangers of sensual perfumes and conversely, smells acting as a visceral way of envisioning the mysterious action of magic.

The Scent of Ancient Magic explores the complex interconnection of scent and magic in the Greco-Roman world between 800 BCE and CE 600, drawing on ancient literature and the modern study of the senses to examine the sensory depth and richness of ancient magic. Author Britta K. Ager looks at how ancient magicians used scents as part of their spells, to put themselves in the right mindset for an encounter with a god or to attack their enemies through scent. Ager also examines the magicians who appear in ancient fiction, like Medea and Circe, and the more metaphorical ways in which their spells are confused with perfumes and herbs. This book brings together recent scholarship on ancient magic from classical studies and on scent from the interdisciplinary field of sensory studies in order to examine how practicing ancient magicians used scents for ritual purposes, how scent and magic were conceptually related in ancient literature and culture, and how the assumption that strong scents convey powerful effects of various sorts was also found in related areas like ancient medical practices and normative religious ritual.
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Pound/Cummings
The Correspondence of Ezra Pound and E.E. Cummings
Barry Ahearn
University of Michigan Press, 1996
Ezra Pound and E. E. Cummings carried on a long and varied correspondence from the 1920s until Cummings's death in 1962. This volume collects all of the important letters from this important friendship in the history of modern poetry.
Throughout the correspondence both poets reveal themselves and their beliefs to a remarkable degree. Pound entrusted to Cummings details of his political outlook in the 1930s and 1940s, including his opinions about Mussolini's Italy. The letters to Cummings also shed new light on the question of Pound's sanity after World War II. Although he was diagnosed as mentally unfit, the letters generally show no evidence of paranoia, only of his characteristic eccentricity.
Similarly, these letters should provoke a reevaluation of Cummings. Critics have treated Cummings's political views as either strictly private matters or merely incidental to his art. The letters, however, show that Cummings's radically conservative political opinions are wholly consistent with his poetics, and raise the question of the relation between Cummings's political principles and his enthusiasm for particular forms (and particular stars) of mass entertainment.
In addition to their political revelations, the letters are steeped in the literary climate--and literary gossip--of the times. Pound comments often and candidly on Cummings's poetry and prose; both Pound and Cummings send light verse to each other. And the poets exchange anecdotes about such figures as Henry James, Wyndham Lewis, T. S. Eliot, Edmund Grosse, Max Eastman, and Aldous Huxley, among other writers.
There is much here to interest and delight both fans and foes of Pound and Cummings. The book will be of primary importance to students and scholars of modern poetry, especially those who emphasize the intersection of literary works and political history.
Barry Ahearn is Associate Professor of English, Tulane University.
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Invitations to Love
Literacy, Love Letters, and Social Change in Nepal
Laura M. Ahearn
University of Michigan Press, 2001
Invitations to Love provides a close examination of the dramatic shift away from arranged marriage and capture marriage toward elopement in the village of Junigau, Nepal. Laura M. Ahearn shows that young Nepalese people are applying their newly acquired literacy skills to love-letter writing, fostering a transition that involves not only a shift in marriage rituals, but also a change in how villagers conceive of their own ability to act and attribute responsibility for events. These developments have potential ramifications that extend far beyond the realm of marriage and well past the Himalayas.

The love-letter correspondences examined by Ahearn also provide a deeper understanding of the social effects of literacy. While the acquisition of literary skills may open up new opportunities for some individuals, such skills can also impose new constraints, expectations, and disappointments. The increase in female literacy rates in Junigau in the 1990s made possible the emergence of new courtship practices and facilitated self-initiated marriages, but it also reinforced certain gender ideologies and undercut some avenues to social power, especially for women.

Scholars, and students in such fields as anthropology, women's studies, linguistics, development studies, and South Asian studies will find this book ethnographically rich and theoretically insightful.
Laura M. Ahearn is Assistant Professor of Anthropology, Rutgers University.
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Transgression in Korea
Beyond Resistance and Control
Juhn Young Ahn
University of Michigan Press, 2018
Since the turn of the millennium South Korea has continued to grapple with transgressions that shook the nation to its core. Following the serial killings of Korea’s raincoat killer, the events that led to the dissolution of the United Progressive Party, the criminal negligence of the owner and also the crew members of the sunken Sewol Ferry, as well as the political scandals of 2016, there has been much public debate about morality, transparency, and the law in South Korea. Yet, despite its prevalence in public discourse, transgression in Korea has not received proper scholarly attention.

Transgression in Korea challenges the popular conceptions of transgression as resistance to authority, the collapse of morality, and an attempt at self- empowerment. Examples of transgression from premodern, modern, and contemporary Korea are examined side by side to underscore the possibility of reading transgression in more ways than one. These examples are taken from a devotional screen from medieval Korea, trickster tales from the late Chosŏn period, reports about flesheating humans, newspaper articles about same- sex relationships from colonial Korea, and films about extramarital affairs, wayward youths, and a vengeful vigilante. Bringing together specialists from various disciplines such as history, art history, anthropology, premodern
literature, religion, and fi lm studies, the context- sensitive readings of transgression provided in this book suggest that transgression and authority can be seen as forming something other than an antagonistic relationship.
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Battle for Allegiance
Governments, Terrorist Groups, and Constituencies in Conflict
Seden Akcinaroglu
University of Michigan Press, 2020
Domestic terrorist groups, like all violent nonstate actors, compete with governments for their monopoly on violence and their legitimacy in representing the citizenry. Battle for Allegiance shows violence is neither the only nor the most effective way in which nonstate actors and governments work to achieve their goals. As much as nonviolent strategies are a rarely considered piece of the puzzle, the role of the audience is another crucial piece often downplayed in the literature. Many studies emphasize the interactions between the government and the terrorist group at the expense of the constituency, but the constituency is the common cluster for both actors to gain legitimacy and to demand its allegiance. In fact, the competition between the two actors goes far beyond who is superior in terms of military force and tactics. The hardest battles are fought over the allegiance of the citizens.

Using a multimethod approach based on exclusive interviews and focus groups from Turkey and large N original data from around the world, Seden Akcinaroglu and Efe Tokdemir present the first systematic empirical analysis of the ways in which terrorist groups, the government, and the citizens relate to each other in a triadic web of action. They study the nonviolent actions of terrorist groups toward their constituencies, the nonviolent actions of governments toward terrorists, and the nonviolent actions of governments toward the terrorist group’s constituencies. By investigating the causes, targets, and consequences of accommodative actions, this book sheds light on an important, but generally ignored, aspect of terrorism: interactive nonviolent strategies.
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Second Language Writing in Transitional Spaces
Teaching and Learning across Educational Contexts
L.G. Alatriste
University of Michigan Press, 2020
This collection has been written to address the fact that there seems to be little concerted, systematic effort to understand what type of writing is taught across elementary, secondary, and college second language (L2) writing contexts and to understand how it is being taught on this long educational continuum (K–16). This book sets out to contribute to what is perceived as a lack of the full picture on the teaching of L2 writing from K–16. The impetus to look across educational settings, particularly at the places of transitions, stemmed in part from the recent state-wide educational reforms. Given the gap in the L2 research that straddles all educational settings, this volume addresses the need for a closer teacher collaboration and deeper, clearer understanding of writing goals in each of the educational settings and across them on the K–16 continuum.
 
The chapters examine the writing that English learners are producing because of the Common Core and the writing they are required to do once they reach the college or university, and then consider where the intersections exist—that is, what do educators think English learners ought to be writing across educational levels?
 
Each chapter describes the educational setting where the researchers were engaged, examines specific issues related to transitions, and offers—where relevant—recommendations for classroom practices, teaching strategies, and instructional materials that may be useful for practicing teachers and all others professionally engaged in educating writers across K–16.
 
 
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Writing Recommendation Letters
The Discourse of Evaluation in Academic Settings
Mohammed Albakry
University of Michigan Press, 2024
Even though reading and writing recommendation letters is one of the essential service tasks of the professorial life of academics, there are few resources to train graduate students and junior academics on how to draft a successful recommendation letter for different academic purposes. Writing Recommendation Letters draws linguistic and rhetorical principles from close to a thousand real-world examples of academic letters of recommendation. As a result, the research that informs the pedagogy is extensive, current, and highly relevant to the discourse of evaluation in academic settings with findings that have implications for genre-based writing instruction, English for Academic Purposes (EAP), and teaching of academic literacies. The authors are two experienced college professors who regularly teach graduate students and mentor young academics, so the reflection questions and instructor suggestions they provide were designed for today’s university classroom. The result is an instructive book that translates academic discourse structures and principles into accessible language, supplying authentic examples and ample writing practice. 

Key Features
  • Readers will learn the theoretical context that defines the genre of letters of recommendation. 
  • The book highlights the similarities and differences between the three different types of letters of recommendation: letters written for graduate admission, letters written in support of fellowship applications, and letters written to support obtaining a faculty position. 
  • Chapters on different aspects of linguistic and rhetorical features discuss presenting the applicants' credentials, highlighting the strengths of their character, accentuating and downplaying certain traits, as well as the pros and cons of boilerplate language and the use of customary frames for opening and closing.
  • Readers will see real-world examples of actual letters of recommendation to see how seasoned faculty build the case for the applicant.
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Borne of the Wind
Michigan Sand Dunes
Dennis Albert
University of Michigan Press, 2006
Sand dunes are among the most rugged and beautiful natural wonders of Michigan's shorelines. These sandy edifices-at once substantial and ephemeral-are the most extensive freshwater dunes in the world, so immense they are visible from outer space. The coastal dunes are also extraordinarily fertile, supporting a multitude of plants and animals.

Borne of the Wind describes the environmental factors necessary for dune creation in an easy-to-understand format, introducing readers to the rich ecology of Michigan's dunes. Each of the distinct types of dunes encountered along the Great Lakes shoreline is explained and illustrated with color photographs and line drawings, while color photographs of the plants and animals found in duneland areas complement the story of these fragile, ever-changing landscapes.

For scholars and enthusiasts alike, Borne of the Wind provides a comprehensive and colorful introduction to one of our finest yet least-understood natural features.
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Mex-Ciné
Mexican Filmmaking, Production, and Consumption in the Twenty-first Century
Frederick Luis Aldama
University of Michigan Press, 2013
Mex-Ciné offers an accessibly written, multidisciplinary investigation of contemporary Mexican cinema that combines industrial, technical, and sociopolitical analysis with analyses of modes of reception through cognitive theory. Mex-Ciné aims to make visible the twenty-first century Mexican film industry, its blueprints, and the cognitive and emotive faculties involved in making and consuming its corpus. A sustained, free-flowing book-length meditation, Mex-Ciné enriches our understanding of the way contemporary Mexican directors use specific technical devices, structures, and characterizations in making films in ways that guide the perceptual, emotive, and cognitive faculties of their ideal audiences, while providing the historical contexts in which these films are made and consumed.
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Aesthetics of Discomfort
Conversations on Disquieting Art
Frederick Luis Aldama
University of Michigan Press, 2016
Through a series of provocative conversations, Frederick Luis Aldama and Herbert Lindenberger, who have written widely on literature, film, music, and art, locate a place for the discomforting and the often painfully unpleasant within aesthetics. The conversational format allows them to travel informally across many centuries and many art forms. They have much to tell one another about the arts since the advent of modernism soon after 1900—the nontonal music, for example, of the Second Vienna School, the chance-directed music and dance of John Cage and Merce Cunningham, the in-your-faceness of such diverse visual artists as Francis Bacon, Pablo Picasso, Willem de Kooning, Egon Schiele, Otto Dix, and Damien Hirst. They demonstrate as well a long tradition of discomforting art stretching back many centuries, for example, in the Last Judgments of innumerable Renaissance painters, in Goya’s so-called “black” paintings, in Wagner’s Tristan chord, and in the subtexts of Shakespearean works such as King Lear and Othello. This book is addressed at once to scholars of literature, art history, musicology, and cinema. Although its conversational format eschews the standard conventions of scholarly argument, it provides original insights both into particular art forms and into individual works within these forms. Among other matters, it demonstrates how recent work in neuroscience may provide insights in the ways that consumers process difficult and discomforting works of art. The book also contributes to current aesthetic theory by charting the dialogue that goes on—especially in aesthetically challenging works—between creator, artifact, and consumer.
 
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¡Muy Pop!
Conversations on Latino Popular Culture
Frederick Luis Aldama
University of Michigan Press, 2013

Although investigations of Hispanic popular culture were approached for decades as part of folklore studies, in recent years scholarly explorations—of lucha libre, telenovelas, comic strips, comedy, baseball, the novela rosa and the detective novel, sci-fi, even advertising—have multiplied. What has been lacking is an overarching canvas that offers context for these studies, focusing on the crucial, framing questions: What is Hispanic pop culture? How does it change over time and from region to region? What is the relationship between highbrow and popular culture in the Hispanic world? Does it make sense to approach the whole Hispanic world as homogenized when understanding Hispanic popular culture? What are the differences between nations, classes, ethnic groups, religious communities, and so on? And what distinguishes Hispanic popular culture in the United States?

In ¡Muy Pop!, Ilan Stavans and Frederick Luis Aldama carry on a sustained, free-flowing, book-length conversation about these questions and more, concentrating on a wide range of pop manifestations and analyzing them at length. In addition to making Hispanic popular culture visible to the first-time reader, ¡Muy Pop! sheds new light on the making and consuming of Hispanic pop culture for academics, specialists, and mainstream critics.

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front cover of The Many Faces of Strategic Voting
The Many Faces of Strategic Voting
Tactical Behavior in Electoral Systems Around the World
John H Aldrich
University of Michigan Press, 2018

Voters do not always choose their preferred candidate on election day. Often they cast their ballots to prevent a particular outcome, as when their own preferred candidate has no hope of winning and they want to prevent another, undesirable candidate’s victory; or, they vote to promote a single-party majority in parliamentary systems, when their own candidate is from a party that has no hope of winning. In their thought-provoking book The Many Faces of Strategic Voting, Laura B. Stephenson, John H. Aldrich, and André Blais first provide a conceptual framework for understanding why people vote strategically, and what the differences are between sincere and strategic voting behaviors. Expert contributors then explore the many facets of strategic voting through case studies in Great Britain, Spain, Canada, Japan, Belgium, Germany, Switzerland, and the European Union.

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Africa's World Cup
Critical Reflections on Play, Patriotism, Spectatorship, and Space
Peter Alegi
University of Michigan Press, 2013

Africa’s World Cup: Critical Reflections on Play, Patriotism, Spectatorship, and Space focuses on a remarkable month in the modern history of Africa and in the global history of football. Peter Alegi and Chris Bolsmann are well-known experts on South African football, and they have assembled an impressive team of local and international journalists, academics, and football experts to reflect on the 2010 World Cup and its broader significance, its meanings, complexities, and contradictions.

The World Cup’s sounds, sights, and aesthetics are explored, along with questions of patriotism, nationalism, and spectatorship in Africa and around the world. Experts on urban design and communities write on how the presence of the World Cup worked to refashion urban spaces and negotiate the local struggles in the hosting cities. The volume is richly illustrated by authors’ photographs, and the essays in this volume feature chronicles of match day experiences; travelogues; ethnographies of fan cultures; analyses of print, broadcast, and electronic media coverage of the tournament; reflections on the World Cup’s private and public spaces; football exhibits in South African museums; and critiques of the World Cup’s processes of inclusion and exclusion, as well as its political and economic legacies.

The volume concludes with a forum on the World Cup, including Thabo Dladla, Director of Soccer at the University of KwaZulu-Natal, Mohlomi Kekeletso Maubane, a well-known Soweto-based writer and a soccer researcher, and Rodney Reiners, former professional footballer and current chief soccer writer for the Cape Argus newspaper in Cape Town. This collection will appeal to students, scholars, journalists, and fans.

Cover illustration: South African fan blowing his vuvuzela at South Africa vs. France, Free State Stadium, Bloemfontein, June 22, 2010. Photo by Chris Bolsmann.

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Power and Possibility
Essays, Reviews, and Interviews
Elizabeth Alexander
University of Michigan Press, 2007

A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.

Elizabeth Alexander is considered one of the country's most gifted contemporary poets, and the publication of her essays in The Black Interior in 2004 established her as an astute critic and cultural commentator as well. Arnold Rampersad has called Alexander "one of the brightest stars in our literary sky . . . a superb, invaluable commentator on the American scene." In this new collection of her essays, reviews, and interviews, Alexander again focuses on African American artistic production, particularly poetry, and the cultural contexts in which it is created and experienced.

The book's first section, "Black Arts 101," takes up the poetry of Paul Laurence Dunbar, Sterling Brown, Lucille Clifton, Gwendolyn Brooks, and Rita Dove (among others); artist Romare Bearden; dancer Bill T. Jones; and dramatist August Wilson. A second section, "Black Feminist Thinking," provides engaging meditations ranging from "My Grandmother's Hair" and "A Very Short History of Black Women and Food" to essays on the legacies of Toni Cade, Audre Lorde, and June Jordan. The collection's final section, "Talking," includes interviews, a commencement address---"Black Graduation"---and the essay "Africa and the World."

Elizabeth Alexander received a B.A. from Yale University, an M.A. from Boston University, and a Ph.D. in English from the University of Pennsylvania. She has published four books of poems: The Venus Hottentot (1990); Body of Life (1996); Antebellum Dream Book (2001); and, most recently, American Sublime (2005), which was one of three finalists for the Pulitzer Prize. Her play, Diva Studies, was produced at the Yale School of Drama. She is presently Professor of American and African American Studies at Yale University.

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Poetics of Dislocation
Meena Alexander
University of Michigan Press, 2009

Poetics of Dislocation sets the work of contemporary American poetry within the streams of migration that have made the nation what it is in the twenty-first century. There are few poets better qualified to muse on that context than Meena Alexander, who spent her life studying at prestigious institutions around the globe before settling in the United States to work on her acclaimed body of poetry.

Part of the University of Michigan Press's award-winning Poets on Poetry series, Poetics of Dislocation studies not only the personal creative process Alexander uses, but also the work of other prominent writers. Alexander discusses what it means to come to America as an adult to write poetry, and her place---and that of others---in the collection of cultures that makes up this country. She outlines the dilemmas that face modern immigrant poets, including how to make a place for oneself in a new society and how to write poetry in a time of violence worldwide.

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The Case for the Prosecution in the Ciceronian Era
Michael C. Alexander
University of Michigan Press, 2003
Much of the modern world's knowledge of criminal court trials in the Late Roman Republic derives from the orations of Cicero. His eleven court trial speeches have provided information about the trials and the practices of the time period. Records of the prosecution's case are lost; these speeches, our only transcripts of the time, were delivered by the defense. The Case for the Prosecution in the Ciceronian Era attempts to restore the judicial balance by depicting the lost side of the trial.
Guided by Cicero's argument, Michael C. Alexander recreates the prosecution's case against the defendants in the trials.
Organized into eleven chapters, each detailing one trial, the core of the work discusses the different dimensions of each trial, the circumstances surrounding the cases, those involved, the legal charges and allegations made by the prosecution, the ways in which the prosecution might have countered Cicero's rebuttal and the outcome. There is also a discussion concerning particular problems the prosecution may have faced in preparing for the trial. This book reveals strong points in favor of the prosecution; justifies the hope of the prosecutor, a private citizen who had volunteered to undertake the case; and asks why the prosecutors believed they would come out victorious, and why they eventually failed.
The Case for the Prosecution in the Ciceronian Era draws on ancient rhetorical theory and on Roman law to shed light on these events. It will interest historians and classicists interested in Ciceronian oratory and those intrigued by legal history.
Michael C. Alexander is Associate Professor of History, University of Illinois, Chicago.
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Is William Martinez Not Our Brother?
Twenty Years of the Prison Creative Arts Project
William Alexander
University of Michigan Press, 2010

Praise for the Prison Creative Arts Project:

"I cannot overstate how profoundly my experience with the Prison Creative Arts Project has shaped my life. It began my engagement with prison issues, developed both my passion and my understanding of them, and I continue to draw on both as I seek to contribute to a more rational, humane and just criminal justice system. PCAP prepared me to adapt to any situation, to take risks, to collaborate with people very different from myself in a manner infused with total respect."
---Jesse Jannetta, researcher, Justice Policy Center, the Urban Institute

"PCAP provided me with an emotional education that I would not have received otherwise.  PCAP continually opens the doors to the stark reality of our criminal justice system as well as our society's ability to right the wrongs of that system and provide justice to millions of men, women, and children . . . PCAP showed me the power I, and the individuals around me, have to make a difference."
---Anne Bowles, Policy and Outreach Associate, Institute for Higher Education Policy

"PCAP looks beyond past mistakes and personal shortcomings to find the beauty and creative energies that help to heal the hurts we've done to others. They have not forgotten that we are human too! . . . Their program has given me a way to reach people that I would otherwise never reach. For that, I owe PCAP everything. They are my lifeline that I cling to."
---Bryan Picken, incarcerated artist

Prisons are an invisible, but dominant, part of American society: the United States incarcerates more people than any other nation in the world. In Michigan, the number of prisoners rose from 3,000 in 1970 to more than 50,000 by 2008, a shift that Buzz Alexander witnessed firsthand when he came to teach at the University of Michigan.

Is William Martinez Not Our Brother? describes the University of Michigan's Prison Creative Arts Project (PCAP), a pioneering program founded in 1990 that provides university courses, a nonprofit organization, and a national network for incarcerated youth and adults in Michigan juvenile facilities and prisons.

By giving incarcerated individuals an opportunity to participate in the arts, PCAP enables them to withstand and often overcome the conditions and culture of prison, the policies of an incarcerating state, and the consequences of mass incarceration.

Buzz Alexander is Arthur F. Thurnau Professor of English Language and Literature, College of Literature, Science, and the Arts, at the University of Michigan and was Carnegie National Professor of the Year in 2005.

Cover image: Overcrowded by Ronald Rohn

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Combating Terrorism
Strategies of Ten Countries
Yonah Alexander
University of Michigan Press, 2002
The tragic events of September 11, 2001, and the consequent "war on terrorism" have made the question of effective counterterrorism policy a growing public concern. The original essays in Combating Terrorism offer a unique overview and evaluation of the counterterrorism policies of ten countries: the United States, Argentina, Peru, Colombia, the United Kingdom, Spain, Israel, Turkey, India, and Japan. Postscripts for each of the country chapters provide post-September 11 assessments of current counterterrorism practices. Most of the contributors to this volume have served in official governmental capacities and many continue to serve as consultants to governmental policy and decision makers.
All of the essays address the same set of questions to allow for cross-national comparison of strategies and an assessment of counterterrorism practices:
What is the governmental and public perception of the sources of terrorism? How successful have the policies of governments been in combating both domestic and international terrorism? What factors influence a government's willingness and ability to cooperate with other countries in combating terrorism? To what degree are the terrorist realities and the concerns of governments interconnected with global terrorism? To what degree are certain countries "natural hosts" of either terrorist groups or propensities that target Western or closely allied interests? To what degree are terrorist organizations mainly concerned about winning political participation in their target countries? Which counterterrorism strategies work, and which do not? What are the lessons of past experiences for future counterterrorism responses at the national, regional, and global levels?
The conclusion to the volume summarizes the lessons that may be learned from the experiences of the ten countries and discusses a list of best practices in counterterrorism.
This book will be of interest to policymakers, scholars, and other individuals with professional responsibilities in the area of terrorism and security studies. Written in clear, accessible prose, this book will also appeal to the general reader who is interested in gaining insight into the array of issues facing governments that endeavor to combat terrorism, and into the possible solutions to one of the foremost threats to world peace in our time.
Yonah Alexander is Professor and Director, Inter-University Center for Terrorism Studies; Senior Fellow and Director, International Center for Terrorism Studies, Potomac Institute for Policy Studies; and Co-Director, Inter-University Center for Legal Studies, International Law Institute.
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Mad Heart Be Brave
Essays on the Poetry of Agha Shahid Ali
Mohammed Kazim Ali
University of Michigan Press, 2017
Born and raised in Kashmir, Agha Shahid Ali (1949–2001) came to the United States in the mid-1970s to pursue graduate study in literature; by the mid-1980s, he had begun to establish himself as one of the most important American poets of the late 20th century.
 
Mad Heart Be Brave: On the Poetry of Agha Shahid Ali is the first comprehensive examination of all stages of his career, from his earliest work published in India but never reissued in the U.S., through his seven poetry volumes from American publishers, ultimately collected as The Veiled Suite. The essays, written by a range of poets and scholars, many of whom knew and studied with Ali, consider his early free verse poetry; his transition into writing more formalist poetry; his correspondence with poets Anthony Hecht and James Merrill; his literary engagement with the political realities of contemporary Kashmir; his teaching and mentorship of young poets; and Ali’s championing of the ghazal, a traditional Eastern poetic form, in English. Some essays have a predominantly scholarly focus, while others are more personal in their tone and content. All exhibit a deep appreciation for Ali’s life and work.
 
Contributors to this volume include Sejal Shah, Rita Banerjee, Amanda Golden, Ravi Shankar, Abin Chakraborty, Amy Newman, Christopher Merrill, Jason Schneiderman, Stephen Burt, Raza Ali Hassan, Syed Humayoun, Feroz Rather, Dur e Aziz Amna, Mihaela Moscaliuc, Reginald Dwayne Betts, Mahwash Shoaib, Shadab Zeest Hashmi, Grace Schulman, and Ada Limón. Mad Heart Be Brave closes with a long biographical sketch and elegy by Agha Shahid Ali’s friend Amitav Ghosh and a comprehensive bibliography assembled by scholar Patricia O’Neill with Reid Larson.

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front cover of Orange Alert
Orange Alert
essays on poetry, art, and the architecture of silence
Mohammed Kazim Ali
University of Michigan Press, 2010

"Orange Alert is a poetic and yogic salvo across the bows of our defensive imperial posturing. Kazim Ali's essays leap deftly from homages to avant-garde artists (Yoko Ono, Agnes Martin, John Cage) to awestruck meditations on ancient architecture, from analyses of poets (Jane Cooper, Agha Shahid Ali, Mahmoud Darwish, Lucille Clifton) to twitter aphorisms. Orange Alert is a revelation, a salve, an invitation to breathe again."
---Philip Metres, Associate Professor, Department of English, John Carroll University

"With their delicacy of attention and bold range of subjects, Kazim Ali's essays hold many quiet surprises. In each art he searches for insight and craft---the virtues of his own patient writing."
---Susan Stewart, Chancellor, Academy of American Poets; and Professor, Princeton University

"Kazim Ali's essays, like his poems, are alive with curiosity and humanity. . . . Orange Alert makes a compelling case for the necessity of poetry on a planet wracked by war and devastation."
---Timothy Yu, Associate Professor, English and Asian American Studies, University of Wisconsin-Madison

A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.

Whether he is discussing the way cell phones have altered physical intimacy and introduced new verb forms, or the way Emily Dickinson's mysteries are more clearly revealed in French translation, Kazim Ali is at once clear and complex, rigorous and charming, accessible and demanding.

In Orange Alert, Ali discusses poets including Agha Shahid Ali, Jane Cooper, Bhanu Kapil, Semezdin Mehmedinovic, and Samuel Beckett. He considers painters Agnes Martin and Piet Mondrian, musicians Alice Coltrane and Yoko Ono, and philosophers Slavoj Žižek and Jean Baudrillard. Ali links the poetic endeavor to such diverse texts as Moby-Dick, Battlestar Galactica, and Marilyn Buck's prison journals.

Ali discusses contemporary poetry in relation to other art forms and to contemporary television; film; and electronic media, including the Internet, YouTube, and Facebook.

He shines a light on the intersections between cultures in these essays on the craft of poetry, offering a hand to poets either geographically or metaphorically outside the mainstream of Western culture.

Kazim Ali is the author of two books of poetry, The Far Mosque and The Fortieth Day; two novels, Quinn's Passage and The Disappearance of Seth; and a memoir, Bright Felon: Autobiographyand Cities. He is Assistant Professor of Creative Writing at Oberlin College. He has been a regular columnist for American Poetry Review.

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front cover of Resident Alien
Resident Alien
On Border-crossing and the Undocumented Divine
Mohammed Kazim Ali
University of Michigan Press, 2015
Kazim Ali uses a range of subjects—the politics of checkpoints at international borders; difficulties in translation; collaborations between poets and choreographers; and connections between poetry and landscape, or between biotechnology and the human body—to situate the individual human body into a larger global context, with all of its political and social implications. He finds in the quality of ecstatic utterance his passport to regions where reason and logic fail and the only knowledge is instinctual, in physical existence and breath. This collection includes Ali’s essays on topics such as Anne Carson’s translations of Euripides; the poetry and politics of Mahmoud Darwish; Josey Foo’s poetry/dance collaborations with choreographer Leah Stein; Olga Broumas’ collaboration with T. Begley; Jorie Graham’s complication of Kenneth Goldsmith’s theories; the postmodern spirituality of the 14th century Kashmiri mystic poet Lalla; translations of Homer, Mandelstam, Sappho, and Hafez; as well as the poet Reetika Vazirani’s practice of yoga.

“Ali has a vibrant and generous personality that lets one hear the inner music that makes us remember what it is to be human.”
Painted Bride Quarterly
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front cover of Jean Valentine
Jean Valentine
This-World Company
Mohammed Kazim Ali
University of Michigan Press, 2012

Over the course of more than four decades, contemporary American poet Jean Valentine has written eleven books of stunning, spirit-inflected poetry. This collection of essays, assembled over several years by Kazim Ali and John Hoppenthaler, brings together twenty-six pieces on all stages of Valentine's career by a range of poets, scholars, and admirers.

Valentine's poetry has long been valued for its dreamlike qualities, its touches of the personal and the political, and its mesmerizing phrasing. Valentine is a National Book Award winner and was named the State Poet of New York in 2008. She has taught a number of popular workshops and has been awarded a Bunting Institute Fellowship, a Guggenheim Foundation Fellowship, and the Shelley Memorial Prize.

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front cover of Protest Arts, Gender, and Social Change
Protest Arts, Gender, and Social Change
Fiction, Popular Songs, and the Media in Hausa Society across Borders
Ousseina D. Alidou
University of Michigan Press, 2024
Protest Arts, Gender, and Social Change: Fiction, Popular Songs, and the Media in Hausa Society across Borders by Ousseina Alidou examines how a new generation of novelists, popular songwriters, and musical performers in contemporary Hausa society are using their creative works to effect social change. This book empathizes with the reality of the forms of oppression, social isolation, and marginalization that vulnerable and underprivileged communities in contemporary Hausa society in Northern Nigeria and the Niger Republic have been experiencing from the mid-1980s to the present. It also highlights the ways in which song performances produce an intertextual dialogue between their lyrics and visual dramatic narratives to raise awareness against social ills, including gender-based violence and social inequalities exposed by biomedical health pandemics such as HIV and COVID-19. In these creative Hausa narratives, the oppressed and marginalized have agency in articulating their own experiences.

While there is an abundance of social science studies giving voice to the dominant actors of hegemonic violence in Hausa society, there is a dearth of works that center the voices of the afflicted, unprivileged, and marginalized class, among whom are women and youth. One aim of this book is to examine the ways popular songs and fiction fill up the humanistic urgency to capture the dignity of the life of those dehumanized by local, national, and international hegemonic religious and secular forces. The book focuses on the resistance narratives of one female novelist and six song composers and performers that generate alternative counterhegemonic responses to dominant patriarchal discourses produced by cultural, religious, and political elites, thus reaching out to marginalized local and national communities and global audiences. Alidou interweaves the social, political, and biomedical epidemics with the concept of “Hausa interiority” to create a unique perspective on contemporary Hausa culture and politics through the lens of artistic productions.
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When Informal Institutions Change
Institutional Reforms and Informal Practices in the Former Soviet Union
Huseyn Aliyev
University of Michigan Press, 2017
Huseyn Aliyev examines how, when, and under which conditions democratic institutional reforms affect informal institutions in hybrid regimes, or countries transitioning to democracy. He analyzes the impact of institutional changes on the use of informal practices and what happens when democratic reforms succeed. Does informality disappear, or do elites and populations continue relying on informal structures?

When Informal Institutions Change engages with a growing body of literature on informal practices and institutions in political science, economics, sociology, and beyond. Aliyev proposes expanding the analysis of the impact of institutional reforms on informal institutions beyond disciplinary boundaries, and combines theoretical insights from comparative politics with economic and social theories on informal relations. In addition, Aliyev offers insights that are relevant to democratization, institutionalism, and human geography. Detailed case studies of three transitional post-Soviet regimes—Georgia, Moldova, and Ukraine—illustrate the contentious relationship between democratic institutional reforms and informality in the broader post-Soviet context.

Aliyev shows that in order for institutional reform to succeed in strengthening, democratizing, and formalizing institutions, it is important to approach informal practices and institutions as instrumental for its effectiveness. These findings have implications not only for hybrid regimes, but also for other post-Soviet or post-communist countries.


 
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front cover of Prehistoric Settlement Patterns and Cultures in Susiana, Southwestern Iran
Prehistoric Settlement Patterns and Cultures in Susiana, Southwestern Iran
The Analysis of the F.G.L. Gremliza Survey Collection
Abbas Alizadeh
University of Michigan Press, 1992
This book reports the results of an archaeological survey undertaken in southwestern Iran by a remarkable researcher: Dr. F.G.L. Gremliza. The author, Abbas Alizadeh, presents Gremliza’s survey data and provides an analysis of the developmental implications.
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front cover of Managing Motherhood, Managing Risk
Managing Motherhood, Managing Risk
Fertility and Danger in West Central Tanzania
Denise Allen
University of Michigan Press, 2004

In Managing Motherhood, Managing Risk, Denise Roth Allen persuasively argues that development interventions in the Third World often have unintended and unacknowledged consequences. Based on twenty-two months of fieldwork in the Shinyanga Region of west central Tanzania, this rich and engaging ethnography of women's fertility-related experiences highlights the processes by which a set of seemingly well-intentioned international maternal health policy recommendations go awry when implemented at the local level.

An exploration of how threats to maternal health have been defined and addressed at the global, national, and local levels, Managing Motherhood, Managing Risk presents two contrasting, and oftentimes competing, definitions of risk: those that form the basis of international recommendations and national maternal health policies and those that do not. The effect that these contrasting definitions of risk have on women's fertility-related experiences at the local level are explored throughout the book.

This study employs an innovative approach to the analysis of maternal health risk, one that situates rural Tanzanian women's fertility-related experiences within a broader historical and sociocultural context. Beginning with an examination of how maternal health risk was defined and addressed during the early years of British colonial rule in Tanganyika and moving to a discussion of an internationally conceived maternal health initiative that was launched on the world stage in the late 1980s, the author explores the similarities in the language used and solutions proposed by health development experts over time.

This set of "official" maternal health risks is then compared to an alternative set of risks that emerge when attention is focused on women's experiences of pregnancy and childbirth at the local level. Although some of these latter risks are often spoken about as deriving from spiritual or supernatural causes, the case studies presented throughout the second half of the book reveal that the concept of risk in the context of pregnancy and childbirth is much more complex, involving the interplay of spiritual, physical, and economic aspects of everyday life.

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front cover of In the Voice of Others
In the Voice of Others
Chinese Music Bureau Poetry
Joseph Allen
University of Michigan Press, 1992
In the Voice of Others applies new critical methods to medieval works in the genre known as Music Bureau poetry (yuefu shi), stripping away layers of ossified conventional reading to expose the genre’s vital core. Arguing that Music Bureau poetry is best understood in terms of the imitative poetics now known as intratextuality, Allen explores the evolution of yuefu poetry and issues central to all genre formation. In the Voice of Others culminates in an in-depth consideration of the acknowledged master of Music Bureau poetry, the Tang poet Li Bo (Li Po).
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Classical Spies
American Archaeologists with the OSS in World War II Greece
Susan Heuck Allen
University of Michigan Press, 2013

“Classical Spies will be a lasting contribution to the discipline and will stimulate further research. Susan Heuck Allen presents to a wide readership a topic of interest that is important and has been neglected.”
—William M. Calder III, University of Illinois, Urbana-Champaign

Classical Spies is the first insiders’ account of the operations of the American intelligence service in World War II Greece. Initiated by archaeologists in Greece and the eastern Mediterranean, the network drew on scholars’ personal contacts and knowledge of languages and terrain. While modern readers might think Indiana Jones is just a fantasy character, Classical Spies disclosesevents where even Indy would feel at home: burying Athenian dig records in an Egyptian tomb, activating prep-school connections to establish spies code-named Vulture and Chickadee, and organizing parachute drops.

Susan Heuck Allen reveals remarkable details about a remarkable group of individuals. Often mistaken for mild-mannered professors and scholars, such archaeologists as University of Pennsylvania’s Rodney Young, Cincinnati’s Jack Caskey and Carl Blegen, Yale’s Jerry Sperling and Dorothy Cox, and Bryn Mawr’s Virginia Grace proved their mettle as effective spies in an intriguing game of cat and mouse with their Nazi counterparts. Relying on interviews with individuals sharing their stories for the first time, previously unpublished secret documents, private diaries and letters, and personal photographs, Classical Spies offers an exciting and personal perspective on the history of World War II.

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front cover of On the Banks of the Ganga
On the Banks of the Ganga
When Wastewater Meets a Sacred River
Kelly D. Alley
University of Michigan Press, 2002
In this rich ethnographic study, Kelly D. Alley sheds light on debates about water uses, wastewater management, and the meanings of waste and sacred power. On the Banks of the Ganga analyzes the human predicaments that result from the accumulation and disposal of waste by tracing how citizens of India interpret the impact of wastewater flows on a sacred river and on their own cultural practices.
Alley investigates ethno-semantic, discursive, and institutional data to flesh out the interplay between religious, scientific, and official discourses about the river Ganga. Using a new outward layering methodology, she points out that anthropological analysis must separate the historical and discursive strands of the debates concerning waste and sacred purity in order to reveal the cultural complexities that surround the Ganga. Ultimately, she addresses a deeply rooted cultural paradox: if the Ganga river is considered sacred by Hindus across India, then why do the people allow it to become polluted?
Examining areas of contemporary concern such as water usage and urban waste management in the most populated river basin in the world, this book will appeal to anthropologists and readers in religious, environmental, and Asian studies, as well as geography and law.
Kelly D. Alley is Associate Professor and Director of Anthropology at Auburn University. In addition to being a prolific writer, she has conducted research on public culture and environmental issues in northern India for over a decade. Alley is currently overseeing a project to ameliorate river pollution problems in India.
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front cover of Titles, Conflict, and Land Use
Titles, Conflict, and Land Use
The Development of Property Rights and Land Reform on the Brazilian Amazon Frontier
Lee J. Alston
University of Michigan Press, 1999
The Amazon, the world's largest rain forest, is the last frontier in Brazil. The settlement of large and small farmers, squatters, miners, and loggers in this frontier during the past thirty years has given rise to violent conflicts over land as well as environmental duress. Titles, Conflict, and Land Use examines the institutional development involved in the process of land use and ownership in the Amazon and shows how this phenomenon affects the behavior of the economic actors. It explores the way in which the absence of well-defined property rights in the Amazon has led to both economic and social problems, including lost investment opportunities, high costs in protecting claims, and violence. The relationship between land reform and violence is given special attention.
The book offers an important application of the New Institutional Economics by examining a rare instance where institutional change can be empirically observed. This allows the authors to study property rights as they emerge and evolve and to analyze the effects of Amazon development on the economy. In doing so they illustrate well the point that often the evolution of economic institutions will not lead to efficient outcomes.
This book will be important not only to economists but also to Latin Americanists, political scientists, anthropologists, and scholars in disciplines concerned with the environment.
Lee Alston is Professor of Economics, University of Illinois, and Research Associate for the National Bureau of Economic Research. Gary Libecap is Professor of Economics and Law, University of Arizona, and Research Associate for the National Bureau of Economic Research. Bernardo Mueller is Assistant Professor, Universidade de Brasilia.
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Projecting History
German Nonfiction Cinema, 1967-2000
Nora M. Alter
University of Michigan Press, 2002

Between 1967 and 2000, film production in Germany underwent a number of significant transformations, including the birth and death of New German Cinema as well as the emergence of a new transnational cinematic practice. In Projecting History, Nora M. Alter explores the relationship between German cinematic practice and the student protests in both East and West Germany against the backdrop of the U.S. war in Vietnam in the sixties, the outbreak of terrorism in West Germany in the seventies, West Germany's rise as a significant global power in the eighties, and German reunification in the nineties.

Although a central tendency of New German Cinema in the 1970s was to reduce the nation's history to the product of individuals, the films addressed in Projecting History focus not on individual protagonists, but on complex socioeconomic structures. The films, by Rainer Werner Fassbinder, Harun Farocki, Alexander Kluge, Ulrike Ottinger, Wim Wenders and others, address basic problems of German history, including its overall "peculiarity" within the European context, and, in particular, the specific ways in which the National Socialist legacy continues to haunt Germans.

Nora M. Alter is Associate Professor of German, Film and Media Studies, and Women and Gender Studies at the University of Florida. A specialist in twentieth-century film, comparative literature, and cultural studies, Alter has been the recipient of a National Endowment for the Humanities Fellowship and a Howard Foundation Fellowship. She is also the author of Vietnam Protest Theatre: The Television War on Stage.

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Drawing Conclusions on Henry Ford
Rudolph Alvarado
University of Michigan Press, 2001

For years political cartoons have shaped the often unflattering popular view of public figures. One of the most-often-portrayed figures of the twentieth century was the automobile manufacturer Henry Ford. Through editorial drawings, a vivid picture of Ford was presented that became the source of myths that surrounded him and continue even to this day.

Drawing Conclusions on Henry Ford is the first and only collection that brings together in one volume these editorial cartoons. They date back as far as the time Ford introduced the Model T in 1908 and extend forward to the introduction of the Model A and subsequent V8 engines in the 1930s. They illustrate the emergence of many of the popular myths surrounding Henry Ford, as seen and understood by the average citizen during the opening decades of the twentieth century. With 150 illustrations, the reader is able to trace the evolving images of Ford from a time period when caricature images of public figures were a primary source of information about those persons. Sometimes funny, sometimes sharp and critical, these cartoons are entertaining in themselves. Viewed as a whole, they create anew view of the Henry Ford story.

Rudolph V. Alvarado is a freelance writer and museum consultant, as well as the former programs leader for the Henry Ford Museum and Greenfield Village. Sonya Y. Alvarado is an instructor of English, at Eastern Michigan University and a former adjunct faculty member, Wayne State University.

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front cover of Immersions in Cultural Difference
Immersions in Cultural Difference
Tourism, War, Performance
Natalie Alvarez
University of Michigan Press, 2018
In a time of intensifying xenophobia and anti-immigration measures, this book examines the impulse to acquire a deeper understanding of cultural others. Immersions in Cultural Difference takes readers into the heart of immersive simulations, including a simulated terrorist training camp in Utah; mock Afghan villages at military bases in Canada and the UK; a fictional Mexico-US border run in Hidalgo, Mexico; and an immersive tour for settlers at a First Nations reserve in Manitoba, Canada. Natalie Alvarez positions the phenomenon of immersive simulations within intersecting cultural formations: a neoliberal capitalist interest in the so-called “experience economy” that operates alongside histories of colonization and a heightened state of xenophobia produced by War on Terror discourse. The author queries the ethical stakes of these encounters, including her own in relation to the field research she undertakes. As the book moves from site to site, the reader discovers how these immersions function as intercultural rehearsal theaters that serve a diverse set of strategies and pedagogical purposes: they become a “force multiplier” within military strategy, a transgressive form of dark tourism, an activist strategy, and a global, profit-generating practice for a neoliberal capitalist marketplace.
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front cover of A Catalogue of Greek Manuscripts at the University of Michigan, Ann Arbor
A Catalogue of Greek Manuscripts at the University of Michigan, Ann Arbor
Pablo Alvarez
University of Michigan Press, 2021

A Catalogue of Greek Manuscripts at the University of Michigan, Ann Arbor is a comprehensive, fully illustrated catalogue of the largest collection of Greek manuscripts in America, including 110 codices and fragments ranging from the fourth to the nineteenth century. The collection, held in the Special Collections Research Center of the University of Michigan Library, contains many manuscripts from Epirus and the Meteora monasteries built on high pinnacles of rocks in Thessaly. Nadezhda Kavrus-Hoffmann has based the manuscript descriptions on the latest developments in the fields of paleography and codicology, including the newest recommendations of the Institute for Research and History of Texts in Paris. The catalogue includes high-resolution plates of all the manuscripts, allowing researchers to compare the entries with other Greek manuscripts around the world. This catalogue contains a trove of fascinating information related to Byzantine culture that will be available for the first time to scholars working on various disciplines of the humanities such as Classical and Byzantine Studies, Art History, Medieval Studies, Theology, and History.

This is the first volume of a projected two-volume set. Volume 2, also by Nadezhda Kavrus-Hoffmann, will contain descriptions of remaining Greek manuscripts in the Library’s collection, starting with Mich. Ms. 59 and ending with Mich. Ms. 238, for a total of 53 manuscripts and 8 fragments. Both volumes will have the same format – catalogue entries for each manuscript together with extensive illustrations.  The publication date for Volume 2 has not been established.

The publication of this book has been made possible through the generous support of Carl D. Winberg, MD.

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Information and Elections
R. Michael Alvarez
University of Michigan Press, 1998
R. Michael Alvarez examines how voters make their decisions in presidential elections. He begins with the assumption that voters have neither the incentive nor the inclination to be well-informed about politics and presidential candidates. Candidates themselves have incentives to provide ambiguous information about themselves, their records and their issue positions. Yet the author shows that a tremendous amount of information is made available about presidential candidates. And he uncovers clear and striking evidence that people are not likely to vote for candidates about whom they know very little. Alvarez explores how voters learn about candidates through the course of a campaign. He provides a detailed analysis of the media coverage of presidential campaigns and shows that there is a tremendous amount of media coverage of these campaigns, that much of this coverage is about issues and is informative, and that voters learn from this coverage.
The paperback edition of this work has been updated to include information on the 1996 Presidential election.
Information and Elections is a book that will be read by all who are interested in campaigns and electoral behavior in presidential and other elections.
"Thoughtfully conceptualized, painstakingly analyzed, with empirically significant conclusions on presidential election voting behavior, this book is recommended for both upper-division undergraduate and graduate collections." --Choice
R. Michael Alvarez is Associate Professor of Political Science, California Institute of Technology.
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front cover of The Deadlock of Democracy in Brazil
The Deadlock of Democracy in Brazil
Barry Ames
University of Michigan Press, 2002
Many countries have experimented with different electoral rules in order either to increase involvement in the political system or make it easier to form stable governments. Barry Ames explores this important topic in one of the world's most populous and important democracies, Brazil. This book locates one of the sources of Brazil's "crisis of governance" in the nation's unique electoral system, a system that produces a multiplicity of weak parties and individualistic, pork-oriented politicians with little accountability to citizens. It explains the government's difficulties in adopting innovative policies by examining electoral rules, cabinet formation, executive-legislative conflict, party discipline and legislative negotiation.
The book combines extensive use of new sources of data, ranging from historical and demographic analysis in focused comparisons of individual states to unique sources of data for the exploration of legislative politics. The discussion of party discipline in the Chamber of Deputies is the first multivariate model of party cooperation or defection in Latin America that includes measures of such important phenomena as constituency effects, pork-barrel receipts, ideology, electoral insecurity, and intention to seek reelection. With a unique data set and a sophisticated application of rational choice theory, Barry Ames demonstrates the effect of different electoral rules for election to Brazil's legislature.
The readership of this book includes anyone wanting to understand the crisis of democratic politics in Brazil. The book will be especially useful to scholars and students in the areas of comparative politics, Latin American politics, electoral analysis, and legislative studies.
Barry Ames is the Andrew Mellon Professor of Comparative Politics and Chair, Department of Political Science, University of Pittsburgh.
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Rethinking Japanese History
Yoshihiko Amino
University of Michigan Press, 2012
In this fascinating journey across centuries, Amino Yoshihiko, the premier historian of medieval Japan, invites us to rethink everything we thought we knew about Japanese history. From reconsidering the roles of outcastes and outlaws, to the provenance of "Japan (Nihon)," to the very meaning of writing, Amino offers a powerful critique of the conventional wisdom about Japan's past. Instead of depicting Japan as an isolated island country full of immobile peasants dominated by swaggering warriors and an unbroken line of sacred emperors, he unveils a dynamic history of an archipelago driven by the competition to control trade and movement, in which warlords and aristocrats share the main stage with pirates, courtesans, beggars, and dancing monks.
Written for a nonspecialist audience and standing on a foundation of fifty years of research in a vast and eclectic range of primary sources, Rethinking Japanese History introduces the English reader to one of Japan's most original and provocative historians. Since the 1970s, Amino has inspired readers with his view of Japanese history "from the sea," in which the power politics of the samurai class were contrasted with the countervailing authorities of religious institutions, artisanal groups, and "lords of the sea" who enabled the movement of people and goods from the Asian continent to every harbor and village of Japan. In his portraits of an archaic and medieval past permeated with "places of freedom" and a grand struggle between ideologies of trade and agriculture, Amino challenged his contemporaries to reconsider not only their understanding of Japan's past, but also its present and future. Rethinking Japanese History calls on us to contemplate seriously the meaning of the deep past in our present day.
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Set in Motion
Essays, Interviews, and Dialogues
A. R. Ammons
University of Michigan Press, 1996
Set in Motion collects for the first time the prose writings of A. R. Ammons, one of our most important and enduring contemporary poets. Hailed as a major force in American poetry by such redoubtable critics as Harold Bloom and Helen Vendler, Ammons has reflected upon the influences of luminaries like Emerson, Thoreau, Whitman, Frost, Stevens, and Williams while creating a compelling style and an artistic vision uniquely his own.
Set in Motion includes essays, reviews, and interviews as well as a selection of Ammons's poems, with commentary from the author about their inspiration and effects. He takes up the questions that have been central to American poetry over the last forty years and connects them to the larger enterprise of living in a difficult, changing world. At a moment when the arts are under attack, Ammons reminds us of the crucial role poetry plays in teaching us to recognize and use sources of understanding that are irreducible to statement.
A. R. Ammons is the author of Sphere, A Coast of Trees, and Garbage and was recently the editor of The Best American Poetry 1994. His awards include the MacArthur and Guggenheim fellowships, the Bollingen Prize, two National Book Awards, and prizes from the American Academy of Arts and Letters and the National Book Critics Circle. He is Goldwin Smith Professor of Poetry, Cornell University.
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front cover of Greek Ostraca in the University of Michigan Collection - Pt. 1 - Texts
Greek Ostraca in the University of Michigan Collection - Pt. 1 - Texts
Leiv Amundsen
University of Michigan Press, 1935
This volume documents Greek ostraca from the University’s excavations at Karanis; a few additional pieces were purchased since 1920 by Dr. D.L. Askren Some of the texts contain Arsinoite place names; in all cases a Fayumic origin may be taken for granted.
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front cover of Out of the Closets and into the Courts
Out of the Closets and into the Courts
Legal Opportunity Structure and Gay Rights Litigation
Ellen Ann Andersen
University of Michigan Press, 2004
Over the past 30 years, the gay rights movement has moved from the margins to the center of American politics, sparking debate from bedroom to boardroom to battlefield. Out of the Closets and into the Courts analyzes the most recent gay rights cases, and explores the complex relationship between litigation and social change. Ellen Andersen describes what happens when these cases—many overseen by the Lambda Legal Defense Fund, the nation's oldest and largest gay rights defense firm—enter the courtroom, and explains why they have met with mixed success.

Out of the Closets and into the Courts explores both the promise and the limits of using legal mobilization to effect social change. Crossing disciplinary boundaries, Ellen Andersen draws on the accumulated knowledge of political science, law, and sociology to explain the origins and outcomes of gay rights litigation. The resulting book is essential reading for anyone interested in gay rights, legal change, and social movements.
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A Commentary on Aristophanes' Knights
Carl Arne Anderson
University of Michigan Press, 2020
A Commentary on Aristophanes’ Knights presents a fresh look at the play that cemented Aristophanes’ reputation as a rising star in comic theater. Knights offers an examination of social and political life in ancient Athens during the empire-destroying Peloponnesian War, as well as giving us Aristophanes’ comic send-up of the dangerous populist demagogue Cleon. This is a thoroughly modern commentary on a key play in the theatrical genre of Old Comedy, which satirized virtually every aspect of Athenian life in a period when Athens was at the height of its power and international prestige.

In addition to the complete Greek text and commentary, this volume includes a substantial introduction to the playwright’s career and to the historical and political background of the play. It includes advice for students on grammar and syntax, meter, festivals and staging, as well as topical and literary references and allusions that will help guide students to a mature appreciation of the comedy’s humor, seriousness, and artistic quality. Priced and sized for classroom use, this is the first full commentary on Knights since 1901 and will be widely welcomed.

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front cover of Shakespeare and the Legacy of Loss
Shakespeare and the Legacy of Loss
Emily Hodgson Anderson
University of Michigan Press, 2018

How do we recapture, or hold on to, the live performances we most love, and the talented artists and performers we most revere? Shakespeare and the Legacy of Loss tells the story of how 18th-century actors, novelists, and artists, key among them David Garrick, struggled with these questions through their reenactments of Shakespearean plays. For these artists, the resurgence of Shakespeare, a playwright whose works just decades earlier had nearly been erased, represented their own chance for eternal life. Despite the ephemeral nature of performance, Garrick and company would find a way to make Shakespeare, and through him the actor, rise again.

In chapters featuring Othello, Richard III, Hamlet, The Winter’s Tale, and The Merchant of Venice, Emily Hodgson Anderson illuminates how Garrick’s performances of Shakespeare came to offer his contemporaries an alternative and even an antidote to the commemoration associated with the monument, the portrait, and the printed text. The first account to read 18th-century visual and textual references to Shakespeare alongside the performance history of his plays, this innovative study sheds new light on how we experience performance, and why we gravitate toward an art, and artists, we know will disappear.

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front cover of Democratization by Institutions
Democratization by Institutions
Argentina's Transition Years in Comparative Perspective
Leslie E. Anderson
University of Michigan Press, 2016
In this pioneering study of democratization in Argentina, Leslie Anderson challenges Robert Putnam’s thesis that democracy requires high levels of social capital. She demonstrates in Democratization by Institutions that formal institutions (e.g., the executive, the legislature, the courts) can serve not only as operational parts within democracy but as the driving force toward democracy.

As Anderson astutely observes, the American founders debated the merits of the institutions they were creating. Examining how, and how well, Argentina’s American-style institutional structure functions, she considers the advantages and risks of the separation of powers, checks and balances, legislative policymaking, and strong presidential power. During the democratic transition, the Argentinian state has used institutions to address immediate policy challenges in ways responsive to citizens and thereby to provide a supportive environment in which social capital can develop.

By highlighting the role that institutions can play in leading a nation out of authoritarianism, even when social capital is low, Anderson begins a new conversation about the possibilities of democratization. Democratization by Institutions has much to say not only to Latin Americanists and scholars of democratization but also to those interested in the U.S. constitutional structure and its application in other parts of the world.

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front cover of A Story Teller's Story
A Story Teller's Story
The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers--told in many notes--in four books--and an Epilogue
Sherwood Anderson
University of Michigan Press, 2005
A memoir of Midwestern life and culture from the author of Winesburg, Ohio

Praise for A Story Teller's Story---

"The American Portrait of the Artist."
-Charles Baxter

"Probably unequaled . . . for the austerity of moral courage and sincerity of
conviction. . . . A book which should be read by every intelligent American."
---New York Times

"In the field of literary autobiography, it stands practically alone in America."
---The Nation

"The voice of the soliloquist . . . amplifies the drama of A Story Teller's Story, as does the persistent theme of escape, from an America of fact and factories, marketing and manufacturing, to the borderless Ohios of imagination and creation."
---From the introduction by Thomas Lynch
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front cover of Matthew Arnold and the Classical Tradition
Matthew Arnold and the Classical Tradition
Warren D. Anderson
University of Michigan Press, 1988
To be born into the middle or upper classes of Matthew Arnold's England was in a sense to be born into the classical tradition. The precise contour and uses of the tradition, in Arnold's thought and writing, are the subject of this unique study by Warren D. Anderson. In Matthew Arnold and the Classical Tradition, Anderson shows how the young poet first experimented with his classical heritage, how he moved toward deep involvement and then withdrew to a more objective position. The author examines Arnold's school and university background, his poetry and later prose, his relationship to Stoicism and Epicureanism. The resulting study is absolutely central to an appreciation of Arnold and to an understanding of the classical foundations of Western literature. It shows clearly and accurately the ways in which the nineteenth century interpreted the fifth century B.C.
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The View from the Dugout
The Journals of Red Rolfe
William M Anderson
University of Michigan Press, 2006
"Somewhere, if they haven't been destroyed, there are hundreds of pages of typewritten notes about American League players of that era, notes which I would love to get my hands on."
-Bill James, in The New Bill James Historical Baseball Abstract, on the journals of Red Rolfe

"Red Rolfe's journal for his years as manager of the Detroit Tigers is the kind of precious source researchers yearn for. In combination with William M. Anderson's well-done text, The View from the Dugout will be of great interest to general readers and of immense value to students of baseball history."
-Charles C. Alexander, author of Breaking the Slump: Baseball in the Depression Era

"Red Rolfe was one of baseball's most astute observers. This is 'inside' baseball from the inside."
-Donald Honig, author of Baseball America, Baseball When the Grass Was Real, and other books in the Donald Honig Best Players of All Time series

"In his lucid journals Red Rolfe has provided an inside look at how an intelligent baseball manager thinks and prepares."
-Ray Robinson, Yankee historian and author of Iron Horse: Lou Gehrig in His Time

Baseball players as a rule aren't known for documenting their experiences on the diamond. Red Rolfe, however, during his time as manager of the Detroit Tigers from 1949 to 1952, recorded daily accounts of each game, including candid observations about his team's performance. He used these observations to coach his players and to gain an advantage by recording strengths, weaknesses, and tendencies of opposing players and managers. Rolfe's journals carry added value considering his own career as an All-Star Yankee third baseman on numerous world champion teams, where he was a teammate of Lou Gehrig and Joe DiMaggio.

Today, in the era of televised broadcasts, networks often wire a manager so that viewers can listen to his spontaneous comments throughout the game. Red Rolfe's journals offer an opportunity to find out what a manager is thinking when no one is around to hear.

William M. Anderson is Director of the Department of History, Arts and Libraries for the State of Michigan. His books include The Detroit Tigers: A Pictorial Celebration of the Greatest Players and Moments in Tigers' History.
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The Discovery of the Fact
Clifford Ando
University of Michigan Press, 2020
The Discovery of the Fact draws on expertise from lawyers, historians of philosophy, and scholars of classical studies and ancient history, to take a very modern perspective on an underexplored but essential domain of ancient legal history. Everyone is familiar with courts as adjudicators of facts. But legal institutions also played an essential role in the emergence of the notion of the fact, and contributed in a vital way to commonplace understandings of what is knowable and what is not. These issues have a particular importance in ancient Greece and Rome, the first western societies in which state law and state institutions of dispute resolution visibly play a decisive role in ordinary social and economic relations. The Discovery of the Fact investigates, historically and comparatively, the relationships among the law, legal institutions, and the boundaries of knowledge in classical Greece and Rome. Societies wanted citizens to conform to the law, but how could this be insured? On what foundation did ancient courts and institutions base their decisions, and how did they represent the reasoning behind their decisions when announcing them? Slaves were owned like things, and yet they had minds that ancients conceded were essentially unknowable. What was to be done? And where  has the boundary been drawn between questions of law and questions of fact when designing processes of dispute resolution?
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African Performance Arts and Political Acts
Naomi Andre
University of Michigan Press, 2021

African Performance Arts and Political Actspresents innovative formulations for how African performance and the arts shape the narratives of cultural history and politics. This collection, edited by Naomi André, Yolanda Covington-Ward, and Jendele Hungbo, engages with a breadth of African countries and art forms, bringing together speech, hip hop, religious healing and gesture, theater and social justice, opera, radio announcements, protest songs, and migrant workers’ dances. The spaces include village communities, city landscapes, prisons, urban hostels, Township theaters, opera houses, and broadcasts through the airwaves on television and radio as well as in cyberspace. Essays focus on case studies from Cameroon, the Democratic Republic of the Congo, Nigeria, Senegal, South Africa, and Tanzania.

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Climate Games
Experiments on How People Prevent Disaster
Talbot M. Andrews
University of Michigan Press, 2024
Can humanity work together to mitigate the effects of climate change? Climate Games argues we can. This book brings together a decade and a half of experimentation, conducted by researchers around the world, which shows that people can and will work together to prevent disasters like climate change. These experiments, called economic games, put money on the line to create laboratory disasters. Participants must work together by spending a bit of money now to prevent themselves from losing even more money in the future. Will people sacrifice their own money to prevent disaster? Can people make wise decisions? And can people decide wisely on behalf of others? The answer is a resounding yes. 

Yet real climate change is a complex social dilemma involving the world’s nearly eight billion inhabitants. In the real world, the worst effects of climate change are likely to be felt by developing countries, while most of the decisions will be made by rich, industrialized countries. And while the world as a whole would be better off if all nations reduced their greenhouse gas emissions, any given nation could decide it would be even better off if it continued emitting and let other nations take care of the problem. These disaster experiments test how real people respond to climate change’s unique constellation of challenges and deliver a positive message: People will prevent disaster.
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front cover of On William Stafford
On William Stafford
The Worth of Local Things
Tom Andrews
University of Michigan Press, 1995
"[His] poems . . . bear witness to both the care and disregard around us--naming the places, catching the shine of the ordinary, pulling the rug out from under vanity and pretension, giving fresh credit to the selfless and decent, acknowledging the inevitable, nudging us toward observant lives and peaceful interactions."--Jurors, Western Book Awards Lifetime Achievement in Poetry, 1992
The late William Stafford's poetry and essays have had a major influence on contemporary American poetry. Since his book Traveling Through the Dark won the National Book Award in 1963, his awards have grown exponentially as new work has appeared. The range of writers in the past four decades who have celebrated Stafford's work-- from Margaret Atwood to James Dickey-- is remarkable. On William Stafford: The Worth of Local Things helps clarify the precise nature of Stafford's influence by assembling the responses of some of our best poets and critics to his work, including Richard Hugo, Charles Simic, Louis Simpson, Robert Coles, Linda Pastan, and Robert Creeley. This collection offers a unique view of Stafford's sometimes controversial work and insight into several of the liveliest recent debates in poetics.
Tom Andrews is Assistant Professor of English, Ohio University.
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Intersections in Turkish Literature
Essays in Honor of James Stewart-Robinson
Walter G. Andrews
University of Michigan Press, 2001
The rich but often neglected field of Turkish and Ottoman literature has long suffered from the fact that a number of traditional research boundaries have separated the studies of folk and elite literature, of Ottoman and modern literature, of the village and the city, the religious and the secular.
Intersections in Turkish Literature is a collection of essays on Turkish literature by former students of James Stewart-Robinson. The topics and methods cover a broad range--from a careful thematic analysis of a traditional Turkish folktale, which reveals its resemblance to well-known Western tales; to an analysis of the "saint tales" recounted by present-day Albanian Bektasi adepts; to a study of narrative rhythm in Nazim Hikhmet's rendition of an account of a fifteenth-century popular uprising.
Walter G. Andrews has assembled the writings of a number of scholars who bridge traditional chasms, inviting us to rethink our approaches to the study of Turkish and Ottoman literature. This collection forms a nucleus that clearly demonstrates the great potential now existing for study in this area, the essays displaying a variety of unusual approaches that bring together seemingly disparate materials: the Turkish story "The Pomegranate Seed" and Disney's "Snow White"; a fifteenth-century chronicle and the poetry of a modern socialist poet; Albanian dervishes in Detroit; a modern Turkish novel; Virginia Woolf; a Yale critic; traditional Japanese poetry; and Ottoman lyrics.
Intersections in Turkish Literature will provide an important stimulus to work that reaches beyond the limits of area studies, intersecting with the interests of scholars and students of literary theory, folklore studies, anthropology, French, Japanese, and Persian.
Walter G. Andrews is Affiliate Professor of Near Eastern Languages and Civilization, University of Washington.
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front cover of Free Society and Moral Crisis
Free Society and Moral Crisis
Robert Angell
University of Michigan Press, 1958
Must freedom be bought at the price of conflict and chaos? Free society is in a state of crisis, beset with racial and religious tension, family conflict, juvenile delinquency, and rising crime rates. Must it always be so? This is the question Robert Cooley Angell undertakes to answer. "This great study," Reinhold Niebuhr writes in the Foreword, "deals with the peculiar problems of a technical society such as ours—its rapid social change, the anonymity of its urban community, the peculiar hazards of its cities . . . It is a study in social dynamics, tracing the various self-righting tendencies by which pressures from without and within, and catastrophies of external and internal origin, may be met . . . But the book is more than this . . . Angell is studying not merely social integration but also moral discipline. He never loses sight of the full dimension of moral life—its individual no less than its social extension . . . This book—the fruit of wisdom and a vast erudition—thus is a precious resource to the general reader and to the specialist concerned with the problems of social and moral integration."
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front cover of Capital, the State, and War
Capital, the State, and War
Class Conflict and Geopolitics in the Thirty Years' Crisis, 1914-1945
Alexander Anievas
University of Michigan Press, 2014

The history of the modern social sciences can be seen as a series of attempts to confront the challenges of social disorder and revolution wrought by the international expansion of capitalist social relations. In Capital, the State, and War, Alexander Anievas focuses on one particularly significant aspect of this story: the inter-societal or geo-social origins of the two world wars, and, more broadly, the confluence of factors behind the Thirty Years’ Crisis between 1914 and 1945.

Anievas presents the Thirty Years’ Crisis as a result of the development of global capitalism with all its destabilizing social and geopolitical consequences, particularly the intertwined and co-constitutive nature of imperial rivalries, social revolutions, and anti-colonial struggles. Building on the theory of “uneven and combined development,” he unites geopolitical and sociological explanations into a single framework, thereby circumventing the analytical stalemate between “primacy of domestic politics” and “primacy of foreign policy” approaches.

Anievas opens new avenues for thinking about the relations among security-military interests, the making of foreign policy, political economy and, more generally, the origins of war and the nature of modern international order.

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front cover of The Extraordinary Decade
The Extraordinary Decade
Literary Memoirs
P.V. Annenkov
University of Michigan Press, 1981
Russia in the 1840s seethed with intellectual radicalism. The reactionary government of Alexander I and of his successor, Nicholas I ,had dispelled all hope among the intelligentsia of reforming Russia, and both Westerners and Slavophiles sought ways to eradicate the recent past and to found a new Russia, new in government, in social structure, and in philosophy. Pavel V. Annenkov was an intimate friend of the radical intellectuals—Belinsky, Herzen, Bakunin, and Botkin—as well as of the foremost literary figures of the day—Turgenev, Tolstoy, and Gogol. In his memoirs, Annenkov gives penetrating insights into the nature of this "extraordinary decade," the 1840s, and personal portraits of the many famous men who made it extraordinary. Annenkov focuses on his good friend V. G. Belinsky, the influential literary critic and political philosopher. He analyzes the critical relationship between Belinsky and Gogol and the events leading to Belinsky's writing of his famous letter to Gogol; he demonstrates the influence of Hegelian philosophy on Belinsky's life; and he tells how the effect of Lermontov's writings finally led Belinsky to change his whole outlook. Being a great traveler, Annenkov was aware of the political and intellectual currents of the day throughout Europe, and in the course of his memoirs he describes the effect of politics on different modes of contemporary thought as well as the effect of European thought on the Russian intelligentsia. Annenkov himself was not a radical; he preferred to remain detached. But his recollections convey all the immediacy of a decade of intellectual ferment, and his observations provide not only an intriguing picture of Russia in the 1840s but also opportunity for comparisons with later decades in Russian history.
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Embodied Archive
Disability in Post-Revolutionary Mexican Cultural Production
Susan Antebi
University of Michigan Press, 2021

Embodied Archive focuses on perceptions of disability and racial difference in Mexico’s early post-revolutionary period, from the 1920s to the 1940s. In this period, Mexican state-sponsored institutions charged with the education and health of the population sought to strengthen and improve the future of the nation, and to forge a more racially homogeneous sense of collective identity and history. Influenced by regional and global movements in eugenics and hygiene, Mexican educators, writers, physicians, and statesmen argued for the widespread physical and cognitive testing and categorization of schoolchildren, so as to produce an accurate and complete picture of “the Mexican child,” and to carefully monitor and control forms of unwanted difference, including disability and racialized characteristics. Differences were not generally marked for eradication—as would be the case in eugenics movements in the US, Canada, and parts of Europe—but instead represented possible influences from a historically distant or immediate reproductive past, or served as warnings of potential danger haunting individual or collective futures.

Weaving between the historical context of Mexico’s post-revolutionary period and our present-day world, Embodied Archive approaches literary and archival documents that include anti-alcohol and hygiene campaigns; projects in school architecture and psychopedagogy; biotypological studies of urban schoolchildren and indigenous populations; and literary approaches to futuristic utopias or violent pasts.  It focuses in particular on the way disability is represented indirectly through factors that may have caused it in the past or may cause it in the future, or through perceptions and measurements that cannot fully capture it. In engaging with these narratives, the book proposes an archival encounter, a witnessing of past injustices and their implications for the disability of our present and future.

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The Disabled Child
Memoirs of a Normal Future
Amanda Apgar
University of Michigan Press, 2023
When children are born with disabilities or become disabled in childhood, parents often experience bewilderment: they find themselves unexpectedly in another world, without a roadmap, without community, and without narratives to make sense of their experiences. The Disabled Child: Memoirs of a Normal Future tracks the narratives that have emerged from the community of parent-memoirists who, since the 1980s, have written in resistance of their children’s exclusion from culture. Though the disabilities represented in the genre are diverse, the memoirs share a number of remarkable similarities; they are generally written by white, heterosexual, middle or upper-middle class, ablebodied parents, and they depict narratives in which the disabled child overcomes barriers to a normal childhood and adulthood. Apgar demonstrates that in the process of telling these stories, which recuperate their children as productive members of society, parental memoirists write their children into dominant cultural narratives about gender, race, and class.   By reinforcing and buying into these norms, Apgar argues, “special needs” parental memoirs reinforce ableism at the same time that they’re writing against it.
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front cover of Tax Politics in Eastern Europe
Tax Politics in Eastern Europe
Globalization, Regional Integration, and the Democratic Compromise
Hilary Appel
University of Michigan Press, 2011

“This is the first book to systematically examine the variation in policies of Eastern European countries. There is a theoretical contribution to understandings of variation in tax policies, but just as impressive is the in-depth empirical analysis and in particular the data from interviews with key players in the process.”
—Yoshiko Herrera, University of Wisconsin-Madison

Post-Communist tax reform, like institutional reform in other areas of the post-Communist transition, holds tremendous material consequences for different groups in society. Consequently, one would expect the allocation of resources and the distribution of the financial burden of that allocation to be highly sensitive to domestic politics. Indeed the political stakes should be especially high since post-Communist tax reform requires not merely a simple adjustment at the margin, but the fundamental reallocation of the responsibility for government revenue. In Eastern Europe, however, important areas of tax policy do not reflect traditional domestic variables (e.g., interest groups and partisanship) so much as the international imperatives associated with regional and global economic integration.

In Tax Politics in Eastern Europe, Hilary Appel analyzes the domestic and international factors that drive tax policy. She begins with a review of the greatest challenges in the initial creation of the capitalist tax systems in former Communist states and then turns to the evolution of specific forms of taxation in order to gauge the relative impact of domestic politics on tax policy. Appel concludes that, although some tax areas, such as personal income taxes, remain politicized, most other taxes, such as corporate income taxes and all forms of consumption taxes, have been less subject to domestic political pressures because of powerful constraints resulting from regional and global economic integration.

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front cover of Women and Politics in the Age of the Democratic Revolution
Women and Politics in the Age of the Democratic Revolution
Harriet B. Applewhite
University of Michigan Press, 1993
Comparative historical investigations of gender and political culture in 18th- and 19th-century revolutionary movements
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front cover of The Biblical Web
The Biblical Web
Ruth apRoberts
University of Michigan Press, 1994
The Bible is the most familiar text of Western culture, and the most ancient. The Bible constitutes the largest element of our collective inheritance—the vast web of meanings and metaphors in which we envision ourselves, our lives, and our culture. But is a purely literary study of the Bible possible? Ruth apRoberts argues that the answer is a decided yes in The Biblical Web. These lively and varied essays suggest that, even aside from its religious significance, the Bible has had a profound literary impact on Western culture. The author employs literary-critical methods to examine language, metaphor, translations, and levels of literary interpretation in the Bible. These methods allow us to see the language of the Bible as the prologue to religious interpretations. The essays cover a wide array of topics in Biblical study but are united in their focus on the particular distinction and power of the English translation and its resonances in Western literature. Topics such as the translation of Hebrew poetry gain immeasurably by apRoberts's new and important insights. She investigates the historical content of the best-known anthology of biblical quotations, the often-sung but rarely analyzed text of Handel's Messiah. The essay on the Book of Job as a Gödelian paradigm presents an original reading of that inexhaustible text, and another essay provides a study of England's great Bible critic, Robert Lowth. The final essay traces some little-known aspects and echoes of the Bible in English, from Matthew Arnold's edition of Isaiah to the poetry of A. E. Housman and G. M. Hopkins. The Biblical Web presents the Bible not as religious doctrine but as a text that is wonderfully varied, inconsistent, and frequently distinguished by great literary art. The Bible, she reminds us, is amassed out of translations, and translations and modifications of translations; it is a text that has metamorphosed countless times, and yet endures as a basis of western culture.
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Aspects of Islamic Civilization
As Depicted in the Original Texts
A. J. Arberry
University of Michigan Press, 1967

Islamic literature is rich, varied, and abundant, as befits the literature of a civilization which once controlled an empire as great as that of the Romans. In Aspects of Islamic Civilization, A. J. Arberry has chosen and translated passages from the most highly regarded works of Islamic literature in order to illustrate the development of Islamic civilization from its origins in the sixth century to the present.

This anthology is made up of selections from Arabic and Persian writers who have given world renown to Islamic literature—such as Hafiz, Sa'di, Jalal al-Din Rumi, Omar Khayyam, Ibn al-Farid, Avicenna, Ibn Hazm—and from such works as the Koran, the Masnavi, and the Moorish Anthology. It is an invaluable collection of sources for anyone interested in the Moslem world and a fascinating volume to browse in.

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A Blessed Rage for Order
Deconstruction, Evolution, and Chaos
Alexander J. Argyros
University of Michigan Press, 1992
Recent developments in a range of disciplines, from high-energy physics to biogenetic anthropology, suggest a stunningly beautiful model of the cosmos. In A Blessed Rage for Order, Alexander Argyros explores the implications these discoveries might hold for literary criticism, for art, and, more broadly, for our understanding of the place of human culture in cosmic evolution. Argyros challenges deconstructionist paradigms, basing his own model largely on developing chaos theory, in combination with J. T. Graser's theory of evolution. He argues that the kind of dualism that postulates an unbreachable gap between human culture and prehuman nature must be replaced by a view of the universe as a communicative, dynamic, and evolving system: a model that allows the natural and cultural worlds to exist in an endlessly innovative continuum. Argyros presents a strong argument that although socio-institutional contexts play a large role in defining and constituting the world of human beings, other contexts must also be taken into account. The study draws on the work of E. O. Wilson, Douglas Hofstadter, Ilya Prigogine, and Karl Popper, among others, in proposing a new, interdisciplinary chaotic paradigm that Argyros believes can reaffirm such concepts as universality, identity, meaning, truth, and beauty.
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Four Comedies
William Aristophanes
University of Michigan Press, 1969
Contains Lysistrata, The Congresswomen, The Acharnians, and The Frogs
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Three Comedies
William Aristophanes
University of Michigan Press, 1969
Contains The Birds, The Clouds, and The Wasps
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Metaphysics
Richard Aristotle
University of Michigan Press, 1952
Aristotle's great work translated into English with an index giving Greek, Latin, and English forms of key terms
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Poetics
Gerald Aristotle
University of Michigan Press, 1967
Aristotle's Poetics is a work of transcendent importance, both for the history of literary criticism and in its own right.

In his masterful translation and accompanying notes, Dr. Else makes a special effort to achieve maximum clarity, while remaining faithful to the original.  His constant aim is to provide -- for all readers -- a "way in" to Aristotle's processes of thinking about literature.

This important modern translation is made form the 1965 Oxford Classical Text edition of the Poetics by Rudolf Kassel and thus reflects the latest and most authoritative textual scholarship.  Not only the translation but the valuable fund of commentary will delight anyone -- literary critic, philosopher, classicist, or general reader -- who want to learn what Aristotle really said.
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